David Neuhaus, draped in a red chasuble, said — the Lord be with you.
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Wear a pallium over your chasuble or thrill the devoted at morning Mass by sporting your very own omophorion.
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Calvin Klein released a fall advertising campaign starring the rapper Young Thug, dressed in flares and a fitted pinstripe chasuble, its neckline embellished with an astral-looking orb.
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We can find examples from Santa María La Real de Huelgas in Burgos, or in the maniples with Square-Kufic-like decoration on the Chasuble of Saint Edmund, Provins.
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As we walk through the space, Clark describes how the show will be laid out, beginning with a 231th-century piece of gold cloth, part of a chasuble, next to an Elsa Schiaparelli gown.
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Doing a breakdown of just one of Burke's outfits — which included a gold mitre, a gold chasuble (tunic), a heavy gold pectoral cross necklace, a gold crozier (a staff that resembles a shepherd's crook), and more — the Global Post estimated it cost about 15,000 British pounds (or a little over $20,000).
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Among other fittings, a chasuble from the 16th century can be mentioned.
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The dalmatic is often made of the same material and decoration as a chasuble, so as to form a matching pair. Traditional Solemn Mass vestment sets include matching chasuble, dalmatic, and tunicle. A dalmatic is also worn by the British monarch during the Coronation service.
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More recently, the chasuble has been readopted for Communion services in both Germany and North America. It is the stole, not the chasuble, that is the priestly vestment. The chasuble was never used by low-church Anglicans and rarely used by high-church Anglicans until the Oxford Movement in the 19th century, and even then not until the second generation of the Oxford Movement. It is not customary and rarely seen in Protestantism outside of the liturgical churches.
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Working together from 1958- 1960 with textile historian Sigrid Müller-Christensen, they compiled what is known today as the Fermo File, which is now stored in the archives of the Bayerisches Nationalmuseum. This report includes physical and historical research on the chasuble. Müller-Christensen was responsible for creating the first modern rendering of the Chasuble in 1973, and her diagrams are still the primary resource when analyzing the chasuble. Furthermore, due to its importance and exceptional state of preservation, the chasuble has undergone thorough analysis by the art historian Avinoam Shalem with the publication of his book, The Chasuble of Thomas Becket: A Biography, in 2017, who studied the textile and its history in collaboration with the Bruschettini Foundation, Germano Liberati, Birgitt Borkopp-Restle, Regula Schorta, Miriam Ali-de- Unzaga, Ariane Dor, David Jacoby, Ursula Nilgen, and Marta Jaro.
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These accounts inspired the Knights of St. Thomas, whose followers would later become the Knights Hospitaller, to found a church and hospital dedicated to Thomas Becket. Large numbers of pilgrims began traveling to Canterbury to pray or be healed. The chasuble is said to have been a relic as it was the garment Becket was buried in 1170, however other sources dispute if the textile was even fashioned into the Chasuble during Becket's life. Simon-Cahn provides evidence that perhaps the Chasuble was created after Becket’s death to emulate the Chasuble he was buried in, and this garment gained notoriety from the Cult of Saint Thomas Becket, which was increasing in size at that time.
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At Kimito, the Eucharist was celebrated every Sunday during Hedberg's time. As celebrant he also always wore the chasuble.
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Joseph Le Caron holds the edge of Jamay's chasuble. Samuel de Champlain, founder of Quebec City, is in the centre.
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The chasuble is a major example of the process of the Christianisation of an Islamic textile; this Arabic inscription on the chasuble allows scholars to ascribe the textile to a laboratory working during the Islamic period in Spain. The Christianisation process is proven both by the fact that the textile became a garment used in Christian liturgy and by its association with the worship of Thomas Becket as a saint and martyr, which spread all over Europe during the 13th century. Early modern research done on the chasuble is somewhat limited, and looks primarily at the garment for its basic elements- cloth, silk, embroidery. Professor David Storm Rice, from University of London, studied the chasuble extensively and was the first to detect and decipher the inscription on the textile.
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The Fermo chasuble of St. Thomas Becket is a garment belonging to Thomas Becket, Archbishop of Canterbury from 1162 until his murder in 1170. On display at the Museo Diocesano in Fermo, the chasuble is among the possessions of the treasury of the Fermo Cathedral (Duomo di Fermo). It was donated by Presbitero, bishop of Fermo (1184-1201), who, scholar David Storm Rice suggests, had received it from Thomas Becket himself, when they were both students at the Studium of Bologna. Other sources dispute this claim, and instead suggest that the chasuble was donated by the Cult of Saint Thomas as they passed through Fermo.
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In Oscar Wilde's 1895 play The Importance of Being Earnest, Dr. Chasuble is a clergyman who, in the 2002 film adaptation, is seen wearing his namesake vestment.
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It is only worn for the celebration of the Eucharist. Corresponds to the Orthodox phelonion (see below). See also chasuble-alb. ; Dalmatic : The outermost garment of deacons.
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Sacristy with a sacristy credens (a cabinet with wide and very shallow drawers in which vestments and hangings are stored). A chasuble and stole are laid out on top of it, ready to be put on. A sacristy is a room for keeping vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. In some countries, it is known as the vestry.
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An Anglican priest wearing a modern chasuble over alb and stole The chasuble () is the outermost liturgical vestment worn by clergy for the celebration of the Eucharist in Western-tradition Christian churches that use full vestments, primarily in Roman Catholic, Anglican, and Lutheran churches. In the Eastern Orthodox Churches and in the Eastern Catholic Churches, the equivalent vestment is the phelonion. "The vestment proper to the priest celebrant at Mass and other sacred actions directly connected with Mass is, unless otherwise indicated, the chasuble, worn over the alb and stole" (General Instruction of the Roman Missal, 337). Like the stole, it is normally of the liturgical colour of the Mass being celebrated.
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Catholic bishop of Copenhagen, in pontifical liturgical vestments including the chasuble Called in Latin casula, planeta or pænula, and in early Gallic sources amphibalus. The chasuble is the principal and most conspicuous Mass vestment, covering all the rest. It is described in prayer as the "yoke of Christ" and said to represent charity. Nearly all ecclesiologists are now agreed that liturgical costume was simply an adaptation of the secular attire commonly worn throughout the Roman Empire in the early Christian centuries.
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Many, but not all, Lutheran and Anglican churches make use of the chasuble. The chasuble has always been used by the Lutheran denominations of Scandinavia, although in earlier times its use was not directly connected to the communion. German Lutherans used it for the first two hundred years after the Reformation but later replaced it with the Geneva Gown. A variety of practices emerged in North America but by the mid-20th century, the alb and stole became widely customary.
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100–1 According to the Historia Regum as well as the accounts of Richard of Hexham and Ailred of Rievaulx, when Bishop Acca was reburied in Hexham, several relics were removed undamaged from his grave. These included some of his vestments (chasuble, dalmatic and maniple), his shroud and a silk tunic, as well as a wooden portable altar. The chasuble and portions of his "face-cloth" appear in a list of Durham Cathedral's relics compiled in 1383.Crook 2011, p.
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A chasuble-alb is a contemporary Eucharistic vestment that combines features of the chasuble and alb. In the Roman Catholic Church, it was first adopted in France, though without official approval. In France it is no longer fashionable, but it has been officially approved in some tropical countries such as the Philippines,Eternal Word Television Network, Global Catholic Network of January 25, 2003. and in Hawaii in the United States.Bishop Larry Silva’s Liturgical Catechesis at the Hawaii Catholic Herald It is always white in colour.
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An abbot makes use of a black and gold silk cord while an abbess and canon would use a black silk cord. Formerly, protonotaries apostolic wore a pectoral cross on a purple silk cord when celebrating in pontificals. Cardinal Patabendige Don of Colombo wearing a pectoral cross suspended by a cord while in choir dress When celebrating Mass, bishops wear the pectoral cross suspended by the cord over the alb but under the chasuble, where it is not visible. However, some bishops wear their pectoral cross over their chasuble, suspended by a chain.
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Caeremoniale Episcoporum, 59 When celebrating Mass, a bishop, like a priest, wears the chasuble. The Caeremoniale Episcoporum recommends, but does not impose, that in solemn celebrations a bishop should also wear a dalmatic, which can always be white, beneath the chasuble, especially when administering the sacrament of holy orders, blessing an abbot or abbess, and dedicating a church or an altar.Caeremoniale Episcoporum, 56 The Caeremoniale Episcoporum no longer makes mention of pontifical gloves, pontifical sandals, liturgical stockings (also known as buskins), the maniple, or the accoutrements that it once prescribed for the bishop's horse.
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In the Slavic tradition, though not in the Greek, the phelonion, the Byzantine Rite vestment that corresponds to the chasuble, is cut away from the front and not from the sides, making it look somewhat like the western cope.
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The seal of the priory represented St. Peter, standing, in mitre and chasuble, two keys in the right hand and a crosier in the left. The legend is very indistinct, only the last two words being legible . . . PETRI CATENAS.
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Strings were sometimes used to assist in this task, and the deacon could help the priest in folding up the sides of the vestment. Beginning in the 13th century, there was a tendency to shorten the sides a little. In the course of the 15th and the following century, the chasuble took something like its modern form, in which the sides of the vestment no longer reach to the ankle but only, at most, to the wrist, making folding unnecessary. At the end of the sixteenth century the chasuble, though still quite ample and covering part of the arms, had become less similar to its traditional shape than to that which prevailed in the nineteenth and early twentieth centuries, when the chasuble was reduced to a broad scapular, leaving the whole of the arms quite free, and was shortened also in front and back.
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17th century embroidered chasuble, part of the collections of the Château de Vaux-le-Vicomte. In the 20th century, there began to be a return to an earlier, more ample, form of the chasuble, sometimes called "Gothic", as distinguished from the "Roman" scapular form. This aroused some opposition, as a result of which the Sacred Congregation of Rites issued on 9 December 1925 a decree against it, De forma paramentorum which it explicitly revoked with the declaration Circa dubium de forma paramentorum of 20 August 1957,Acta Apostolicae Sedis, 49, 1957, p. 762 leaving the matter to the prudent judgement of local Ordinaries.
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The Archangel Gabriel wears a rich cope with a huge jewelled morse in Jan van Eyck's Annunciation, 1434-36 There has been little change in the character of the vestment from the earliest ages. Then as now it was made of a piece of silk or other cloth of semicircular shape, which distinguished it from the earlier form of chasuble, as a chasuble had straight edges sewn together in front. Both are similar in form and origin to the Orthodox phelonion. The only noticeable modification which the cope has undergone lies in the disappearance of the hood.
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Due to age, deterioration, and differences of interpretation, the exact translation of the Arabic on this textile is unknown. A majority of the supposed Arabic script on the chasuble is indecipherable, due to the style of calligraphy and the degradation of the silk and embroidery. Historians and translators that have worked on the chasuble do agree on the religious undertones of the written Arabic, specifically the recurrence of the written word الله, Allah. There is also evidence to suggest the presence of pseudo-Arabic script, common at the time in art objects attempting to appear worldly.
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The pulpit is Baroque, dating from 1651-53, while many of the other furnishings are later. The stained glass window behind the altar dates from 1905. Among the more unusual items in the church is a decorated chasuble from the 16th century.
