119 Sentences With "bohemianism" | Random Sentence Generator

The family's life of genteel, peripatetic bohemianism was a model Calder would follow.

One thinks of the Romantics, of bohemianism, of Baudelaire sleeping late into the morning.

Here were noncommercial images that promoted not glamour but lawless bohemianism, or just lawlessness.

Overdoses at the Valencia Hotel were rampant and anarchists traumatized from Vietnam had crushed beatnik bohemianism into violent protests.

Here, it's a stylized Neverland New York City, from its upscale uptown Jewish life to set-dressed downtown bohemianism.

If you were searching for a dissident lifestyle, there was one — Bohemianism, with its artistic rejection of commercial life.

The city had ceded its bohemianism to its newfound wealth as the toll of the AIDS epidemic climbed higher and higher.

I had joked that I was moving to Berlin to become a bohemian, but once there I found bohemianism did not suit me.

Added to that, when it comes to collective agitation, Armenia is a nation with pedigree, and a long tradition of cultural and political bohemianism.

The Beats and their bohemianism of the late '50s and early '60s built a crucible from which a new anti-establishment worldview would emerge.

All quite true, no doubt, but at the same time a revealing mix of nostalgia and rose-tinted memory, foundation myth, and, now, packaged bohemianism.

Life at the Bauhaus was in many ways a precursor to the bohemianism that took hold in America's liberal arts colleges half a century later.

One couldn't just drink coffee and talk and still make a living, though—especially after Diderot was disinherited for his bohemianism by his bourgeois dad.

The cabaret soon became the epitome of bohemianism by rejecting the conventional Western mores described as "civilized" that had led to such blood-soaked discord.

Min Hogg, founding editor of The World of Interiors magazine, the beloved, sumptuous chronicle of old world bohemianism, died on Monday at her home in London.

She attended New York University, in Greenwich Village, the center of bohemianism, but says she spent most of her undergraduate career in the basement of the library.

Even in an era of earnest bohemianism in hip-hop, P.M. Dawn stood out for its hippie-esque mysticism, fantastical imagery, crypto-Christian references and ethereal musical aesthetic.

This was the year adventurous bohemianism crossed over into the popular mainstream, when Ken Kesey and Bob Dylan influenced the male identity as presented by Madison Avenue admen.

The sophistications of New York — the diversity, the bohemianism, creativity and acceptance which made it unlike anywhere else — have been in the process of a slow, successful export.

His grandmother Dolly (Susan Sarandon) is in a lesbian relationship and living a life with all the trappings of liberal New York bohemianism, but she, too, is balking.

At the height of the 1950s, Beat writing was characterized by political ruminations and a call to bohemianism as a rejection of America's normative and oppressive, war-torn climate.

Enough of these are still around — including Argosy Book Store on East 59th and Julius' on West 10th — to provide the film with locations and an atmosphere of lived-in cosmopolitan bohemianism.

" The novel is full of wondrous things—several genial character portraits, funny and exact depictions of West Berlin (bars, hippie communes, radical tyranny, bourgeois bohemianism), beautiful evocations of Chicago ("I could feel Lake Michigan.

Indeed, Nagle explains, the "libertinism, individualism, bourgeois bohemianism, postmodernism, irony, and ultimately the nihilism that the left was once accused of by the right" has found fertile ground in segments of the new far-right.

Her past work at Chloé has been described using the references of late 1960s to 1970s-era elegant bohemianism — Marianne Faithful, Jane Birkin, Fleetwood Mac have all been invoked — Laurel Canyon by way of Champs-Élysées.

Today's corporate culture—particularly tech, I suppose—embrace a far more touchy-feely communal vibe that claims to celebrate bohemianism and independence, while pretty blatantly reducing them to buzzwords and striving to eliminate the line between work and recreation.

But most works focus on the Rive Gauche of the Années folles—France's Roaring Twenties—when it was the site of a fevered flowering of interwar bohemianism, a second home to expatriate writers like Ernest Hemingway and F. Scott Fitzgerald.

Bohemianism had already taken hold of the famous neighborhood with émigrés such as herself leading a furious pace of artistic production and numerous locally produced magazines including Modern Art Collector, Bruno's Weekly, and Playboy: A Portfolio of Art and Satire.

Certainly, it is hard not to feel for anyone stuck in an airport for hours, but perhaps harder still not to take some snide enjoyment in this seemingly perfect example of what toxic festival culture has become—faux-bohemianism morphing into hyper-capitalism.

" It's a psychologically astute portrait of a suburban New Jersey twentysomething who accrued more than $60,703 in debt in order to achieve "a life that had less to do with overt wealth than with what I perceived as intellectual New York bohemianism.

From instant icons like the Waverly Inn to small-scale hotels like the Bowery and the Ludlow — he is now overseeing the renovation of the famed Chelsea Hotel — MacPherson's transporting spaces are rooted in venerable history, quirky bohemianism and Old World charm.

They all gravitated to New York for college, internships and jobs, formed the National in 1999, and slowly became a band closely identified with Brooklyn bohemianism and neurotic self-awareness and despair — writing songs for people who, despite their privilege and education, don't feel safe.

Both artists are South Jersey rock 'n' roll refugees who earned New York citizenship, though Bruce Springsteen's is more honorary; he became a global ambassador of empathic workingman's Americana, while Patti Smith became an icon of urban punk bohemianism, a sensibility she helped invent.

There were also subtler takes on DiMattio's pieces (which often explore cross-cultural notions of beauty and womanhood) that incorporated ruffles, fringe and mixed patterns, projecting an air of bourgeois bohemianism: Here were women who go where they want and dress as they please.

When they rent Elena's apartment, a spark is struck — something in Mia and Pearl's uncompromising bohemianism resonates with Elena's submerged desire for a different life — and the do-gooder Elena impulsively offers Mia a job as "house manager" for her family, which really means cooking and cleaning.

Surely McGrath cannot mean the author of my well-thumbed and bookmarked "Exile's Return: A Literary Saga of the Nineteen-Twenties," essential to a close-up view of the hot literary scene in and around Paris in the '20s, bohemianism and Dada, before the Depression sent many writers home.

