120 Sentences With "bosquet" | Random Sentence Generator

"When it comes to relocation, it's very tricky," Bosquet told the Thomson Reuters Foundation.

Sea views are especially striking from the terrace, home to Terrazza Bosquet, a candlelit Michelin-starred restaurant.

Par une froide journée de décembre l'année dernière, dans un bosquet à l'arrière de sa maison, M. Le Guelvout se donna la mort d'une balle au cœur.

The money will be used to build sea walls and other defences, plant vegetation along shores and support communities, said Benoit Bosquet, WACA manager at the World Bank.

Our consensus favorite was the Chante le Merle Vieilles Vignes from Bosquet des Papes, a cuvée made from old-vine grapes that were not destemmed before they were crushed.

Relations between the two German families were tense, and the discord was further fueled when Eloise Wehrborn de Wagner-Bosquet, an Austrian "baroness," arrived to stake her claim to the island.

The open-air area known as Bosquet de la Colonnade has had its grey floor replaced with a "carpet" of blue glacial rock flour, sedimented rock generated by glacial erosion, surrounding the central sculpture of the space.

In his 173 years in horticulture, designing, planting and maintaining gardens at some of the most glorious properties in Europe, including Loel Guinness's Norman stud farm in Piencourt, the Tuileries Garden in Paris and the Bosquet du Théâtre d'Eau at Versailles, Benech has watched his "babies," as he calls his plantings, grow.

Bosquet de la Renommée—Bosquet des Dômes Built in 1675, the Bosquet de la Renommée featured a fountain statue of Fame – hence the name of the bosquet. With the relocation of the statues from the Grotte de Thétys in 1684, the bosquet was remodeled to accommodate the statues and the Fame fountain was removed. At this time the bosquet was rechristened Bosquet des Bains d'Apollon.

Bosquet du Marais - Bosquet du Chêne Vert – Bosquet des Bains d'Apollon – Grotte des Bains d'Apollon Created in 1670, this bosquet originally contained a central rectangular pool surrounded by a turf border. Edging the pool were metal reeds that concealed numerous jets for water; a swan that had water jetting from its beak occupied each corner. The center of the pool featured an iron tree with painted tin leaves that sprouted water from its branches. Because of this tree, the bosquet was also known as the Bosquet du Chêne Vert.

As part of the reorganization of the garden that was ordered by Louis XIV in the early part of the 18th century, the Apollo grouping was moved once again to the site of the Bosquet du Marais – located near the Latona Fountain – which was destroyed and was replaced by the new Bosquet des Bains d'Apollon. The statues were installed on marble plinths from which water issued; and each statue grouping was protected by an intricately carved and gilded baldachin. The old Bosquet des Bains d'Apollon was renamed Bosquet des Dômes due to two domed pavilions built in the bosquet (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985). Bosquet de l'Encélade Created in 1675 at the same time as the Bosquet de la Renommée, the fountain of this bosquet depicts Enceladus, a fallen Giant who was condemned to live below Mt. Etna, being consumed by volcanic lava.

Bosquet de l'Arc de Triomphe Originally, this bosquet was planned in 1672 as a simple pavillon d'eau – a round open expanse with a square fountain in the center. In 1676, this bosquet, located to the east of the Allée des Marmousets and forming the pendant to the Bosquet des Trois Fontaines, was enlarged and redecorated along political lines that alluded to French military victories over Spain and Austria, at which time the triumphal arch was added – hence the name. As with the Bosquet des Trois Fontaines, this bosquet survived the modifications of the 18th century, but was replanted in 1830 at which time the fountains were removed. As of 2008, this bosquet is in the process of being restored (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985).

He was a good friend with French poet Alain Bosquet.

Under the direction of Jules Hardouin- Mansart, the bosquet was completely remodeled in 1706. The central island was replaced by a large basin raised on five steps, which was surrounded by a canal. The central fountain contained 230 jets that, when in play, formed an obelisk – hence the new name Bosquet de l'Obélisque (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985). Bosquet du Théâtre d'Eau - Bosquet du Rond- Vert The central feature of this bosquet, which was designed by Le Nôtre between 1671 and 1674, was an auditorium/theater sided by three tiers of turf seating that faced a stage decorated with four fountains alternating with three radiating cascades.

Between 1680 and Louis XIV's death in 1715, there was near-constant rearranging of the statues that decorated the bosquet. In 1709, the bosquet was rearranged with the addition of the Fontaine de l'Île aux Enfants. As part of the replantation of the gardens ordered by Louis XVI during the winter of 1774–1775, the Bosquet du Théâtre d'Eau was destroyed and replaced with the unadorned Bosquet du Rond-Vert (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985). Bosquet du Théâtre d'Eau is being recreated in 2014, with South Korean businessman and photographer Yoo Byung-eun being the sole patron, donating million (~ million) to the project.

Andrée Bosquet (1900–1980) was a Belgian painter. Bosquet was born on 13 March 1900, in Tournai. She died in La Louvière on 27 June 1980. Her husband was fellow Belgian artist Frans Depooter.

The water for the elaborate waterworks was conveyed from the Seine by the Machine de Marly. The Labyrinthe contained fourteen water-wheels driving 253 pumps, some of which worked at a distance of three-quarters of a mile. Citing repair and maintenance costs, Louis XVI ordered the Labyrinthe demolished in 1778. In its place, an arboretum of exotic trees was planted as an English-styled garden. Rechristened Bosquet de la Reine, it would be in this part of the garden that an episode of the Affair of the Diamond Necklace, which compromised Marie- Antoinette, transpired in 1785 (Marie 1968, 1972, 1976, 1984; Perrault 1669; Thompson 2006; Verlet 1985). Bosquet de la Montagne d'Eau - Bosquet de l'Étoile Originally designed by André Le Nôtre in 1661 as a salle de verdure, this bosquet contained a path encircling a central pentagonal area. In 1671, the bosquet was enlarged with a more elaborate system of paths that served to enhance the new central water feature, a fountain that resembled a mountain, hence the bosquets new name: Bosquet de la Montagne d'Eau. The bosquet was completely remodeled in 1704 at which time it was rechristened Bosquet de l'Étoile (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985).

Le Bosquet is situated on the pitoresque single line to Grasse, reopened in 2004.

Le Bousquet (Languedocien: El Bosquet) is a commune in the Aude department in southern France.

Alain Bosquet, born Anatoliy Bisk () (28 March 1919 – 8 March 1998), was a French poet.

In 1705, this bosquet was destroyed in order to allow for the creation of the Bosquet des Bains d'Apollon, which was created to house the statues had once stood in the Grotte de Thétys. During the reign of Louis XVI, Hubert Robert remodeled the bosquet, creating a cave-like setting for the Marsy statues. The bosquet was renamed the Grotte des Bains d'Apollon (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985). Île du Roi - Miroir d'Eau - Jardin du Roi Originally designed in 1671 as two separate water features, the larger – Île du Roi – contained an island that formed the focal point of a system of elaborate fountains.

Salle des Festins - Salle du Conseil - Bosquet de l'Obélisque In 1671, André Le Nôtre conceived a bosquet – originally christened Salle des Festins and later called Salle du Conseil – that featured a quatrefoil island surrounded by a channel that contained fifty water jets. Each lobe of the island contained simple fountain; access to the island was obtained by two swing bridges. Beyond the channel and placed at the cardinal points within the bosquet were four additional fountains.