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GIRM, no. 336 When used, the maniple is worn by a priest only when vested in a chasuble for celebrating Mass. A bishop celebrating a (Tridentine) Low Mass assumes the maniple only after the Prayers at the Foot of the Altar. The 1960 Code of Rubrics, incorporated into the 1962 Roman Missal, states that the maniple is never worn with the cope (as, for instance, in the Asperges ceremony or in giving Benediction of the Blessed Sacrament); and, if no cope is available, it allows the priest to give such blessings vested in an alb and wearing a stole, but without chasuble and maniple.
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Eighteenth- century chasuble from Mexico on display at the Museum of Fine Arts in Toluca The chasuble originated as a sort of conical poncho, called in Latin a or "little house", that was the common outer traveling garment in the late Roman Empire. It was simply a roughly oval piece of cloth, with a round hole in the middle through which to pass the head, that fell below the knees on all sides. It had to be gathered up on the arms to allow the arms to be used freely. In its liturgical use in the West, this garment was folded up from the sides to leave the hands free.
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A highlight is the Y-shaped, silver threaded chasuble in black poplin cloth, made for use at funerals. Covering the altar is a violet altar cloth with a frontlet that is decorated with Celtic interlacing, realised in shades of purple silk with orange and yellow highlights, and a border of lemon and violet cotton satin. The altar also has candlesticks. The "Black set" of Honan textiles includes an altar frontal with a Celtic cross based on a grave stone from Tullylease Church in Cork, and a black hooded cope with a crown-of-thorns design, and a black chasuble designed for funeral masses containing Celtic interlace patterns.
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Born on 28 May 1931, in Randwick, New South Wales. As well as other stage roles, Bob Hornery appeared in the stage production of The Importance of Being Earnest as the "Rev. Canon Chasuble". This ran from 1988 to 1992, and was televised by the ABC.
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2, (1900), lxxiii-lxxxiv, 116-7, 280. A chasuble embroidered with the royal arms, with an alb, and an altar frontal of arras- work were provided in March 1505, and the building work continued.Accounts of the Lord High Treasurer of Scotland, vol. 3 (1901), 78-79.
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Other garments included the chasuble, the outermost liturgical vestment, which retained its shape, and the dalmatics, a tunic like vestment with large, bell shaped sleeves, which tended to be arched on the sides. The pastoral staff was generally found to be plain in colour and ornamentation.
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The choir and lay servers wear black cassocks and full-length surplices , the vergers (of which there are nearly always two for Eucharists on Sundays) wear cassocks and blue/gray vergers' gowns, and the assisting clergy vest as the choir with the addition of a stole (or tippet for the priest who is preaching to be exchanged at the start of the Eucharistic liturgy for a stole). The participating clergy wear eucharistic vestments. The three participating clerics wear amices and maniples, the presider wears a chasuble, the deacons a dalmatic, and the subdeacon (an uncommon office outside of Anglo-Catholicism) a tunicle. The rector, When presiding at the Eucharist, he wears a mitre in addition to the chasuble .
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The saint holds a jewelled cross and wears early versions of an alb, chasuble and pallium. He is regarded as a saint by both the Catholic and Orthodox churches, though essentially local to Ravenna, where there is a church dedicated to him at Piazza S. Massimiano, Punta Marina, Ravenna, 48020.
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Ukrainian Catholic priest wearing an embroidered phelonion at a church in the United States. The phelónion (Greek: (plural, , phailónia; Latin paenula) is a liturgical vestment worn by a priest of the Eastern Christian tradition. It is worn over the priest's other vestments and is equivalent to the chasuble of Western Christianity.
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Pope Francis celebrated his papal inauguration on March 19, 2013, the Solemnity of Saint Joseph, following his election on March 13, 2013. He used a mitre he has had since he first became a bishop. His chasuble matched the mitre. He used the same pastoral staff that Benedict XVI used.
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It is also worn by the subdeacon when holding the paten. ; Biretta : A rectangular cap that may be worn by clergy of all ranks except the Pope; its color can signify rank. ; Tunicle : The outermost garment of subdeacons. ; Chasuble : The outermost sacramental garment of priests and bishops, often quite decorated.
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The altarpiece was most recently restored by the Central Institute of Restoration in Madrid between 1966–1976. Later overpainting was removed; and although the panels are in relatively good condition, significant portions of the two middle panels (Christ on the Cross and San Ildefonso Receiving the Chasuble) are damaged.Her, Manuel. Fernando Gallego, c.
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The chasuble is made up of different parts sewn together with red silk; some portions were sewn before the embroidery process, others afterwards, making the embroidery itself discontinuous. There is also no clear border to the textile. Potential original uses for the textile have been suggested as a canopy or tent cloth.
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Roman Catholic deacon wearing a dalmatic Ornately embroidered dalmatic (shown from the back with an appareled amice) The dalmatic is a long, wide-sleeved tunic, which serves as a liturgical vestment in the Catholic, Lutheran, Anglican, United Methodist, and some other churches. When used, it is the proper vestment of a deacon at Mass, Holy Communion or other services such as Baptism or Marriage held in the context of a Eucharistic service. Although infrequent, it may also be worn by bishops above the alb and below the chasuble, and is then referred to as pontifical dalmatic. Like the chasuble worn by priests and bishops, it is an outer vestment and is supposed to match the liturgical colour of the day.
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Some early examples feature a triangular hood, which was intended to be of practical utility in covering the head in processions, etc., but over time the hood became merely ornamental, and is commonly represented by a sort of shield of embroidery, sometimes adorned with a fringe or tassel. The fact that in many early chasubles, as depicted in the drawings of the eighth and ninth centuries, we see clear traces of a primitive hood, strongly confirms the view that in their origin cope and chasuble were identical, the chasuble being only a cope with its edges sewn together. The earliest mention of a cappa is by St. Gregory of Tours, and in the Miracula of St. Furseus where it seems to mean a cloak with a hood.
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After the deacon vests the pope with the usual amice, alb, the cingulum and sub-cinctorium, and the pectoral cross, he places the fanon on the pope by means of the opening (with the embroidered cross in front), and then pulls the back half of the upper piece over the pope's head. Then he vests the pope with the stole, tunicle, dalmatic, and chasuble, after which he turns down that part of the fanon which had been placed over the head of the pope, draws the front half of the upper piece up from under the chasuble, and finally arranges the whole upper piece of the fanon so that it covers the shoulders of the pope like a collar. The pallium is placed over the fanon.
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23 In 1977, BBC Radio 4 broadcast the four-act version of the play, with Fabia Drake as Lady Bracknell, Richard Pasco as Jack, Jeremy Clyde as Algy, Maurice Denham as Canon Chasuble, Sylvia Coleridge as Miss Prism, Barbara Leigh-Hunt as Gwendolen and Prunella Scales as Cecily. The production was later released on CD. To commemorate the centenary of the first performance of the play, Radio 4 broadcast a new adaptation on 13 February 1995; directed by Glyn Dearman, it featured Judi Dench as Lady Bracknell, Michael Hordern as Lane, Michael Sheen as Jack Worthing, Martin Clunes as Algernon Moncrieff, John Moffatt as Canon Chasuble, Miriam Margolyes as Miss Prism, Samantha Bond as Gwendolen and Amanda Root as Cecily.
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There are also representations of elephants with howdahs, one with women inside; four groups of turbaned hunters holding falcons seated on horses with rabbits below, and two enthroned men flanked by musicians and other attendants, all of which portray scenes of the Princely Cycle, a common theme in Islamic art. An oblong panel with a lavish scroll contains this Kufic inscription: "In the name of Allah the Merciful, the Compassionate, the kingdom is Allah's...greatest blessing, perfect health and happiness to its owner...in the year 510 in Mariyya". The chasuble is constructed from a textile which has been concluded once served a different purpose. Thirty-eight different panels fashion the chasuble, and are arranged in a patchwork manner to construct the bell-shaped garment.
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In 1910, in an attempt to discourage Catholic-minded clergy seeking appointment in Sydney, Archbishop John Charles Wright imposed the requirement that all clergy, upon appointment, undertake not to wear the Eucharistic vestment (the chasuble) in any church in the diocese. The parish complied under protest, in order to secure appointment of a new rector.
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It consists of an unpatterned samit and is made from a piece of fabric according to a classic cut. From the shoulders to the hem the length of the garment is 124 cm. On the chasuble there was again a woolen fabric, which was a pallium. The garment nearest to the body is a silk Dalmatic or Tunicella.
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The body of Pope John Paul II exposed to the faithful in the Vatican Basilica. John Paul II's body was clothed in the familiar white soutane, over which was placed a plain white alb. A stole, the symbol of ordained ministry, was placed around his neck. Over the inner vestments, John Paul II was clothed in a red chasuble.
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' At the Chasuble: Jugum tuum Domine suave est: et onus tuum leve: presta ut sic illud deportare valeam: ut consequi possim tuam gratiam. Per Christum Dominum nostrum. 'Your yoke, O Lord, is sweet; and Your burden light; grant that I may so avail to wear it so as to obtain Your grace. Through Christ our Lord.
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At the bottom of the altarpiece, under the image, are carved the coat of arms for Bjelkes, Juuls and Lindenows. A chalice and a silver altar dish from 1655 are preserved at Austrått. A chasubleA chasuble is a liturgical vestment worn by clergy for the celebration of the Eucharist. from 1662 is preserved in the church's collection.
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In traditions that historically reject the use of the Chasuble the Cope may be used as a Eucharistic vestment. ; Rochet : Similar to a surplice but with narrower sleeves. In Catholic and Anglo-Catholic use it is often highly decorated with lace. The Anglican version is bound at the cuffs with a band of cloth and worn with a chimere.
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His version includes the Bismillah prayer from the Quran, but the remainder of his translation is contested due to anachronistic and a-geographical language factors. Dolezeal also suggests that due to the specific style of the Arabic calligraphy, it is unclear if the writing on the fabric registered to the christians that issued the chasuble as Arabic script.
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There exists a photograph of Pope Pius XI wearing the more ample chasuble while celebrating Mass in Saint Peter's Basilica as early as 19 March 1930. After the Second Vatican Council, the more ample form became the most usually seen form of the chasuble, and the directions of the GIRM quoted above indicate that "it is fitting" that the beauty should come "not from abundance of overly lavish ornamentation, but rather from the material that is used and from the design. Ornamentation on vestments should, moreover, consist of figures, that is, of images or symbols, that evoke sacred use, avoiding thereby anything unbecoming" (n. 344). Hence, the prevalence today of chasubles that reach almost to the ankles, and to the wrists, and decorated with relatively simple symbols or bands and orphreys.
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Apart from several "made-for-television" versions, The Importance of Being Earnest has been adapted for the English-language cinema at least three times, first in 1952 by Anthony Asquith who adapted the screenplay and directed it. Michael Denison (Algernon), Michael Redgrave (Jack), Edith Evans (Lady Bracknell), Dorothy Tutin (Cecily), Joan Greenwood (Gwendolen), and Margaret Rutherford (Miss Prism) and Miles Malleson (Canon Chasuble) were among the cast.The Importance of Being Earnest 1952, accessed 5 September 2010. In 1992 Kurt Baker directed a version using an all-black cast with Daryl Keith Roach as Jack, Wren T. Brown as Algernon, Ann Weldon as Lady Bracknell, Lanei Chapman as Cecily, Chris Calloway as Gwendolen, CCH Pounder as Miss Prism, and Brock Peters as Doctor Chasuble, set in the United States.
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A stole of the colour appointed for the Mass of the day is worn outside it, in place of the normal white alb and coloured chasuble. A cassock- alb is a vestment that combines features of the cassock and alb. It developed as a more convenient undergarment worn by clergy and as an alternative to the alb for deacons and acolytes.