Mr. Hynes's modern bohemianism feels like a holdover from an earlier time, more reminiscent of the uptown-downtown cross-pollination of the early 1980s, or how Lou Reed bridged proto-punk and art, or how Warhol's Factory took in the outcasts from all the city's scenes and gave them a home.

71 After his years of bohemianism in Paris, Heywood returned to England via Antwerp and by 1869 was living at Goring in Oxfordshire, near the bridge over the Thames.

Comporta is associated with its so- called "Comporta Style" (Estilo Comporta in Portuguese), the local architectural and design style characterized by traditional Alentejan architecture, Bohemianism, and contemporary, ecological design.

Because many Romanies living in France had come via Bohemia, they were referred to as Bohémiens. This term would later be adapted by the French to refer to a particular artistic and impoverished lifestyle of an individual, known as Bohemianism.

Peter Gay, Freud (1989) p. 59-60 (Her husband too had shocked André Breton by his lack of any Bohemianism,Jacques Lacan, Ecrits (1997) p. 276 and considered a sexually promiscuous woman as "simply a Haderlump [a ragamuffin]".E. Timms ed.

Marie c. 1948 Marie Marchand (May 17, 1885, Băbeni, Vâlcea County—February 20, 1961, Greenwich Village, New York), known as Romany Marie, was a Greenwich Village restaurateur who played a key role in bohemianism from the early 1900s (decade) through the late 1950s in Manhattan.

The co-author of both plays was Norés (pseudonym of Edouard Norés), an American who had been an architect before giving up his former life for Bohemianism on the banks of the Seine. Besides a strong friendship, Norés taught Cohl English, a useful skill later on.

The first written mention of Spišská Sobota is from 1256 as a border village, but it likely existed before this date. In 1271, Spišská Sobota was granted city privileges. In 1567 the city was given the right to host a fair. Spišská Sobota was the center of the shopping, bohemianism, business, trade and cultural guilds.

The film was nominated for an Independent Spirit Award for Best First Feature in 1988, for Director Mary Lambert. The movie was hailed as "this year's Blue Velvet" by Susan Linfield, editor of American Film. New York Times film critic Janet Maslin called it an "artily experimental film... an appealing, ripe bohemianism and mischievous spirit".

The Bouzingo were a group of eccentric poets, novelists, and artists in France during the 1830s that practiced an extreme form of romanticism whose influence helped determine the course of culture in the 20th century including such movements as Bohemianism, Parnassianism, Symbolism, Decadence, Aestheticism, Dadaism, Surrealism, the Lost Generation the Beat Generation, Hippies, Punk rock, etc.

During its run, Vile explored a wide range of formats and media defining the mail-art genre. Banana cited as influences Dada humor, therapeutic madness and the Bohemianism of the Bay Area during the 1960s and early 1970s. Viles nihilism fit the punk attitude on the rise in Britain and the United States at the time.

Jane Morris painted by Dante Gabriel Rossetti as Proserpine (1874) In 1848 William Makepeace Thackeray used the word bohemianism in his novel Vanity Fair. In 1862, the Westminster Review described a Bohemian as "simply an artist or littérateur who, consciously or unconsciously, secedes from conventionality in life and in art". During the 1860s the term was associated in particular with the pre-Raphaelite movement, the group of artists and aesthetes of which Dante Gabriel Rossetti was the most prominent:The original Pre-Raphaelite Brotherhood had been formed in 1848 by William Holman Hunt, Rossetti and John Everett Millais, who aspired to a style of painting that they felt had been lost since the time of Raphael (1483–1520). > As the 1860s progressed, Rossetti would become the grand prince of > bohemianism as his deviations from normal standards became more audacious.

After shooting the photographs, she would extensively touch up the negatives with paints, pencil, or superimposition. Brigman's deliberately counter-cultural images suggested bohemianism and female liberation. Her work challenged the establishment's cultural norms and defied convention, instead embracing pagan antiquity. The raw emotional intensity and barbaric strength of her photos contrasted with the carefully calculated and composed images of Stieglitz and other modern photographers.

In 1859, he goes to São Paulo and, in 1862, enters at the Faculdade de Direito da Universidade de São Paulo, but abandons it to dedicate himself to the literature and to the bohemianism. He published his first poetry book, Noturnas, one year before. He married a circus artist from Sorocaba, Alice Guilhermina Luande. This provoked a scandal in his family and made his financial condition worse.

Wallachian Romantic aesthetics in an illustration to Nemesis, one of Dimitrie Bolintineanu's poems Ghica published the first of his many Romantic novellas by the 1860s, when he collaborated on Odobescu's magazine. Literary critic Tudor Vianu noted that some of his works had a strong connection with Bohemianism,Vianu, Vol.II, p.237 while others are thought to be influenced by the Romantic author Dimitrie Bolintineanu.

In time, Delaney established himself as a well known part of the bohemianism of the art scene of the period. His friends included the "poet laureate" of the period, Countee Cullen, artist Georgia O'Keeffe, and writer Henry Miller, among many others. He became the "spiritual father" of the young writer James Baldwin. Despite the friendships and successes of this period, he remained a rather isolated individual.

Such depictions represent the painted journal of a flâneur. These are painted in a style which is loose, referencing Hals and Velázquez, yet they capture the mood and feeling of Parisian night life. They are painted snapshots of bohemianism, urban working people, as well as some of the bourgeoisie. In Corner of a Cafe Concert, a man smokes while behind him a waitress serves drinks.

Page 643. Associated with the avant-garde scene of Greenwich Village, his works relate a strong sense of irony as well as his own personal bohemianism, coupled with the deep influence of 1890s aestheticism. Somewhat comparable to fellow bohemian poet Maxwell Bodenheim, many stories about his bohemian lifestyle circulated. Evans single-handedly founded and managed the Claire Marie press, intending to publish "New Books for Exotic Tastes".

Chamberlin was born in Brooklyn and educated in Pennsylvania schools and later at Haverford College. At 25, he moved to Greenwich Village and was deeply affected by the cultural bohemianism and Bolshevik politics there. He worked for Heywood Broun, the book editor of the New York Tribune. He also published under the pseudonym of A.C. Freeman and was a socialist pacifist who supported communism in the Soviet Union (von Mohrenschildt 1970).

