161 Sentences With "charnel house" | Random Sentence Generator

The world would become a stinking charnel house if fungi disappeared.

It's a charnel house of frenzied brutality, like a porn version of The Bacchae.

Then their body was buried, or their bones stored as unnamed fragments in the charnel house.

In that time, modern warfare was born, and the trenches of Western Europe became a charnel house.

A former Human Rights Watch researcher, Cooper delights in refuting the "charnel house" image of the shah's rule.

How many more times can you watch soldiers wade into a charnel-house that has long-since ceased to be horrifying?

Yokosuka was so overwhelmed with unclaimed urns that it ran out of space in a 300-year-old charnel house that was about to collapse.

When his teammates arrive in the aftermath, the charnel-house hellscape they discover recalls the hyperviolent dioramas of the Young British Artist provocateurs Jake and Dinos Chapman.

He apologised over the pyre for "the angering of the orderlies in the front parlour of the charnel house"; but they had not, like the government, burned children.

"A country nearly as large as England, with all the material conditions of opulent civilization, has been made a charnel house," said John James Ingalls, a Kansas politician.

There's Whiterose, calmly walking through a charnel house of slain F.B.I. agents while flanked by her Dark Army minions, proclaiming that her male presenting alter ego, Minister Zhang, is dead.

As he did most famously in "The Passion of the Christ," he once again plunges a man of peace into a charnel house of cruelty, testing the fortitude of protagonist and audience alike.

Teetering on a moral foundation as sickly as the yellow-green cast of its photography, "Pet," the twisty sophomore feature from the Spanish director Carles Torrens, stages a psychological duel in a charnel-house setting.

"Our apologies, good friends, for the fracture of good order, the burning of paper instead of children, the angering of the orderlies in the front parlor of the charnel house," one of the nine, the Rev.

They were using the former base for their charnel house, in part because it offered a well-protected and remote space that would have hindered escape and prevented others from witnessing the activities there, Colonel Jabbouri said.

Svartidauði is also hitting the road with Primordial and Ketzer this week on the Ghosts of the Charnel House tour —catch them if you can, and if you offer the band a drink, be sure it's decent whiskey.

It established a small memorial in the corner of Yokoamicho Park with their names, next to a charnel house with the ashes of Tokyo fire raid victims and those who died in the Great Kanto earthquake of 1923.

But instead of choosing a hunk of stone in a regular, outdoor cemetery, she has her sights set on a glowing blue glass Buddha statue inside Ruriden—a small, futuristic charnel house belonging to Koukoko-ji temple in downtown Tokyo.

If so, Firtash and Kolomoisky provide the model means by which he, too, might worm his way into Trump's good graces: Spin some deliciously sordid yarns about Biden that might be deployed in this election year's fake-news charnel house.

The second civil war in Liberia, from 1999 to 2003, turned Africa's oldest independent nation into a charnel house — where drugged child soldiers killed and raped members of their own communities, and where both rebel and government forces fired on unarmed civilians.

Less appreciated are the peace and stability it has provided to hundreds of millions of people over generations and the myriad ways — from disappearing cellphone roaming charges to cheap borderless travel — it has improved life for Europeans whose forebears lived in a charnel house.

But bigger is not always better: In this case, turning the entirety of King's Landing into a charnel house undermined the narrative coherence of the series' penultimate episode, distracting from the main thematic point of the story by making the rest of it seem less believable.

HANGZHOU, China — The image of a 5-year-old Syrian boy, dazed and bloodied after being rescued from an airstrike on rebel-held Aleppo, reverberated around the world last month, a harrowing reminder that five years after civil war broke out there, Syria remains a charnel house.

But new themes that we connect with horror—dismemberment, mutilation, the dead that return for revenge, the sense that not only a house might be haunted, but that the whole world could become a charnel house—this appeared for the first time and found a far larger audience.

Whatever you decide to call this extraordinary thing, it is a creation of human hands that, in its horror, pathos, and sweep, has come closest in my experience to excavating mortality's depths of denial, and grasping the fragile wonder of drawing breath within the charnel house of time.

There's no reason to suspect, however, that any of these columnists working the "Who's Being Mean to Me, and Therefore America, Online" beat—and it's not just Stephens and Brooks—are going to mark the connection between one man fired for false accusations of anti-Semitism, and another forced into resigning because his truly-held opinions about white supremacy and America were fed into the internet's charnel house of disapproval.

Charnel House at Saint Catherine's Monastery, Mount Sinai Charnel house in Évora Skulls in a charnel house Saint Catherine's Monastery in the Sinai is famous for having a working charnel house. Saint Catherine's was founded by Justinian in the early 6th century, on the site of an older monastery founded about 313 AD and named for Helena of Constantinople. The monastery comprises the whole Autonomous Church of Sinai, under the Patriarchate of Jerusalem. The site lies at the foot of Mount Sinai where Christians believe Moses received the Ten Commandments.

Charnel House in May 2015.In the corner of the church graveyard is a Grade II listed Charnel House that was used to store bodies dragged out of the River Thames estuary, thought to have been erected in the mid-19th century.

Each mound within the group covered the remains of a charnel house. After the Hopewell people cremated the dead, they burned the charnel house. They constructed a mound over the remains. They also placed artifacts, such as copper figures, mica, projectile points, shells, and pipes in the mounds.

The old charnel house is a scheduled monument and the chapel above is a Grade I listed building.

The idea of raising a memorial church with a charnel-house in Lazarevac stemmed from the need to store the relics of warriors killed in the Battle of Kolubara in 1914, on the battlefields around Lazarevac. In order to implement these ideas, a "Committee to raise the memorial church and charnel-house in Lazarevac" was established in 1921. It was headed by the priest Čedomir M. Popović. In 1937, the Committee ceased to exist and the "Association for raising memorial church with charnel-house in Lazarevac" was formed, led by the priest Borivoje Đorđević.

The walled churchyard surrounds only buildings and structures designed for worship – the church, the calvary, and sometimes an ossuary or charnel house.

The book reached #1 on the New York Times Paperback Bestseller list. Also, limited lettered and numbered hardcover editions were published by Charnel House.

Picasso spent at least six months working on The Charnel House which has iconographic links to the graphic work of Picasso's Spanish compatriot Francisco de Goya (1746–1828). Picasso's friend and biographer Pierre Daix records that the title of the painting was not one assigned to it originally by Picasso himself – the artist referred to The Charnel House as simply 'my painting' or 'the massacre'; nevertheless, in later years after the Second World War Picasso refused to retitle the painting once its identity as The Charnel House gained popularity, and it was first exhibited as such following Picasso's joining of the Communist Party in 1946.

In 354 the wall of posts and other posts were piled up over the empty grave pits and burned.Brown:48-50. Mound 'C' held a charnel house where bundled bones, typically a skull and limb bones, were stored. After some period of time, the bundles were buried around the periphery of the mound. In about 475, approximately 36 bone bundles were removed from the charnel house and buried.

The charnel house would then be destroyed, often by fire. A new layer of sand might then be added to the mound, and a new charnel house build on the top.Milanich. Pp. 48-9 The early mounds in the St. Johns culture region were generally high up to an occasional . The number of burials in a mound might be as high as 100, but most held fewer than 25.

Cara Ellison (born 28 September 1985) is a Scottish video game critic"‘The Charnel House Trilogy’ Review: Pixelated Horror Game Gets Mixed Results". Game Rant. by Melissa Loomis.

Erik LaRay Harvey is an American actor known for his roles as Dunn Purnsley in Boardwalk Empire, Willis Stryker / Diamondback in Luke Cage, and his role in The Charnel House (2016).

The Charnel House is a 2016 horror film directed by Craig Moss and written by Chad Israel and Emanuel Isler. The film stars Callum Blue, Nadine Velazquez, Makenzie Moss and Erik LaRay Harvey.

The church and charnel house display a large body of polychrome sculpture, mainly of 16th or 17th century date and rich in complex Christian iconography, reflecting the preoccupations of the Counter- Reformation or Catholic Reformation.

