Tweed jackets hung from a clothes rack; a piano was due to be delivered shortly.
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In the bedroom, the boxes account for artwork, linens, a clothes rack, the mattress and several pillows, of course.
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When her now-16-year-old grandson was about 5, he once hid from Pate under a clothes rack at a Walmart.
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The other night I was trying to find a clothes rack for my son and I could not find ... I went to like six stores.
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As a way to feel productive when she was on maternity leave, she sometimes bought items for the baby: a clothes rack, a humidifier for her daughter's room.
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On Friday, she and some friends made paper flowers and now we will be affixing them to some netting, which will hang on a clothes rack behind a couch.
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Swank leather chairs sat on a kilim rug covering the wood floor and facing the room's only TV. In lieu of a closet, a clothes rack hung next to the sink.
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"It's just another piece of gym equipment that we'll never use, we're going to use it as a clothes rack, and it's going to be a waste of money," he told her.
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I searched a clothes rack filled with skin-toned "naked costumes" featuring all shapes and sizes of male and female genitalia, and chose a peach-color hermaphroditic garment, with teddy-bear fur, a male member between its legs and wide-set breasts.
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He's kept in such peak physical form after all these years thanks to a state-of-the-art gym (located right off of his elaborately-decorated foyer) and grueling workout regimen — he does four "clothes rack" reps a day and intense interval training (which includes staring in the mirror "for 3 to 4 minutes out of every 10").
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The space is all high ceilings, exposed concrete walls, and aging bay windows, though these days it's marked by the sparse, quietly ordered chaos of someone who doesn't spend more than a few hours there at a time: A crowded clothes rack peeks out from the bedroom upstairs, though I'm forbidden from going any further because Raia deems it too messy.
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Its first and second floors alternate wall spaces between painting and clothes rack, where you can stop to contemplate a Cranach or circle of Leonardo da Vinci between some jackets and trousers, while its basement is predominantly a gallery space with full-length portraits by Joseph Wright of Derby wedged beneath the stairs, reflected multiple times in the mirrored walls.
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In live performances, the Coasters would place a clothes rack on stage, and dramatize the song.
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Other names for this device include a clothes rack, drying horse, clothes maiden, garment donkey, drying rack, scissor rack, drying stand, Frostick, airer, or (Scots) Winter Dyke.
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A second time the candlestick rises up, and the personage in the picture having become animated swallows candle and candlestick. The fellow jumps backward, bumps up against the clothes-rack. Taking his clothes for an intruder he kicks at them. The boots become animated, and kick him in return.
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The piece was untitled. Abramović would stand in front of the public dressed in her regular clothing. Present on the side of the stage was a clothes rack adorned with clothing that her mother wanted her to wear. She would take the clothing one by one and change into them, then stand to face the public for a while.
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The film begins in the interior bedroom of an inn. There enters a traveler, slightly intoxicated, accompanied by a porter, who carries his baggage. The traveler takes off his hat, his coat and his shoes. The servant places these things upon a clothes- rack in such a way that they resemble the outlines of the back of an old codger.
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This startles her cat, who then jumps from their third story window sill. The cat lands on a clothes rack underneath and bounces onto the helmet of an oncoming motorcyclist. Gripping onto the helmet for its life, the cat causes the motorcyclist – enroute on a pizza delivery – to swerve uncontrollably in the road. A bus barely misses hitting them – and then collides into a nearby parking meter.
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The fellow, enraged, throws himself upon the clothes-rack, which he imagines to be a person, struggles with it and rolls upon the floor, entangled among all his clothes. He restores everything to its former place, but his boots began to dance about the room. The poor drunk man chases after them, but the boots ascend the wall and disappear in the ceiling. Tired he goes to bed.
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Untitled (Crushed), a work consisting of one-hundred-plus unique works- crushed branded shopping bags collected by Beaumont, presents the bags as deconstructed fetishized icons of beauty and the branding of identity. A related work, the sculptural assemblage Prêt-à-Porter, is a societal construct of identity. The work consists of a collection of international shopping bags, a rolling double clothes rack, and hangers. The branded shopping bags are hung with tags naming the individual who contributed the bag.
