It's a big bosomy chocolate, an Earth mama candy, not some miserable skinny Lara bar.
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She snagged a brainy, sexy, fabulously successful beau despite being neither "bosomy" nor brilliant, she added.
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Mamma, then, isn't always the bosomy mother we see caricatured to sell jars of readymade pasta sauce.
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When we get behind the wheel, we're like those feral, bosomy monsters in a Hammer horror film, licking our glistening fangs.
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Gossip columnist Liz Smith criticized Franklin in 1993 for being "too bosomy" for a dress she wore in a television special.
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When Conan pointed out that some fans wanted the character to be "more bosomy," the actress noted that she can't please everyone.
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Besides, Victoria's Secret's strict definition of female beauty—thin, bosomy, unattainable--is not only outdated, it was never accurate to begin with.
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This technological soup gives the metallic frame a humanoid cladding, making it more reassuringly and pleasantly familiar, from bosomy top to round bottom.
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She's been rankling consumers since she was born in 1959, a bosomy bombshell in a zebra-stripe swimsuit, her eyes cast in a suggestive, sideways gaze.
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She's big and bosomy, which is worth remarking because so many of the people in this novel, men and women, have had too much cake and too little exercise.
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I would sort of basically say that, despite the fact that he's made these bosomy girls, bursting out in their bras, that Colescott does have a weird kind of appreciation for women.
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"She [Aretha Franklin] must know she's too bosomy to wear such clothing, but she just doesn't care what we think, and that attitude is what separates mere stars from true divas," Smith wrote.
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" In 1993 NY Post columnist Liz Smith wrote: "[Aretha Franklin] must know she's too bosomy to wear such clothing, but she just doesn't care what we think, and that attitude is what separates mere stars from true divas.
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But it is difficult to imagine this bosomy schemer played with a more cunning mixture of vanity and fury than is exhibited by the riveting Ms. Cohu — a woman who smilingly admits to her unhappiness until her self-composure suddenly snaps.
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At the reception desk of a robot-staffed hotel in Japan, sharp-fanged, hairy-chested dinosaurs wearing bellhop hats and bow ties poise their talons at the keyboard; at a pizza restaurant in Multan, Pakistan, bosomy figures on wheels, accessorized with scarves around their necks, deliver food to your table; at a gentlemen's club in Las Vegas, androids in garters perform pole dances.
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Bosomy damsels and brawny slabs; cheering digital crowds; a lachrymose sphinx; a bedazzled Geoffrey Rush; a galactic cruise ship; an Egyptian god played by the Dane Nikolaj Coster-Waldau; the sword-and-sandals enabler Gerard Butler; a smoky monster that from one angle looks like a fanged doughnut and from another an alarmingly enraged anus — "Gods of Egypt" attests that they do make them like they used to, or at least like the King of the Bs, Roger Corman, once did, except with far more money.
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Earlier, we briefly revisited the mysterious Frenchman and his bosomy sidekick Persephone, and made the acquaintance of the gungy Trainman.
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Earlier in his career, Gilliard was threatened with legal action by representatives of Rosie O'Donnell when he "wrote something about Rosie leering at Peta Wilson, the tall, very blonde, very bosomy star of the La Femme Nikita series." He responded that if sued, he would post the responses to his discovery on Usenet.My adventures with Rosie, Steve Gilliard, November 13, 2003 Gilliard also crossed swords with Pulitzer-prize winning author Sydney Schanberg in 2001 when he attacked APBNews.com, Schanberg's employer, for encouraging its writers and editors to work without pay after the site got into financial trouble.
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Overall, the majority of feedback from music critics was favorable for the tour. Ben Ratliff (The New York Times) describes Parton's performance at the Radio City Music Hall as nothing short of uplifting. He further comments, Between the songs and her nonstop patter — she is an assassin of dead air — the show was a seminar on the peril of accepting received wisdom, whether the subject was drag queens, the rural poor, working stiffs, politicians, Pentecostalists, young media stars or bosomy women. She granted pretty much everybody a complex interior life, and the power of independent thought.
