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"chanter" Definitions
  1. a person who chants something
  2. (music) the part of a set of bagpipes that is like a pipe with finger holes, on which the music is played
"chanter" Synonyms
singer vocalist songster musician soloist chanteuse crooner balladeer songstress diva caroler vocalizer serenader caroller artiste songbird troubadour artist voice minstrel pipe whistle fife flute recorder horn drone tooter pan pipes penny whistle duct flute wind instrument descant recorder fipple flute More

536 Sentences With "chanter"

How to use chanter in a sentence? Find typical usage patterns (collocations)/phrases/context for "chanter" and check conjugation/comparative form for "chanter". Mastering all the usages of "chanter" from sentence examples published by news publications.

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He is famous across northern Yemen as a funeral chanter.
"Our sheikh was so wise, he made the shah leave, leave," the chanter sang.
" A THINKER, NOT A CHANTER "I am not surprised but nonetheless saddened by some of the responses.
During his stay in the hospital, doctors examined his bagpipes and took samples from the bag, neck and chanter reed protector.
We should probably make a companion record of rigorous Pibroch chanter parts (synthesized, naturally) with impressionistic Japanese poetry over the top.
"We used to love and appreciate the U.S., because a large number of Yemenis live there," Hebari, the chanter, told me.
Walt Disney congratulates Mildred Lee Chanter for winning a contest for making the best Mickey out of snow in Lake Arrowhead, California, 1933.
Other artists to perform are Baltimore club rapper/chanter Abdu Ali, Tri Angle signee serpentwithfeet, Glacial Industries affiliate Sharp Veins, Qween Beat affiliate Quest?
A religious chanter brought the crowds to tears as he recalled how Mr. Rafsanjani helped to oust Shah Mohammed Reza Pahlavi in the 1979 revolution.
Meilleure moment de la journée : chanter la musique de One Piece avec les Japonais après le match 🇸🇳🇷🇺🇯🇵 pic.twitter.
This piece grew out of the long collaborative friendship of Mr. Glass and Mr. Barnes, who is also the chanter for Annunciation Greek Orthodox Church in Lincoln, Neb.
But this is exactly what Instructables' XenonJohn has built with his Ardu McDuino bot that uses a pair of 3D-printed prosthetic hands to autonomously play a bagpipe's chanter. Thanks?
" As Ms. Coltrane wrote in an insert for "Divine Songs," a cassette released in 1990, "chanting is a devotional engagement, one that allows the chanter to soar to higher realms of spiritual consciousness.
Politically proactive, her last collection was inspired by her social and political frustrations, manifested in seven different characters: The Archer, The Water Bearer, The Enquirer, The Smuggler, The Chanter, The Strangler, and The Mourner.
He originally rejected a coat-of-arms as a silly distraction, but then enjoyed putting his own symbols on it: a chanter for the bagpipes he loved playing, a 12-inch rule from his metal-cutting days, and a fish to represent Glasgow and one of the miracles of St Mungo.
Portrait du samedi MONTRÉAL — Si Xavier Dolan faisait un film sur sa vie, la scène d'ouverture serait la rencontre entre sa mère et son père : elle, Québécoise têtue et émotive, et lui, grand cavaleur d'origine égyptienne, les deux réunis dans un bar bohème de Montréal où elle est allée l'écouter chanter.
La France entretient depuis longtemps une relation ambigüe avec son équipe nationale, en raison de performances parfois médiocres en compétition, mais aussi de scandales en série : une grève pendant le Mondial de 2010 ; un cas de chantage à la sex-tape; du ressentiment contre les joueurs qui refusent de chanter l'hymne national avant les matchs.
It flows out of him, as if channelled in thousands of micro wires, enters the minds of his followers: their cheers go ragged and hoarse, chanting erupts, a look of religious zeal may flash across the face of some non-chanter, who is finally getting, in response to a question long nursed in private, exactly the answer he's been craving.
Chanter : Cimpoi : aka Çimpoi''' : a Romanian chanter with cylindrical bore and single beating reed. Also has a lower joint usually carved from horn that extends at approximately 45 degrees from the bottom of the chanter. Closed Bore : A chanter with a closed end at the bottom of the chanter. When all the finger holes are closed, the chanter cannot sound, allowing the player to play staccato.
A practice chanter is a chanter without bag or drones, allowing a player to practice the instrument quietly and with no variables other than playing the chanter. The term chanter is derived from the Latin cantare, or "to sing", much like the modern French word chanteur.
Chanter featured on Cocker's live album Joe Cocker Live, released in 1990. During the 1990s, Chanter appeared on several albums with Chris Farlowe.
He published L'Art de chanter (Paris, 1945); L'Amour de chanter, (Paris, 1957); L'Art vocal: 30 leçons de chant (Paris, 1959) and Votre voix: Directives génerales (Paris, 1967).
Rush : A wire that is inserted into the chanter. The rush effectively reduces the volume of the conical chanter below the desired hole. This causes the chanter to dampen or flatten the notes as far as the rush is inserted. Originally an actual rush was used for this purpose.
The chanter was placed in an oval wooden stock ("kibu", "kloba", "torupakk", "käsilise pakk"). The stock-end of the chanter contained a reed ("piuk", "keel", "roog", "raag", "vile").
Another variant of the chanter is the two-piped chanter (often called a double chanter). The chanter pipes may be designed to be played separately, one with each hand, or the two chanters may be played in unison (as in most Arabic bagpipes). One chanter may provide a drone accompaniment to the other, or the two chanters may play in a harmony of thirds and sixths (as in the northern Italian Müsa and central-southern Italian zampogna). In pipes of the Carpathian basin up to five separate chanter bores may be placed in parallel within a single chanter assembly, providing both melodic and rhythmic possibilities: in the simplest case, one pipe is used to play the melody while the second provides a variable drone, while more complex pipes may separate certain individual notes into separate, stopped pipes.
Doreen Chanter is a British singer best known as a member of the Chanter Sisters, and for her work as a backing vocalist and session vocalist, primarily during the 1970s and 1980s.
For John Courtenay Chanter's father, John Moore Chanter, a member of the New South Wales and Australian parliaments see John Chanter John Courtenay Chanter (17 February 1881 – 23 February 1962) was an Australian politician and a member of the New South Wales Legislative Assembly between 1943 and 1947. He was a member of the Labor Party (ALP).
The chanter has a conical pierce and a double reed.
The chanter is the melody pipe, played with two hands. All bagpipes have at least one chanter; some pipes have two chanters, particularly those in North Africa, in the Balkans, and in Southwest Asia. A chanter can be bored internally so that the inside walls are parallel (or "cylindrical") for its full length, or it can be bored in a conical shape. The chanter is usually open-ended, so there is no easy way for the player to stop the pipe from sounding.
The chanter is the part of the uilleann pipes that is used to play the melody. It has eight finger holes (example given of a D pitched chanter): bottom D, E, E, F, G, A, B, C, C, high D (also called "back D"). To achieve the bottom D (D4) the chanter is lifted off the knee, exposing the exit of the chanter's bore, where the note is produced. The chanter is set on the right knee thus closing off the bottom hole.
Chanter was born in Panoomilloo near Rochester, Victoria and was the son of John Chanter and Mary Anne Clark. His father was a farmer and politician who represented the seats of Murray and Deniliquin in the Legislative Assembly between 1885 and 1901 as a Protectionist. He held ministerial office as the Secretary of Mines in the government of George Dibbs. John Chanter, sr.
Modern realisations of the two-chanter bagpipe have been created in small numbers since the late 20th century. The double chanter configuration permits interesting harmonies. One chanter plays the upper half of the octave, the other the lower half. Both chanters can play the tonic note and thus, using covered fingering, one can create a constant drone whilst playing the melody.
The Chanter Sisters are sisters Irene and Doreen Chanter who perform both as a duo, and as backing for other singers. They released three albums and a number of singles from the mid to late 1970s.
His daughter was a chanter and hymnographer, known only from one composition.
Iakovos' main teacher was Nikolaos Stoyianovitz the Lambadarios (left chorus leading chanter).
Irene Chanter is a British singer best known for her career as a member of the Chanter Sisters and for her work as a session singer, working with a number of musicians in the 1970s and 1980s. Irene Chanter has worked with Elton John, Long John Baldry, Phil Manzanera, Roxy Music, John Miles, Chris Farlowe, John Cale, Junior Campbell, Ron Wood, Manfred Mann's Earth Band, Baker Gurvitz Army, Caravan, Pink Floyd, The Undertones, Rod Stewart, David Coverdale, James Last, Robert Wyatt and Whitesnake. Irene Chanter has two children and five grandchildren.
A practice goose is a small bag used when learning to play the Great Highland Bagpipe. Generally, bagpipe students begin learning on a practice chanter, which is aspirated directly by the player blowing into it. Eventually, as one becomes more proficient, one may switch to a practice goose, which is a small air bladder (significantly smaller than that of a full set of pipes) with only a blowpipe and a single outlet to the chanter. The goose may or may not come equipped with a chanter; if not, the player supplies their own chanter.
The reed can be made of cane or plastic. The two blades of the double reed vibrate against one another when air passes over them, and the sound is channeled down into and through the bottom section of the chanter. O-rings on the Dunbar practice chanter The bottom section of the chanter is the portion which produces the melody which results from the covering and uncovering of small holes drilled into the core of the chanter at precisely determined intervals. The top of this section is the stock into which the reed is inserted.
The instrument consists of a turned conical-bore wooden chanter, about 20cm long, with seven finger-holes on the front, and a separate flared turned 15cm long wooden bell which is attached to the chanter by a push-fit. The double-reed is tied onto a thin conical-bore metal tube c.3cm long, which is wound with thread to hold it in place in the chanter.
Used to help learners get used to the bag once they have some experience on the chanter. Gooseneck bag : A bag with a long neck or "gooseneck" to the chanter stock. It is more comfortable for pipers with long arms.
Because of the instrument's complexity, beginning uilleann pipers often start out with partial sets known as practice sets. Starter or Practice Set A practice set consists of only the basic elements of pipe bag, bellows and chanter, with no drones or regulators. The chanter is available in keys ranging from the "concert pitch" D chanter in half-note steps downward to a B chanter, the latter being regularly referred to as a "flat set" (as are any sets below the key of D). To play the uilleann pipes effectively, students must learn to pump the bellows steadily while controlling the pressure on the bag and playing the chanter simultaneously. So beginners often play on practice sets until they become comfortable with those basic mechanics.
The chanter ("sõrmiline", "putk", "esimik", etc.) was made of juniper, pine, ash or, more seldom, of a tube of cane. It had 5–6 holes. The chanter was single-reeded, generally with a parallel rather than conical bore. The bottom end of the chanter sometimes had 1 – 2 holes in the side bored obliquely into the pipe, so that some straws or twigs could be put in to control the pitch.
Many players use a strip of leather placed over the knee, called a "popping strap", which provides for an airtight seal. More rarely, a simple gravity- or spring-operated flap valve attached to the bottom of the chanter achieves the same end. Generally, for all other notes (except for special effects, or to vary the volume and tone) the chanter stays on the knee. One characteristic of the chanter is that it can produce staccato notes, because the piper seals it off at the bottom; with all of the finger holes closed, the chanter is silenced.
The chanter itself has two wooden pipes (dedani) of equal length, bore and wall thickness, which are inserted into the stock. The left chanter tube "leader" has the most finger holes, it is also called “teller” or “beginner”. The right chanter tube "bass" is called mebane or "deep voice producer". This bass pipe has three front-facing holes and the “beginner”, has six holes (but the Adjaran chiboni’s leader pipe has only five holes).
The play was filmed by the French director Alain Resnais, as Aimer, boire et chanter (2014).
Didier, Carine. "Jean-Baptiste Maunier: «Je n'ai plus envie de chanter»". Le Parisien. April 9, 2005.
"...pour faire chanter la lumière." Marcel L'Herbier, La Tête qui tourne. (Paris: Belfond, 1979). p.105.
Bombarde : A shawm-like instrument traditionally played in duet with the bagpipe in Brittany. Bottom D : The lowest note available on an uilleann chanter. Called Bottom D to avoid confusion with the two higher Ds available. It is obtained by lifting the chanter off the leg.
Usually made of the same material as the chanter or the chanter's trim work. Free Hand Chords : A technique on the Uilleann pipes, where the player removes their lower hand from the chanter in order to play more elaborate accompaniments than normally possible on the regulators.
Chanter married Mary Ann Clark in 1863, and although she died in 1920, she was survived by six sons and four daughters. After his departure from politics, Chanter retired to Caulfield, Victoria, where he died in 1931, and was buried in Brighton Cemetery. One of his sons, John Courtenay Chanter (1881-1962), served in World War I and later became a member of the New South Wales Legislative Assembly, representing the division of Lachlan for the Labor Party.
Chanter started as a member of a group called the Chanters in 1967 with her sister Irene Chanter and her five brothers, releasing four singles which failed to chart. In 1968, the Chanter sisters became a duo initially known as Birds of a Feather. The duo released four singles between 1967 and 1972 but none of them achieved chart success. Their first album was Birds of a Feather, released in 1970 and featuring Elton John on piano.
Federico Caballero is a Filipino epic chanter who is a recipient of the National Living Treasures Award.
Tayu and shamisen player The chanter/singer (tayu) and the shamisen player provide the essential music of the traditional Japanese puppet theater. In most performances only a shamisen player and a chanter perform the music for an act. Harmony between these two musicians determines the quality of their contribution to the performance.An Introduction to Bunraku, Japan Arts Council, The Chanter and the Shamisen Player The role of the tayu is to express the emotions and the personality of the puppets.
Arthur Maybee Chanter was an Australian composer, conductor, music teacher, choir master and musician. An accomplished pianist and watercolorist, Chanter was among the earliest music graduates of the University of Melbourne where he was instructed by George Marshall-Hall In 1910 Chanter was the adjudicator of a musical Eistedfodd and band competition of an association of native-born Australians in Western Australia. He married Sara Kate Campbell in 1915. He live mostly in Brighton, Victoria and Elsternwick, but was well travelled.
The instrument has a conical-bored chanter, in contrast to the cylindrically-bored Scottish smallpipe. The modern instruments are louder than the Scottish smallpipe, though not as loud as the Great Highland Bagpipe; they blend well with string instruments. The chanter has a thumb hole and seven finger-holes. The compass of the chanter is nine notes, from G to a, though a few higher notes, typically b, c',and c#', are obtainable on some chanters by 'pinching' and overblowing.
A chanter, from a set of Scottish Smallpipes, fitted with a home made optical pickup and amplifier circuit.
The high drone (bordó petit) plays an octave below the chanter, thus one octave above the bass drone.
Additional drones often add the octave below and then a drone consonant with the fifth of the chanter.
The stock is tightly fitted into the top section of the practice chanter, and is usually wrapped with hemp, plumbers tape, etc. to ensure an airtight seal. The base of the bottom section may contain another ring called the sole. On a wooden chanter the sole keeps the wood from splitting.
The pipes consisted of a mouth-blown blowpipe, a single bass drone, and a single-reeded chanter in the key of D. This key was chosen as it was ideally suited for much of the Celtic repertoire. The single-reed gave the chanter a mellow sound, akin to the Swedish sackpipa.
He was born in Bo'ness in central Scotland, and started playing the practise chanter at the age of seven.
Some types of bagpipe, particularly the Uilleann pipe, require this technique to achieve the full range of the chanter.
The player inflates the bag using his mouth through a tube fitted with a non- return valve. Air is driven into the chanter () with the left arm controlling the pressure inside the bag. The chanter has a double reed similar to a shawm or oboe, and a conical bore with seven finger-holes on the front. The bass drone (ronco or roncón) is situated on the player's left shoulder and is pitched two octaves below the key note of the chanter; it has a single reed.
Traditionally the gaita asturiana had only the two pipes: the chanter and the drone, the same as the gaita gallega. The traditional tuning of the chanter was in C5 (an octave above the piano's Middle C). Traditionally the C of the gaita was between concert C and C#, known as C brillante ("C brilliant"), though examples are also found in D (rare) and B (more frequent, used to accompany male "tonada" singers). Some times it was also possible to see tiny chanters tuned above D. The drone is tuned to the tonic of the chanter, but two octaves lower. However, in the modern day some makers add a tenor drone (ronquín) tuned one octave below the chanter, the same as the ronqueta of the gaita gallega.
Details of a blackwood practice chanter made by Duncan Soutar of St Andrews, Scotland.The practice chanter consists of a top section with mouthpiece, a lower portion with finger holes, and a reed. The top section consists of the mouthpiece (the uppermost portion) and the reed cover (the thicker portion). The player blows into the mouthpiece.
The player inflates the bag using his mouth through a tube fitted with a non-return valve. Air is driven into the chanter (; Asturian: punteru) with the left arm controlling the pressure inside the bag. The chanter has a double reed similar to a shawm or oboe, and a conical bore with seven finger-holes on the front. The bass drone (ronco or roncón) is situated on the player's left shoulder and is pitched two octaves below the key note of the chanter; it has a single reed.
A by-election was held for the Australian House of Representatives seat of Riverina on 18 May 1904. This was triggered after the result at the 1903 election, which had seen Free Trade candidate Robert Blackwood narrowly defeat Protectionist MP John Chanter, was declared void due to allegations of electoral irregularities. and . At the by-election Chanter defeated Blackwood.
The practice chanter is, as the name implies, used to practice playing the bagpipes in place of the full instrument. The practice chanter is significantly quieter and better suited for the indoors, and requires less blowing than the bagpipes, making it physically easier to play.Kite-Powell, Jeffery (2007). A Performer's Guide to Renaissance Music, p.98.
The shape of the channel inside the chanter is reverse cone. The most common drone tone on a kaba gaida is E.
Jack Ledru (1922 – March 2013« Jack Ledru faisait chanter la vie », Lanouvellerepublique.fr, 18 March 2013) was a French song and operetta composer.
Vic Chanter (born 26 January 1921 – 9 November 2010) is a former Australian rules footballer who played with Fitzroy in the VFL.
Advertisement, Newcastle Courant, 30 April 1803. As well as containing 50 tunes for smallpipes, the book also contains an engraving, also thought to have been done in Bewick's workshop, showing 2 chanters and their fingering charts; one is a simple keyless chanter with an octave range from G to g, the other is J. Peacock's New Invented Pipe Chanter with the addition of Four Keys, these keys were for the notes low D, E, F sharp, and high a. Peacock's keyed chanter Peacock was thus probably the first player of the instrument to play an extended keyed chanter. Such chanters continued to be developed in the first decades of the 19th century, by John Dunn, in association with Peacock, and slightly later by Robert Reid, and subsequently by others, including Reid's son James.
"Mais je n'aime pas chanter les victimes". In an interview given to Le Quotidien de Paris on 10 July 1974, reproduced in Altamusica.
Recruited from the Alphington Football Club, Chanter signed with Fitzroy in 1946, avoiding being bound to Collingwood under new zoning laws which were soon to be adopted. His father Fred Chanter had played one senior game for Fitzroy, in the round seven match against Essendon, at the Brunswick Street Oval on 12 June 1920. Chanter made his debut for Fitzroy, aged 25, on 25 May 1946, against South Melbourne at the Brunswick Street Oval;League Teams for Tomorrow, The Argus, (Friday, 24 May 1946>), p.17. South Melbourne won the match, 10.12 (72) to 7.21 (63).
The Gibson and Dunbar chanters are made out of polyoxymethylene. It is a material that can be machined and polished much like soft metals. Since there is no danger of splitting with a plastic chanter, there is no need for a sole (see below), although some models retain it for decorative purposes. The practice chanter can be played either sitting or standing.
Off the knee : Playing with the Uilleann chanter removed from the leg, generally in a legato style. On the knee : Playing the Uilleann chanter resting on the leg, generally producing a choppier, more staccato style. Open Fingering : A fingering style in Uilleann piping suited to legato playing. Overblow : Generally, to cause a reed to jump an octave by increasing the pressure on it.
Romanian cimpoierul (cimpoi player) Cimpoi is the Romanian and Moldovan bagpipe. Cimpoi has a single drone called bâzoi or bîzoi ("buzzer") and straight bore chanter called carabă ("whistle"). It is less strident than its Balkan relatives. Romanian music site on the cimpoi Romanian cimpoi player The chanter often has five to eight finger holes, and is sometimes curved at the end.
The Chanter Sisters had a minor hit with a different song of the same title which reached #43 in the UK charts in 1976.
Frederick William Chanter (25 September 1892 – 25 May 1962) was an Australian rules footballer who played with Fitzroy in the Victorian Football League (VFL).
The cathedral had twenty-one prebends involving the income of thirty-one churches. After the reconstruction of the cathedral chapter in the 1250s, the bishop of Ross held Nigg and Tarbat, the archdeacon of Ross Fodderty and Killearnan (previously holding Lemlair and Logie Bride too), the dean Ardersier and Kilmuir, the chanter Kinnnettes and Suddy, the treasurer Urquhart and Logiebride ("Logie Wester"), the sub-dean Edderton and Tain (later going to the provost of the collegiate church at Tain), and the sub- chanter Inverferan and Bron (merged later as Urray). The chancellor of Ross, appearing to hold no fixed prebend in the 13th century, later acquired Kilmorack; he exchanged it with the chanter in the 16th century for Kinnnettes and Suddy. The wealthy parishes of Rosemarkie and Cromarty were quartered between the dean, chanter, chancellor and treasurer.
The cornemuse du Centre France (or musette du Centre) (bagpipes of Central France) is a type of bagpipes native to Central France. They have two drones, one an octave below the tonic of the chanter, and the other two octaves below the tonic of the chanter. They can be found in the Bourbonnais, Berry, Nivernais, and Morvan regions of France and in different tonalities.
Stop Key : See Chanter Stop Key. Strike : A gracenote played by tapping one or more fingers on the chanter. Stouv-toul : Stouv-toul means seasoning in the Breton language (Literally "close hole") Striking in : The process of bringing in the drones and placing the bag under the arm in a comfortable position. Siubhal : A type of Piobaireachd variation, pronounced "shoo-al", similar to the Dithis.
Chanter reeds have two vibrating elements or blades. Transmontana : The bagpipe of northeastern Portugal, with one chanter with conical bore and double reed, as well as one drone with cylindrical bore and single reed. Tuning Pins : Also known as tuning slides, the sections of the drone that when mated together allow the overall length to be adjusted in order to bring the drone into tune.
Degerpipes electronic bagpipe chanter The electronic bagpipes is an electronic musical instrument emulating the tone and/or playing style of the bagpipes. Most electronic bagpipe emulators feature a simulated chanter, which is used to play the melody. Some models also produce a harmonizing drone(s). Some variants employ a simulated bag, wherein the player's pressure on the bag activates a switch maintaining a constant tone.
He later auditioned for Deep Purple and Ian Dury but signed to Decca Records in 1973 as Hurricane with Stuart Colman and Freddie 'Fingers' Lee. Little played in pub bands throughout the 1970s and 1980s, until he reformed the All Stars in 2000. The band now included Art Wood on vocals, Alex Chanter (brother of the Chanter Sisters) on lead guitar and vocals, Johnny Casanova on keyboards and vocals, Eddie Armer on harmonicas and fellow former Cyril Davies band member, Ricky Brown (aka Ricky Fenson), on bass. Carlo and his All Stars recorded an album, which also featured Ron Wood, Jeff Beck, Long John Baldry, Matthew Fisher and the Chanter Sisters.
Chanter was born in Adelaide, South Australia, and was the son of John Chanter and Elizabeth née Moore. He was educated at the Albert House Academy and the Collegiate School of St Peter in Adelaide, as well as at the Model Training Institution when his family relocated to Melbourne in 1856. Chanter was a storekeeper and farmer and in 1878, he became the first secretary of the Victorian Farmers' Union. In 1881 he moved to Moama, New South Wales, as an auctioneer and commission agent where he was prominent in establishing the Australian Natives' Association in New South Wales, and became its first president in 1900.
Unlike other bagpipes, the koza has three drones: one in the separate drone-pipe, and two in the chanter, which has three channels. This wind instrument consists of a single reed pipe, often made of a cane blade lapped onto copper tubing set into motion when wind is fed by arm pressure on a goat-skin bag. The pipe is held in a wooden socket tied into the bag, which is inflated by the mouth (through a blowpipe with a leather nonreturn valve). The finger holes of the pipe, or chanter, play melodies while the remaining pipes, or drones, sound single notes tuned against the chanter by means of extendable joints.
Scottish Smallpipes are distinguished from the Northumbrian smallpipes by having an open end to the chanter, and usually by the lack of keys. This means that the sound of the chanter is continuous, rather than staccato, and that its range is only nine notes, rather than the nearly two octaves of the later 18th/19th century style Northumbrian pipes. A further distinction from the Northumbrian smallpipes is that the Scottish Smallpipes lack an unbroken line of traditional playing. The instrument has a cylindrically bored chanter, most commonly pitched in A, although any key is feasible; D, C, and B flat are also common keys.
The Estonian bagpipe has a bag, a mouth-pipe (blow-pipe) for inflating the bag, a melody-pipe (chanter) and 1 or 2, rarely 3, drones.
Chanting the mantra of every Jambhala is believed to be more beneficial if the chanter has received oral transmissions from a teacher who holds the teaching Lineage.
Her second marriage was with the chanter Ioannis koutsas in 1999. She gave birth to her second daughter, Andrianna, in 2000. Theodoridou and Foustanos divorced in 2007.
National Museums Scotland, 2008. , He may thus be regarded as an inventor of the modern instrument. Peacock's keyed chanter The earliest evidence of such a keyed chanter is the illustration and fingering chart in John Peacock's tunebook, A Favorite Collection of Tunes with Variations Adapted for the Northumberland Small Pipes, Violin, or Flute,Peacock's Tunes, 2nd ed., Northumbrian Pipers' Society (1999), first published by William Wright, of Newcastle, in about 1800.
This makes the instrument more versatile and usable not only as a half set, but also to allow playing the chanter by itself. The drones use a single-bladed reed (the actual part creating sound), unlike the double reed used in the chanter and the regulators. These drone reeds were generally made from elderberry twigs in the past, while cane began to be used in the late 19th century.
Sometimes used interchangeably with the variation referred to as Siubhal, though the terms do have distinct meanings. The Dithis generally consists of a series of longer theme notes, separated by short lower notes. It is generally followed by a doubling where the long theme note is repeated, but with the same rhythmic pattern as before. Double Chanter : A chanter with two bores and two sets of finger holes.
Charlotte Kingsley Chanter (1828 – 24 March 1882) was a British writer best known for a book that helped set off a Victorian fad for collecting ferns in Devonshire.
Belief is a beguiling theme and Chanter perspicaciously probes beneath the surface, questioning what makes us believe in others, and what makes us believe in our own selves.
In particular, they extended the range further, down to low A, and in at least one case low G. The latter chanter has the keys for low G, B and A mounted from left to right in a single block, and May believes this is the first chanter made with a range down to low G, and the first use of such a triple key block. Young Tom Clough believed much of the work developing such chanters was done during the General Strike of 1926. Other innovations in the extended Clough/Picknell chanters are that the pairing of keys is different from that of the Reids' chanters, and that the lower holes are sited significantly lower down the chanter than on comparable Reid instruments, improving the intonation for these notes, and making the instrument easier to reed. There is a newspaper photograph of Tom playing on pipes with an extended chanter at.
Belgium was represented by Jean Vallée, with the song '"L'amour ça fait chanter la vie", at the 1978 Eurovision Song Contest, which took place on 22 April in Paris.
Instead, a male chanter announces in Mandarin Chinese the part of the liturgy accompanied or followed by each hymn (e.g., the washing of hands, or pouring of the libation).
Chanter opposed the Fusion of 1909, and (together with Sir William Lyne) he did not join the Commonwealth Liberal Party. Chanter instead joined the Labor Party, declaring his beliefs as closer to Labor than the Commonwealth Liberals. He again lost Riverina to Franc Falkiner, the Commonwealth Liberal Party candidate in the 1913 election, but he regained the seat for Labor in 1914. He subsequently returned as chairman of committees, which position he held until 1922.
Chanter was elected to parliament as the Labor member for Lachlan at the September 1943 by-election caused by the death of the incumbent Country Party member Griffith Evans. His victory represented a 10% swing to the governing Labor party in a traditionally conservative area. Chanter defended the seat at the 1944 state election, but he was defeated by the Country Party's Robert Medcalf in 1947. He then retired from public life and resumed farming.
The Welsh Academy in 2008 noted that "[i]t is unlikely that there was ever a single standardized form of bagpipe in Wales". Today there are two types of bagpipe made and played in Wales. One species uses a single-reed (cal or calaf) in the chanter (, see image top right), and the other uses a double- reed (see image on right). The single-reed chanter is also furnished with a cow-horn bell.