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It should be decorated by a cross in the centre, and trimmed with silk embroidery. Its colour must correspond with the colour of the chasuble. The gremiales used at other Catholic Church functions are made of linen, to facilitate their cleansing in case they be soiled. Little is known of its history; apparently its origin dates back to the later Middle Ages.
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Valuables included a small silver chalice; a red velvet chasuble; two vestments; three corporals; five altar cloths; an arras cloth; an old chrismatory; two brass and two tin candlesticks; and a font without a lock. The chancel roof needed repairing, and the church was at the time not dedicated. Visitations were repeated in 1297 and 1458.Phillimore 1897. pp. 98–114.
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Considering that she was an artisan and he a medieval king, it is remarkable how much attention Henry put to this matter and how much respect he treated Mabel with. She must have truly been uniquely talented in her craft. The King even ordered that she be given the remnants of all precious materials used for the creation of the chasuble.
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The chasuble was worn for the last time inside Christ Church on 19 April 1911.“The use of vestments”, The Daily Telegraph (Sydney, NSW), 22 April 1911, p 14. Since that date, priests have worn a cope instead of a chasuble when celebrating the Eucharist at Christ Church. A very visible part of Christ Church's commitment to Anglo-Catholicism was the outdoor “procession of witness” held as part of the annual Dedication Festival from 1927 until 1967. Sometimes led by as many as three thurifers, the processions featured parish organisations and guilds, clergy from around the Anglican communion (in copes), the occasional mitred bishop (mitres being a rarity in Sydney), clergy from Orthodox churches, and representatives from sympathetic Sydney parishes and St Gabriel's, a girls’ school run by the Community of the Sisters of the Church in the nearby suburb of Waverley.
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The cycles and seasons of the church year continued to be observed, and there were texts for daily Matins (Morning Prayer), Mass and Evensong (Evening Prayer). In addition, there was a calendar of saints' feasts with collects and scripture readings appropriate for the day. Priests still wore vestments—the prayer book recommended the cope rather than the chasuble. Many of the services were little changed.
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Santa Cruz's artwork can be seen at the Cathedral of Cusco. In its basilica are two enormous paintings by him, featuring Saint Christopher's Apotheosis and Saint Isidore, respectively. Past the transept hang two more of Santa Cruz's large canvases, the "Chasuble Imposition to Saint Ildephonsus" and "The Ecstasy of Saint Philip Neri." A final piece of his work hangs in the Chapel of Saint Joseph.
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Strictly speaking, the act of defrocking or unfrocking refers to the removal of the frock-like vestments of clergy and ministers, especially those that are used in officiating at worship services, baptisms, weddings, funerals, and communion. Typically, a clerical frock may refer to an ankle- length alb, a colored stole associated with the preaching office, or a chasuble worn by ministers for the celebration of the Eucharist.
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It is now the vestment assigned to the celebrant, whether priest or bishop, for almost all functions except the Mass when the celebrant wears the chasuble instead. The cope is used, for example, in processions, in the greater blessings and consecrations, at the solemnly celebrated Liturgy of the Hours, in giving Benediction of the Blessed Sacrament, and the celebration of other sacraments outside of Mass. For most of these the celebrant may instead wear simply cassock and surplice or alb, both with the stole, for simpler celebrations. The chasuble, which is properly only worn for Mass, may also be worn during processions and other ceremonies that occur directly before or after Mass, such as the absolutions and burial of the dead, at the Asperges before Mass, and at the blessing and imposition of the ashes on Ash Wednesday, to avoid the need for the celebrant to change vestments.
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Two spiritual dignitaries approach from the right. Each wears an alb, a chasuble and a pallium, showing that they are archbishops, and carries writing implements. This Apotheosis image is thus a variation on the image of Christ in Majesty, uniquely influenced by Byzantine art. Emperor Otto III is shown crowned by God, supported by the Earth, an Earthly Christ with his heart full of the Gospel holding power over the world.
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A century later it fell victim to an act of barbarism when, in 1798, it was dismantled and the head, arms and legs as well as the accompanying angels melted down for their material value during the Roman Republic. Le Gros' chasuble was left intact and the missing parts remade with slight variations in silver coated plaster from 1803–04 under the supervision of Antonio Canova by one of his assistants.
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Special importance was paid to the feast of St Nicholas, when a "Boy Bishop" was elected, with his three deacons. In 1431 his vestments are listed including two copes, a mitre, a tunicle (or dalmatic), a chasuble, three albs for the children, and a crozier for the bishop, valued then at 40 shillings: their vestments are listed again in 1518.Simpson, 'Inventory', p. 156; Parish of St Peter', p. 259.
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In 1745, Cameron enlisted as a chaplain to Cameron of Lochiel's Regiment. The regiment had three chaplains (a Presbyterian, an Episcopalian, and a Catholic).A. Livingstone et al.. The Muster Roll ofPrince Charles Edward Stuart's Army (Edinburgh, 1984), 33. On the evening before the battle of Culloden, Cameron celebrated mass on the Culloden battlefield for his regiment, wearing a tartan chasuble – a fragment of which is preserved today.
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Alexander in Act II (1909 revival) Cecily is studying with her governess, Miss Prism. Algernon arrives, pretending to be Ernest Worthing, and soon charms Cecily. Long fascinated by Uncle Jack's hitherto absent black sheep brother, she is predisposed to fall for Algernon in his role of Ernest (a name she is apparently particularly fond of). Therefore, Algernon, too, plans for the rector, Dr. Chasuble, to rechristen him "Ernest".
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Renaissance styled vestments which is used by the Catholic clergy: A chasuble, dalmatic, cope, and a biretta For the Eucharist, each vestment symbolizes a spiritual dimension of the priesthood, with roots in the very origins of the Church. In some measure these vestments harken to the Roman roots of the Western Church. Use of the following vestments varies. Some are used by all Western Christians in liturgical traditions.
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Among the Paleo-Orthodoxy and Emerging Church movements in Protestant and evangelical churches, which includes many Methodists and Presbyterians, clergy are moving away from the traditional black Geneva gown and reclaiming not only the more ancient Eucharist vestments of alb and chasuble, but also cassock and surplice (typically a full length Old English style surplice which resembles the Celtic alb, an ungirdled liturgical tunic of the old Gallican Rite).
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Then she tells Damião to go eat dinner. Some local women come to Rita's house for coffee and conversation. After the women leave later in the day, Damião becomes increasingly nervous and, certain that if he remains at Rita's house, his father will find him and send him back to the seminary, he decides to try to escape. Clad in a chasuble, he begs Rita for some plain clothing.
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The chasuble took Mabel about two years to finish. As she was finishing her work in 1241, pearls and gold were ordered for her use in decorating the robe. Upon completion, the King commanded an appraisal be made, by knowledgeable people, for the value of the finished work as well as an appropriate fee for Mabel’s work. The King was very insistent that Mabel be paid fairly with a generous sum.
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The edge of the chasuble is also adorned with a strip of fabric with green and red jewels. Bishop's epitrachelion is decorated with yellow wheels with a green circuit and red rectangles. The omophorion, one of symbols of episcopal dignity, is white with a pattern of circles and rectangles. The head of the bishop is wrapped in a turban characteristic of the Coptic Church hierarchs, which could suggest that Petros was a miaphysite.
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"maille", Trésor de la langue française informatisé. The Arabic words "burnus", , a burnoose; a hooded cloak, also a chasuble (worn by Coptic priests) and "barnaza", , to bronze, suggest an Arabic influence for the Carolingian armour known as "byrnie" (see below). The first attestations of the word mail are in Old French and Anglo-Norman: maille, maile, or male or other variants, which became mailye, maille, maile, male, or meile in Middle English."maille", The Middle English Dictionary Online.
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Albert of Cashel, central panel The window of the little known eighth century missionary saint Albert of Cashel was designed immediately after the Finnbar and Ita windows. It was installed in 1916 and is located on the chapel's north wall. Albert is shown preaching in the upper panel, with red hair and a purple chasuble, crimson stole and a mitre. He sits on an elaborately decorated green, blue and golden throne, which is positioned underneath a large cross.
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Detail of 17th-century weft-patterned orphrey created in Turkey, once adorning a chasuble created in the Polish–Lithuanian Commonwealth, National Museum in Warsaw An orphrey, also spelt orfrey or orfray, is a form of often highly detailed embroidery, in which typically simple materials are made into complex patterns. Orphreys are broad bands used on priests' albs and knights' robes. In 1182 and 1183 Henry II of England spent lavishly on orphreys.The Mercery of London, Anne F. Sutton, p.
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Among the furnishings are the 13th century baptismal font made on Gotland and the Romanesque triumphal cross dating from the 12th century. The pulpit and altar are both from the late 18th century; the neoclassical pulpit was carved by the royal ornament sculptor Petter Ljung (1743-1819) and the pews are imitations of 18th century pews made in the 1940s. Among the rarest objects belonging to the church is a chasuble, dating from the 16th century.
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His manner was gentle and absent-minded; his voice, soft and high. He is best remembered for his roles as the Sultan in The Thief of Bagdad (1940), the poetically-inclined hangman in Kind Hearts and Coronets (1949) and as Dr. Chasuble in The Importance of Being Earnest (1952). Failing eyesight led to his being unable to work in his last years. He died in March 1969 following surgery to remove cataracts and was cremated in a private ceremony.
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In 2011 the Roundabout Theatre Company produced a Broadway revival based on the 2009 Stratford Shakespeare Festival production featuring Brian Bedford as director and as Lady Bracknell. It opened at the American Airlines Theatre on 13 January and ran until 3 July 2011. The cast also included Dana Ivey as Miss Prism, Paxton Whitehead as Canon Chasuble, Santino Fontana as Algernon, Paul O'Brien as Lane, Charlotte Parry as Cecily, David Furr as Jack and Sara Topham as Gwendolen.Jones, Kenneth.
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The formidable pronouncements of Lady Bracknell are as startling for her use of hyperbole and rhetorical extravagance as for her disconcerting opinions. In contrast, the speech of Dr. Chasuble and Miss Prism is distinguished by "pedantic precept" and "idiosyncratic diversion". Furthermore, the play is full of epigrams and paradoxes. Max Beerbohm described it as littered with "chiselled apophthegms – witticisms unrelated to action or character", of which he found half a dozen to be of the highest order.
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From November 2011, Rush played the role of Lady Bracknell in the Melbourne Theatre Company production of The Importance of Being Earnest. Other actors from the 1988 production include Jane Menelaus, this time as Miss Prism, and Bob Hornery, who had played Canon Chasuble, as the two butlers. In 2011, Rush made a cameo in a commercial, The Potato Peeler, for the Melbourne International Film Festival (MIFF), playing a Polish farmer. He spoke his lines in Polish for the part. (23 June 2011).
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On solemn occasions, the Pope wears, as part of his choir dress, a special stole of state highly decorated and bearing his personal coat of arms. For the celebration of the Mass, the principal celebrant as well as concelebrants wear the stole over the alb but under the chasuble. Likewise, the deacon wears the stole over the alb but under the dalmatic. The stole is also worn over the surplice or alb for the distribution and reception of Holy Communion.