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The video begins with several flash cuts of Justin Timberlake and JC Chasez posing in front of the camera. The remaining members join in as they perform several choreographed sequences, which constantly transition from the group wearing urban clothing and white tank tops and jackets. The first verse begins with Chasez sitting on a gym bench, while Chris Kirkpatrick is practicing on a punching bag. Both are then seen leaning on the rafters, as Timberlake is choosing clothes off a clothes rack.
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Having noticed very little activity over the weekend, the motel manager and his nephew decided to check on the room. Jenkins was found dead, apparently of suicide; his body was hanging from a clothes rack by a belt. No suicide note was found at the motel, , however, police found a document saved on Jenkins's computer titled "Last Will and Testament" and dated August 20, 2009. On August 27, 2009, investigators found a storage unit full of Jenkins's belongings, including a suitcase of clothes, in Washington state.
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After a fight with Boyd, Strutt grabs a case full of money and runs up to the roof, where a helicopter is waiting. Montini gets the upper hand in his fight with Leon after he damages Leon's vision with indigo fabric dye. Leon manages to stab Montini in the leg with a piece of broken glass, before killing him by having his neck impaled on a clothes rack. As the helicopter ladder is dragging Boyd across the roof with Strutt hanging on to the ladder, Strutt falls and is impaled on a metal pipe.
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According to the OED Online, the etymology of the word is the "officer who carries the mantle of a person in a high position (1507 in Middle French), case or bag for carrying clothing (1547), clothes rack (1640)". In modern French, a is a clothes valet, a coat-tree or similar article of furniture for hanging up jackets, hats, umbrellas and the like.Petit Robert: portemanteau – "malle penderie" (suitcase in which clothes hang).Such a "coat bag" is mentioned in Chapter 12 of Alexander Dumas' The Count of Monte Cristo.
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Appearances: Series 1 episode 6 Catchphrase: Do you know if anyone died in it? Whitelaw appears only once in the entire Series, at her local charity shop. She is seen to browse through the clothes rack, and when she finds something she likes, she always asks the shopkeepers if anyone died in the clothes she is holding. When Whitelaw finds some pale blue silk pyjamas, the assistant keeper (Matt Lucas) says that, just the day before, an elderly lady came in with her husband's clothes, saying he died in his sleep.
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A large number of Crissy doll accessories were produced by Ideal along with a multitude of outfits in the "sold separately" clothing lines from 1969 to 1973. Interested Crissy doll collectors may also desire to acquire the various Crissy & Velvet cases and luggage, the Clothes Rack and Closet Set (1971–72), and the 1973 Crissy's Beauty Parlor. Additionally, there are doll clothing patterns by Simplicity and McCall's, five different paper doll sets, the 1970 Velvet & Crissy Shopping Spree Game, the Crissy Dress-Up Set, and a Crissy Colorforms set (1970). Other collectible items include the following: The 1971 Crissy & Velvet Coloring Book, the 1971-73 Crissy Hair Dryer (which actually worked), the Beautiful Crissy Hair Styling Set (1971–73), and the 1972 Crissy's Way-out Wig Assortment.
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Mills House No. 1 is one of two survivors of three men's hotels built by banker Darius Ogden Mills in New York City. It originally contained 1,554 tiny rooms (7 and a half by 6 feet or 5 by 8 feet) that rented at the affordable rate of 20 cents a night, with meals costing 15 cents, The rooms contained only a bed with a mattress and two pillows, one stuffed with hair, the other with feathers, a chair and a clothes rack, and their walls stopped about a foot short of the ceiling. There were four toilets and six washbasins on each floor (for 162 rooms) and bathrooms on the ground floor. The building extends along Bleecker Street from Sullivan to Thompson streets, occupying four city lots.
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