173 Sentences With "coquettish" | Random Sentence Generator

"What are the hours?" she replied with a coquettish look.

Actress Eva-Maria Kurz mocks the guard via a coquettish scowl.

They played for hours: she, coquettish yet cunning; he, curious and amazed.

There are no coquettish references or playful culinary nods to its cabaret setting.

Discussing Trump on "60 Minutes," he had a manner that was borderline coquettish.

She's a coquettish remix of France's most iconic women (Brigitte Bardot, Jane Birkin, Lou Doillon).

Is he, as his coquettish demeanor suggests, actually the mastermind behind the country's nuclear program?

"Band of Outsiders" saw her as naïve, coquettish but clever, with a streak of mischief.

Singing this beguiling, seemingly playful passage, Callas is coquettish, seductive and determined — all at once.

Neither a coquettish schoolgirl nor a gruff and troubled badass, Heather is a remarkably ordinary character.

Her coquettish posture is disarming; protected by her shawl, she meets the viewer on equal terms.

I was hoping for a suntan-lotiony Coquettish Coconut or perhaps a prune-esque P.O.'ed Plum.

During the "Coquettish Fetish" segment of that same show, Lima stepped out in a plant-inspired getup.

Claire Coolen makes a coquettish, bright-voiced Musetta, a singer and Marcello's on-again-off-again girlfriend.

I remember him batting his eyelashes as he said it, delivering the name in a coquettish falsetto.

She is perched on a rolling chair, paws hovering over the keyboard, a coquettish smile on her face.

Her rhymes range from bold and aggressive, to coquettish, to wanton and sultry, with a soupçon of women's empowerment.

The way Lenny stops to wink at the camera at the end encapsulates the coquettish essence of the show.

About 53,25 fans attended this midweek game, grandmothers wrapped in traditional blankets, aunts and uncles, and coquettish teenage girls.

She gave a bravura performance that included searing intensity and coquettish whim, often welded together in a single scene.

Jessica Tyler Wright, who has an extensive Broadway résumé, makes a suitably coquettish and compliant Paguette, the comely serving maid.

A coquettish "centaurette," her tail braided by cherubs, was printed on a double-breasted velvet suit, piling richness on richness.

Here, he looked carefree as he moved seamlessly between impersonations of a tough biker, a coquettish flirt, a naughty schoolgirl.

Consider Williams's coquettish but elaborate canvas "Detail of Hommage à la jeunesse de Victorine Meurent" (2017), my favorite in the show.

Sadly, her growing self-esteem is dashed when coquettish, conniving Jessica arrives and chooses Alice as the victim of a hateful prank.

Breezing into court, she took the stand and, by turns haughty, coquettish, weepy and coarse, spoke of Gestapo tactics in Beverly Hills.

"; visual gestures (as she's swarmed by adoring women in "Dance Apocalyptic," she winks at us); and coquettish observations: "Pynk is my favorite part.

But she uses a coquettish tone when she talks about The Golden One — a strategy that is as subversive as it is effective.

Either she's faux-shocked, or she's chiding me, or she's, you know, being a little coquettish about it, or she's being faux-outraged.

This was no coquettish plea by a doting housewife -- this was a warning shot by a strong woman demanding better treatment from her man.

In Act I, when Violetta, a charming courtesan, is throwing a lavish party, a soprano must summon flights of coloratura brilliance and coquettish sparkle.

This is obvious to any fan of astrology, but when sweet Venus is in chatty Gemini, it will certainly put people in a coquettish mood.

The night's biggest losses were a pretty math teacher, Laura the Emma Stone doppelgänger, and Chicken Enthusiast Tiara (and her coquettish little clucker Sheila, too).

Teen girl sexuality is often packaged as a dangerous, irresistible elixir wielded by wiser-than-they-seem temptresses in bikinis, lustily grooming themselves poolside. Coquettish. Precocious.

It might argue that its brand and clothing are all about strength, but the women featured on the runway often displayed a coquettish kind of sexuality.

It was at times hard to distinguish Zsa Zsa from her sister Eva, who had the same small, whittled features, coquettish voice and cotton-candy bouffant.

While the photo is typical of the time (Britney was known for her coquettish photo shoots back in the day), it's her caption that is most hilarious.

Her husband, Dr. Paul Giraud (Monte Blue), pays Maurice a visit—to pummel him with a walking stick—and falls for the actor's coquettish wife, Georgette (Tashman).

Be sure to keep an eye out for Elizabeth Banks, Seth Rogen, Samuel L. Jackson, a very coquettish Bryan Cranston, Brie Larson, and a showstopper from Daisy Ridley.

You might think that the Sun is well understood, given that we've been aware of it for millennia, but it is a coquettish beast, with some significant mysteries.

She floats always just out of reach and peppers her opponents with arrows until they give up, which is a very flirty and coquettish way to kill someone.

Ms. Goodwin stays true to her conception of Victoria as a combination of coquettish flibbertigibbet, tough proto-feminist and compassionate, perhaps too-good-to-be-true liberal humanist.

On the more overtly coquettish side is a noodle-strapped dotted Swiss sundress and, in a stroke worthy of Lily Pulitzer herself, a floral lace shift in throbbing tangerine.

Put the kids to bed, then indulge in this adults-only burlesque fairy tale featuring a mix of song, dance and circus with visual decadence and a coquettish vibe.

It is up there with playing football with the handbrake on, looking little bit jaded and, of course, not seeing the incident, his favourite form of coquettish rhetorical evasion.

This was followed by "C'est Lui," a song that listeners in 1934 might have taken for little more than a coquettish confession by a girl irredeemably attracted to bad boys.

A trio for three women, a sisterhood of sorts, turns powerful poses into coquettish ones — in 2019, it's a frustrating sight — and later a duet morphs into a ménage à trois.

Time may place her in the coquettish grouping of Marilyn Monroe by way of Anna Nicole Smith, but the film doubles down on her equally palatable identity as a rebel rouser.

And because of what she is, the little attempts to be a woman, to be a wife, to be seductive, to be coquettish… it makes her even more funny in a way.

The kernel at the album's core was pain, though, rather than a studied performance of black excellence or coquettish sex kitten, and a lot of it was drawn from Janet's own wellspring.

When I started dancing professionally four years ago, dancers I worked with would sometimes make one another laugh in rehearsal by whipping out old competition moves: preposterously wide smiles, coquettish shoulder tilts.

Put the kids to bed, and then indulge in this adults-only burlesque fairy tale featuring a saucy mix of song, dance and circus with visual decadence and a distinctly coquettish vibe.

They can be coquettish, as the furred and feathered masses (from the collection she called "Blue Witch," spring 2803), or cartoonish, like paper-doll dresses in crayon-colored felt ("2 Dimensions," fall 2012).

In early candy advertisements, writes historian Jane Dusselier in Kitchen Culture in America, "women were depicted as coquettish and flirtatious," and dressed wrapped in bows and ribbons, just like the bonbons they were selling.

This season, he revived the eye-shaped brooch Cocteau designed for the house in 1937 as frames for coquettish brass eyewear and earrings, rendering the latter eerily hyper-real with digitally printed enamel eyeballs.

The women were coquettish and flirty but in a way that read as safe and bordered on head-patting -- a kind of condescending flirtation with which many women who have had to appease inappropriate bosses are surely familiar.