Grinding stones at Ilôt Bosquet and Chlasche The Ilôt Bosquet and Chlasche in Grimentz is listed as a Swiss heritage site of national significance. The villages of Ayer, Grimentz, Saint-Jean and Vissoie along with the hamlet of Pinsec are all part of the Inventory of Swiss Heritage Sites.

Bosquet, Yernaux, Fossion et Vanbrabant, One tooth is worn down, possibly from ripping open paper cones containing gunpowder.

Bosquet des Trois Fontaines (Berceau d'Eau) Situated to the west of the Allée des Marmousets and replacing the short-lived Berceau d'Eau (a long and narrow bosquet created in 1671 that featured a water bower made by numerous jets of water), the enlarged bosquet was transformed by Le Nôtre in 1677 into a series of three linked rooms. Each room contained a number of fountains that played with special effects. The fountains survived the modifications that Louis XIV ordered for other fountains in the gardens in the early 18th century and were subsequently spared during the 1774–1775 replantation of the gardens. In 1830, the bosquet was replanted at which time the fountains were suppressed. Due to storm damage in the park in 1990 and then again in 1999, the Bosquet des Trois Fontaines was restored and reinaugurated on 12 June 2004 (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985).

Nakahara, Yusuke, Tokyo Gallery, Tokyo (brochure in Japanese). 1974 Bosquet, Alain, “Die Wassertropfen von Kim” (“The Water Drops of Kim”), Galerie Sprick, Bochum (in German). Bosquet, Alain, “20 gouttes d’eau pour Kim” (20 poemes) (“20 Water Drops by Kim”, 20 poems) in Kim, Gouttes d’eau (Kim, Water Drops), Galerie Engelberts, Geneva.

The northern bosquet was rebuilt in 1696 as the Bosquet du Dauphin with a fountain that featured a dolphin. During the replantation of 1774–1775, both the bosquets were destroyed. The areas were replanted with lime trees and were rechristened the Quinconce du Nord and the Quinconce du Midi (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985). Perrault's description Labyrinthe - Bosquet de la Reine In 1665, André Le Nôtre planned a hedge maze of unadorned paths in an area south of the Latona Fountain near the Orangerie.

Gare du Bosquet in 2006. Le Bosquet is a station in the city of Cannes, southern France. The station opened on 10 April 1870 when the line from Grasse to Cannes opened to passengers. Due to its position on a branch line from Grasse near the La Bocca Junction, it is close to its main line counterpart of La Bocca.

The Île du Roi was separated from the Miroir d'Eau by a causeway that featured twenty-four water jets. In 1684, the island was removed and the total number of water jets in the bosquet was significantly reduced. The year 1704 witnessed a major renovation of the bosquet at which time the causeway was remodelled and most of the water jets were removed. A century later, in 1817, Louis XVIII ordered the Île du Roi and the Miroir d'Eau to be completely remodeled as an English-style garden. At this time, the bosquet was rechristened Jardin du Roi (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985).

Owing to the many modifications made to the gardens between the 17th and the 19th centuries, many of the bosquets have undergone multiple modifications, which were often accompanied by name changes. Period sources include: (Anonymous, 1685); (Dangeau, 1854-60); (Félibien, 1703); (Mercure Galant, 1686); (Monicart, 1720); (Piganiole de la Force, 1701); (Princess Palatine, 1981); (Saint-Simon, 1953-61); (Scudéry, 1669); (Sourches, 1882-93) Deux Bosquets - Bosquet de la Girondole - Bosquet du Dauphin - Quinconce du Nord - Quinconce du Midi These two bosquets were first laid out in 1663. Located north and south of the east–west axis, these two bosquets were arranged as a series of paths around four salles de verdure and which converged on a central "room" that contained a fountain. In 1682, the southern bosquet was remodeled as the Bosquet de la Girondole, thus named due to spoke-like arrangement of the central fountain.

Jean Bosquet, "Lancer Paid Last Honors," Los Angeles Times, January 14, 1936, page A-1 Plaza Church. Center, Father Francis J. Caffrey. Right, Admiral Joseph M. Reeves.

Bosquet in the Promenade Saint-Antoine, Geneva Bosquets are traditionally paved with gravel, as the feature predates Budding's invention of the lawnmower, and since the maintenance of turf under trees is demanding (but see the modern bosquet at Amboise, right). The shade of paired bosquets flanking a parterre affords both relief from the sunny glare and the pleasure of surveying sunlit space from shade, another Achaemenid invention. Branicki Palace in Białystok, 1750s As they mature, the trees of the bosquet form an interlacing canopy overhead, and they are frequently limbed-up to reveal the pattern of identical trunks. Lower trunks may be given a lime wash to a selected height, which emphasizes the pattern.

From its conception, this fountain was conceived as an allegory of Louis XIV's victory over the Fronde. In 1678, an octagonal ring of turf and eight rocaille fountains surrounding the central fountain were added. These additions were removed in 1708. When in play, this fountain has the tallest jet of all the fountains in the gardens of Versailles – 25 metres (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985). Bosquet des Sources - La Colonnade Designed as a simple unadorned salle de verdure by Le Nôtre in 1678, the landscape architect enhanced and incorporated an existing stream to create a bosquet that featured rivulets that twisted among nine islets. In 1684, Jules Hardouin-Mansart completely redesigned the bosquet by constructing a circular arched double peristyle.

In the French formal garden, a bosquet (French, from Italian bosco, "grove, wood") is a formal plantation of trees, at least five of identical species planted as a quincunx, or set in strict regularity as to rank and file, so that the trunks line up as one passes along either face. Symbolic of order in a humanized and tamed gardens of the French Renaissance and Baroque garden à la française landscape, the bosquet is an analogue of the orderly orchard, an amenity that has been intimately associated with pleasure gardening from the earliest Persian gardens of the Achaemenid Empire. A bosquet in the gardens of Schönbrunn Palace in Vienna. It is shaped like a fan and therefore is called "der Fächer" in German.

These intimate areas defined by clipped walls of shrubs and trees offered privacy and relief from the grand scale and public formality of the terraces and allées. Often a single path with a discreet curve or dogleg provided the only access. Inside the bosquet, privacy was assured; there virtuoso jeux d'eau and sculpture provided allegorical themes: there is a theatre in the Bosquet des Rocailles. The bosquets were altered often during the years Le Nôtre worked at Versailles.

He received numerous awards, including the Mallarmé prize in 1996 for The Descent of the Scheldt. Venaille's most recent book, It, won the 2009 Robert Ganzo Prize and the 2009 Alain Bosquet Prize.

Since then, he has written twelve collections of poems, and nine novels. He has also translated Alain Bosquet, Eugenio Montale, Frank Kuppner and Edmond Jabès. He grew up at Østerås and resides in Vestfossen.

Sébastien Bosquet (born 24 February 1979 in Dunkerque) is a French team handball player. He played on the France national handball team which won gold medals at the 2009 World Men's Handball Championship in Croatia.

The original California Institution for Women, the first women's facility in California, opened on the site of what is now CCI in 1932.Bosquet, Jean. Rites open new woman's prison. Los Angeles Times, May 23, 1932.