On one of Rhenish Hesse's loveliest marketplaces are found not only rows of timber-frame houses and monuments, but also the Evangelical and Catholic church, under which a charnel house was discovered on 3 October 1981.

His most famous work is The Secret Watcher (London's Charnel House Press). Posthumous publications about Chalmers include The Collected Letters of Halpin Chalmers and Halpin Chalmers: Voyager of Other and Many Dimensions, a biography by Fred Carstairs.

It is still used as the altar of the cathedral. In 1769 a charnel house was built on the northwestern part of the cathedral block, on the corner of Kyrkogatan and Västra Hamngatan, with space for forty coffins.

French website dedicated to cemeteries that have disappeared The cemetery was also known as the resting place of les estropiés,The Friends of Père Lachaise website French for the maimed. The site was originally destined to become a charnier (charnel house).

A charnel house attendant, usually a high priest or a bonepicker, would carefully remove the flesh from the bones as they decomposed. The job of a bonepicker was known throughout the community as one of the most prestigious jobs to have.True Natives: The Prehistory of Volusia County (1992), By Dana Ste. Claire, The Museum of Arts and Sciences, Daytona BeachA Nature Wooing at Ormond by the Sea (1902), By Willis Stanley Blatchley After the bodies dried away, the charnel house priest would end up with individual sets of cleaned bones.. Each set of bones was bundled up and buried in mounds during special ceremonies.

The charnel house or ossuary dates from 1667 and was designed by the architect Guillaume Kerlezroux. it is dominated by a retable portraying the Risen Christ. Formerly it also housed a notable tableau of the Entombment of Christ, which has now been moved into the church itself.

In the fire, nine people were killed, amongst whom, Giudita Arquati, pregnant with her fourth child, her husband and their young son. In 1939, the remains of Francesco, his wife Giuditta, and their son Antonio, were transported to the Monumental Charnel House on the Janiculum hill.

Cruvellier (1882-1883), pp. 188-189, 196. The building had two floors, a below-ground one being a crypt or charnel house. It would be completely improper, however, to call this church a cathedral, since it cannot be shown that there was a bishop in Digne until after 500.

Several historic churches and a synagogue, built in various architectural styles, are located in Mikulov, including the Romanesque Church of St. Václav and charnel house, the Baroque Church of St. John the Baptist, St. Sebastian Chapel on the Holy Hill (Svatý Kopeček), the neo-Gothic Eastern Christian Church of St. Nicolas, and the Altschul Synagogue.

The charnel house is the only war memorial maintained today by the Italian state which does not stand on the soil of Italy. The remains of all other Italian war dead who fell on Slovenian soil were moved to the ossuaries of Redipuglia and :it:Oslavia in Italy. Every year a ceremony is held at Kobarid to honour the dead.

"Did you do that?" the German asked Picasso. "No," he replied, "You did". Retreating to his studio, he continued to paint, producing works such as the Still Life with Guitar (1942) and The Charnel House (1944–48). Although the Germans outlawed bronze casting in Paris, Picasso continued regardless, using bronze smuggled to him by the French Resistance.

Dr. Paul Koudounaris Paul Koudounaris is an author and photographer from Los Angeles. He has a PhD in Art History, and his publications in the field of charnel house and ossuary research have made him a well-known figure in the field of macabre art and art history. He is a member of The Order of the Good Death.

Milanich&Hudson;: 99, 146 Mounds that are consistent with the Safety Harbor culture have been found in the Cove of the Withlacoochee. While Safety Harbor pottery has been found in presumed Ocale sites east of the Withlacochee, no mounds have been found there.Milanich&Hudson;: 100-101, 129 Two mounds in the Cove, Ruth Smith Mound (8Ci200) and Tatum Mound (8Ci203), show evidence of early Spanish contactMilanich&Hudson;: 100-101 A dozen bones from a presumed charnel house on Tatum Mound showed probable sword wounds, possible evidence of the skirmishes de Soto's men fought with the Ocale. At some point after those bones had become disarticulated, the charnel house was razed and at least 70 people, probably Ocale, were buried in the mound in a short period, possibly due to an epidemic.

The castle sprawls over the entire top of a small mountain. The walls form an irregular pentagon with five towers. The interior of the castle was home to the count's family and his soldiers as well as armories, a foundry, a bakery, a dairy, a cistern and a charnel house. The church of S. Carpoforo also stood inside the castle walls.

The town of Uzita was described as consisting of the chief's house on a mound, seven or eight other houses, and a "temple" (apparently a charnel house). The houses were made of wood and palm thatch, and probably housed a large number of people each. The Uzitans used bows and arrows. The Spanish described the bows as being very long.

The Italian bombers focused on the concentrated solid mass of defeated Ethiopians and soon the area was turned into a charnel house. Meanwhile, Ras Kassa and his army on Debra Amba had not yet seen action. Ras Kassa now decided to do what the Emperor had indicated and started to withdraw his army towards Amba Aradam. His army in turn was heavily bombed.

Since then the church has grown and changed. The East and West-end buttresses and parts of the walls, particularly on the North side, are original. In the fourteenth century, the church received the lower portion of its tower, the South transept, and the North and South porches. A room north of the tower was enclosed to serve as a charnel house.

Charnel House is a horror fiction publishing house, specializing in limited edition books noted for their craftsmanship. Examples being The Regulators (1996, by Stephen King writing under the pseudonym Richard Bachman) which featured bullets protruding from the front board and Last Call (1992, by Tim Powers) which featured endpapers made from untrimmed sheets of American dollar bills. Several of their releases are unavailable in any other format.

These villages were smaller and the artifacts are of a less variety than at Fort Ancient. Houses were generally circular in shape often with nook or storage appendage. Late Monongahela (1580–1635 CE) develops a charnel house of a shaman burial at a few villages, according to the Monongahela Chapter of the West Virginia Archaeological Society.Monongahela Chapter of the West Virginia Archaeological Society, The Monongahela Culture 2010.

Today there are 505 headstones and 59 footstones remaining from the more than one thousand people buried in the small space since its inception. There are also 78 tombs, of which 36 have markers. This includes the large vault, built as a charnel house, which was converted into a tomb for children's remains in 1833. The earliest tombs are scattered among the grave markers.

The name Charn may be derived from the Latin root carnālis, meaning "fleshly" or "related to the flesh." The words carnal, carnivore, carnival, and charnel house (from the French charnel) also derive from this root. This would emphasize the hedonism and indulgence in worldly pleasures—the pleasures of the flesh as opposed to more spiritual delights—that eventually led to the fall of Charn.

Belfry and portal. The parish close of Lampaul-Guimiliau commands the road junction at the centre of the village. It is one of the best examples of its kind. It contains not only the church and graveyard of the parish, but also a large and elaborate calvary or crucifix and a noted charnel house, both common features of Breton closes, and a vast belfry.

The fact that there are two indicates that this was an important church for travellers. The crypt under the sanctuary may be entered through an old oak door in the chancel. It has been called a charnel house but at one time it was a place where civil prisoners could be forced to spend a night on the journey by foot to Norwich gaol.

At some point the South window of the transept was reconstructed and the clerestory windows were reset to where they now remain. Also in the nineteenth century, Lord Penrhyn donated the tower clock. In 1921 the church received a memorial chapel on the church's north side, and five years later the vestry was enlarged. In 1949 the former charnel house became the Parish Room.

A charnel house is also a structure commonly seen in some Native American societies of the Eastern United States. Major examples are the Hopewell cultures and Mississippian cultures. These houses were used specifically for mortuary services and, although they required many more resources to build and maintain than a crypt, they were widely used. They offered privacy and shelter as well as enough workspace for mortuary proceedings.

Some arrows were sharpened reeds that could pierce a shield, or splinter and penetrate chain mail, while others had fish bone or stone points. The Uzitans practiced human sacrifice. Juan Ortiz, who had been sent on a small boat to search for the missing Narvaez expedition, was captured by the Uzitans. For several years the Uzitan set him to guard the bodies in the charnel house from wild animals at night.