Advertise on Hyperallergic with Nectar Ads As Monet Clark's performance video "Bunny Girl" (2016) begins, a coquettish Playboy Bunny flirts toward the lens in a blond wig while she stumbles in failing heels down a remote, forested highway.

Joining Roland for this final summit are his sisters: Harriet, a gaunt, self-punishing former radical who works with asylum seekers; Alice, the "incurable romantic," gushing, coquettish, a failed actress; and Fran, a briskly grumpy public-school math teacher.

Advertise on Hyperallergic with Nectar Ads In a personal reimagining of Hans Christian Andersen's The Ugly Duckling, artist Marina Abramović has illustrated the story with her own childlike pencil drawings: sharply-cracked eggs, crude raindrops, fat cobblestones, cats with coquettish eyes.

Ms Faludi's father, who had been Istvan Friedman as a persecuted Jew in Budapest, then Steven Faludi as an "imperious patriarch" in America, was now Stefánie, a coquettish septuagenarian with a taste for frilly aprons, glittery heels and male attention.

It is partly an inquiry into the meaning of gender, a subject Faludi, the famous feminist, sees very differently from Stefánie, who hewed to traditional notions of masculinity and femininity both as an overbearing patriarch and as a coquettish old woman.

"Without women, even a banquet full of meat would turn out vegetarian," it declared, before going on to lay out different types of women — "a coquettish virgin or a chaste whore" and the ways they could shape an event's ambience.

Aleksandra Kurzak's attractive soprano occasionally sounded unpowered next to Mr. Grigòlo, but she offered a vocally and theatrically nuanced portrayal of Adina that revealed the character's emotional trajectory: initially coquettish and secure, then suddenly vulnerable when Nemorino decides to play hard to get.

With her wry sense of humor honed by a coquettish but self-doubting vanity, the French novelist Colette would doubtless have been flattered to see the painstakingly authentic renovation of her childhood home by the Paris decorator Jacques Grange in Saint-Sauveur-en-Puisaye.

Hyperloop Transportation Technologies (HTT), the more coquettish of the two startups, finally released a handful of images and a video to prove that it is building what it says is the world's first full-scale, passenger-ready hyperloop, capable of speeds of up to 760 mph.

Other looks featured in the exhibition include a number of John Galliano designs, like a coquettish lingerie look from S/S 1991, illustrated by Kukula in her ethereal, kittenish style, as well as a spunkier look from S/S 1993, which was drawn by Rob Phillips.

In an 1802 portrait by Marie-Denise Villers, a gifted student of Jacques-Louis David, a coquettish young woman covers her head with a sheer black veil that was the height of fashion — but she's bent over, retying her shoe, and beneath her veil lies substantial décolletage.

While the first room was all cool tones, calming vibes, a peaceful blue ocean, the second room I was brought into, awash in a dim red light, had more of a sex dungeon vibe, led by someone who was so aggressively coquettish, I was wholly convinced she was actually a virgin.

For 15 weeks since the fall, the top spot on the Billboard singles chart has been occupied by one of two Ariana Grande mega-smashes — "Thank U, Next" and "7 Rings" — that drip with the mettle and coquettish swagger of a pop diva, while borrowing from hip-hop beats and cadences.

With the "Slumber Party" those days are fading fast, enveloped by the forgiving fog in the video as we focus on her coquettish joy in front of the camera, her concise, unfaltering choreography (those head snaps though!) are mesmerizing in a way Britney hasn't mesmerized for the best part of the last decade.

Back at Ms. Knoll's apartment building, neighbors described her as a "typical Parisian lady" who would wear a hat and white gloves, and who used to get a haircut every two weeks — a "very coquettish, quick-witted lady who liked to gossip about the neighborhood's life," according to her hairdresser, Isabelle Sucher.

She let her mind dwell on the large parlors, decked with old silk, with their delicate furniture, supporting precious bric-a-brac, and on the coquettish little rooms, perfumed, prepared for the 220 o'clock chat with the most intimate friends, men well known and sought after, whose attentions all women envied and desired.

In this Rolling Stone cover story — which was accompanied by a coquettish photo of the teen with a stuffed Teletubby tucked under her arm — here's how writer Steven Daly set the scene: Britney Spears extends a honeyed thigh across the length of the sofa, keeping one foot on the floor as she does so.

Four million for George W. Bush curled in the fetal position, a face-down-rump-up Donald J. Trump, coquettish Amber Rose and Rihanna, a cherubic Anna Wintour and Pollyannaish Taylor Swift — a rogues' gallery including Bill Cosby, Chris Brown and Ray J, and arguably three of the most famous first-namers in modern times: Caitlyn, Kim, and Kanye.

The Bedroom paintings are wonderfully askew; walls lean gently against one another like drunken crushes, hung frames dangle and point to distant, personal horizons, windows come together like church steeples, the furniture—legs jut in coquettish angles, table tops placed like mortarboards on an awkward grad—seem adrift on the floor, hovering in a manner both euphoric and disconcerting.

With a whole bunch of featured artists (all of whom are women: Uffie, ABRA, CupcakKe, Raye and Starrah) and PC Music weirdos AG Cook and Danny L Harle partly taking on production, Number 1 Angel is Charli XCX at her best – all coquettish lyrics and Tumblr teen imagery, backed up by pop songwriting on levels that most acts would die for.

With a whole bunch of featured artists (all of whom are women: Uffie, ABRA, CupcakKe, Raye and Starrah) and PC Music weirdos AG Cook and Danny L Harle partly taking on production, Number 1 Angel is Charli XCX at her best—all coquettish lyrics and Tumblr teen imagery, backed up by pop songwriting on levels that most acts would die for.

In one, two white nightclubbers — a transvestite with troweled-on makeup and sharply painted eyebrows and a man in a knit shirt and a suit — brandish cigarettes and half-filled glasses as they look unflinchingly into the camera's lens, the latter sitting on the former's lap; in another, from 303, two young Asian men dance to the rhythms of the Zhivagos, a "colored" (mixed-race) band on a stage in the background, while in a third, from the same year, a chunky white man in shorts, knee socks, an open-neck shirt, and sports jacket straddles a chair, facing the camera with a peculiar, come-hither look whose coquettish air belies his size and tough-guy build.

Turcaret is a ruthless, dishonest and dissolute financier. His vulgar wife is as dissolute as himself. A harebrained marquis, a knavish chevalier and a coquettish baroness, to whom Turcaret is attracted, are among the other highly comic characters.

Miriam Hopkins's coquettish bar singer, Ivy Pierson, sexually teases Jekyll early in the film by displaying parts of her legs and bosom.Doherty, pg. 305. Joy felt the scene had been "dragged in simply to titillate the audience."Vieira, pg. 43.

Matsumura's second SKE48 Senbatsu was for the single Coquettish Jūtai Chū. Her previous senbatsu single was "Kiss Datte Hidarikiki". On 18 September 2018, Matsumura announced that she would be leaving the group. On 5 February 2019, her graduation concert was held at Omiya Sonic City.

"Galloway, 1999, p. 55. > "As early as 1550, Vasari wrote about 'the so winsome smile' of the lady. > Other observers have seen something coquettish here, something cunning, > erotic, or even threatening. The sitter's 'secret' has been attributed to > pregnancy, tooth decay and even transvestism.

Amid the heated situation, Benni accuses Milea as a coquettish girl. She dumps Benni, for which he calls Milea a whore. Despite his effort to apologize, she rejects to his proposal to become couple again. Once again, Benni calls her 'devil' and a 'whore'.