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The clergy of the 11th century had shaved heads and wore bonnets, which, according to Planché, were "slightly sinking in the centre, with the pendent ornaments of the mitre attached to the side of it".. Other garments included the chasuble, the outermost liturgical vestment, which retained its shape, and the dalmatics, a tunic-like vestment with large, bell- shaped sleeves, which tended to be arched on the sides. The pastoral staff was generally found to be plain in colour and ornamentation.
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The church building was rebuilt in 1890 after a fire, but is one of the few original town buildings still standing today. The church's basement served as the local school until 1876, when a building adjacent to the church was constructed to house the few students. Professor Chasuble McGill Luckett was the school's first teacher, with other teachers (including some women form the Riggs family) riding in on horseback to help when needed. The school reportedly took $509.98 to operate each year.
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3, part 7, p. 11. It was encased in a sumptuous chasuble glittering with gold and precious stones, so that only the hands and the face of the Theotokos were left visible. Paul proceeds to describe how the Tsar had it placed in front of his own seat in a sledge and took it with him on the Smolensk campaign. The Syrian clergyman, however, tells a different story about the icon's provenance than that adopted by the Russian Orthodox Church.
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Tucker's estimate is slightly higher: 4,500. The 10,000 strong Viennese garrison and the civilian populace lost, due to all causes, about half of their initial number during the siege. Chasuble sewn with Ottoman tents captured by the Polish Army in Vienna, 1683. The Holy League troops and the Viennese took a large amount of loot from the Ottoman army, which Sobieski vividly described in a letter to his wife a few days after the battle: > Ours are treasures unheard of . . .
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The Royal Hours are the most liturgically splendid celebration of the Little Hours. This service takes its name from the fact that it used to be officially attended by the Emperor and his court at Hagia Sophia in Constantinople. Three times a year, on the Eve of the Nativity, Eve of Theophany, and Good Friday, the Little Hours are celebrated (together with the Typica) as one continuous service. The priest vests in Phelonion (chasuble), and the deacon vests fully and serves.
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According to Upton, in Christus's Nativity Joseph assumes Moses's role of protector and law-bringer; just as Joseph has removed his pattens in the presence of Christ, Moses removed his shoes in the presence of the bush. The setting represents the Mass – the angels are clothed in Eucharistic vestments, with those on the far right dressed in a deacon's cope.Ainsworth (1994), 158 None wear the celebrant's chasuble, suggesting Christ is the priest. The shed roof is a ciborium over an altar.
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The first construction works were supervised by Jean de Gron, a French military engineer known in Russian sources as Anton Granovsky. After the monastic authorities denigrated his Western-style design as alien to Russian traditions, Granovsky was replaced by a team of native masters. The fortress was the largest erected in Muscovy after the Time of Troubles; its walls feature numerous towers, each built to a particular design. The most remarkable are the Chasuble, the Tent-like, the Vologda, and the Smithy towers.
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Additionally, to make it easier for the priest to join his hands when wearing a chasuble of stiff (lined and heavily embroidered) material, in these later centuries the front was often cut away further, giving it the distinctive shape often called fiddleback. Complex decoration schemes were often used on chasubles of scapular form, especially the back, incorporating the image of the Christian cross or of a saint; and rich materials such as silk, cloth of gold or brocade were employed, especially in chasubles reserved for major celebrations.
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On December 10, 2016, Tolton's remains were exhumed and verified as part of the canonization process. Following procedures laid out in canon law, a forensic pathologist verified that the remains (which included a skull, femurs, ribs, vertebrae, pelvis, and portions of arm bones) belong to Tolton. Also found were the corpus from a crucifix, part of a Roman collar, the corpus from Tolton's rosary, and glass shards indicating his coffin had a glass top. After verification, the remains were dressed in a new chasuble and reburied.
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The church also includes an altar dedicated to the saint's memory, which was used for the celebration of Mass during penal times at Pembridge Castle: this consists of two benches that could be separated to disguise its purpose. St Mary's Catholic Church, Monmouth: St John Kemble. Retrieved 16 January 2012 These historic buildings were refurbished in 2009/2010. The church possesses a fourteenth-century processional cross; an embroidered red chasuble dating from about 1502; and a hinged cross, possibly of Spanish origin, dating from the seventeenth century.
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The garden of John Worthing's estate Cecily is studying with her governess, Miss Prism, who extols the German language, also giving a rendition of the Ode to Joy. Algernon arrives, pretending to be Ernest Worthing, and soon charms Cecily. Long fascinated by her Uncle Jack's mysterious black sheep brother, she is predisposed to fall for Algernon in his role of Ernest (a name she, like Gwendolen, is apparently particularly fond of). Therefore, Algernon, too, plans for the rector, Dr. Chasuble, to rechristen him "Ernest".
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Pope Francis waving to the crowds after the Mass About half an hour before the Mass, Francis toured the square in the popemobile to greet the crowds. He stopped and left the popemobile once to kiss a disabled man. Pope Francis wore a simple mitre, which he has had since he was bishop, as well as its matching chasuble. He used the pastoral staff that Benedict XVI used, but in contrast to Benedict XVI's grand liturgical sense, Pope Francis kept the songs and liturgical actions simple.
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Wilson, 108; Dodwell (1993), 27, who gives details of further fragments. A further style of textile is a vestment illustrated in a miniature portrait of Saint Aethelwold in his Benedictional, which shows the edge of what appears to be a huge acanthus "flower" (a term used in several documentary records) covering the wearer's back and shoulders. Other written sources mention other large-scale compositions.Dodwell (1982), 183–185; portrait of Saint Aethelwold One particularly fine example is The Adoration of the Magi chasuble from c.
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The textile is one few surviving from the Medieval period, and is believed to one of the oldest examples of Islamic embroidery used for a Christian purpose. This textile also serves as evidence to corroborate a coexistence between the Middle East and Europe during the Medieval period. Most modern knowledge of the chasuble is credited to the efforts of Professor of Islamic Art and Architecture at the University of London, David Storm Rice and textile conservator, Sigrid Müller Christensen, through their collaborative research efforts in the 1950s.
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Piponnier, Françoise, and Perrine Mane; Dress in the Middle Ages; p. 114, Yale University Press; 1997; Nowadays, the alb is the common vestment for all ministers at Mass, both clerics and laypersons, and is worn over the cassock and under any other special vestments, such as the stole, dalmatic or chasuble. If the alb does not completely cover the collar, an amice is often worn underneath the alb. The shortening of the alb has given rise to the surplice, and its cousin the rochet, worn by canons and bishops.
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Bishop wearing a sakkos In the Byzantine Rite the sakkos, which is elaborately decorated and amply cut, usually worn by the bishops as an outer vestment in place of a presbyter's phelonion and which, like the phelonion, corresponds to the western chasuble and cope, is derived from Byzantine imperial dress, and hence is identical in origin to the Western dalmatic. In all Eastern rites the sticharion (which is analogous to the Western alb), of the ornate sort worn by deacons and lower clergy, is sometimes referred to as a dalmatic.
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The incipit for the Gregorian chant introit from which Laetare Sunday gets its name Rose chasuble (Sunday Gaudete and Laetare), formerly Speyer Cathedral, now Stiftskirche Neustadt / Weinstraße Laetare Sunday ( or ) is the fourth Sunday in the season of Lent, in the Western Christian liturgical calendar. Traditionally, this Sunday has been a day of celebration, within the austere period of Lent. This Sunday gets its name from the first few words (incipit) of the traditional Latin entrance (Introit) for the Mass of the day. "Laetare Jerusalem" ("Rejoice, O Jerusalem") is Latin from Isaiah 66:10.
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A memorial brass (now severely damaged) in the chapel pavement depicts Waltham dressed in mass vestments, wearing an espicopal mitre and carrying a pastoral crosier. His chasuble is decorated with illustrations of the Virgin Mary and he is surrounded by an ornate gothic triple canopy with figures in the niches. A detailed description of the brass in 1825 by Thomas Moule suggested that the niches contained the likenesses of saints named John to reflect Waltham's given name – Saint John the Evangelist, Saint John of Beverley, Saint John Elemosiner – and Saint Peter.
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Papademetriou has also directed a number of successful productions including 'And Miss Reardon Drinks A Little,' Lady Windermere's Fan, Anna in the Tropics. In 2010 he created the role of Nikos Nomikos in the world premiere of "The Swimming Club" by Hannie Rayson for Melbourne Theatre Company. In the same year he played Sorin in The Seagull and directed The Importance of Being Earnest in which he also played Canon Chasuble. In 2012 he played the lead role of Sandy Sonnenberg in the Australian premiere of The Paris Letter by Jon Robin Baitz.
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Gianmaria Potenza is also greatly appreciated by Banca Antonveneta, who in 1995 purchased the entire series of "Tarocchi", "Elaboratore n.66" and "Il Veliero", still exhibited in Padua. Since the early Sixties, Potenza also takes an interest in the studio of advertising lines for various industries and commercial chains and dedicates himself to the study, at the express request of the Holy See, of vestments and sacred furnishings. In 1967 he made for Pope Paul VI a series of silver chalices and a velvet chasuble, today exposed in the Vatican Museums.
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A crucifix Denis Fernand Py (1887–1949) was a French medal artist and engraver that created highly stylized medals with religious themes during his career. An example of his work is that of St. Patrick, Apostle of Ireland. Rather than depicting the typical elder man with a long beard wearing a Catholic priest chasuble and bishop's mitre carrying a shepherd's staff and pointing at snakes (or holding a sharock), Py changed up the image. In Py's version of St. Patrick, the saint's body parts are not in proportion.
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In the tympanum, the Virgin gives the chasuble to Saint Ildephonsus, a particularly special theme for the cathedral which is repeated in the interior in the chapels and paintings. The leaves of the doors measure more than five meters in height and are covered by elaborately fashioned bronze plates, which date to the 14th century. The Portal of the Last Judgement is the oldest of the three, and represents, as its name suggests, the Last Judgment. The Portal of Hell, in contrast, does not contain figurative motifs, only floral decoration.
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The barrel vault, inset with lunettes accommodating the windows, is lavishly decorated with frescos by Luca Giordano. The principal theme is the Clothing of Saint Ildephonsus with the Chasuble, a theme that is repeated throughout the cathedral in paintings and sculpture. The walls display a variety of elaborately framed paintings, forming a gallery of works by several great masters. The most renowned are the fifteen by El Greco, including his El Expolio (The Disrobing of Christ) on the high altar, framed by marblework and a pair of Corinthian columns.
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Like the chasuble, the phelonion was originally a sort of poncho, a round vestment with a hole in the middle for the head, which fell to the feet on all sides. In its present form (dating from about the fifteenth century) the front is largely cut away (from about the waist down) to facilitate the movements of the priest's hands. In Russia the longer front remained common until quite recent times. The use of the phelonion is not limited to the Divine Liturgy but is specified for any major liturgical function.
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At Rubens' workshop Witdoeck learned to engrave large plates. Witdoeck worked between 1634 and 1638 under the close supervision of Rubens on many engravings, including Abraham and Melchizedek, the Adoration of the Magi, the three-part Raising of the Cross, the Supper at Emmaus, Saint Ildefonso receiving the chasuble, Cicero and Demosthenes. Rubens specified the year 1638 for all these prints likely so that he only needed to apply for one printing privilege for the lot. The following year an Assumption of Mary and the Miracle of St. Just by Witdoeck were published.
