Afterward, Guy decided to take a chance: She asked Gaumont if she could use his Bioscope (what Gaumont had renamed the biographe) to direct a film.
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William Haggar's travelling Bioscope from 1902 A Bioscope show was a music hall and fairground attraction consisting of a travelling cinema. The heyday of the Bioscope was from the late 1890s until World War I. Bioscope shows were fronted by the largest fairground organs,"Hollycombe Steam Museum bioscope show" and these formed the entire public face of the show. A stage was usually in front of the organ, and dancing girls would entertain the crowds between film shows."Fairground Heritage Trust" Films shown in the Bioscope were primitive, and the earliest of these were made by the showmen themselves.
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These bioscope shows were organised under the banner of Elphinstone Bioscope Company. Elphinstone Bioscope Company produced a number of short films.IMDb page on Elphinstone Bioscope Company He also started film shows in Alfred Theatre, which he bought in the same year. In 1907, he established Elphinstone Picture Palace (currently known as Chaplin Cinema), which was the first permanent show house in Calcutta.
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Bioscope, set in the early years of the twentieth century, is a story of history entering the paths of memories and dreams. The story of villagers, made mute by colonialism and slavery, entering the garden of a new vision through a new machine, bioscope. The protagonist Diwakaran’s new journey starts with his acquisition of a bioscope. The Frenchman DuPont, who does bioscope shows on the coasts of Tamil Nadu, is the architect of his new journey.
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J.M. Chipperfields Electrograph Bioscope was moved by a Burrell-built engine, named "Queen of the Midlands". Chipperfield's Electrograph Bioscope traveled all over the UK starting in 1899. Chipperfield's Electrograph Bioscope Richard Chipperfield Sr. was the son of James Frances and Mary Ann (Jones) Chipperfield, born in 1875, at Sileby, Leicestershire. He was the fourth generation of the Chipperfield showmen.
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With assistance from his brother, Motilal Sen, he bought an Urban Bioscope from Charles Urban's Warwick Trading Company in London. In the following year, with his brother, he formed the Royal Bioscope company.
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Bioscope Film Framers is an Indian film production and distribution company headed by R. Parthiepan.
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Mithu debuted her acting career in the television drama "Openty Bioscope" directed by Humayun Ahmed.
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Royal Bioscope made its last film in 1913. Hiralal Sen's later years were filled with disappointment and economic hardship. Jamshedji Framji Madan of the Elphinstone Bioscope Company had long surpassed him in terms of success. To compound his misery, he was also suffering from cancer.
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On 28 December 1895, the Lumière brothers began commercial bioscope shows in Paris, with the first bioscope shows of the Indian subcontinent occurring the following year, including one in Calcutta and another at the Crown Theatre in Dhaka. The Bradford Bioscope Company of Calcutta arranged the show, which featured very short news items and other short features including footage of the jubilee of Queen Victoria, battles between Greek and Turkish forces, and the French underground railway. The price of a ticket to the show was an expensive eight anas to three taka. Bioscope shows continued to be shown throughout the region, including in Bhola, Manikganj, Gazipur, Rajbari, and Faridpur.
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Deutsche Bioscop was re-registered on 27 February 1908, and Schleussner bought out the Greenbaums' remaining share in 1909. Under its new owner, Deutsche Bioscope moved to Babelsberg Studio in November 1911, which is well- known as the oldest large-scale film studio in the world and still today producing famous Blockbusters. Bioscope-Theater Greenbaum registered a new cinema company, Bioscope-Theater GmbH, on 24 Feb 1908.This seems to have been changed to Vitascope-Theater at some point.
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She has been a regular anchor of Bioscope; a films-based TV show telecast on national channel of Doordarshan.
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The Alhambra Bioscope, also known as the Alhambra Theatre, was a theatre that opened on Riebeek Street, Cape Town, South Africa in 1929.
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Till now, that is the main project she worked on. She made her singing debut in the Anindya Chatterjee film Open Tee Bioscope.
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Later, films were commercially produced. Bioscope shows were integrated, in Britain at least, into the Variety shows in the huge Music Halls which were built at the end of the nineteenth century. After the Music Hall Strike of 1907 in London, bioscope operators set up a trade union to represent them. There were about seventy operators in London at this point.
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The Urban Bioscope, also known as the Warwick Bioscope was a film projector developed by Walter Isaacs in 1897 for Charles Urban of the Warwick Trading Company. The projector used a beater movement. It has two names because it was created by Charles Urban and Walter Isaacs. It was a 35mm fast-pull-down- beater-movement machine allegedly based on Georges Demenÿ patents.
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Finally, the Bioscope man is arrested and the film ends with Raman returning to town, and Velli and Maruthamuththu is a happy couple again.
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Amirul Islam is a Bangladeshi film lyricist and actor. He won Bangladesh National Film Award for Best Lyrics for the film Bapjaner Bioscope (2015).
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The film was a commercial success and the film was won Bioscope Borsho - Shera awards. The film is a remake of 2010 Tamil movie Mynaa.
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Reazul Mawla Rezu is a Bangladeshi television and film director. In 2010, he won Bangladesh National Film Award for Best Director for the film Bapjaner Bioscope.