He is characterized by his large teeth and is coquettish with women. His typical phrase was: "You're hot and intelligent." ("Eres rica e inteligente.") His name parodies Chilean-Venezuelan humanist Andrés Bello, and some of his moves parody those of the singer of same nationality José Luis Rodríguez.

In the same year embarked on Duas Caras, as "coquettish periguete" Gislaine Caó dos Santos. Because of its performance in the novel, won the Contigo! actress of revelation. In 2008 made several contributions and program in Portuguese Episódio Especial, and Brazilian Casos e Acasos, Faça Sua História and A Grande Família.

Curious gathering F Major Kuriose Versammlung - (Markiert und lebhaft "Marked and lively") abounds with frequent digressions. The constant mood shifts—from frolicsome derisiveness to clownish, coquettish mirth—result in a lack of cohesiveness. The programmatic title indicates that this effect was probably intended by Schumann. The mechanical quality of the middle part suggests an ‘automaton'.

The reviewer for Paris-programme said that the piece would attract all Paris. "This musical fantasy is indescribable, it must be seen to appreciate it properly. There is nothing wittier, funnier, more coquettish, better imagined, better played, than Fleur-de-Thé." The critic added that Lecocq's score would provoke Hervé and Offenbach to envy.

Tiger Lily is the daughter of Great Big Little Panther, the chief of the Piccanniny tribe, the fictional tribe of Native Americans living in Neverland. Barrie describes her as "a princess in her own right. The most beautiful of dusky Dianas and the belle of the Piccaninnies, coquettish, cold and amorous by turns."J.M. Barrie.

A second pair, Erissena and Gandarte, and the traitor Timagene, are subordinate to these figures. Each person embodies a different character type. The magnanimous Alessandro opposes the treacherous Timagene, and the couples also complement each other with their contrasting main features: the jealous Poro combines with the faithful Cleofide, the reliable Gandarte with the coquettish Erissena.

The workshop of Henry Smith the armourer Workmen sing in the forge, on the eve of the Carnival. Alone, Smith muses on whether the coquettish Catherine Glover will consent to be his Valentine. Mab, Queen of the Gypsies enters hurriedly, seeking refuge in Smith's workshop from pursuing noblemen. When Catherine arrives unexpectedly, Mab hides in an adjoining room.

She rejoined her friends from vaudeville, The Three X Sisters (formerly The Hamilton Sisters and Fordyce) for one night. In a 1935 live stage performance, she harmonized with their unique banter to a novelty tune, "The Preacher and the Bear". Kane had excellent diction, intonation, and timing, learned during her apprenticeship in vaudeville. Her songs have a strong word focus and capitalize on her coquettish voice.

Penny Spencer (born 1 January 1948) is a British actress, best remembered for her performance as coquettish schoolgirl Sharon Eversleigh in the LWT television comedy series Please Sir! (1968–70). She appeared in the pilot episode - "Identified" - of Gerry Anderson's live-action series UFO in 1970. She also appeared in films such as The Whisperers (1967), Under the Doctor (1976) and The Playbirds (1978).

Mambo had long nurtured a desire to become a solo singer. After she left Ratu, she was signed by Sony BMG for six solo albums. Distancing herself from her former band, she found inspiration for her first album from a doll named she saw in a magazine. Considering herself as coquettish and pampered as the doll, she decided to base her album on the concept.

Oleg is performed by a male and female dancer. It is intended to be evocative of a garden, in which bees are buzzing about, collecting nectar from the waiting flowers. The dancers represent a male and female bee, with the obsessively flirtatious male chasing the female from one flower to another. Though the female bee at first appears coquettish, she eventually accepts the male's advances.

She was a high-spirited, precocious, but also very childlike adolescent. Tim Hilton writes that > The Irish girl [Rose] was a puzzle, for she was precocious in some ways and > not in others. Sometimes she had a surprising understanding of adult > attitudes: at the next moment she was once more completely a child. She had > a pretty way of making herself engaging, even coquettish, but could also be > rather solemn.

Nevertheless, he claims he grew attached to drawing her alongside K'. Yumi Kakazu has voiced Kula in all of her appearances. In KOF: Maximum Impact 2, Falcoon gave her a color palette that makes her look like fighter Ash Crimson as well as the robot Candy. Her alternative costume is that of a coquettish ice skater. Falcoon also once envisioned an adult version of Kula for the game Kimi wa Hero.

Critics felt its production was similar to that by American hip hop and R&B; producer Timbaland. Elements of funk are also present and are notably clear on tracks like "Sweet Music" and "I Feel For You". "Secret (Take You Home)" received considerable coverage as it features a "coquettish" rap section delivered by Minogue. Body Language also contains ballads such as the quiet storm-influenced "Chocolate" and "Obsession".

It is still popular to this day in the Horror-Punk scene. Body piercings and extensive tattoos became very popular during this era, as did spike bands and studded in chokers. Some hardcore punk women reacted to the earlier 1970s movement's coquettish vibe by adopting an androgynous style. Hardcore punk fans adopted a dressed-down style of T-shirts, jeans, combat boots or sneakers and crewcut-style haircuts.

The third person to move into room 2046 is the coquettish Bai Ling (Zhang Ziyi). She wears similar qipao dresses as the original Su Li-zhen but radiates a much more aggressive sensuality than her. While it is never explicitly stated in the film, it is implied that she is a nightclub girl who occasionally doubles as a high-class prostitute. However, she is intent on finding a long-term relationship.

CDJournal reviewers described the EP as "a succession of strange and chaotic songs, combining jazz and dance beat influences with an inconsistent progression, junk-like ensemble and coquettish mysterious vocals. The EP's appeal comes from its indescribable power and innocent ideas." Moe Tanaka of Rooftop the "addictive bass mixed with Mana and Kana's twin vocals" and the strong drums. She praised the band's "strong visuals", likening it to fusion cuisine.

Louise de Broglie, Countess d'Haussonville, 1845. Among the similarities to the Rothschild portrait are her oval face, tightly parted hair, the position of her hands and fingers, and the coquettish expression. Note the anatomical absurdity in the proportion and curvature of d'Haussonville's arms and fingers. Rothschild wears a pink satin evening dress with rows of ruching at the hem and lace frills at the collar and sleeves, trimmed with ribbon bows.

It > measures eighty feet each side. The sanctuary has three graceful and lofty > minarets—Praise be to the Creator, as if they were three young coquettish > muezzins—and seven high domes. The wayfarers are lavishly given a loaf of > bread and a tallow candle for each person, and a nosebag of barley for each > horse—free of charge. On either side of the fortress is a caravanserai with > eight shops.

Latimer becomes fascinated with Bertha, his brother's cold and coquettish fiancée, because her mind and motives remain atypically closed to him. After his brother's death, Latimer marries Bertha, but the marriage disintegrates as he recognizes Bertha's manipulative and untrustworthy nature. Latimer's friend, scientist Charles Meunier, performs a blood transfusion from himself to Bertha's recently deceased maid. For a few moments the maid comes back to life and accuses Bertha of a plot to poison Latimer.

Except its specialty of coquettish flower, there is another quality that the same species, like Bauhinia variegata and Cercis chinensis do not have. Its leaves can survive from winter and the florescence is from winter to spring. It is still splendid and vivid while most flowers of small trees are withered. Choose Bauhinia blakeana as the city flower of Chiayi is to symbolize the passion of citizens, the beauty and copiousness of municipal construction.