The North cemetery is located along a steep and rocky ridge about 80 meters from Gournia. First discovered by Boyd and her team in 1901, she discovered what she described as “intramural burials,” later coining the term “house tombs” to refer to them. Unlike the cemetery in Sphoungaras, people were buried in built structures here. The remains were deposited in no particular order on a charnel house manner.

It was overrun with rats, and dogs chasing the rats, both of which were damaging the churchyard. Finding sufficient ground for new burials was increasingly difficult and bones were often removed to a nearby charnel house. In 1849, an extra charge was put on burials of people from outside the parish. In 1884, the churchyard was closed to all burials and a cemetery was opened in the town.

There is also a 13th-century crypt, which is speculated to have been a charnel house used to harbour the bones of those from the collegiate church nearby. Holy Trinity occasionally hosts concerts and recitals. Chichester Harbour, a Site of Special Scientific Interest is partly within the parish. This is a wetland of international importance, a Special Protection Area for wild birds and a Special Area of Conservation.

The church was painted with icons only in the last decade of the 20th and first half of the 21st century. Built at the very end of the interwar period, the memorial church with the charnel-house in Lazarevac is stylistically unique and recognizable work. It is, next to Church of Saint Đorđe in Oplenac, the most monumental memorial that was erected in the former Кingdom of Yugoslavia, which gives it a special character.

Beneath the chancel was a vaulted undercroft, which was probably used as a charnel house. During the 14th century the north aisle was widened and raised in height, and a chantry chapel was built at the east end of the south aisle. The north porch was added in the following century. In 1560 a group of Flemish Protestants from the Spanish Netherlands came to live in Sandwich, and St Peter's became their church.

Next to this lies Bunhill Fields. The name derives from "Bone hill", likely linked to occasional burials from at least Saxon times, but more probably derives from the use for mass- deposit for human bones — amounting to over 1,000 cartloads — brought from St Paul's charnel house in 1549 (when that building was demolished).Holmes 1896, pp. 133–34. The dried bones were deposited on the moor and capped with a thin layer of soil.

In building these memorials, Mussolini remobilised the Italian war dead and deployed them in a commemorative landscape of monumental fascist structures. The charnel house commemorates Caporetto as a national Calvary, bringing together the symbolism of the Catholic Passion with the monumental elements of fascist style. The pillars which mark the start of the winding road up to the summit bear, on one side, the cross, and in the other, the star of Italy.

The art critic Clement Greenberg was also critical of Guernica,Witham (2013), p. 176 and in a later essay he termed the painting "jerky" and "too compressed for its size", and compared it unfavorably to the "magnificently lyrical" The Charnel House (1944–1948), a later antiwar painting by Picasso.Greenberg (1993), p. 236. Among the painting's admirers were art critic Jean Cassou and poet José Bergamín, both of whom praised the painting as quintessentially Spanish.

The plaza itself was kept clear of debris. The more important residents of the town had their houses around the plaza, while the lower class lived in huts further from the plaza. The Spanish reported that the chief and his family lived on the main mound, and that a "temple" (probably a charnel house) stood on the opposite side of the plaza. Archaeological excavations suggest that the charnel houses were on the mounds.

Records, AHOY CD 78 The first single was "1980's" / "Mechanical Man", produced by The Damned drummer Rat Scabies and released in March 1980 under the Charnel House label. The second single was "Future Girl" / "No Trust" produced by Rat Scabies, released on Glass Records. It was promoted with a tour supporting The Exploited. The third and final single was a double A side "Anti-men" and "Misunderstood", again produced by Rat Scabies.

The savages have been harvested for the organs needed to maintain the well- being of the fourteen 'true' Darians. Rendered sterile by the radiation, Neman, Kara and the rest were forced to prolong their lives with transplant surgery. Koenig is enraged when he discovers an unconscious Helena in this charnel house. As Kara revives her, he comes to the realisation that this was the intended fate of the Alpha people had they joined the Darians.

The scale model of the Abbey shows the abbey buildings at the time of the dissolution in 1552 with the crosswalk and numerous side buildings. Several of those buildings are still intact today e.g. the charnel house (1250) to the north of the Minster as well as the grain storage and the ruins of the trade building (1290) to the south of the abbey grounds. The abbey wall, 1400 metres long, remains nearly as it was in medieval times.

In the charnel house, with its dance of death fresco, 26 statues dating from the 13th to 16th centuries were discovered in 1982 under about a meter (three feet) of bones. The statues including an excellent Pietà from the 14th century. In addition to St. Stephan's parish church there were several other churches in town. They include a pilgrimage chapel at Thel and the Ringacker chapel, which was built in 1690-94 above a plague cemetery.

In 1197, a priory, "The New Hospital of St Mary without Bishopsgate", latterly known as St Mary Spital, founded by Walter Brunus and his wife Roisia, was built on the site of the cemetery.Thomas, Sloane and Phillpotts (1997) Excavations at the Priory and Hospital of St Mary Spital, London. Museum of London: London: 19–20 It was one of the biggest hospitals in medieval England and had a large medieval cemetery with a stone charnel house and mortuary chapel.

The double chapel had numerous architectural successors, notably the charnel house, a combination of cemetery chapel and ossuary, but also in numerous two-storey cemetery chapels in southern Germany, Austria and Bohemia. Where they function purely as cemetery chapels, double chapels are usually dedicated to Saint Michael. The lower chapel was given the character of an ossuary, as a Late Gothic relic chapel and memorial for the fallen after the failure of the feudal crusades (e.g. Kiedrich or Görlitz).

It was restored in 1853, and again by Elizabeth Mirehouse in 1862, and rededicated in 1929. Originally a receiving place, or charnel-house, for the corpses of drowned sailors, it became a chapel of rest in the 20th century.The Benefice, Rev. Jones, accessed 30 August 2008 Constructed of coarse masonry under a modern tiled roof with a Celtic cross finial, the chapel has Victorian stained glass windows, one of which depicts the miracle of Christ walking upon the sea.

The English king contested the will, as The Treaty of Paris had granted Quercy to the King of England who garnered a rent of 3,000 pounds a year. The many weapons and bones in the charnel house indicate the extent of slaughter and resistance to the English. During the Hundred Years' War, Lauzerte was occupied by the English. Despite foreign occupation, some Lauzertins charged interest in exchange for ransom fees to nobility captured by the English.

The reformation in England resulted in a reduction of the cathedral like complex. At its peak the church was larger than it is today, including a number of attached buildings: the Corpus Christi Chapel to the south-western edge of the porch and Charnel House on the eastern side of the nave opposite the Cotton Chapel. Together these extensions created a traditional cruciform shape to the building. But in 1612 the church was damaged by militant local puritans.

Western Europe was slowly recovering by 1947; Eastern Europe was being stripped of its resources by Moscow. Churchill warned that Europe was "a rubble heap, a charnel house, a breeding ground for pestilence and hate." American leaders feared that poor economic conditions could lead to Communism in France and Italy, where the far left was under Stalin's control. With the goal of containing Communism and increasing trade between the U.S. and Europe, the Truman administration devised the Marshall Plan.

It was restored in 1853, again by Elizabeth Mirehouse in 1862, and rededicated in 1929. Originally a receiving place, or charnel-house, for the corpses of drowned sailors, it became a chapel of rest in the 20th century. Constructed of coarse masonry under a modern tiled roof with a Celtic cross finial, the chapel has Victorian stained glass windows, one of which depicts the miracle of Christ walking upon the sea. There is a stone altar.