Chanters come in two main types, parallel and non-parallel bored (although there is no clear dividing line between the two). This refers to the shape of the internal bore of the chanter. On the Great Highland Bagpipe, the internal bore is conical: it is this that gives the chanter its exceptional volume. The Northumbrian pipes, on the other hand, have a parallel bore, giving them a much sweeter and quieter tone.
The practice chanter is used as a practice instrument for the Great Highland Bagpipe. It is somewhat similar in appearance, though slightly smaller than the bagpipe chanter, and has a top piece so it can be blown directly from the mouth. It is also used as a first instrument so that learners can initially learn the finger technique before learning the mechanics of controlling the bag. It is almost exclusively made of hardwood or plastic.
Musical Instrument Museum. The Istarski mih or Istrian mih is a bagpipe native to the regions of Istria and Kvarner, Croatia. It consists of a bag made most often from goat skin and a double-chanter with two single reeds. This type of bagpipe is distinct in that it has no drones, but a double- chanter with finger-holes on both bores, allowing both a melody and changing harmony to be played.
Diple is a traditional woodwind musical instrument in Croatian music. Sometimes called "Mih", "mjeh", "mjesina" or only "diple", it is played from Istria, Lika, over Dalmatia Islands and Coast to Herzegovina. "Mih" is made of tanned goat or sheep skin and consists of a "dulac" or "kanela" through which the air is blown and "diple" (chanter) on which it is played. Inside the "mih" on the chanter, two single-blade reeds are situated.
Scottish musicologists noted that oaten pipes served as a musical toy for boys, with the possibility of being a practice instrument (an improvised practice chanter) for later playing the bagpipes.
Režný, Josef. 5000 let s dudami (5000 Years with the Bagpipe). Prague: Aula, 2004. page 224 The chanter and drone terminate in amplifying bells of horn or brass, angled upwards.
In the Greek it is a reeded pipe (αὐλος), rather like the chanter of a bagpipe. In William Caxton’s collection of fables it is indeed rendered as a bagpipe,VI.
The sitting member was John Chanter (Progressive) who did not contest the election as he had been elected in March 1901 to the federal seat of Riverina which included Deniliquin.
The troupe has performed with a female gidayu (chanter/narrator), something that is rare. It also has higher quality set design and more sophisticated lighting than most puppet theater productions.
After the tour for Faulty Inner Dialogue, Kate Lazda said that she wanted to go on a break from the band. In 2019 David MacGregor announced his new project Broken Chanter.
The Glanusk Park estate was the childhood home of the former royal nanny Tiggy Legge-Bourke, who still lives near the town as proprietor of Tŷ'r Chanter bed and breakfast lodgings.
As for the gudastviri of Pshavi, it belongs perhaps, to an earlier stage of development, as it has only one hole on the bass chanter, possibly indicating this instrument's early origin.
In later years his style changed to a more hybrid style, with Böhm-style keywork on all the holes at the front of the chanter, but broad, flat, Taylor-style keys on the holes at the back of the chanter. There is some speculation that he may have repaired classical flutes on a part-time basis too, which might have led him to experiment. Another theory is that it was simply an inventive way of dealing with the problems of age: arthritic fingers had an easier time achieving closure with keys. On some chanters, the keys are applied in the same manner as one would find on a flute: all of them pivot about a common rod that runs parallel to the chanter.
Uilleann Pipes drones A half set is the next stage up from a practice set. As with other forms of bagpipes, uilleann pipes use "drones", which are most commonly three pipes accompanying the melody of the chanter with a constant background tonic note. The pipes are generally equipped with three drones: the tenor drone, as the highest sounding pipe, which is pitched the same as the lowest note of the chanter; the baritone drone pitched one octave below that; and the bass drone, as the lowest sounding pipe, two octaves below the bottom note of the chanter. The Pastoral pipes had four drones: these three plus one more that would play a harmony note at the fourth or fifth interval.
Guibert's four surviving chansons courtoises are Chanter voudrai d'amours qui m'est estraigne, Fins cuer enamourés, Quant voi le dous tens aparoir, and Un chant nouvel vaurai faire chanter. He dedicated Fins cuer, which is rare in its isometric hexasyllabic structure, to his fellow Artesians Jehan Erart, Colart le Boutellier, and Dragon (Drogon). All four pieces differ in musical structure. Un chant nouvel is a rotrouenge and Quant voi is the only one in the common bar form.
This depicts a simple keyless chanter with an octave range from G to g, as well as J. Peacock's New Invented Pipe Chanter with the addition of Four Keys, these keys were for the notes low D, E, F sharp, and high a. Subsequent makers, particularly Robert Reid, added more keys to extend the range further, and include chromatic notes. A set of pipes John Peacock's Pipes, Anne Moore, Northumbrian Pipers' Society Magazine, vol. 26, 2005.
Boha made in 2003 The boha (also known as the Cornemuse Landaise or bohaossac) is a type of bagpipe native to the Landes of Gascony in southwestern France. This bagpipe is notable in that it bears a greater resemblance to Eastern European bagpipes, particularly the contra-chanter bagpipes of the Pannonian Plain (e.g., the Hungarian duda), than to other Western European pipes. It features both a chanter and a drone bored into a common rectangular body.
The Deusi/Bhailo programme provides cultural entertainment by a group of men and/or women who move around their local area singing the Deusi/Bhailo song and other songs. The group is usually composed of a lead chanter/singer and a chorus group and sometimes additional participants such as musicians and dancers. The lead chanter/singer wishes blessings upon the owners of the house where the team visits. Traditionally, the programme is all live and uses minimal electronic instruments.
The drone of the Bock is usually pitched two octaves below the tonic of the chanter. The single drone and single chanter have cylindrical bores and employ single reeds. The current variant of the Bock is generally bellows-blown, which has the advantage of allowing the piper to sing along with their playing. These bellows-blown bagpipes are believed to have made their way into southern and western Bohemia in the first half of the 19th century.
Until the early 1950s he played his father's pipes, but from then acquired from a colleague a set of 1936 R.G. Lawrie drones with a Robert Hardie chanter. He produced his own chanter reeds and developed tools for manipulating them. He was among the first solo competitors to use synthetic drone reeds. He composed at least 30 pieces of ceol beag (light music), but despite his competitive success he was not compelled to compose any pibroch.
Chanter, p.97 He was finally reinstated following the Restoration of the Monarchy in 1660, and remained in office until his death in 1673.Chanter, p.98 A letter dated 12 October 1646 was sent on behalf of Blake by Richard Ferris, Mayor of Barnstaple, and other aldermen to Sir John Bampfylde, 1st BaronetWalker, fol. 258 (c.1610-1650) of Poltimore and North Molton and Tamerton Foliot, one of Devonshire's Parliamentarian leaders during the Civil War.
The practice chanter is essentially a long, thin piece of wood or plastic (in two parts) with a small- diameter hole bored lengthwise through the centre. Air is directed into and through this bore hole and passes through a reed, the vibration of which causes the sound. On the lower portion of the chanter, holes are bored into the instrument at right angles to the central bore hole. These holes are then covered or uncovered to produce the melody.
Extensive documentary evidence confirms that piping was a central element in music-making in medieval Cornwall. While some iconography may be stereotypical, dress detail at Altarnun and Launceston suggests the images represent Cornish practice in the early 16th century. This practice involved both double and single chanter bagpipes. Double chanter bagpipes were not unique to Cornwall, but may have survived there longer than in Dorset or Yorkshire, perhaps due to Cornwall's isolation or to local favour.
Being cylindrically bored, the chanter sounds an octave lower than a conical-bored chanter of the same size, such as that of the Border pipes. Scottish Smallpipes are normally bellows-blown like the Northumbrian pipes and Border pipes. Mouth-blown versions are also available, but they are less common because of the advantages of using a bellows, e.g being able to talk or sing whilst playing and blowing room temperature air across the reeds results in more stable tuning.
In 1320, the chanter of Notre-Dame de Paris, Hugues de Besançon, founded a chaplaincy "in honor of Saints Ferréol and Ferrutien" at the altar of one of the recently completed chapels .
Besides Fine amours, which has pentasyllables, all of Carasaus's works have only heptasyllables and decasyllables. All his melodies are in bar form; but Pour ce me sui de chanter entremis is also motivic.
McCallum Bagpipes also works with Rory Grossart to make chanter reeds and drone reeds. These instruments are both made in cane, but the company also offer drone reeds made of other synthetic materials.
Chanter was noted for his democratic views, and was a supporter of Edmund Barton in the lead-up to the Federation of Australia. In 1901 he was elected to the seat of Riverina in the first Australian Parliament, as a member of the Protectionist Party. He was subsequently elected as the inaugural chairman of committees. Chanter lost Riverina in 1903 to the Free Trade Party candidate Robert Blackwood, but regained it in the 1904 by-election after a petition to the High Court.
The chanter of the Great Highland bagpipe. The chanter is the part of the bagpipe upon which the player creates the melody. It consists of a number of finger-holes, and in its simpler forms looks similar to a recorder. On more elaborate bagpipes, such as the Northumbrian bagpipes or the Uilleann pipes, it also may have a number of keys, to increase the instrument's range and/or the number of keys (in the modal sense) it can play in.
Bag Seasoning : Seasoning a bag keeps the leather supple, while allowing it to absorb moisture and keep the bag airtight. Bag Cover : The pipe bag is often covered with a cover, mainly for decoration but possibly also to help the player keep a grip on the bag while playing. Materials can include corduroy, velvet, or wool. Barking/Popping : On the Uilleann chanter, the effect created by playing a staccato note while simultaneously lifting and replacing the chanter on the leg.
Redundant A : Older notation for Piobaireachd includes an extra low A note in taorluaths and crunluaths. Whether or not it was played is unclear, although there are certainly players today who still play it. Reel Pipes : A miniature set of Highland bagpipes, produced in the 19th and early 20th centuries. Regulators : A regulator is a simple chanter which is played with the heel of the hand, allowing the Uilleann piper to play a limited chordal accompaniment to the chanter melody.
Italian pipes use bare tapered tenons mating into tapered sockets, and screw threads carved into wood or ivory are also seen. Tempradura : A prelude played by Spanish bagpipers as a warm-up exercise; perhaps a prelude appropriate to set the mood for the concert piece. Throat : In a conical chanter, the narrowest part of the bore, roughly between the reed seat and the top hole. The shape of this is critical to the timbre, intonation, and performance of the chanter.
Barbour stood for the 1882 by-election for Gundagai but received just 12.43% of the votes. Hay did not contest the 1882 election and Barbour was elected first with 31.19% of the votes while Wilson was re-elected. Barbour was re-elected at the 1885 election while Wilson was defeated by John Chanter. Both Barbour and Chanter had joined the Protectionist Party in 1887 and both were re-elected in 1887 election, were unopposed in 1889 election, and re-elected in 1891.
200px The stock-and-horn was a traditional instrument of the Scottish peasantry, very similar to the Welsh pibgorn, consisting of a single-reed reed pipe amplified by a bell made of horn. The original instrument of the Middle Ages had a double chanter with single reeds but was replaced by the single chanter type. The single chanter instrument is described in great detail by Robert Burns in a 1794 letter to a contemporary; Burns describes how he had much difficulty coming by the instrument, and notes that it has six or seven fingerholes on the top, one on the back, and is played with a single reed ("oaten reed") unfixed to the instrument but held by the lips.John Alexander Fuller-Maitland, Waldo Selden Pratt, Charles Newell Boyd, edited by Sir George Grove.
The kaba gaida is similar to the gaida. It is lower pitched than the typical gaida. The chanter has a specific curve at the end and has hexagonal profile. Usually the bag is larger.
The song also reached No. 1 on the Belgian and Canadian charts. The EP contains four songs; A-side "Gondolier" and "Le jour où la pluie viendra", B-side "J'écoute chanter la brise" and "Pardon".
Amagis one of the sorcerers from the Black Palace; called the "Ambassador of Hathara." He was tricked by Keela's charm into telling her all that he knew about the chanter children; he remained at the Palace because of his soft spot for her. Amagis tried to stop Calwyn from saving the chanter children, but is killed himself when Calwyn sings a wind chantment that blows him off the tower where they stood. Arram one of the crew members of the ship Gold Arrow, where Darrow was born.
Traditional Catalan folksong and sac de gemecs melody from an 1822 manuscript The sac de gemecs (; literally "bag of moans", also known as buna in Andorra or coixinera , gaita or botella ) is a type of bagpipe found in Catalonia (eastern Spain spilling over into southern France). The instrument consists of a chanter, a mouthblown blowpipe, and three drones. The lowest drone (bordó llarg) plays a note two octaves below the tonic of the chanter. The middle drone (bordó mitjà) plays a fifth above the bass.
The pijpzak is at first sight similar in design to the cornemuse du centre of Central France. However, the cornemuse du centre has more variety in the number of drones, having a common stock or not, and their arrangement. The drones can rest backwards over the shoulder, or sideways over the arm, or both as with the chabrette, and the small drone can sit next to the chanter. A very specific difference between de pijpzak and the cornemuse du centre however, is the chanter.
Most bagpipes have at least one drone: a pipe which is generally not fingered but rather produces a constant harmonizing note throughout play (usually the tonic note of the chanter). Exceptions are generally those pipes which have a double-chanter instead. A drone is most commonly a cylindrically-bored tube with a single reed, although drones with double reeds exist. The drone is generally designed in two or more parts with a sliding joint so that the pitch of the drone can be adjusted.
Depending on the type of pipes, the drones may lie over the shoulder, across the arm opposite the bag, or may run parallel to the chanter. Some drones have a tuning screw, which effectively alters the length of the drone by opening a hole, allowing the drone to be tuned to two or more distinct pitches. The tuning screw may also shut off the drone altogether. In most types of pipes, where there is one drone it is pitched two octaves below the tonic of the chanter.
The chanter (gaidunitza, gaidanitsa, gajdenica, gajdica, zurle) is the pipe on which the melody is played. Different gaida may have a conical bore (Bulgaria), or cylindrical bore (Macedonia and other regions). Popular woods include boxwood (shimshir) cornel wood, plum wood or other fruit wood. A distinctive feature of the gaida's chanter (which it shares with a number of other Eastern European bagpipes) is the "flea-hole" (also known as a mumbler or voicer, marmorka) which is covered by the index finger of the left hand.
Cornish Piper on a bench end at Davidstow churchTwin-chanter bagpipes appear in late-Medieval iconography in churches at Altarnun, Davidstow, St Austell and Braddock, Cornwall and at Marwood, and Tavistock, Devon. A single chanter bagpipe and other instruments are depicted on the east wall of St Mary's, Launceston, Cornwall (c. 1520-1540). Such images must be considered with care. The earliest representation, at St. Austell, is a 15th-century gargoyle, unique in Cornwall but still probably a stereotypical image created by the mason.
9 retrieved 21 November 2014. In his book Savoir chanter (first published 1976 (Éd. Mondex), 2nd edition 2008 (Éd. Delaquerrière Richardson, Montréal)), José covers the theoretical and practical aspects of the Delaquerrière School of French singing.
Sister Marie Keyrouz (also spelled "Kairouz") (; born 1963) is a chanter of Oriental Church music, a member of the Congrégation des Soeurs Basiliennes Chouérites and founder-president of the National Institute of Sacred Music in Paris.
Open piping has historical associations with musicians (often Irish travelling people) who played on the street or outdoors, since the open fingering is somewhat louder, especially with the chanter played off the knee (which can, however, lead to faulty pitch with the second octave notes). A type of simultaneous vibrato and tremolo can be achieved by tapping a finger below the open note hole on the chanter. The bottom note also has two different "modes", namely the "soft D" and the "hard D". The hard bottom D sounds louder and more strident than the soft D and is accomplished by applying slightly more pressure to the bag and flicking a higher note finger as it is sounded. Pipemakers tune the chanter so the hard D is the in-tune note, the soft D usually being slightly flat.
'The Silver Chanter MacCrimmon Memorial Piobaireachd Competition' thetimes.co.uk. August 12, 2008. Retrieved on 2013-09-20. The origins of the MacCrimmons is debatable; even the genealogy of the pipers themselves is the subject of debate and speculation.
Also the goat skin is used in a different way from the North of Portugal and Galicia: the chanter goes to the "left" leg, the drone to the "right" leg, and the blow tube on the neck.
The chanting style shifts dramatically between speaking and singing, and is based on a notation exclusive to jōruri, inscribed into the chanter's copy of the script. Chanters may not perform an entire play, changing places with another chanter after an act or two or three, but they only very rarely perform simultaneously alongside another chanter. These, and many others, are all traditions and form established, or significantly altered, by Gidayū. His son Takemoto Seidayū followed him as director of the Takemoto-za and continued the style and forms established by Gidayū.
They have an inscription on the dronestock ferrule stating their provenance. It is likely that this simple chanter is not the original, which was probably keyed. Dunn's maker's stamp Chanter and drones of a set of smallpipes by John Dunn, currently in the Morpeth Chantry Bagpipe Museum After John's death in 1820, his son, also named John, continued the business, and an entry in Thomas Bewick’s cash book in October 1822 states that 'Dunn', evidently the son, was paid five shillings for a ‘job at pipes’.Bewick, Thomas (1975).
Modern instruments adopted the standardised chanter of the cornemuse du centre (itself a modern development, allowing overblowing) but the original instrument in Breugel's paintings had a different chanter. It has no thumb hole and has some particularities in the finger holes and the type of reed needed. Only one instrument of the period was partially preserved and is now in the Kunsthistorisches Museum in Vienna; further investigations of this instrument are unfortunately not allowed. However, many years ago a very precise measurement has been executed and all further developments rely on that information.
Currently, the gaita asturiana is constructed in a wider array of keys and types, anywhere from A to as high as E. Also, refinement of the chanter construction has made it possible to play as high as the tonic in the third octave. Further, the ability to hit chromatic notes has increased, turning the chanter from a completely diatonic instrument to a nearly fully chromatic one. The addition of auxiliary holes has also increased. As a further sign of modernisation, keys have been added to some variants to extend range and chromatic ability.
"L'amour ça fait chanter la vie" ("Love, it makes life sing") was the Belgian entry in the Eurovision Song Contest 1978, performed in French by Jean Vallée. This was Vallée's second participation in the Contest, in 1970 he had finished 8th with "Viens l'oublier". "L'amour ça fait chanter la vie" was performed tenth on the night (following Switzerland's Carole Vinci with "Vivre" and preceding the Netherlands' Harmony with "'t Is OK"). At the close of voting, it had received 125 points, coming second in a field of twenty after Israel's "A-Ba-Ni-Bi".
Some pipers can converse or sing while playing. The uilleann pipes are distinguished from many other forms of bagpipes by their tone and wide range of notes – the chanter has a range of two full octaves, including sharps and flats – together with the unique blend of chanter, drones, and regulators. The regulators are equipped with closed keys that can be opened by the piper's wrist action enabling the piper to play simple chords, giving a rhythmic and harmonic accompaniment as needed. There are also many ornaments based on multiple or single grace notes.
This is also necessary for obtaining the second octave; the chanter must be closed and the bag pressure increased, and then fingered notes will sound in the second octave. A great range of different timbres can be achieved by varying the fingering of notes and also raising the chanter off the knee, which gives the uilleann pipes a degree of dynamic range not found in other forms of bagpipes. Pipers who use staccato fingering often are termed "closed-style" pipers. Those who use legato fingering more predominately are referred to as "open- style" pipers.
Unlike most reed instruments, the uilleann pipe reed must be crafted so that it can play two full octaves accurately, without the fine tuning allowed by the use of a player's lips; only bag pressure and fingering patterns can be used to maintain the correct pitch of each note. It is for this reason that making uilleann-pipe chanter reeds is a demanding task. Uilleann pipe reeds are also often called "the piper's despair" for the immense difficulty of maintaining, tuning and especially making the double reed of the regulators and, most importantly, the chanter.
Winners of the 2003 World Music Awards; Oct. 12, 2003; Monaco; Billboard.com; Said has won more than 40 awards.LG Fait Chanter Samira Bensaid ; Aujourd’hui le Maroc; 2004Samira Saeid; the Best-seller Moroccan Singer in Arabic Music History; hitmarker.
John Moore Chanter (11 February 1845 - 9 March 1931) was an Australian politician, farmer and commission agent. He was a member of the Protectionist Party, as well as the Australian Labor Party and the Nationalist Party of Australia.
Although the majority of chanters are unkeyed, some make extensive use of keys to extend the range and/or the number of accidentals the chanter can play. The most common pipe featuring this arrangement is the Northumbrian smallpipe.
The crumhorn is a capped reed instrument. Its construction is similar to that of the chanter of a bagpipe. A double reed is mounted inside a long windcap. Blowing through a slot in the windcap produces a musical note.
The Brian Boru bagpipe was invented and patented in 1908 by Henry Starck, an instrument maker (who also made standard Great Highland Bagpipes), in London, in consultation with William O'Duane. The name was chosen in honour of the Irish king Brian Boru (941-1014), though this bagpipe is not a recreation of any pipes that were played at the time of his reign. The Brian Boru pipe is related to the Great Highland Bagpipe, but with a chanter that adds four to thirteen keys, to extend both the upper and lower ends of the scale, and optionally adds chromatic notes. His original pipes changed the drone configuration to a single tenor drone pitched one octave below the chanter, a baritone drone pitched one fifth below the tenor drone, and a bass drone pitched two octaves below the chanter, following the drone set-up of the Northumbrian Small pipes.
The Pastoral pipes gradually evolved into the union pipes as baroque musical tastes favoured a more expressive type of instrument. The foot joint may have fallen out of use as early as the 1746–1770s as oboists of the period, who usually played pastoral pipes, would frequently removed or invert the foot joint in order to remove the low C# foot joint to play the chanter upon the knee. The fall from grace of the open chanter was slow to take effect as pastoral pipes with removable foot joints were still being made till the 1850sAD Fraser, ‘The Bagpipe’, Wm J Hay (1907) p 144 and played until after the First World War. In time the instrument would be tuned for performance on the knee rather than off it, and the foot joint remnant today is the tenon cut around the foot of the modern uilleann chanter.
An anonymous vielle-player from the Codex Manesse Vielart, Vielars, Wilars or Wilart de Corbie was one of the earliest trouvères from northern France. In one instance a chansonnier names him Willame (Guillaume de Corbie, William from Corbie) and some scholars have followed this, concluding that "Vielart" and its variations form a sobriquet meaning "violist" (player of a vielle) or perhaps "old man" (from French vieillard). He was active in the Île-de-France in the first decades of the thirteenth century at the latest, since his song De chanter me semont Amours was used as the basis for a contrafactum, Quant ces floretes florir voi, by Gautier de Coincy (died 1236). Only two songs can be firmly ascribed to him, and both survive with musical notation: De chanter and Cil qui me prient de chanter, which served as the basis for a Latin contrafactum, Dic, homo, cur abuteris.
63, and Bullitt (2005). Depending on the speed of the Patimokkha chanter (one of the monks), the recitation may take from 30 minutes to over an hour. Depending on the monastery, lay people may or may not be allowed to attend.
On 12 November 2012, she released an album of religious songs Chanter c'est Prier on the Sony Music France S.M.A.R.T. label. As of 2015, She continues to tour worldwide on the French music nostalgia circuit, with almost a concert a month.
It is Arram who introduced the boy, then called "Mouse", to chantment. Ched one of the chanter children imprisoned in the Palace of Cobwebs. Rescued by Calwyn. He is killed when falling debris from the Palace of Cobwebs strikes his head.
The top end of the chanter is often shaped in the form of a goat-head. In Egerland-style instruments, the drone hangs downward from the bag, whereas in the Bohemian variant, the drone extends backwards over the player's shoulder.
The veuze consists of a bag (poche), blowpipe (sutell), a double-reeded chanter (levriad), and a single- reeded drone or drones (bourdon). The levriad is generally pitched in A or G , but can also be found in D, B and C .
Since 1967, the MacCrimmon Memorial Piobaireachd Competition has taken place every year at Dunvegan Castle where players complete to win the 'silver chanter'. Competitors only play tunes attributed to the legendary MacCrimmon family.Bagpipe Journey bagpipejourney.com. Retrieved on 2013-09-20.
Detroit: Information Coordinators On the Great Highland bagpipe, tuning of the individual notes of the chanter is done using tape to slightly cover the finger holes as needed. Historically, it was done with wax, as was done with other woodwind instruments.
The drone (ruchilo, ison, prdaljka, prdak, brčalo) is a long pipe which provides a constant harmony note, and thus has no finger- holes. It is generally a long, three-piece tube with a note much lower than that of the chanter.
Iconography of double chanter bagpipes and aulos was common 600 years ago. There are 'clusters' of such images in Yorkshire and Dorset as well as Cornwall.Montagu, G. and J., '"Beverley Minster Reconsidered", Early Music; Vol. 6, No. 3 (July 1978), pp.
Retrieved on 7 September 2007. until his retirement on 26 October 2011; he was succeeded by John Saredakis. The Left Chanter is John Archontoulis. The chanters and assistant chanters form the choir, which chants every Sunday at St George Church.
Unlike bagpipes, "Mih" doesn't have a "trubanj" or "bordun" (drone). Although they are very similar, the "mih" from different parts of Croatia still differ in type of chanter, in the position of holes or in some tiny details (for example ornaments).
He may have made sets from about 1910 until his death in 1958. It is believed that, like many Irish musicians of his time, he played for dancers in the clubs around Dudley Square, Dorchester. Patsy's house at 43 Clayton St., Dorchester, MA. His earlier work was styled after that of the Taylor brothers, with broad rectangular keys along the back of the chanter, operated by small touches that wrapped around to the front of the chanter. The regulator keys at first resembled the Taylors' design, though Brown mounted them in wooden blocks, rather than between metal plates, as the Taylors did.
250px Video of a zampogna performance All chanters and drones are fixed into a single round stock that the bag is attached to. Each chanter is tuned differently, according to the tradition it represents, and there are dozens. Typically, the double-reeded versions (Marche, Abruzzo, Latium, Campania, southern Basilicata and parts of Sicily and southern Calabria) will have a soprano chanter on the right and a bass chanter on the left (called, respectively, ritta and manga—meaning 'right' and 'left'—in the Ciociaro tradition) with an alto drone (bordone being the generic name); but as many as three drones, the other tuned above and below the basic chord can be used, or, in the case of the Marches tradition, no drones at all. The single reed versions consist of the surdullina types of the Province of Cosenza and Catanzaro, and the ciaramella or ciaramedda of Messina and Catania in Sicily, as well as in Southern Calabria.
"Jeremy Dutcher : chanter avec les voix ressuscitées de ses ancêtres". Ici Radio- Canada, May 22, 2018. Dutcher identifies as two-spirit,"Tenor Jeremy Dutcher revives the songs of his Maliseet ancestors at the Queer Arts Festival". The Georgia Straight, June 13, 2018.
He is an instructor at the National Piping Centre, and also teaches at Strathallan School. Armstrong also runs a business producing drone reeds, and has designed a range of bagpipes that are produced by Wallace Bagpipes. He favours a high-pitched chanter.
However it is not known whether Billy Pigg ever used this chanter regularly.Billy Pigg, The Border Minstrel, Part 1, ed. Colin Ross and Julia Say, 2nd edition, Northumbrian Pipers' Society, 2010. He also had a great interest in other types of bagpipes.
In the election 2009, man chanter song ' playboy' this trying to peruntungannya in berkarier in the world politics with a candidate as a candidate legislative from the party patriot to electoral city III, which includes north jakarta, west jakarta, and thousand island.
Popping Strap : A piece of leather, held on the Uillean piper's leg, used to achieve a good seal with the base of the chanter. Projecting Mounts : the wide mounts, usually found on the lower drone pieces, that have a decorative and protective purpose.
The Zetland pipes were sold online, offered in either "American green ebony" or striped ebony. Natural drone reeds were included, with synthetic Highland drone reeds an option for both drone and chanter. Lerwick ceased production of the pipes around the year 2000.
Moama retains some impressive historical buildings (circa 1880s), namely the Moama Court House on Francis Street, the former New South Wales Police Force Sergeants official residence in Chanter Street, and the former Bank of New South Wales adjacent to the railway lines on Meninya Street.
Mick's concert pitch uilleann pipes were built by William Rowsome in 1921, with a new chanter and extra A/G drone made by Alain Froment, who also made Mick's Bb, B, and C sets. His whistles were made by Mike Burke in the USA.
Dunn was a maker of Northumbrian smallpipes and is regarded as the first to have added keys to the chanter, (c. 1800 AD), extending the range of the instrument from an octave to a twelfth.Hugh Cheape. Bagpipes: A National Collection of a National Instrument.