In these works, what some critics described at the time as 'Shang Yang's yellow' came to be the central player. This side-lit loess with its duller brownish yellow was not at all coquettish in its appeal, exhibiting only a nat- ural mood. Shang Yang's later works progressively began to break loose from the bewitchment or control exerted by the colors of the region, as his paintings gave fuller play and expression to subjective elements.

These are interspersed with clips of the trio standing in front of a wall with several graffitis. Later on, they are seen sitting on chairs on a beach, with "coquettish" sunglasses; walking near the sea. As the song builds to its last compass, they run to an orange convertible, in which they drive to a desert. They reach the desert and are joined by a marching band, who play the drums heard in the song.

This flag depicts a coquettish spirit who glides through the sea holding flowers, and a handheld mirror close by. There is a legend that states the spirit pulls women under water to get the transformational gift of healing power. Simbi Andezo, 1996 36.5’’ x 34.5’’ Private collection The Simbi Andezo is made of beads and faux pearls on satin. The image dramatically depicts a male Iwa as a regal female in a white gown.

The confusion over the characters' origins, in their view, contributes to the sinister scheme of Disney. The "horrified" writers view the Disney comics as depicting an "asexual sexual world", for which they find evidence in the drawings, but not in the dialogues. The depictions of the characters are, in their view, both sexist and emasculating. The female characters, women, in the Disney comics are described as coquettish, repressed, slightly stupid, and cowardly.

Baltar signals his rejection of Head Six in favor of Gina by repeating to Gina a coquettish speech Head Six gave earlier. Baltar distracts the Marine guard so that Gina can kill him and take his side arm. Gina asks Baltar to kill her, but he urges her to seek justice, not death, and promises to hide her. Cain returns to her quarters following the battle to find Gina lying in wait for her.

Mambo does not write her own songs; rather she uses the works of numerous Indonesian songwriters, including Melly Goeslaw and Glenn Fredly. Since leaving Ratu, Mambo has successfully distanced herself from her coquettish, ultra-feminine look. Her on-stage performance is characterised as very "energetic"; she dances and mingles with the audience off stage, and invites them to sing with her on stage. She often performs at clubs, using local bands for the music.

She made her debut at age four in the 1935 film Our Gang Follies of 1936 and was soon given a role in The Bohemian Girl with Laurel and Hardy. From 1935 to 1941, she continued to play in Our Gang. She is well remembered for her coquettish character, typically the love interest of Alfalfa, Butch, or (occasionally) Waldo. One of her most memorable moments was singing "I'm in the Mood for Love" in The Pinch Singer.

She was described as: > a young working woman who is coquettish and flirtatious.1835 edition of the > Dictionnaire de l'Académie française cited in The Grisette as the Female > Bohemian, Hanna Manchin, Brown University, 2000. This usage can be seen in one of Oliver Wendell Holmes' early poems "Our Yankee Girls" (1830): > the gay grisette, whose fingers touch love's thousand chords so well. > ..."Our Yankee Girls", The Poetical Works of Oliver Wendell Holmes, Volume > 12: Verses from the Oldest Portfolio.

The pale skin was as if pasted on her cheeks. Her appearance answered completely to her genre, which was the diabolical one”Johan Flodmark: Stenborgska skådebanorna (The Stenborg Stages) Her ability was said to be: "Terrific within coquettish, heinous woman roles, poison makers, tyrants etc."Georg Nordensvan: Svensk teater och svenska skådespelare från Gustav III till våra dagar. Första bandet 1772-1842 (Swedish theatre and Swedish actors from the days of Gustav III to our days.

John returns to the discoteque and drinks with three of his friends. Their curiosities are piqued by his forehead injury, prompting him to share his side of the story. In his recollection, both Sonia and Tina were unrelentingly coquettish towards him, and the latter was more than willing to return to his apartment. The pair had sex multiple times throughout the night, and Tina's libidinousness eventually tired John; she unwittingly scratched him while stroking his hair.

Landry is angered, though he knows he has promised to fulfill the favor. He is ashamed to be associated with Fadette due to her reputation as a witch and is disappointed, as Madelon, the most beautiful and coquettish girl in town, wants to dance with him instead. However, he reluctantly keeps his promise and even defends Fadette when the village boys attack her. Moved but embarrassed by the gesture, Fadette tells Landry to dance with whomever he wants and leaves the party.

Betty is portrayed by singer-actress Bonnie Poe who was one of several actresses who voiced the star in the animated Betty Boop cartoons. The controversy comes via Helen Kane, the “original Boop-Oop-a-doop girl,” a popular singer who capitalized on her novel coquettish voice to become an on-stage hit in the late 1920s through the early 1930s. Kane sued over the impersonation of her as Betty Boop. Any such appearance as Betty Boop would have negated her claim.

He meddled in an imaginative, often raffish or coquettish, and always elegant depictions of dramas in elegant period costume occurring in equally ornamented interiors. The paintings proved popular in England and France, and Vinea gained a comfortable living. His studio on boulevard Prince Eugene in Florence is depicted as hoard of exotic items, and eclectic furniture and decorative items: a collection easily finding his way as ornaments of his paintings. Gubernatis describes his studio as his best work of art.

On its release, Music & Media noted: "Like the wind blows the leaves off the trees, Hawkins constantly pulls pop songs out of her bag." In a review of Whaler, Jim Farber of The Daily News wrote: "Tracks like 'Right Beside You' and 'Don't Don't Tell Me No' chirp happily along with coquettish flair and great hook appeal." Dave Younk of St. Cloud Times described the song as "excellent" with "the most incredible a cappella ending that seems to pleasantly go on forever".

"Turks", in the language of Persian love poetry, is a metaphor frequently used for the beautiful youths who ravage the hearts of their lovers. (See Shirazi Turk.) Arberry quotes a verse of Saadi: "You carry off the heart of a city with a coquettish glance in just the same way as the slaves of the Banu Sa'd carried off the 'banquet of plunder'."Arberry. A. J. (1946), "Orient Pearls at Random Strung." Bulletin of the School of Oriental and African Studies 11, no.

The Child is painted with coquettish attitude rather than a Mantegnesque distant and severe facial expression typical of Bonsignori's middle period. This sense of freedom and elegance of this composition is typical of Bonsignori's style, and also signifies Mantegna's change of style in his late career. The Virgin and Child with Four Saints (The National Gallery, London) is the best-known of his works featuring Madonna and Child. It was painted between 1490 and 1510, during his undocumented period in Mantua.

On 11 January 2014, Tani was promoted to newly formed Team KIV during HKT48's Concert. However, in February 2014, during the AKB48 Group Shuffle, it was announced she would be transferred to SKE48's Team E. Her last HKT48 activity was on 21 April 2014, during the last day of HKT48's Kenkyusei Stage. She started activities as a Team E member in May 2014. After her transfer to SKE48, Tani featured on two A-sides, "12 Gatsu no Kangaroo" and "Coquettish Jūtai Chū".

In theatre, a soubrette is a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy—often a chambermaid or confidante of the ingénue. She often displays a flirtatious or even sexually aggressive nature. The soubrette appeared in commedia dell'arte scenarios, often in the role of Columbina, where the actress would provide the details of her behavior and dialogue. From there, she moved to the works of Molière, which were influenced by the Commedia; the role of Dorine in Tartuffe (1664) fits the description.