This mound was constructed precisely over the remains of a dismantled charnel house that was thought to have been erected at roughly the same time as the woodhenge post which it is next to. Interred in the mound were 2 recently deceased men and several bundled burials, probably the previous residents of the charnel house who had waited for the elite personages to die in order to be interred with them. Over this first phase a square platform with two levels and ramp on its eastern side was constructed. The next episode of construction at this location involved a pit being dug into the mound and a cache of various grave goods being deposited in it. A large rectangular pit was dug into the southeast corner of the mound and a mass burial of 24 women was made in it. A new layer of fill was added to the mound and it was extended to the southeast toward Mound 72sub1, for a ramp or extension over the mass burial.

Apart from human bones, items found after the site was analyzed included utensils, Indian beads, Spanish trading beads, and pottery sherds. A charnel house, a structure used to store bodies prior to burial, was located near the Ormond Mound. These structures were separate from the village and were used by the St. Johns people to prepare the corpses of mostly high- ranking and important people for the afterlife. The dead were laid out on wooden racks and allowed to decompose.

Usually they display three crucified figures: Christ and the two thieves. At the base, they may feature relief panels, free-standing sculptural groups or both. These onlookers of the crucifixion nearly always include the Virgin Mary and St John the Apostle, but also many other heroes and villains – sometimes including local or national magnates. The ossuary or charnel house, where present, may be substantial, and several were intended to contain large sculptures or paintings, frequently of the Deposition or Entombment of Christ.

Nothing visible remains on the site, as after it dissolution by Henry VIII in 1538, local landowners took away much of the stone for their own buildings and the land was subsequently urbanised. A stone window and a carving featuring skulls – thought to have been over the door to the charnel house – remain in All Saints Church, West Ham (dating from about 1180). The Great Gate of the abbey survived in Baker's Row until 1825. Arms of the County Borough of West Ham.

In 1177, Henry the Elder, son of Henry II Jasomirgott, became landlord in an area reaching from Liesing to Piesting and Bruck an der Leitha. You can read this in old documents kept in the nearby monastery of Heiligenkreuz. In Henry's days arts and culture dominated in the castle of Mödling; the famous minnesinger Walther von der Vogelweide stayed there more than once. The Spitalkirche and today's St. Othmar were built in the 15th century, the Karner (charnel house) in the 12th.

Ellison made regular contributions to publications PC Gamer, Unwinnable and Rock, Paper, Shotgun beginning in 2012. She has also written gaming related articles for New Statesman, Paste,"The Charnel House Trilogy Review: Dangers on a Train". Paste. by Brian Taylor 23 April 2015 Edge magazine and Kotaku and is a regular contributor to The Guardian gamesblog. From 2014 to 2015, Ellison wrote a bi-weekly column called S.EXE for Rock Paper Shotgun about the depiction of sex and romance in video games.

The National Park of Peace monument in 2007 After the war, the church was rebuilt. The Charnel House Monument and the Historical Museum of Resistance were both built nearby. Stations of the Cross illustrate scenes from the massacre along the trail from the church to the main memorial site—the National Park of Peace, founded in 2000. The massacre inspired the novel Miracle at St. Anna by James McBride, and Spike Lee's film of the same title that was based on it.

When the charnel house and eight cemeteries abutting the cathedral's side and back walls closed due to an outbreak of bubonic plague in 1735, the bones within them were moved to the catacombs below the church. Burials directly in the catacombs occurred until 1783, when a new law forbade most burials within the city. The remains of over 11,000 persons are in the catacombs (which may be toured). The basement of the cathedral also hosts the Bishops, Provosts and Ducal crypts.

In countries where ground suitable for burial was scarce, corpses would be interred for approximately five years following death, thereby allowing decomposition to occur. After this, the remains would be exhumed and moved to an ossuary or charnel house, thereby allowing the original burial place to be reused. In modern times, the use of charnel houses is a characteristic of cultures living in rocky or arid places, such as the Cyclades archipelago and other Greek islands in the Aegean Sea.

A parish close is an enclosed area around the parish church, including the church yard and a number of other features. In common with others in the area, the Saint-Thégonnec close features a large ceremonial entrance arch, stressing the importance of the close as a focus for pilgrimage and pardons. An impressive calvary or crucifix forms the focus of the church yard. As at nearby Lampaul-Guimiliau, there is a separate charnel house or ossuary, with a life-sized tableau of the Entombment of Christ.

The altar in St Wulfram's crypt The crypt chapel was probably dedicated to the Holy Trinity and was originally entered from outside. A staircase was built in the 15th century allowing access from the church interior. The crypt door and chests are the only remaining examples of medieval woodwork in the church. The crypt has been used as a depository for the relic of St Wulfram, as a charnel house when the graveyard became full, and a store-room for church valuables and corporation records.

Sometimes this happened while the victim was still living. The sight of corpses beside canals, ravaged by dogs and jackals, was common; during a seven-mile boat ride in Midnapore in November 1943, a journalist counted at least five hundred such sets of skeletal remains. The weekly newspaper Biplabi commented in November 1943 on the levels of putrefaction, contamination, and vermin infestation: By the summer of 1943, many districts of Bengal, especially in the countryside, had taken on the look of "a vast charnel house".

S. J. Perelman's 1945 feuilleton "No Dearth of Mirth, Fill Out the Coupon", describes Perelman's fictionalized encounter with a jokebook publisher named Barnaby Chirp. Perelman's 1962 play The Beauty Part features the caricature Emmett Stagg of the book publishing empire Charnel House, who was based on Cerf and played on Broadway by William LeMessena. He was similarly portrayed as publisher "Bennett Blake" on The Patty Duke Show in the 1964 episode "Auld Lang Syne". In 2006, Peter Bogdanovich portrayed Cerf in the film Infamous.

Under the lime coating of the northern wall, murals from the middle-ages are hiding. The sitting chamber arises from the 14th century, the furniture, including the stone pulpit with grawen louder originates from the 18th century, with demotic baroque decorations. The church was renovated in 1715 and 1779, in 1828, judge Karoly Bay had made build the charnel-house of the family, just in front of the chairs of the patrons. The tower of the church and the building afore it, comes from the 19th century.

The grave was leased for only five years and no surviving members of his family kept up the payments on the plot. His bones were gathered in the cemetery's charnel house. After many years the plot was vacant again and the National Assembly of France applied for permission to erect a permanent monument to Breakwell on the site and it was established in 1997 though the management of the cemetery insisted the monument be "simple". The site has become a focal point of pilgrimage.

To avoid a bad smell in the church, the mayor and council (magistrat ) of Gothenburg decided that all corpses buried during the six warmer months from 1 April to 1 October would first be stored in the charnel house.Hugo Fröding, "Berättelser ur Göteborgs Historia under Gustavianska tiden" ("Narratives of Gothenburg's oldest history during the Gustavian period") in Göteborgske Spionen No. 48, 1769, Wald. Zachrissons Boktryckeri, Gothenburg, 1922, p. 174 In the same year as the charnel house was added, the churchyard wall was also finished.

Graham Masterton at Salon du livre 2008 (Paris, France) Graham Masterton (born 16 January 1946, in Edinburgh) is a British horror author. Originally editor of Mayfair and the British edition of Penthouse, Graham Masterton's first novel The Manitou was released in 1976. This novel was adapted in 1978 for the film The Manitou. Further works garnered critical acclaim, including a Special Edgar Award by the Mystery Writers of America for Charnel House and a Silver Medal by the West Coast Review of Books for Tengu.

The earliest traces of life in Bron can be found in the cemetery and date from 71 BC. The town as it is today did not take shape until approximately 1812. In mid-August 1944, prisoners from Montluc prison were taken to Bron Airfield where 109 of them, including 72 Jews, were killed in what would become known as Le Charnier de Bron ("The Charnel house of Bron"). Bron was spared much of the damage caused by the riots in many of France's suburbs in the 1990s, such as in Venissieux and Villeurbanne.

In the centre of Galbally's village square is a statue of a soldier, erected in memory of named local volunteers who lost their lives during the War of Independence in 1921. The south side of the square was the site of a poor house during famine times. Charles Bianconi's carriages used to drive through the village, and the stables they used still stand on the north side of the village square. The Barons Massy of Duntryleague had their original seat in the area and their Charnel house (burial place) is still extant.

