Finally, what happens when you mix glittery false eyelashes, fabulous hair, vampish entertainment and straight people?
|
|
This sounds close enough to a vampish and actorly display from 2012-era Gaga, but things have changed.
|
|
Its vampish aesthetic quickly caught the attention of the rich and famous, and more recently, Michelle Obama was frequently seen wearing its shoes.
|
|
Day 2 arrived, then days 3 and 4 — and, with each, my own 5-inch platform knee-high boot or my vampish skyscraper pump.
|
|
Day 2 arrived, then days 3 and 4 — and, with each, my own 5-inch platform knee-high boot or my vampish skyscraper pump.
|
|
By 16, though, Mary was determined to establish a new direction, swapping her glasses and auburn hair for high heels, vampish makeup, and startling peroxide blonde.
|
|
She moves into an airy Williamsburg loft—perhaps the least believable element of the show—with her best friend, a vampish lesbian artist named Maggie (Debi Mazar).
|
|
Dressed entirely in vampish black (until she discovers happiness and goes in for lighter shades), she uses her artfully displayed legs as a contemptuously wielded weapon and stirs erotic longings in others she has no interest in acting on.
|
|
Not to be outdone, Julianne Moore, who plays the vampish, scheming Poppy Lane, head of the Golden Circle, wears Kingsman cosmetics: a bright red lipstick named Poppy Lane and a Kingsman-titled nail polish sold online by the supermodel Claudia Schiffer, Mr. Vaughn's wife.
|
|
As directed by Mischief alongside Mark Bell "The Comedy About a Bank Robbery" breaks with the troupe's precedent in giving women prominence, most notably a game Charlie Russell as the wonderfully named Caprice Freeboys, who happens to be the vampish daughter of the pompous bank manager, Robin, a role that Mr. Lewis roars his way amiably through.
|
|
More painfully, André begs Madeleine to promise that she won't die before him, which raises the morbid question of whether, overburdened by her husband's slippage, she decided to do just that—especially once a mysterious, vampish younger woman (Lucy Cohu), who may or may not be a long-ago lover of André's, arrives on the scene.
|
|
This confident, vampish St. Vincent was a world away from the skittish Texan indie guitarist who'd toured with the Polyphonic Spree and Sufjan Stevens during the 2000s and made records on the side, or even the more musically equanimous and ambitious St. Vincent on the wonderful 2011 album Strange Mercy, which explored the unlikely bedfellows of submissive sexuality and depression.
|
|
A woman disguises herself as a man, and poses as a gentleman's valet. She then has to resist the advances of his vampish fiancee.
|
|
Gloria Ugarte was an Argentine film and television actress.Vega p. 274 She often played vampish roles. Ugarte was married to the actors Zerpa Fabio and Mario Faig.
|
|
The next arrival is the vampish Myra Arundel, whom Simon has invited. The other two guests arrive together: Richard Greatham, a diplomat, and Jackie Coryton, a brainless but good-hearted young flapper. Tea is served. Conversation is stilted and eventually grinds to a halt.
|
|
Lauren Murphy of entertainment.ie praised her ability to sing "pastoral as well as blow-your-eardrums-out cacophony" on the track "Snore Bore Whore". The Munster Express described MayKay as being at her "breathy vampish best" on the same track. Male fans have professed simultaneous feelings of terror and attraction online.
|
|
In a departure from her former vampish roles, and Negri depicted Ann as tense and fidgeting, experiencing the anxiety of war time noncombatents, a woman surrounded by foreign army men in the hotel. She watches carefully and, when she sees the need, takes decisive action to avoid sexual assault and save her lover and, indirectly, her nation.
|
|
Fahey often appeared in the band's music videos and on-stage as a vampish glam figure. After two successful albums, tensions began to rise between Fahey and Detroit and they split up in 1993. That year, Fahey admitted herself into a psychiatric unit with severe depression. In 1996, Fahey continued as Shakespears Sister by herself and released the single "I Can Drive".
|
|
"[T]hree actors were shortlisted [for Cathy Gale]: Fenella Fielding... Honor Blackman... and Nyree Dawn Porter..." and in Danger Man. She appeared in four episodes of Morecambe and Wise Show between 1969 and 1972. She was in two of the Carry On films, the second was her role as the vampish Valeria in Carry On Screaming ! (1966), and three of the Doctor films (including Doctor in Clover).
|
|
The whole piece, like the ostensible double-entendre within it, feels strangely scattershot and unsatisfying, especially considering the great work they've done in the past." He also compared the song to Sheryl Lee Ralph's 1984 club hit "In the Evening". Ben Baglin from FACT magazine felt that musically, the song "doesn't quite hang together. The stripped-down, sassy verses sound fantastic, Murphy's vampish delivery spot-on (hearing that voice is always a treat).
|
|
International Times (it or IT) is the name of various underground newspapers, with the original title founded in London in 1966 and running until October 1973. Editors included Hoppy, David Mairowitz, Roger Hutchinson, Peter Stansill, Barry Miles, Jim Haynes and playwright Tom McGrath. Jack Moore, avant-garde writer William Levy and Mick Farren, singer of The Deviants, also edited at various periods. The paper's logo is a black-and-white image of Theda Bara, vampish star of silent films.