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Pt. Nityabodha Bidyaratna wrote the screen play. The film was produced by J. F. Madan's Elphinstone Bioscope and was distributed by his another company, Madan Theaters Limited.
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Following his death, Williams' main bioscope was taken over by his daughter Carrie and new husband, Dick Monte (former Haydon and Urry employee). They continued to travel the show as the Randall Williams Cinematograph Show until 1913 when it was destroyed by fire at Thirsk, Yorkshire. Williams' No. 2 show was taken over by his daughter and son-in-law, Annie and Reuben Williams. They travelled with their bioscope until 1906.
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He has won Kerala State Film Awards for best background score for the film Bioscope in 2008. He is a disciple of Njaralath Ramapothuval, Theyyanasan, Kunnamkulam Kelu Asaan.
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In 2002, Dalchhut released a third album titled 'Aakaashchuri' , which also enjoyed popular ratings.it had 11 songs in first edition. in 2003 it was relished again with "Bioscope" song.
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Gwladys Sutherst Townshend was credited as the scenarist on eight silent films, all of them now lost, made by the Clarendon studio, all of them made in 1913, 1914, or 1915, all starring Dorothy Bellew and directed by Wilfred Noy.Urbanora, "More from the Marchioness" The Bioscope (June 23, 2007). Titles included The Convent Gate, The House of Mystery, and A Strong Man's Love."Interview with the Marchioness" The Bioscope (July 30, 1914): 429-431.
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Critically, the film received mixed reviews. Bioscope, a British film journal, praised British and Colonial's effort to preserve a portion of British history with a British production. It tempered this praise by noting that the film recreated scenes from the battle "from the point of view of an ordinary soldier in the thick of the battle," but there was almost no dramatic or human interest.'"The Battle of Waterloo": British History Reconstructed by Britons', Bioscope.
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She called it "excellent" and commended the film's adaptation of Burnett's novel, saying, "the acting of the boy [Royston] was wonderful".The Bioscope (16 April 1914), vol. 23, number 392.
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Varunny purchased the first projector and a few movies from railway officer Vincent Paul who bought the setup from a French exhibitor, and had the first showcase in Thrissur, under the banner -Jose Bioscope In early 1907. His first exhibition was in Thekkinkadu Maidan a connection with Thrissur Pooram at the same year. And, he used a manual projector and a tent that could fit around hundred people at a time, showcasing videos of blooming flowers, horse races and the life of Christ with unrelated narrations that nevertheless astounded the crowd. He toured all of south India with Jose Bioscope and eventually established the first electrically operated film projection named Jose Electrical Bioscope, with the advent of electricity, in 1913.
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Its partners were Louis Rosenfeld and Otto Heinemann. This established a vertically integrated network with Vitascope handling the distribution for Bioscope films. Sale of Deutsche Bioscope As his business increased, Greenbaum made a deal with the chemist Carl Moritz Schleussner of the photochemicals firm Schleussner AG in Frankfurt/Main. Carl Schleussner had been involved since 1896 in producing negative film stock for Röntgen photography soon after its discovery.Eisenbach, Ulrich, (2007).Schleussner in: Neue Deutsche Biographie 23 , pp.
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Alif premièred in the Indian International Film Festival of Queensland, held in Australia in November 2016. It also won the Best Screenplay and Best Child Artist award at the Bioscope Global Film Festival.
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The theatre also hosted meetings of The Magic Circle, an association of amateur and professional magicians, and its members David Devant and Maskelyne continued to give magic shows for many years.Information about The Magic Circle club's connection to the theatre accessed 14 April 2007 One was called Maskelyne and Devant's Mysteries, which was presented in August 1910. The hall was also used as a Bioscope Picture Palace, although with a reduced capacity of 500.Bioscope Annual Report 1910-11 p.
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Four Corners was screened on a limited release for one week in 2013 at The Bioscope Cinema in Johannesburg, 23–29 September. The general South African theatrical release is scheduled for 28 March 2014.
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He achieved the Best Cinematography Nomination of the Charunirom Khahinichitro Award 2015 for the Telefilm Adarer Hrin. In the same year he achieved the National Film Award (Bangladesh) for Best Editor from Bapjaner Bioscope.
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The Royal Bioscope Company was the first film production company in Bengal, and possibly the first in India, set up in 1898 by Hiralal Sen, along with Matilal Sen, Deboki Lal Sen, and Bholanath Gupta. The initial productions used an Urban Bioscope bought from Warwick Trading Company in London. The company produced shows, generally exhibited at the Classic Theatre in Calcutta, where the films featured in the intervals in the stage shows. When Sen began producing his own films regularly they were chiefly scenes from stage productions at the Classic, between 1901 and 1904.
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Cinematographic equipment including cameras, printers, mutoscopes, cutting and perforating machines, and projectors, such as the Bioscope projectors for the Warwick Trading Company and Charles Urban, were produced by the company in the early part of the 20th century.
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The American Bioscope Company made a series of silent short movies featuring Everett True, the first of which, Everett True Breaks Into The Movies, was released in 1916, starring Robert Bolder as Everett and Paula Reinbold as Mrs True.