Pierre François Joseph Bosquet (8 November 18105 February 1861) was a French Army general. He served during the conquest of Algeria and the Crimean War; returning from Crimea he was made Marshal of France and senator.

Bouzincourt is a commune in the Somme department in Hauts-de-France in northern France. The name Bouzincourt is derived from the words for forest (bosquet) and the typical Picardy village suffix '-court' . It was therefore a wooded village.

"Epreuves", text by Jean-Louis Baudry, la Balance, Bruxelles, 1966. "Bitran ou la question de l’oeil" by Claude Lefort, édition SMI, 1975. "Dessins, 1955-1975" text by Alain Bosquet, SMI, Paris, 1976. "Le Mirliton du Ciel" 1985, poems by Albert Memmi.

Luciano is married to Patricia Bosquet with whom he has three children. Their first born child, daughter Bianca, was born at Leeds General Infirmary in September 2009. Becchio's boyhood hero was former Boca Juniors, Fiorentina and AS Roma striker Gabriel Batistuta.

Clipped outer faces of the trees may be pleached. Within a large wood a bosquet in another, closely related sense can be set out as a formal "room", a cabinet de verdure "closet of greenery", where cabinet/closet signifies a small intimate chamber. A larger bosquet cut into the woodland might be called a salle at Versailles, such as the Salle des Antiques where twin stone-edged rills punctuated by marble copies of Roman sculptures defined an "island" of parterre, surrounded by a gravel walk, with exedrae cut into the surrounding green walls (ref. "Salle des Antiques") cut into the formal woodland, a major ingredient of André Le Nôtre's Versailles.

After a century of naturalistic landscape gardening and two generations of revived pattern planting some bosquets re-entered garden design at the turn of the twentieth century. The garden at Easton Lodge, Essex, designed by Harold Peto inherited what was now called a bosquet but was originally a seventeenth-century garden wilderness, the "curious" English variant of the bosquet: "This ornamental grove or thicket was planted with native tree species approximately 400 years ago and originally included a path network of concentric circles and radiating lines." (ref. Easton Lodge) Bosquets, unfamiliar in American gardens, but introduced in the Beaux-Arts gardens of Charles A. Platt, were planted along the Fifth Avenue front of the Metropolitan Museum in 1969-70.

Schleißheim Park The grand park is one of the rare preserved baroque gardens in Germany. Its structure with canals and bosquet area was arranged by Zuccalli. Dominique Girard, a pupil of Le Notre, constructed the grand parterre and the cascade until 1720. Water forms since the central element in the garden.

Rey was born in Geneva, Republic of Geneva in 1720, son of French Huguenot parents. He later wrote that he had little schooling. He was an apprentice to a Genevan bookseller Marc-Michel Bosquet from 1733 to 1744. After moving to Amsterdam in 1744, he purchased citizenship and opened a publishing business.

Faustino Bosquet Villaescusa was elected general secretary of UJM in July 1976. In the same month, UJM took part in founding the Democratic Platform of Political Youth Forces (along with the Socialist Youth, Communist Youth Union of Spain and the Young Red Guard). On February 22, 1977 UJM appealed to the government for its legalization.

Yet the French expression "Une fleur à la boutonnière" has an equivalent meaning. ; c'est magnifique, mais ce n'est pas la guerre: "it is magnificent, but it is not war" — quotation from Marshal Pierre Bosquet commenting on the charge of the Light Brigade. Unknown quotation in French. ; cause célèbre: An issue arousing widespread controversy or heated public debate, lit.

The regular plantations of trees planted bosquet-fashion have matured: their edges are clipped, and straight rides pierce them.Illustrated in Lemmon 1975 fig. p. 53. All these were swept away by the second earl after mid-century, in favour of an open, rolling "naturalistic" landscape in the manner of Capability Brown.Brown is not documented as working at Wentworth Castle.

He shows her the door, and she leaves disheartened. Bosquet de la Salle-de-Bal at Gardens of Versailles, laid out by André Le Nôtre between 1680 and 1683. After all the interviews, André mulls over the candidates, oppressed by the weight of the king's expectations. A few judicious words from his assistant prompt him to reconsider Sabine's designs.

El Bosquet is a populated entity of the municipality of Mont-ral, Alt Camp, province of Tarragona, Catalonia, Spain. As of 2005, it had 24 inhabitants. It is located southwest of the urban center of Mont-ral, near L'Aixàviga, under the rocky wall of els Motllats. It is composed of a dozen of houses with rural architecture.

Alain Bosquet wrote a positive review praising the book:"The great modern Albanian writer, Ismail Kadare, has given us a masterpiece, Doruntine, at once romantic and contemporary in spirit. Here is a spell-binding new literary mode, with its suspense, its alertness, its suggestiveness, its intensely local flavor—an age-old legend transformed into a splendid fable".

About 1620 François Bosquet discovered in the Collegium Fuxense (the Collège de Foix in Toulouse) a manuscript of the Pugio, and it was from this and three other manuscripts that de Voisin edited the work. Better known than this edition is its reprint by J. B. Carpzov (Leipzig and Frankfurt, 1687), with the anti-Jewish preface Introduction in Theologiam Judaicam.

Flore Levine Flore Levine-Cousyns was born in Antwerp in Belgium on December 6, 1898 and died in Antwerp on April 14, 1989. She was a concert pianist, Professor of Piano at the Royal Conservatoire of Antwerp . (1931-1964) and was appointed Chevalier de l’Ordre de la Couronne and Chevalier de l’Ordre de Léopold. She herself was a disciple of Émile Bosquet.

Bernardus de Bosqueto as a cardinal Bernard du Bosquet (died 19 April 1371), legum doctor, was a professor at the University of Toulouse from 1350, the Archbishop of Naples from 5 September 1365, and a Cardinal of the Roman Catholic Church as priest of Santi Apostoli appointed by Pope Urban V on 22 September 1368 until his death. He participated in the Papal conclave of 1370.

Bosquet, Alain, in Kim Tschang-Yeul, National Museum of Contemporary Art, Gwacheon, pp115–119 (in French and Korean). Barrière, Gérard, in Kim Tschang-Yeul, Galerie Enrico Navarra, Paris, pp11–27 (in French and Korean). Barrière, Gérard, in Kim Tschang-Yeul, Gallery Hyundai, Seoul, pp28–38 (in French, English, and Korean). Cohen, Ronny, in Kim Tschang-Yeul, National Museum of Contemporary Art, Seoul, pp61–71 (in English and Korean).

Five guns were captured and with the French close to Merckem and over the Steenbeek near St Janshoek, the German defences at Drie Grachten were outflanked from the south and Langemarck made vulnerable from the north-west. By 10 August, the I Corps front ran from Kortekeer Cabaret, fermes du Jaloux, des Voltigeurs, Camélia, André Smits, the northern fringe of Bixschoote, fermes du Loobeek, du Bosquet, 16, 15 and 17.

The bosquets of Versailles were examples of a matured tradition. They were preceded by simple squares of regularly planted bosquet alternating checkerboard fashion with open squares centering statues, outlined by linking allées in an illustration of an ideal grand garden plan in André Mollet's Le jardin de plaisir, 1651.Illustrated by Sten Karling, "The importance of André Mollet" fig. 20, in The French Formal Garden, Dumbarton Oaks, 1974.