The abbey church, possibly in antiquity under the patronage of St. Martin but in the Middle Ages under the patronage of Mary, is built on the site of the 6th Century Bishop's church. The present building, with a late- Romanesque nave and Gothic choir, was built between 1310-30. The church's charnel house was rebuilt in 1793 into a schoolhouse. After the conquest of the Aargau by Bern and the introduction of the Reformation (1528) the monastery was suppressed. Until 1798 it served as the residence of the Bernese bailiffs ().

History, for him, is nothing more than a slaughterhouse . . . “the place of a skull and charnel house of a mad, incurably bloodthirsty slaughtering, flaying and whetting, of an irresistible urge to destroy to the last.” Although inspired by the already extreme philosophy of Philipp Mainländer, Horstmann ends up with an even more explicit solution regarding the problem of human existence. In his book The Beast he actually goes so far as to suggest the use of nuclear weapons in order to bring forth the extinction of the human race.

In the architectural tradition of the twentieth century, which developed in the area of today's District of Lazarevac, the dominant type of building is a longitudinal building with prominent bell tower on the western front. The Memorial Church in Lazarevac represents a bold step forward which opened a new chapter in church architecture from this area. The spirit of historicism is clearly expressed in this building. Deep understanding of old and new ideological and aesthetic principles is an important segment in analyzing historical and artistic importance of the Lazarevac memorial church with the charnel-house.

Lazarevac memorial church"Dossier of Cultural Monuments: Memorial Church in Lazarevac", Belgrade City Institute for the Protection of Cultural Monuments with the charnel house is inspired by the Presentation of the Virgin Monastery in Senjak in Belgrade. Lazarevac temple was built by the project of the Russian emigrant architect Ivan Afanasjevič Rik, between 1938 and 1941. It has a basis in the form of a cross of a developed type. The main dome rises at the intersection of the arms of the cross, while four smaller domes rise above the arms.

She was a lion tamer, known professionally as Madame Pauline de Vere. They married on 1 December 1850 in Sheffield. Poster for Aladdin & Forty Thieves at Sanger's Amphitheatre in 1886 John and George Sanger decided to take their show to country fairs, believing that they would make more money than at the fairs in London. In the winter of 1850–51 they returned to London and, in addition to their conjuring show, they rented Enon Chapel—a former charnel house— to run a "sort of winter theatrical show".

Knox routinely referred to the Bridgewater Treatises as the "bilgewater treatises" and his 'continental' lectures were not for the squeamish. John James Audubon was in Edinburgh at the time to find subscribers for his Birds of America. Shown round the dissecting theatre by Knox, "dressed in an overgown and with bloody fingers", Audubon reported that "The sights were extremely disagreeable, many of them shocking beyond all I ever thought could be. I was glad to leave this charnel house and breathe again the salubrious atmosphere of the streets".

The charnel house was burned, then a fire was built of top of it for a feast. A large bowl with animal heads on its rim, which may have been used for serving ceremonial drinks such as the black drink, was left on the remains of the fire after its bottom was knocked out. At least 17 ceramic vessels, including hollow figurines of animals, were broken and left atop the graves of the bone bundles. The whole mound was then covered with a six-foot layer of earth.Brown:50-1.

Arms of the County Borough of West Ham. The Abbey lay between the Channelsea River and Marsh Lane (Manor Road). Nothing visible remains on the site, as local landowners took away much of the stone for their own buildings, and by 1840, the North Woolwich railway was built through the site, and factories and Stratford wholesale Market were established on the remaining land. A stone window and a carving featuring skulls - thought to have been over the door to the charnel house - remain in All Saints West Ham Parish Church (dating from about 1180).

There are few traces of Stratford Langthorne Abbey. Shown is the keystone from the charnel house door, now in the parish church of West Ham. Stratford Langthorne Abbey, or the Abbey of St Mary's, Stratford Langthorne was a Cistercian monastery founded in 1135 at Stratford Langthorne -- then Essex but now Stratford in the London Borough of Newham. The Abbey, also known as West Ham Abbey as it lay in that parish, was one of the largest Cistercian abbeys in England, possessing of local land, controlling over 20 manors throughout Essex.

Many of the mounds underwent multiple episodes of mound construction at periodic intervals, some becoming quite large. They are believed to have played a central role in the mound- building peoples' religious life and documented uses include semi-public chief's house platforms, public temple platforms, mortuary platforms, charnel house platforms, earth lodge/town house platforms, residence platforms, square ground and rotunda platforms, and dance platforms. The Pyramid of the Sun in Teotihuacan, Mexico, was started in 100 AD. The stone-faced structure contains two million tons of rammed earth.

Beginning halls near the entrance The Fontanelle cemetery in Naples is a charnel house, an ossuary, located in a cave in the tuff hillside in the Materdei section of the city. It is associated with a chapter in the folklore of the city. By the time the Spanish moved into the city in the early 16th century, there was already concern over where to locate cemeteries, and moves had been taken to locate graves outside of the city walls. Many Neapolitans, however, insisted on being interred in their local churches.

The tree from which Dacre's killer was supposed to shot his arrow was cut down by the late 19th century. In 2010, fragments from what are some of the earliest known handguns found in Britain were discovered on the battlefield. Views of the Wars of the Roses in general, and that of the battle as a charnel house were formed by Shakespeare, and endured for centuries. However, at the start of the 21st century, the "largest and bloodiest battle ever fought on English soil" was no longer prominent in the public consciousness.

Following the Great Kantō earthquake on 1 September 1923, as many as 44,000 people were killed in the park when it was swept by a firestorm. Following this disaster the park became the location of the main memorial to the earthquake; the Earthquake Memorial Hall and a nearby charnel house containing the ashes of 58,000 victims of the earthquake.Karacas (2010), p. 522 Following World War II, the park also became the location of the main memorial to the victims of the Bombing of Tokyo in 1944 and 1945.

The Charnel House (Le Charnier) is a c.1944–1948 painting by Spanish artist Pablo Picasso (1881–1973), purportedly dealing with the Nazi genocide of the Holocaust. The black and white 'grisaille' composition centres on a massed pile of corpses, and was based primarily upon film and photographs of a slaughtered family during the Spanish Civil War. It is considered to be Picasso's second major anti-war painting, the first being the monumental Guernica (1937), but it is not thought to be as significant as that work because the artist left it unfinished.

It is a Grade I listed building Under the church is a small crypt, a charnel house where bones were kept when the churchyard was full. It was discovered in 1877 and the bones re-interred. The church is also notable for its very unusual 'candle-snuffer' steeple where an octagonal pyramid appears to have been stacked on top of a square one, resembling a couple of inverted ice-cream cones. It is believed that the distinctive shape was chosen to serve as a navigational aid for shipping on the River Thames.

The Dwelling of Remembrance memorial in Yokoamicho Park Following the war the bodies which had been buried in mass graves were exhumed and cremated. The ashes were interred in a charnel house located in Sumida's Yokoamicho Park which had originally been established to hold the remains of 58,000 victims of the 1923 earthquake. A Buddhist service has been conducted to mark the anniversary of the raid on 10 March each year since 1951. A number of small neighborhood memorials were also established across the affected area in the years after the raid.

The belltower, a Grade II Listed building in the churchyard close to the church, is a small, square, single-storey building with a basement and outside steps built in sandstone with a stone slate roof. It was built to hold a large bell bought from All Saints' Church, Wigan in 1542. The bell was sold by church commissioners around 1551. The detached bellhouse, the only such structure in Lancashire, was used as a charnel house but is now used as a tool house by the sexton and grave digger.

In 1839, the Union Workhouse of the Poor Law Union of Ballinrobe was founded. Ballinrobe suffered greatly during the Great Famine of 1845 to 1849. With 2,000 inmates at the height of the famine, the workhouse was so overcrowded that on 23 March 1847, The Mayo Constitution reported: > In Ballinrobe the workhouse is in the most awfully deplorable state, > pestilence having attacked paupers, officers, and all. In fact, this > building is one horrible charnel house, the unfortunate paupers being nearly > all the victims of a fearful fever, the dying and the dead, we might say, > huddled together.