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Bishop Peche gifts the house land in Lichfield, Cannock and Baswich, as well as the rights to fish on the rivers Sow and Penk. From the local landowners, such as the de Mutton family of Ingestre Hall, they received land grants in Tixall, Stone and Donisthorpe. The priory also purchased manors of its own, such as the manors of Drayton, bought in 1194 for 35 marks, and Maer. In 1245 Henry III gave the house a gift of £10 to buy a chasuble "of red samite with Orphreys".
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They would spend more money on buying Bibles and Prayer Books and replacing chalices with communion cups (a chalice was designed for the priest alone whereas a communion cup was larger and to be used by the whole congregation). A 17th-century communion table in St Laurence Church, Shotteswell The Injunctions offered clarity on the matter of vestments. Clergy were to wear the surplice (rather than cope or chasuble) for services. In 1560, the bishops specified that the cope should be worn when administering the Lord's Supper and the surplice at all other times.
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Elizabeth I sought unity with her first parliament in 1559 and did not encourage nonconformity. Under her Act of Uniformity 1559, backed by the Act of Supremacy, the 1552 Prayer Book was to be the model for ecclesiastical use, but with a stance on vestments that went back to the second year of Edward VI's reign. The alb, cope and chasuble were all to be brought back into use, where some exiles had even abandoned the surplice. The queen assumed direct control over these rules and all ceremonies or rites.
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The body wore ecclesiastical vestments common for Boniface's lifetime: long stockings covered legs and thighs, and it was garbed also with the maniple, cassock, and pontifical habit made of black silk, as well as stole, chasuble, rings, and bejeweled gloves.The body was seen several times by the Papal Master of Ceremonies, Giovanni Paolo Mucanzio, who reported the details in his Diary, under 11 October 1605: Joannes Baptista Gattico, Acta Selecta Caeremonialia Sanctae Romanae Ecclesiae ex variis mss. codicibus et diariis saeculi xv. xvi. xvii. Tomus I (Romae 1753), p. 478-479.
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The production was later issued on audio cassette. On 13 December 2000, BBC Radio 3 broadcast a new adaptation directed by Howard Davies starring Geraldine McEwan as Lady Bracknell, Simon Russell Beale as Jack Worthing, Julian Wadham as Algernon Moncrieff, Geoffrey Palmer as Canon Chasuble, Celia Imrie as Miss Prism, Victoria Hamilton as Gwendolen and Emma Fielding as Cecily, with music composed by Dominic Muldowney. The production was released on audio cassette. A 1964 commercial television adaptation starred Ian Carmichael, Patrick Macnee, Susannah York, Fenella Fielding, Pamela Brown and Irene Handl.
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Mabel was first mentioned in relation to the commission of a chasuble for the King in November 1239. It is assumed that the King was aware of her work prior to this time and that she was already a master of her craft for this was an important commission and would not have been handed out lightly. It is unclear under which conditions Mabel produced her work but evidence points to her having been an “independent producer.” She was not a royal servant nor attached to anyone else’s atelier.
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The former abbey church, briefly the cathedral of Leoben, is now used as a parish church. It is a large late Gothic building containing an early Romanesque crypt beneath the choir, some important early Gothic frescoes in the chapel of Saint Michael in the Zackenstil or "zigzag style", and an imposing roof. The famous Göss chasuble (Gößer Ornat), a valuable piece of Romanesque silk embroidery, is now preserved in the Museum für angewandte Kunst in Vienna. Now lost are the former parish church, the graveyard and the buildings formerly to the west of the abbey church.
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Sinterklaas played by upright Sinterklaas is based on the historical figure of Saint Nicholas (270–343), a Greek bishop of Myra in present-day Turkey. He is depicted as an elderly, stately and serious man with white hair and a long, full beard. He wears a long red cape or chasuble over a traditional white bishop's alb and a sometimes-red stole, dons a red mitre and ruby ring, and holds a gold-coloured crosier, a long ceremonial shepherd's staff with a fancy curled top."Sinterklaas", Landelijk Centrum voor Cultuur van Alledag (LECA) He traditionally rides a white horse.
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Litslena Church also houses other medieval wooden pieces of art, namely a circular dish with a depiction of the head of Christ from the middle of the 15th century and a triumphal cross from approximately the same time. The oldest item in the church is the baptismal font, dating from the 12th century and made of local sandstone. In addition, the church has in its possession a 15th-century chasuble, made of green velvet, probably from Italy decorated with embroidery of probably Polish origin. The church also possesses a late medieval paten bearing an image of Saint Anne together with Mary and Christ.
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Oldknow was buried here and the Latin inscriptions which can be seen on the gravestones gives a clue to the church's Anglo-Catholic history. He in turn was succeeded in 1874 by Richard William Enraght who was imprisoned in 1880 when the church became the centre of a battle over high church practices. Enraght was prosecuted in 1880 in a trial which was known nationally as the Bordesley Wafer Case. Enraght was an Anglo-Catholic who burnt candles and incense, used wafers at the Eucharist, wore a chasuble and alb and mixed water with the communion wine.
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His curacy in St. James' is significant because of the direct contribution which was made through it to the controversy concerning ritualism in the Anglican church. Purchas introduced the use of vestments such as the cope, chasuble, alb, biretta, etc., and used lighted candles on the altar, crucifixes, images, and holy water, together with processions, incense, and the like. On 27 November 1869, he was accordingly charged before the Court of Arches with infringing the law of the established church; he did not appear to answer, giving as reasons his poverty, which prevented him from securing legal assistance, and ill-health.
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That idea is contrary to Sydney's low church views of both Holy Communion and of the role and function of the ordained ministry. The archbishop's practice has since been codified by a synod ordinance, making Sydney the only diocese in the whole Anglican Communion that continues to ban the wearing of chasubles, reinforcing the perceived ongoing disapproval of Anglo-Catholics in the diocese. The cope, therefore, is often worn at Anglo- Catholic churches where the celebrant at the Eucharist would conventionally wear the chasuble. In general those clergy who robe wear a cassock, surplice, scarf and, occasionally, also an academic hood.
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It consists of a doubled shoulder-cape (somewhat like a mozzetta) of white silk ornamented with narrow woven golden stripes, so that the colors alternate white and gold. The first layer of the fanon is placed under the stole and the second over the chasuble, under the white pallium. The two pieces of the fanon are nearly circular in shape but somewhat unequal in size and the smaller is laid over and fastened to the larger one. To allow the head to pass through, there is a round opening in the middle with a vertical slit running down the neckline at the back.
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The Chalice of Crossdrum was found in 1750 in Crossdrum, near Oldcastle, County Meath, Ireland. The chalice was found in a cave, beside a priest's skeleton, along with other liturgical items, including a chasuble, an altar-stone, a crucifix, and candlesticks. Given its location, scene of discovery, and relative dates of the artifacts, scholars generally concur that the discovered priest was likely a Jesuit who covertly provided the sacraments to local Catholics during the Cromwellian period, when such activities were proscribed by the state. The man who made the discovery, Hugh Reilly, handed the discovery over to his brother, the Rev.
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The six main panels represent, from left to right and top to bottom: Baptism of Jesus, Christ on the Cross at Calvary, Martyrdom of John the Baptist, Apparition of Saint Leocadia, San Ildefonso (Saint Ildephonsus) Receiving the Chasuble from the Virgin, and Veneration of the Relics of San Ildefonso. The predella shows, left to right: Saint John the Evangelist, Saint Nicolas de Bari, Saint Peter, The Holy Face, Saint Jerome, and Saint James. The guardapolvo represent Eve and Adam on the top and allegories of the Church and Synagogue beneath. Between the panels show the coat of arms of the Cardinal.
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He then puts on the maniple and his dalmatic (similar to the tunicle). The priest celebrant does the same except that he crosses his stole in front of him at the waist, binding it with the girdle or cincture. After the maniple he puts on a cope (a long, heavy embroidered cape) if the Mass is preceded by the Asperges (sprinkling the congregation with holy water). Following the Asperges, the celebrant, assisted by the acolytes, removes the cope and puts on the chasuble (similar to the tunicle, but without sleeves and usually with an embroidered cross or image on the back).
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Since the Act of Uniformity 1549 which approved the first Prayer Book was passed in January, it is likely that the provisions of the 1549 Prayer Book were intended, even though Edward's second year ended several months before the book was published. The 1549 Prayer Book required clergy to wear the alb, cope and chasuble. Opposition to the so-called "popish wardrobe" made it impossible to enforce the rubric. The most significant revision was a change to the Communion Service that added the words for administering sacramental bread and wine from the 1549 Prayer Book to the words in the 1552 book.
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Whether it concerns the remains of cleric Erkanbald, buried in 1021, is being investigated further said research director Guido Faccani. The skeleton was very fragile and was severely affected by the covering with calcium oxide, with the exception of the feet.1,000-year-old sarcophagus opened in Mainz Deutsche Welle, 4 June 2019 In November 2019 a press conference unveiled that the investigations revealed that the body inside was Archbishop Erkanbald. Indications, according to the restorer Anja Bayer, were a chasuble made of blue-coloured silk, which ended with a gold border on the neck of the deceased.
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The wooden belfry of the church was built in 1768. The design of the church is typical for north-eastern Uppland, but the unusual use of brick rather than fieldstone as building material as well as the placement of the entrance at the western gable indicates influences from the type of architecture popular among mendicant orders. The church still contains several medieval items: a couple of wooden sculptures of saints (including Bridget of Sweden), a decorated baptismal font and a paten of gilded copper. Other, post- Reformation furnishings include the pulpit (1674) and an richly decorated chasuble from 1662.
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Work on conservation and restoration of the fresco in Warsaw's National Museum, 1964–1966 The dark-skinned bishop is depicted wearing his liturgical robes, complete with a narrow, white handkerchief (encheiron) wound around the index finger of his right palm. With it he points at a Gospel Book he holds in his other arm. Petros is dressed in a long white robe (sticharion) with vertical green stripes. His yellow phelonion (a type of chasuble), in the shape of an elongated ellipse, is adorned with a pattern of a red net, with precious stones sewn into the fabric.
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The Importance of Being Earnest 1992. imdb.com, accessed 5 September 2010 Oliver Parker, an English director who had previously adapted An Ideal Husband by Wilde, made the 2002 film; it stars Colin Firth (Jack), Rupert Everett (Algy), Judi Dench (Lady Bracknell), Reese Witherspoon (Cecily), Frances O'Connor (Gwendolen), Anna Massey (Miss Prism), and Tom Wilkinson (Canon Chasuble).Ebert, Roger, The Chicago Sun- TimesThe Importance of Being Earnest review 24 May 2002, accessed 3 May 2010. Parker's adaptation includes the dunning solicitor Mr. Gribsby who pursues "Ernest" to Hertfordshire (present in Wilde's original draft, but cut at the behest of the play's first producer).
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The saint's body has undergone multiple vestment changes since it was first displayed at the time of his beatification. In 1989, during the course of a major renovation of the shrine, the body of the saint was clothed in a set of modern vestments cut in the Gothic style. On December 27, 2007, the body received a new mask and was clad with a set of traditional Roman vestments, including a laced alb, stole, maniple, episcopal gloves, and traditional Roman fiddleback chasuble. The Cardinal Archbishop of Philadelphia, Justin Francis Rigali, was present to assist with the vesting.
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Originally preserved inside a wooden box decorated in gold with gemstones, the semi-circular chasuble is 1,6 m high and has a circumference of 5,41 m. It is made of light-blue and white silk and decorated in gold and red thread embroidery. The embroidery consists of 34 large roundels interlinked with smaller roundels and eight-pointed stars. The large roundels on the outside of the garment show representations of peacocks, two winged lion griffins, four eagle griffins, frontal eagles with spread wings, confronted birds, confronted winged lions, some rapacious birds atop gazelles, a winged sphinx, and fragments of other animals.