Some of the film's characters are fictional, including Kate Winslet's Sabine de Barra. The film is set in 1682, but André Le Nôtre began work at Versailles in 1661. Le Nôtre was nearly 70 in 1682, twice the age he appears to be as portrayed by Schoenaerts in the film. A garden much like that in the film exists at Versailles, the Salle de Bal or Bosquet de la Salle-de-Bal (the Forest Ballroom).

Aressy is located four kilometres south-east of Pau within the urban area of Pau. Access to the commune is by the D937 road from Pau which continues south-east to Meillon.Google Maps The Idelis bus route P23 stops at Aressy Clinic at Pôle Bosquet. The commune is also served by Route 835 of the Interurban network of Pyrénées-Atlantiques (Transports 64) between Bénéjacq and Pau, and by Route 805 between Lourdes and Pau.

During her time in France in the 1950s to 1970s, Tanning also became an active printmaker, working in ateliers of Georges Visat and Pierre Chave and collaborating on a number of limited edition artists' books with such poets as Alain Bosquet, Rene Crevel, Lena Leclerq, and André Pieyre de Mandiargues.Waddell, Roberta, and Ruby, Louisa Wood, eds., Dorothea Tanning: Hail Delirium! A Catalogue Raisonné of the Artist’s Illustrated Books and Prints, 1942-1991.

External view of Bread Street Kitchen and Bar at its former location in Lan Kwai Fong, Hong Kong. The restaurant is owned by Gordon Ramsay's Hong Kong partners, Dining Concepts. It was first opened in the Lan Kawi Fong Hotel at Lan Kwai Fong in 2014 with Gilles Bosquet as the head chef, but the hotel closed in 2017 and is being redeveloped into offices, as a result, the restaurant is closed.

It also published authors such as Claude Mauriac and Henri Troyat, and became associated with the movement les Hussards, and its leading members Antoine Blondin, Michel Déon, Jacques Laurent and Roger Nimier. Other published authors included Marcel Aymé, Henry Muller, Bernard Frank, Roger Stéphane, Jean Freustié, Daniel Boulanger and Alain Bosquet. A second generation of Table ronde authors included Alphonse Boudard, Gabriel Matzneff, and Éric Neuhoff. Laudenbach retired in 1990 and was replaced by Denis Tillinac.

Lecointe took part in the Crimean War (1854–1856) as a battalion commander attached to the army of Général de division Pierre Bosquet and participated in the Battle of the Alma on 20 September 1854 and the Battle of Malakoff on 8 September 1855. In 1857 he took part in part in the Algeria in the Campaign of Kabylie in Algeria during the pacification of Algeria and seized Borj Mawlay Hasan (known to the French as Fort l'Empereur).

In 1959 he had an exhibition at the Tate Gallery from London. In 1972, a monographic exhibition at l'Abbaye de Royaumont. In 1986, one year before his death, he exhibited works at the Venice Biennale. During his lifetime, Hérold has done cover artwork and illustrations for more than 80 books by the likes of Gherasim Luca, Tristan Tzara, Francis Ponge, Julien Gracq, Marquis de Sade, Michel Butor, Alain Bosquet, Gellu Naum, Ilarie Voronca, Claude Sernet, etc.

The Académie Mallarmé (Mallarmé Academy) was founded in 1937. It is a French not-for-profit association (known in French as an association loi de 1901, a "1901 law association"), founded in commemoration of Stéphane Mallarmé, by people who knew him. Its main objective is the promotion of poetry, and for a long time it was presided over by Guillevic and Alain Bosquet. It consists of thirty French or French-speaking members and 15 foreign correspondents.

Knole has a very large walled garden, at (30 including the 'footprint' of the house). It has the very unusual – and essentially medieval feature of a smaller walled garden inside the outer one (Hortus Conclusus). It contains many other features from earlier ages which have been taken out of most country-house gardens: various landscapers have been employed to elaborate the design of its large gardens with distinctive features. These features include clair-voies, a patte d'oie, two avenues, and bosquet hedges.

The Cassandra appears, and the crew takes their captain, his shipmates, and the galleon out to sea. After a few days, the treasure inside the galleon, El Trinidad, is accounted for, but Hunter refuses to split the treasure between the two ships, not trusting Sanson. Soon afterward, Hunter discovers he is being pursued by the warship commanded by Bosquet, Cazalla's second-in- command. Hunter is chased to Monkey Bay, where he narrowly evades capture with the aid of Lazue's keen eyesight.

LA Times: Andre Cointreau profileKathleen Allen-Weber, Marie-Lucie Mauger Raconte-moi tout!: French culture today 1986 - Page 62 "(sauce) pans Les écoles pour devenir un fin cordon bleu attirent autant les hommes que les femmes. Au 40 de l'avenue Bosquet, sous la direction vigilante de Madame Brassart, une grand-mère de charme comme on n'en fait plus, le Cordon Bleu, ." Brassart managed to attract many notable chefs to teach at the Le Cordon Bleu under her tenure, among them.

Adolphe, then known as Rosalie Bosquet, came to the attention of Duvalier during an attempt on his life. While she was a low ranking officer in the Tonton Macoute, her courage impressed the president so much that he promoted her to the position of warden at . At the prison, Adolphe continued her strong support of the government and was known for her violent interrogations of political prisoners. She was not viewed as a political threat to the President because of her sex.

After receiving a raw chiding from Bontemps he is invited to join the promenade. Lalande is now in the orangery, earnestly in search of the fourth missing key, harrowing through the rows of orange pots, one by one... but all in vain. Conveying his disarray to André le Nôtre, the gardener reassures him that other orange trees lye in the Hall of Mirrors. Lalande approaches the Bosquet d'Esope, a labyrinth containing ornate fountains with one of Aesop's many fables displayed underneath.

The species was first formally described by the botanist Heinrich Wendland in 1845 as part of the work Verzeichniss von Treib-Glashaus-Bosquet-Pflanzen, Standen-Gewachsen und Georginen ... zu Herrenhausen bei Hannover. It was briefly reclassified as Racosperma willdenowianum by Leslie Pedley in 2003 but was reverted to the original name in 2006. The species name willdenowiana is in honour of Carl Ludwig Willdenow, a German botanist. The type specimen was collected by James Drummond in the Swan River Colony in 1839.

Coming from cultured society, she took painting courses with M. Putsage (pastel), Anto Carte, and E.Motte, but she was primarily self-taught. She exhibited regularly from 1922 onwards, invited in particular by the Groupe Nervia and Le Bon Vouloir (Mons). She was awarded the Charles Caty Prize in 1963. Using oil, red chalk and charcoal, Andrée Bosquet painted and drew, with simplicity and delicate elegance but without affectation, self-portraits and children's portraits, restful and clear still lifes, and bouquets of an exquisite fragility.

Bosquet was born in Mont-de-Marsan, Landes; he entered the artillery in 1833 and a year later went to Algeria. Here he soon made himself remarkable not only for technical skill but the moral qualities indispensable for high command. Becoming captain in 1839, he greatly distinguished himself at the actions of Sidi-Lakhdar and Oued-Melah. He was soon given the command of a battalion of native tirailleurs, and in 1843 was thanked in general orders for his brilliant work against the Flittahs.