Greek ossuaries made of wood and metal. The use of ossuaries is a longstanding tradition in the Orthodox Church. The remains of an Orthodox Christian are treated with special reverence, in conformity with the biblical teaching that the body of a believer is a "temple of the Holy Spirit", having been sanctified and transfigured by Baptism, Holy Communion and the participation in the mystical life of the Church. In Orthodox monasteries, when one of the brethren dies, his remains are buried (for details, see Christian burial) for one to three years, and then disinterred, cleaned and gathered into the monastery's charnel house.

For many decades, it was surrounded by woodlands, and the only human activity in the vicinity occurred along a bicycle and snowmobile path that passed over the mound. Excavation was attempted in the early 1940s, but was soon stopped without yielding any significant finds. However, the mound continued to receive attention from archeologists, and in 1974 it was listed on the National Register because it was likely to yield information about the peoples of the past. While the mound was likely built as a charnel house for Hopewell death rites, later Late Woodland peoples also used the mound as a burial site.

Documented uses for Mississippian platform mounds include semi-public chief's house platforms, public temple platforms, mortuary platforms, charnel house platforms, earth lodge/town house platforms, residence platforms, square ground and rotunda platforms, and dance platforms. Many of the mounds underwent multiple episodes of mound construction, with the mound becoming larger with each event. The site of a mound was usually a site with special significance, either a pre-existing mortuary site or civic structure. This site was then covered with a layer of basket-transported soil and clay known as mound fill and a new structure constructed on its summit.

Whitwick church website Talbot is said to have been a giant, and this accounts for the exceptional length of the monument. The church was a victim of aggressive restoration during the 19th century, when the chancel was rebuilt by James Piers St Aubyn, 1848-1849. A vaulted substructure or crypt is situated beneath the chancel, but is not thought to have ever been used as a charnel house. The building of this understructure would have been necessary to maintain a level between the chancel and the nave due to the steepness of sloping ground at the east end.

The conceptual design of the Serbian military cemetery was selected that same year in a contest, and the design of the architect Aleksandar Vasić was chosen and further elaborated by Nikolaj Krasnov. All materials for the construction of the cemetery came from Serbia, where it was also first processed. Therefore, the preparations for the start of construction lasted until 1933 because of the need to prepare large quantities of trimmed stone for the construction of the mausoleum, chapel and charnel house, and about 2000 marble crosses. Finishing work began in 1933 under the direction of architect Budimir Hristodulo, one of the 1300 Corporals.

There are few traces of Stratford Langthorne Abbey. Shown is the keystone from the charnel house door, now in All Saints. In the medieval era the church's parish included all of West Ham, with the one exception of the 24 acres within Stratford Langthorne Abbey's precincts, which formed a separate parish of St Mary and All Saints until the abbey was dissolved, that parish's church was destroyed and the parish itself merged into All Saints. There has been a building on the site since at least the late 12th century - the three blocked clerestory windows on either side of the present building's nave date to that time.

From 1700-1730, the Natchez added more construction at Mounds B and C. On top of Mound B they built the residence of the Great Sun, the paramount chief of the tribe. Mound C was the platform for the Sun Temple, which included a charnel house for the remains of the Natchez elite. By the time of European contact, the Natchez were no longer using Mound A.National Park Service - Grand Village of the Natcez Indians Most of the Natchez people lived dispersed in small villages in the area and would gather for special occasions at the Grand Village. They were farmers and constructed permanent dwellings.

The following night she was in bed asleep when she woke to find the same figure standing at the foot of her bed. In the moonlight she could see that he was wearing a metal medal around his neck. Canon Glossop (the rural dean) was brought to the cottage from the Abbey to talk to the maid; from her description he identified the medal as similar to those given to pilgrims to the Abbey in the Middle Ages. It is believed that the cottage was built on the site of the Abbey's charnel house, where the bodies of monks would be laid awaiting burial.

The tufa sculpture of the dead Christ to the left of the entrance dates back at the end of the 7th century. The 7th century was for the catacombs a new period of use, especially by the Dominican friars. In this era it was, in fact, still widespread the use of the drainer: stone cavities in which corpse were leaned into a fetal position, to make him lose the fluids. The Dominican friars thought that the head was the most important part of the body as the seat of thoughts; that’s way, after drying, the heads were preserved, while the rest of the body was amassed in the charnel house.

But after yet another failed attempt to win her love, Frollo betrays Esmeralda by handing her to the troops and watches while she is being hanged. When Frollo laughs during Esmeralda's hanging, Quasimodo pushes him from the height of Notre Dame to his death. With nothing left to live for, Quasimodo vanishes and is never seen again. In the original, Quasimodo's skeleton is found many years later in the charnel house, a mass grave into which the bodies of the destitute and of criminals were indiscriminately thrown, implying that Quasimodo had sought Esmeralda among the decaying corpses and lay beside her, himself to die.

Now known as the "Fountain of Innocents", it still stands on Joachim-du-Bellay Square. At its closure, it was estimated that from the Middle Ages until the eighteenth century the Holy Innocents' Cemetery had been the repository of corpses from 22 parishes in Paris, including the remains of those who died at the Hôtel-Dieu, plague victims, and various unknowns who drowned in the Seine, died on the roads, or were crippled at the nearby crossroads of the "Court of miracles", for a total of about two million Parisians. There are no signs of the charnel house today as the present location contains buildings, arcades, and shops.

Temple of Saint Dimitrije is a church with the charnel-house in Lazarevac, built in the glory of soldiers of Serbian and Austro-Hungarian army who were killed in Battle of Kolubara."Cultural monument of exceptional importance: Memorial Church in Lazarevac", Belgrade City Institute for the Protection of Cultural Monuments“Сhernel-house“, Cultural monuments in Serbia The architectural and urban ambience of Lazarevac, city with quite a short past, hosts this temple which is, besides its high silhouette values, significant for its religious and social function. It is a notable realization of the interwar Serbian church architecture, but also the Russian builders who immigrated to Serbia because of the civil war in their homeland.

US Army newsreel of atrocities On 11 April, advance parties of the US 3rd Armored Division entered Nordhausen with little opposition. They found hundreds of dying prisoners lying amongst more than a thousand corpses, including many children and babies. Some had been dead before the air raid; others were burned to death or died after the air raid from neglect. The American soldiers were outraged; one wrote, "No written word can properly convey the atmosphere of such a charnel house, the unbearable stench of decomposing bodies, the sight of live human beings... lying cheek by jowl with the ten-day dead..." A 15 April report describes the camp as "the most horrifying example of Nazi terrorism imaginable".

During World War I, a battle between Austria-Hungary and Serbian forces was fought at the nearby site of Mačkov kamen, the peak of Jagodnja mountain. A charnel house or memorial church is built in memory of the event 1930 when the bones of both Serbian soldier and Austrian aggressors were buried in the same ossuary. During World War II, in the village of Bela Crkva, partisan Žikica Jovanović Španac killed two gendarmes on 7 July 1941, which would become the official date of celebration of the people's uprising against occupiers in Serbia during communist rule. On 26 September 1941, a meeting of partisans' main headquarters, presided by Josip Broz Tito, was held in the nearby village of Stolice.

After Ortiz was taken to the town of Uzita (as told by the Gentleman of Elvas), or some time after Ortiz was spared from execution by being shot with arrows (per the Inca), the chief ordered Ortiz tied to a rack set over a fire. The chief's daughter begged the chief to spare Ortiz, arguing that Ortiz was not a danger to the chief. Chief Uzita's daughter helping Juan Ortiz to escape After Ortiz's burns had been tended to, he was set to guard bodies placed in the charnel house of the town, to keep predators from taking the bodies away during the night. One night a wolf took the body of a young child that had recently died.