George Sterling (December 1, 1869 – November 17, 1926) was an American writer based in the San Francisco, California Bay Area and Carmel-by-the-Sea. He was considered a prominent poet and playwright and proponent of Bohemianism during the first quarter of the twentieth century. His work was admired by writers as diverse as Jack London, Upton Sinclair, Theodore Dreiser, and Sinclair Lewis, but is largely neglected today.

According to biographers, Solomon Sturges was "diametrically opposite to Mary and her bohemianism". This included her close friendship with Isadora Duncan, as the young Sturges would sometimes travel from country to country with Duncan's dance company. Mary also carried on a romantic affair with Aleister Crowley and collaborated with him on his magnum opus Magick. As a young man, Sturges bounced back and forth between Europe and the United States.

Berent translated into Polish Thus Spoke Zarathustra by the German philosopher Friedrich Nietzsche. Along with Władysław Reymont, he was a leading representative of the realist trend in the Young Poland movement (). His main work, a social novel Żywe kamienie (Stones Alive), depicted the circumstances which threatened traditional moral values in the industrial era. He was a critic of late nineteenth-century Positivist slogans, modernist Polish philosophy and European bohemianism, which postulated "art for art's sake".

She did much to encourage his fantasy drawings at the beginning of his career. Their personalities; Edyth, quizzical, ironic and imaginative like the Irish; and Arthur, prim, precise and very English in manner, in spite of his bohemianism and his elfish kinks couldn't have been in greater antithesis. She was always his most stimulating, severest critic, and he had the greatest respect for her opinion. She also was full of mischief and always did her best to shock him.

As Argüelles stated, "Lamantia's mad, Beat-tinged American idiom surrealism had a very strong impact on me. Both intellectual and uninhibited, this was the dose for me."Contemporary Authors, pp. 13-14 While Argüelles's early writings were rooted in neo-Beat bohemianism, surrealism, and Chicano culture, in the nineties he developed longer, epic-length forms, and eventually returned, after the first decade of the new millennium, to shorter, to often elegiac works exemplary of romantic modernism.

He later complained that tabloid bohemianism completely overwhelmed him. In his second year at the university, Grabar moved up to the respectable Niva magazine. He selected graphics for Niva and wrote essays on contemporary painters but did not yet have enough influence to change its policies. Law- department classes were uninspiring and Grabar spent more time attending history lectures and Pavel Chistyakov's school of painting, but he still managed to graduate in law, without delay, in April 1893.

Saylor Academy. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of Bohemianism, and the rise of the hippie and other alternative lifestyles. This embrace of creativity is particularly notable in the works of British Invasion bands such as the Beatles, as well as of New Hollywood filmmakers, whose works became far less restricted by censorship. Within and across many disciplines, many other creative artists, authors, and thinkers helped define the counterculture movement.

Romantic encounters were embodied in a principle of sexual purity that demonstrated not only social conservatism, but also how heroines could control their personal autonomy.Nicola Humble, The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism (2001).Alison Light, Forever England: femininity, literature and conservatism between the wars (1991). Adventure magazines became quite popular, especially those published by DC Thomson; the publisher sent observers around the country to talk to boys and learn what they wanted to read about.

According to Finch, the genre of the band has "no restrictions." They play everything from Polish- style to rancheras to Greek music. To appeal to younger audiences, the band uses album covers that make the band look like a rock group and edgy album titles such as Kick Ass Polkas.White, Timothy, Brave Combo's Kick-Ass Bohemianism, Billboard 113.34 (2001): 3 Their music is popular enough in the polka world that their 1999 album, Polkasonic, won a Grammy in the polka category.

Her mother was Lady Gwendolyn Clarendon-Hyde, and her father was Major Francis Bailey. The Scotsman write that Billy was a lesbian and speculate that her rejection of her origins may have been related to her sexuality and that she and Quaglino were kindred spirits. Cagnes-sur-Mer had a reputation for bohemianism, later the lesbian nightclub singer Suzy Solidor would live in the town. According to The Scotsman, Bailey was the long term lover of adventurer and travel writer Barbara Toy.

He was born Richard Engländer on 9 March 1859 in Vienna. The nom de plume, "Altenberg", came from a small town on the Danube river. Allegedly, he chose the "Peter" to honor a young girl whom he remembered as an unrequited love (it had been her nickname). Although he grew up in a middle class Jewish family, Altenberg eventually separated himself from his family of origin by dropping out of both law and medical school, and embracing Bohemianism as a permanent lifestyle choice.

Nicola Humble, The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism (2001).Alison Light, Forever England: femininity, literature and conservatism between the wars (1991). Adventure magazines became quite popular, especially those published by DC Thomson; the publisher sent observers around the country to talk to boys and learn what they wanted to read about. The story line in magazines and cinema that most appealed to boys was the glamorous heroism of British soldiers fighting wars that were exciting and just.

Jurgis Kunčinas (13 January 1947 in Alytus, Lithuania - 13 December 2002) was a poet, novelist, translator and essayist. He has been described as the chronicler of Soviet bohemianism, who poeticized the individual's internal autonomy as an alternative to the absurdity of social life. His works, originally published in the Lithuanian language, have been translated into English, German, Russian, Estonian, Belarusian, Swedish, and Polish. Kunčinas received the Lithuanian Writers Union' prize in 1994 for the novel Tūla, set largely in Vilnius's Užupis district.

Nicola Humble, The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism (2001).Alison Light, Forever England: femininity, literature and conservatism between the wars (1991). Adventure magazines became quite popular, especially those published by DC Thomson; the publisher sent observers around the country to talk to boys and learn what they wanted to read about. The story line in magazines and cinema that most appealed to boys was the glamorous heroism of British soldiers fighting wars that were perceived as exciting and just.

Former Fitzroy Town Hall, now functions as secondary offices for the City of Yarra Fitzroy's traditional representation at all levels of government reflects the area's working class and bohemianism, Left-wing politics dominates. The Australian Labor Party and more recently the Australian Greens both have a very strong political presence. At a local level, Fitzroy is part of the City of Yarra Local Government Area. The Fitzroy area falls within the wards of Langridge and Nicholls, both of these wards are currently represented by the Australian Greens.