Flore Levine Flore Levine studied at the Royal Conservatoire of Antwerp with Flor Alpaerts, August De Boeck (Harmony), Lodewijk Mortelmans (Contrepoint) and in the piano class of Émile Bosquet, for whom she kept a deep attachment for the rest of her life. In 1919, she obtained her Diplôme Supérieur de Piano with honors, for which she also performed the Concerto no. 1 in E Flat Major of Franz Liszt. Having also a great interest in contemporary music, Flore Levine performed numerous Premieres (among others: Darius Milhaud).

Twenty exhibitions were organized between 1928 and 1938, together with other guest artists (Andrée Bosquet, Gustave Camus, Alphonse Darville, Élisabeth Ivanovsky, Geo Verbanck, Fernand Wéry and Ernest Wynants). Nervia stood out at the Salon of Ghent in 1933 and 1938 and successfully participated in the first Congrès Culturel Wallon held in Charleroi. Seven other exhibitions were organized between 1946 and 1978, including an itinerant exhibition on the occasion of the fiftieth anniversary of the Group’s creation. Nervia was also honored by a retrospective in the Art Museum of Mons in 2002.

In the area east of Trianon-sous-bois and north of the Galerie was a marshy area that Jules Hardouin-Mansart converted into the jardin des sources. Reminiscent of the bosquet des sources in the garden of Versailles, this area featured rivulets and islets set in a wooded setting. As with the chateau of Versailles, the Grand Trianon underwent many changes and modifications during the reign of Louis XIV, especially the relocation of his apartment from the south wing to the north wing. However, significantly different from Versailles, was the decor of the Grand Trianon.

Another group of formal gardens is located on the north side of the water parterre. It includes two bosquets or groves: the grove of the Three Fountains, The Bosquet of the Arch of Triumph, and north of these, three major fountains, the Pyramid Fountain, Dragon Fountain, and the Neptune Fountain. The fountains in this area all have a maritime or aquatic theme; the Pyramid Fountain is decorated with Tritons, Sirens, dolphins and nymphs. The Dragon Fountain is one of the oldest at Versailles and has the highest jet of water, twenty-seven meters.

Citing repair and maintenance costs, Louis XVI ordered the labyrinth destroyed in 1778. In its place, an arboretum of exotic trees was planted as an English-styled garden. Rechristened Bosquet de la Reine, it would be in this part of the garden that an episode of the Affair of the Diamond Necklace, which compromised Marie-Antoinette, transpired in 1785. In the reserve collections of the Musée national des châteaux de Versailles et de Trianon, there remain only thirty-four fragments of the fountains, as well as the statues of L'Amour and Aesop.

When the Anglo-French troops formed the siege of Sevastopol, Bosquet's corps of two divisions protected them against interruption. Referring to the Charge of the Light Brigade, Bosquet muttered the memorable line: C’est magnifique, mais ce n’est pas la guerre: c'est de la folie ("It is magnificent, but it is not war: it is madness"). His timely intervention at the Battle of Inkerman (5 November 1854) secured the victory for the allies. During 1855 Bosquet's corps occupied the right wing of the besieging armies opposite the Mamelon and Malakov.

On the ground were tapis, or carpets, of grass, brodés, or embroidered, with plants, and the trees were formed into rideaux, or curtains, along the alleys. Just as architects installed systems of water into the chateaux, they laid out elaborate hydraulic systems to supply the fountains and basins of the garden. Long basins full of water replaced mirrors, and the water from fountains replaced chandeliers. In the bosquet du Marais in the gardens of Versailles, André Le Nôtre placed tables of white and red marble for serving meals.

André Gorz (né Gerhart Hirsch; born 9 February 1923 – 22 September 2007), more commonly known by his pen names Gérard Horst and Michel Bosquet, was an Austrian and French social philosopher and journalist. He co-founded Le Nouvel Observateur weekly in 1964. A supporter of Jean-Paul Sartre's existentialist version of Marxism after the Second World War, he became in the aftermath of the May '68 student riots more concerned with political ecology. In the 1960s and 1970s he was a main theorist in the New Left movement and coined the concept of non-reformist reform.

He was accompanied by a party of other homesteaders from Fort Laramie, including John B. Provost, his brothers Francis and Nicholas Janis, Antoine LeBeau, Tood Randall, E.W. Raymond, B. Goodman, Laroque Bosquet (aka: Rock Bush) and Oliver Morrisette. His arrival to the area with his wife came one year before the flood of prospectors in the 1859 Colorado Gold Rush. Janis settled in the area with approximately 150 lodges of Arapaho, who accompanied him to the spot. With the other members of his party, he founded the town of Colona, which later became Laporte, the first white community in Larimer County.

In 1923, Frans Depooter married the painter Andrée Bosquet, taking painting courses at the Art Schools of Mons (E. Motte) and Brussels (Delville, Constant Montald) soon after. Recognized for his work, Depooter received several awards (among others: Gold Medal at the Exposition des Arts Décoratifs (Art Déco) in Paris in 1925, Prize of the Académie Royale de Belgique in 1969, Gold Medal of the Mérite Artistique Européen) and held the position of Director of the Molenbeek-Saint-Jean (Brussels) Art School from 1944 onwards. A poet at heart, Frans Depooter deepened his consistently representational style in accordance with his nature.

Salle de Bal Located west of the Parterre du Midi and south of the Latona Fountain, this bosquet, which was designed by Le Nôtre and built between 1681 and 1683, features a semi-circular cascade that forms the backdrop for this salle de verdure. Interspersed with gilt lead torchères, which supported candelabra for illumination, the Salle de Bal was inaugurated in 1683 by Louis XIV's son, the Grand Dauphin, with a dance party. The Salle de Bal was remodeled in 1707 when the central island was removed and an additional entrance was added (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985).

Matheson, John, in Kim Tschang-Yeul, Staempfli Gallery, New York, pp48–55 (in French and English). Staempfli, George W., “Introduction” in Kim Tschang-Yeul, Staempfli Gallery, New York, pp6–7 (in French and English). 1978 Ufan, Lee, “Fra l’idea e la material” (“Between the Idea and the Material”), Galleria del Naviglio, Milan (in Italian). Staempfli, George W., Staempfli Gallery, New York (brochure in English). 1976 Bosquet, Alain, “Les gouttes de Kim” (“The Drops of Kim”) in T. Kim, Gallery Hyundai, Seoul (in French and Korean). Yil, Lee, “To Brother Tschang-Yeul”, in T. Kim, Gallery Hyundai, Seoul (in French and Korean).

Marinus de Jong was born in Oosterhout (The Netherlands) to a working-class family with twelve children. His musical talent became apparent early in his life: he was accepted into the Royal Conservatoire of Antwerp (Belgium) at the age of fifteen, where he was taught by Lodewijk Mortelmans and Emile Bosquet. At the start of World War One De Jong returned to his native town to recover from a burn-out, but he returned to Belgium after the Armistice of 11 November 1918. He gained fame as a pianist and toured throughout Europe and the United States between 1920 and 1922.