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He had created his own company, Arthur Lyon & Co, Caxton House, Westminster c. 1912, but in February 1915 he merged this with the Wrench Manufacturing Company of Crawford Passage, Farrindon Road, London to form Arthur Lyon & Wrench Limited."New Companies", The Bioscope, 4 March 1915, p66 The merged company was based in Victoria Road, Acton, London, but was in voluntary liquidation by December 1920."Mortagages, Charges and Satisfaction", The Bioscope, 2 December 1920, p43 Arthur Lyon & Co was re-formed directly to continue the manufacture of engine-powered generators and pumps, with a particular emphasis on light weight and portability.
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She claimed to be "the first peeress to write for the cinema." Her play Sir John and the Compriere was produced in 1914, in London."Trade Topics" The Bioscope (July 23, 1914): 317. She co-edited a fiction collection, True Ghost Stories (1936).
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Jos Theatre is the first permanent movie theatre in Kerala. Located in Swaraj Round in Thrissur city, it was built by Kattukkaran Varunny Joseph, the first man to screen the film in Kerala. The movie theatre was earlier known as Jose Electrical Bioscope.
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Mukherjee started his acting career by portraying a short role in Kahaani (2012), directed by Sujoy Ghosh. His next movie was Open Tee Bioscope, directed by Anindya Chatterjee. He played important characters in Durga Sohay and The Waterfall, a short film directed in 2018.
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The Bioscope Man is the recollections of Abani Chatterjee, a washed-out silent-era movie actor, who, through this book, makes a bid to convince the reader that misfortune and bad taste of the times conspired to turn him into a non-entity. As Calcutta's star begins to fade, with the capital of His Majesty's India shifting to Delhi, Abani's is on the rise. He is well on his way to becoming the country's first silent-screen star. But just as he is about to find fame and adulation, absurd personal disaster strikes, and Abani becomes a pariah in the world of the bioscope.
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Bioscope is a 2008 Malayalam film produced by National Film Development Corporation of India (NFDC) and directed by K. M. Madhusudhanan. The film won a Special Jury award at the 56th National Film Awards and also won 5 awards in the 2008 Kerala State Film Awards.
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Bapjaner Bioscope is a 2015 Bangladeshi film directed by Reazul Mawla Rezu, in his feature film directorial debut. It won eight awards, including the awards for Best Film and Best Director at the 40th Bangladesh National Film Awards. The film was shot at char area in the Jamuna River.
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Railway The city later became a hub of the Eastern Bengal State Railway. The first film shown in Dhaka was screened on the riverfront Crown Theatre on 17 April 1898.Film, Feature The film show was organized by the Bedford Bioscope Company. The electricity supply began in 1901.
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A review in The Bioscope, from the time of the film's screening in the United Kingdom in 1920, was critical of the technical qualities of the film, but commented on Moskoujine's "remarkable emotional acting", stating that the film's "emotional power and sincerity will be recognised by every spectator".
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Motion Picture Herald, 2 April 1932, p. 10 Hakim had hoped to secure the services of Fritz Kreisler to star in Passion Hunger, a story of a famous violinist and his amorous intrigues; but the deal fell through."Hakim's Kreisler Deal Off". The Bioscope, 6 April 1932, p. 10.
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Kattukkaran Varunny Joseph exhibited a film show in 1907 at Thekkinkadu Maidan a connection with Thrissur Pooram with his Bio-scope projector which had been purchased from Vincent Paul, a railway officer from Coimbatore, Tamil Nadu. He built a tent to exhibit his film show in the Maidan that could fit around hundred people at a time. The show was some video clips of blooming flowers, horse races and the life of Christ with unrelated narrations that nevertheless astounded the crowd. After a while, Varunny toured all of south India with his Bioscope and eventually established the first electrically operated film projection named Jose Electrical Bioscope, with the advent of electricity, in 1913.
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An unprecedented disaster struck when he lost his bioscope to a storm, when sailing from Mangalore after an exhibition. Not one to give up, K W Joseph, founded Royal Exhibitors company, in partnership with a few others. He also eventually founded Babysun Talkies, laying the foundation for film exhibition in Kerala.
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Anil Bagchir Ekdin is a 2015 Bangladeshi film directed by Morshedul Islam. The film was based on Humayun Ahmed's novel of the same name. It won six awards, including the awards for Best Film and Best Director (both jointly with the film Bapjaner Bioscope) at the 40th Bangladesh National Film Awards.
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Open Tee Bioscope is a 2015 Bengali language Indian coming-of-age comedy-drama film released on 15 January 2015, directed by director Anindya Chatterjee, who is the well known vocalist of the band Chandrabindu. The film is a coming of age story of an adolescent boy and his friends.
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An unprecedented disaster struck when he lost his bioscope to a storm, when sailing from Mangalore after an exhibition. Not one to give up, K W Joseph, founded Royal Exhibitors company, in partnership with a few others. He also eventually founded Babysun Talkies, laying the foundation for film exhibition in Kerala.