First occurrence in this sense in English, 1848 (OED). Bohemians were associated with unorthodox or anti- establishment political or social viewpoints, which often were expressed through free love, frugality, and—in some cases—simple living or voluntary poverty. A more economically privileged, wealthy, or even aristocratic bohemian circle is sometimes referred to as haute bohème (literally "high Bohemia"). The term bohemianism emerged in France in the early 19th century, when artists and creators began to concentrate in the lower-rent, lower class, Romani neighborhoods.

His habits of dress and fashion were much imitated, especially in France, where, in a curious development, they became the rage, especially in bohemian quarters. There, dandies sometimes were celebrated in revolutionary terms: self-created men of consciously designed personality, radically breaking with past traditions. With elaborate dress and idle, decadent styles of life, French bohemian dandies sought to convey contempt for and superiority to bourgeois society. In the latter 19th century, this fancy-dress bohemianism was a major influence on the Symbolist movement in French literature.

In this book, the writer focused his attention on provincial life, characterized by the fresco of the urban context seen from its particular angle, expressed thanks to the taste of impressions and a colorful language embellished with lexical inventions sometimes tending to crudeness. Cagna was a member of the Scapigliatura society, an Italian version of Bohemianism. In his works the life of a certain petty-bourgeois world is vividly represented. From his friend Giovanni Faldella he derived a stylistic-linguistic research in an expressionistic key.

Although boho-chic in the early years of the 21st century represented a definite style, it was not a "movement." Nor was it noticeably associated with bohemianism as such. Jessica Brinton saw it as "the tagging and selling of the bohemian dream to the masses for £5.99".Style, 20 August 2006 Indeed, the Sunday Times thought it ironic that "fashionable girls wore ruffly floral skirts in the hope of looking bohemian, nomadic, spirited and non-bourgeois", whereas "gypsy girls themselves ... are sexy and delightful precisely because they do not give a hoot for fashion".

"The Albert Hotel Addresses Its Myths", The New York Times, April 15, 2011. Accessed June 21, 2016. During the golden age of bohemianism, Greenwich Village became famous for such eccentrics as Joe Gould (profiled at length by Joseph Mitchell) and Maxwell Bodenheim, dancer Isadora Duncan, writer William Faulkner, and playwright Eugene O'Neill. Political rebellion also made its home here, whether serious (John Reed) or frivolous (Marcel Duchamp and friends set off balloons from atop Washington Square Arch, proclaiming the founding of "The Independent Republic of Greenwich Village" on January 24, 1917).

Within days of returning, Neumann was admitted to the bar and appointed as attorney general of the Kingdom of Hawaii, and a member of Kalākaua's Privy Council on December 14, 1883. Walter M. Gibson had been acting as attorney general, even though he had no legal training. The cabinet stayed intact until June 30, 1886, when another combination (except Gibson) was brought in, probably at the suggestion of Spreckels. Neumann was sometimes attacked by the conservative press for his "bohemianism", including playing Poker with the king, which the missionaries thought was sinful.

The Feminine Middlebrow Novel, the 1920s to 1950s: Class, Domesticity, and Bohemianism. Oxford: Oxford UP, 2001. 3. () Analogously, Silberrad demonstrates a high degree of class-consciousness and shows the typical measuring of a middlebrow world against other values. The Good Comrade (1907), for instance, reflects the negotiation of cultural and class-related values on various levels. Also with respect to gender roles, Silberrad integrates critiques of gender relations and stereotypes into her fiction, whilst retaining typical middlebrow narrative frameworks, such as the ‘romance that ends in marriage’ topos (see below).

Club members who were established and successful, pillars of their community, respectable family men, redefined their own form of bohemianism to include people like them who were bons vivants, sportsmen, and appreciators of the fine arts. Club member and poet George Sterling responded to this redefinition: Despite his views, Sterling associated with the Bohemian Club, and caroused with artist and industrialist alike at the Bohemian Grove. Canadian composer Oscar Ferdinand Telgmann and poet George Frederick Cameron wrote the song "The Bohemian" in the 1889 opera Leo, the Royal Cadet.

The earliest known inhabitants of what is today Bohemia were the Secatogue tribe of the Algonquian peoples. The area was founded as Bohemia in 1855 by Slavic immigrants who were the first Europeans to settle there in large numbers. These migrants came from a mountainous village near Kadaň in the Central European Kingdom of Bohemia, which is the town's namesake (Kadaň is located in present-day Czech Republic). Their pilgrimage coincided with a wave of Bohemian nationals emigrating to the United States, many of whom embodied the free spirited and enlightened lifestyles synonymous with Bohemianism.

Many associate Jackson's name with Gallery 32, an art gallery she ran in MacArthur Park, Los Angeles from 1968 to 1970, dedicated to fostering a supportive artist community. Gallery 32 was inspired by artist Charles White's philosophy that art could be an effective vehicle for community activism and social change. Seeking to replicate Jackson's previous experiences of San Francisco bohemianism, Gallery 32 functioned less as a business than as a place for the exchange of ideas and philosophies. Jackson funded the gallery herself, largely with money she earned from teaching.

Sammy Lee has five hours to pay off a gambling debt. Andrew Pulver wrote in November 2016 for The Guardian, at the time of the film's re-release: "It’s a genuine curiosity: the last knockings of black-and-white, beat-influenced hipster cinema before a tide of gaudily-coloured, new wave-inspired, pop art films. Ken Hughes, its director, reached back to the pre-war working-class bohemianism so perfectly captured by Graham Greene and Gerald Kersh". The film was based on a 1958 television play written and directed by Ken Hughes which also featured Anthony Newley in the lead.

Pierre-Auguste Renoir, The Bohemian (or Lise the Bohemian), 1868, oil on canvas, Berlin, Germany: Alte Nationalgalerie Bohemianism is the practice of an unconventional lifestyle, often in the company of like-minded people and with few permanent ties. It involves musical, artistic, literary, or spiritual pursuits. In this context, Bohemians may or may not be wanderers, adventurers, or vagabonds. This use of the word in the English language was imported from French in the mid 19th century and was used to describe the non-traditional lifestyles of marginalized and impoverished artists, writers, journalists, musicians, and actors in major European cities.