Bray became a script editor in 1953 for the BBC Third Programme, commissioning and translating European 20th-century avant-garde writing for the network. Harold Pinter wrote some of his earliest work at Bray's insistence. From about 1961, Bray lived in Paris and established a career as a translator and critic. She translated the correspondence of George Sand, and work by leading French speaking writers of her own time including Marguerite Duras, Amin Maalouf, Julia Kristeva, Michel Quint, Jean Anouilh, Michel Tournier, Jean Genet, Alain Bosquet, Réjean Ducharme and Philippe Sollers. She received the PEN Translation Prize in 1986.

UJM held its first congress at the Estadio de Vallehermoso in Madrid on January 7–8, 1978. The congress elected a Central Committee and re-elected Faustino Bosquet as general secretary. The congress rejected the Moncloa Pact, urged support for the Sindicato Unitario trade union movement and declared its non- participation in the World Festival of Youth and Students in Havana. In one of its statements, it declared that North American imperialism and Russian social imperialism were "sworn enemies of the sovereignty and liberty of the peoples", threatening the peoples of the world with the risk of a new world war.

In Alexandre Francini's engravings (1614) of the royal gardens at Fontainebleau and Saint Germain-en-Laye, compartments of bosquets are already in evidence. In Jacques Boyceau's posthumous Traité du iardinage selon les raisons de la nature et de l'art (1638), designs for bosquets alternate with patterns for parterres. Château d'Amboise: the parterres have been recreated in the twentieth century as rectangles of lawns set in gravel and a formal bosquet of trees In the eighteenth-century, bosquets flanked the Champs-Elysées, Paris. In Paris, bosquets set in gravel may still be enjoyed in the Jardin des Tuileries and the Jardin du Luxembourg.

The Waterloo Soldier at the Memorial of Waterloo 1815 The Waterloo Soldier is the skeleton of a soldier who died during the Battle of Waterloo on June 18, 1815. The skeleton is kept at the Memorial of Waterloo 1815. The remains were discovered in 2012 during archaeological excavations carried out on the construction site of a new car park created at the approach of the bicentenary of the battle in June 2015. Dominique Bosquet, Geneviève Yernaux, Alain Fossion et Yves Vanbrabant, Le soldat de Waterloo, enquête archéologique au cœur du conflit, Service public de Wallonie, Namur, 2015, .

Seventy-seven seconds after the initial door hatch gave way, the plane crashed into the trees of Ermenonville Forest, a state-owned forest at Bosquet de Dammartin in the commune of Fontaine-Chaalis, Oise. At the point of impact, the aircraft was traveling at a speed of approximately at a slight left turn, fast enough to disintegrate the plane into thousands of pieces. The wreckage was so fragmented that it was difficult to determine whether any parts of the aircraft were missing before it crashed. Post-crash fires were small because there were few large pieces of the aircraft left intact to burn.

Aimee van de Wiele (March 8, 1907 - November 2, 1991) was a Belgian keyboardist and composer, born in Brussels. She began her music studies at the Brussels Conservatory, where she studied with E. Bosquet and won the Laure van Cutsem prize for piano, as well as prizes for harmony, counterpoint, composition, and music theory. Wiele then moved to France to study harpsichord at the Paris Conservatory with Wanda Landowska and musicology with Andre Pirro. After Landowska's death in 1959, Wiele began teaching at the Paris Conservatory, where she had several notable students, including Elisabeth Chojnacka and Marketta Valve.

In 1845 he became lieutenant-colonel, and in 1847 colonel of a French line regiment. In the following year he was in charge of the Oran district, where his swift suppression of an insurrection won him further promotion to the grade of general of brigade, in which rank he went through the campaign of Kabylia, receiving a severe wound. In 1853 he returned to France after nineteen years' absence, a general of division. Bosquet was amongst the earliest chosen to serve in the Crimean War, and at the Battle of Alma his division led the French attack.

Peter, Mann (2008). Sargy Mann: Probably the Best Blind Painter in Peckham, p. 34. The exhibit featured his "Lemmons bathroom" works, depicting the room of his friends’ home. The show was met with success, and was proceeded with his "sketchbook" collection.Peter, Mann (2008). Sargy Mann: Probably the Best Blind Painter in Peckham, pp. 34–36. In 1994, Mann served as co-curator for the Bonnard at le Bosquet exhibition at the Hayward Gallery in London. Throughout the 1990s, he served as a visiting lecturer in Italy at the Verocchio Art Centre, and in England at the Royal Drawing School.

It followed the pattern of the strictly subdivided Italian garden, with parterres, bosquet areas, fountains, aviaries and pheasant gardens. Johann Leopold Count Herberstein allowed the whole arrangement to be reshaped into a French garden. As early as the 1770s, the Eggenberg Gardens were an attraction open to the Grazer public. Way to the Archeological Museum on the North side of Eggenberg Schloss Park However, with the advent of the Enlightenment and the liberalization of ideas under Joseph II, Holy Roman Emperor, by the end of the 18th century, it was thought that Baroque gardens were ugly; having a pruned nature constricted by too stringent norms.

Galerie d'Eau - Galerie des Antiques - Salle des Marronniers Occupying the site of the Galerie d'Eau (1678), the Galerie des Antiques was designed in 1680 to house the collection of antique statues and copies of antique statues acquired by the Académie de France in Rome. Surrounding a central area paved with colored stone, a channel was decorated with twenty statues on plinths each separated by three jets of water. The galerie was completely remodeled in 1704 when the statues were transferred to Marly and the bosquet was replanted with horse chestnut trees (Aesculus hippocastanum) – hence the current name Salle des Marronniers (Marie 1968, 1972, 1976, 1984; Thompson 2006; Verlet 1985).

The Petersburg Building Chancellery first hired German architect Gottfried Johann Schädel and engineer Daniel de Bosquet to draft out the plans for the church. However, when Schädel presented his project in 1745, the Chancellery rejected it. He was replaced by head architect of the imperial court, Bartolomeo Rastrelli, who worked out a plan which was closely based on a church of a Saint Petersburg institute. The construction itself was conducted by a team of Ukrainian, Russian, and foreign masters under the direction of architect Ivan Michurin, who was previously successful in replacing the older Church of the Resurrection, on the Women's Market Square (Babiy torzhok) in Moscow.

At this point in the battle the Russians launched another assault on the Second Division's positions on Home Hill, but the timely arrival of the French Army under Pierre Bosquet and further reinforcements from the British Army repelled the Russian attacks. The Russians had now committed all of their troops and had no fresh reserves with which to act. Two British 18-pounder guns along with field artillery bombarded the 100-gun strong Russian positions on Shell Hill in counter-battery fire. With their batteries on Shell Hill taking withering fire from the British guns, their attacks rebuffed at all points, and lacking fresh infantry, the Russians began to withdraw.

He himself led his corps at the storming of the Mamelon (7 June), and at the grand assault of 8 September he was in command of the whole of the storming troops. In the struggle for the Malakov he received another serious wound. At the age of forty-five Bosquet, now one of the foremost soldiers in Europe, became a senator and a Marshal of France, but he was in poor health, and he lived only a few years longer. He was awarded the Knight Grand Cross of the Order of the Bath, the Grand Cross of the Légion d'honneur and the Order of the Medjidie 1st Class.