He may have based his Bien font Amours lor talent on the conductus Quid frustra consumeris and Chanter et renvoisier seuil on Sol sub nube latuit. With the exception of three chansons that are restricted to a sixth-- Amours, que porra devenir, Chanter et renvoisier seuil, and Huimain par un ajourant--and one, Li miens chanters ne puet mais remanoir, which is severely restricted in movement, most of Thibaut's melodies move freely. They are all basically syllabic, with only Li miens chanters exhibiting more complex melisma. Compared to his melodies (all recorded in bar form),The first six lines of Quant je voi are given mensural notation in the Chansonnier Cangé.
The chanter can also be played staccato by resting the bottom of the chanter on the piper's thigh to close off the bottom hole and then open and close only the tone holes required. If one tone hole is closed before the next one is opened, a staccato effect can be created because the sound stops completely when no air can escape at all. The uilleann pipes have a different harmonic structure, sounding sweeter and quieter than many other bagpipes, such as the Great Irish warpipes, Great Highland bagpipes or the Italian zampognas. The uilleann pipes are often played indoors, and are almost always played sitting down.
The Adjaran chiboni has a diatonic scale. It can produce two-part chords and two-part tunes. The two parts are produced by the simultaneous sound of both dedanis. The player's left hand plays the highest notes of the scale on the left chanter tube, while the fingers of the player's right hand covers and uncovers the lower notes of the scale, which is made possible by the limited number of finger holes (only 3 or 4 holes) disposed lower down, toward the distal end of the right chanter tube. The compass of a chiboni is major sixth (but the Rachian gudastviri’s diapason can be a minor, or a major seventh).
Recently however these recordings have been put up for the benefit of all,Analogion : Links to the mp3 files are at the bottom part of the page in memory of the chanter, and those who admired him and made enormous sacrifices so as to obtain these recordings.
The shapar (shabr, ) is a type of bagpipe of the Chuvash people of the Volga Region of Russia. The bag is usually made of a bladder; the pipe has a double- chanter bored into a single block of wood. The pipes were, until recently, played for weddings.
The Union Pipe of Scotland and Ireland: A Shared Tradition. Lecture at the Royal Society of Antiquaries of Ireland (2007).G. Woolf ‘Chanter Design and Construction Methods of the early Makers’, Sean Reid Society Journal v2 no 4 (2002). around the 18th and early 19th century.
Mark Kealiʻi Hoʻomalu (born August 10, 1959) is a contemporary Hawaiian chanter who was born and raised in ʻAiea, Oʻahu. He is best known for his contributions to the soundtrack of the 2002 Disney animated film, Lilo & Stitch, providing the film's two non-Elvis Presley-related songs.
Nāmakelua was born in Kīhālani on Hawaii Island. As a teenager, she sang for the deposed queen, Liliuokalani. She was taught hula in her teen years by David Kaho'aleawai Kaluhiakalani, who had been the chanter for Prince Jonah Kūhiō Kalanianaʻole. Nāmakelua spent most of her life on O'ahu.
Half Sized Pipes : A size of Highland bagpipe offered by 19th and early 20th century pipe makers. Now uncommon. High Hand : The hand playing the top of the chanter. The term is often used in the context of part of a melody which lies mostly on a single hand.
Throw on D : An embellishment on the D of the Highland bagpipe chanter not dissimilar to the grip. Tight Fingering : See closed fingering. Tipping : A series of short staccato notes played on the Uilleann pipes. Tongue : The vibrating element of a drone reed which has a single vibrating element.
Its use is also widespread in the region of Macedonia in Northern Greece amongst Pontian Greek populations. What differentiates the dankiyo from other bagpipes is that the dankiyo does not use a separate pipe for the drone. Instead, the sound is created by two reeds in the chanter.
At the age of 15, Hoʻomalu started his hula career with John Piʻilani Watkins doing various lūʻau and Polynesian shows around Oʻahu. In 1979, he joined a hālau, which became the foundation for Mark's hula education as an ʻolapaNa Lei - 'Olapa . Hoalahawaii.com. Retrieved on 2010-11-26. and chanter.
In 1894, he returned to Galway in order to bring his step-father to New York. The night prior to departure, he visited Patsy Touhey and Patrick FitzPatrick, who noted his condition was not the best but not alarming. However, he died within a week while en route, and was buried at sea on his own request. O'Neill remarks of him: > Moore was not particularly distinguished for brilliancy of execution on the > chanter, but in the manipulation of the regulators he had few if any > superiors. Often when the reed in his chanter proved refractory or did not > “go” to suit him, he would play the whole tune through on the keys of the > regulators.
From about 1911 until 1943, Clough was, both alone and in collaboration with others, particularly Fred Picknell, a prolific maker of Northumbrian pipes. The earliest dateable reference to anybody buying a Clough chanter is from 1911, while Clough generally played a chanter by Picknell, which he used playing for King Edward in 1906. Picknell died in 1943, and Clough's house was bombed in the same year and his lathe stolen – as pieces of pipes he was working on were also stolen, he must still have been an active pipemaker until this time. Clough also made reeds – there is a tradition that he made drone reeds from pieces of a bead curtain from the home of his wife Nancy's parents.
Thus most bagpipes share a constant, legato sound where there are no rests in the music. Primarily because of this inability to stop playing, technical movements are used to break up notes and to create the illusion of articulation and accents. Because of their importance, these embellishments (or "ornaments") are often highly technical systems specific to each bagpipe, and take many years of study to master. A few bagpipes (such as the musette de cour, the uilleann pipes, the Northumbrian smallpipes, the piva and the left chanter of the surdelina) have closed ends or stop the end on the player's leg, so that when the player "closes" (covers all the holes) the chanter becomes silent.
The instrument is most usually (nowadays) tuned in the key of D, a tradition begun by the Taylor brothers, famous pipe makers in Philadelphia in the late 19th century (Canon Goodman played a Taylor set). Up to then, most pipes were what would be termed as "flat sets" in other keys, such as C, C, B and B, tunings which were largely incompatible with playing with other instruments. The chanter length determines the overall tuning; accompanying pieces of the instrument, such as drones and regulators, are tuned to the same key as the chanter. Chanters of around in length produce a bottom note on or near D4 (D above middle C) where A4 = 440 Hz, i.e.
The single reached number 1 in both the UK and US, remaining at the top for six weeks in the UK. At the end of the summer, she played as support act to Queen at their Hyde Park concert in front of a crowd of 150,000 people. Prior to the concert, in an interview for Record Mirror, she stated, "My confidence is at an all-time high." After a quiet period in the late 1970s, Dee launched a comeback in 1981, releasing one of her biggest hits, "Star", written by Doreen Chanter of the Chanter Sisters. This later became the theme music to the BBC1 programme Opportunity Knocks between 1987 and 1990.
In order to be close to the Archdiocesan center in Englewood, NY for his work in composing, Basil Kazan moved to New York, and served as head chanter at St. Mary's Antiochian Church in Brooklyn, NY. In 1970, Kazan resigned from the Priesthood, and married Viola Habeeb. The couple stayed in Brooklyn, and Kazan continued to serve as head chanter of St. Mary's Church until his death in 2001. Also in 1970, Kazan began to serve as a translator at the Berlitz School and Translation Service, where he worked for 10 years until 1980. He also served, from 1973 to 1980, as an advisor to the Consulate General of Lebanon in New York City.
Some nursery rhymes are included, perhaps for the benefit of a young pupil. One variation set on "Sir John Fenwick's the Flower amang them", needing a keyed chanter, corresponds to that found in the Rook manuscript, and may derive from the Reid family, who lived nearby in North Shields; another tune in Stanton's hand "Shew's the way to Wallington", is identical to a version in the Fenwick manuscript, there stated to be James Reid's copy. Scans of two of the Stanton pages in the Fenwick manuscript are at , and ; these are for unkeyed and keyed chanter respectively. These tunes are in relatively simple versions, suitable for someone learning the instrument, suggesting that Fenwick studied the instrument with Stanton.
While residing in the monastery Zograf(Mount Athos, Greece) founded the music school and the translation calligraphic literary school. As а brilliant theorist of the nematic Byzantine musical tradition, furthermore composer and chanter on the one hand and an expert linguist in ancient Greek, Slavic, new Greek and Romanian language on the other hand, he created timeless masterpieces and translations, thereby enriching the cultural heritage spiritual barns of the Orthodox ecumene to the utmost. Kalistrat Zografski is likely to be regarded as the best connoisseur of Byzantine neumatic ladder, created by the famous ascetic, composer and chanter, St. John Kukuzel (12th century). He died in 1914, as Archimandrite of the monastery Zograf, in Mount Athos, Greece.
The word "chantry" derives, from Old French chanter and from the Latin cantare (to sing).J.R.V. & J.F. Charles Marchant, Cassell's Latin Dictionary, revised edition, 1892 Its mediaeval derivative, cantaria means "licence to sing mass". The French term for this commemorative institution is chapellenie (chaplaincy).The New Cassell's French Dictionary, ed.
This "learned and noted man"Chanter, 1882, p.96 was born on 20 September 1593Chanter, 1910, p.5 "7ber" (Septem-ber) in Plymouth, Devon, the second son of Nicholas Blake (1552-1645/6), merchant and Mayor of Plymouth in 1625, by his first wife Joan Goddard (d.1619) of Kingsbridge.
Despite their name, however, practice sets are used not only by beginning players but also by some advanced players when they wish to play just the chanter with other musicians, either live or in recording sessions. In these instances, the practice sets can be tuned to equal temperament if needed.
Subsequently these books were given to Gateshead Public Library, where they remain. Robert's pipes, These Northumbrian smallpipes were made by John Dunn, and belonged to Robert Bewick. They have an inscription on the dronestock ferrule stating their provenance. It is likely that this simple chanter is not the original, which was probably keyed.
The binioù kozh is more traditional and predates the introduction of the highland bagpipes to Brittany. It was originally designed from the veuze in order to play in a higher register. Its pitch is higher and its chanter smaller than any other European bagpipe. Originally, it was common in the Breton-speaking area.
Later, they all become embittered by his death. Their quest abandoned, the survivors are caught in a storm and are swept into the Great Sea. There they are captured by pirates. Calwyn is taken aboard the pirates' ship because they believe that she is a windworker; a chanter able to control the wind.
Hee dyed June 1st 1658 aetat(is) 58". The lower tablet is inscribed with the following verse:Transcribed from monument. See also transcription in Chanter, p.45 :"Sleeping a while in dust his body lies, :Who (living here) was taught the exercise, :Of Faith and Hope and Love the Graces Three :Wherin consisteth Christianitie.
His 1973 album, Au pays des merveilles de Juliet, won the prestigious 'Grand Prix de l'Académie du disque'. Respirer chanter was a success in 1974. In 1977, his soundtrack to Diane Kurys's film Diabolo Menthe was well received. His album USA-USSR (1983) met with success, and Liaisons was a hit in 1988.
Because of the accompanying drone or drones, the lack of modulation in bagpipe melody, and stable timbre of the reed sound, in many bagpipe traditions the tones of the chanter are tuned using just intonation, although bagpipe tuning is highly variable across traditions.Podnos, Theodor. 1974. Bagpipes and tunings. Detroit Monographs in Musicology 3.
In 1994 Lykourgos Angelopoulos was honored by the Ecumenical Patriarch Bartholomew I with the Patriarchal offikion and was named Archon Protopsaltis (First Chanter) of the Holy Archdiocese of Constantinople. He had also been honored by Diodoros, Patriarch of Jerusalem, by the Orthodox Church of Finland and by the Diocese of Patras in Greece.
Hugh Sottovagina (died c. 1140), often referred to as Hugh the Chanter or Hugh the Chantor, was a historian for York Minster during the 12th century and was probably an archdeacon during the time of his writing. He was author of the Latin text known as the History of the Church of York.
At the end of his return flight Nettleton's aircraft overflew the United Kingdom and was out over the Irish Sea before turning back and finally landing near Blackpool. He was awarded the Victoria Cross, gazetted on 24 April 1942.Chanter, Alan, Profile of John Dering Nettleton, VC by ww2db.com; accessed 7 December 2014.
Glenelg 2008 Father Diogenis Patsouris, Protopresbyter of the Ecumenical Throne OAM was appointed parish priest of Saint George in 1970. Father Konstantinos Skoumbourdis was appointed assistant priest on 1 August 2012. The Head Chanter at the church was Ilias Frangoulis, Archon Protopsaltis of the Greek Orthodox Archdiocese of Australia Analogion. Frangoulis Biography . analogion.com.
Undercut : Removing material from the underneath of a finger hole to sharpen the note on the chanter without changing the shape of the hole. Union : An early name for Uilleann Pipes. Unison : In pipe bands, the term unison normally refers to how closely melody players are playing together. Urlar : Gaelic word for Ground.
The pastoral pipes can be played either standing or in a seated position using a set of bellows, and the chanter is similar to the later union pipes, but it had an added foot joint that extended its range one tone lower. This added foot joint had holes in its sides in addition to the hole at the bottom of the bore. The pastoral pipes are like the Highland pipes in that the sound is continuous; notes are articulated by finger techniques such as gracenotes. The union pipes, which evolved from the pastoral pipes, enable the player to interrupt the flow of air by stopping the end of the chanter on his knee; this doesn't work for the pastoral instrument because of the side tone holes.
In 1634 Blake erected the surviving mural monument in St Peter's Church, Barnstaple, to his nine-year-old son Nicholas Blake (d.1634) and other children, but "as much in allusion to his own position and sufferings", described by Chanter (1882) as "perhaps the most noteworthy and interesting monument in the church", "not only a work of art, but of allegorical literature and imagination, telling its tale as fully in its medallions, cartouches and sculptured mottoes as if written - an actual instance of 'sermons in stone'".Chanter, J.R., Memorials Descriptive and Historical, of the Church of St Peter, Barnstaple, with its other ecclesiastical antiquities, and an account of the conventual church of St Mary Magdalene, recently discovered. Barnstaple, 1882. Includes appendix “Monumental Heraldry” by Rev.
The first case heard by the Court of Disputed Returns was Chanter v Blackwood, in which John Chanter challenged the election of Robert Blackwood. The Court had to consider the validity of votes, and whether they had been properly accepted or rejected, and the extent to which disputed votes were proved to have affected the result of the election, by reference to section 200 of the Commonwealth Electoral Act 1902. The High Court emphasised the extent to which errors or illegal practice may have affected the outcome of the election, with the effect that only close contests give rise to petitions. Further the costs involved mean that serious challenges to the election results are run only by the major parties.
In 1926 Watson moved to Trinity, Edinburgh with her parents, and in 1945, at the end of World War II, she married John Somerville an electrical contractor. Watson died in Edinburgh in 1992, two weeks before her 92nd birthday. She left her autobiography, practice chanter and pipes to the College of Piping in Glasgow.
In 1901, Chanter served with the 'D' Squadron, NSW Citizen's Bushmen Regiment during the Second Boer War. He also served with the Light Horse Regiment of the First Australian Imperial Force during the Gallipoli and Damascus campaigns of the First World War. He attained the rank of Major and was awarded the DSO in 1919.
The double-reeded chanter allows open or semi-closed fingering. It is generally pitched in the key of C major, which also allows playing in the relative key of A minor. The chanter's range is from B to C an octave above. The bordón is pitched at C, as is the bordonetta (an octave higher).
The Frigg UK System is a natural gas transportation system from the North Sea gas fields to St. Fergus near Peterhead in Scotland. It transports natural gas from the Alwyn North, Dunbar, Ellon, Grant, Nuggets, Frigg, Bruce, Ross, Captain, Buzzard, Tartan, Piper, Chanter, Galley, Hamish, Highlander, Ivanhoe, MacCulloch, Petronella, Saltire, and Rob Roy, fields.
Smot chanting, or smot is a traditional form of Buddhist chanting in Cambodia. Smot is chanted at funerals and other ceremonies, and includes songs about the Buddha's life. The texts used in smot are in Pali and Khmer. One famous chanter of smot was the monk Hun Horm (1924-2007) (later known as Hun Kang).
Galician gaita made by Xosé Manuel Seivane RivasThe Galician gaita has a conical chanter and a bass drone (ronco) with a second octave. It may have one or two additional drones playing the tonic and dominant notes. Three keys are traditional: D (gaita grileira, lit. "cricket bagpipe"), C (gaita redonda), and Bb (gaita tumbal).
The kortholt is a capped reed instrument. Its construction is similar to that of the chanter of a bagpipe. A double reed is mounted inside a chamber. Blowing through a slot in the chamber causes the reed to vibrate; because the reed is not touched by the lips, the performer has little control over the sound.
The piva is a type of bagpipe played in Italy and in Ticino, the Italian- speaking Canton of Switzerland. The instrument has a single chanter and single drone. A different instrument with the same name is also known in Istria region of Croatia. Illustrations and scriptural evidences tend to suggest that a similar instrument was also used in Veneto.
John's exact background is unclear. He may be the same person as the John Planeta who was a clerk of Thomas Becket's during Becket's exile, but the connection is not proven. All that is known is that he was elderly when he was consecrated.Barlow "John the Chanter" Oxford Dictionary of National Biography John was consecrated on 5 October 1186.
Oron one of the chanter children imprisoned in the Palace of Cobwebs. He is resentful of the world for his imprisonment. At the Black Palace, Oron escaped into the ventilation system when the sorcerers attacked; Keela threatened to kill Oron if he didn't help her start the war engine of the palace. The scheme is stopped in its tracks.
McCallum Bagpipes was founded by Stuart McCallum and Kenny MacLeod in 1998. McCallum began manufacturing bagpipes after MacLeod suggested he create a practice chanter, and eventually, a set of bagpipes. After creating that first set, McCallum and MacLeod founded McCallum Bagpipes Ltd and began manufacturing further sets of bagpipes. McCallum previously worked for McCrindles Tooling for many years.
Full setA full set, as the name implies, is a complete set of uilleann pipes. This would be a half set with the addition of three regulators. These are three closed pipes, similar to the chanter, held in the stock. Like the drones, they are usually given the terms tenor, baritone, and bass, from smallest to largest.
It sounds similar to modern bagpipes, but not identical. The chanter, on which the melody is played, is actually a double pipe, with six holes on each side; one set of holes is used as the drone, while the other plays the tune in almost the same register. The mišnice has been featured in the paintings of Andrea Schiavone.
Harry Woodhouse's Cornish Bagpipes: Fact or Fiction? provided an opening discussion of the historical references to piping in Cornwall.Woodhouse, Harry (1994) Cornish Bagpipes: Fact or Fiction?. Trewirgie: Dyllansow Truran James Merryweather responded to this, emphasising that iconography of double chanter bagpipes is not unique to Cornwall, and that the term 'pipes' does not necessarily imply 'bagpipes'.
His reeds were used by Clan Sutherland when they won the Grade II competition and Champion of Champions at the Cowal Highland Gathering. He designed the plastic drone reeds for David Naill & Co as a derivative of a second-generation Henderson reed, and after making smallpipe reeds he moved on to cane chanter reeds, which received good reviews.
Used to make reeds. Single Reed : A reed with one blade, which sounds continuously through passage of air. Usually the shape of a cylinder with a tongue or flap and a bridle. Skirl : of a bagpipe''' : to emit the high shrill tone of the chanter; also : to give forth music; to play (music) on the bagpipe.
The zukra (zokra, zoughara, ) is a Libyan bagpipe with a double-chanter terminating in two cow horns; it is similar in construction to the Tunisian mizwad. The instrument is played as a bagpipe in the south and west of Libya, but played by mouth without a bag in the east. The instrument is played at feasts, weddings, and funerals.
Two soners; a talabarder (to the left) and a biniaouer (to the right). Traditionally it is played in duet with the bombard, a double reed instrument which sounds an octave below the binioù chanter, for Breton folk dancing. The binioù bras is typically used as part of a bagad band, although it is sometimes also paired with a bombard.
Aluette players The cards are dealt clockwise with each player receiving nine cards and twelve cards should be left over. Alternatively, if all players agree, the remaining 12 cards can be dealt to the dealer and the player to his left. Each would then discard the six lowest cards in their hand. This is known as chanter (singing).
He became a successful businessman, partnering with John Chanter in a stock and station agency and from 1894 running his own Echuca- based firm. From 1882 to 1924 he served on Echuca Borough Council, with two terms as mayor from 1886 to 1887 and from 1903 to 1904. In 1904 he was elected to the Victorian Legislative Assembly for Rodney.
The Abbey existed until the dissolution of the monasteries by Henry VIII in 1538.The deed of surrender was signed on 18 March 1538, by the last Abbott, William Huddleston, the Chanter and Sacrist (principal officials of the Abbey) and eleven monks. Laight (1999). It was the fifth largest in England - as important as its sister Abbeys at Jervaulx, Rievaulx and Fountains.
Turnbull's pupil, John Peacock was probably the first Northumbrian piper to play a keyed chanter. Most notably, the Clough family of Newsham produced six generations of pipers, including Tom Clough, who made an important early recording in 1929, and taught many pipers, including Billy Pigg.J. Connell and C. Gibson, Sound Tracks: Popular Music, Identity, and Place (Routledge, 2003), p. 34.
It was led by the single "Savoir aimer", a number-one hit in both countries, and followed by "Chanter" (#16 in France, #15 in Belgium), "D'un amour l'autre" (#83 in France, limited edition) and "Dors" (#29 in France, #28 in Belgium). French artists Pascal Obispo, Zazie, Art Mengo and Jean-Jacques Goldman wrote at least one song of the album.
He is compassionate, like Calwyn, but more connected to natural ecosystems until the climax. When traveling to the Black Palace, Halasaa becomes ill from the dead land and weakened by needing constantly to heal the others. Halasaa teaches Calwyn the Dance of Healing so she can heal one of the injured chanter children. He recovers at the end, when Calwyn heals Merithuros itself.
His most successful album is La Vie en couleur, and in 1977 that song of his became a number five hit in France."Hits of the World", Billboard (Feb 26, 1977). The single Elle dit bleu elle dit rose sold 250,000 copies. Along with the French versions, he released German versions of Petite fille du roi () and Chanter la vie ().
The Binukot is not exposed to sun or allowed to work and is accompanied by her parents when she bathes. This practice results in a fair, frail, fine-complexioned, and long-haired woman. At home, her parents and grandparents entertain her with oral lore and traditional dances. This traditional entertainment can make a Binukot a proficient chanter and knowledgeable in oral history.
By depriving the Archbishop of suffragans, William limited York's power and separatist tendencies.Dawtry "Benedictine Revival" Studies in Church History 18 p. 94 The medieval chronicler Hugh the Chanter commented that by requiring Thomas to obey Canterbury, the King removed the threat that Thomas might crown someone else as King of England – such as the Danish king.Higham Kingdom of Northumbria p.
It is unclear from the lyrics whether the singer wants to begin a relationship with the woman himself. The next Belgian representatives at the 1971 contest were Jacques Raymond and Lily Castel singing "Goeiemorgen, morgen". Jean Vallée returned to the Contest in 1978, then with "L'amour ça fait chanter la vie", finishing as the runner-up behind Israel's "A-Ba-Ni-Bi".
Chrysanthos of Madytos (; c. 1770 – 1846) was a Greek poet, chanter, Archimandrite, and Archbishop, born in Madytos. In preparation of the first printed books of Orthodox chant, he was responsible for a reform of the Byzantine notation within the New Music School of the Patriarchate, along with Gregorios the Protopsaltes and Chourmouzios the Archivist who transcribed the traditional repertory into the Chrysanthine notation.
G. Armstrong's record book, David Geddes, Northumbrian Pipers' Society Magazine, v. 19, 1998. and Joe was photographed,Woodhorn Archive standing at the left, with other competitors at the Bellingham Show piping competition in 1938. He continued to play the fiddle at dances during the war years, but he continued piping, upgrading to a 17-keyed chanter, again by Armstrong, in 1943.
This drone effect is a striking feature of the double chanter bagpipes. Such bagpipes are also good for low, rich accompaniments. From the 1990s onward, pipemakers like Julian Goodacre have produced a number of Cornish double- pipes. In late 2009 the numbers playing bagpipes based on Cornish iconography was self-evidently small compared to those playing Scottish smallpipes or Northumbrian pipes.
Back D : The note played by the thumb hole of the Uilleann pipe chanter. It has a distinctive haunting quality, subtly different from the rest of the scale. Backstitching : An ornament in Uilleann piping. The stitch is two staccato gracenotes played above the main note pitch; backstitching is the process of playing several of these stitches on a series of melody notes.
Occasionally multiple chanters are used. The chanters sit next to the shamisen player. Some traditional puppet theaters have a revolving platform for the chanter and shamisen player, which rotates bringing replacement musicians for the next scene. The shamisen used in bunraku is slightly larger than other kinds of shamisen and has a different sound, lower in pitch and with a fuller tone.
After the band split in 1971, Parry returned to England and spent two years obtaining a diploma in marketing and advertising from the College for Distributive Trades in London. He then found a job in the International department at Phonogram Records, under fellow New Zealander John McCready. In 1974, Parry was offered a job at Polydor in A&R.; His first signing was the Chanter Sisters.
The oldest of these are claimed to have been played at the Battle of Bannockburn in 1314, while another pair was said to have been given to Bonnie Prince Charlie. The experts are sceptical.Ross Calderwood and James Merryweather, Bagpipes in The West Highland Museum, Chanter. The Journal of the Bagpipe Society,17-24 (Autumn 2019)The Rough Guide describes the museum as "splendidly idiosyncratic".
Chanter: Ruby Notley Namaho The Royal Hawaiian Girls Glee Club is a chorale group of performers who have entertained audiences in Hawaii for a century. Initially a group created through a YWCA program, they became the resident performers at the Royal Hawaiian Hotel. They sang on the first broadcast of Hawaii Calls, and for six decades were the featured entertainment at the Kodak Hula Show in Waikiki.
The film begins with a car approaching at night. Tatya Vinchu (Dilip Prabhavalkar), a famous gangster and his henchman Kubdya Khavis enter the cave of Baba Chamatkar (Raghvendra Kadkol) in search for mrutunjay mantra, a voodoo spell which can transfer the soul of the chanter to any living or nonliving object. Tatya threatens Baba Chamatkar for his mantra. Baba, out of fear, gives it to him.
1648), MP) of Henry Rolle of Heanton Satchville, Petrockstowe, 4th son of the founder of the Devonshire Rolles, George Rolle (d.1552), MP, of Stevenstone.His mother is stated in his History of Parliament biography to have been "Jane Lovering of Hudscott" which appears dubious as Hudscott according to Chanter (1906) descended from Elizabeth Venner, wife of John Lovering (d.1686) His elder brother was Robert Rolle (d.
The song also appears on the recording André Rieu in Wonderland (Denon Classics #17698). In 2005, Saint-Preux adapted Concerto pour une Voix for two singers. This latter version, Concerto pour deux Voix (Concerto for Two Voices), was recorded in 2005 by the composer's daughter Clémence and Jean- Baptiste Maunier who starred in the film, Les Choristes.Didier, Carine. "Jean- Baptiste Maunier: «Je n'ai plus envie de chanter»".
Pilimon was also active as an educator, opening a village school where he taught Georgian history, chanting, reading, writing, and counting. His talents as a preacher, chanter, and educator earned him the label "exemplary". Among his acquaintances was Ilia Chavchavadze, whom he met through Niko Meskhishvili. At his death Pilimon was buried in the churchyard of Samtavisi Cathedral, where his grave may still be visited.
After many days of riding, they finally reach the Palace of Cobwebs. Darrow returns to the island of Ravamey, his current refuge, and learns that Calwyn and others have left. He is given cause to think that they have gone to the Black Palace, where the chanter children are actually held. Darrow is revealed to have lived in the Black Palace during his childhood.
Hostesses vied to have her at their parties. In later years, Guilbert turned to writing about the Belle Époque and in 1902 two of her novels (La Vedette and Les Demi-vieilles) were published. In the 1920s there appeared her instructional book L'art de chanter une chanson (The art of singing a Song). She also conducted schools for young girls in New York and Paris.
In 2008, James Hawes became Senior Lecturer in Creative Writing at Oxford Brookes University. In 2012 he was promoted to Reader. Among his former students there are Kit de Waal (My Name is Leon) and Catherine Chanter (The Well). Englanders and Huns: The Culture Clash which Led to the First World War, published by Simon & Schuster, focused on the Anglo- German rivalry of the later nineteenth century.
L., CV, 1245). The word "cantatory" explains itself as a volume containing chants; it was also called "Graduale", because the chanter stood on a step (gradus) of the ambo or pulpit, while singing the response after the Epistle. Other ancient names for the antiphonary seem to have been Liber Officialis (Office Book) and "Capitulare" (a term sometimes used for the book containing the Epistles and Gospels).