Turns of phrase such as "After the second world war, the trains started moving again. I profited from that by leaving my wife and children" and "I have stayed very thin, and so has my body of work," are exemplary of Blondin's affinity for wordplay and humor. The themes of friendship, bohemianism, and the historical shock of World War II also held a prominent place in his fiction. After publishing the well-received novel "Un Singe en hiver", Blondin remained an active journalist, but the death of his best friend Roger Nimier prompted him to largely abandon writing fiction for over a decade.

The aesthetic theories of Kant, Hegel, and Schopenhauer I Knox - 1958 - Thames & Hudson Their appeal to later generations of Romantics, and to all schools of bohemianism, is demonstrated. Wagner sent Schopenhauer a note expressing deep gratitude for Schopenhauer's discussion of music. Schopenhauer's philosophy in general left a deep impression on a number of important writers, especially Thomas Hardy, Marcel Proust, Stéphane Mallarmé, Thomas Mann, and Ivan Turgenev.Magee (1977) Schopenhauer's aesthetics were directly responsible for the rise of the Symbolists and their allied movements, and to the general development of the concept of art for art's sake.

As a youth Home was drawn first to music and bohemianism, and then to radicalism. He attended meetings of many different leftist groups including several organised by the Trotskyist Socialist Youth League and even two editorial meetings of Anarchy Magazine. He refused to join any of these organisations and later repudiated them as reactionary, instead professing autonomous communist political positions after going to London Workers Group. In the late seventies Home produced his first punk (music) fanzines including early issues of "Down in the Street" which had run to seven numbers by the time he stopped publishing it in 1980.

The text displayed an advanced understanding of Situationist concepts and tactics. It provoked the students of the university by confronting them with their subservience to the ideological conditions imposed upon them by the state, family and the university system. The pamphlet alleged that the students fled from this reality to take refuge in miserabilism and bohemianism. It also criticised radical student collectives including the Provos (Netherlands), Committee of One Hundred (United Kingdom) and those of Berkeley, California (United States) for fighting specific issues such as nuclear arms, racism and censorship rather than the system at large, praising only Spies for Peace.

In 1852 he joined his two brothers in Paris where he lived for several years, dividing his time between the worldliness of the Imperial Court, in particular the Jardin des Tuileries, and the Bohemianism of café life. He executed many drawings of horses in the Bois de Boulogne which he exhibited in Amsterdam in 1854, and later in Dijon in 1858. He became acquainted with Charles Baudelaire, whom he met again in Brussels in 1864. The poet dedicated to him the piece Les Bons Chiens ("Good Dogs"), the penultimate work, preceding Épilogue, in the collection Petits poèmes en prose.

The Existentialists had a profound influence upon subcultural development. Jean-Paul Sartre and Albert Camus transferred their French resistance underground campaign to the context of a cultural revolution and the American beat scene joined the movement. The emphasis on freedom of the individual influenced the beats in America and Britain and this version of existential bohemianism continued through the 1950s and into the 1960s under the guise of the beat generation. Beards and longer hair returned in another attempt at returning to the image of peacetime man and the normality which had existed before the two wars.

Commenting on bohemianism, Judith Peraino said, "Mercury intended ... [this song] to be a 'mock opera', something outside the norm of rock songs, and it does follow a certain operatic logic: choruses of multi-tracked voices alternate with aria-like solos, the emotions are excessive, the plot confusing." "Bohemian Rhapsody" begins with an introduction, then goes into a piano ballad, before a guitar solo leads to an operatic interlude. A hard rock part follows this and it concludes with a coda. The song is in the keys of B major, E major, A major and F major, and is predominantly in meter.

Ossip Schubin, ca. 1896 Aloisia Kirschner (June 17, 1854 - February 10, 1934) was an Austrian novelist, born in Prague and favorably known under her pseudonym Ossip Schubin, which she borrowed from the novel Helena by Ivan Turgenev. Brought up on her parents' estate at Lochkov, she afterward spent several winters in Brussels, Paris, and Rome, receiving there, undoubtedly, many inspirations for her clever descriptions of artistic Bohemianism and international fashionable society, which were her favorite themes. An uncommonly keen observer, her great gift for striking characterization, frequently seasoned with sarcasm, is especially apparent in her delineations of the military and artistic circles in Austria-Hungary.

Colt then traveled to the Great Lakes region to recuperate and bought a farm in Michigan on Gooden's Lake; however, tubercular symptoms began again and he soon left for Cincinnati, Ohio, where he became a teacher of one of the first correspondence courses in America; he also became part of a group known for Bohemianism, and considered John Howard Payne and Hiram Powers among his friends. From there he attempted many business ventures throughout the United States: land speculator in Texas, soap manufacturer in New York, grocery wholesaler in Georgia, fur trader, dry-goods merchant in Florida, and an organizer of Mardi Gras masquerade celebrations in New Orleans.

Rainbow Gatherings and the Rainbow Family of Living Light (usually abbreviated to "Rainbow Family") claim to express utopian impulses, bohemianism, hipster and hippie culture. The gatherings have roots clearly traceable to the counterculture of the 1960s. Rainbow Gatherings have their own jargon, which helps to create a sense of community and express their thoughts on society and social justice. In particular, mainstream society is commonly referred to and viewed as "Babylon", a term from the Christian New Testament connoting the participants' widely held belief that modern lifestyles and systems of government are unhealthy, unsustainable, exploitative and out of harmony with the natural systems of the planet.

After a year of formal study, he left and "devoted much of his subsequent stay in London to bohemianism and nocturnal adventures", according to his biographer Margot Peters. Barrymore returned to New York in the summer of 1900, and by November he found work as an illustrator on The New York Evening Journal, at a salary of $50 a week. Ethel in Captain Jinks of the Horse Marines; Barrymore appeared with his sister in the 1901 play. Barrymore had always professed a dislike of the acting profession, but in 1900 he was persuaded by his father to join him on stage for a few performances of a short play, "A Man of the World".