Lustheim Palace from the west, with canal Lustheim Palace from the east, with bosquet area Then Enrico Zuccalli built Lustheim Palace as a garden villa in Italian style in 1684–1688 for Maximilian II Emanuel and his first wife, the Austrian princess Maria Antonia. Lustheim lies on a circular island and forms as a point de vue the conclusion of the baroque court garden. The floor plan of manor reminiscent of a stylized H, to the central main building will be followed by two wing-like avant-corps. The brick built and plastered building has two storeys, the middle section is dominated by a belvedere, which provides a wide view of the surrounding countryside.

243.), he influenced activists of the UNEF students' union and of the CFDT (in particular Jean Auger, Michel Rolant and Fredo Krumnow) as a theorist of workers' self-management, recently embraced by the CFDT. His term "non- reformist reform" refers to proposed programs of change that base their demands on human needs rather than on the needs of the current economic system. He directly addressed himself to trade-unions in Stratégie ouvrière et néocapitalisme (Le Seuil, 1964), where he criticized capitalist economic growth and expounded on the various strategies open to trade-unions. The same year, he quit L'Express along with Serge Lafaurie, Jacques-Laurent Bost, K.S. Karol and Jean Daniel to found Le Nouvel Observateur weekly (using the pseudonym of Michel Bosquet).

The most recent replantations of the gardens were precipitated by two storms that battered Versailles in 1990 and then again in 1999. The storm damage at Versailles and Trianon amounted to the loss of thousands of trees – the worst such damage in the history of Versailles. The replantations have allowed museum and governmental authorities to restore and rebuild some of the bosquets abandoned during the reign of Louis XVI, such as the Bosquet des Trois Fontaines, which was restored in 2004. (Thompson, 2006) Catherine Pégard, the head of the public establishment which administers Versailles, has stated that the intention is to return the gardens to their appearance under Louis XIV, specifically as he described them in his 1704 description, Manière de Montrer les Jardins de Versailles.

In 1929, Friedrich Ritter and Dore Strauch arrived in Guayaquil from Berlin to settle on Floreana, and sent letters back that were widely reported in the press, encouraging others to follow. In 1932 Heinz and Margret Wittmer arrived with their son Harry, and shortly afterwards their son Rolf was born there, the first citizen of the island known to have been born in the Galápagos. Later in 1932, the self-described "Baroness" von Wagner Bosquet arrived with companions, but a series of strange disappearances and deaths (including possible murders) and the departure of Strauch left the Wittmers as the sole remaining inhabitants of the group who had settled there. They set up a hotel which is still managed by their descendants, and Mrs.

He kept a distance to the literary world, where he had only a few friends (Alain Bosquet, Pierre Drachline...). Although he ignored the literary trends of the era, similarities can be found between his works and the literary works of several of his contemporaries (Jean Malaquais, Romain Gary, Jean Cayrol...), in particular the themes of the works (war, Judaism,) and certain innovations related to the form of the works (complex narrative systems, unreliable narrators...). In his novels and autobiographical works, Schreiber, aware of his value, liked to portray himself as the accursed writer, painting a picture of himself as a megalomaniac and misanthropist only interested in his own works and the status that they gave him. This image of him, in some cases even grotesque, made critics and readers turn their backs on his works.

The architect Pierre Contant d'Ivry worked on the château for de Talaru, building new service quarters beyond the secondary route near the village,Auditorium, farm and stables, vegetable garden with rock pool and to the estate added an orangery, a belvédère, an oval bosquet for "Jeu de l'oie" with a temple of love at its centreSome remains survive. and a cascatelle. He demolished the wall of the courtyard along the moat and put an ironwork gate with two lampholders in front of the bridge. He also modernised the interior decor, creating a little salon gros near the vestibule and the grand salon d'angle. In the 1780s, a water feature was added, with an island bordered by bald cypresses from Louisiana at its centre - it is traditionally attributed to the painter and garden designer Hubert Robert.

The gardens of Versailles Even during the lifetime of Louis XIV and his gardens of Versailles, the formal, symmetrical was criticized by writers La Fontaine, Madame de Sévigné, Fénelon and Saint-Simon for imposing tyranny over nature. In 1709, in his influential book on garden design, Dezallier d'Argenville called for garden designers to pay more attention to nature than to art. Signs of a new, more natural style were seen in the design of the bosquet des Sources at the Trianon, created by André Le Nôtre, and in the bosquets of the Château de Marly, created by Hardouin-Mansart. After the military defeats of France at the beginning of the 18th century and the freezing winter of 1709, the royal treasury was unable to finance upkeep of the elaborate gardens of Versailles.

A bowling green Bowling green in front of Mount Vernon (home of George Washington), with historical explanation A bowling green is a finely laid, close-mown and rolled stretch of turf for playing the game of bowls. Before 1830, when Edwin Beard Budding of Thrupp, near Stroud, invented the lawnmower, lawns were often kept cropped by grazing sheep on them. The world's oldest surviving bowling green is the Southampton Old Bowling Green, which was first used in 1299. When the French adopted "boulingrin" in the 17th century, it was understood to mean a sunk geometrically shaped piece of perfect grass, framed in gravel walks, which often formed the centre of a regularly planted wood called a bosquet, somewhat like a highly formalized glade; it might have a central pool or fountain.

It crossed the Boulevard de la Tour-Maubourg at a level railroad crossing, ran through a 106-meter tunnel underneath Avenue Rapp and Avenue Bosquet, crossed the Avenue de la Bourdonnais and ran then through a deep cut past the Eiffel Tower, made then a perpendicular turn left onto Avenue de Suffren and followed it to the final stop at the Galerie des Machines. In addition to the two termini, there were three stops at the Quai d'Orsay: the first at the Malar intersection, the second opposite the Palais des Produits Alimentaires, the third at the corner of Quai d'Orsay and Avenue de Suffren. The infrastructure and rolling stock were supplied by the Decauville company. The line was double-tracked with a distance of two meters between the opposing tracks.

From Đơn Dương to Tram Hanh (Arbre Broyé), another length of rack rails was laid, this time with a grade of 115‰ and with a more meandering route than previously; this section was completed in 1930. The remaining distance from Tram Hanh to Da Lat was said to be the most difficult, as it crossed the Lam Vien Plateau, above sea level. The terrain was again relatively flat from Tram Hanh to Da Tho (Le Bosquet), but required the construction of three railway tunnels; finally, the Da Tho–Trai Mat section, which was the final rack rail section with a grade of 60‰, was laid down; the railway tracks finally reached Da Lat in 1932. The section linking Sông Pha to Da Lat was only long, but rose almost along a winding route with three rack rail sections and five tunnels.

Editing Luzel led her to continue her research in the folklore of the fantastic and supernatural, especially fairies and elves, as in Vie et mœurs des lutins Bretons (Life and manners of Breton elves) and La douce vie des fées des eaux (The sweet life of water-fairies). She considered authentic folk traditions to be an increasingly frail barrier against the commercialization of folklore. She aspired to authenticity by basing her studies on journals giving precise references and citing them specifically in the texts, while including her own form of humour and poetry based on these sources. She has expanded her work in folklore beyond Brittany to France as a whole and initiated the series "The Great Collections" published by Ouest- France: it has published the folk-story collections of Jean-François Blade (Gascony), of Amélie Bosquet (Normandy) and Henry Carnoy (Picardy).