According to the authors in the book- 'Gogi Saroj Pal: the feminine unbound', Gogi's women appeared to be feminine, sensuous, coquettish but they could equally be bovine, obdurate and slovenly. There was an element of dressing up but not with ornamentation or apparel. The nudity of her feminine figures, 'Nayikas' was fiercely commented on and debated over- was it part of the country's spiritual tradition or was she continuing to be the quintessential rebel? Gogi herself gave no explanations as the work speaks for itself.

The suns generally have smiling faces and painted in bright colors. The moon appears in all phases generally with a coquettish expression and with red lips and flowers. Even more distinctive is a mermaid like figure called a Tlanchana. These figures are based on a fantastical creature of pre Hispanic origin whose name means “lady of the sweet waters.” According to indigenous lore, a Tlanchana lives in fresh water areas and attracts men with her beauty then taking them down into the depths of the water.

Alex Miller from NME disapproved, claiming that the "clueless Fergie possesses Stefani for [...] the woefully oddball 'Yummy'", while Norman Mayers from Prefix opined that it was "bizarre". While comparing the five The Neptunes-produced tracks on the album, Stephen Thomas Erlewine of AllMusic found it to be "rather embarrassing" and "cloying and crass", rather than "effortless and effervescent". Lucy Davies, writing for BBC Music, described it as a "bland filler" that "sums her up [as] coquettish, amusing, annoying and hip wiggling in equal measure".

Retrieved on 25 November 2009. The Observer wrote that it "is raucous, leering, crude and, to my mind, largely misjudged, with Rupert Everett playing Miss Fritton as a coquettish transvestite with the manners of a Mayfair madam. The attempts to shock us fail, though Cheltenham Ladies College may well be affronted to hear one of its teachers say 'between you and I'. But the preview was packed with girls aged from seven to 14 who found it hilarious, and especially enjoyed Russell Brand."Philip French, The Observer, 23 December 2007.

The belle juive is shaped by her relations with adjacent characters, most commonly by a Christian love interest or a villainous Jewish father. There are two main categories of the belle juive; the first is “positive”, and describes her as noble, intelligent, pure and loyal, perhaps linking her to the Virgin Mary, or to the general principle of Christian martyrdom. The second is overtly negative, describing her as sly, coquettish, overly sexual, dangerous and destructive. Their differences aside, both types serve the same purpose; namely the distraction of the Christian hero.

The book then moves back in time to the reign of Edward VI, as lovely young Celia de Bohun and her guardian aunt take up residence with the noble Catholic family of Anthony Browne as "poor relations." Celia is a fascinating and believable character, full of contradictions and human failings. She is headstrong and impulsive; innocent but coquettish; and can easily attract male attention. She creates a scandal when she becomes infatuated with the family chaplain, Stephen Marsdon, who in turn desires Celia but does not want to break his vow of chastity.

Pisemsky's first romantic affairs, according to his autobiography, concerned various cousins. After the University, he developed an interest in what he termed "George Sandean free love" but soon became disillusioned and decided to marry, "selecting for this purpose a girl not of a coquettish type, coming from a good, even if not wealthy family," namely Yekaterina Pavlovna Svinyina, daughter of Pavel Svinyin, the founder of Otechestvennye Zapiski magazine. They married on October 11, 1848. "My wife is portrayed partially in Troubled Seas, as Evpraxia, who's also nicknamed Ledeshka (Piece of Ice)," he wrote.

They have released numerous splits and EPs, as well as four albums, releasing music on their own Guerilla Asso, Asian Man Records and Crash Disques. In the summer of 2006, they released a split album with Coquettish, which was followed by a major Japanese tour. The band has toured widely (France, Europe, Japan, Canada, USA) and played over 1 000 live shows. Guerilla Poubelle has consistently refused to register with the French royalties collection society SACEM, in line with their values, despite selling a significant number of records for an independent band.

He eventually escapes with Sasa (Lei Jiexi), a prostitute he likes, and together they try to swim to mainland China. Meanwhile, Chang feels more and more depressed and lonely, and becomes attached to Girl #8, the coquettish Jiao (Ivy Chen). Lo Pao-tai comforts him and offers to write letters for him to his mother. Lo doesn't bother to sleep with the girls since he resolves to save his virginity for his girlfriend back home, but he befriends Girl #7, Nini (Wan Qian), a mysterious but friendly Shanghainese girl who teaches him the guitar.

On the one hand, women wanted to be slender, but on the other, they wanted prominent breasts and hips and to be voluptuous. Many of these women, no matter the contradiction in their beliefs around beauty, strove to maintain a beautiful external physical appearance for the purpose of finding a good husband. She wanted a body that was sexual, but that also signified she was caring and loving. At the same time, her thoughts around her own body had to be guarded as there were social consequences for appearing vain or coquettish.

In 1885, an exhibition was held in Paris, to give the residents an opportunity to show off their work. His choice of subject matter was strange, and some said heretical: "Christ Weeping Over the Futility of His Sacrifice", in which Jesus was portrayed without divine qualities. Portrait of Claude Debussy (1886) The following year, he presented a "Saint Martha", which was criticized on the grounds that she was too coquettish. In 1887, his "Mass at Bolsena" (after Raphael) was deemed to have been derived from the least interesting part of the original.

According to press articles of the timeNon signé, « Le plus beau présent de Paris : la Minaudière », blog L'Histoire des Van Cleef et des Arpels de Paris, lire en ligne (page consultée le 16 juin 2011) the minaudière was invented by Van Cleef & Arpels in 1934. Charles Arpels was inspired by watching Florence Gould, third wife of philanthropist Frank Jay Gould, toss several small, loose makeup items into a tin box. The word "minaudière" was a French term for a coquettish woman, from the word "minauder" (to flirt or simper).

The Normanton Incident fanned an increase in anti- British and anti-foreign sentiment in Japan,Wakabayashi, Modern Japanese Thought, pp. 86 and was upheld as an example of the urgent need to revise the Unequal Treaties which Japan had signed with various foreign powers, especially with regards to clauses pertaining to extraterritoriality.Austin, Negotiating with Imperialism The incident was picked up by the Solidarity Movement Party, then in its infant stages. They raised the issue all across the land, criticizing Inoue's handling of the situation as "coquettish" and "cowardly" diplomacy.

Ruth Welting, by contrast, was ideally cast as an "enchanting" Philine, bringing "just the right coquettish charm" to the role of the happy-go-lucky actress. Welting sang with the "light insouciance" of the great French soubrettes of yesteryear, and delivered her coloratura and trills with an expert, irresistible brilliance. As Frédéric, Frederica von Stade sang "breezily and cleanly" in her dance through his famous Gavotte. Her "delightfully fresh and liquid sound" made Blyth wonder how she would have fared if CBS had allotted Mignon to her instead of to Horne.

With her "fast vibrato and bright coquettish voice", she was a poor choice for mélodies that demanded a vocal flavour more like burgundy and less like prosecco. Gérard Souzay too, "tired and old", was a less than perfect advocate for the music of Debussy's novice years. Things went more happily when one of the other three artists sang. Elly Ameling was good in Debussy's juvenilia, better in the masterpieces of his maturity and touching in the "appealing innocence" that she brought to the wartime carol that he had composed not long before his death.