Concepts and ideas from mysticism and bohemianism were inherited by the Beat Generation. When Aldous Huxley helped popularize the use of psychedelics, starting with The Doors of Perception, published in 1954, Huxley also promoted a set of analogies with eastern religions, as described in The Perennial Philosophy. This book helped inspire the 1960s belief in a revolution in western consciousness and included the Tibetan Book of the Dead as a source. Similarly, Alan Watts, in his opening statement on mystical experiences in This Is It, draws parallels with Richard Bucke's Cosmic Consciousness, describing the "central core" of the experience as This interest in mysticism helped shape the emerging research and popular conversation around psychedelics in the 1960s.

The Tangier Zone in divided Morocco and Western Sahara The Zone had its own appointed International Legislative Assembly, which was subject to supervision by a Committee of Control consisting of the Consuls of Belgium, France, Britain, Italy, the Netherlands, Portugal, and Spain. Executive power was vested in an Administrator, and judicial power resided in a Mixed Court of five judges, respectively appointed by the Belgian, British, Spanish, French, and Italian governments. As a result of the creation of the Mixed Court, the various European powers withdrew the consular courts that previously exercised jurisdiction there.Morocco (Tangier Zone) Order in Council, 1925, The Zone had a reputation for tolerance, diversity of culture, religion, and bohemianism.

The Beatles' popularity and influence grew into what was seen as an embodiment of socio- cultural movements of the decade. In Gould's view, they became icons of the 1960s counterculture and a catalyst for bohemianism and activism in various social and political arenas, fuelling movements such as women's liberation and environmentalism. A 1997 study titled "Beatlemania: A sexually defiant consumer subculture?" argued that Beatlemania represented a proto-feminist demonstration of girl power. In their 1986 book, Ehrenreich, Hess and Jacobs comment that, but for the girls' hairstyles and clothing, the photos and footage of young Beatles fans in confrontation with police suggest a women's liberation demonstration from the late 1960s rather than a 1964 pop event.

Matt Briggs was born in Seattle, Washington, which he still calls home. He grew up in the Snoqualmie Valley raised by working-class, counter-culture parents who cultivated and sold cannabis (drug).Chin, Ava: "Split: Stories from a Generation Raised on Divorce", Contemporary Books, 2002 Briggs has written two books set in rural Washington chronicling this life. Critic Ann Powers wrote of Briggs first book in the New York Times Book Review, "Briggs has captured the America that neither progressives nor family- value advocates want to think about, where bohemianism has degenerated into dangerous dropping out."Powers, Ann: "Grunge Novel", The New York Times, 1/12/1999 After high school Briggs joined the US Army Reserve and his unit was deployed to the Gulf War.

It was the most popular kafana in Belgrade at that time, especially after the 1896 reconstruction, when it became the meeting-place of actors and writers, and the central point of city's urban spirit and bohemianism. The building was pulled down to make way in 1903 for the Treasury (now the building of the National Museum). In a small park next to the National Theatre, there were the well-known "Kolarac" kafana and cinema (owned by Ilija Milosavljević-Kolarac, a merchant and benefactor). The "Kolarac" was a regular meeting place of young officers and here, headed by Dragutin Dimitrijević Apis, they plotted the 1903 May Coup, which ended with the deaths of king Alexander Obrenović and queen Draga and termination of the Obrenović dynasty.

Marcel Duchamp, Fountain, 1917, photograph by Alfred Stieglitz Several writers have attempted to map the parameters of avant-garde activity. The Italian essayist Renato Poggioli provides one of the earliest analyses of vanguardism as a cultural phenomenon in his 1962 book Teoria dell'arte d'avanguardia (The Theory of the Avant-Garde).Sascha Bru and Gunther Martens, The Invention of Politics in the European Avant-Garde (1906–1940) (Amsterdam: Rodopi, 2006), p. 21. . Surveying the historical, social, psychological and philosophical aspects of vanguardism, Poggioli reaches beyond individual instances of art, poetry, and music to show that vanguardists may share certain ideals or values which manifest themselves in the non-conformist lifestyles they adopt: He sees vanguard culture as a variety or subcategory of Bohemianism.

The mini-biography on the back flap of his first novel says: "He was born in London but brought up in Canada where his father was a broker and his mother an actress. He grew up in an atmosphere of the theatre and comfortable bohemianism until the great slump of the early thirties when the family fell on hard times and returned to England. He worked his way back to Canada on a Danish coal boat in 1935 and has worked since in various jobs including that of labourer in a sheet-metal works, in a travel agency and as a telephone installation mechanic." He joined the Young Communist League in the 1930s, an act which estranged him from his father.

Munich, the capital of Bavaria, was "an island of anarchic bohemianism and political radicalism in an otherwise predominantly Roman Catholic rural sea of small towns and timber houses scattered across the foothills of the Alps," according to Michael Burleigh. Alan Bullock writes that "Few towns in the Reich were as sensitive to the mood of unrest as Munich: its political atmosphere was unstable and exaggerated towards one extreme or the other,"Bullock, Alan (1984) Hitler: A Study in Tyranny (revised ed.) New York: Harper Torchbooks. p. 62 and, according to Joachim Fest, "No other city in Germany had been so shaken by the events and emotions of the revolution and the first postwar weeks as excitable Munich."Fest, Joachim C. (1973) Hitler.

The Saturday Press was the name of a literary weekly newspaper published in New York from 1858 to 1860 and again from 1865 to 1866, edited by Henry Clapp Jr.. Clapp, nicknamed the "King of Bohemia" and credited with importing the term "bohemianism" to the U.S., was a central part of the antebellum New York literary and art scene. Today he is perhaps best known for his spotlighting of Walt Whitman, Fitz-James O'Brien, and Ada Clare – all habitués of the bohemian watering hole named Pfaff's beer cellar – in The Saturday Press. Clapp intended the Press to be New York's answer to the Atlantic Monthly. The Press was constantly troubled by financial problems, and Clapp died in poverty and obscurity.

By the 1960s, the bohemianism and nightlife previously associated with New York's Greenwich Village was growing in what would later be called the East Village. The Polish National Home was turned into the Dom Restaurant - the name came from the Polish for "home", derived from Polski Dom Narodowy ("Polish National Home") - with Stanley Tolkin's "Stanley's Bar" - where The Fugs played in the mid-1960s - downstairs, slightly below street level. Jackie Cassen and Rudi Stern began leasing the ballroom on the floor above Stanley's Bar for their "Theater of Light" show. Then in 1966 artist Andy Warhol and Paul Morrissey - who directed many of Warhol's films, and who became a sometime manager of the Velvet Underground - sublet the ballroom from Cassen and Stern, and turned the Dom into a nightclub.