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There have also been numerous film adaptations of the poem Evangeline. Evangeline was the first Canadian feature film, produced in 1913 by Canadian Bioscope of Halifax. It was shot in the Annapolis Valley and at Grand-Pré. In 1919, Raoul Walsh made a film based on the poem for 20th Century Fox.
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The Romance of Hine-Moa is a 1927 British film set in New Zealand, directed and produced for Gaumont British by Gustav Pauli. It is now lost. The trade journal Bioscope said it was a "charming love story illustrating an old Maori legend, acted entirely by Maoris in beautiful and interesting native surroundongs".
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La Lanterne magique, sold in the United States as The Magic Lantern and in Britain as The Magic Lantern, or the Bioscope in the Toy Shop, is a 1903 French short silent film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 520–524 in its catalogues.
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In 1897, Urban joined Warwick Trading in the UK. At that time he brought with him the Bioscope from America for resale. Earlier versions of the scope projected both slides and films. These versions came with a "spoolbank" attachment that made it possible for very short films to be repeated without pause.
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Cesare Watry (1864–1943)“Cesare Watry”, Le Grimh was the stage name of Giovanni Girardi, an Italian practitioner of stage magic and a pioneer of cinema through his own original form of bioscope show. He was recognized, particularly in Latin America, as a “master illusionist” and an “extraordinary popular” entertainer both through stage magic and his bioscope shows.Aronak, “Pequenas biografias de grandes magícos”, Correio da Manhã, 11 August 1957. Girardi was born in Ravenna and formed in the 1880s the “Eccentric Company,” a traveling troupe offering a show based on illusionism throughout Italy, particularly in Tuscany. At the end of the century, the troupe was renamed “The Eccentric Company of Sino-Japanese Marvels,” and offered something called “Fotoveramovil,” a rather simple form of bioscope show, featuring among others images of the Diamond jubilee of Queen Victoria and the wedding of the future king Victor Emmanuel III of Italy, together with views of Jerusalem and France, later adding to the repertoire the stories of Cinderella, Bluebeard and others, as well as Spiritualist séances.Renato Bovani and Rosalia Del Porto, “Il Cavalier Cesare Watry”, Immagine: Note di storia del cinema, vol.
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Bioscopewala has taken forward the timeline of Kabuliwala, the original story written by Rabindranath Tagore, from the 19th century to somewhere in the 1980s during the Taliban regime and changed the profession of Rehmat, the central character, from a dry fruit seller to a man who goes around showing films to children through his bioscope.
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He first performed in public at the age of five. The management of the circus was passed down to him in the early 1900s. In 1902 he added a Bioscope show to the attractions of the show at Birmingham, Manchester and London.The University of Sheffield Barnstaple Fair Six films were shown at each presentation.
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In South Africa "Bioscope" or in Afrikaans "bioskoop" is an archaic word for the cinema and some people (especially older generations) still use it regularly. In modern day Dutch, "bioscoop" is a wide-spread term, and the equivalent of the English "movie theater" or "cinema". In Serbian language, "bioskop" is a modern term for movie theater.
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In the album, Bappa and Sanjeeb sang the song Gari Chole Na of Shah Abdul Karim which was shown on Ittadi. Choudhury's solo Ami Tomakei Bole Debo was another song of that album. In Dalchhut's third album Aakaashchuri (2002), folk tuned song Bioscope was again shown on Ittadi and became famous. Sanjeeb's solo album Swapnobaji was released in 2005.
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Filmland Griechenland – Terra incognita: griechische, Elene Psoma, Logos Verlag Berlin GmbH, 2008, , S. 23. (Ger.) It is believed to be the first film shot anywhere in the Ottoman Balkans.Vecer Online – One century of the Macedonian seventh art. (Mk.) The film was shot with 35 mm film with an Urban Bioscope movie camera (serial number 300) imported from London.
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The result is The Pandit and the Englishman, a film that mirrors the vocabulary of Abani's life, hinting at the dangers of pretence and turning away, the virtues of lying and self-deception, the deranging allure of fame and impossible affections. Afterwards, Abani writes a long letter, in which he tells his story. The Bioscope Man is that story.
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Symon Sadik is a Bangladeshi film actor known for his works in Dhallywood cinema. He made his debut as a lead in the 2012 Bangladeshi film Ji Hujur. He won Bioscope Borsho-sera awards for Best acting in Poramon. He also won Bangladesh National Film Award for Best Actor for his role in the film Jannat (2018).
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The single reel drama, approximate 650 feet long, was released on June 17, 1910. Some trade publications list the length of the film as 1000 feet though. The United Kingdom release of the film may have had the name of the hero changed to Peter. A synopsis in The Bioscope on October 27, 1910 refers to the hero by the name Peter.
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This article lists Internet television providers – broadcasters of Internet television using digital distribution – by region and by country. Internet TV is typically transmitted wirelessly, or through hard-wired devices, via an over-the-top programming platform to enabled SmartTVs, set-top-boxes, personal computers, smartphones, tablet computers, and digital media receivers such as Android TV, Apple TV, Hotstar, Bioscope, Roku, and Boxee.