|
|
Her winking performance was a parody of her vampish roles in earlier films such as The Blue Angel (1930) and Blonde Venus (1932). The song became a standard part of her repertoire, second only to "Lili Marlene". She also sang a German version called "Gib doch den Männern am Stammtisch ihr Gift".Youtube The song was also featured in the Audie Murphy Western, Gunsmoke (1953), sung in the town saloon by Cora Dufrayne, played by Mary Castle.
|
|
In an interview, Aziz said that she was overwhelmed and was not expect the series to be the massive hit. She played the role of Tabeer in Hum TV's Tabeer. Ahmed Sarym of The Express Tribune states, "At such a young age, Aziz has already proven her mettle through a wide range of characters from the exuberant Jiya to a vampish Naeema in Khamoshi and the titular character of Tabeer". She then appeared in Faiza Iftikhar's Ranjha Ranjha Kardi.
|
|
Cardew favorably stated that Shaneera is "packed with melody, drama, and joy," also describing it as "theatrical, intense, and frequently funny, marked by Secret’s vampish, regal projections." He praised Qadiri's production, writing that it has a "furious intensity that amplifies the EP’s drama." He also compared the EP's vocal melodies to her studio album Asiatisch (2014), stating that both releases contain "Al Qadiri’s most powerful hooks." Writer Mollie Zhang called Shaneera a superior release to Qadiri's previous record Brute (2016).
|
|
Exponent of Kathak Initially, she wanted to become a doctor, but fate intervened when film director Amit Bose cast her in a dance sequence for Abhilasha in 1968, after being recommended by choreographer Harmendar. After that, she danced in more than 500 movies in the 1970s and 1980s. She has done vampish-comedy and sympathetic roles. Jayshree has acted in various Indian languages including Bengali, Tamil, Telugu, Malayalam, Kannada, Marwadi, Rajastani, English, Sindhi, Assamese, Bhojpuri, Oriya, Haryani, Garyali, Nepali, Punjabi, Marathi and Gujarati.
|
|
Her first role in Musical Theater was in 2002 in Susan Stroman's dance musical Contact and she was nominated for a Laurence Olivier Award for Best Actress in a Musical. She followed with the female lead role in the 2003 production of On Your Toes, with Adam Cooper providing the choreography and playing the male lead. Most notable was their duet to Richard Rodgers 'Slaughter on 10th Ave'. Wildor played the vampish Russian ballerina Vera Baronova, the role in which Natalia Makarova made a huge impact in the last London production 20 years ago.
|
|
The Barenaked Ladies' "Green Christmas", a song credited to Steven Page and Ed Robertson, about experiencing Christmas in a location where snow never falls, was recorded originally for the soundtrack to the 2000 film How the Grinch Stole Christmas. The acoustic studio version that appeared on Maybe This Christmas Too? differed from the soundtrack version as well as a third version appearing on the band's 2004 studio album Barenaked for the Holidays. Martina Sorbara performs a "vampish, bluesy" rendition of Edward Pola and George Wyle's "It's the Most Wonderful Time of the Year".
|
|
They spoke on the radio show to prove that they could meet the challenge of talking movies. A transition in the roles Pickford selected came when she was in her late 30s, no longer able to play the children, teenage spitfires, and feisty young women so adored by her fans, and was not suited for the glamorous and vampish heroines of early sound. In 1933, she underwent a Technicolor screen test for an animated/live action film version of Alice in Wonderland, but Walt Disney discarded the project when Paramount released its own version of the book. Only one Technicolor still of her screen test still exists.
|
|
Olive Pometsey from GQ deemed it Minogue's best and most "seductive" track, concluding that "featuring breathy vocals over seductive synths, it's the kind of song that would soundtrack that moment when you accidentally lock eyes with a hot stranger in a club perfectly [...] is indeed a slower track, but don't write it off that reason". The Abbey Road Sessions' version of the song also generated a favourable response. Tim Sendra from AllMusic enjoyed the "sultry trip-hop take" on the song and picked it as a highlight on the album. Nick Levine from BBC Music felt that "Slow" received the "most startling makeover" on the album, and described it as a "slinky jazz shuffle, complete with vampish vocal performance".
|
|
As the club hierarchy is faced with the challenge of keeping the squad afloat, the opportunity arises to create a national team. However, team unity is strained when Tirke and Moša clash over beautiful women. Rosa (Danina Jeftić), the voluptuous, small-town innocent who adores Tirke, but her soccer-mad uncle conspires to set her up with Moša; and vampish Valeria (Nina Janković), a rich flapper who seduces Moša and finds much fun in pitting him against Tirke. The initial doubt that surrounded their personal and professional lives is transformed into a shared ambition to prove themselves in Montevideo; as a result, a story about friendship, enthusiasm, persistence and love for the game is unraveled.