The Rage Against God (subtitle in US editions: How Atheism Led Me to Faith) is the fifth book by Peter Hitchens, first published in 2010. The book describes Hitchens's journey from atheism, far-left politics, and bohemianism, to Christianity and conservatism, detailing the influences on him that led to his conversion. The book is partly intended as a response to God Is Not Great, a book written by his brother Christopher Hitchens in 2007. Peter Hitchens, with particular reference to events which occurred in the Soviet Union, argues that his brother's verdict on religion is misguided, and that faith in God is both a safeguard against the collapse of civilisation into moral chaos and the best antidote to what he views as the dangerous idea of earthly perfection through utopianism.

This community of fans helped attract recording contracts for many artists, including Kenn Kweder, the "bard of South Street"; George Thorogood; and Robert Hazard. During this time, South Street served as an artists' haven and a hub of Beat subculture and, later, 1960s counterculture, bohemianism, and the hippie movement in Philadelphia, establishing a lasting association of South Street with avant-garde and alternative subcultures. From the mid to late 1970s into the 1980s, South Street's reputation as a musical, artistic, and countercultural hub was further solidified as it became the center of Philadelphia's punk scene and punk and alternative rock music communities, with venues such as JC Dobbs and stores such as Zipperhead catering to the burgeoning scene. In the late 1980s, South Street became one of the city's main tourist attractions.

Amidst the near-total absence of bohemianism and counterculture, Gibson finds no trace of dissidence, an underground, or slums. In the place of a sex trade, the author finds government-sanctioned "health centers" – in fact massage parlours – and mandatory dating organized and enforced by government agencies. "[T]here is remarkably little", he writes of the city-state "that is not the result of deliberate and no doubt carefully deliberated social policy." The creative deficit of the city-state is evident to the author also in the Singaporeans' obsession with consumerism as a pastime, the homogeneity of the retailers and their fare, and in what he characterizes as their other passion: dining (although he finds fault with the diversity of the food, it is, he remarks "something to write home about").

In Stuart Hall's words (1981: 238), 'there are no wholly separate "cultures"...attached, in a relation of historical fixity, to specific "whole" classes'. However, "while elements of culture are not directly, eternally, or exclusively tied to specific economically determined factors such as class position, they are determined in the final instance by such factors, through the operation of articulating principles which are tied to class position". Articulating principles "operate by combining existing elements into new patterns or by attaching new connotations to them". Examples of these processes in musical culture include the re-use of elements of bourgeois marches in labor anthems or the assimilation of liberated (in the Marcusian sense) countercultural 1960s rock into a tradition of bourgeois bohemianism and the combination of elements of black and white working-class music with elements of art music that created countercultural 1960s rock.

"Rive Gauche" or "Left Bank" generally refers to the Paris of an earlier era: the Paris of artists, writers, and philosophers, including Colette, Margaret Anderson, Djuna Barnes, Natalie Barney, Sylvia Beach, Erik Satie, Kay Boyle, Bryher, Caresse Crosby, Nancy Cunard, Hilda Doolittle (H.D.), Janet Flanner, Jane Heap, Maria Jolas, Mina Loy, Henry Miller, Adrienne Monnier, Anaïs Nin, Jean Rhys, Gertrude Stein, Alice B. Toklas, Renee Vivien, Edith Wharton Shari Benstock, Women of the Left Bank, 1986 Pablo Picasso, Arthur Rimbaud, Paul Verlaine, Henri Matisse, Jean-Paul Sartre, Ernest Hemingway, F. Scott Fitzgerald, James Baldwin, and dozens of other members of the great artistic community at Montparnasse. The phrase implies a sense of bohemianism, counterculture, and creativity. Some of its famous streets are the Boulevard Saint-Germain, the Boulevard Saint-Michel, the rue Bonaparte, and the Rue de Rennes.

Constant Tonegaru (common rendition of Constantin Tonegaru; February 26, 1919 - February 10, 1952) was a Romanian avant-garde and Decadent poet, who ended his career as a political prisoner and victim of the communist regime. Known for his bohemianism, he was the author of celebrated escapist and individualist poems, characteristic for the World War II generation in Romanian literature, and closely related to the works of his friends Geo Dumitrescu, Dimitrie Stelaru and Ion Caraion. Together with them, Tonegaru stands for one of the last waves to pass through Sburătorul, a modernist literary society formed around literary critic Eugen Lovinescu. At the same time an anti-fascist and anti-communist, Tonegaru participated in culturally subversive activities against the authoritarian Ion Antonescu regime, and contributed to Dumitrescu's Albatros magazine until it was closed down by Antonescu's censorship apparatus.

In 1902, Modigliani continued what was to be a lifelong infatuation with life drawing, enrolling in the Scuola Libera di Nudo, or "Free School of Nude Studies", of the Accademia di Belle Arti in Florence. A year later, while still suffering from tuberculosis, he moved to Venice, where he registered to study at the Regia Accademia ed Istituto di Belle Arti. It is in Venice that he first smoked hashish and, rather than studying, began to spend time frequenting disreputable parts of the city. The impact of these lifestyle choices upon his developing artistic style is open to conjecture, although these choices do seem to be more than simple teenage rebellion, or the clichéd hedonism and bohemianism that was almost expected of artists of the time; his pursuit of the seedier side of life appears to have roots in his appreciation of radical philosophies, including those of Nietzsche.

Later becoming a centre of Melbourne's bohemianism, the suburb has undergone rapid gentrification in recent years, with renewed interest in its inner city location and well preserved Victorian and Edwardian housing stock. Clifton Hill now considered one of Melbourne's most liveable suburbs,The Age 24 November 2011 and is consequently becoming increasingly less affordable, with the median property price increasing from 112% to 160% of the Melbourne metropolitan median in the decade to 1996, and 180% (AUD1.48 million) by 2017. REIV, 1 October 2017 Clifton Hill is located immediately adjacent to Fitzroy North, with which it shares the same postcode. Along with Carlton North and Fitzroy North, Clifton Hill has unusually spacious and picturesque streets, being part of a well preserved government subdivision laid out by Clement Hodgkinson in the 1860s, and most unlike the smaller crowded streets of the majority of inner Melbourne.