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Diwakaran was stunned by early forms of cinema images. His relationship with DuPont and the bioscope starts with his astonishment when he first sees moving images. It turns into a story of inseparable friendship. Divakaran purchases the machine from DuPont and intends to entertain his village folks with his films, but ultimately falls prey to superstitions and suspicions about the instrument.
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Randall K. Williams, c.1892. Randall Kay Williams (17 July 1846 – 14 November 1898) was a Victorian showman noted for popularising moving pictures on British fairgrounds. The first known reference to Williams exhibiting films in his show was at Rotherham Statute Fair on 2 November 1896. Williams toured Britain for 25 years, first with a ghost illusion show, and then with a bioscope.
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Over 93% of the borrowers are women. Rang De works with around 16 field partners across the country. On 8 March 2017, at the Yeswanthpur village in Kolar, the Swabhimaan initiative was launched to impart financial literacy to village women, give customised credit, and enable them to make informed financial decisions. Self serviced kiosks called Bioscope are created to impart financial education.
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From the very beginning of the 20th century, William Day, "pioneer of moving pictures", showed films in the Olympian Gardens pleasure grounds next to the Queen's Head pub. It is assumed that a marquee or large tent was used.Hornsey Journal, 24 April 1936 reporting on a lecture given by William Day in 1936. The venue was also referenced in the 1910 Bioscope Annual.
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Originally built in 1888 as a traditional music hall, the building was initially known as The Pavilion from 1883-1982, The Empire from 1892-1900, and then as The Palace in 1900 after a takeover by William Coutt, who also operated the city's Shaftesbury Hall, which was known as Swansea's "home of dancing" at the time. From 1912 it was known as the People's Bioscope Palace, bioscope being an early term for moving picture technology. In the early years of the 20th century stars like Charlie Chaplin, Lilly Langtry, Marie Lloyd and Dan Leno filled the venue. Chaplin only performed at the palace when he was 10 years old in 1896. The building is one of just two purpose-built music halls left standing in the whole of the UK. In the 1920s-30s the venue moved into holding live theatre events.
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The cinema of Bangladesh dates back to 1898 when films began screening at the Crown Theatre in Dhaka. The first bioscope in the subcontinent was established in Dhaka that year. The Dhaka Nawab Family patronized the production of several silent films in the 1920s and 30s. In 1931, the East Bengal Cinematograph Society released the first full-length feature film in Bangladesh, titled the Last Kiss.
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Phalke wished to go to London to get technical knowledge of filmmaking but had difficulties getting finances for his trip. With the help of Yashwantrao Nadkarni and Abasaheb Chitnis, he secured a sum of ten thousands by mortgaging his insurance policies worth twelve thousands. On 1 February 1912, he boarded a ship for London. At London, Phalke saw a nameboard of "Bioscope Cine-Weekly" near Piccadilly Circus.
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In 2013, Bongo was founded by Ahad Mohammad and Navidul Huq. The YouTube channel crossed the milestone of 2 million subscribers and received Golden Play Button award from YouTube and ICT National Award. Bongo BD has produced over 1500 Bengali cinema and also over 1000 TV drama and music video. Currently in Bangladesh, video streaming platforms like Bongo BD, iflix, Bioscope are doing very well.
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He reveals a plan to the inspector to catch the criminal. The next night they hide behind the trees near the well and see a man is coming. They immediately catch him and find that he is the Bioscope man who wanders in the village. (Seen as a small character in previous scenes) After getting caught, he admits that he has killed Snehalatha and reveals the reason.
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Solser en Hesse (English: Solser and Hesse) was a short Dutch silent film by M.H. Laddé and J.W. Merkelbach from 1900, featuring the comedians Lion Solser and Piet Hesse. the film was first distributed in the Netherlands by 'Edison's Ideal' in 1900, and second film starring the two men and under the same name was released in 1906 by 'The Royal Bioscope'. Both films are lost.
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The former chief minister and popular leader of the Indian National Congress, K. Kamaraj lost his seat in Virudunagar by 1285 votes to the student leader P. Seenivasan from the DMK. A few days before the election, Kamaraj had an accident and could not campaign. This led to his famous declaration that he would win lying down ().The politics of Bioscope - Part 12, Thinnai.
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Another film in which he worked with debutant director Lenin Bharathi titled Merku Thodarchi Malai which released in the same year. He won the Best Cinematographer Award in Norway Tamil Film Festival Awards and Bioscope film festival held in Punjab for that movie. He again collaborated with Ram in the movie Peranbu with actor Mammootty as the lead. The film was released in February 2019.
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They came up with an early conception of stop motion as the best way to obtain the necessary stereoscopic picture sequence. They did not get around to bring this plan to fruition. Eventually, the idea was communicated to their French publisher and instrumentmaker Jules Duboscq. On 12 November 1852, he filed the "stéréoscope - fantascope ou bioscope" as an addition to his earlier stéréoscope patent.
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Girish Mohite (Marathi: गिरीश मोहिते) is an Indian film personality. He is famous for his film Bharatiya and TV serial Ya Gojirvanya Gharat. His latest film Guru Pournima stars Bollywood actor Upendra Limaye and Sai Tamhankar. Girish Mohite's upcoming segment, Bail in 'Bioscope' which was showcased at the Goa Marathi Film Festival. The story is about farmers’ suicides, but through the eyes of an ox.