However a second narrative also developed, which regarded the defeat at Caporetto as a critical moment in the foundation of the new Italy. The Fascist party referred to Caporetto as the moment of its birth, and all aspects of commemorating the war were subsumed into a new fascist narrative. Mussolini disliked melancholy or mourning sentiments, so the grand war memorials he commissioned were intended to be assertive statements of the dignity of Italy's fighting men. They were also conceived of as sentinelle della patria (“watchtowers of the nation”). At the charnel house, as at Redipuglia, the names of the dead appear under the heading ‘Presente’, as if they were still on duty.

Radiocarbon dating of the cedar poles used for the litters in the top layer burials in this pit determined that this burial was made approximately 100 years after the woodhenge circle had been constructed, or in approximately 1030 CE. Numerous secondary bundle burials of the bones of individuals previously stored in a charnel house were also made into the mound. After a few final intrusive burials into the southwestern edge, Sub3 and Sub1 were covered over in a blanket of earth and given its distinctive ridgetop shape. All of the burials in the mound are located within an area circumscribed by the arc of the woodhenge circle. In total roughly 272 individuals had been interred in Mound 72.

Crypt underneath the Lady Chapel Though the crypt is small, it is of special interest, as the solitary example of a crypt in an English cathedral built after the Norman period until we come to Truro Cathedral – for the crypt of St. Paul's is only a reconstruction. To its use as a charnel house it owes the name of Golgotha. The library contains mainly old books in manuscript chained to their places, some of them fine specimens of ancient handwriting, containing beautiful illustrations in gold and colour. Two of the most valuable are a unique copy of the ancient Hereford antiphonary of the 13th century, in good preservation, and the Hereford Gospels, a copy of the Gospels at least a thousand years old, in Anglo-Saxon characters.

The Jackson Mound is a Native American mound in the south-central portion of the U.S. state of Ohio. Located north of Pancoastburg in Fayette County, it measures approximately in diameter and in height. The mound has never been excavated, making the certain identification of its builders impossible; however, its location on a high terrace above a relatively small stream suggests that it was built by the Adena culture, which favored such sites for its many mounds. If true, it was originally more conical in shape (the mound's location in a farm field has resulted in its being damaged by years of plowing), and it is likely to cover the remains of a wooden charnel house built by the Adena.

Bomb-damaged foundation tablet from the Memorial Buildings, outlining the site's history The site lies in the area known historically as Bunhill Fields. The name derives from "Bone Hill", which is possibly a reference to the district having been used for occasional burials from at least Saxon times, but more probably alludes to the use of the fields as a place of deposit for human bones – amounting to over 1,000 cartloads – brought from St Paul's Cathedral charnel house in 1549 when that building was demolished.Holmes 1896, pp. 133–4. In 1661 the London Quakers purchased a plot of land here of 30 square yards for £270 for use as a burial ground: it constituted the first freehold property owned by Quakers in London.Butler 1999.

Aylesbury possessed a church in Saxon times; 19th-century renovations to the chapel revealed the remains of an ancient crypt, with stone steps leading from the church in the west end of the crypt, and were uncovered as fully as possible without encroaching on the south transept. There is one prominent arch in it, which those competent to decide have unhesitatingly pronounced to be Saxon. The crypt was probably the remains of an old Saxon church, possibly dating from circa 571 when Aylesbury was a Saxon settlement known as Aeglesburge. Probably in troublous times this subterraneous chamber was used for worship but later it appears to have been used as a charnel house: piles of human bones were found within.

The Universal House of Justice of the Baháʼí Faith, the modern head of the religion, has encouraged the French Baháʼí community to continue its efforts to retrieve Breakwell's remains from the charnel house and have them returned to their original grave. Thomas Breakwell's stature as an early Baháʼí of note has a spiritual dimension as well as a material one. In the eulogy ʻAbdu'l-Bahá states that Breakwell had reached the highest spiritual station to which a human being can attain, and had seen the face of God. Within Baháʼí usage, in Arabic terminology, it is said Breakwell left the "world of Nasut" of human beings in the world, "a psychological world in which we must fight our spiritual battles", to that of Malakut, i.e.

The charnel house was inaugurated by Benito Mussolini on 20 September 1938. Mussolini was undertaking a tour of the northeast; on the same day as the ceremony at Kobarid he had also inaugurated the Italian ossuary at Oslavia, laid the first stone in the building of a new Autonomous Fascist Institute in Gorizia, opened a new underground power station in Doblar and a new aqueduct in Volče. Two days earlier, as part of the same tour, he had announced fascist Italy's first racial laws in Trieste and inaugurated the giant ossuary at Redipuglia. The Slovenian anti fascist group TIGR planned to assassinate Mussolini during the inauguration of the shrine and a young man from Bovec was ordered to blow him up.

His second novel, The Charnel House follows life in a TB sanitarium in the 1950s, from where young engineering student Richard Cogley sees little chance of escape. Lyrically written, it is one of few novels that examines the social effects of the white plague in Ireland, a central theme of the book being the indifference of society to the suffering of others. His third novel, The Fish in the Stone, concentrates on the subject of incest in rural Ireland. The novel follows the story of Mary Ennis, the young daughter of an estranged couple who is subjected to abuse by her father, which continues unnoticed by her pious mother whose standing in the local community takes precedence over the unfulfilled needs of her family.

They added to the mounds, including a residence for their chief, the "Great Sun", on Mound B, and a combined temple and charnel house for the elite on Mound C. Many early European explorers, including Hernando de Soto, La Salle and Bienville, made contact with the Natchez at this site, called the Grand Village of the Natchez. Their accounts provided descriptions of the society and village. The most thorough account was written by French colonists Antoine-Simon Le Page du Pratz, who lived near the Natchez for several years, learning their language and befriending leaders. He witnessed the 1725 funeral of the war chief, Tattooed Serpent (Serpent Piqué in French.) The Natchez maintained a hierarchical society, divided into nobles and commoners, with people affiliated according to matrilineal descent.

A diagram showing the various components of Eastern North American platform mounds Many pre-Columbian Native American societies of ancient North America built large pyramidal earth structures known as platform mounds. Among the largest and best-known of these structures is Monks Mound at the site of Cahokia in what became Illinois, completed around 1100 AD, which has a base larger than that of the Great Pyramid at Giza. Many of the mounds underwent multiple episodes of mound construction at periodic intervals, some becoming quite large. They are believed to have played a central role in the mound-building peoples' religious life and documented uses include semi-public chief's house platforms, public temple platforms, mortuary platforms, charnel house platforms, earth lodge/town house platforms, residence platforms, square ground and rotunda platforms, and dance platforms.

As Choi receives his promotion and the lieutenant's family mourns, Choi's subordinates become suspicious and privately capture another one of Jang's henchmen, who served as Jang's videographer and who recorded Jang's death and the ensuing fight. Ironically, DNA testing finally succeeds on the body of one of the girls mentioned earlier, and Lee is proved as the real attacker all along. Nonetheless, the subordinates release the video of the coaching to prove Choi's connection with Jang, and what is more, they order Jang's henchman to ambush Choi at a charnel house and murder him in revenge. The final segment shows that they also released the golf photographs, but in spite of the media reporting that charges will be filed, Joo meets with his father-in-law, a senior official who calmly assures him that everything will be alright.

People were buried together in the same pit (a pit could hold about 1,500 dead at a time); only when it was full would another be opened. Charnier with mural of the Danse Macabre In the 14th and 15th centuries, citizens constructed arched structures called charniers or charnel houses along the cemetery walls to relieve the overcrowding of the mass graves; bones from the graves were excavated and then deposited here. Between August 1424 and Lent 1425, during the Anglo-Burgundian alliance when John Duke of Bedford ruled Paris as Regent after the deaths of Henry V of England and Charles VI of France, a mural of the Danse Macabre was painted on the back wall of the arcade below the charnel house on the south side of the cemetery. It was one of the earliest and best-known depictions of this theme.