Lââm, (whose real name is "Lamia") lived a difficult childhood stemming from family problems at home. At a very young age, she developed a passion for music. A producer commented on her singing and the way she interpreted songs; thus Lââm's career began. She released her first single "Chanter pour ceux qui sont loin de chez eux", which was a reprise of Michel Berger's song.
Kingsley was born at Barnack Rectory, Northamptonshire, the son of the Rev. Charles Kingsley the elder and Mary, née Lucas. Charles Kingsley came of a long line of clergymen and soldiers. There were several writers in the family besides Henry and Charles, including Mary Kingsley, an explorer and writer, Charlotte Kingsley Chanter, a botanical writer and novelist, and George Kingsley, a traveller and writer.
Both types of chanter may also be played un-attached to the bag; the single-reed type in the form of a hornpipe. (, see image below right), and the double-reed type in the form of a shawm. The double-reed type is characteristically louder, and can over-blow a few notes in the upper register. The single-reed type plays only an octave.
Hugh the Chanter, who was a member of the York community, stated that the metropolitan title was used.Vaughn Anselm of Bec and Robert of Meulan p. 148 Modern historical opinion is divided, with Frank Barlow, author of The English Church 1066–1154 inclined towards the primatial title,Barlow English Church pp. 42–43 but with Richard Southern, in his biography of Anselm, leaning towards the metropolitan title.
Maxim Sandovich was born in Zdynia, Galicia, in family of Tymoteusz (or Timofej) and Krystyna Sandowicz. His father owned a farm house and was a chanter in the local Greek-Catholic church of the Protection of the Mother of God (pl). The mother was a housewife. He graduated from a four-class school in Gorlice and started his studies at a Gymnasium in Jasło.
There is only one known Dean of Christianty (sic.) (rural dean), one Donald Reid called the dean of christianty of Dingwall on 12 June 1530. A dean of the cathedral chapter (Henry) is first recorded in 1212 x 1213; a Subdean (William de Balvin) in 1356. A Precentor, sometimes in Scotland called Chanter, (Adam de Darlington) is attested in 1255, a Succentor (Matthew) in 1255.
Birl : Onomatopoeic name for a Highland bagpipe embellishment on low A, consisting of two very fast taps or strikes to low G. Blade : The vibrating element of a bagpipe reed. Reeds can be single or double; generally speaking, chanter reeds are double and drone reeds single. The blade is also known sometimes as a tongue. Blowpipe : The pipe through which the bag is inflated.
An ordained deaconess is entitled to enter the sanctuary only for cleaning, lighting the lamps and is limited to give Holy Communion to women and the children who are under the age of five. She can read scriptures, Holy Gospel in a public gathering. The name of deaconess can also be given to a choirgirl. Deaconess is not ordained as chanter before reaching fifteen years of age.
Bunraku is an author's theater, as opposed to kabuki, which is a performer's theater. In bunraku, prior to the performance, the chanter holds up the text and bows before it, promising to follow it faithfully. In kabuki, actors insert puns on their names, ad-libs, references to contemporary happenings and other things which deviate from the script. The most famous bunraku playwright was Chikamatsu Monzaemon.
Down Recorder 24 March 2004, page 29, "St Patrick's Choral Society's out-standing production of Oliver is a huge success" Gaston opened for Dougie Maclean at the Belfast Nashville Songwriter's Festival in 2008 and played Customs House Square, Belfast at the Tall Ships Race in 2009 with his folk group Chanter. They also played at the Ulster Scots Folk Festival in 2009 and 2010.
One of these, Bone dame me prie de chanter, is also sometimes attributed to Theobald I of Navarre or Gace Brulé. The other, Li lons consirs et la grans volentés, is undisputed. Both are isometric, decasyllabic, Dorian and set in bar form, and begin with the leading-tone (the seventh degree). At one place in Bone dame there occurs the highly unusual octave leap downwards.
His widow sold her counties to the French crown. Of Jehan's poetry survive one pastourelle, "Par desous l'ombre d'un bois", and two chansons d'amour, "Pensis d'amours, joians et corociés" and "Je n'os chanter trop tart ne trop souvent". Of these "Pensis d'amours" alone is preserved in mensural notation, in the Chansonnier Cangé. In the Manuscrit du Roi and the Chansonnier de Noailles the melody ends on different notes.
On others, the style is really unique: each key pivots about its own rod, held in place by its own two posts, mounted above the tone hole, but transverse to the chanter. A number of his chanters are known, and not all of them share this distinctive style. He is believed to have made only concert-pitch sets. It appears that he always used a popping valve on his chanters.
The show featured work previously seen at the Scottish National Portrait Gallery as well as a dozen entirely new caricatures. In 2010 a gallery of Fizzers caricatures were installed as a permanent feature at The Chanter pub on Bread Street in Edinburgh. From 27 May 2016 to 26 March 2017 the People's Palace will exhibit over 120 selected works from the Fizzers collection to mark its tenth anniversary.
He moved to London in 1844, and in 1847 was engaged by Benjamin Lumley as one of his assistants at Her Majesty's Theatre. He became known as a teacher and published A Practical Singing Tutor and other vocal studies. He returned to Paris in 1852; about 1855 he published L'art de chanter. It was translated into Italian and German, and was much discussed before it gained acceptance from musical institutes.
Old hospital of St. Raymond, now museum, new building of the fifteenth century. Raymond of Toulouse, also known as Raymond Gayrard, was a chanter and canon renowned for generosity.St. Raymond of Toulouse Catholic Online A native of Toulouse, who entered religious life after the death of his wife. He became a canon of St. Sernin, Toulouse, helping to rebuild the church which became a popular place for pilgrims.
In 1967 Vallée represented Belgium in the Festival of Rio, where Jacques Brel was a member of the jury. He represented Belgium for the Eurovision Song Contest 1970 with "Viens l'oublier" finishing eighth. He participated a second time in the Eurovision Song Contest 1978 with "L'amour ça fait chanter la vie", ending up second behind the Israeli entry. At the time, it was Belgium's best ever Eurovision finish.
A supporter of Sir George Reid, he was elected to the House of Representatives for Riverina in New South Wales in 1903 by only five votes, representing the Free Trade Party. On petition by the former member, John Chanter, however, the result was declared void on the grounds of electoral irregularities.; ; and . Blackwood, who lost the subsequent by- election, was cleared of all charges but never stood for parliament again.
The form of the chabrette chanter appears similar to early oboes, including a swallow-tail key for the lowest note which is placed under a fontenelle. The Occitan names also refer to the goat. In the Occitan region of Languedoc, and especially in the Montanha negre (Black Mountain) area, the bodega is played. This is a very large mouth blown pipe made from the skin of an entire goat.
Later sets included fully chromatic chanters using as many as seven keys. The chanter uses a complex double-bladed reed, similar to that of the oboe or bassoon. This must be crafted so that it can play two full octaves accurately, without the fine tuning allowed by the use of a player's lips; only bag pressure and fingering can be used to maintain the correct pitch of each note.
Thomas of Chobham (also called Thomas Chobham or Thomas of Chabham), English theologian and subdean of Salisbury, was born c. 1160, presumably in Chobham, Surrey, England, and died between 1233 and 1236 in Salisbury, England. Thomas Chobham studied in Paris in the 1180s, likely under Peter the Chanter. He is best known for his influential work on penance which combines Canon law, theology, and practical advice for confessors.
Calwyn is a young priestess who chants the ice chants of Antaris. She lives inside Antaris, a community located among mountains, which is enclosed by an ice wall. The priestesses must maintain the wall with their chantments; that is, by singing certain songs, the knowledge of which is passed down to them through the temple. Nine powers can be achieved by such songs, though never by the same chanter.
Je n'ai pas droite was used as the model for an anonymous song, Se j'ai du monde la flour. His Loiaus amours was a model for another anonymous song, Grant talent ai qu'a chanter, and provided the basis for a contrafactum by the Chastelain de Couci, La douce vois du rossignol salvage. Thirteen songs by Colart are preserved in manuscripts. He preferred isometre, bar form and G modes.
Welsh Bagpipe (single-reed type) made by John Glennydd Welsh bagpipes () The names in Welsh refer specifically to a bagpipe. A related instrument is one type of bagpipe chanter, which when played without the bag and drone is called a pibgorn (English:hornpipe). The generic term pibau (pipes) which covers all woodwind instruments is also used. They have been played, documented, represented and described in Wales since the fourteenth century.
In the interview cited above, Willie Scott referred to "a tremendous set of pipes An extended ivory and silver set of smallpipes made by Archie Dagg. that Archie Dagg had recently made from ivory". He signed his name on these musically, with the notes A DAGG shown on a stave. Archie Dagg's musical signature A DAGG, on the front of the chanter of his extended ivory and silver smallpipes.
With this technique and some practice, many pipers can accurately play the semitones which would otherwise require a chromatic key to be installed. The exception to this is the C6 (C in the second octave), which cannot be cross-fingered or half-holed, and requires the key. This is the most commonly fitted key. The chanter uses a double reed, similar to that of the oboe or bassoon.
Vaughn Anselm of Bec p. 242 Anselm then held a council in September 1102 at Westminster, which was attended by Gerard, the new archbishop of York. According to Hugh the Chanter, when the seats for the bishops were arranged, Anselm's was set higher than Gerard's, which led Gerard to kick over chairs and refuse to be seated until his own chair was exactly as high as Anselm's.Vaughn Anselm of Bec pp.
This is the auxiliary stage upon which the gidayu-bushi is performed. It juts out into the audience area at the front right area of the seats. Upon this auxiliary stage there is a special rotating platform. It is here that the chanter and the shamisen player make their appearance, and, when they are finished, it turns once more, bringing them backstage and placing the next performers on the stage.
Al Joundi became an actress in France. She co- wrote Le jour où Nina Simone a cessé de chanter, a one-woman show about her struggle to obtain French citizenship, with Algerian playwright Mohamed Kacimi. Her performance at the 2012 Festival d'Avignon received good reviews from theatre critics. After Prime Minister Manuel Valls read an article about her in Le Monde in 2012, he decided to speed up her application for French citizenship.
Tesgüinada events include rain fiestas, harvest ceremonies, curing fiestas, Guadalupe Fiesta, Holy Week, races, and Sunday gatherings. Some of these events take place during and after communal activates, for example when neighbors help one another’s families with their fields or building large structures like granaries, houses, and corrals. The harvest and rain ceremonies take place during the farming months to ensure a good crop season. These events also require either a shaman, curandero, or chanter.
AIR Srinagar also serves in the holy months of Muslims by producing such programs related to particular holy months like Muharram and for Ramadan. AIR Srinagar aired in 1980's the voice of Mirza Abdul Ghani Beigh, the prominent Kashmiri Noha reciter and writer. Shia people across the valley remained in waiting for the programme of such religious Noha chanter personalities. AIR Srinagar broadcasts necessary announcements related to different sects living in Kashmir.
A duda is made of a leather bag, and no less than three pipes of different size: the soska ("nipple"), perabor (chanter) and huk ("sound"). The bag is traditionally made from the skin of a badger, goat or calf. The skin is first sewn with fur inside and with only single minimal (double stitch) seam. An additional leather band is then stitched on top of double stitch to create an airtight seal on the bag.
Between 1960 and 1970 he was associate pastor and chanter in Nyíregyháza, where he also taught philosophy, dogmatic theology and catechetics. In 1966 he won a scholarship to study at the Pontifical Oriental Institute in Rome, Italy as a student of the Pontifical Hungarian Institute for three years, where he obtained a licentiate in eastern theology. In 1970 he was made a canon of the Cathedral of Hajdúdorog, in 1975 parrish administrator in Nyíregyháza.
"The tone, though jarring, is not altogether unexpected" in the words of the dust jacket for the original LP. In the subsequent movement, a "practice bagpipes" with the drones removed and the chanter muffled is used. In the final movement, the full bagpipes are employed. Balloons are rubbed and popped through the majority of the piece. For the final chord, three helium balloons, attached to pitchpipes, are released from the percussion section behind the orchestra.
Other single reed, double chanter bagpipes found in Southern Italy include the Sordulina and the zampogna "a moderna", both of which are found in Calabria. In the province of Messina, in the local dialect, the single blade can reed mounted in the instrument's chanters and drones is called a "zammara." In the island of Ibiza, in the Balearic Islands of Spain, there is the reclam de xeremies. Basque Country has the alboka.
She grew up next door to King Kalākaua and attended school for just three years. She learned to dance the hula from her mother, a court dancer and chanter. When she was 14, the King invited her to join the court's hula dancer troupe, Hui Lei Mamo. Although Kapahukulaokamāmalu opposed the public performance of the dance at the time, Queen Kapiʻolani later convinced her to give her permission when Kini was 16.
Harty, Fitzgerald, and Porter (2008) indicated that READ 180 can be successfully implemented in an afterschool setting. Lang, Torgesen, Vogel, Chanter, Lefsky, and Petscher (2009) published a study which indicated that ninth-grade students enrolled in READ 180 exceeded the benchmark for expected yearly growth on the Florida Comprehensive Assessment Test. De La Paz (1997) documented the foundational research conducted by Dr. Ted Hasselbring and his team from Peabody College at Vanderbilt University.
A Lithuanian bagpiper. The dūdmaišis or Labonoro dūda is a Lithuanian bagpipe with a single chanter and drone. The Lithuanian bagpipe was traditionally played at a variety of events, including May Day festivities, and spring caroling. A 1955 publication by the Lituanus Foundation noted that: "The Labanoro Dūda or Bagpipe was at one time very widely used, though it is almost forgotten." Dūdmaišis are made of sheep, ox, goat or dogskin or of sheep’s stomach.
The duo returned again for the Radio K.A.O.S tour in 1987. Chanter performed on Waters' next releases – first, she sang on three songs from Radio K.A.O.S. in 1987 and then on five songs on the Amused to Death album in 1992. She also toured as part of Meat Loaf's backing band Neverland Express in 1984–85, including appearing on Bad Attitude - Live! (1985), and as part of Joe Cocker's touring band in 1989.
Ashante P.T. Stokes is an American rhythm and gospel artist and actor. He began his career as a rhythm and gospel vocalist and rapper in early 2013 and his acting in late 2013. Born in Atlanta, Georgia, Stokes was a youth chanter at Wheat Street Baptist Church and played the hand bells at Hillside Presbyterian Church. His inaugural live performance as PT The Gospel Spitter was January 25, 2013 at Mark SQuared in Tucker, Georgia.
Papas was born in Sopiki, Greece, then a part of Albania. He was exposed to classical music at an early age by his father, who was a church chanter, a voice teacher, and a casual player of the violin. When Papas was a young teenager, he went to live with an uncle in Cairo. He attended school and studied piano, and it was then that he began to study both the mandolin and the guitar.
401-415 Perhaps remoteness or cultural introspection preserved such instruments in the South West when they died out elsewhere. The Launceston bagpipe has a conical bore chanter, which would give a loud, full tone often associated with outdoor performance. The bagpipe at Altarnun has parallel bore chanters which would give a quieter, reedy tone normally associated with indoor use. The asymmetrical chanters at Altarnun may be representative or a function of perspective.
Valves : Valves are used in most types of bagpipes to close off the air entry point (the blowpipe), although some pipers simply closed the end of their blowpipe when they took a breath. Vent Holes : On the Highland bagpipe chanter, the vent holes are two holes with produce low G; the reason for the term vent holes is unclear. (The) Voice : The quarterly publication of the Eastern United States Pipe band Association.
Likewise, Hugh the Chanter, made the primacy dispute one of the central themes of his work History of the Church of York.Hollister Henry I pp. 13–14 In 1102, Pope Paschal II, in the midst of the Investiture controversy, tried to smooth over the problems about investiture by granting Anselm a primacy, but only to Anselm himself, not to his successors. Nor did the grant explicitly mention York as being subject to Canterbury.
Other makers have developed drones compatible with both A and D chanters, so that one instrument can be used with either chanter. These sets include both A and D drones. One example is the "ADAD" style, with bass, baritone, tenor, and alto, as seen here:. And by using longer tuning pins, and northumbrian smallpipes-influenced tuning beads, some smallpipe drones can easily be retuned to a pitch one or two tones higher.
Simon was treasurer of the cathedral chapter in 1203. He also held a prebend at Lichfield until 1209. Previously he had been a lecturer in canon law at Bologna, Paris and at Oxford.Greenslade "House of Secular Canons" 'History of the County of Stafford: Volume 3 In Paris, Simon argued a case before Peter the Chanter that dealt with papal mandates, and his arguments won over Peter to his side of the discussion.
An optical electric bagpipe chanter being played. Electric or electro-acoustic bagpipes refers to any set of bagpipes designed to use a pickup to detect the mechanical vibrations of the reed or reeds. As with an electric guitar, the detected electrical signal is then routed to an amplifier, and from there to a loudspeaker. Depending on the volume of the amplified sound, the unamplified acoustic sound of the bagpipe will also be heard to some extent alongside it.
The veuze has a chanter of conical bore fitted with a double reed and a drone fitted with one reed, both attached to a mouth-inflated bag. Its sound and design is similar to Flemish pipes and Galician gaita. In the 20th century, the term veuze came to be applied to the diatonic accordion, which had been recently imported, and the use of the bagpipes declined. Though still not common, it has rebounded since the Breton folk revival.
The musician's stage-Yuka This is the auxiliary stage upon which the gidayu- bushi is performed. It thrusts out into the audience area at the front right portion of the seats. Upon this auxiliary stage there is a special revolving platform. It is upon this revolving platform that the chanter and the shamisen player make their appearance, and, when they are finished, it turns once more, bringing them backstage and placing the next performers on the stage.
Mariah the chanter flawlessly adapts to their > singsong style, largely boxing her multi-octave range into a sly, hypnotic > melody so that when she really wails at the end, you really feel it. Carey > lunges toward musical maturity by embracing, not shunning hip-hop. This is > the height of her elegance and maybe hip-hop-soul's, too. While "Breakdown" served as the album's third single in the United States, New Zealand and Australia, "The Roof" was released in Europe.
Tonno has many times aided in Calwyn's quest, though he himself is not a chanter and relies on his massive build and strength. It is implied he has a crush on the deceitful ex-princess Keela, to preserve whose safety he is often shown acting throughout the novel. Trout a 17-year-old former student of the weapon-building colleges of Mithates. Trout now uses his intellect to build practical items, including a navigational compass and a wheeled chair.
John Halgren of AbbevilleJean d'Abbeville, Jean Halgrin d'Abbeville, Johannes Halgrin de Abbatisvilla, Joannes Algrinus, Jean Algrin, Alegrin, Halgrin or Malgrin. (died 1237) was a French scholastic philosopher and writer of sermons, papal legate and Cardinal. In theology he was a follower of Peter the Chanter and Stephen Langton. After studying with Hugolino of Ostia at the University of Paris, he became dean of the chapter at Amiens in 1218;City and Cathedral later he was archbishop of Besançon.
In Schickele's own words during the introduction, "The title, Pervertimento is... not P.D.Q. Bach's own. As a matter of fact, it was not so much a title as an opinion of the people who first played it". The piece incorporates several unconventional instruments, and in some cases non-instruments. The bagpipes player uses three radically different incarnations of the instrument; first, the chanter is removed from the bagpipes and played similar to an oboe or clarinet.
The cabrette comprises a chanter for playing the melody and a drone, but the latter is not necessarily functional. Though descended from earlier mouth-blown bagpipes, bellows were added to the cabrette in the mid-19th century. It is said that Joseph Faure, of Saint-Martin-de-Fugères en Haute-Loire, first applied a bellows to the cabrette. Faure, a carpenter stricken with lung disease, was inspired when he used a bellows to start a fire.
Magos started her work on the Sugidanon (to tell), the epics of Panay in 1992 through a grant from the French government. She first recorded two epics from a shaman chanter named Anggoran (Christian name Preciosa “Susa” Caballero). In 1994, she further studied the extent of epic dissemination in Central Panay and discovered a total of 10 epics. The epics are the following: Tikun Kadlom, Amburukay, Derikaryong Pada, Balanakon, Kalampay, Pahagunong, Sinagnayan, Humadapnon sa Tarangban, Nagburuhisan, and Alayaw.
Her husband, John Mills Chanter, became the vicar of Holy Trinity Church in Ilfracombe. Chanter's 1856 book Ferny Combes was the first book to draw public attention to the great diversity of ferns to be found in Devonshire. Her book focused mainly on ferns discoverable within an easy distance of the coast. Like other botanizing authors of this period, she encouraged people to dig up rare ferns, contributing to the increasing rarity of certain Devon ferns.
The Uilleann pipe achieves the same end by having the player rest the chanter on the leg, with the advantage that the lowest note remains available. Closed Fingering : A fingering system that generally involves only one or two fingers being lifted for any particular note. College of Piping : Founded in 1957 by Seumas MacNeill and Thomas Pearston. Located in Glasgow, Scotland, it publishes the monthly Piping Times, hosts a small museum, and runs an active teaching program.
The kozioł biały (or kozioł weselny) features a drone with a projecting horn, and is inflated with bellows rather than the mouth. The name (literally "white goat") comes from the use of a hair-out goat's hide for the pipebag, and this is often complemented by a carved wooden goat's head ornamenting the stock of the chanter. The instrument was widely popular in Poland historically, and was even played in the court of King Christian IV.
Harvey Merrigan (born 4 December 1949) is a former Australian rules footballer who played with Fitzroy in the VFL during the 1970s. He won Fitzroy's Best and Fairest in 1974, only the second fullback to win the award for the club with the other being Vic Chanter. In a game against Melbourne in 1979, Fitzroy put on 238 points and Merrigan kicked the goal that enabled them to pass the record for highest score in a VFL game.
Famous was also the McPeake Family, who toured Europe. Uilleann pipes are among the most complex forms of bagpipes; they possess a chanter with a double reed and a two-octave range, three single-reed drones, and, in the complete version known as a full set, a trio of (regulators) all with double reeds and keys worked by the piper's forearm, capable of providing harmonic support for the melody. (Virtually all uilleann pipers begin playing with a half set, lacking the regulators and consisting of only bellows, bag, chanter, and drones. Some choose never to play the full set, and many make little use of the regulators.) The bag is filled with air by a bellows held between the piper's elbow and side, rather than by the performer's lungs as in the highland pipes and almost all other forms of bagpipe, aside from the Scottish smallpipes, Pastoral pipes (which also plays with regulators), the Northumbrian pipes of northern England, and the Border pipes found in both parts of the Anglo-Scottish Border country.
John Koukouzeles, saint and one of the most famous maistores of Psaltic Art at Constantinople, leading a choir by the cheironomic gesture of Ison (picture of a 15th-century chant manuscript at the Great Lavra Monastery, Mount Athos) In the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches, a cantor, also called a chanter (; ), is a monk or a lay person in minor orders who chants responses and hymns in the services of the church. Michael Prokurat, Alexander Golitzin, Michael D. Peterson, The A to Z of the Orthodox Church, Rowman & Littlefield, USA, 2010, p. 199 There are several titles for the psaltes, which depend on the recognition of his capabilities as a chanter, sometimes connected with an employment, by the local or Ecumenical Patriarchate. In some smaller communities it is also possible, that the community sings within an oral tradition and without any instruction by a protopsaltes, in other Orthodox Rites, there are various hierarchical offices, which can be passed during a long career, connected with a lifelong process of learning.
Practice chanters can be made out of various materials and come in various sizes: short chanters are designed for the smaller hands of a child; regular chanters (as shown in the photo at right) are the same size is the traditional chanters; long chanters are also available, with the added length allowing a melody hole spacing identical to that of the bagpipe chanter itself. On some long chanters, the melody holes are also countersunk so that the outside face of the melody holes will have the same diameter as the bagpipe chanter holes. Pipe Chanters and practice chanters are typically made out of a hard wood such as African Blackwood; before the expansion of the British Empire, native woods were used, and are still used in many folk instruments. In the 1960s African Blackwood was in very short supply, and Ireland's only bagpipe maker, Andrew Warnock of The Pipers Cave in Northern Ireland, began making chanters from polyoxymethylene (also known by several names), an extremely strong and durable machinable plastic which at the time was used for making police batons.
Jonathan Romney, in Film Comment, 13 February 2014. [Retrieved 15 March 2014.] For the title of the film, Resnais chose Aimer, boire et chanter, to convey something of the spirit of the otherwise untranslatable original title. It is also the French title of a waltz by Johann Strauss II, which is heard during several scene transitions; and a vocal version with French words by Lucien Boyer is sung during the final credits in a recording by the tenor Georges Thill.
The UK release was by Philips Records as catalog number PB 311 B (flip side of "Rain, Rain, Rain"). Billboard - Nov 27, 1954 - Page 36 FRANKIE LAINE In the Beginning 81 COLUMBIA 40378— Laine turns in a mighty impressive performance here on a new religioso effort in the vein of his "I Believe." He sells it with intense feeling, and he is , and he is supported warmly by a chorus and ork. This could be a big one for the chanter.
Langdon's early career was marked without complaints over him or his competence and he taught writing and arithmetic to the choristers. From 1757 to 1769, large sums of money were paid to Richard for subscriptions to volumes of William Boyce's compositions. The only criticism of Langdon by the cathedral was on 3 March 1759 due to his "frequent" absence and disobedience of the sub-chanter. Soon after on 7 April 1759, he was given permission for five weeks of absence.
The Pastoral chanter is used to play the melody and is similar to later flat set union pipe chanters in tone. It has eight finger holes giving middle C, D, E♭, E, F♯, G, A, B, C♯, D' using open fingering in the first register. Most of the accidentals can be obtained by cross-fingering and a second register is available by increasing the bag pressure. With a suitable reed, a few third- octave notes can also be played.
The distinguishing characteristic of Pigg's playing style is the use of complex open-fingered ornaments, in imitation of Irish and Highland piping. His father was a Highland piper, while Billy himself had great interest in Irish music. By contrast, most respected pipers before him would have stuck with an almost wholly staccato style. Tom Clough considered that any departure from this, a style where the chanter was closed and silent between any two notes, would be "a grievous error in smallpipe playing".
A gaita sanabresa The gaita sanabresa is a type of bagpipe native to Sanabria, a comarca of the province of Zamora in northwestern Spain. The gaita sanabresa features a single drone. The scale of this chanter is distinct from others in Spain, in A mode (Eolic) much different from the gaita alistana of Aliste in D Mode (Doric) as well as the "Gaita Mirandesa" from Portugal. In playing, the fingering is generally open, though some players use semi-closed touches.
A priest at Neuilly from 1191, he attended the lectures of Peter the Chanter in Paris. He began to preach from 1195, and gained a reputation for piety and eloquence. His preaching focused on reforming people's morality and many of his denunciations were upon the sins of usury and lustfulness. Clerical concubinage was a common target of his and he would often point out priests and concubines that were guilty of this sin in the crowd when he was preaching.
"The Story of the Bagpipe" p. 15 Though aulos is often erroneously translated as "flute", it was a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"The History of Musical Instruments, Curt Sachs, 1940—was more akin to that of the bagpipes, with a chanter and (modulated) drone. Like the Great Highland Bagpipe, the aulos has been used for martial music,Herodotus, The Histories, 1.17.1, on Perseus but it is more frequently depicted in other social settings.
El tío Frescas, gaitero de Ventrosa (La Rioja) hacia 1920. The gaita de saco (or de bota) is a type of bagpipe native to the provinces of Soria, La Rioja, Álava, and Burgos in north-central Spain. In the past, it may also have been played in Segovia and Ávila. It consists of a single chanter (puntero) holding a double reed which plays the melody, and single drone (ronco), which has a single reed and plays a constant bass note.
Nothing in Orthodox worship is simply said; it is always sung or chanted. Chanting in the Orthodox tradition can be described as being halfway between talking and singing; it is musical but not music. Only a few notes are used in chanting, and the chanter reads the words to these notes at a steady rhythm. The notes and rhythms used vary according to what the occasion is, but generally chanting is relatively low- toned and steadily rhythmic creating a calming sound.
Likewise, was quartered between the dean, chancellor, chanter and treasurer. The western churches of Applecross, Gairloch, Kintail, Lochalsh, Lochbroom and Lochcarron were held by the chapter in common. Alness, Contin, Cullicudden, Dingwall, Kilchrist, Kilmuir (Easter), Kiltearn, Kincardine, Kirkmichael, Logie Methet ("Logie Easter"), Roskeen (with Nonakiln) also constituted prebends for the cathedral. By the early 14th century, the abbot of Kinloss was a permanent member of the Fortrose cathedral chapter on account of holding in perpetuity the rectorship of the parish of Avoch.
The note from the chanter is produced by a reed installed at its top. The reed may be a single (a reed with one vibrating tongue) or double reed (of two pieces that vibrate against each other). Double reeds are used with both conical- and parallel-bored chanters while single reeds are generally (although not exclusively) limited to parallel-bored chanters. In general, double-reed chanters are found in pipes of Western Europe while single-reed chanters appear in most other regions.