A Catholic priest named Father Walter, a close friend of the family, is also present. Michael also meets Gabi's two energetic, beautiful, coquettish sisters Irenka and Simone, along with a handsome young handyman named Nick who is romantically involved with Irenka. Although Michael enthusiastically attempts to join in the unusual habits of the family, he quickly learns that fitting in will be a challenge. The situation is complicated by the illness of Gabi's grandmother, the matriarch of the family, and the reason why Gabi left school in the first place.

She is daintily little, and yet exquisitely modelled, > and her light foot dances as if dancing were the mere effusion of airy joy, > expressed through merriment, but restrained by grace. ... Her voice is of no > great compass or power; but she sings with so much expression as to bring > out the full meaning of the words. ... Ambition may lurk beneath those > careless curls, and the young lady, perhaps, secretly longs to ... turn from > the dainty deliciousness of sparkling burlesque to gracious and coquettish > comedy. ... Loftus is still so young that much may be hoped from the future > career.

After a protracted break-up, where Zhang ends up causing the injury of another teacher, new Vice-Principal Cheng Chuang (Yu Xiaowei), Zhang whites out from her life. Cheng Chuang, the responsible, independent vice-principal from Dayan's school, a former soldier, is four years Dayan's senior and is a perfect candidate from the Jiang's family's point of view. Dayan finds herself with increasing feeling for Cheng, especially after her grandmother's unexpected death, until a coquettish best friend (Fan Jinlin) professes her interest in the man. Add to the fact that she is unsure how Cheng feels about herself, the romance stalls.

Erzulie Fréda Dahomey, the Rada aspect of Erzulie, is the Haitian African spirit of love, beauty, jewelry, dancing, luxury, and flowers. She wears three wedding rings, one for each husband - Damballa, Agwe and Ogoun. Her symbol is a heart, her colors are pink, blue, white and gold, and her favorite sacrifices include jewelry, perfume, sweet cakes and liqueurs. Coquettish and very fond of beauty and finery, Erzulie Freda is femininity and compassion embodied, yet she also has a darker side; she is seen as jealous and spoiled and within some Vodoun circles is considered to be lazy.

General Armand de Montriveau, a war hero, is enamored of Duchess Antoinette de Langeais, a coquettish, married noblewoman who invites him to a ball but ultimately refuses his sexual advances and then disappears. Assisted by the powerful group known as The Thirteen, who subscribe to an occult form of freemasonry, General Montriveau finds the duchess in a Spanish monastery of Discalced Carmelites under the name of Sister Theresa. Dedicated to Franz Liszt, this portrait of a vain representative of the noble families of Faubourg Saint-Germain, was inspired by the Duchess of Castries with whom Balzac had a failed romance.

"La Mordidita" was written by Ricky Martin, Pedro Capó, José Gómez, Yotuel Romero and Beatriz Luengo for Martin's tenth studio album A Quien Quiera Escuchar. Its production was completed by Antonio Rayo along with Romero. Talking about his collaboration with Yotuel, Ricky Martin said in an interview, "It was a very big collaboration being able to work with Yotuel; a Cuban brother, big producer, composer, someone who I admire and respect a lot". During the same interview, he talked about the song, saying "It is a coquettish song, it presents a party, union of cultures, it is energetic".

As described in a film magazine, John Annixter (Dexter) has married and brought to his New York home the coquettish Virginia beauty Kathleen Vaughn (Windsor), whose love for her husband does not lessen her desire for the admiration and attention of men. John is so absorbed in his business that he is unable to enter into his wife's social life, and she is often thrown into the company of other men. She meets architect Barry Clive (Sherman), a friend of her husband's, and her innocent flirtation is misinterpreted by him. He calls on Kathleen during John's absence, and embraces her against her will.

On the occasion of Mother's Day, Kakkar shot and released a song for her mother which gained positive response among the audience. Kakkar at the audio release event of Fever, 2016 Kakkar's first release of 2015 came with "Ek Do Teen Chaar" from Ek Paheli Leela which was composed, penned and co-sung by Tony Kakkar. The song received mainly negative reviews from critics, calling it a "failed attempt on a potential number". Rajiv Vijayakar from Bollywood Hungama, reviewing the soundtrack album wrote: "Neha tries to be saucy and coquettish, but the composition lacks the strength to let this mood bloom".

He also viewed that Beyoncé's collaboration with various record producers explores new directions in contemporary music, doing more reinventing than revisiting. Like DeCurtis' review, however, Drumming pointed out that "most of the disc's missteps" are in its latter part. Slant Magazines Sal Cinquemani wrote that "[Beyoncé] is allowed more room to experiment vocally as a solo artist, exploring softer registers and lathering on the coquettish persona that was only hinted at on Destiny's Child tracks like 'Bootylicious.'". Steve Jones of USA Today stated, "Beyoncé succeeds by showing greater depth as a songwriter and broader range as a singer".

She was regarded as one of the greatest treasures of Cantonese opera and Hong Kong cinema. She was famous for her unique sweet, crisp, smooth and coquettish "Hung tone" () of singing which incorporated the techniques of Beijing Opera, Kunqu, and Western opera singing method. She was invited to leave a handprint at the Avenue of Stars in Hong Kong. Much of Hung's work and documents of her career are preserved at the Hung Sin-nui Arts Center in Guangzhou, which was opened 1998 by the Guangzhou city government to commemorate and preserve her contribution to the art of Cantonese opera,.

The new Brown Dog by Nicola Hicks On 12 December 1985, over 75 years after the statue's removal, a new memorial to the brown dog was unveiled by actress Geraldine James in Battersea Park behind the Pump House. Created by sculptor Nicola Hicks and commissioned by the National Anti-Vivisection Society and the British Union for the Abolition of Vivisection, the new bronze dog is mounted on a Portland stone plinth and based on Hicks's own terrier, Brock. Peter Mason described it as "a coquettish contrast to its down-to-earth predecessor"."Monument to the Little Brown Dog, Battersea Park", Public Monument and Sculpture Association's National Recording Project; .

Muniyandi is a third-year undergraduate zoology student and the son of Muthumani, who happens to be the student canteen contractor of the same college. He meets Madhumitha, the demure young daughter of a local bigwig named Ramaiyya, who gives first priority only to the members of his caste. Madhu makes a coquettish play for all of Muni's friends including Sorimuthu Ayyanar, a part-time witch doctor who is also the peon of the college, dressed complete with bells and saffron cloth regalia, but hits it off with him first. Following a heated skirmish in the caste-dominated college elections, the two of them fall in love.

Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.

However Pretty Sammy was at a disadvantage, as this was her first battle and they began to love her to death as well. But when Tenchi was able to reach out to them and they remembered when Tenchi had comforted them which Pretty Sammy could sense and was able to restore them to normal with her Pretty Coquettish Bomber. The term "Love-Love Monsters" is originally applied to the monsters for the first episode of Pretty Sammy OVA. But past that point it is used as a generic term for monsters spawned by Ramia or those who possess her powers (like Misa and Hiroshi).

Charlotta Almlöf was enrolled in Dramatens elevskola in 1830, made her debut at the Royal Dramatic Theatre on 23 September 1831, and was contracted as a premier actress there from 1834 to 1856. She married her mentor the actor Nils Almlöf in 1839, and became known under the name Almlöf. Almlöf was described as beautiful and graceful and became popular within in the role of coquettish girls and flirtatious ladies within the fashionable genre of French salon comedies, and to some extent seen as the successor of Charlotta Eriksson. She was very popular among the audience, which made her a star of the theater.