|
|
The following synopsis appears on the American Film Institute's webpage - The Devil's Bondwoman > After a prologue that takes place in Hell, young millionaire Mason Van > Horton becomes involved with Doria, the vampish wife of influential > businessman John Manners. When Mason falls in love with Beverly Hope, > however, he rejects Doria, who, out of revenge, tells John that Mason tried > to seduce her and then begs her husband to ruin him. An indignant John > begins to topple Mason's financial empire but then finds his wife making > love to Prince Vandloup. John, instantly realizing that she had lied about > Mason and that it was she who had initiated the affair with him, denounces > her.
|
|
The official music video for "Only Love Can Hurt Like This" was preceded by an '"Off the Cuff"' version, released on Faith's official Vevo account and was premiered on 31 March 2014. In this video, is shown just Paloma (looking typically vampish in a trademark vintage outfit) and her pianist (Dom Pipkin, who had previously recorded piano for Faith on the acoustic tracks included in the deluxe edition of Fall to Grace) performing the song alone in a room. This video was directed by Anthony Saul. On 25 April, Faith uploaded a teaser of the official music video on her official Instagram account, and informed that the video was set to release on 28 April.
|
|
In a dystopian version of 1996, an alliance of corrupt government and corporate military forces have taken control of the world in the guise of the "New Order Nation" (NON). The NON, with their vampish commander Head Mistress Helga (portrayed by Kerri Hoskins)), have declared war on youth culture (anyone aged from 13 to 30) and have banned all forms of music, television, magazines, and video games. The player travels to "Club X" in Los Angeles to see Aerosmith perform live, but the band is captured by NON troops and hustled off the stage in the middle of their show. After escaping from the club, the player steals a helicopter and flies across the city to find the band's car.
|
|
In 2012 she joined the Mexico City based label Vale Vergas Discos and released her first solo album User 69 to rave reviews. Club Fonograma called it "filthy, dark, strenuous synth punk that persuades you to get carnal in each pumping, lecherous beat enveloping it". MTV Iggy called her music "deliciously dark and vampish" and noted the change in aesthetic, adding "Leticia’s dark and sultry moans of not giving a fuck opened the pathway to more fans, as she paraded herself as the trick you won’t ever forget." Her work has been reviewed by national and international blogs like Club Fonograma, MTV IGGY, NRMAL, Puerto Rico Indie, NEGATIVE YOUTH, Remezcla, Life box Set, After Pop TV, Noise Lab, Sicario TV, among others.
|
|
Lobby card for The Cabin in the Cotton Marvin Blake is a sharecropper's son who wants to better himself by continued schooling instead of working in the fields under the heat in the Deep South. Initially, greedy planter Lane Norwood is opposed to the idea and says he needs to work in his fields, but after the sudden death of his over-worked father, he grudgingly helps Blake achieve his goal and gives the young man a job as a bookkeeper when his vampish daughter Madge intercedes on his behalf. Blake uncovers irregularities in Norwood's accounts and soon finds himself embroiled in a battle between management and workers and torn between the seductive Madge and his longtime sweetheart Betty Wright.
|
|
De Leath had a highly versatile range of styles, and as material required could adapt as a serious balladeer, playful girl, vampish coquette, or vaudeville comedian. "Ukulele Lesson" 78 rpm disc labelDe Leath also recorded songs for silent films, and composed songs, such as "Oliver Twist", written by the singer herself, for the 1922 silent film Oliver Twist.Ken Wlaschin The silent cinema in song, 1896-1929 2009 - Page 119 "Oliver Twist, the 1922 Jackie Coogan /Associated First National film, includes the song "Oliver Twist" by Vaughn DeLeath. The sheet music (New York: Witmark; London: Feldman) says the song was "introduced in the screen version of Oliver ..."Music Trades -1922 Volume 64 - Page 49 "The song, "Oliver Twist," itself, written by Vaughn De Leath, is of the kind that has all the elements of a really popular number, possessing a good lyric and a sympathetic melody that make a universal appeal.
|
|
" He also praised the producer Young Fyre for "keep[ing] the song from veering into parody by going retro with a doo-wop swing that would make Meghan Trainor jealous. Plus, it's a reminder that Spears, when she's not reaching the rafters with her breathy cooing, has a growling lower register that doesn’t get used enough." In a less favorable review, Robbie Daw of Idolator thought that the song "is Britney sounding her most Chipmunk-like, singing sexy lyrics about stripper poles through filters and studio wizardry atop a throwback soul track. The aim here may be seduction, but the song comes off more comical than anything else, thanks to Spears’ bizarre vocals." Michael Cragg of The Observer, Nick Levine of NME and Sal Cinquemani of Slant Magazine considered the song a "misstep", with Cragg referring to it as "horrendous," Levine opining that "Spears doesn’t have the lung power to pull off vampish R&B; tracks like ‘Private Show’," and Cinquemani saying that the song is "as sexy as getting a lap dance from someone with the flu, as Britney's trademark adenoidal whine sounds more like a sinus infection.
|
|