The twice-daily release of of raw sewage from the sewer outfalls Abbey Mills, at Barking, and the Crossness Pumping Station had occurred one hour before the collision. In a letter to The Times shortly after the collision, a chemist described the outflow as: > Two continuous columns of decomposed fermenting sewage, hissing like soda- > water with baneful gases, so black that the water is stained for miles and > discharging a corrupt charnel-house odour, that will be remembered by all > ... as being particularly depressing and sickening. Artist's impression of the sinking on a contemporary pamphlet The water was also polluted by the untreated output from Beckton Gas Works, and several local chemical factories. Adding to the foulness of the water, a fire in Thames Street earlier that day had resulted in oil and petroleum entering the river.

In late 1995, Kunstler died in New York City of heart failure at the age of 76. In his last major public appearance, at the commencement ceremonies for the University at Buffalo's School of Architecture and Planning, Kunstler lambasted the death penalty, saying, "We have become the charnel house of the Western world with reference to executions; the next closest to us is the Republic of South Africa." William Kunstler was survived by his wife Margaret Ratner Kunstler (who was previously married to Kunstler's close friend Michael Ratner) and his four daughters Karin Kunstler Goldman, Jane Drazek, Sarah Kunstler and Emily Kunstler, and several grandchildren. Emily Kunstler and Sarah Kunstler produced a documentary about their father entitled William Kunstler: Disturbing the Universe, which had a screening as part of the Documentary Competition of the 2009 Sundance Film Festival.

Marshall Plan expenditures by country The United States had terminated the war-time Lend-Lease program in August 1945, dashing the hopes of those who hoped it would continue as a post-war aid program, but the U.S. sent massive shipments of food to Europe in the years immediately following the end of the war. Despite this American aid, much of Europe continued to suffer from food and fuel shortages by 1947; as Churchill put it, Europe was "a rubble heap, a charnel house, a breeding ground for pestilence and hate." U.S. leaders feared that poor economic conditions could lead to the rise of Communism in states such as France and Italy. With the goal of stemming the spread of Communism and increasing trade between the U.S. and Europe, the Truman administration devised the Marshall Plan, which sought to rejuvenate the devastated economies of Western Europe.

They illustrate the details of the Battle of Kolubara and the work of the sculptor Мihailo Tomić in a creative way. Text is engraved in the eastern side of the wall mass. The silhouette figures of Serbian soldiers, peasant men and peasant women in folk costumes were derived in shallow relief. With regard to the grave function of this space, the wall compartments of the charnel-house above the sarcophagus are refined with a decorative cladding of red marble, and 21 gray marble plate inscribed with the army's regiments is inserted on each side; on the north wall, of the Army of the commander General Živojin Mišić, on the eastern wall, of the II Army of the commander Duke Stepan Stepanović, and on the south wall, of the III Army of the commander General Pavle Jurišić-Šturm and of the Užice military commander General Vukoman Aračić.

The crypt beneath the chapel was used as a charnel house administered by the sacristan of the cathedral which stored the bones of people buried in the churches of the city to await resurrection, and the ocular windows of the chapel would allow visitors to view the charnel remains. From 1421 to 1476 the crypt was also the location of the Wodehous chantry, established by Henry V at the request of John Wodehous, a veteran of the Battle of Agincourt. The college was dissolved in 1547 during the English Reformation by the Abolition of Chantries Act before being purchased by the city in 1550, and used by the school shortly after. Until the 19th century the chapel was used as the main classroom, though it was not until 1908 the chapel returned to the role of religious assembly and 1940 when it was consecrated for use as a church, due to the cost of refurbishment.

Originally proposed in March 2009 (20 March 2009) with the first title, "Sex, Death, & Honey" by Brian Knight, to be released in September 2009. The Six Little Friends imprint was to cater to the high-end collector's market, with low limitations, rare materials and the finest craftsmanship on par with such publishers as Infernal House and Charnel House. The press was subsequently put on hiatus on 31 March 2009 due to the late-2000s recession causing extremely low preorders where "Within four days all sales ceased" and vocal criticism on Horror Mall's The Haunt forum of the high price, $175 for the limited edition and $500 for the lettered edition, three times the price of a standard Cargo Cult limited and double the price of a Cargo Cult lettered edition.Sex, Death & Honey - A change of plans Cargo Cult Press is proud to present the last word in the bestIs Somebody going to tell us what happened...

The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel Charnel house at Holy Innocents' Cemetery, Paris, with mural of a Danse Macabre (1424–25) The Danse Macabre (, ) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death: no matter one's station in life, the Danse Macabre unites all. The Danse Macabre consists of the dead or a personification of death summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and laborer. It was produced as memento mori, to remind people of the fragility of their lives and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425.

Temple Bruer Preceptory plan by Dr Oliver oriented east-west In 1833 Rev. Dr. Oliver was allowed to excavate the site by Charles Chaplin of Blankney Hall, who had recently acquired the Temple Bruer estates. Dr Oliver remarks: The present proprietor, Charles Chaplin Esq. of Blankney, has evinced a laudable anxiety to preserve the present Tower from ruin, by the introduction of a new roof , and by securing the cracks and fissures in the walls. Dr Oliver’s account of his excavations paints a lurid account of the discoveries and would appear to be supporting a justification for the charges which were brought against the Lincolnshire Knights Templars who were brought to trail first in Lincoln in November 1309 and later in London in 1310. Subsequent excavation in 1908 showed that Dr Oliver’s excavation had misinterpreted the features of the Preceptory and it is possible that Dr Oliver may have encountered skeletons from a Charnel house in his excavations.

The chapel adjoining the ossuary dates back to the time when the parish passed from the Busskirch church to the Rapperswil church and accordingly an inner city cemetery was established. The first chapel was associated to the castle, but the chapel was located outside of its walls and separated by a trench. The preceding building of the Liebfrauenkapelle was built as an ossuary around 1220 to 1253. The charnel house was first mentioned as intra cymeterium ecclesia, meaning church in the cemetery. The Counts of Rapperswil became extinct in 1283 with the death of the 18-year-old Count Rudolf V, after which emperor Rudolf I acquired their fiefs. The Herrschaft Rapperswil proper passed to the house of Homberg represented by Count Ludwig († April, 27 1289) by first marriage of Countess Elisabeth von Rapperswil. Around 1309 the bailiwick passed to Count Rudolf von Habsburg-Laufenburg († 1315) by second marriage of Countess Elisabeth, the sister of Rudolf V, followed by her son, Count Johann I († 1337 in Grynau) and his son, Johann II († 1380). In 1350 an attempted coup by the aristocratic opposition (a central person was Count Johann II) in the city of Zürich was forcefully put down, and the town walls of Rapperswil and the castle were destroyed by Rudolf Brun.

In 1968, he organized and wrote the catalog for Dada, Surrealism and Their Heritage for the Museum of Modern Art and, in the same year, Rubin's Dada & Surrealist Art, a 525-page survey on the subject, was published by Harry N. Abrams, New York. Throughout his years at the museum, Rubin acquired works with the dedication and passion of a private collector (which he also was). Almost immediately upon being hired by the museum, he persuaded the art dealer Sidney Janis and his wife Harriet to donate their formidable collection of modern art to the museum, one of many collections that he would secure during his twenty-year tenure there. Others include works from the collections of William S. Paley, Nina and Gordon Bunshaft, Wolfgang and Florene May Schoenborn, John Hay Whitney, Peggy and David Rockefeller, Mary Sisler, Richard S. Zeisler, and others. From collectors such as these, or through direct purchases by the museum, Rubin managed to acquire some of the most important works of art in the museum's collection: Marcel Duchamp, The Bicycle Wheel (1913/51), Constantin Brancusi, The Endless Column (1918), Pablo Picasso, Charnel House (1944-45), Henri Matisse, Memory of Oceana (1952-53) and The Swimming Pool (1952), Jackson Pollock, One: Number 31 (1950).