The full version is included only on limited editions, and was not published on YouTube. As "Coquettish Jūtai Chū", the full version from MV wasn't leaked prior to its release. This is the last appearance of Sae Miyazawa on a 48G single, as she attended for a last time on an AKB48 single prior to her graduation. Miyazawa was featured previously on Kimi wa Melody (released March 9), and "Tabi no Tochū" is her graduation song which is featured on Type D. Sae graduated from SKE48 in a concert held on Nippon Gaishi Hall on March 4, then from SNH48, on a special graduation stage on March 16, 2016.

Strauss described her as "very complex, very feminine, a little perverse, a little coquettish, never like herself, at every minute different from how she had been a moment before". However, the marriage was happy and she was a great source of inspiration to her husband in works up to and including the Four Last Songs. In particular, Strauss portrayed de Ahna both as the hero's companion in Ein Heldenleben and in several sections of Symphonia Domestica. Strauss's opera Intermezzo (Dresden, 1924) provides a thinly veiled portrait of their marriage, and Strauss credited his wife's voice as a muse for the roles Salome and the Countess Madeleine in Capriccio.

Ever since their only child Gallia decided to get a university education about five years ago, Lord and Lady Hamesthwaite have been carefully watching their daughter's silent alienation from their world and have had their doubts if she will ever consent to marry one of the eligible young men that present themselves to the family. Gallia is attractive, healthy and clever but all the men around her agree that she never behaves in an easy-going, coquettish manner. Family and friends are occasionally shocked by the topics she chooses for polite conversation, such as politics or sex. Since her Oxford days, Gallia has known Hubert Essex, who has embarked on an academic career and does research on Darwinian theory.

The team made several shorts in 1909 with Linder in various roles, such as a blind elderly man and a coquettish young woman. But they soon discovered that the character of "Max" was the most popular with audiences and stuck with him from then on. Among the popular "Max" films made by Linder and Grasnier in 1909 are A Young Lady Killer and The Cure for Cowardice By 1910, Linder had proved himself to Pathé and was quickly becoming one of the most popular film actors in the world. When Gasnier was sent to the United States later that year to oversee Pathé's productions there, Lucien Nonguet took over as Linder's director.

" Clover Hope from Billboard magazine wrote that on Love Life is "at its best when the beats settle like soft caresses and Tamia's vocals float into breathy exhales [...] Extra spice like that preserves the freshness when lagging, predictable ballads threaten the mood. As an ode to nuptial bliss, the album is both convincing and surprisingly coquettish." In his review for Knoxville News Sentinel, author Chuck Campbell remarked that Love Life "isn’t especially ambitious. It’s an even-keeled adult (though not vulgar) album steeped in bliss and sensuality." He compared the album to Janet Jackson’s "That's the Way Love Goes" period (1993) but felt that its "consistent tone works for and against Love Life.

The pub originally opened in 1907 as the Andromeda Saloon, where "angling executives, sharp-talking politicians and homesick sailors all rubbed elbows while brazen prostitutes flaunted coquettish charms at the brass rail of the ornate bar." In 1913, the Andromeda gained wide respect when Jack Dempsey, the future heavyweight champion, gained employment there. It is even rumored that, in 1939, Baby Face Nelson was captured in the pub by the FBI. During Prohibition the Andromeda Saloon was one of very few pubs that survived, and it did so by calling itself the Andromeda Cafe – which provided classy seafood fare such as fresh oysters and clams, all the while still serving alcohol discreetly.

Early in her career, Frau Antje resembled an exemplary housewife or even a home economics teacher. From an authoritative position she addressed herself to housewives, and the world portrayed in those advertisements was typical of the post-World War II period, whose values were cleanness, sobriety, propriety, with the family at the center. In the mid-1960s she became a more coquettish figure, even enticing the viewer into her bedroom (while she's holding a cheese, of course). Of more importance in the ads of the 1970s and 1980s was the stereotypical portrayal of the Dutch landscape, with green meadows, blue canals, and black and white cows; it is in this landscape that Antje presents the viewer with a table full of cheese.

Stadionul Municipal Until 1966 FCM Bacău (named Dinamo Bacău) used to play its home matches on Steaua Roșie Stadium, with a capacity of 5,000 people, but moved subsequently on the Municipal Stadium in Bacău, with a capacity of 17,500 seats. Seen as a coquettish stadium of the country, especially during Sechelariu's era, when the owner of the team Dumitru Sechelariu renovated, modernized it and assured the installation of a floodlight system. Between 2001 and 2004, the stadium was named as Dumitru Sechelariu, after the name of the eccentric businessman, mayor of Bacău and owner of FCM. Death of Sechelariu it meant broadly the death of football from Bacău, after FCM, the stadium was also abandoned, being the victim of an unsuccessful modernization project.

With her henchmen in tow (one being Amagasaki), Kiyone interrupts a lover's kiss between Sasami and Tenchi, stealing the boy away with her magical powers and cackling madly as they escape in her bicycle-powered spaceship. By transforming into Pretty Sammy, Sasami is able to stop them cold with the Pretty Coquettish Bomber, saving Tenchi from the ample witch's clutches. In spite of gaining a small measure of popularity in Tenchi fandom, this Kiyone never makes a second appearance in later incarnations of the series. During the Pretty Sammy OVAs, Kiyone – as (she was given the first name of her Japanese voice actress, Yuri Amano, while her first name became her family name) – works alongside Mihoshi at CD Vision, the music store owned by Sasami and Tenchi's mother Chihiro Kawai.

The Chinese language has pejorative suffixes. -屄(or commonly 逼)bī,e.g.二逼èrbī"dullard"(from 二èr,which means "dull" in some dialects),傻逼shǎbī"fool"(from 傻shǎ"foolish"),骚逼sāobī"bitch"(from 骚sāo"coquettish") -婊biǎo,e.g.绿茶婊lǜchábiǎo(used to describe a lascivious girl who pretends to be innocent, from 绿茶lǜchá"green tea",which symbolizes innocence) NOTE:this suffix is from the word 婊子biǎozi"prostitute",so at first word suffixed with 婊 were used to describe only women,but recently it can be used to describe both men and women,for example,圣母婊shèngmǔbiǎo,which means people who pretend to bo as merciful as goddesses on the Internet,from 圣母shèngmǔ"goddess" -棍gùn,e.g.

Lum has fallen completely in love with Ataru, and refers to him only - in English - as . (In the Spanish anime, her name for Ataru is "Tesoro" (literally "Treasure") and in the Spanish manga, she calls him "Querido" ("Beloved") while both in the Italian anime and manga she calls him "Tesoruccio" (literally "Little Treasure", the diminutive being a coquettish sign of affection, thus being more akin to "Beloved Treasure" or "Dear Treasure". However, in BBC's Lum the Invader Girl English dub, she refers to Ataru by his given name as well as calling him "Darling."). Since she considers him to be her husband, she violently electrocutes him whenever he looks at or flirts with another girl (or if he insults her or does something to make her unhappy), but always forgives him in the end (she electrocutes him less frequently as the series progresses).