Cemetery gate, Galisteo, New Mexico In many countries, cemeteries are places believed to hold both superstition and legend characteristics, being used, usually at night times, as an altar in supposed black magic ceremonies or similarly clandestine happenings, such as devil worshipping, grave-robbing (gold teeth and jewelry are preferred), thrilling sex encounters or drug and alcohol abuse not related to the cemetery aura (see below). The legend of zombies, as romanticized by Wade Davis in The Serpent and the Rainbow, is not exceptional among cemetery myths, as cemeteries are believed to be places where witches and sorcerers get skulls and bones needed for their sinister rituals. In the Afro-Brazilian urban mythos (such as Umbanda), there is a character loosely related to cemeteries and its aura: the Zé Pilintra (in fact, Zé Pilintra is more related to bohemianism and night life than with cemeteries, where the reigning entity is Exu Caveira or Exu Cemitério, similar to Voodoo Baron Samedi).

The narrator here is arch, sarcastic, oblique Gabby, a painter who, in reaction against her boring upper-middle family, has been through marriage, affairs, bohemianism, and a breakdown..Now, back in her home-town of Allbut, a former mining center that's become a near-ghost town ""in our continental funkerama,"" Gabby is oddly entranced by a newcomer named Wafer--an overage hippie whose only goal is to find ""the perfect bomb shelter."" (His father was a WW II bomb fatality; he's obsessed with Hiroshima.) But Wafer's quiet quest on the town's outskirts will be doomed--by the town's greed and hypocrisy and violence, by Gabby's own self-involved apathy: Wafer is terrorized by a local macho-thug; his fatherly affection for a teenage girl (the thug's rape victim) is used against him. And when Wafer happens to find a precious stone on one of his wanderings, the town will stop at nothing to learn the location of this possible new gem-lode. . . with a predictably fatal outcome.

For example, the authors G. Verga, L. Capuana, D. Ciampoli, R. Fucini, M. Serao introduced the language of common people into their works and made extensive use of dialects. The Italians also created a theater that reflected everyday life, as exemplified by the comedies of G. Rovetta and G. Giacosa. In America, Tobias Picker’s 2013 opera that opened at the San Francisco Opera was acclaimed as a “triumph of American verismo.” Verismo opera composers often chose rural folk, poor city dwellers, and representatives of bohemianism. Early works in this genre were P. Mascagni’s Cavalleria Rusticana( 1890) which chose rural folk, poor city dwellers, and bohemian characters. The American painter Jerry Ross calls his style “American verismo.” Jerry Ross (painter) has been teaching a series of workshops and classes in Eugene, Oregon based on his study of the I Macchiaioli. He founded the group “Club Macchia,” a group of like-minded plein air painters working in Oregon and Washington.

It was given its current name by the New Zealand Company, after Captain James Cook (the mountain in the South Island was named separately), and was the suite of a large British military base, and later a prison that was "loathed by Wellingtonians", and demolished in 1931. During the Victorian and Edwardian eras, Mt Cook became a favoured suburb of Wellington's elite, and many palatial mansions, such as the timber houses known as "painted ladies", were constructed along the Kent and Edward Terrace rivers; After the Earthquake of 1855, many were built around what was now the Basin Reserve. Densely populated mid-to-postwar Wellington had all eyes on Mount Cook, where the Dominion Museum and the Carilion opened for the country's 100th anniversary of the Treaty of Waitangi, in 1940. Over the span of its history, Mount Cook has become known for its culture of bohemianism and preservation of uniquely Wellingtonian Victorian Architecture.

Folk music, which often carried the stigma of left-wing associations during the 1950s Red Scare, was driven underground and carried along by a handful of artists releasing records. Barred from mainstream outlets, artists like Seeger were restricted to performing in schools and summer camps, and the folk-music scene became a phenomenon associated with vaguely rebellious bohemianism in places like New York City (especially Greenwich Village), North Beach, and in the college and university districts of cities like Chicago, Boston, Denver, and elsewhere. Ron Eyerman and Scott Baretta speculate that: > [I]t is interesting to consider that had it not been for the explicit > political sympathies of the Weavers and other folk singers or, another way > of looking at it, the hysterical anti-communism of the Cold War, folk music > would very likely have entered mainstream American culture in even greater > force in the early 1950s, perhaps making the second wave of the revival > nearly a decade later [i.e., in the 1960s] redundant.

From the late 1940s to the 1960s, the bohemian free-love tradition of Greenwich Village in America was carried on by the beat generation, although differing with their predecessors by being an apparently male-dominated movement. The Beats also produced the first appearance of male homosexual champions of free love in the U.S., with writers such as Allen Ginsberg and William S. Burroughs. Like some of those before, the beats challenged a range of social conventions, and they found inspiration in such aspects of black culture as jazz music. The Beat movement led on the West Coast to the activities of such groups as the Merry Pranksters (led, according to Grateful Dead historian Dennis McNally, not by novelist Ken Kesey, but by hipster and driver Neal Cassady) and the entire San Francisco pop music scene, in which the implications of sexual bohemianism were advanced in a variety of ways by the hippies.

William Rowe strongly advocated the idea of a democratic art organization. He believed an art institute should be “a school, a gallery, a meeting place for artists, art students and the public with no discrimination and no competition, encouraging maximum freedom of self-expression.” The Art Institute of Buffalo was founded in 1931, and was dedicated to the proposition that art is the province of everyone. The Art Institute was regarded by many local observers as a Bohemianism artist colony, and many artists who participated in the institute agree with that view. Without William Rowe’s dedication and drive behind it, the Art Institute of Buffalo lost its creative momentum, eventually closing in 1956. While the Art Institute of Buffalo has passed into history, the influence of William Rowe on the Institute’s many alumni helped establish numerous successful modern artists in western New York. The Art Institute’s archives are now held by the Burchfield-Penney Art Center which is part of Buffalo State College. William Rowe’s personal papers are archived in the Albright-Knox Art Gallery library in Buffalo.