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On 5 June 1563, he also obtained letters patent to found a similar school, bearing the same name, and also a hospital, or almshouse, at Guisborough. Pursglove resided in his last years partly at Tideswell and partly at Dunston in the same county. He died on 2 May 1579, and was buried in Tideswell church where a memorial brass in the floor shows him dressed as a bishop in alb, stole and chasuble (robes worn up to the reign of Mary I, but banned under the Elizabethan Church Settlement). Prior Pursglove College, a sixth form college in Guisborough, North Yorkshire, is named in his memory.
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Matthew King Stephen pp. 136–137 The art historian C. R. Dodwell wrote of Nigel's efforts: > When .... Nigel ... needed to raise money in order to repair his own > political fortunes, he stripped down, sold, or used as security, a quite > astounding number of Ely's monastic treasures. These numbered Crucifixes of > gold and silver from the Anglo-Saxon past, and they included an alb with > gold-embroidered apparels, given by St Æthelwold, and a chasuble, given by > King Edgar, which was almost all of gold. A gold and bejewelled textile > covering ... was sold to the Bishop of Lincoln, Alexander, who took it with > him to Rome as a gift of particular splendour.
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Either they or the estipite designs on the Kings Altar of the Cathedral are the first use of this design in New Spain. This portal has a relief named La imposición de la casulla a san Ildefonsus ("Putting on the chasuble on Saint Ildephonsus of Toledo") and opens to a hall that leads to the largest patio. The portal leading to the Colegio Chico has a relief called El patrocinio de san Jose los Jesuitas (Saint Joseph as patron of the Jesuits) as well as one called Virgen del Rosario (Our Lady of the Rosary) both done in tecali. This portal opens to a hall that leads to a smaller patio.
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Miniature on the first page (fol. 1v) of the Vita Annonis Minor showing the standing figure of Saint Anno in bishop's robes with chasuble and pallium, surrounded by his religious foundations: in his hands the churches of St. Maria ad Gradus (1057) and St. Georg (1067) in Cologne, at his feet the Benedictine abbeys of Saalfeld in Thuringia (1063) and Grafschaft in Sauerland (1073), and at his head the Benedictine abbey of Siegburg (1064) The Vita Annonis Minor is a hagiography of Saint Anno (archbishop of Cologne), No. 509 in the Bibliotheca Hagiographica Latina (BHL). The only extant mediaeval manuscript is in the Universitäts- und Landesbibliothek Darmstadt under reference Hs. 945.
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The Carmen Pipinianum (Pippin's Song) is a 9th century heroic poem, which includes a description of Verona and its churches, and gives a list of the first eight bishops: St. Euprepius, Dimidrianus (Demetrianus), Simplicius, Proculus, Saturninus, Lucilius (Lucillus, Lucius), Gricinus, and Saint Zeno. Lanzoni, pp. 920-924. Less important are the three fragments of the so-called Velo di Classe, now believed to be the altar cover from San Firmo e Rustico in Verona,Lanzoni, pp. 924-927. the pianeta (chasuble) of Classe in Ravenna, on which are represented not only the bishops of Verona, but also other saints and bishops of other dioceses venerated at Verona in the ninth century.
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He was buried three days later in an "undistinguished third-century sarcophagus" porphyry tomb of his own choosing. In 1607, the Italian archaeologist Giovanni Francesco Grimaldi excavated the crypt and in the process opened Adrian's tomb. He described the body, still well preserved, as that of an "undersized man, wearing Turkish slippers on his feet and, on his hand, a ring with a large emerald", and dressed in a dark Chasuble. At the time of Adrian's death, argues Partner, "imperial pressure on the papacy was stronger than it had been since the time of Henry V, and it is not surprising that the cardinals were unable to agree about his successor".
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At certain major celebrations, such as ordinations, the diocesan bishop wears a dalmatic under his chasuble, to signify that he enjoys the fullness of the three degrees of Holy Orders – deacon, priest, and bishop. The diaconate is conferred on seminarians continuing to the priesthood no sooner than 23 years of age (canon 1031 of the Code of Canon Law). As a permanent state, the diaconate can be conferred on single men 25 or older, and on married men 35 or older, but an older age can be required by the episcopal conference. If a married deacon is widowed, he must maintain the celibate state.
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The Arabic script is written in a floriated Kufic calligraphy style, common to the Fatimid Era. However, historian Isabella Dolezeal accredits the creation of the original textile to a workshop in Islamically ruled Spain, and historian David Jacoby credits at least one panel of the textile to Almeria, Spain specifically. This in part with the animal imagery commonly found during the Fatimid and Norman periods, eastern Mediterranean, and Central Asia, and the object eventual presence in Fermo, supports the evidence of a globally connected middle ages. Shalem’s book on the chasuble includes a chapter on the Arabic Inscription, with a translation by Mohamed Adb el-Rahim.
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However, the surrounding Swiss Confederation prevented the abbot from expanding his power or creating an ecclesiastical state around the Abbey. During the 17th century, the Abbey supported the creation of a pan- German Cistercian council and the goals of the Counter-Reformation. During this time, the Abbey expanded both physically and socially. Increasingly, the monks at St. Urban's came from noble or patrician families. By the 19th century, the Abbey was home to an average of 20-50 members. In 1690, Abbot Ulrich Glutz built a new baroque chapel to house the Ulrich chasuble relic, the vestment of St. Ulrich from the 10th Century, which had become a popular relic for pilgrims.
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He returned to London for the 1933–34 Old Vic season and was engaged in four Shakespeare roles (as Macbeth, Henry VIII, Angelo in Measure for Measure and Prospero in The Tempest) and also as Lopakhin in The Cherry Orchard, Canon Chasuble in The Importance of Being Earnest, and Tattle in Love for Love. In 1936, he went to Paris and on 9 May appeared at the Comédie-Française as Sganarelle in the second act of Molière's Le Médecin malgré lui, the first English actor to appear at that theatre, where he acted the part in French and received an ovation. Laughton commenced his film career in Britain while still acting on the London stage.
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A "fiddleback" chasuble, the use of which by a priest could lead to prosecution The development of ritualism in the Church of England was mainly associated with what is commonly called "second generation" Anglo-Catholicism, i.e. the Oxford Movement as it developed after 1845 when John Henry Newman left the Church of England to become a Roman Catholic. Some scholars argued that it was almost inevitable that some of the leaders of Anglo-Catholicism turned their attentions to questions of liturgy and ritual and started to champion the use of practices and forms of worship more commonly associated with Roman Catholicism. There was only limited enthusiasm amongst ritualists to introduce the widespread use of Latin in the liturgy.
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A gremiale, sometimes anglicized as gremial, is a square or oblong cloth which a bishop, according to the "Cæremoniale Episcoporum" and "Pontificale", should wear over his lap, when seated on the throne during the singing of the Kyrie, Gloria and Credo by the choir, during the distribution of blessed candles, palms or ashes, during the washing of feet in the Mass of the Lord's Supper, and also during the Catholic anointments in connection with Holy orders. The gremiale is never used during pontifical Vespers. The primary object of the gremiale is to prevent the soiling of the other pontifical vestments, especially the chasuble. The gremiale used during the pontifical Mass is made of silk.
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In Rome, subdeacons had begun to wear the tunicle by the sixth century, but Pope Gregory I made them return to the use of the chasuble. They began to use the tunicle again in the ninth century, a time when it was also worn by acolytes, a custom that was widespread until the late Middle Ages and can still occasionally be found in some Anglican churches for acolytes and crucifers. In some places outside Rome, subdeacons continued to wear the tunicle even from the sixth to the ninth centuries. The ceremony by which the bishop put a tunicle on a subdeacon whom he ordained began in the twelfth century, but did not become common until the fourteenth.
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Padarn was given a tunicIt is possible that this tunic was a chasuble, which was adopted by the clergy in the sixth century, though it is said that Jesus himself wore one at the last supper, and its use was limited to the eucharist in the eleventh century. This is plausible, as it developed from the casula, which was derived from the planeta or paenula, a cloak worn by all classes and both sexes in the Graeco-Roman world. The paenula, a cloak similar to the poncho, was an over-dress originally worn only by slaves, soldiers, and others of low degree. Because of its convenience, it was adopted by fashion in the third century as a travelling cloak.
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This is done by "Special Letters of Business", a method used in 1872 and in 1907, in submitting the reports of the ritual commissioners to its consideration.Convocation of the English Clergy Arthur Featherstone Marshall wrote a trenchant parody of the Church of England's Convocation debates in his pseudonymous The Comedy of Convocation of the English Church (1868). Its characters include Deans Blunt, Pliable, Primitive, Pompous and Critical; Archdeacons Jolly, Theory and Chasuble; and Doctors Easy, Viewy and Candour. Lay representation developed from the House of Laymen, which first met in connection with the Convocation of Canterbury in 1886 (York, 1892), and formally in legislation in the Church Assembly (1919) and General Synod (1970).
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Many of the changes to the calendar that had accompanied the Reformation remained in place during the subsequent centuries. In Saxony in the eighteenth century, in addition to chief festivals of Christmas, Easter, and Pentecost, a number of festivals were also celebrated with Vespers and Holy Communion, including Saint Stephen, Saint John, the Circumcision, Epiphany, Purification of Mary, the Annunciation, the Ascension, Holy Trinity, Nativity of Saint John the Baptist, the Visitation (on July 2), and Saint Michael (on September 29).Senn, Christian Worship, p. 500. When Holy Communion was celebrated, a chasuble was used in the color of the day, though especially at Leipzig, these colors were different from the ones normally used today.
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While in ancient history their tasks and competencies varied, today deacons cannot hear confession and give absolution, anoint the sick, or celebrate Mass. Catholic deacon wearing a dalmatic The vestments most particularly associated with the Western Rite Catholic deacon are the alb, stole and dalmatic. Deacons, like priests and bishops, must wear their albs and stoles; deacons place the stole over their left shoulder and it hangs across to their right side, while priests and bishops wear it around their necks. The dalmatic, a vestment especially associated with the deacon, is worn during the celebration of the Mass and other liturgical functions; its use is more liberally applied than the corresponding vestment of the priest, the chasuble.
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Fr. Enraght's practices at Holy Trinity, Bordesley, included adoration of the Blessed Sacrament, the use of eucharistic candles, wearing the chasuble and alb, using wafers in Holy Communion, ceremonial mixing of water and communion wine, making the sign of the Cross towards the congregation during the Holy Communion service, bowing his head at the Gloria, and allowing the Agnus Dei to be sung. All of these actions were prohibited by his Bishop Dr. Philpott. These illegal practices resulted in Fr. Enraght having to face the full force of the Law from its defenders, the Church Association's lawyers and the presiding Judge, Lord Penzance. "The Real Presence & Holy Scripture" by Revd Richard Enraght.
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The nave is strengthened by three robust toroidal arches and the walls are decorated by nine Joanino (King John's style) Baroque altars, in gilded woodcarving, displaying 18th century sculptures. Its retables are notable, especially the one from the chancel, exceptionally rich, in rococo style, made-up by six composite order capital columns. The Rocaille woodcarvings were created in the beginning of the style in Entre-Douro-E-Minho, between 1755–1758, and was the work of André Ribeiro Soares da Silva (1720-1769). In the assets of the church, there's a green damson plum chasuble, with fine silk needlework, from the 16th century and an icon of Nossa Senhora da Boa Viagem from the 17th century.