Also in 1983, she guested on backing vocals on Keith Emerson's Murder Rock album on one song, "Not So Innocent", as well as lead vocalist on three songs. She also wrote the lyrics for them. Chanter was part of the touring bands for both Roger Waters and Van Morrison in 1984. She sang on Waters' album The Pros and Cons of Hitchhiking, released in that year, and provided backing vocals together with Katie Kissoon during the tour promoting the record in 1984–85.
In 2015, NASA astronaut Kjell N. Lindgren played a set of McCallum bagpipes on the International Space Station. The company made a set of plastic bagpipes specifically for him so they could be easily sanitised and transported to the ISS. Red Hot Chilli Pipers founder Stuart Cassells uses a special chanter manufactured by McCallum Bagpipes, which uses flute keys instead of the normal holes. This allows him to play the bagpipes despite suffering from focal dystonia in his right hand.
Each chanter is fitted with a reed made from reed (arundo donax), bamboo, or elder. In regional languages these are variously termed lemellas, Piska, or pisak. A more modern variant for the reed is a combination of a cotton phenolic (Hgw2082) material from which the body of the reed is made and a clarinet reed cut to size in order to fit the body. These type of reeds produce a louder sound and are not so sensitive to humidity and temperature changes.
Uilleann is the genitive of the Irish word uillinn, meaning "elbow", emphasising the use of the elbow when playing the uilleann pipes. The Irish word for uilleann pipes is píobaí uilleann, which means "pipes of the elbow". However, the first attested written form is "Union pipes", at the end of the 18th century, perhaps to denote the union of the chanter, drones, and regulators. Another theory is that it was played throughout a prototypical full union of England, Wales, Ireland and Scotland.
The Pastoral pipes were bellows blown and played in either a seated or standing position. The conical bored chanter was played "open", that is, legato, unlike the uilleann pipes, which can also be played "closed", that is, staccato. The early Pastoral pipes had two drones, and later examples had one (or rarely, two) regulator(s). The Pastoral and later flat set Union pipes developed with ideas on the instrument being traded back-and-forth between Ireland, Scotland and England,H. Cheape.
Apps began playing the bagpipes at the age of 10. At age 14 he became involved with the Scottish Piping Society of London, for whom he would eventually judge at competitions. In 1986 he was invited to join the Kansas City St Andrews Pipes and Drums Grade I band and lived in Missouri until 1989, when he returned to England. He has donated chanter reeds to The National Youth Pipe Band of Scotland and has now retired from performing in competitions.
It was sung 4 times when Team Scotland won 4 gold medals in the opening day. This usage continued at the 2018 Commonwealth Games. The tune was originally composed on the Northumbrian smallpipes, which play in D and have the benefit of keys on the chanter to achieve a greater range of notes. In July 2006, the Royal Scottish National Orchestra conducted an online poll (publicised by Reporting Scotland) in which voters could choose a national anthem from one of five candidates.
One of the leading critics of the Kalākaua era was Presbyterian minister Sereno E. Bishop, who often incorporated his revulsion of the "bestialities of the hula hula" into his sermons. He took particular offense at Liliʻuokalani's adherence to her culture. It was ultimately Kalākaua who dropped the pretense and showcased large public hula performances and the oli (chants). During the king's 1883 coronation, local chanter and hula master ʻIoane ʻŪkēkē, aka Dandy Ioane, danced with hula girls, before an estimated 5,000 lūʻau guests.
As I see him, he can be over-vigorous at times, but that does not excuse the behavior of some crowds towards him. There was another demonstration against him at Footscray on Saturday and in the opinion of Frank Walsh it was most unfair and entirely undeserved." Chanter stated later that it was nothing new, saying "At Geelong, I was hit with a stone that I saw deliberately thrown at me. At Collingwood, they threw bottles and blue metal at me.
The band explains that all one needs to brighten one's day is to sing a song "happy and in harmony". The group also recorded an English-language version of the song, with a minimal change to its original Dutch title; "It's OK". The song was performed eleventh on the night, following Belgium's Jean Vallée with "L'amour ça fait chanter la vie" and preceding Turkey's Nilüfer & Nazar with "Sevince". At the close of voting, it had received 37 points, placing 13th in a field of 20.
The bag itself is made of a goat skin turned inside out, and most often the rims of the different parts of the instrument - chanter and drone pipe - have a piece of horn on it. Dances have complex steps matching the rhythms, and are often fast. Most are circle-dances or line dances called horo; but some are done singly or in pairs. Although traditional music and dance are not popular among Bulgarian city youth, they are often performed at weddings, and generally in countryside festivals.
Psalms for I is the debut album by reggae chanter Prince Far I, recorded in 1975 and released on the Carib Gems label in 1976. The album features nine tracks based on psalms and "The Lord's Prayer", over rhythms largely played by The Aggrovators and produced by Bunny Lee, notable exceptions being the "Psalm 24" rhythm, which was produced by Alton Ellis.Thompson, Dave (2002) Reggae & Caribbean Music, Backbeat Books, , p.224 "Psalm 53" used the rhythm from the Lee "Scratch" Perry-produced "Mighty Cloud of Joy".
The fact that their origin had been obscured by the early 18th century suggests that they came from mainland Japan a long time ago. Based on modern-day Shuri Kubagawa- chō (part of the capital Shuri), they performed puppet plays, chanted Banzei (manzai) on celebratory occasions and sang nembutsu songs as a funeral service. For these reasons, they were also called Ninbuchaa (nembutsu prayer) or Yanzayaa (banzei chanter). It is uncertain if the Chondaraa performed nembutsu from the very beginning or learned later from a different group.
Bridgeton Cross, Glasgow The gallery's programme includes a mixture of local and international artists. Notable projects include Stefania Batoeva and Goran Chanter, It Is Forever Ours (curated by Swimming Pool, Sofia, 2017); Tessa Lynch, Wave Machine (2016); Sol Calero, Desde el jardín (for Glasgow International, 2016); Finite Project Altered When Open (group show, 2015); International Artist Initiated (project residency for Glasgow 2014 Cultural Programme, 2014); Steve Bishop & Richard Sides, To clear the bush of your garden (2013); and, Kilian Rüthemann & Kate V. Robertson (for Glasgow International 2012).
The Deputy Marshall identified 828 votes of doubtful formality in several classes. The question for the court was whether the irregularities affected the result of the election. Barton J followed Chanter v Blackwood that focused on the disputed votes and the size of the majority, hence the attention in the judgement to the few hundred irregular votes and not the 9,000 missing votes. Barton J went through each class, accepting most as valid votes, with Vardon in third place in front of Crosby by just two votes.
He is probably the local "Pierre II" referred to in documents from between 1210 and 1224. Four songs are attributed to Pierre in the Chansonnier du Roi and the Noailles Chansonnier, and all appear in other chansonniers with different attributions. All the melodies are in bar form. Most unusual are the presence of a melodic tritone in two sources for Fine amours et bone esperance and of a sharpened subdominant in Chanter me fet ce don't je crien morir, both created by the use of accidentals.
They are usually written in either the Dorian or Mixolydian modes and "cannot be rejected as tiresome pedantries [...] yet possessed of an intrinsic harmony, a singularity of purpose, a unanimity of conception and intent that may properly be termed artistic."Switten, 325. More indicative of her final evaluation of his tunes may be the reference to their "sheer enjoyableness as music". A trouvère, Guiot de Dijon, writing in Old French, probably modelled his song Chanter m'estuet, coment que me destraigne after Peirol's love song Si be.
He combined legato passages with "tight" (staccato) ornaments—runs, triplets and backstitching—as well as crans, all executed with the highest proficiency. However, he did not employ certain ornaments in common use today, such as raising the chanter off the knee to swell a note's volume and intensity. In these ways his style contrasts with the prominent influences on current piping who stayed in Ireland—Willie Clancy, Johnny Doran, Seamus Ennis, John Potts, and Leo Rowsome. Most uilleann pipes have three drones and three regulators.
It was initially run by IVO Generation Services, a company owned by Finland's Fortum (Imatran Voima Oy). The site was owned by the consortium Humber Power Ltd, which was owned by Midland Power, ABB Energy Ventures, Tomen Group, Fortum Group, British Energy and TotalFinaElf. Humber Power Ltd was formed in 1991. On 29 May 2001, Centrica (as GB Gas Holdings Ltd) bought 60% of the power station, and with 40% owned by Chanter Petroleum (part of TOTAL Midstream Holdings UK Ltd) from Humber Power Ltd.
Anne Etchegoyen —Basque graphy: Ane Etxegoien— (born 1980 in Saint-Palais, Lower Navarre) is a Basque French singer and songwriter. Etchegoyen sings in Basque, French, Spanish and Gascon.«Anne Etchegoyen», BEO She has released four albums, including two solo, and two in collaboration with the Basque Men's Choir Aizkoa. Her popularity greatly increased throughout France after appearing and singing with various other groups in the 6-episode Le Chœur du Village.«France 3 fera chanter "Le Chœur du village"» , Petits écrans, 2012-04-25.
In 1927 he moved permanently to New South Wales and became a prominent wheat farmer in Lake Cargelligo. Chanter was involved in local organizations in Tongala and Lake Cargellico including the show societies, Wheatgrowers Union and Freemasons. He was elected to the position of councillor for Deakin Shire in Victoria between 1919 and 1926 and was the shire president in 1925–26. He was also elected to Lachlan Shire Council in New South Wales between 1928 and 1945 and was the president in 1940–1.
The musette bressane (or mezeta, mus'ta, voire cabrette, brette or tchievra) is a type of bagpipe native to the historic French province of Bresse, in eastern France. The instrument consists of one chanter with a double reed and conical bore, a high drone set in the same stock (which may have a single, or rarely a double, reeded drone), and a large bass drone with a single reed. These bagpipes are currently generally bellows-blown, though their predecessors prior to 1800 were mouth-blown.
In 1888, the first hotel - Berrigan Hotel - was built on the intersection of the two main roads through to town, with other stores rapidly following along Chanter Street. This hotel still stands today, although it is now a private residence. Other hotels include the Momalong Hotel, also now a private residence, and the Federal Hotel and Royal Hotel, both still active. Berrigan was officially proclaimed on 31 May 1890, and this only increased the establishment of the commercial section of the town, as well as the residential.
The bagpipes may be drone-less or furnished with drones (byrdwn) via the bag (cwdyn). The single- reed chanter is drilled with six small finger-holes and a thumb-hole giving a diatonic compass of an octave. Modern examples are generally pitched in D Major or D Mixolydian, and F Major; but historical instruments give a variety of pitch as well as musical modes. The double reed chanters come in a variety of pitches, and some of the instruments may be cross-fingered to give different modes.
The song is an up-tempo, disco- influenced number that deals with the group needing "a million" (dollars) and pleading with "Mister President" (of a company) for a job. They go on to describe the affluent lifestyle they hope to live with the money. It was succeeded as Belgian representative at the 1978 Contest by Jean Vallée performing "L'amour ça fait chanter la vie". Stella Maessen returned to the Contest as a solo artist in 1982 with "Si tu aimes ma musique", again representing Belgium.
"Chanter pour ceux qui sont loin de chez eux" (English: Sing for those who are far from home) is a 1985 song recorded by French singer-songwriter Michel Berger on his album Différences. It was released as a single one year later. In 1998, the song was covered by French singer Lââm and was released in September 1998 as her debut single and the lead single from her album Persévérance. The song was in fact released two years before, in 1996, but passed unnoticed at the time.
The wheel (trochos) known as "the solfège of Master John Koukouzelis" () Koukouzelis received his education at the Constantinople court vocal school and established himself as one of the leading authorities in his field during the time. A favourite of the Byzantine emperor and a principal choir chanter, he moved to Mount Athos and led a monastic way of life in the Great Lavra. Because of his singing abilities, he was called "Angel-voiced". Koukouzelis established a new melodious ("kalophonic") style of singing out of the sticherarion.
In the late 1970s, he was the Curator of the Black Gate Museum, Newcastle, which then housed the Cocks collection of historic bagpipes. In the early 1980s, several pipemakers, including Ross, Hamish Moore and others were working to create sets of smallpipes which had similar reeds and cylindrical bore to the Northumbrian smallpipes, but with an open end to the chanter, and with the scale and 'covered' fingering of a Great Highland bagpipe.Joshua Dickson, The Highland bagpipe: music, history, tradition, Volume 2008. Ashgate Publishing, Ltd.
Telegraph- Journal, February 1, 1999. The band's supporting lineup has varied at different times, including both Mi'kmaq and non-Mi'kmaq musicians; at the time of Message from a Drum, the band included guitarist Jason Ratchford, bassist Peter Christmas, chanter and percussionist Justin Francis, and drummer Sean Parris. The band first emerged in 1990, when their single "Lady of the Evening" was a minor country music hit in both Canada and the United States.Brian Wright-McLeod, The Encyclopedia of Native Music: More Than a Century of Recordings from Wax Cylinder to the Internet.
He was born ʻIoane Hohopa in Hilo, on the island of Hawaii, around the 1830s. His obituary in The Hawaiian Star newspaper noted that he was over 70 years old when he died in 1903. He was known variously as J. U. Smith, ʻIoane ʻŪkēkē, the Hawaiian Dandy, the Hawaiian Beau Brummel, and other variations of these names throughout his life. ʻIoane was a Hawaiian chanter and kumu hula, or master teacher, of hula who headed his own troupe of hula dancers, which included his wife and sister-in-law.
Stafford Queen Emma and Queen Edith p. 123 footnote 136 Medieval writers condemned him for his greed and for his pluralism.Cowdrey "Stigand" Oxford Dictionary of National Biography Hugh the Chanter, a medieval chronicler, claimed that the confiscated wealth of Stigand helped keep King William on the throne.Rex Harold II p. 79 A recent study of his wealth and how it was earned shows that while he did engage in some exploitative methods to gain some of his wealth, other lands were gained through inheritance or through royal favour.
Later in the afternoon Mercer had another winner for Cecil, when Chalet won a handicap with top weight. The jockey's afternoon finished with a last gasp victory on Romara for Harry Wragg beating a hot favourite in Reprocolor (Helena Springfield's filly with Michael Stoute). The next day Cecil introduced Welsh Chanter in the Wood Ditton Stakes (a race for hitherto unraced three-year-olds). Mercer thus rode his fourth winner of the meeting, and this colt later gave him a Royal Ascot winner in June, when winning the Britannia Stakes for his owner Jim Joel.
AESOP in Emporium Melbourne, Australia AESOP in Hibiya Chanter, Tokyo, Japan Aesop (stylised as Aēsop) is an Australian luxury skin care brand owned by Brazilian company Natura & Co. In addition to skincare, Aēsop also produces hair care, soaps and fragrance.Official pageAnnabel Ross, The Age Melbourne Story: Suzanne Santos 21 March 2012 Each Aēsop store has a unique interior design developed in collaboration with various architects, interior designers and artists. As of 2019, the brand had over 320 points of sale across 25 countries.Mitchell Oakley Smith, Aesop Opens 100th Store The Australian.
In the course of 1853 the composer was working on two books, one for the Opera House and the other to the Opéra-Comique of Paris. The first of these pieces Le Maitre à Chanter, a grand opera in two acts set to a libretto of Henri Trianon, choreographed by Joseph Mazilier, successfully premiered at the Academy of Music on 17 October 1853. His opera Yvonne (1859), set to a libretto by Eugène Scribe, premiered at the Theatre de l'Opéra-Comique on 29 November 1859 and was also well received.
In 1897, in view of the increased presence of Russia′s government officers in Korea, the government of the Russian Empire made a decision to send Russian Orthodox missionaries to Korea. Archimandrite Ambrosius Gudko led the three-person team, but was refused permission to enter the country. In 1900, a more hospitable atmosphere between Russia and Korea allowed a second missionary team led by Archimandrite Chrysanthos Shehtkofsky to begin an outreach in Seoul. He was joined in Korea by Hierodeacon Nicholas Alexeiev of the original team, and chanter Jonah Leftsenko.
The term "exapostilarion" is related to the word Apostle, which itself is derived from a Greek word meaning “sent out.” It has this name because in ancient times a chanter was sent out from the choir into the center of the church to chant this hymn. The exapostilaria ask God to enlighten the minds of the faithful that they might worthily praise the Lord in the verses of the LaudsThe Lauds or Praises are Psalms 148, 149 and 150, in which all creation offers praise unto God. which follow, and in the Great Doxology.
They cross many miles to reach Kalysons, where Darrow meets his friends Tonno and Xanni to ask them for help. All four sail on the boat Fledgewing to Mithates, where they seek the help of a chanter who can help them defeat Samis. In Mithates, the men leave to try finding remnants of the fire chantments, leaving Calwyn on the boat as women are not allowed in the war-machine-making colleges. Calwyn sees Samis' chantment-powered galley dock nearby and searches for her friends to warn them.
The series was broadcast on France 3 in April 2013.Petits écrans: France 3 fera chanter Le Chœur du village We can't forget anyway that She was already known for singing 3 times the French national anthem La Marseillaise, in 2003 for the World Championship in Athletics In Paris, in 2009 for the Basketball World Cup and in 2010 during a Rugby Union Test match between France and Argentina. Etchegoyen's latest album, Les Voix Basques ("The Basque Voices"), has been awarded gold record in France after selling more than 60,000 copies.
Calwyn the 18-year-old protagonist; a priestess of Antaris. Once an incredibly talented chanter capable of singing nearly all of the chantments, she has lost her abilities as well as her confidence, though not her compassion, later she regains her Chantments when she was empowered with water infused with the power of Becoming. Calwyn uses her other abilities to save Tremaris, the world of which the region of Antaris is part, and by chance is granted her chantment anew. Calwyn learns that she is both a Voiced One and a Tree Person.
Kirkus Reviews finds this novel slower than earlier novels in this series, and introspective. > Strongly atmospheric but far less suspenseful than People of Darkness, this > second case for Jim Chee of the Navajo Tribal Police (who's also an > apprentice Navajo chanter/shaman) moves into the neighboring Hopi culture on > the joint Southwest reservation--as Chee ponders possible connections among > a quartet of simultaneous cases. There's a body found on Hopi territory--its > feet and hands skinned: a sign of witchcraft afoot. There's a robbery by ex- > con Joseph Musket, who has now weirdly disappeared.
Robertson attached the regulators to the front of the stock to achieve a better balance or greater volume with double regulator reeds and the drones. Pastoral sets with one or two regulators are common in Roberstson’s sets as well as keyed Pastoral and shortened union chanters. Such developments were driven by experimentation as musical styles changed, diversifying the instruments by the maker or the particular tastes of the customer. Leading as musical instruments advanced from an open pastoral bagpipe chanter, to a staccato or closed union pipe in the mid-18th century.
Martin Glover was born on 27 December 1960 in Slough, England. He attended Kingham Hill School, an independent private school in Oxfordshire, where he met Alex Paterson, who would become a roadie for Glover's band Killing Joke, and later founder of The Orb. Naming himself "Pig Youth" after the reggae chanter Big Youth in 1977 he joined punk band the Rage, who toured with the Adverts. Later he joined "4 Be 2", a band formed by John Lydon's brother Jimmy Lydon, and recorded the "One of the Lads" single with them.
Marjory Kennedy-Fraser toured the Western Isles of Scotland in the summer of 1917 and collected a group of local tunes. The tune associated with the Road to the Isles was an air played by Malcolm Johnson of Barra on a chanter and composed by Pipe Major John McLellan of Dunoon (originally titled "The Burning Sands of Egypt"). Kenneth Macleod then wrote the words for a voice and harp (or piano) arrangement of this air by Patuffa Kennedy-Fraser. The tune is a march of the British Army.
In 1907, in correspondence, Elgar wrote of him: 'The Arch-chanter John was the greatest success and a joy to see.'Young 1955, 173. Classical-singing commentator Michael Scott (who, incidentally, calls Coates 'one of the finest English singers on record') notes in The Record of Singing that his repertoire was exceptionally wide-ranging and included Handel's Messiah and Belshazzar, Mendelssohn's St Paul and Elijah, Bach's St Matthew Passion, Elgar's King Olaf and Saint-Saëns's The Promised Land.M. Scott, The Record of Singing II (Duckworth, London 1979), 170-173.
Carleton Lewis Kealiinaniaimokuokalani Reichel (born 1962) popularly known as Kealii Reichel, is a popular and bestselling singer, songwriter, choreographer, dancer, chanter, scholar, teacher, and personality from Hawaii. He has spent his life educating the world about Hawaiian culture through music and dance. Kealii (pronounced Keh-ah-LEE-ee) Reichel was born and raised on the island of Maui. Reichel grew up in the town of Lahaina where he attended Lahainaluna High School, however he spent weekends and summers with his maternal grandmother in the plantation town of Pāia.
In 2005, Faure auditioned for the fourth series of Nouvelle Star"Gaël Faure, un ancien candidat de la Nouvelle Star...". PureTrenc, (the French version of Pop Idol)."Gaël Faure de Nouvelle star: la revanche d'un perdant". Le Figaro, 03/09/2008 Faurer recorded the group track J'irai chanter with Cindy Santos, Miss Dominique, and Christophe Willem under the Sony BMG label. Written by Marie-Jo Zarb, Laura Marciano and Simon Caby, the song ranked eighth in the French charts, as well as 19th in the Belgian and 25th in the Swiss charts.
Sailors working at a capstan with musical accompaniment Sea shanties are a type of work song traditionally sung by sailors. Derived from the French word 'chanter', meaning 'to sing', they may date from as early as the 15th century, but most recorded examples derive from the 19th century.R. A. Reuss and A. Green, Songs about Work: Essays in Occupational Culture (Bloomington, IN: Indiana University Press, 1993), p. 335. Shanties were usually slow rhythmic songs designed to help with collective tasks on labour-intensive sailing and later steam ships.
He defeated sitting Free Trade MP William Hartnoll, becoming the second Protectionist from Tasmania in the House (the other was Philip Fysh, who was a Free Trader by inclination). In 1909, when the Protectionist and Free Trade Parties merged to form the Commonwealth Liberal Party, Storrer (along with fellow Protectionists William Lyne, George Wise and John Chanter) refused to support the fusion, and sat as an independent. He contested the seat in the 1910 election, but was defeated by the Labor candidate, Jens Jensen. Storrer died in Launceston in 1935.
This was the second time that Belgium finished as the runner-up, the first being Jean Vallée with "L'amour ça fait chanter la vie" in 1978, and it was also the country's best placing in the Contest since Sandra Kim's victory with "J'aime la vie" in 1986. The song was the twenty-second in the running order of the Contest, following Latvia's F.L.Y. with "Hello From Mars" and preceding Estonia's Ruffus with "Eighties Coming Back". At the close of voting, it had received 165 points, placing second in a field of 26.
"Eeny, meeny, miny, moe"—which can be spelled a number of ways—is a children's counting rhyme, used to select a person in games such as tag, or for selecting various other things. It is one of a large group of similar rhymes in which the child who is pointed to by the chanter on the last syllable is either "chosen" or "counted out". The rhyme has existed in various forms since well before 1820I. & P. Opie, The Oxford Dictionary of Nursery rhymes (Oxford: Oxford University Press, 1951, 1952), p. 12.
There is often a choir area at the side or in a loft in back. In addition to the choir, a chanter is always present at the front of the church to chant responses and hymns that are part of the Divine Liturgy offered by the priest. There is usually a dome in the ceiling with an icon of Christ depicted as Ruler of the Universe (Pantocrator). The Archdiocesan Cathedral of the Holy Trinity on New York City's Upper East Side is the largest Orthodox Christian church in the Western Hemisphere.
George and his wife Emma Keliilalanikulani Lewis created the Mossman Foundation to continue the work of preserving the culture of the Hawaiian people. What Mossman is most remembered for in Hawaii is the 1932 creation of Lalani Hawaiian Village, a living history tourist attraction adjacent to their family home, at the corner of Kalakaua and Paoakalani Avenues. Mossman brought in Hawaiian crafts instructors, chanter Kuluwaimaka of the royal court of Kalākaua, Hawaiian singers and hula dancers. Opening ceremonies on May 12, 1932 were led by Territorial Governor Wallace Rider Farrington.
The song is an up-tempo number in which the banjo plays an important part; Micky sings about how he one day goes for a walk and how he finds a girl playing the instrument and singing on his doorstep. She sees that he has something on his mind and promises to "teach him to play and sing" to help him forget his sorrows. Micky also recorded the song in French and German, as "Apprends-moi à chanter" (translated: "Teach Me to Sing") and "Ich singe la, la, la" ("I Sing La, La, La") respectively.
One of the few accomplishments of Father Papanugiotou's tenure was the establishment of a women's choir, instructed by Marianne Flanders of the Cornish School; he also introduced an organist. In 1938, the Board of the church decided that they wished to bring in a chanter. Budget limitations led them to seek someone who was also qualified to teach Sunday school and direct the choir. Archbishop Athenagoras told them that there was only one man in the United States qualified for all three positions: Constantine Miolonopoulos, who thus came to Seattle from Salt Lake City.
In bagpipe music there is extensive use of grace notes. Indeed, because the chanter is not tongued but supplied by a continuous air source from the bag, grace notes are sometimes the only way to differentiate between notes. For example, inserting a grace note between two crotchets (quarter notes) played at the same pitch is the only way to indicate them as opposed to them sounding like a single minim (half note). Various multiple grace note ornaments are formalised into distinct types, such as doublings, throws, and birls.
Combing and Beading : Decorative turnings consisting of more or less tightly spaced narrow circular grooves found on drones, mostly on Great Highland pipes. Cords : Decorative cords with tassels are used to link or tie the three drones of the Highland bagpipe together. Cran : An Uilleann piping ornament, consisting of a series of gracenotes of varying pitch over a low note, most commonly bottom D. Crow : A distinctive sound made when a chanter reed is blown in the mouth. The crow can often give clues as to the potential performance of the reed.
Neck : The narrowest part of the chanter, just below the bole or knob. Nicol Brown Competition : An annual piping competition in the USA founded by Pipe Major Donald Lindsay, in honour of R.U. Brown and R.B. Nicol, the two principal pupils of John MacDonald of Inverness, one of the main figures in piobaireachd tuition of the 20th century. Northern Meeting : An annual piping competition held at Inverness, Scotland, attracting the world's top pipers. The competitive events are similar to the events held at the Argyllshire Gathering at Oban, Scotland.
The player can choose to play as one of eleven classes: fighter, rogue, ranger, barbarian, monk, paladin, wizard, druid, priest, chanter, and cipher. Each of them make the gameplay different; for example, the cipher can use the soul of an enemy in order to attack them, and druids can shapeshift into a beast and cast spells. The protagonist's class can also influence the number of available dialogue options. The player may adventure with up to five other characters out of a total of eight that they can pick up on their travels.
However, the cardinals and the curia found the documents to be forgeries.Robinson Papacy pp. 103–104 What persuaded the cardinals was the absence of papal bulls from the nine documents produced, which the Canterbury delegation tried to explain away by saying the bulls had "wasted away or were lost". Hugh the Chanter, a medieval chronicler of York, stated that when the cardinals heard that explanation, they laughed and ridiculed the documents "saying how miraculous it was that lead should waste away or be lost and parchment should survive".
Irene and Doreen began recording as The Chanters – a family group which also included several of their brothers. The sisters then went their own way, recording first under the name Birds of a Feather, and later as The Chanter Sisters, enjoying their only UK Singles Chart hit when "Sideshow"Not to be confused with the much bigger hit for Barry Biggs with the same title later the same year. entered the chart in July 1976 reaching number 43. The sisters have been far more successful in their backup singing career.
The gudastviri is made up of two main parts: The first being a whole sheep or goat skin, or a sewed, rectangular leather bag (“guda”). The second is a yoked double-chante ("stviri"), terminating in a single horn bell, which makes the gudastviri a member of the hornpipe class of bagpipes. There is a small wooden blow-pipe (khreko) with a check-valve tied into one leg, or corner of the bag. A fixed round wooden stock holding the chanter, is tied into the bag, in the opposite foreleg, or corner.
His nine chansons and five jeux partis survive only in north French sources, and were probably not widely copied or performed. The only possible exception to this is Hé, Amours, je fui nouris, which is widely preserved, but at the same time has conflicting attribution: it is more commonly assigned to Gillebert de Berneville in the manuscripts. The song Joliement doi chanter ascribed to Robert is also more often found ascribed to Gillebert. Hé, Amours was the basis for two contrafacta: Aucun gent m'out blasmé and Mout sera cil bien mouris, in praise of Mary.