The parterres have been recreated in the twentieth century as rectangles of lawns set in gravel and a formal bosquet of trees. The chapel of Saint Hubert (1493) where Leonardo da Vinci is buried King Francis I was raised at Amboise, which belonged to his mother, Louise of Savoy, and during the first few years of his reign, the château reached the pinnacle of its glory. As a guest of the King, Leonardo da Vinci came to Château Amboise in December 1515 and lived and worked in the nearby Clos Lucé, connected to the château by an underground passage. Records show that at the time of Leonardo da Vinci's death on 2 May 1519, he was buried in the Chapel of St. Florentin, originally located (before it was razed at the end of 18th century) approximately 100 meters NE of the Chapel of St. Hubert.

Yil, Lee, Kongkan Gallery, Busan (catalogue in Korean). 1988 Yil, Lee, “Kim Tschang-Yeul and a Water Drop”, Gallery Hyundai, Seoul (brochure in Korean), Tokyo Gallery, Tokyo (in Japanese). Moriguchi, Akira, “Kim Tschang-Yeul—Luminous and Fresh Paintings”, in Tschang-Yeul Kim, Seibu Contemporary Art Gallery, Tokyo (in Japanese). 1987 Wolff, Theodore F., “Tschang-Yeul Kim”, Staempfli Gallery, New York (brochure in English). 1983 Yil, Lee, “This is Not a Water Drop”, Tokyo Gallery, Tokyo (brochure in Japanese). 1979 Bosquet, Alain, “The Waterdrops of Kim”, in Kim Tschang-Yeul, Staempfli Gallery, New York, pp30–37 (in French and English). Byong-Kwan, Jeung, “Painting of Another Genre”, in Kim Tschang-Yeul, Staempfli Gallery, New York, pp8–27 (in French and English). Ufan, Lee, “Entre l’idée et la matière” (“Between the Idea and the Material”), in Kim Tschang-Yeul, Staempfli Gallery, New York, pp38–39 (in French and English).

The Bug was originally painted purple, the color of an actual swarming termite when observed under a microscope, but the paint soon faded to a pale blue and the landmark became so well known in that condition that it was never repainted to its original color. It was originally known only as the "Big Blue Bug," a name coined by Providence traffic reporter Mike Sheridan, until it received the name Nibbles Woodaway in a contest in 1990. Geraldine Perry of Tiverton submitted the winning name. The bug has made numerous media appearances, including the films Dumb and Dumber and Dumb and Dumber To, the television programs The Today Show, The Oprah Winfrey Show, The Daily Show, and Family Guy, the comic strips Zippy the Pinhead and Bosquet, and the books Providence by Geoffrey Wolff, Roadside America by Mike Wilkins, Ken Smith, and Doug Kirby, and Weird New England by Joseph Citro.

Mechthild Raabe, Hans Egon Holthusen: Bibliographie 1931-1997 (Hildesheim, Universitätsbibliothek, 2000). His personal papers (including manuscripts, diaries, private correspondence (encompassing more than five thousand letters), genealogical records, and a photographic archive) are preserved at the Library of the University of Hildesheim (Universitätsbibliothek Hildesheim) in Lower Saxony (‘The Papers of Hans Egon Holthusen’ -- Nachlass Hans Egon Holthusen). The Library of Congress in Washington, D.C., holds a sound recording of the lecture on post-war German literature, entitled ‘Crossing the Zero Point’, which he delivered in the Coolidge Auditorium of the Library of Congress on January 25, 1960 (and which he begins by mentioning ‘the German catastrophe of 1945’, not that of 1933).This was published in printed form by the Reference Department of the Library of Congress in French and German Letters Today: Four Lectures; by Pierre Emmanuel, Alain Bosquet, Erich Heller, and Hans Egon Holthusen... (Washington, D.C., 1960), pp. 39ff.

Superior General Father Bosquet ignored Father Ropert's request and appointed him as Provincial on April 22, 1892, and recommended that he be a candidate for the office of Vicar Apostolic left vacant by the death of Msgr. Koeckemann. Having received the bull of his nomination to lead the Hawaiian Islands on June 3, 1892, Father Ropert embarked for San Francisco where he was consecrated in Saint Mary's Cathedral as a bishop of the titular see of Panopolis on September 25 at the age of 53 by Archbishop Patrick William Riordan, assisted by Bishop Lawrence Scanlan of Salt Lake City and Bishop Francisco Mora y Borrell of Monterey-Los Angeles. Msgr. Ropert adopted an episcopal coat of arms of azure, containing a Saint Anna of Auray, accompanied by the letters A.M. (standing for Ave Maria) in silver with his motto being Tuus sum ego, salvum me fac (from Psalm 118: 94, meaning, I am yours, save me). During his episcopate, Msgr.

He then entered Paris-Presse as a journalist, taking the pseudonym of Michel Bosquet. There, he met with Jean-Jacques Servan-Schreiber, who in 1955 recruited him as an economist journalist for L'Express. Alongside his journalistic activities, Gorz worked closely with Sartre and adopted an existentialist approach to Marxism, leading him to emphasize the questions of alienation and of liberation in the framework of existential experience and an analysis of social systems from the viewpoint of individual experience. This intellectual framework formed the basis of his first books, Le Traître (Le Seuil, 1958, prefaced by SartreLe philosophe André Gorz et sa femme se sont suicidés, Le Figaro, 25 September 2007 ), La Morale de l'histoire (Le Seuil, 1959) and the Fondements pour une morale (Galilée, 1977, published fifteen years later), which he signed for the first time as André Gorz, from the German name of the now Italian city (Görz) where the eyeglasses given to his father by the Austrian Army were made.

Heller's personal papers, including private correspondence and manuscripts, are preserved in parts at the Northwestern University Archives in Evanston, and in parts at the Deutsches Literaturarchiv (Schiller-Nationalmuseum) in the southwestern German city of Marbach am Neckar (Baden-Württemberg). The files of the Northwestern University Archives contain some photographs. The Library of Congress in Washington, D.C., for its part, holds facsimiles of some of his letters (in particular those addressed to Hannah Arendt and Robert B. Silvers), in addition to the sound recordings of two of his lectures, the one on 'The Modern German Mind: The Legacy of Nietzsche’, which he delivered in the Coolidge Auditorium of the Library of Congress on 8 February 1960,This lecture was published in printed form by the Reference Department of the Library of Congress in: French and German Letters Today: Four Lectures; by Pierre Emmanuel, Alain Bosquet, Erich Heller, and Hans Egon Holthusen... (Washington, D.C., 1960), pp. 25–38. the other on ‘The Works of Nietzsche’, recorded in 1974.

The Empress of Floreana is a 1934 silent adventure short film made on Floreana Island by a millionaire captain who originally came with a crew to visit the Galápagos Islands for purposes of zoology. The crew chose to visit Floreana because of the rumors that surrounded the island's only two inhabitants, a German diaspora couple Dr. Friedrich Ritter and Dore Strauch, who immediately befriended them to the point where the crew wanted to return every few months with gifts of provisions for their hosts. Upon their second visit, they learned that two more groups joined the island: a family of three with another on the way; and Eloise von Wagner Bosquet, an imperious, self-described baroness who was accompanied by two younger gigolos, Robert and Rudolf, whom she introduced as the architect and engineer of a grand hotel she hoped to build on the island against her fellow islanders' wishes. Von Wagner's charm proved to be so promising, that Captain George Allan Hancock would write a film about her and film it upon their third visit.