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The Evangelical Lutheran Church in America, the largest Lutheran body in the United States, has also revived a greater appreciation of the liturgy and its ancient origins. Its clergy and congregations have adopted many traditional liturgical symbols, such as the sign of the cross, incense, and the full chasuble, which have become more common than in years past. While some freedom in style is exercised by individual congregations, the overall style of the aspects of liturgical worship – including vestments, altar adornments, and a general return of many formal practices – has become closer to the styles of the Roman Catholic and Anglican traditions. The Lutheran Church–Missouri Synod has led in the recovery of Lutheran liturgical practice.
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Scholars speculate that the makers and owners of the cape were associated with the mine on the Great Orme, north Wales, the largest copper mine in north-west Europe at that time. As the cape extends so far down the upper body, it would have severely restricted arm movement by pinning them to the wearer's side, so that only the lower arms were usable. For this reason, it has been concluded that the cape would not have been suitable for everyday wear. It seems most probable that the cape was used for ceremonial purposes, and may have signified the wearer as a person of spiritual or temporal power: the Bronze Age equivalent of a chasuble, perhaps.
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An Anglican priest wearing a white cincture around his waist to hold his alb and purple stole in place. The Church of England, in which the Lutheran and Calvinistic points of view struggled for the mastery, experienced a long controversy over the proper use of vestments. In the 20th and 21st century, usual vestments for the Anglican church include the alb with a cincture, and stole, over a cassock (a derivative of the tunic). Eventually the Lutheran Churches of Denmark and Scandinavia retained the use of alb and chasuble in the celebration of the Eucharist (stole, amice, girdle and maniple were not used after the Reformation), and for bishops the cope and mitre.
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With regard to what is now the normal form of the Roman Rite, as revised in 1969, the General Instruction of the Roman Missal states: "The vestment proper to the priest celebrant at Mass and other sacred actions directly connected with Mass is, unless otherwise indicated, the chasuble, worn over the alb and stole."General Instruction of the Roman Missal, 337 For the deacon it says: "The vestment proper to the deacon is the dalmatic, worn over the alb and stole. The dalmatic may, however, be omitted out of necessity or on account of a lesser degree of solemnity."General Instruction of the Roman Missal, 338 In neither case is there any mention of the maniple as a vestment in use.
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Dodwell, p. 181 Richly embroidered hangings were used in both churches and the houses of the rich, but vestments were the most richly embellished of all, of a "particularly English" richness.Dodwell, p. 182 Most of these were sent back to Normandy or burnt for their metal after the Norman conquest. An image of part of a huge gold acanthus flower on the back of a gold-bordered chasuble, almost certainly depicting a specific real vestment, can be seen in the Benedictional of St. Æthelwold (fol. 118v).Dodwell, pp. 129–145, 174–187, and Plate D. Scholars agree that three embroidered items from the coffin of St Cuthbert in Durham are Anglo-Saxon work, based on an inscription describing their commission by Queen Ælfflæd between 909 and 916.
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One of his first duties was to welcome Pope John Paul II at Coventry Airport on Pentecost Sunday, 30 May 1982, the third day of the Pope's pastoral visit to Great Britain, and participate in the open-air Pontifical Mass which followed. The red silk chasuble worn by the Pope on that occasion has been retained by the Archdiocese of Birmingham and is worn by the archbishop on suitable grand occasions. He was particularly involved in developing religious education of the laity in his archdiocese, and helped to establish the Maryvale Institute near Birmingham as an international Catholic college for theology, religious education and catechesis. Cardinal Newman established the English Congregation of the Oratory at Maryvale on 1 February 1848.
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This is certainly the area in which Roman and Byzantine clothing is nearest to living on, as many forms of habit and vestments still in use (especially in the Eastern, but also in the Western churches) are closely related to their predecessors. Over the period clerical dress went from being merely normal lay dress to a specialized set of garments for different purposes. The bishop in the Ravenna mosaic wears a chasuble very close to what is regarded as the "modern" Western form of the 20th century, the garment having got much larger, and then contracted, in the meantime. Over his shoulder he wears a simple bishop's omophorion, resembling the clerical pallium of the Latin Church, and a symbol of his position.
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Eugene Eyestones, an erudite recluse and bespectacled Vietnam veteran, writes The Sexual Intellectual, a column that discusses anything related to sex, as a contributor to Quink, a monthly magazine published in Boston by Minot Warholic. Quink has an eclectic group of coworkers and collaborators, diverse people ready to disagree and display prejudices. They include characters named Discknickers, the “pseudo-fascist” accountant; Ratnaster, the atheist interviewer; Duxbak, Eyestones' only friend; Mutrix, the homophobe lawyer; Chasuble, the homophile movie critic; and lesbians Ann Marie Tubb and The Krauthammer. Laura Warholic,Her surname is Sparkley on p. 423. Cf. the poem “Laura Sparkley Takes Her Sketchpad to a Café” and “The Gospel According to Laura Sparkley,” among other poems, in Theroux’s Collected Poems (Fantagraphics, 2015), pp. 189-202.
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On the left side of the altar there is a door to the sacristy, and on the right to the Chapel of St. John Paul II. On May 17, 2011, Bishop Wacław Depo dedicated the new elevation of the church and the presbytery. In 2013, thanks to the efforts of Archbishop Mieczysław Mokrzycki a chapel of John Paul II was made in the church. Archbishop Mieczysław Mokrzycki was the personal secretary of John Paul II. He made the dedication of the chapel. Thanks to him in the chapel were the relics of the Pope, in the form of a strand of hair, which was placed in a kneeler, and in specially prepared cases there were cassock, piuska, chasuble and chalice.
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The main development and definition of the ecclesiastical vestments, however, took place between the 6th and the 9th centuries. The secular fashions altered with changes of taste, but the Church retained the dress with the other traditions of the Roman Empire. At Rome, especially, where the popes had succeeded to a share of the power and pretensions of the caesars of the West, the accumulation of ecclesiastical vestments symbolized a very special dignity: in the second quarter of the 9th century the pope, when fully vested, wore a camisia (chemise) girdled, an alb (linea) girdled, an amice (anagolaium), a tunicle (dalmatica minor), a dalmatic (dalmatica major), stole (orarium), chasuble (planeta) and pallium. With the exception of the pallium, this was also the costume of the Roman deacons.
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St. John Chrysostom, Patriarch of Constantinople 398 - 407, was a celebrated preacher (chrysostom means golden-tongued) and reformer who was deliberately killed by his enemies in the Byzantine court and Church by enforced travelling on foot in cold weather. Harris mistakenly shows him wearing the western-style chasuble and alb instead of an eastern phelonion St. Augustine of Hippo (354 - 430) was one of the most influential theologians in Church history. Once, while writing his book on God titled De Trinitate (On the Trinity), he went for a stroll on the beach where he saw a small boy running back and forth with a bucket, pouring water from the shore into a hole he'd dug in the sand. "What are you doing?" asked Augustine.
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Murphy once recalled, "I can't think of ever having had another vocational aspiration than the priesthood. And from the earliest years of grade school, my mother used to recall that as a youngster I would, coming back from church, offer a Mass of my own using a bath towel or something as a chasuble and that sort of routine." He was later sent to further his studies in Rome at the Pontifical North American College and Pontifical Gregorian University, from where he obtained a Bachelor of Arts degree in Philosophy. His studies were interrupted in 1940 by the outbreak of World War II, leading him to return to the United States and enter the Theological College of the Catholic University of America in Washington, D.C. He there earned a Licentiate of Sacred Theology in 1942.
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In the Latin Catholic tradition the stole is the vestment that marks recipients of Holy Orders. It is conferred at the ordination of a deacon, by which one becomes a member of the clergy after the suppression of the tonsure and minor orders after the Second Vatican Council. A bishop or other priest wears the stole around his neck with the ends hanging down in front, while the deacon places it over his left shoulder and ties it cross- wise at his right side, similar to a sash. Before the reform of the liturgy after the Second Vatican Council, priests who were not bishops were required to cross the stole over the breast (as pictured below), but only at Mass or at other functions at which a chasuble or cope was worn.
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United or Uniting churches which contain an episcopalian element have in some countries (notably Australia; generally not in Canada) tended to abandon the Geneva gown in favor of the more symbolically ecumenical alb and cincture, whereas some non-united evangelical congregations have for various reasons done away with distinct ministerial dress altogether. Some rabbis and spiritual leaders of other non-Christian faiths have fashioned their modern religious garb patterned after the historic Geneva gown. Among the Paleo- orthodoxy and emerging church movements in Protestant and evangelical churches, particularly Methodist, Lutheran, and Presbyterian, many clergy are reclaiming not only the traditional Eucharist vestments of alb and chasuble, but also cassock and surplice (typically a full-length Old English style) with appropriate liturgical stole, and cassock and Geneva gown for a Liturgy or Service of the Word.
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On the keystone of the central arch of the entranceway is a portrait painting of Esteban Illán, who proclaimed Alfonso VIII as king of Castile, doing so from the height of the tower of Saint Roman.Converted into the Museum of Visigothic Councils and Culture. The chapel is built in three styles of different periods: Gothic in the arches, vaults and a sepulchre; Plateresque in the sepulchre of the bishop of Ávila; and Neo-Classical in the central altar. This 18th-century altar was made of marble, jasper and bronze, and was designed by Ventura Rodríguez; the large relief in its centre, with its theme of the gift of the chasuble to Saint Ildephonsus, is the work of Manuel Francisco Álvarez (1783), completed during the time of Cardinal Lorenzana.
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The critic James Agate called him "the best Polonius anybody has ever seen". His other Shakespeare roles in the 1930s were Friar Laurence in Romeo and Juliet, Baptista in The Taming of the Shrew, the Duke in The Merchant of Venice and the Duke of York in Richard II. In the early 1940s Howe played Dr Chasuble in Gielgud's production of The Importance of Being Earnest, in the West End and on tour. He then joined Entertainments National Service Association (ENSA), entertaining the troops in a variety of roles, including Polonius again and Dr Bradman in Blithe Spirit. After the war one of Howe's longest engagements was as Godfrey Pond, the harassed headmaster in the farce The Happiest Days of Your Life (1948), which he played more than 600 times.
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Since 1911 the diocese has prohibited the wearing of the chasuble, a vestment now generally worn elsewhere in Australia for the celebration of the Eucharist. Traditionally in Sydney most clergy have worn the choir habit for all services but a few have also worn a cope and stole when celebrating the Eucharist and at certain other services. This prohibition against chasubles was originated by Archbishop Wright, an English Evangelical, who did so on the basis that the vestment was deemed illegal, relying on decisions of the English ecclesiastical courts as finally upheld in the Privy Council in Read v Bishop of Lincoln [1892] AC 664 (see also Ritualist movement). The main objection to this vestment in the mind of Sydney Anglicans is that it is associated with the high church idea of a "sacrificing" priesthood.
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These archives recorded that a kessophel (chasuble) was donated to this altar in 1575 by Elisabeth van Dorp. After Haarlem lost the Siege of Haarlem in 1573, it became a Catholic enclave that officially fell under the rule of Philip II of Spain. It wasn't until 1577 that the local bishop Godfried van Mierlo set his seal to the Satisfactie van Haarlem wherein he promised to swear allegiance to Willem the Silent rather than Philip II, on the condition that the Catholics would keep the same rights as Protestants. Though Haarlem, like Amsterdam with its Alteratie, reverted the Catholic rights of this Satisfactie a year later, it was this special Catholic-friendly reputation that attracted many from the south that added to the city's wealth in its golden age.