The Boha - French musician Yan Cozian has had success in creating an electro-acoustic version of the Boha. Eryri bagpipe chanter An instrument titled "The Eryri Bagpipes", which apparently used a magnetic coil pickup in conjunction with a specially design steel reed, appears to have been constructed by the year 2001, by Welsh piper Paddy Whetman. These pipes featured on Whetman's "Goat Industries" site from at least 2001-2006, according to logs on the Wayback Machine. The maker also appears to have made a number of recordings featuring them, some of which can still be found on YouTube.
The organ at Exeter Cathedral, 2008 He was born in Exeter in 1729, son of Charles Langdon and a grandson of Tobias Langdon (1683–1712), Vicar choral of Exeter Cathedral. In the summer of 1738, Richard became a chorister at Exeter Cathedral and retained this until spring 1748; by then he had become a secondary. Sub-chanter John Hicks was ordered to teach Richard the organ on 1 December 1744. On 16 June 1753, he was appointed as Vicar choral of Exeter Cathedral following the death of former organist John Silvester; soon after, on 23 June, was also appointed the cathedral's organist.
"Sweet Illusion" is a song written and recorded by Junior Campbell in April 1973 as a follow up single to "Hallelujah Freedom", which had seen success in the UK Singles Chart at the end of the previous year. The recording took place at Decca Studio 2 in London and featured Campbell on lead vocal, piano, guitar & electric piano, with Ray Duffy on drums and percussion, Rick West of The Tremeloes on bass, and Pete Zorn on flute. The backing vocals were performed by Ruby James, Irene Chanter and Campbell. The recording was engineered by John Burns - Decca staff engineer.
Fine amours served as the model for an anonymous composition of the same name (the second line beginning Me fait), an anonymous piece beginning L'autrier par une matinee, and an anonymous song to the Virgin Mary, Douce dame, vierge Marie. The music of Chanter me fet was used in two different readings of Pour la pucele en chantant me deport by Gautier de Coincy and the lyrics were a model for the anonymous Destroiz d'amours et pensis sans deport. The other pieces attributed to Pierre are Quant foillissent li boscage and Tant sai d'amours con cil qui plus l'emprent.
A founding member of Conargo Shire Council (formed in 1906), Falkiner's political interests were awakened by the 1910 Federal land tax, which prompted him to enter the Australian House of Representatives. He won the seat of Riverina in 1913, representing the Commonwealth Liberal Party, but lost it to the former member, John Chanter, the following year. He won Hume in 1917 for the Nationalist Party, but was defeated in his attempt to transfer to the Senate in 1919. A brusque and humorous politician, Falkiner derided Labor Prime Minister Andrew Fisher's 1912 maternity allowance as a "bangle bonus".
Hieromartyr Andria Karbelashvili (1851–1924) was the second child of the family, and undertook his earliest studies at home. His brothers recognized his abilities as a chanter and clergyman, and he was known as well for his intelligence. In 1903 he became prior of the Church of the Dormition of the Mother of God in Kvemo Chala, remaining in that position until the Soviets came to power, at which time he was forced to leave religious life. When the Bolsheviks came to destroy or otherwise confiscate the property of the Amilakhvari and other noble families, Andria was instrumental in saving may items.
The few words of the alia musica compilation contain a short explanation within octave equivalence which is usually not given by the authors of Papadikai. Instead the Papadike just contained systematic lists of signs and parallage diagrams, but it also offered useful exercises which aimed to teach different methods of how to create a melos during performance. Concerning the tetraphonic or "trochos system" every chanter had to deal with discrepancies which existed during parallage with regard to octave equivalence. Within the practice of psaltic art, it was nothing more than the experience of how to change from one to another echos.
" Critics in Lil Jon's hometown Atlanta also offered mixed reviews. Sonia Murray of The Atlanta Journal-Constitution called Lil Jon a "more numbingly simple chanter than noteworthy rapper...[who] now has the cachet to get A-list acts to join in on the inanity."Creative Loafing Atlanta expressed shock at the presence of "Lovers & Friends", with one critic calling it "something they'd play at an eighth-grade dance." Neil Drumming of Entertainment Weekly graded the album with a C, calling the songs "practically all hook...recited ad nauseam in Jon’s throaty growl...with over-the-top vitriolic rants and nausea-inducing misogyny.
"Vivre" ("To live") is a song by Carole Vinci that represented Switzerland at the Eurovision Song Contest 1978, composed by Alain Morisod and written by Pierre Alain. On the night of the contest, held in Paris, France, the song was performed 9th in the running order, following the United Kingdom's Co-Co with "The Bad Old Days" and preceding Belgium's Jean Vallée with "L'amour ça fait chanter la vie". It received 65 points, placing 9th in a field of 20. It was succeeded as Swiss representative at the 1979 contest by Peter, Sue, Marc, Pfuri, Gorps and Kniri with "Trödler und Co".
Gascon folk music is known for a kind of small pipes called boha, which have a rectangular chanter and drone combination, (this form is unique to Gascony), and are made out of sheepskin with the fleece showing. The wandering performers known as troubadours and jongleurs were well established in Gascony. Gascony, like many regions of France, and elsewhere in Europe, underwent a roots revival in the early to mid-1970s. The beginning of this trend in Gacony can be traced to the release of Musique Traditionelle de Gascogne by Perlinpinpin Folc, a band formed in 1972 and led by Christian Lamau.
He has appeared in episodic television on series such as Grange Hill, Las Vegas, Charmed, the short-lived Then Came You, as the recurring character Brody Davis on Roswell, and perhaps most famously as the titular adaptation of the 1987 children's series Simon and the Witch. He also voiced many minor characters (including Jowan and Chanter Devons) in the 2009 video game Dragon Age Origins. He has recently voiced as CIA Nerd in Call of Duty: Black Ops II. Askew studied at the Sylvia Young Theatre School. He stars in the 2009 comedy Winston: An Informal Guide to Etiquette.
According to Peter Harvey, whenever Buddhism has been healthy, not only ordained but also more committed lay people have practised formal meditation. Loud devotional chanting however, adds Harvey, has been the most prevalent Buddhist practice and considered a form of meditation that produces "energy, joy, lovingkindness and calm", purifies mind and benefits the chanter. Throughout most of Buddhist history, meditation has been primarily practised in Buddhist monastic tradition, and historical evidence suggests that serious meditation by lay people has been an exception. In recent history, sustained meditation has been pursued by a minority of monks in Buddhist monasteries.
Gabrielle Francesca Lilian Mary Vallings was born in Hythe, Kent, England, one of nine children of James Frederic Vallings, vicar of Sopley, and Louisa Cadogan Chanter. She was a grand-niece of the novelist Charles Kingsley, who made her his literary executor, and a second cousin of his daughter Mary St Leger Kingsley, a writer better known by her pen name Lucas Malet. Vallings was adopted by the much older Malet while still a teenager. It appears that Vallings may have been briefly engaged to Norman Sladden, a naval officer, in 1916, but there is no record of her ever marrying.
The king nominated the Abbot of the Augustinian house at Chantoin, as well as the Premonstratensian Abbots of Saint-André-lez-Clermont, Saint-Gilbert-de- Neuf-fontaines, and the abbeys of Beaumont, La Boissie, Cessac, and L'Eschelle. Priories which were royal benefices were: Bragat, Cusset, Theulle (Ordre de Grammont), and Sallignac. He also held the nomination of the Collegiate Churches of Arthonne (the Abbot), Verneul (the Dean, Chanter, and five prebends), and the Dean of Saint-Amable de Rion. Other abbeys in the diocese included Saint-Pourçain, between Clermont and Moulins.Gallia christiana II, pp. 371-374.
In the Vajrayana tradition, chanting is also used as an invocative ritual in order to set one's mind on a deity, Tantric ceremony, mandala, or particular concept one wishes to further in themselves. For Vajrayana practitioners, the chant Om Mani Padme Hum is very popular around the world as both a praise of peace and the primary mantra of Avalokitesvara. Other popular chants include those of Tara, Bhaisajyaguru, and Amitabha. Tibetan monks are noted for their skill at throat-singing, a specialized form of chanting in which, by amplifying the voice's upper partials, the chanter can produce multiple distinct pitches simultaneously.
Kathryn Tickell has stated that she learned on a set made by him; she still uses the bellows made by Archie Dagg with her current set. Francis Wood, himself a pipemaker, writes that "Dagg's best reeds were scraped relatively thin, giving a clear bright tone with a very rapid response, highly suitable for original Robert Reid chanters and others made after this pattern." Distinctively, he signed his reeds on the inside, in reverse, so his name is visible when the reed is held up to the light. An Archie Dagg smallpipe chanter reed, showing the internal signature.
Upon demonstrating and aptitude for, and interest in the pipes around the age of ten, John Keenan got Paddy a full set of pipes by John Clarks. Six years later, in 1966, Keenan's father bought him a full set made by the Crowley family, which (with the addition of a Leo Rowsome chanter), Paddy played until 2000. At that point, Keenan received a full set from maker Dave Williams of Grimsby, England, who died a few years later in a car accident. This set, which was a copy of the previous Crowley set, remains Keenan's primary instrument.
After his death, his remains where buried in an elven forest. Decades later, Princess Domina promises him to release his soul if he agrees to tell her the location of the seals, and Ruannon, without a second of hesitation agrees to comply, greatly easing the work of the Fallen. Keran Kessertin The leader chanter of the Fallen Swarms, who obeys the Ageless Ones, the leader of the Fallen. His quest is to seize the Heart of the Void, an artifact that was created by the Dark Dreamer in order to melt this world into their own.
Formed in 1986, the Society promotes the revival of interest in bagpipes in Britain and around the world. The Bagpipe Society publishes Chanter, a quarterly journal which contains articles about the bagpipe's history, music and playing as well as various reviews. The society holds an annual gathering in England called the Blowout, and with the International Bagpipe Organization, helps to coordinate the International Bagpipe Day, held annually on March 10. On that day, the Bagpipe Society encourages everyone to play their pipes at noon local time, and then post a photograph or video on their Facebook page.
Three of the songs on this collection had previously been recorded on False True Lovers (1960) - "Just as the Tide Was Flowing", "Richie Story" and "The Unquiet Grave". Dolly Collins puts her stamp on "Richie Story" in her pipe organ accompaniment, a stately march as the couple in the song progress through the street to church to marry. In 1964, Shirley had recorded Folk Roots, New Routes, which introduced eastern rhythms to English folk song. On this album, there is a vaguely Indian flavour to "Seven Yellow Gipsies" with Robin Williamson's complicated clapping, and his chanter playing on the song "The Maydens Came".
Mortimer A distant view of Wolferlow Church- the manor of Wolferlow was granted to Walter by the Mortimer family c.1300 He was sent to Ireland as Chancellor of the Exchequer of Ireland in 1308 and became Lord Chancellor of Ireland the following year, on Piers Gaveston's recommendation.Mortimer The Greatest Traitor He was Deputy Treasurer of Ireland in 1311, and Treasurer and Chanter of St. Patrick's Cathedral. He accompanied Gaveston on his successful campaign to restore the Crown's authority in Leinster in 1309, in which he defeated the O'Byrne clan of County Wicklow and restored order in the neighbourhood of Glendalough.
A second "cine-clip" featuring Emmanuelle Béart highlighted the growing precariousness of women's lives. Other initiatives included the annual "Women's night" ("La nuit des femmes") television talk show on France 3 each 8 March to celebrate women, and the album "Libres de chanter, Paroles de femmes", produced with popular performers Liane Foly, Véronique Sanson, Amel Bent, Nolwenn Leroy and Shym, designed to raise further the profiles of the issues she most cares about. In 2012, as part of his successful campaign for the presidency, François Hollande invited her to become a member of his "Committee for the Rights of Women".
Pontic bagpipe/dankiyo/tulum Dankiyo (from ancient Greek: To angeion (Τὸ ἀγγεῖον)), is an ancient word from the text of Evliya Çelebi (17th century, Ottoman Era "The Laz's of Trebizond invented a bagpipe called a dankiyo..." Tulum and Dankiyo describing the Pontian tulum, a type of bagpipe which the ancient Greeks called an askaulos (ἀσκός askos - wine-skin, αὐλός aulos - flute). It consists of a lamb skin, a blow pipe, and the double reed chanter. The dankiyo is played in small villages near Trabzon and Rize. A similar type of bagpipe possessing fewer holes can be found on the islands of Greece.
He may well be the "old piper ... and splendid performer", who told the young Tom Clough "If you want to be a good piper, listen to a linnet, and make your chanter as clear and as distinct. A linnet never choytes, and neither should a good piper". "Choyting" refers to open- fingered ornamentation as in Highland piping, which the Cloughs regarded as a grievous error. Tom could have been only four years old at most if he heard his grandfather say this in person, but Old Tom, as a linnet fancier, seems the likeliest piper to have made this analogy.
All but the most minor characters require three puppeteers, who perform in full view of the audience, generally wearing black robes. In most traditions, all puppeteers also wear black hoods over their heads, but a few others, including the National Bunraku Theater, leave the main puppeteer unhooded, a style of performance known as dezukai. The shape of the puppeteers' hoods also varies, depending on the school to which the puppeteer belongs. Usually a single chanter recites all the characters' parts, altering his vocal pitch and style in order to portray the various characters in a scene.
In the early 1990s, Alys returned into the public eye after the massive success she had with a song written for her by Alain Morisod ("Laissez-moi encore chanter"). Books, theses, plays and television series were written about her. A movie was released in December 2004: Alys Robi: Ma vie en cinémascope ("Alys Robi: My Life in Cinemascope"), titled Bittersweet Memories in English. Robitaille has published two autobiographies: Ma carrière, ma vie ("My Career, My Life", 1980) and Un long cri dans la nuit: Cinq Années à l'Asile ("A Long Cry in the Night: Five Years in the Asylum", 1990).
For pipes in A, the tenor drone is tuned to the low "A" of the chanter, usually the tonic note, and the bass drone to the "A" an octave below this. There is also sometimes a dominant drone - this can be either a baritone, tuned a fifth above the bass, or else an alto drone, tuned a fifth above the tenor. For tunes in the key of D, the dominant drone can be either shut off or retuned. Most makers now prefer to make a baritone drone, rather than an alto, and many use only the bass and tenor.
Readers are usually groups of individuals taking turns in chanting verses from the book known as the Pasyon, as a devotion made in fulfilment of a panatà (this may be a vow, votive offering in request, or thanksgiving). The modern- day Pabasa may be chanted a cappella or with the accompaniment of musical instruments such as the guitar, accordion, piano, or by a rondalla ensemble. There are two common styles of chanting, the first of which is the alternate singing of two persons or two groups of people. The second method has each chanter or group of chanters taking turns in singing the stanzas.
The table given is based on the advice of Charles Bannatyne of Salsburgh, Holyhead. Some of the notes resemble each other very closely, but the changes used are indicated, and the pronunciations are given approximately in brackets. The key note "Low A" is always represented in this notation by in, probably a contraction of An Dàra Aon, the second one, to distinguish the key note from the first note on the chanter—"low G". "High A" is always i, but in a canntaireachd, it is often denoted by a preceding l, thus liu, and so confusion is avoided. "Low A" is either in, en, em, or simply n after some notes.
That Was Only Yesterday – The Last EP was the last recording of David Byron less than a year before his death. In late 1983 Richard Manners (Blue Mountain Music) asked Richard "Digby" Smith (Rough Diamond, Free, Sammy Hagar, Mott the Hoople) to put together a band and cut some tracks with David. Including drummer Neil Conteh (Jagger/Bowie), bassist Alan Spenner (Joe Cocker, Roxy Music), guitarist Tim Renwick (Elton John, Eric Clapton, Pink Floyd), keyboardist John "Rabbit" Bundrick (Free, Roger Waters, The Who), along with the Chanter Sisters doing backing vocals a group of musicians were assembled. In February 1984 at Power Plant Studios, London three tracks were recorded.
" New York critic Joseph Dalton described Barnes' playing of the Glass transcriptions as "atmospheric and elegant," while San Francisco critic Michael McDonagh hailed Barnes' performance as "remarkably effective, highly expressive.” The Trilogy Sonata and the Orphée Suite for Piano are published by Chester Music of London and are available at sheetmusicplus.com. Barnes also serves as head chanter at Annunciation Greek Orthodox Church in Lincoln where his fascination with Byzantine chant led to a commissioned piano concerto "Ancient Keys" written by Victoria Bond based on a Greek chant. The world-premier recording of this concerto as well as Gershwin’s Rhapsody in Blue was released on Albany Records.
Marka is above all a live performer and his songs are punchy and rhythmic, with offbeat lyrics which make great use of plays on words. Passionate about football and the club FC Brussels, which was based in Molenbeek until its demise, he has appeared on a radio programme called Il va y avoir du sport, broadcast on the station Bel RTL. While on foreign tours Marka has made a number of documentary films, including Señor Marka, Si j’étais japonais and Laisse-moi chanter ta chanson. In 2002 he sang Boby Lapointe's "Mon père et ses verres" on the album Boby Tutti-Frutti - L'hommage délicieux à Boby Lapointe by Lilicub.
"Maurice Ravel – Shéhérazade,Three poems for voice and orchestra", Boston Symphony Orchestra, 27 September 2007 Asie, Asie, Asie, Vieux pays merveilleux des contes de nourrice Où dort la fantaisie comme une impératrice, En sa forêt tout emplie de mystère. Asie, je voudrais m'en aller avec la goëlette Qui se berce ce soir dans le port Mystérieuse et solitaire, Et qui déploie enfin ses voiles violettes Comme un immense oiseau de nuit dans le ciel d'or. Je voudrais m'en aller vers des îles de fleurs, En écoutant chanter la mer perverse Sur un vieux rythme ensorceleur. Je voudrais voir Damas et les villes de Perse Avec les minarets légers dans l'air.
His cumulative service of over 10 years remained a record for the position until surpassed by Philip Lucock in 1971. As a result of the dispute over conscription in 1916, Chanter left the Labor Party and, together with several other former Labor members, as well as the Commonwealth Liberal Party, formed the Nationalist Party—thus reuniting him with several of his former Protectionist colleagues. He retained Riverina until the 1922 election, when he was defeated by William Killen, candidate for the new Country Party. He was the first Member of the House of Representatives to have been defeated three times in the same seat.
Gold was originally composed of five musicians : Lucien Crémadès (guitar, vocals), Alain Llorca (bass, vocals), Bernard Mazauric (keyboards), Etienne Salvador (drums) and lead singer/guitarist Emile Wandelmer. The group first rose to prominence with the 1985 release of "Plus près des étoiles", and continued to impact on the French pop charts with songs including "Capitaine abandonné", "Ville de lumière" and "Laissez-nous chanter". Wandelmer left the group in 1990, going on to join Images eight years later, although the remaining members of Gold continued recording. Gold is one of the only French groups to have made France's SNEP top ten five times between 1985 and 1987.
Kingsley was the fourth of five children of the Reverend Charles Kingsley and his wife Mary; he was born at Barnack, Northamptonshire on 14 February 1826. Charles Kingsley and the novelist Henry Kingsley were his brothers, and the writer Charlotte Chanter was his sister. He was educated at King's College School, London, at the University of Edinburgh, where he graduated M.D. in 1846, and in Paris, where he was slightly wounded during the barricades of 1848. Later in 1848 his activity in combating the outbreak of cholera in England was commemorated by his brother Charles in the portrait of Tom Thurnall in Two Years Ago.
A distinguishing factor of most French bagpipes is the placement of the tenor drone alongside the chanter rather than in the same stock as the bass drone. In the northern regions of Occitania: Auvergne, is found the (generally) bellows blown cabreta, and in Limousin the mouth blown chabreta. The cabrette is much played in areas of Paris where Auvergnats tended to settle; this bagpipe is in most cases played without a drone, and together with an accordion. The chabrette, while having a similar name, is a quite different pipe, with a triple-bored bass drone played across the player's arm rather than over the shoulder.
Aimer, boire et chanter (2014) was the third film which Resnais adapted from a play by Alan Ayckbourn, in this case Life of Riley, in which three couples are thrown into confusion by the news that a shared friend has a terminal illness. Three weeks before Resnais's death, the film received its premiere in the competition section of the 64th Berlin International Film Festival in February 2014, where it won a Silver Bear award "for a feature film that opens new perspectives". At the time of his death, Resnais was preparing a further Ayckbourn project, based on the 2013 play Arrivals & Departures.Marie-Noëlle Tranchant.
Sarcophagus of Blessed Xenia in a chapel in the Smolensky Cemetery in St. Petersburg Xenia Grigoryevna Petrova (Russian: Ксения Григорьевна Петрова), also known as Saint Blessed Xenia of St. Petersburg (Russian: Святая блаженная Ксения Петербургская, – ) is a patron saint of St. Petersburg, who according to tradition, gave all her possessions to the poor after her husband died. Her husband had been Colonel Andrey Fyodorovich Petrov, a chanter at the Saint Andrew Cathedral. After his death, Xenia became a "fool-for-Christ" and for 45 years wandered around the streets of St. Petersburg, usually wearing her late husband's military uniform. Xenia's grave is in the Smolensky Cemetery of St. Petersburg.
Further, typically used embellishments do not work as well or not at all if the music is transposed to another key. As most semitones can be played, music in different modes of a key can be and are traditionally played (e.g. on a cornemuse du centre 20p: D-major, D-minor, D-mixolydian etc.), which would not be possible on a purely diatonic instrument. The fingering of the chanter is usually semi-closed for high pitched instruments, which means that the fingers of the lower hand (which is usually the right hand) are placed on their holes when removing the fingers of the upper hand.
He was a co-founder of the Farmers and Settlers' Association and after many years of involvement was its president from 1920–22. He was also president of the Murrumbidgee Shire, a Yanko Shire councillor, vice-president of the Riverina New State League, a member of the councils of the Graziers' Association and Stockowners' Association and a member of the Australian Meat Council, as well as his local pastures protection board. He was an unsuccessful Progressive Party candidate at the 1920 state election. In 1922 he was elected to the Australian House of Representatives as a member of the Country Party, defeating Nationalist MP John Chanter for the seat of Riverina.
Hethersett began his three-year-old season on 15 May by winning the Derby Trial Stakes at Brighton Racecourse by five lengths from River Chanter and Heron. Three weeks later he was then sent to Epsom Downs Racecourse to contest the Derby, and was strongly fancied, despite his lack of experience. Ridden by the forty-five- year-old veteran Harry Carr he started favourite at odds of 9/2 in a field of twenty-six-runners. He appeared to be travelling well in the middle of the field when he was one of seven horses who fell or were brought down in a pile- up just after half distance.
Both the MacCrimmons and the MacArthurs had > colleges for piping students; the former on the farm of Boreraig, eight > miles [13 km] south west of Dunvegan Castle on Skye, the latter at Ulva near > Mull. For the MacCrimmon pupils seven years study was necessary in their > apprenticeship. The pupils had a solitary designated area of open space in > which to practice the scales and tunes on the chanter, the Small Pipes and > Piob Mhòr before being allowed to perform for their Master Tutor. The > college at Ulva had four rooms; one for cattle, one for guests to stay, one > for practice and one specifically for the use of students.
The London tablet contains the text of the first seven lines of the Small Santiago tablet, although as a paraphrase rather than a direct copy. Because of the frequent repetition of glyph 380.1, which he interpreted as a tangata rongorongo (rongorongo chanter) with a kouhau (staff), Barthel (1958:310) believed K was a catalog of other kohau rongorongo texts. Fischer also believes it to be a list of some kind, and notes that the simplicity of the repeated glyph on this recent tablet, compared to 380.1+3 of G and 380.1+52 of N, suggests a compositional simplification over time. However, the two patterns are mixed on some tablets.
Caricature by Adriano Cecioni published in Vanity Fair in 1872. Kingsley was born in Holne, Devon, the elder son of the Reverend Charles Kingsley and his wife, Mary Lucas Kingsley. His brother Henry Kingsley (1830–1876) and sister Charlotte Chanter (1828–1882) also became writers. He was the father of the novelist Lucas Malet (Mary St. Leger Kingsley, 1852–1931) and the uncle of the traveller and scientist Mary Kingsley (1862–1900). Charles Kingsley's childhood was spent in Clovelly, Devon, where his father was Curate in 1826–1832 and Rector in 1832–1836,William Griggs, A Guide to All Saints Church, Clovelly, first published 1980, Revised Version 2010, p. 7.
A bagpiper playing Gaita-de-fole coimbrã in the late 1930s The Gaita-de-fole coimbrã is a type of old Iberian bagpipe. Along with the machinho de Coimbra - a kind of cavaquinho, and the viola toeira - a traditional guitar, it is one of the most important traditional music instruments in the Beira Litoral Province. The Coimbra bagpipe belongs to the Iberian gaita-family. Unlike a Galician bagpipe, the chanter is thinner and smaller and presents an old "out- of-tune" scale, the drone is larger, heavy, but showing a fine woodturning job, and the old blow mechanism is primitive and very hard to handle.
She also wrote two singles for Kiki Dee, released in 1981, and a song sung by Dee for the British television series Roll Over Beethoven in 1985. She made a cameo in the film Pink Floyd The Wall in 1982 as a vocalist in a choir and, with Irene, provided backing vocals on the Pink Floyd song, "Not Now John", from the band's 1983 album, The Final Cut. Also in 1983, both Doreen and Irene appeared as backing singers on The Undertones track "The Love Parade" on their The Sin of Pride album. The same year, Chanter provided vocals for the song "Say You're Sorry" from Ministry's With Sympathy.
The flea-hole is smaller than the rest and usually consists of a small tube that is made out of metal or a chicken or duck feather. Uncovering the flea-hole raises any note played by a half step, and it is used in creating the musical ornamentation that gives Balkan music its unique character. Some types of gaida can have a double bored chanter, such as the Serbian three-voiced gajde. It has eight fingerholes: the top four are covered by the thumb and the first three fingers of the left hand, then the four fingers of the right hand cover the remaining four holes.
Maloney v McEacharn was a related case, in which William Maloney challenged the election of Sir Malcolm McEacharn. The main issue concerned the validity of postal votes that had not been signed in the presence of a Returning Officer or other specified person. The 300 invalid votes affected the outcome where the McEachern had a majority of only 77 votes.. Hirsch v Phillips was decided two days after Chanter v Blackwood, where Max Hirsch challenged the election of Pharez Phillips. The challenge was based on the fact that a polling booth at Ni Ni,A former village ~13 km from Nhill: was not open on the polling day.
Elisabeth Cestor: Les musiques particularistes: chanter la langue d'oc en Provence à la fin du XXe siècle, 2005, p. 112: Parmi les airs les plus connus, il y a Se Canta, l'hymne des félibres. of all Occitania and most people living in that region know the words to the first verse and chorus even if they are not native Occitan speakers themselves. Notable occasions on which it has been sung include the opening ceremony of the 2006 Winter Olympics in Turin on February 10, 2006Chambra d'Òc: la Presidente Mercedes Bresso che in una intervista a Repubblica ha dichiarato di essersi commossa al momento dell'esecuzione dell'Inno Se Chanta alla cerimonia inaugurale.
He also composed - The Barrington Hornpipe, which requires fluent use of every key on a 7-keyed chanter, is his, and remains popular today. It is unusual for pipe tunes in G to require all seven keys, including c sharp and d sharp, so it may well have been composed as a test piece. Forster Charlton, who knew Tom Clough, wrote that when learning from Todd, Tom had the ambition to play The Barrington Hornpipe, but at first was forbidden to try it, instead being given exercises to practice on. After mastering these, he was allowed to tackle the hornpipe, and found "he could play'd straight away".
Chanter, J. F. "St Urith of Chittlehampon: A Study in an Obscure Devon Saint", Report and Transactions of the Devonshire Association for the Advancement of Science, Literature and Art, Tavistock, July 1914, p. 290 These last elements of her legend are the same as those found in the Lives of Sidwell and Juthwara. Urith was buried near the site of her martyrdom and a church was later built above her grave. A more likely version of her death suggests she was killed by invading Saxons, although if the traditional 8th century date is correct, this may, in reality, have been an early Viking raid.
The bagpipers are responsible for providing all melodic material in the music. Generally speaking, all of the pipers play a unison melody on their chanters, with their drones providing the harmonic support and filling out the sound. When harmony is written within the pipe section, it is usually a two- part harmony, and is usually scored in a 2:1 ratio (with two-thirds of the players on the melody and one third of the players on the harmony part). Because of the limited range of the chanter, the harmonic possibilities are somewhat limited, but well-written harmony in a pipe band setting can be extremely effective.