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Some of its features attempted to present the darker side of celebrities such as Arnold Schwarzenegger, John F. Kennedy, Jr., Steven Seagal, Martha Stewart, and especially, the real-estate tycoon Donald Trump and his then-wife Ivana Trump. Pejorative epithets of celebrities, e.g., "Abe 'I'm Writing As Bad As I Can' Rosenthal," "short-fingered vulgarian Donald Trump," "churlish dwarf billionaire Laurence Tisch," "bum-kissing toady Arthur Gelb," "bosomy dirty-book writer Shirley Lord," and "former fat girl Dianne Brill" became a Spy trademark. In the summer of 1992, the publication ran a story on President George H.W. Bush's alleged extramarital affairs.
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She appeared off-Broadway on several occasions, including in Frank McGuinness's Baglady, Samuel Beckett's Happy Days (1987), Stephen Jeffreys' The Libertine (1998), and Joseph O'Connor's Red Roses and Petrol (2000). Mel Gussow, The New York Times critic, said of O'Kelly in Happy Days that: "Aideen O'Kelly conforms more than many of her predecessors to the physical outline suggested by the author: blond, plump and bosomy. At the outset, the actress has an amiable, almost chipper quality as she goes through Winnie's ritual ablutions and her marital memories." Broadway caricaturist Al Hirschfeld drew O'Kelly three times, in her roles in A Life, Othello and Happy Days.
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The film begins with the alien abduction on Scalleum, a remote island off the coast of Wales, of Cat Williams and her boyfriend. Cat's boyfriend is gorily killed through brutal anal probing, and Cat is (also gorily) implanted with an alien fetus. Cat's story attracts the attention of Michelle "Foxy" Fox (Emily Booth), the bosomy host of the cable TV show Weird Worlde, who brings a film crew to the island -- her cameraman boyfriend Ricky (Sam Butler); Jack the sound man; nerdy UFO expert Gavin Gorman; and actors Bruce Barton and Candy Vixen (the latter, Foxy's producer assures her, "because she's good, not because she's my girlfriend"). The island is accessible via a narrow causeway only at low tide.
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In 1865, Robert E. Bonner of the New York Ledger offered Beecher twenty-four thousand dollars to follow his sister's example and compose a novel; the subsequent novel, Norwood, or Village Life in New England, was published in 1868. Beecher stated his intent for Norwood was to present a heroine who is "large of soul, a child of nature, and, although a Christian, yet in childlike sympathy with the truths of God in the natural world, instead of books." McDougall describes the resulting novel as "a New England romance of flowers and bosomy sighs ... 'new theology' that amounted to warmed-over Emerson". The novel was moderately well received by critics of the day.
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Lana Shields was portrayed by Ann Wedgeworth. Lana Shields is a bosomy, amorous, three-time older divorcee who had an unrequited crush on Jack. She is constantly flirting with Jack and tries to seduce him every time she is in his presence, while Jack, though, tries his best to avoid Lana at all costs, especially around new landlord Ralph Furley, who, like Mr. Roper before him, is deceived into believing Jack is a homosexual in order to allow Jack to continue living with Chrissy and Janet. Unlike Jack, though, Mr. Furley is attracted to Lana and regularly tries to "put the moves on her," but she dislikes him, which he never comes to realize.
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Behind the festival of images and colours we can feel his delight in making this film, a delight which, from the very first scene, becomes ours too, and it's something we haven't felt in a long time... If the film lacks suspense in its story (we care little what happens to Snàporaz or Katzone because we know that sooner or later Rimini and those bosomy extras will appear on the scene), there's suspense in the images and in the scenic inventions".First published in La Notte (Milan) on 29 March 1980. Fava and Vigano, 178-79 Screened out of competition on 19 May 1980 at the 33rd Cannes Film Festival, the film was badly received by the majority of French critics, some of whom offered review titles such as "Zero for Fellini", "A Tiring Deception", "A Disaster", as well as "A Mountain of Tedious Pretension". Russian film director Andrei Tarkovsky, in Rome that year for the pre- production of Nostalghia, noted in his diary that City of Women was a fiasco: "At the Cannes Festival the papers said that Fellini's last film was a total disaster, and that he himself had ceased to exist.
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