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The cinema of Bangladesh dates back to 1898, when films began screening at the Crown Theatre in Dhaka. The first bioscope on the subcontinent was established in Dhaka that year. The Dhaka Nawab Family patronised the production of several silent films in the 1920s and 30s. In 1931, the East Bengal Cinematograph Society released the first full-length feature film in Bangladesh, titled the Last Kiss.
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Cinema was introduced in Bangladesh in 1898 by Bradford Bioscope Company, credited to have arranged the first film release in Bangladesh. Between 1913 and 1914, the first production company named Picture House was opened. A short silent film titled Sukumari (The Good Girl) was the first produced film in the region during 1928. The first full-length film The Last Kiss, was released in 1931.
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Ahindra Choudhury was an Indian film actor, director, theatre personality and the co-founder of Photo Play Syndicate, a Kolkata-based art organization for bioscope shows. A winner of the Sangeet Natak Akademi Award in 1958, Choudhury was honoured by the Government of India in 1963 with the award of Padma Shri, the fourth highest Indian civilian award, for his services to the nation.
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Jules Greenbaum (5 January 1867 – 1 November 1924) was a German pioneering film producer. He founded the production companies Deutsche Bioscope, Deutsche Vitascope and Greenbaum-Film and was a dominant figure in German cinema in the years before the First World War. He is also known for his early experiments with sound films around twenty years before the success of The Jazz Singer made them a more established feature of cinema.
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Corinthian Hall was turned into Corinthian Theatre, and it became very popular for Parsi theatre shows, which were full of grandeur and had women actors, a rarity in those days. In 1902, he started bioscope shows in a tent in Maidan, Calcutta along with similar shows in Corinthian Theatre. The equipments used were procured from Pathé Frères of Paris. Most of the films shown in those shows were from Pathé Productions.
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This was the first filming of what is now the nation of Bangladesh. At the time when Calcutta-based film production houses were forming, East Bengal cinema halls were showing films produced in Calcutta, Bombay, Madras, Hollywood, and Paris. Sequential bioscope shows were started in Dhaka in 1913–14 in a jute store. It was named Picture House, becoming the first theater to be built in present-day Bangladesh.
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The first time she appeared on-screen was in 2008 as a child artist. Her debut film was Aainaate (also spelled Aayena Te), directed by Dulal Dey. After that, in the span of 2008-2014, she got more opportunities to deliver as an actress in some good Bengali films, but she did not get the limelight. She came into the spotlight after the releasing of the Bengali movie Open Tee Bioscope.
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Other well-known facilities in the college are in economics and political science faculty departments, which attract students from all over the country. Recently, the college introduced a new facility for movie screenings, called Bioscope. A new state-of-art computer lab and seminar room have been constructed. In the 2007-08 session, the college participated in exchange program with Pusan University of Foreign Studies, Korea which was appreciated by the Delhi government.
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29 Synchroscope largely petered out because not enough sound films were made to meet demand and because it could only last for two or three reels while the standard length of films was increasingly four or five reels long. Costs had soared by the end of 1908 (the Synchroscope was originally priced at $750 (around $20,000 in 2015); and Schleussner AG bought out Greenbaum's share of Deutsche Bioscope to free up his operations.
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Spruha's next film Bioscope was released on 17 July 2015. It incorporates four short films directed by four different directors Ravi Jadhav, Gajendra Ahire, Girish Mohite, and Viju Mane – all based on four poems by well-known poets. Spruha will be seen in Viju Mane's Ek Hota Kau, based on poet Kishor Kadam's poem by same name. In addition to acting in films, Spruha also writes poems and lyrics for Marathi albums and movies.
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The cinema of Bangladesh, better known as Dhallywood (), is the Bengali- language film industry based in Dhaka, Bangladesh. It has often been a significant film industry since the early 1970s. The dominant style of Bangladeshi cinema is melodramatic cinema, which developed from 1947 to 1990 and characterizes most films to this day. Cinema was introduced in Bangladesh in 1898 by the Bradford Bioscope Company, credited to have arranged the first film release in Bangladesh.
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The only Zoopraxoscope disc with actual photographs was made with an early form of stop motion. Lesser known predecessors, such as Jules Duboscq's Bioscope were not projected. Louis Le Prince's Roundhay Garden Scene (1888) and other films are now widely regarded as the first examples of proper cinematography, but Le Prince disappeared without a trace before he managed to present his work or publish about it. Ottomar Anschütz's Electrotachyscope projected very short loops.
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In 1891, Mohun Bagan shifted its ground from Phariapukur to Shyampukur as a result of the benevolence of the Maharaja of Shyampukur, Durga Charan Laha. Later, the club's ground was moved to Shyam Square. When Jamshedji Framji Madan entered the ‘bioscope’ scene in 1902, he began to screen films in tents set up on the Maidan and in Shyampukur.Banerji, Samik, The Early Years of Calcutta Cinema, in Calcutta, the Living City, Vol II, p.