Chanter played a full set of Mike's own songs at the Lagan Sessions in Belfast in October 2012 which was recorded for CD and DvD. Gaston has been a concert manager and compere for the Belfast Nashville Songwriter's Festival since 2008, working with songwriters like Nanci Griffith, Eleanor McEvoy, Ralph McTell and Billy Bragg. Playwright and historian, Philip Orr invited Gaston to collaborate on a project which illustrated the humanitarian, egalitarian and peace building spirit inherent in the works of the Scottish Bard, Rabbie Burns. They performed this at the Skainos Centre in East Belfast and also the West Belfast Festival, Féile an Phobail in 2013.
Unlike The Pros and Cons of Hitch Hiking tour in 1984, the Radio K.A.O.S. tour established The Bleeding Heart band. A number of these musicians would continue to play or be involved with Roger Waters over the next 20 years. Both Doreen Chanter and Katie Kissoon had performed on the 1984 tour. Also unlike Waters's previous solo tours (or his last several tours with Pink Floyd), the Radio K.A.O.S. concept and storyline was presented with fan-favourite Pink Floyd material integrated into the set list, rather than dividing the show in two, with the new album played in its entirety and in its precise running order.
Much of the figuration is similar to early Northumbrian smallpipe music, but the compass of many of the tunes is 9 notes, from F to g, with no sharps or flats, rather than the single octave of the unkeyed Northumbrian smallpipes of the time. It thus seems that the music was written either for smallpipes with an open ended chanter, like Scottish smallpipes, or else for what are now known as Border pipes. Both of those instruments had largely died out by the mid-19th century, and their repertoire had survived only in fragments, mostly in adaptations for other instruments, such as fiddle, Northumbrian Smallpipes, or lute.
The Yūrakuchō Center Building (Yūrakuchō Mullion) complex, featuring retail, 7 movie theaters, convention halls, and parking, is also located here. The district has many theatres and cinemas, among them the Tokyo International Forum, Toho Imperial Theater, Nissei Theater, Marunouchi Tōei, Chanter, Tokyo Takarazuka Theater, Scala-za and Miyuki-za. The Hibiya Mitsui houses the home offices of the Sumitomo Mitsui Banking Corporation, Japan Steel Works, and Asahi Kasei, while the Shin Yūrakuchō Building is home to Asahi Glass Co., Nippon Paper Industries, and Nichiro Corporation. Toyota Tsusho and Toho have their headquarters in the district, and the Japan National Tourist Organization (JNTO) has both its headquarters and a Tourist Information Center in Yūrakuchō.
Set of Japa mala beads, made from sacred Tulasi wood, with head bead in foreground. Beads were used for chanting of Hare Krishna mantra by Haridas Thakura According to the philosophy of the holy name given by Haridasa Thakura, if you are on the platform of namabhasa (early or reflective stage of the pure chanting), it gives the chanter liberation, moksa. Whereas pure chanting gives prema, or 'Love of God'. An episode from Chaitanya Charitamrita illustrates different side of the life of Haridasa Thakura, and does not allude to the trial of the Haridasa by the Muslim ruler, but gives details of a sakta brahmana, who would hire a harlot to try (unsuccessfully) to seduce the celibate saint.
A play may sacrifice the details of sets, puppets, or action in favor of the chanter, while kabuki is known to sacrifice drama and even the plot to highlight an actor's talents. It was not uncommon in kabuki to insert or remove individual scenes from a day's schedule in order to cater to an individual actor — either scenes he was famed for, or that featured him, would be inserted into a program without regard to plot continuity. Certain plays were also performed uncommonly as they required an actor to be proficient in a number of instruments, which would be played live onstage, a skill that few actors possessed.Photographic Kabuki Kaleidoscope, I. Somegoro and K. Rinko, 2017. Shogakukan.
On the night of the final Vallée performed 10th in the running order, following Switzerland and preceding the Netherlands. At the close of the voting "L'amour ça fait chanter la vie" had received 125 points with votes from all other participating countries apart from Denmark and Turkey, and including five first-place 12 points votes from France, Greece, Ireland, Monaco and the United Kingdom. This ranked Belgium second of the 20 competing countries, the highest position achieved by a Belgian entry in Eurovision to that date, which has since only been bettered by Sandra Kim's 1986 victory and matched by Urban Trad in 2003. The Belgian jury awarded its 12 points to contest winners Israel.
In 1901, the Deniliquin footballers, under the name of the Commonwealth Football Club won the premiership and received premiership medals from Mr. John Moore Chanter, MHR. In 1903, Imperials FC won the Deniliquin Football Association premiership and P Hickey won the goalkicking award. It appears that the Deniliquin FA went into recess at the conclusion of the 1904 season, when it was superseded by the Deniliquin Half Holiday Football Association in 1905, with this competition active up until 1913 , when the Deniliquin FA was re-established in early 1914. In 1919, the Deniliquin FA was reformed after a three year break due to World War One, with the following three club's participating - East End, Federals and Railways.
George Naope George Naope at the 'Keauhou Beach Hotel', Kailua-Kona (Hawaii) George Lanakilakekiahialii Naope (February 25, 1928 – October 26, 2009), born in Kalihi, Hawaii and raised in Hilo, was a celebrated kumu hula, master Hawaiian chanter, and leading advocate and preservationist of native Hawaiian culture worldwide. He taught hula dancing for over sixty years in Hawaii, Japan, Guam, Australia, Germany, England, North America, and South America.Honolulu Weekly Article August 29, 2007 Naope was a scholar of ancient hula, which is hula developed and danced before 1893. He first studied hula at the age of three years under his great-grandmother, Mary Malia Pukaokalani Naope, who lived to be over 100 years old.
Attempts in the past to make a distinct instrument for Irish pipers have not proven popular in the long run. In the first half of the 20th century, it was very common to play pipes with only one tenor drone; the reason for this is discussed below. Several attempts were made to improve the pipes; the most successful was the London pipe maker Starck’s “Brian Boru” bagpipe, with a keyed chanter that could play a full range of traditional music and a baritone drone, often held with the tenor and bass in a common stock. Such pipes are produced by few makers today and are played by only a minority of pipers.
There seem to be two regulators, in contrast to modern Irish sets which have three, but he is playing with the chanter stopped on the knee, as with the modern instrument, so these are not Pastoral pipes. He visited Bedlington, where he played the closing part of an entertainment at the Northumbrian piper and fiddler Thomas Hair's public house, the Blue Bell. This was relatively early in his career, after 1815 but before 1818. It is stated that Billy was made very welcome there, and that Hair "was much taken with my Union pipes and my manner of playing them", so it seems he was well respected as both a musician and an entertainer.
The evolution of the union and uilleann (a term originating in 1904 by Irish nationalists) pipes was also driven by competition between makes; throughout the late 18th and early 19th century, pipemakers in Aberdeen, Dublin, Edinburgh and Newcastle competed and copied each other's ideas and innovations.G. Woolf ‘Chanter Design and Construction Methods of the early Makers’, Sean Reid Society Journal v2 no 4 (2002) It is now thought that the existence of regulators, already a common feature of the pastoral pipes, a characteristic keyed stopped ended system, was the inspiration for the keyed Northumbrian smallpipes, probably first produced by John Dunn, who made both pastoral and Northumbrian pipes in Newcastle-upon-Tyne.
The five brothers, along with their sister Sidonia, were the children of Grigol Karbelashvili (1812–1880), a priest in the village of Kvemo Chala. The elder Karbelashvili was the son of Petre Karbela (Khmaladze), who had in his youth been a chanter at the court of Erekle II, Prince of Mukhrani, and who went on to teach chant at the Samtavisi Cathedral. Grigol was himself also well-versed in the fields of church chant and reading, having studied music with his father; further educated at Shio-Mgvime monastery between 1820 and 1824, he was ordained a clergyman in 1849. He imparted his musical interests to his sons, each of whom came to be active in religious and pedagogical life.
Musically gifted, she was an accomplished pianist and vocalist, and she sat at the melodeon and led the choir of Kawaiahao Church for many years. The Minister of Foreign Affairs, Robert Crichton Wyllie, considered it improper that a royal princess would sing in a choir and tried to convince her to stop, but she stayed loyal to the American missionaries at Kawaiahao. When the royal family switched from the Congregational Calvinist faith to the Anglican Church of Hawaii (originally known as the Hawaiian Reformed Catholic Church), Victoria refused to abandon her previous faith. She was also a poet and chanter and composed chants and mele in the traditional Hawaiian style including many on her nephew Prince Albert Kamehameha.
In the Greek tradition, a chanter will often wear the exorason, a black outer cassock with angel-wing sleeves. The Slavic tradition—which tends more commonly to use a choir rather than a cantor—assigns no specific vestment to the chanters, unless an individual has been ordained a Reader, in which case he would wear only the inner cassock (podryasnik) and put on the sticharion when he receives Holy Communion. In the Greek tradition, the chanters are stationed at a psalterion, a chanting podium positioned to the south and sometimes also to the north side of the sanctuary. In the Slavic tradition, the chanters are similarly positioned, and the area is referred to as the kliros.
Master Willie started favourite for the Irish Derby at the end of June but was unsuited by the very soft ("gluepot") ground and finished fifth behind Tyrnavos. At York in August Master Willie was matched against fillies and older horses in the Benson and Hedges Gold Cup and started at odds of 13/2. He appeared to be under pressure two furlongs from home but finished strongly to take the lead in the last strides to win by half a length from the Irish filly Cairn Rouge. He started favourite for the Valdoe Stakes at Goodwood Racecourse but was beaten one and a half lengths by the four-year-old Welsh Chanter.
The engine was installed longitudinally powering the rear wheels, and the spare tire was installed next to the engine on the right side.Images of 1975 Mazda ChantezSpecifications on Mazda Chantez The name "chantez" is second-person plural present indicative of chanter, which in French means "to sing". 3A rotary engine, originally intended for the Chantez Originally, the Chantez had been planned to use a single-rotor Wankel engine, but the other Kei manufacturers considered this unfair and blocked Mazda's plans. As a result of not being able to build the car they had originally planned, Mazda lost interest in the Kei class and sales halted without a replacement in 1976, on the eve of new Kei car regulations.
Each verse of the sutta ends with "by the virtue of this truth may there be happiness". Conze notes that later mantras were used more to guard the spiritual life of the chanter, and sections on mantras began to be included in some Mahayana sutras such as the White Lotus Sutra, and the Lankavatara Sutra. The scope of protection also changed in this time. In the Sutra of Golden Light the Four Great Kings promise to exercise sovereignty over the different classes of demigods, to protect the whole of Jambudvipa (the Indian subcontinent), to protect monks who proclaim the sutra, and to protect kings who patronise the monks who proclaim the sutra.
On Phil Manzanera's first solo album Diamond Head (1975), John Wetton and Doreen sang duo on the track "Same Time Next Week". She subsequently joined Jacqui Sullivan as one of The Sirens, backing vocalists for Roxy Music's 1975–76 tour dates. (They can be heard on the band's 1976 live album Viva!) In 1976 her name was credited on Bryan Ferry's album Let's Stick Together, and the following year she appeared as a backing vocalist on another Ferry album, In Your Mind. In 1981, Chanter was part of a chorus that sang at The Secret Policeman's Ball, with other chorus members including Phil Collins, Donovan, Sheena Easton, Bob Geldof, Midge Ure and Tom Robinson.
The union or uilleann pipe emerged during the early 18th century around the same time as the development of the bellows-driven Northumbrian smallpipes and the bellows-driven Scottish Lowland bagpipes. All three instruments were far quieter and sweeter in tone than their mouth-blown predecessors. Essentially their design required the joining of a bellows under the right arm, which pumped air via a tube to a leather bag under the left arm, which in turn supplied air at a constant pressure to the chanter and the drones (and regulators in the case of the Irish Uilleann pipes). Geoghegan's tutor of the 1740s calls this early form of the uilleann pipes the "Pastoral or New bagpipe".
A sept of the Clan Mackay by the surname of Polson who are also known as Siol Phail are, according to Sir Robert Gordon, 1st Baronet, descended from Neil, son of Neil, son of Donald Mackay, 5th of Strathnaver, chief of Clan Mackay. Although one of their ancestors, Neil Neilson Mackay, died fighting against his own Strathnaver kinsmen at the Battle of Drumnacoub in 1433, the Polsons later gravitated back towards their Strathnaver kindred. In 1497, 1506 and 1511, Sir John Polson who was presbyter and later chanter of Caithness acted for Iye Roy Mackay, 10th of Strathnaver. At the Battle of Torran Du in 1517, the Polsons supported the Clan Mackay against the Murrays of Aberscross.
When Anselm was appointed to Canterbury, after a long vacancy that lasted from 1089 to 1093, the only flareup of the dispute was a dispute at Anselm's consecration on 4 December 1093 over the exact title that would be employed in the ceremony. The dispute centered on the title that would be confirmed on Anselm, and although it was settled quickly, the exact title used is unknown, as the two main sources of information differ. Eadmer, Anselm's biographer and a Canterbury partisan, proclaims that the title agreed upon was "Primate of all Britain". Hugh the Chanter, a chronicler from York and a partisan of York, claims the title used was "Metropolitan of Canterbury".
All the other villagers went the creator with a loosely woven basket to receive the zah, only the Akha went with a tightly woven one so everyone else's zah fell out while the Akha man made it home with all the pieces, which is why Akhazah is expansive and hard. The difficulty and extensiveness of the Akhazah is why it was originally so hard to win converts but also why westernization helped Christians convert the Ahka in the last few decades. In Ahka culture, actions are more important than words, as shown at sacrificial ceremonies where no chanter needs to be present. In Ahkazah spiritual government, the village leader does not need to know chants.
For the third film in succession, Resnais (using his writer's pseudonym of Alex Reval) worked with the writer/director Laurent Herbiet on the screenplay of Aimer, boire et chanter, remaining faithful to the text of Ayckbourn's play (except for some shortening) and preserving its English setting in Yorkshire. He then asked the playwright Jean-Marie Besset, whom he knew for other adaptations of English dramatists, to write the French dialogue with his own rhythms and phrasing. In choosing four of his cast with whom he had previously worked (Sabine Azéma, André Dussollier, Hippolyte Girardot, and Michel Vuillermoz), Resnais was conscious of assigning them roles in this film which would allow them to give performances distinctly different from what they had done before.
Prior to Bloet's consecration, the Archbishop of York, Thomas of Bayeux, who had previously had a claim to supervise the see of Lincoln, tried to prevent the Archbishop Anselm's consecrating Bloet. Thomas argued that the area of Lindsey, which was within the diocese of Lincoln, really belonged to the archdiocese of York.Owen "Bloet, Robert" Oxford Dictionary of National Biography The medieval chronicler Hugh the Chanter alleged that Bloet gave Rufus £3,000 to intervene on Bloet's side when Thomas attempted to assert York's claim to Lindsey, but another medieval chronicler, Henry of Huntingdon, who knew Bloet well, said that the sum was £5,000.Mason William II p. 78 This payment secured Rufus' support in the dispute between York and Lincoln, which was settled in Lincoln's favour.
Besides Billy Pigg, musicians he recorded include Joe Hutton, Diana Blackett-Ord, Richard Flemming and George Atkinson, as well as some duet recordings of himself with Colin Caisley. He also made, but did not retain, a recording of Tom Clough, late in the latter's life. He was also a pipemaker, and is believed to have made the first concert-pitch Northumbrian smallpipe chanter, for Billy Pigg. Billy Pigg on pipes, John Doonan on piccolo and Forster Charlton on fiddle, liked to play as a trio, but smallpipes were traditionally pitched rather lower than modern concert pitch, and correcting for this, by using a very sharp reed in the smallpipes and pulling out the tuning slide of the piccolo, caused intonation problems.
Earlier on, temporal order is maintained, if only in a general way. His early Three Pieces for Clarinet (1958), for example, present metronomically specified, but flexible and varied rhythmic structures without bar lines, which nevertheless are carefully measured rhythmically . However, by the mid-sixties—for example in Pour faire chanter la polonaise (1965)—rhythmic control is almost completely abandoned so far as notation is concerned, while pitch and dynamics continue to be exactly prescribed . By the early seventies, Bois had begun to incorporate quotations from earlier music, as in the Concerto pour Hrisanide (1971), or just generally familiar material, such as suddenly breaking into "traditional" melody-and-accompaniment figurations in Fusion pour deux (1971) and New Pieces for piano (1972).
By the time this book opens, characters Calwyn, Trout, Tonno, Halassa and Mica are making and enacting plans to rescue chanters from their various underprivileged situations and form a school of chantment; thus integrating the Nine Songs by which nature is commanded, as well as their singers, into society. While Calwyn and her friends are freeing windworkers from pirates' ships, they meet Heben, a former (exiled) princeling from the continent of Merithuros, who was a prisoner of the pirates'. On the island where the rescued windworkers live, Heben tells them that the ironcraft chanter children of Merithuros are being kidnapped, among them his (legal) brother and sister. Calwyn and her friends embark for the desert of Merithuros to rescue the captured children.
The first annual gathering of the BCPA saw competitions organized into Novice, Ladies, Under 16, 16 and Over and Open (or Professional) divisions. This seemed logical at a time when women were thought to be weaker pipers than men. By the 1950s however, this notion was completely disproved by many excellent female pipers and in 1958 the non- professional competition was reorganized into Novice, Juvenile, Junior and Senior Amateur divisions. Finally, in 1995, the classes were changed to the more modern Grade 1, 2, 3 and 4, Grade 1 being the highest level, and even more recently Grade 5, beginner (practice chanter/practice pad), and adult (or bandsman) classifications have been added due to the large amount of participation at the lower levels of piping and drumming.
Miao religious rituals involving the worship of gods and ancestors are performed by the patriarch of each family or the spiritual leader of a clan or a cluster of male relatives. More difficult ceremonies such as soul-calling (hu plig) are performed by ritual experts the shaman (txiv neeb) for spiritual healing, and various experts in funeral rites like the reed pipe player (txiv qeej), the soul chanter (nkauj plig) and the blessing singers (txiv xaiv). The soul is believed to continue to exist in an afterlife in the ancestral spirit world or sometimes decide to reincarnate. The body (cev) is a microcosm believed to be constructed by a number of soul parts (plig or ntsuj) that mirror the macrocosm.
Overall, Guiot's melodies are usually identified as those appearing in bar form, which all end on the same pitch class. Guiot probably modelled Chanter m'estuet, coment que me destraigne (RS117) after the Occitan song Si be·m sui loing et entre gent estraigna by the troubadour Peirol, although this is based on assumptions from shared versification and cannot be confirmed, since no melody survives for RS117. The song Penser ne doit vilanie (RS1240), sometimes attributed to him, served as a model for the anonymous Marian song De penser a vilanie (RS1239), which survives uniquely in the Chansonnier Clairambault, i.e. TrouvX.The sigla used here are the standard trouvère sigla given in Edouard Schwan, Die altfranzösische Liederhandschriften: ihr Verhältnis, ihre Entstehung und ihre Bestimmung (Berlin: Weidmann, 1886).
Simon KarasCenter for Research and Promotion of National Greek Music - Music, Folklore and Literature Archives of Simon and Aggeliki Karas (1905–1999) was a Greek musicologist, who specialized in Byzantine music tradition. Simon Karas studied paleography of Byzantine musical notation, was active in collecting and preserving ancient musical manuscripts, collected performances of Greek folk songs and of Byzantine chant from different regions, in most cases writing them down in Byzantine notation, further altered and modified by him, to better match his needs. He also wrote his own music, and performed himself as a chanter or singer. The figure of Simon Karas is highly controversial, and it strongly divides Byzantine music scholars and performers into two camps: one supporting, and one opposing his philosophy and his works.
"Eigg Man" is a more traditional, midtempo track with jazz and rock influences, whilst "The Manali Beetle" was described by Anderson as "ably demonstrating" the band's "technique of painting with sound". The track was described by Anderson as where an "electronic cicada introduces a solo chanter before Caribbean rhythms and an arrangement of bagpipes, synthesiser and echoic guitar chords are joined by a strong percussive dance beat which all fades out in an atmospheric swarm of insects." "Macedonian Women's Rant" is Eastern music-influenced, whilst "Angus McKinnon" features reggae rhythms that "unveil additional disparate tendencies" to the album. "Weary We've Been/Dancing Feet" is one of the album's most upbeat tracks and features the brief injection of a mbaqanga guitar line.
He was born in Aberdeen on 11 March 1934, and first learned to play the practice chanter at the age of four from his father John, who was also a piper. The family moved to Edinburgh when the elder John took up a lecturing position at the Veterinary School. John D. was educated Edinburgh Academy, and tutored by Pipe major Willie Ross of the Army School of Bagpipe Music and Highland Drumming at Edinburgh Castle. He did not play in the school band, for fear that it would damage his technique. In 1950 he became the youngest ever winner of the Gold Medals for piobaireachd at both the Argyllshire Gathering in Oban and the Northern Meeting in Inverness, at the age of 16.
The term precentor described sometimes an ecclesiastical dignitary, sometimes an administrative or ceremonial officer. Anciently, the precentor had various duties such as being the first or leading chanter, who on Sundays and greater feasts intoned certain antiphons, psalms, hymns, responsories etc.; gave the pitch or tone to the bishop and dean at Mass (the succentor performing a similar office to the canons and clerks); recruited and taught the choir, directed its rehearsals and supervised its official functions; interpreted the rubrics and explained the ceremonies, ordered in a general way the Divine Office and sometimes composed desired hymns, sequences, and lessons of saints. He was variously styled capiscol (from the Latin caput scholæ, head of the choir-school), prior scholæ, magister scholæ, and primicerius (a word of widely different implications).
Raymond W. Suchy in 1959 Jessica Suchy- Pilalis grew up in Milwaukee, Wisconsin, with her father (Raymond W. Suchy) a physicist and mother (Gregoria Karides Suchy) a composer, both professors at the University of Wisconsin-Milwaukee. She studied harp at the University of Wisconsin–Milwaukee with Jeanne Henderson, with Edward Druzinsky of the Chicago Symphony Orchestra, The Eastman School of Music with Eileen Malone and Indiana University with Susann McDonald, specializing in harp and music theory. She studied Byzantine music at Holy Cross Greek Orthodox Theological Seminary with Savas I. Savas and in Greece where she studied primarily with Dimitrios Sourlantzis and Eleftherios Georgiadis. She received diplomas with honors in Byzantine Music from two conservatories in Thessalonica, Greece, and is recognized/certified as an Hieropsalti (Chanter) by both the Greek Church and State.
Thomas Bewick had wished to encourage the Northumbrian smallpipes, and to support the piper John Peacock; in his autobiographical Memoir, written in the 1820s, he wrote Peacock's Tunes, 2nd ed., Northumbrian Pipers' Society (1999), Some time before the American War broke out, there had been a lack of musical performers upon our streets, and in this interval, I used to engage John Peacock, our inimitable performer, to play on the Northumberland or Small-pipes; and with his old tunes, his lilts, his pauses, and his variations, I was always excessively pleased. William Green, piper to the Duke of Northumberland, considered Peacock to be the best small pipes player he ever heard in his life. He was probably the first player of the instrument to play an extended keyed chanter.
Others are transcriptions of fiddle tunes, many of them Scottish, with a range typically from D to b, exploiting the extended range of the novel keyed chanter. As some of the tunes are in E minor, needing a d sharp key, it is clear that this key must have been added to some chanters before the books were written down. The repertoire in the books was significantly wider than just Northumbrian and Scottish traditional music, including contemporary ballroom music as well as classical pieces, such as a Duett by Mozart, which is an arrangement of Das klinget so herrlich from The Magic Flute. After Robert's death, his sisters gave his pipes and tunebooks to the artist and tune collector Joseph Crawhall, who did much to encourage the Northumbrian smallpipes.
Folk wind instruments of the area include the Cantabrian pitu montañés, a kind of conical-bored shawm with seven holes in the front and one in the back, which is played in a similar manner to the bagpipe chanter. While it was traditionally made in E-flat, the instrument has been revitalized by Antón Corral, who makes them in D. A transverse flute with six holes is called a requinta; it is similar to the fife. It is usually in G, or sometimes a high C. Traditional Galician wind instruments include the pito pastoril (galego), literally (Galician) shepherd's whistle. Despite the similarity in name, this instrument belongs to a different family than the Cantabrian pitu montañés, namely that of the fipple flutes, which also includes the tin whistle and the recorder.
Smalley, The gospels in the Paris schools in the late twelfth and early thirteenth centuries: Peter the Chanter, Hugh of St. Cher, Alexander of Hales, John of la Rochelle. Franciscan Studies, Volume 39, 1979. By 1238, he was a master of theology, with his own pupils, for his name is found in the list of masters convoked in that year by William of Auvergne, Bishop of Paris, to discuss the question of ecclesiastical benefices. “For Jean de la Rochelle, theology is essentially wisdom…Jean deems that three things are required for a theologian: knowledge, a holy life, and teaching. Someone who teaches Scripture should have a solid doctoral formation, but should also embody in himself sacred knowledge by his good will and moral actions, before practicing his profession upon others through teaching and preaching”.
Print advertisements accompanying the US release carried text reading: "Vibrations of these mantras reveal to the receptive hearer and chanter the realm of KRSNA consciousness, joyfully experienced as a peace of self and awareness of GOD and KRSNA. These eternal sounds of love release the hearer from all contemporary barriers of time and space.""Advert for the album 'Radha Krsna Temple'", Apple Records (retrieved 6 September 2014).George Harrison: Living in the Material World; event occurs at 18:28. Billboard magazine included The Radha Krsna Temple among its "4 Star" albums list on 29 May."Billboard Album Reviews", Billboard, 29 May 1971, p. 24 (retrieved 6 September 2014). The previous week, the magazine had reported on "heavy" promotional activities being undertaken by the Dutch branch of the movement.
The College of Liberal Arts & Social Sciences is DePaul's 3rd largest college and is located primarily in the Lincoln Park Campus, which occupies in Chicago's Lincoln Park community. Notable college faculty members include Aminah McCloud, director of the Islamic World Studies program; Joseph Schwieterman, director of the Chaddick Institute for Metropolitan Development. The philosophy department is also noted as a first-rate program in 20th century continental philosophy, particularly at the graduate level, according to the Hartmann Report The department includes major Heidegger translators, Parvis Emad, David Farrell Krell and William McNeill, ethical and political philosopher Jason D. Hill, and feminist theorist Tina Chanter. The graduate School of Public Service (SPS), located in the Loop Campus, educates nonprofit and government professionals, includes an interdisciplinary faculty, and offers a number of international programs.
Major exponents of the traditional arts have been designated as ningen kokuho (living national treasures). About seventy persons are so honored at any one time; in 1989 the six newly designated masters were a kyogen (comic) performer, a chanter of bunraku (puppet) theater, a performer of the nagauta shamisen (a special kind of stringed instrument), the head potter making Nabeshima decorated porcelain ware, the top pictorial lacquer-ware artist, and a metal-work expert. Each was provided a lifetime annual pension of ￥2 million and financial aid for training disciples. A number of institutions come under the aegis of the Agency for Cultural Affairs: the national museums of Japanese and Asian art in Tokyo, Kyoto, Nara, Osaka and Fukuoka, the cultural properties research institutes at Tokyo and Nara, and the national theaters.
Other early Scottish references to bagpipers appear in "Leabhar Deathan Lios Mòir/Book of the Dean of Lismore" c. 1513, compiled by James MacGregor (Seumas MacGriogair), in the Campbell writs for Craignish of 1528 with a piper listed as a witness, and in a legal document from 1541 that records ‘Evano Piper’ (Eoghann) as a witness to a land transaction on behalf of William MacLeod of Dunvegan. See also: "The Bagpipes" in Scots Heritage, Vol 47, 12/08/2008.While the bagpipes are likely to have been introduced to Scotland from England, the triple-pipe or cuisle is a related precursor to the bagpipes with a double chanter and no bag, that had been played in Scotland and Ireland until the late-Middle Ages when it was supplanted by the bagpipes.
The valve is nothing more than a flap of leather that is mounted so as to block the airway when air pressure becomes greater on the inside than on the outside. Bellows-operated pipes usually have two flap valves, one in the air-inlet (in one of the bellows-cheeks) and the other in the connecting pipe between the bellows and the bag. Flea Hole : A very small chanter finger hole most commonly found on Eastern European and Balkan pipes that, when uncovered, raises the pitch being played by the other fingers by approximately a semitone, allowing chromatic possibilities. Fontennelle : A rigid tubular cover that fits over the lowest key on some bagpipe chanters (notably Italian Zampognas), covering all of the keys except the very end of the actuating lever.
Thomas told Anselm that his cathedral chapter had forbidden him to make any oath of obedience, and this was confirmed by the canons themselves, who wrote to Anselm confirming Thomas' account. Although Anselm died before Thomas' had submitted, one of the last letters Anselm wrote ordered Thomas not to seek consecration until he had made the required profession. After Anselm's death, the king then pressured Thomas to submit a written profession, which he eventually did. The actual document has disappeared, and as always, Eadmer and Hugh the Chanter disagree on the exact wording, with Eadmer claiming it was made to Canterbury and any successor archbishops, and Hugh claiming that Thomas qualified the oath by making it clear that it could not impede the rights of the Church of York.