The text is not particularly strong, but greater forces than artistic value (let alone reason) formed the inspiration: Bartók was madly in love with the poetess. > INTERMEZZO The genesis of Here down in the Valley > Starting in the summer of 1915, Bartók (by that time 34 years old) undertook > collection trips of Slovakian folk music in the country while staying in the > mansion of Gombossy, the chief forester of the comitatus Zólyom, near the > town of Kisgaram (now Hronec in central Slovakia). The forester had a > fourteen-year-old daughter, Klára, whom Denijs Dille later described as of > lively intelligence and openness of character and at fourteen coquettish, > strong-willed and mischievous. She went along on Bartók's trips and although > she played piano, we can assume that her stimulating support soon extended > beyond the musical level.

Tomb of Nima Yushij in Yush, Mazandaran In general, Nima reformed the rhythm and allowed the length of the line to be determined by the depth of the thought being expressed rather than by the conventional Persian meters that had dictated the length of a bayt (verse) since the early days of Persian poetry. Furthermore, he emphasized current issues, especially nuances of oppression and suffering, at the expense of the beloved's moon face or the ever-growing conflict between the lovers, the beloved, and the rival. In other words, Nima realized that while some readers were enthused by the charms of the lover and the coquettish ways of the beloved, the majority preferred heroes with whom they could identify. Nima actually wrote quite a few poems in the traditional Persian poetry style and as critiqued by Abdolali Dastgheib, showed his ability well.

Eilish's vocal style on When We All Fall Asleep has frequently been described as soft and whispered by music critics. Neil McCormick of The Daily Telegraph stated that the singer's tone "can shift from coquettish to threatening, playfully ironic to emotionally sincere in a breath", adding that her "close-to-the-mic singing is enhanced by layers of ethereal harmonies without swamping a sense of intimacy." It has further been likened to ASMR; while some reviewers simply stated that her voice reminded them of the sensation, others stated that they experienced "tingles" listening to Eillish's vocals, with Helen Holmes of Observer citing the singer's "little giggles and intonations, and the way her intonation 'falls off' at the end of sentences" as the reasons. The album is built around O'Connell's production which frequently incorporates amplified bass, minimalist percussion, and additional foley and acoustic sounds.

She was married in 1770 to General Major Baron Georg Gustaf Wrangel af Adinal. From 1774, she was one of the six head ladies in waiting of the court of the Queen, Sophia Magdalena of Denmark. A talented Dilettante artist, she was inducted into the Royal Academy of Arts. At court, she was described as intelligent and cultivated but also very coquettish and particular about rank and attention, and it was said that she participated with eager in the pleasures and intrigues of the court. At least for a period, she played an important part in the royal court: she is frequently mentioned in the memoirs of the time and was the target of two caricatures by Johan Frederik von Nolcke: »La mère comme il y en a point Lionnopolis 1789» and »Meren désenchantée ou la naissance de Lion. Stockholm 1790».

Before Sue’s penultimate scandal – her marriage to C.C. Bowen – she participated in a number of events whose details circulated around Charleston. Of much gossip between Sue’s aunts was her explosive temper during family visits, her extravagant and coquettish trips North with sister Caroline, and her stormy relationship with mother Jane Amelia. Many of these events were only hinted at, or briefly described, yet the facts alluded to suggest a connection between Sue’s writing and her own personal life. Some of the more shocking and/or disastrous occurrences are included below: In 1854, following the success of Busy Moments of an Idle Woman, James Petigru toasted his daughter Sue as “quick in conception and easy in delivery.” According to family gossip, Sue raised her glass and toasted her father as “a man of large parts and deep penetration.

As springtime begins to break up the ice on a frozen river, a handsome young novice monk rescues a naked girl who has apparently fallen into the water. She disappears suddenly, but returns time and time again over the ensuing months—first demonstrating her dolphin-like swimming ability (and her surprising technique of catching fish in her teeth!) and then winning the young man's heart with her coquettish flirting and beautiful singing. The young monk's elderly master comes to understand that the rusalka is actually the drowned spirit of a girlfriend he himself had loved and betrayed as a youth, and takes steps to protect his naive apprentice from her supernatural revenge. But when the mermaid recognizes the old monk as the man who had once jilted her, it may not be the young apprentice who is in mortal danger.

Experiments with S.M. revealed no fear in response to exposure and handling of snakes and spiders (including tarantulas), a walk through a haunted attraction (Waverly Hills Sanatorium, specifically), or fear-inducing film clips (e.g., The Blair Witch Project, The Shining, and The Silence of the Lambs), instead only interest, curiosity, and excitement, though she also expressed emotions appropriate to the film content such as happiness and disgust when viewing non fear-inducing film clips. Research has revealed that S.M. is not immune to all fear, however; along with other patients with bilateral amygdala damage, she was found to experience fear and panic attacks of greater intensity than the neurologically healthy controls in response to simulation of the subjective experience of suffocation via carbon dioxide inhalation, feelings which she and the others described as completely novel to them. S.M. is described as very outgoing, extremely friendly, and uninhibited, as well as "somewhat coquettish" (playfully flirtatious) and having an abnormally high desire and tendency to approach others.

De Boiseglin, > The History of the Knights of Malta, first published 1804. Translated by > Robert Attard, "Wearing it Could Make You Squint (1800)" in Malta: A > Collection of Tales and Narratives (The Edward De Bono Foundation: Malta, > 2001), at pp. 39. Victorian illustrator and traveller, William Henry Bartlett, was clearly intrigued by the Faldetta, describing it as follows in 1851: > "Next, tripping lightly down the steps behind, is a Maltese lady, enveloped > in her elegant black silk mantilla, a costume of which it may be said that > it renders even the ugly attractive, while the pretty become positively > irresistible: so grave, and yet so piquante, so nun-like, and yet so > coquettish, are its rustling folds, tastefully drawn round the head, so as > to throw additional expression into a deep dark eye, and to relieve a white- > gloved hand, and taper Andalusian foot."W.H. Bartlett, Gleanings, Pictorial > and Antiquarian, on the Overland Route (Hall, Virtue & Co.: London, 1851).

Majokko Megu-chan was born of a proposal by Hiromi Productions, which had previously produced the less successful magical girl series Miracle Shoujo Limit-chan (1973–74) with Toei, to create a magical-girl series with a slightly naughtier edge than previous shows of the genre. The influence of Megu-chan's Toei stablemate, Go Nagai's Cutie Honey, was apparent in several aspects, from the somewhat racy lyrics of the opening theme song (performed, as was Cutie Honey's, by Yoko Maekawa) to the fact that the two series shared many of the same staff. While not as overtly sexualized as Nagai's heroine,Megu-chan was surprisingly voyeuristic for its period. Megu was frequently depicted in various states of undress and the series featured scenes which anticipated the rise of so-called fan service anime; the opening theme song itself features lyrics in which Megu boasts about her breasts and her way of manipulating boys with her looks and coquettish behaviors.

However, she also displayed a much more coquettish manner, with her new female identity allowing her to fully express aspects of the Master's ambiguous bond with the Doctor (as previously explored by Simm's incarnation in "The Sound of Drums"). While determined to torment and corrupt the Doctor with moral temptation while inflicting pain and death to humanity, she frequently referred to him as her "boyfriend" or "friend" and appeared to ultimately desire his acquiescence and company. She is also well aware that she is even more dangerously psychopathic than before, describing herself as "Bananas" to UNIT agent Osgood right before killing her ("Death in Heaven"). However, when circumstances result in Missy being kept in a vault and monitored by the Doctor after an averted execution, Missy actually comes to show signs of remorse for what she had done in the past, to the point that she prepares to side with the Doctor over her own past self ("The Doctor Falls").