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Greenbaum was born in Berlin in 1867 as Julius Grünbaum. He married Emma Karstein in c1887 and moved to Chicago in the United States, where his first son Georg was born 1 November 1889. He originally worked in the textile industry, but on his return to Berlin in 1895 aged around 42 Greenbaum moved into the newly established film business and founded Deutsche Bioscope () in 1899. Greenbaum acquired a camera in Amsterdam, and a cameraman, Georg Furkel.
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Evangeline is a 1913 Canadian drama film based on Henry Wadsworth Longfellow's epic poem of the same name. It is known as the first feature-length dramatic movie filmed in Canada, and it was very successful there and in the United States. Directed by Edward P. Sullivan and William Cavanaugh, it was filmed in Nova Scotia. This film was the first of six features made between 1913 and 1914 by the Canadian Bioscope Company of Halifax.
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The first official news cinema, The Daily Bioscope, opened in London on 23 May 1909. In the United States, however, the apparition of a dedicated news cinema came much later, the first being the Embassy on Broadway, New York City, which opened in 1925 as a first-run theater before Loew's Inc. converted it into a news theater on 2 November 1929. However, because of competition with television news, it reverted into a first-run theater in 1949.
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Madan, a young Parsi businessman, who had experience in Theatre shows from an early age, stepped into entertainment business in 1902, when he started bioscope shows of imported cinemas a tent in Maidan, Calcutta. After World War I, Madan's Theatre business started growing rapidly. In 1919, his business became a joint stock company with the name of Madan Theatres Limited. Madan Theatres and its associates had a great control over theatre houses in India those days.
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A picture of Capt Tiger Sarll in the Balkan War featured in the Bioscope Sarll, after returning from Mexico, found a job as a cameraman for Warwick Film Company. He managed to film (unbeknownst to him) Emily Davison throwing herself under the King's horse in 1913. Sarll persuaded his employers, Pathé Gazette, to send him to Istanbul to film the First Balkan War. Sarll teamed up with Sir Hubert Wilkins to capture pictures of the Battle of Lule Burgas.
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Indrajit Hazra is an Indian journalist and novelist best known for his book The Bioscope Man which has been published in India and France. He has also been nominated by the Spain India Council Foundation in 2012 as 1 of 12 future Indian leaders among other notable Indian professionals including Sanjeev Kapoor, Sunitha Raju, Sanjeev Kumar, and Samarth singh. His latest book is Grand Delusions: A Short Biography of Kolkata published by Aleph Book Company in 2013.
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Kattukkaran Varunny Joseph (Known as also Jose Kattookkaran and shortly, Kattukkaran Varunny) who is known as "Father of Malayalam cinema and theater industry" was an industrialist who established the former film exhibiting company in Kerala named Royal Exhibitors. He started Jose Theatre in Thrissur which is the first permanent theatre in Kerala and Davison Theatre in Kozhikode under Royal Exhibitors. He had been established the first electrically operated film projector Jose Electrical Bioscope at Ollur, Thrissur city in 1913.
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It "gives the only eyewitness account from a black insider of the late nineteenth- and early twentieth- century theatrical players, personalities and pioneers," including Hogan and Scott Joplin, Nancy R. Ping Robbins, Guy Marco, Scott Joplin: A Guide to Research, Routledge, 2014, p.114 and has been used as a source by many historians of musical theatre. "Tom Fletcher remembers", The Bioscope, April 27, 2007. Retrieved 25 September 2016 Fletcher died in New York in 1954, aged 81.
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With the success of three films, Phalke was able to repay all his debts. There was huge demand for the film copies from various theater managers in the country. Considering the tremendous response to the films, he decided to buy electronic machinery worth around and left for London on 1 August 1914, taking with him his three films. Mr. Kepburn of "Bioscope Cine-Weekly", who had helped Phalke during his first London visit, arranged some screenings of the films in London.
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The company travelled around mid and west Wales to the south Wales valleys, wintering in Aberdare. In 1897, on a trip to London, Haggar visited one of the early cinemas. Captivated by the show he bought a projector from opticians J. Wrench and Sons, for the price of £80–00, either that same year or in 1898. On 5 April 1898 he made his first public performance of his 'Bioscope' show at Aberavon fair making £15–00 on the first night.
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Recently , he has undertaken research in biophysics, which he calls sonocytology. With UCLA graduate student Andrew Pelling, Gimzewski published sonocytology's debut report in the August 2004 issue of Science magazine. In the sonocytology studies, a Bioscope AFM (atomic force microscope) was modified to be able to detect the vibrations of the cell wall of a living cell. These vibrations, once amplified using computer software, created audible sound, and it was discovered that cancerous cells emit a slightly different sound than healthy cells do.
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In 1999, during the making of Housefull, Parthiepan set up Bioscope Film Framers. He had previously made films with his ex-wife Seetha under the banner of Ammu Movies, but chose to begin a new studio after their separation. Alongside Parthiban, his children Abhinaya, Raakki and Keerthana have also been credited as producers under the banner. For the making of Kudaikul Mazhai, Parthiepan set up advertisement company called "Gossip" to take care of publicity in the print and electronic media.