Puppet master with female doll Scene from Date Musume Koi no Higanoko (伊達娘恋緋鹿子) depicting Yaoya Oshichi climbing the tower Bunraku's history goes as far back as the 16th century but the origins of the modern form can be traced to the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653-1724) began a collaboration with the magnificent chanter Takemoto Gidayu (1651-1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term Bunraku referred only to the particular theater established in 1805 in Osaka, which was named the Bunrakuza after the puppeteering ensemble of Uemura Bunrakuken (植村文楽軒, 1751–1810), an early 18th-century puppeteer from Awaji, whose efforts revived the flagging fortunes of the traditional puppet theatre.
Hinilawod is a 29,000-verse epic that takes about three days to chant in its original form, making it one of the longest epics known, alongside that of Tibet's Epic of King Gesar. Hinilawod is one of the many pieces of oral literature passed from one generation to the next, changed and morphed by the chanter to one degree or another as he told it to his audience. The Hinilawod is not just a literary piece but also a source of information about culture, religion and rituals of the ancient people of Sulod; showing us that ancient Filipinos believed in the "sacred," in the importance of family honour and in personal courage and dignity. Hinilawod is the first discovered "by accident" in 1955, when Filipino anthropologist F. Landa Jocano became interested in native folklore.
Since there was a break in the continuous playing tradition of the smallpipes, and Border pipes, no absolute, definitive playing style can be ascribed to them. However, according to the evidence provided by surviving sheet music written for these pipes (Dixon, Peacock, Riddell,) their style depended more on variations, runs, and arpeggios, as opposed to the surviving Highland music which is dominated by stylised gracenote techniques. Smallpipes are extremely popular with Highland pipers, many of whom keep them, or a set of Border pipes, as a second instrument and play them according to the Highland tradition. Though it has somewhat supplanted the musically unsatisfactory Highland practice chanter as a relatively quiet rehearsal instrument for Highland pipers, it has gained wide currency as a session instrument, for both the Highland and Border pipe repertoires.
Part of the Welsh Brut y Tywysogion, one of the chronicler sources for Henry's reign Historians have drawn on a range of sources on Henry, including the accounts of chroniclers; other documentary evidence, including early pipe rolls; and surviving buildings and architecture.; The three main chroniclers to describe the events of Henry's life were William of Malmesbury, Orderic Vitalis, and Henry of Huntingdon, but each incorporated extensive social and moral commentary into their accounts and borrowed a range of literary devices and stereotypical events from other popular works.; Other chroniclers include Eadmer, Hugh the Chanter, Abbot Suger, and the authors of the Welsh Brut. Not all royal documents from the period have survived, but there are a number of royal acts, charters, writs, and letters, along with some early financial records.
In 1979, cataracts almost led to Cousins losing his sight, and after recovering, he began to concentrate on production, introducing the deejay Charlie Chaplin with a series of LPs, and producing artists such as Cornell Campbell, Earl 16, Naggo Morris, and The Meditations. Cousins produced Prince Far I's final album in 1983, Umkhonto We Sizwe, the chanter being fatally shot before it was finished. This prompted Cousins to emigrate to Liverpool, England, where he set up a record shop, Cousins Cove, and continues to release records on his Tamoki-Wambesi and Dove labels, both from his back-catalogue, and new recordings of visiting Jamaican artists. Another classic Cousins-produced track from this era is "Skanky Producer" which features the DJ Charlie Chaplin and Black Uhuru singers Don Carlos and Junior Reid.
During this episode and after his retirement, some areas of Greece, namely that of Chios, proposed that they add to his retirement funds so that he might continue to honour them with his serious, hegemonic and praying chant. According to Angelos Boudouris, Iakovos Nafpliotis was a standard of psaltiki that most other chanters acknowledged and respected, which is attested to by the fact that they would meet at the Patriarchal church approximately once a month so as to continue benefiting from this master's knowledge. Few were the chanters who were as traditional. Both Angelos Boudouris as well as Stylianos Tsolakidis mention the traditional Georgios Binakis (first chanter of Agios Ioannis Chios in Constantinople, whose retirement years were supplemented by the merchants of Chios, where he spent the remainder of his life chanting in the Metropolis of Chios).
The Vicarage House at Barnstaple was erected originally in 1311, "at the entrance of the Priory", by the Prior and Convent.Chanter, J.R., Memorials Descriptive and Historical, of the Church of St Peter, Barnstaple, with its other ecclesiastical antiquities, and an account of the conventual church of St Mary Magdalene, recently discovered. Barnstaple, 1882. Includes appendix “Monumental Heraldry” by Rev. Sloane Sloane-Evans, 1882, p.51 During the Civil War the surviving building (in 2018 used as a dentist's surgery) was "built new from the ground" on the same site and "at his own great charge" by Rev Martin Blake (d.1673), Vicar of Barnstaple 1628-56; 1660–73,Chanter, pp.96-9 who notably suffered much for his adherence to the Royalist cause as related in John Walker's Sufferings of the Clergy (1714).Walker, folios 332-360Chanter, pp.
Arms of Thomas Horwood, detail from his mural monument in St Peter's Church, Barnstaple. Blazon: Sable, a chevron counter- ermine between three moorcocks or a mullet for difference (Horwood), impaling: Or, on a fesse between three martlets gules as many bezants an annulet for difference (wife's paternal arms, unknown family)Chanter, p.151 Slate tablet affixed to wall of Alice Horwood's School, now the "Old School Coffee Shop" in Church Lane, Barnstaple He married a certain Alice, whose family is unknown, but whose paternal arms as shown on her husband's mural monument in St Peter's Church, Barnstaple were: Or, on a fesse between three martlets gules as many bezants an annulet for difference.Chanter, J.R., Memorials Descriptive and Historical, of the Church of St Peter, Barnstaple, with its other ecclesiastical antiquities, and an account of the conventual church of St Mary Magdalene, recently discovered.
For much of its history, it was associated with a pansori-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court."Ca trù singing", UNESCO.org. CHANTER LE CA TRÙ AU VILLAGE DE LÕ KHÊ (NORD DU VIET-NAM) Une fête rituelle au temple communal et à la maison des patrons de métier du ca trù A ANISENSEL - Péninsule, 2009 - cat.inist.fr Résumé/Abstract L'article porte sur la tradition musicale du ca trù (chant à tablettes) telle qu'elle s' est perpétuée dans un village aux portes de Hanoï, le village de Lô Khê. Le ca trù y revêt une fonction rituelle inscrite au coeur même de la tablette «trù» par laquelle les ... Ca trù is inscribed on the list of Intangible Cultural Heritage in need of Urgent Safeguarding in 2009.
First appearing in France, at the very end of the sixteenth century, the musette was refined over the next hundred years by a number of instrument-making families. The best-known contributions came from the Hotteterre family:chiefly Martin, responsible for the petit chalumeau, and his son Jacques who published a complete Méthode Martin Hotteterre added a second chanter, the petit chalumeau, extending the instrument's range by six semitones. The bourdon, originally designed to accompany essentially modal music, became simpler as the chalumeaux became more complicated. The final form of the musette is fully chromatic, with a range of an octave and half starting from F above middle C; the bourdon provides drones for C, D and G. The qualification de cour refers to the instrument's connection with the French court and aristocracy of the early seventeenth century.
From Kingston's Vineyard Town area, Nunes was the son of Alty George Nunes and Patsy Ricketts, the principal dancer of the National Dance Theatre Company, and studied at Wolmer's Boys High School."Young artiste Lil' Joe is dead", Jamaica Observer, 8 February 2011, retrieved 2012-07-14 Known for his 'conscious' lyrics, Nunes was a member of the Twelve Tribes of Israel. He was a member of the group Jah Children in the 1990s, who toured Europe before splitting up. He placed third in the JCDC's Festival Song Contest in 2005 with "Don't Leave".Smith, Germaine (2005) "JCDC Popular Song contest - 'Poverty' reaps rich bounty for chanter ", Jamaica Gleaner, 1 August 2005, retrieved 2012-07-14 He was originally known as 'Lil Joe', and worked with producers such as Gussie Clarke, with whom he recorded one of his best known songs, "Not Good at All".
The patriarchal paedagogy of Iakovos, which was based in past on o/aural memory transmission, there was one other particularity, that of "chronos" and the way it was counted, which he managed to transmit to at least one of the few students who had the opportunity to be his disciple ever since a young age (Stylianos Tsolakidis, the others being Constantinos and Leontios Boudouris). Other students who studied at a later age (e.g. Angelos Boudouris, Anastasios Michaelides "Sobatzis", Konstantinos Pringos, Georgios Karakasis) were also permeated with many of the elements of Iakovos’ Majestuous Patriarchal style ("hyphos"). The many ways of counting the "chronos" (which is not the "rhythmos") and of combining "analyseis" (developments or "variations") are what allow a good chanter to chant a unique score in many ways, and which can lead to catastrophic performances by those who have not been taught by the Patriarchal method.
A chanter must be knowledgeable about the ecclesiastical modes as well as the complex structure of the services. At Constantinople the charge of a protopsaltes was prestigious and connected with Byzantine offices. In the tradition of the cathedral rite at Hagia Sophia, there was a distinction between the leader of the right choir (Domestikos) and the leader of the left choir (Lampadarios). Still during the last centuries, the usual career was to start (after serving as Protopsaltes of other cathedrals) as the "Second Domestikos of the Great Church" who assisted the first, then to proceed in the office of the teacher, and later even to the Lampadarios, who often replaced the left choir as a soloist called "monophonares" (see Kontakarion), and finally this career was sometimes continued by the promotion to the "Protopsaltes or Archon Psaltes (ἄρχοντες ψάλται) of the Great Church" of the Ecumenical Patriarchate.
On Saturday, 28 June 1952, in round ten of the 1952 season, at a very, very muddy (and narrow) Brunswick Street Oval,The Brunswick Street Oval was in such poor condition that Fitzroy named a squad of 23 players for the match and would not name the final 20 players until just before the match, on the Saturday afternoon, when the actual condition of the ground and the weather could be far more accurately appraised (Beames, P., "Tigers Wait on Weather to Decide Team", The Age, Friday, (27 June 1952), p.16). Coleman played opposite the champion Fitzroy fullback, Vic Chanter. In a tough, rugged match, Fitzroy 13.12 (90) beat Essendon 5.8 (38). Coleman, who would finish the 1952 season with 103 goals, did not score a goal in the match; and this was the first (and the only) time that Coleman was held goalless in his entire 98-game career.
Addison goes on to say "This description also covers pipes which would undoubtedly have been seen in a large part of Eastern Europe, most of Western Europe and some of North Africa and can be still seen in some of these places today". Addison reached the conclusion, from his research on the possible existence of a regional bagpipe for Lincolnshire, that the closest relative of such a pipe was the Spanish gaita gallega, which he believed to be the most straightforward form of the bagpipe existing in Europe. Addison based his new pipes on three carvings: a pew end carving in All Saints' Church, Branston; an oak ceiling boss in the cloister of Lincoln Cathedral and a stone carving taken from Moorby Church before it was demolished in November 1982. All three depictions appear to have a conical chanter and a single bass drone.
The mature O'Flynn piping style is a refined and stately thing, and this meditative fifth solo album The Piper's Call sees him out with Mark Knopfler and Galician piper, Carlos Núñez; great session men, Matt Molloy, Sean Keane, the pacepushing Steve Cooney and Arty McGlynn; with Micheál Ó Súilleabháin and the Irish Chamber Orchestra thrown in on one track. As such, with little need of the chord-barps of the regulators, O'Flynn concentrates on his beautifully controlled chanter work. The best tunes kick up their heels a bit, like McKenna's Reels and The Humours of Carrigaholt, showing O'Flynn's authority on the pipes at its most gorgeously alert; wrestling with Núñez in the jig-like muineiras; or the madness of Keane's fiddle cutting across The Gold Ring. It has its own moods and humours, but like the pipes themselves, this album very much grows on you.
The Saga of Hawkwind (p. 413) – Carol Clerk Ron Tree had known the band on the festival circuit and offered his services as a front-man, and the band duly employed him for the album Alien 4 and its accompanying tour which resulted in the album Love in Space and video. In 1996, unhappy with the musical direction of the band, bassist Davey left, forming his own Middle-Eastern flavoured hard-rock group Bedouin and a Motörhead tribute act named Ace of Spades.The Saga of Hawkwind (p. 418) – Carol Clerk His bass playing role was reluctantly picked up by singer Tree and the band were joined full-time by lead guitarist Jerry Richards (another stalwart of the festival scene, playing for Tubilah Dog who had merged with Brock's Agents of Chaos during 1988) for the albums Distant Horizons and In Your Area. Rasta chanter Captain Rizz also joined the band for guest spots during live shows.
The double reeded version of the zampogna is generally played with the piffero (called biffera in the Ciociaria, or ciaramella or pipita in other regions; a shawm, or folk oboe), which plays the melody and the zampogna provides chord changes, "vamping" or rhythmic harmony figures or a bass line and a soprano harmony as accompaniment. This double reed tradition would include the Ciociaria (Latium, southern Abruzzo and Molise), that of southern Basilicata (Pollino) and nearby areas of Calabria, and some areas of Sicily (Syracuse, Palermo). Single reed versions are played solo in the Calabrian tradition of the surdullina (Cosenza), and a version with a plugged chanter called the surdullina albanese, and the Sicilian or ciaramella (Catania, Messina, and Reggio Calabria). The chanters and drones vary, according to the tradition, from a few inches long (surdullina) to nearly two meters in length, such as used in the cathedral of Monreale (Palermo) and nearly every size in between.
Some of these instruments seem to have been designed with lower pitch standards in mind, such as A4 = 415 Hz. The Taylors also built many instruments with higher pitch standards in mind, such as the Old Philharmonic pitch of A4 = 453 Hz that was commonplace in late 19th century America. The D pipes are most commonly used in ensembles, while the flat-pitched pipes are more often used for solo playing – often a fiddler will tune down his or her instrument to play with a piper's flat set, but the inflexibility of other instruments used in Irish music (accordions, flutes, etc.) does not usually permit this. It is noteworthy that Irish music was predominantly solo music until the late 19th century, when these fixed-pitch instruments began to play more of a role. Like some older pipe organs, uilleann pipes are not normally tuned to even temperament, but rather to just intonation, so that the chanter and regulators can blend sweetly with the three drones.
The paper has published a magazine three times, in April 2006 and March and November 2007. There are over 100 student clubs and organizations on campus, including the college radio station WMCN, the Macalester Peace and Justice Committee, Chanter Literary and Arts Magazine, the Experimental College, Student Labor Action Coalition, African Music Ensemble, Macalester Gaming Society, Mac Anime, Macalester Mock Trial, Mac Dems, Mac GOP, Mac Greens, Bad Comedy, Fresh Concepts, The Macalester Review: A Political Magazine, The Hegemonocle Humor Magazine, a cappella groups including Scotch Tape, Sirens, Chromactics, Off Kilter, and The Trads; Cheeba, MacBrews, MacSlackers, MacBike, the Macalester Outing Club, the Macalester Climbing Club, Minnesota Public Interest Research Group (MPIRG), Macalester Conservation and Renewable Energy Society (MacCARES), Fossil Free Mac, Macalester International Organization (MIO), MacPlayers, NARAL Macalester Activists for Choice, Queer Union, Macalester Young Artists for Revolutionary Needlework (MacYARN), Macalester Quiz Bowl, Mac Rugby, Medicinal Melodies, the Physics and Astronomy Club, and Club Water Polo (Sons of Neptune).
The player character can be male or female and one of six available races, and the game typically refers to him or her as "The Watcher." Over the course of the adventure, the player can recruit up to eight secondary characters as companions. Available companions include: Edér, a fighter and worshiper of one of the game's gods, Eothas; Aloth, a wizard and child of parents who served nobility; Durance, a disillusioned priest and follower of Magran, a goddess of war and fire; Sagani, a ranger who is on a quest to search for an elder from her village; Grieving Mother, a strange cipher who cannot normally be fully seen by other people, and has a personal connection to the hollowborn problem; Pallegina, a paladin who works for the Vailian Republics; Kana Rua, a chanter who was sent by his people to recover a book of sacred text; and Hiravias, a druid who has been banished from his tribe.
Other tunes, including Dorrington Lads, and Cut and Dry Dolly, are in versions not found in print. Dorrington Lads, in 5 strains, is similar to the larger version in the William Dixon manuscript, of 1733, and identical to a version found in the later 19th century Fenwick manuscript, where it is stated to be the version from the Reid family. Cut and Dry Dolly, while broadly similar to Peacock's version, has a range going higher than the single octave compass of the unkeyed smallpipe chanter, and an extra strain not found in Peacock; two very similar versions are found in a manuscript compiled by the Ancient Melodies Committee of the Society of Antiquaries of Newcastle upon Tyne it is known that James Reid and his sister Elizabeth Oliver were two of the informants when the Committee was collecting the music. It is thus very likely that Rook had direct contact with the Reids.
There are two important "rhythm suites" that use the sacred batá drums. The first is called "Oru del Igbodu" (a liturgical set of rhythms), alternatively called "Oru Seco" (literally "Dry Oru", or a sequence of rhythms without vocals), which is usually played at the beginning of a "tambor de santo" that includes 23 standard rhythms for all the orishas. The selections of the second suite include within them the vocal part to be performed by a vocalist/chanter (akpwon) who engages those attending the ceremony in a call-and-response (African) style musical experience in which a ritual is acted out wherein an "initiate" (one who through the great spirit Añá is granted the ability to perfectly play the Batá drums) plays the new Batá set, and thereafter is introduced to the old Batá set. This is said to "transfer" (through the initiate) the spirit or Añá of the drums from the old set into the new set.
Several sketches ended with Godard apparently committing suicide in his announcer's booth. Members of the show's writing staff frequently appeared in sketches on the show. Among the most prolific were: Brian McCann (Preparation H Raymond, FedEx Pope, The Loser, Airsick Moth, Jerry Butters, Funhole Guy, Bulletproof Legs Guy, Adrian "Raisin" Foster, S&M; Lincoln, etc.), Brian Stack (Hannigan the Traveling Salesman, Artie Kendall the Ghost Crooner, The Interrupter, Kilty McBagpipes, Fan-tastic Guy, Clive Clemmons, Frankenstein, Ira, Slipnut Brian, etc.), Jon Glaser (Segue Sam, Pubes, Awareness Del, Wrist Hulk, Ahole Ronald, Gorton's Fisherman, Jeremy, Slipnut Jon, etc.), Kevin Dorff (Coked-up Werewolf, Jesus Christ, Mansy the half-man/half-pansy, Joe's Bartender, Todd the Tiny Guy, etc.), and Andy Blitz (Awful Ballgame Chanter, Vin Diesel's brother Leonard Diesel, Slipnut Andy, Chuck Aloo aka the star of the 24 spin-off series 60). Blitz went so far as to travel to India for one bit in which he carried his computer through the streets of India to get technical support firsthand from the telephone representative at NBC's technical help center.
Among the most prolific were: Brian McCann (Preparation H Raymond, FedEx Pope, The Loser, Airsick Moth, Jerry Butters, Awesome Dave, Funhole Guy, Bulletproof Legs Guy, Adrian "Raisin" Foster, S&M; Lincoln, etc.), Brian Stack (Hannigan the Traveling Salesman, Artie Kendall the Ghost Crooner, The Interrupter, Kilty McBagpipes, Fan-tastic Guy, Clive Clemmons, Frankenstein, Ira, Slipnut Brian, etc.), Jon Glaser (Segue Sam, Pubes, Awareness Del, Wrist Hulk, Ahole Ronald, Gorton's Fisherman, Jeremy, Slipnut Jon, etc.), Kevin Dorff (Coked-up Werewolf, Jesus Christ, Mansy the half-man/half-pansy, Joe's Bartender, Todd the Tiny Guy, etc.), and Andy Blitz (Awful Ballgame Chanter, Vin Diesel's brother Leonard Diesel, Slipnut Andy, Chuck Aloo aka the star of the 24 spin-off series 60). Blitz went so far as to travel to India for one bit in which he carried his computer through the streets of India to get technical support firsthand from the telephone representative at NBC's technical help center. Several writing staff interns have gone on to become noted actors or writers including Vanessa Bayer, John Krasinski, Mindy Kaling, Ellie Kemper and Jack McBrayer.
Dozens of types of bagpipes today are widely spread across Europe and the Middle East, as well as through much of the former British Empire. The name bagpipe has almost become synonymous with its best-known form, the Great Highland bagpipe, overshadowing the great number and variety of traditional forms of bagpipe. Despite the decline of these other types of pipes over the last few centuries, in recent years many of these pipes have seen a resurgence or revival as musicians have sought them out; for example, the Irish piping tradition, which by the mid 20th century had declined to a handful of master players is today alive, well, and flourishing a situation similar to that of the Asturian gaita, the Galician gaita, the Portuguese gaita transmontana, the Aragonese gaita de boto, Northumbrian smallpipes, the Breton biniou, the Balkan gaida, the Romanian cimpoi, the Black Sea tulum, the Scottish smallpipes and pastoral pipes, as well as other varieties. A Great Highland bagpipe practice chanter Traditionally, one of the purposes of the bagpipe was to provide music for dancing.
Carving of a bagpiper: Lincoln Cathedral Cloister Limestone relief carving of a bagpiper and three dancers - taken from Moorby church (Lincolnshire) before it was demolished in 1982 According to their own records, on 12 November 1988, the Lincolnshire Heritage Trust (now renamed Heritage Trust of Lincolnshire) commissioned pipemaker John Addison of South Somercotes to undertake research into historic bagpipes in Lincolnshire and to create a set of Lincolnshire pipes based on that research.Heritage Trust of Lincolnshire (unpublished records) John Addison was a maker of Northumbrian smallpipes, Irish pipes, Musettes de Cour, Border and Lowland pipes and Northumbrian Half Longs. Addison was well aware of the high degree of conjecture that anyone recreating a bagpipe, of the type once seen in Lincolnshire, would have to employ. In 1984, John Addison wrote about the carving in Branston Church: "This powerful but primitive motif gives at least some information; it shows a bagpipe with one chanter (melody pipe) which is probably conical, one drone with a bell end, and it is mouth blown".
Photograph Mike Gaston with Chanter at The Langan Sessions In the mid 70s Mike, a self-taught guitarist and singer, began performing in folk clubs in Belfast and Dublin. His first self penned song, Amber, was recorded by the Hammond Family on HMV in New Zealand in 1974 and became a top ten hit there. He shared the stage at the Belfast Festival at Queens in 1975 with Scottish National poet, Liz Lochhead as a last minute stand-in for a Scots folk group which had been stranded in Stornaway. Singing a variety of his own songs, Mike was a runner up in the Northern Ireland Benson and Hedges Entertainer of the Year Competition in 1978. He was Stage Manager for the Belfast International Folk Festival from 1980 - 1983, working with artists like Ralph McTell, Loudon Wainwright III, DeDannan and Maura O’Connell. As a member of St Patrick's Choral Society in Downpatrick, he played the Kralahome in The King and I in 2002, was the producer for Carousel in 2003 and played Fagan in Oliver Twist in 2004.
Ostensibly a bluegrass band, The Dixie Bee-Liners played a wide variety of acoustic music, liberally cherry-picking influence from traditional bluegrass, newgrass, old-time string band music, as well as west-coast country, country rock, 60's British invasion, surf music, Celtic, rhythm & blues, punk, ska, and English folk-rock bands. In mid-2012 the band revealed in an interview with Bluegrass Today that they were evolving their sound, and expanding their lineup to include drums and electric instrumentation, but the project was never completed, and they split at the end of the year. Buddy Woodward and Brandi Hart typically wrote all of the band's material—with Woodward also taking the role of arranger and producer—though they occasionally co-wrote with various band members, as well as Blue Highway's Tim Stafford, Jon Weisberger, and Ken Stringfellow of the American alternative rock band The Posies. In addition to standardized bluegrass instrumentation, the band were known to incorporate alternate guitar tunings, claw-hammer banjo, dulcimer, bouzouki, dobro, Dojo, harmonica, chanter, 12-string guitar, drums, electric guitar, pedal steel guitar, cello, Mellotron, harpsichord, and other keyboard instruments as inspiration struck them.
He was born Michael James Williams in Spanish Town, Jamaica. Williams' first job in the music industry was as a deejay on the Sir Mike the Musical Dragon sound system, also working as a security guard at Joe Gibbs' studio, and later as a bouncer at Studio One, but after recording "The Great Booga Wooga" for Bunny Lee in 1969 (under the name King Cry Cry, a reference to his habit of breaking into tears when angered),Barrow, Steve & Dalton, Peter: Reggae: The Rough Guide, 1997, Rough Guides, Thompson, Dave: Reggae & Caribbean Music, 2002, Backbeat Books, he got the chance in 1970 to record for Coxsone Dodd when King Stitt failed to turn up for a session.Larkin, Colin: The Virgin Encyclopedia of Reggae, 1998, Virgin Books, Dodd was sufficiently impressed to release the resulting recordings, Williams now using the name Prince Far I at the suggestion of another producer he had worked with, Enos McLeod). With a unique deep bass voice and talking over style, preferring to describe himself as a "chanter" rather than a "toaster", he became a popular reggae musician, styling himself "The Voice of Thunder".
While he lived some 80 miles from their home in North Shields, communication would have got much easier after 1837, when the Newcastle & Carlisle Railway opened between Gateshead and Carlisle. Another tune, called Captain Fenwick here, Sir John Fenwick's the Flower amang them in Northumberland, and Mary Scott, the Flower of Yarrow in Scotland, appears in a 7-strain version, again with notes beyond the single octave compass of the unkeyed pipes; the same version also appears in the Antiquaries' manuscript, as well as a manuscript of tunes compiled in 1872 by the Northumbrian artist Joseph Crawhall II, while its first 4 strains appear in the somewhat earlier Robert Bewick manuscript. It thus seems that an older single octave 4-strain version which was known to Bewick, was elaborated before 1840 by some other piper, possibly one of the Reid family, to use the extra compass of the keyed chanter. As Robert Reid was the principal developer of the modern keyed instrument, it would have made sense for him or his children, pipers themselves, to compose extra strains to existing pipe music exploiting the instrument's increased range.
Brian Eno co-wrote and sang on two tracks ("Big Day" and "Miss Shapiro"), Paul Thompson, Eddie Jobson and Andy Mackay all contributed, and Roxy's occasional tour bassist John Wetton (ex Family, and then a member of King Crimson) played bass and duetted on vocals (with Doreen Chanter on "Same Time Next Week"). Robert Wyatt co-wrote and sang (in Spanish) on "Frontera", and the members of Manzanera's pre-Roxy group Quiet Sun featured on the instrumental tracks. Concurrent with the recording of Diamond Head, Manzanera reunited Quiet Sun (who had not been able to make any professional recordings) and used the studio time to quickly record a full LP of Quiet Sun material, released by EG Records under the title Mainstream. Reworked versions of two tracks from Mainstream featured on Manzanera's next major collaboration, the critically acclaimed concert recording 801 Live, which was recorded at a 1976 London show performed by the "special occasion" band 801. The group comprised Manzanera, with Eno on vocals, synth and treatments, Quiet Sun bassist Bill MacCormick, Curved Air keyboardist Francis Monkman, 19-year-old drumming prodigy Simon Phillips, and slide guitarist Lloyd Watson, who had previously performed as a solo support act for Roxy Music.
The Euchologion contains only the parts of priest and deacon in full length, first for the Liturgy of St. John Chrysostom, then for those parts of Liturgy of St. Basil that differ from it; then the Liturgy of the Presanctified Gifts, beginning with the Hesperinon (Vespers) that always precedes it. After the Liturgies follow a collection of the Sacred Mysteries (sacraments and sacramentals) with various rules, canons, and blessings. First the rite of churching the mother after child-birth (euchai eis gynaika lecho), adapted for various conditions, then certain "Canons of the Apostles and Fathers" regarding Baptism, prayers to be said over Catechumens, the Rite of Baptism, followed by the ablution (apolousis) of the child, seven days later; Exorcisms of St. Basil and St. John Chrysostom, and the Rite of Consecrating Chrism (myron) on Holy Thursday. Then follow the Ordination services for deacon, priest, and bishop (there is a second rite of ordaining bishops "according to the exposition of the most holy Lord Metrophanes, Metropolitan of Nyssa"), the blessing of a hegumenos (abbot) and of other superiors of monasteries, a prayer for those who begin to serve in the Church, and the rites for minor orders (reader, chanter, and subdeacon).

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