Gray and white robes hung from a coat stand near a raised shelf holding leather-bound copies of the Quran.
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On one side is a bench for spectators; on the other are a stool, makeup table, and a coat stand laden with vaudevillian miscellany.
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The photography of William Clothier was designed to highlight black and white and downplay colors. Only key elements like the blue matches, the fire, and Mitchum's red coat stand out.
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Collaborated with the wine merchant, Berry Bros & Rudd on a limited edition range of bottles. Smith collaborated with Land Rover, to design a bespoke Defender. Smith designed a new version of the cactus-shaped coat stand by Italian furniture designers Gufram. Edition Three of the Paul Smith & Anglepoise Collaboration was launched.
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Sidonia is an older, bespectacled woman who is thin and tall. She has a large chin, big nose, a huge quiff and big feet. Because of her unattractive physical features she is frequently mocked by other characters, especially Lambik. One of the most frequently uttered insults are comparisons between her and a coat stand.
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A coat rack A free-standing coat rack and umbrella stand Coat rack, coat stand or a hatstand is an item of furniture on which clothes may be hung. A coat rack often refers to a set of hooks that are attached to a wall and is mainly used to hang coats and jackets. In a kitchen or bathroom environment the coat rack is often used to hang towels. In some cases, a coat rack refers to a self-standing piece of furniture.
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Man Ray, 1920, The Coat-Stand (Porte manteau), reproduced in New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921, Bibliothèque Kandinsky, Centre Pompidou The most prominent of all the American Dadaists, Man Ray was a highly capable and innovative artist in a number of different mediums. Born in Philadelphia, he is the most prominent native artist amongst the New York Dadaists. Man Ray's style can be said to be something of a merger of mediums; his paintings, sculptures, photographs, and various constructions appear to be intertwined manifestations of all of these mediums in one. One of the ways that he managed to achieve this effect was with a purposefully careless looking way that he constructed his art.
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The bay windows are very large and the glass pane of the sash windows are actually curved - an added example of the sumptuous fitout of this residence. The hall is panelled in wood supplied by Gillow and Sons (the royal cabinet makers), who also supplied all the furniture for the house. The contents of the house were sold off at public auction in 1888; remarkably none of the Gillows furniture has ever subsequently been identified despite it all being stamped by the company - the only remaining piece is the built-in coat stand in the hall. Williamson had dreamed of creating a family dynasty with this estate as its symbol, however following the stock market crash in 1886 Williamson was forced to sell this property, which was subsequently divided up for development.
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Man Ray, 1920, Three Heads (Joseph Stella and Marcel Duchamp, painting bust portrait of Man Ray above Duchamp), gelatin silver print, 20.7 x 15.7 cm, Museum of Modern Art, New York Man Ray, 1920, The Coat-Stand (Porte manteau), reproduced in New York dada (magazine), Marcel Duchamp and Man Ray, April 1921New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921, Bibliothèque Kandinsky, Centre Pompidou 391, n. 13, July 1920 Man Ray, c. 1921–22, Dessin (Drawing), published on page 43 of Der Sturm, Volume 13, Number 3, March 5, 1922 While living in New York City, Man Ray was influenced by the avant-garde practices of European contemporary artists he was introduced to at the 1913 Armory Show and in visits to Alfred Stieglitz's "291" art gallery. His early paintings display facets of cubism.
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The video, recorded by Rigoberto Castañeda, shows Julieta entering an apartment where she carelessly throws her keys to a wooden table, removes her pink jacket placing it on a chair in the hallway and hurries to answer the phone, accidentally breaking a long, white vase in the process. She briefly speaks on the phone and then hurries to take her jacket and keys while a still take of a photograph of a groping couple is shown as she puts the jacket back on and leaves the apartment just to come right back in. She repeats the same sequence of actions, but the key chain, vase and most of the furniture changes in color and style. A photograph of the same couple sitting further away but smiling is shown, then the singer leaves the apartment to reveal a couple of copies of her with different clothes hanging from the coat stand singing and moving their feet rhythmically.
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