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He was also a familiar figure in plays by Ibsen, Chekhov, and Sophocles, and played Canon Chasuble in Oscar Wilde's The Importance of Being Earnest. Eddison also made his mark in radio, in countless BBC dramas through the decades, with some of his last roles including Death in The Canterbury Tales and parts in an adaptation of Japanese Noh plays. His television work included a bravura performance as Uncle Silas in a 1968 production for the Thames Television series Mystery and Imagination. His film career was limited, but included a supporting role in Peter Ustinov's 1948 comedy Vice Versa, the electrical 'Nick' in The Boy Who Turned Yellow (1972), the college president in American Friends (1991), and small but notable role in Indiana Jones and the Last Crusade as the ancient Grail Knight.
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Her possessions were treated as relics at Chelles, including a chasuble, a vestment embroidered with a pectoral cross and an image of a beautiful necklace, which is currently displayed in the museum at the site. Her hagiography was written soon after her death, probably by a nun at the abbey. Eugène Viollet-le-Duc's reconstruction of the 13th-century dormitory at Chelles Balthild is reported to have established the monastery first under the Rule of Saint Columbanus, then later adopted the Rule of Saint Benedict, although recent scholars, including Moyse and Dierkens, have warned against assumptions that the Rule was a firmly entrenched system. According to the New Catholic Encyclopedia, the abbey represented a step in the progress of Celtic Christianity into Burgundy, especially in its admittance of monks.
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They also make use of the appropriate seasonal liturgical colors, etc. Many incorporate ancient liturgical prayers and responses into the communion services and follow a daily, seasonal, and festival lectionary. Other Presbyterians, however, such as the Reformed Presbyterians, would practice a cappella exclusive psalmody, as well as eschew the celebration of holy days. Among the paleo-orthodox and emerging church movements in Protestant and evangelical churches, in which some Presbyterians are involved, clergy are moving away from the traditional black Geneva gown to such vestments as the alb and chasuble, but also cassock and surplice (typically a full length Old English style surplice which resembles the Celtic alb, an ungirdled liturgical tunic of the old Gallican Rite), which some, particularly those identifying with the Liturgical Renewal Movement, hold to be more ancient and representative of a more ecumenical past.
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At the Stole: Redde mihi, Domine, obsecro, stolam immortalitatis, quam perdidi in praevaricatione primi parentis; et, quamvis indignus accedere praesumo ad tuum sacrum mysterium cum hoc ornamento, praesta, ut in eodem in perpetuum merear laetari. 'Restore unto me, I beseech You, O Lord, the stole of immortality, which I lost through the collusion of our first parents, and inasmuch as I presume to draw near to Your holy Mystery with this adornment, unworthy though I be, grant that I may be worthy to rejoice in the same unto eternity.' At the Chasuble: Domine, qui dixisti: Jugum meum suave est, et onus meum leve: fac, ut illud portare sic valeam, quod possim consequi tuam gratiam. 'O Lord, Who said: My yoke is easy and My burden light: grant that I may bear it well and follow after You with thanksgiving.
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The museum has five main sections: Altar, Treasure, Procession, Civil Life and Cathedral. Among the pieces on display are a piece of the altar made in teak (16th century) from the Church of Our Lady of Hope, Vypeen, a chasuble (19th century) from Bishop's House, Fort Kochi, processional cross, which is a combination of silver and wood (17th century) from Santa Cruz Cathedral, Fort Kochi, Indo-Portuguese Monstrance (18-19th century), from The Church of Our Lady of Hope, Vypeen. Other objects on display at the Indo-Portuguese Museum are sculptures, precious metal objects and vestments, among others from the Cathedral of Santa Cruz and other churches of the Kochi diocese. The Calouste Gulbenkian Foundation, Lisbon, Portugal, was directly involved in the selection of the artworks displayed in the Indo-Portuguese Museum of Cochin, being responsible for the museological layout.
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Though Wilde deployed characters that were by now familiar – the dandy lord, the overbearing matriarch, the woman with a past, the puritan young lady – his treatment is subtler than in his earlier comedies. Lady Bracknell, for instance, embodies respectable, upper-class society, but Eltis notes how her development "from the familiar overbearing duchess into a quirkier and more disturbing character" can be traced through Wilde's revisions of the play. For the two young men, Wilde presents not stereotypical stage "dudes" but intelligent beings who, as Jackson puts it, "speak like their creator in well-formed complete sentences and rarely use slang or vogue-words".Jackson (1988:xxix) Dr Chasuble and Miss Prism are characterised by a few light touches of detail, their old-fashioned enthusiasms, and the Canon's fastidious pedantry, pared down by Wilde during his many redrafts of the text.
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This was the same event where both decided to join forces to divide between themselves the Kingdom of Galicia that had been assigned to their younger brother García II. With the complicity of Alfonso VI, Sancho II invaded Galicia in 1071, defeating their brother García II who was arrested in Santarém and imprisoned in Burgos until he was exiled to the Taifa of Seville, then under the rule of Al-Mu'tamid ibn Abbad. After eliminating their brother, Alfonso VI and Sancho II titled themselves kings of Galicia and signed a truce that was maintained for three years. The truce was broken with the Battle of Golpejera on 12 January 1072. Although Sancho II's troops were victorious, he decided not to persecute his brother Alfonso, who was imprisoned in Burgos and later transferred to the monastery of Sahagún, where his head was shaved and he was forced to wear a chasuble.
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The words at the administration of Communion which, in the prayer book of 1549 described the Eucharistic species as 'The body of our Lorde Jesus Christe...', 'The blood of our Lorde Jesus Christe...' were replaced with the words 'Take, eat, in remembrance that Christ died for thee..' etc. The Peace, at which in the early Church the congregation had exchanged a greeting, was removed altogether. Vestments such as the stole, chasuble and cope were no longer to be worn, but only a surplice, removing all elements of sacrificial offering from the Latin Mass; so that it should cease to be seen as a ritual at which the priest, on behalf of the flock gave Christ to God and such as wanted partook of Christ; and might rather be seen as a ritual whereby Christ shared his body and blood, according to a different sacramental theology, with the faithful.
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Other series featuring Shaps were Quatermass II, Danger Man, The Mask of Janus, The Spies, Dixon of Dock Green, Z-Cars, The Saint, Out of the Unknown, Alexander the Greatest, The Rat Catchers, Man in a Suitcase, Randall and Hopkirk, Department S, The Liver Birds, When the Boat Comes In, Some Mothers Do 'Ave 'Em, The Onedin Line, The Persuaders!, Porridge, The Sweeney, Jesus of Nazareth, Wilde Alliance, Holocaust (miniseries), Private Schulz, The Young Ones, Hammer House of Mystery and Suspense, The Bill, Dark Season, Midsomer Murders and Doctors. Shaps' radio work included a stint with the BBC Drama Repertory Company in the early 1950s. Broadcast parts (his characters often being old men or priests) included Firs in The Cherry Orchard, Justice Shallow in Henry the Fourth, Friar Lawrence in Romeo and Juliet, Polonius in Hamlet and Canon Chasuble in The Importance of Being Earnest.
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As Mauro Gagliardi, a consultor to the office for the Pope's liturgical ceremonies, wrote in an article on the prayers that, in the Tridentine Mass, the priest says when putting on the vestments: A maniple embroidered with a cross, as worn with a chasuble Citing this remark of Gagliardi, John Zuhlsdorf has argued that, since the 1967 document did not formally abolish the maniple, only saying it was no longer required, the maniple may be used even in what since 1970 is the ordinary form of Mass. Edward McNamara, Professor of Liturgy at Regina Apostolorum University in Rome, has rejected that view: In fact, since 1970, the Roman Missal's list of vestments to be used at MassGeneral Instruction of the Roman Missal (GIRM), ch. VI ("The Requisites for the Celebration of Mass"), nos. 335-47 ("Sacred Vestments") makes no mention of the maniple, although it does speak of another vestment, the amice, whose use is not always obligatory.
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Moreover, the word occurs more than once in Alcuin's correspondence, apparently as denoting a garment for everyday wear. When Alcuin twice observes about a casula which was sent him, that he meant to wear it always at Mass, we may probably infer that such garments at this date were not distinctively liturgical owing to anything in their material or construction, but that they were set aside for the use of the altar at the choice of the owner, who might equally well have used them as part of his ordinary attire. In the case of the chasuble the process of liturgical specialization was completed at a comparatively early date, and before the end of the ninth century the maker of a casula probably knew quite well in most cases whether he intended his handiwork for a Mass vestment or for an everyday outer garment. But in the case of a cappa or cope, this period of specialization seems to have been delayed until much later.
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The essential part of the rite is when the bishop silently lays his hands upon each candidate (followed by all priests present), before offering the consecratory prayer, addressed to God the Father, invoking the power of the Holy Spirit upon those being ordained. After the consecratory prayer, the newly ordained is vested with the stole and chasuble of those belonging to the Ministerial Priesthood and then the bishop anoints his hands with chrism before presenting him with the chalice and paten which he will use when presiding at the Eucharist. Following this, the gifts of bread and wine are brought forward by the people and given to the new priest; then all the priests present, concelebrate the Eucharist with the newly ordained taking the place of honour at the right of the bishop. If there are several newly ordained, it is they who gather closest to the bishop during the Eucharistic Prayer.
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At the beginning of this period the clergy generally dressed the same as laymen in post-Roman populations; this changed completely during the period, as lay dress changed considerably but clerical dress hardly at all, and by the end all ranks of clergy wore distinctive forms of dress. Clergy wore special short hairstyles called the tonsure; in England the choice between the Roman tonsure (the top of the head shaved) and the Celtic tonsure (only the front of the head shaved, from ear to ear) had to be resolved at the Synod of Whitby, in favour of Rome. Wealthy churches or monasteries came during this period to use richly decorated vestments for services, including opus anglicanum embroidery and imported patterned silks. Various forms of Roman-derived vestment, including the chasuble, cope, pallium, stole, maniple and dalmatic became regularised during the period, and by the end there were complicated prescriptions for who was to wear what, and when.
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Their liturgy is rooted in the Western liturgical tradition, though recent international Lutheran-Orthodox dialog sessions have had some minimal influence on Lutheran liturgy. Because of its use of the Book of Concord of 1580, with the Confessions, documents and beliefs of the Reformers, including the Augsburg Confession of 1530, Luther's Small Catechism of 1529 and the Large Catechism and its retention of many pre- Reformation traditions, such as vestments, feast days and the celebration of the Church Year, the sign of the cross, and the usage of a church-wide liturgy, there are many aspects of the typical ELCA church that are very catholic and traditional in nature. Many Evangelical Lutheran churches use traditional vestments (cassock, surplice, stole for services of the Word or non-Eucharistic liturgies or alb, cincture, stole, chasuble (pastor) or dalmatic (deacon), cope (processions) for Eucharists (Mass, Holy Communion), etc.). On special rare occasions even a bishop's cross/crozier and mitre (bishop's headpiece) have been used to designate the ancient robes and traditions of the Church originating in Roman times of which Luther and his fellow Reformers like Philip Melanchthon considered as "adiaphora" or of permissive use.
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