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Surjit attempts to escape on the first night, but is apprehended and brought back to serve his time. He gradually comes to terms with the twist of the fate that has forced him to become a farmer for subsistence and live under the ever unforgiving eyes of Ram Din's family. Over time, he starts sincerely working for the family and its interests. He meets Phoolmati (Mumtaz), a happy-go- lucky girl who operates a small bioscope machine to entertain the village kids.
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Within five years, Hiralal Sen set up the Royal Bioscope Company, producing scenes from the stage productions of a number of popular shows at the Star Theatre, Calcutta, Minerva Theatre and Classic Theatre. Following a long gap after Sen, Dhirendra Nath Ganguly (Known as D.G.) established Indo British Film Co, the first Bengali owned production company, in 1918. The first Bengali Feature film Billwamangal was produced in 1919 under the banner of Madan Theatre. Bilat Ferat (1921) was the IBFC's first production.
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The family emigrated to New Zealand where he, his brothers, their wives and other family (known as "The Brescian Family") made their living in the theatre, which included the novelty of a moving picture show or bioscope as it was called. He died in Adelaide, Australia. His most well-known song (he wrote the lyrics and the music) is called "Come back to me" which was sung by his sister Florence Hayward. and set to music by the English composer Edward Elgar in 1884.
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Mutz Greenbaum (3 February 1896 – 5 July 1968), sometimes credited as Max Greene or Max Greenbaum, was a Berlin, Germany-born film cinematographer. He was the son of the pioneering film producer Jules Greenbaum who had founded Deutsche Bioscope. He began as a cameraman in 1915 working on German silent movies, especially in association with directors Urban Gad, Max Mack, and Franz Hofer. Most of the time he worked for his father's company Greenbaum- Film GmbH in Berlin, even directing some detective films around 1920.
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Originally, Joan Morgan had been considered for the part of Cedric Erroll as Lord Fauntleroy, before 13-year old Gerald Royston was given the role. Born in 1901 and the younger brother of Roy Royston, the British child actor appeared in silent films from 1913 to 1915. His casting in Little Lord Fauntleroy was one of the earliest starring roles for a child actor in a feature-length film. An advertisement in the cinema trade journal Bioscope cited English writer Effie Albanesi's praise of the film.
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All feature films telecast on national channel and Hindi belt network of Doordarshan are capsuled and uplinked by Mumbai Kendra. All in house films based programmes of national channel like Bioscope, Rangoli and Chulbuli Filmen Chatpati Gupshup are also produced and linked up by Mumbai Center. Cine Satrangi and Top Ten, now discontinued film based programmes, were also contributes to by Mumbai Doordarshan. Phool Khile Hain Gulshan Gulshan, the programme based on interviews of film celebrities anchored by Tabassum was a craze among viewers.
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The corrupted part 'scope' was understood to be derived from Greek 'skopos', meaning "aim", "target", "object of attention" or "watcher", "one who watches" and was quite common in the naming of optical devices (e.g. Telescope, Microscope, Kaleidoscope, Fantascope, Bioscope). The misspelling 'phenakistoscope' can already be found in 1835 in The American Journal of Science and Arts and later ended up as a standard name through encyclopedias, for instance in A Dictionary of Science, Literature, & Art (London, 1842)Iconographic Encyclopaedia of Science, Literature, and Art (New York, 1852).
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These became the first films ever to be released in Bangladesh. The first seeds of Bengali cinema were sown by Hiralal Sen, a native of Bogjuri who is considered a stalwart of Victorian era cinema. Sen founded a company named The Royal Bioscope Company in 1898, producing scenes from the stage productions of a number of popular shows at the Star Theater, Minerva Theater, and Classic Theater in Kolkata. He pioneered film-making in the Calcutta in 1901, and shot footage in his home region.
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In a city recently stripped of power and prestige, and in a family house that is in disrepair, he spins himself into a cocoon of solitude and denial, a talent he has inherited from both his parents. In 1920, German director Fritz Lang comes calling to make his 'India film' on the great 18th century English Orientalist Sir William Jones. When Abani is offered a role, he convinces Lang to make a bioscope on Pandit Ramlochan Sharma, Jones' Sanskrit tutor, instead. Naturally, Abani plays the lead.
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She was born Beatrice Bertha BenjaminChinen, Nate, "Sathima Bea Benjamin, Jazz Singer and Activist, Dies at 76", The New York Times, 29 August 2013. in Claremont, Cape Town, South Africa;"Sathima Bea Benjamin", South African History Online. her father, Edward Benjamin, was from the island of St. Helena off the coast of West Africa, and her mother, Evelyn Henry, had roots in Mauritius and the Philippines. As an adolescent, she first performed popular music in talent contests at the local cinema (bioscope) during the intermission.
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Ahindra Choudhury was born on 6 August 1896 in Chakraberia, Kolkata in the Indian state of West Bengal. His early education was at Sishu Vidyalaya in Chakraberia and at London Missionary, Kolkata from where completed his studies in 1911. His entry into films started with the bioscope show company, Photo Play Synidicate, he founded together with Prafulla Ghosh in 1921. Two years later, he wrote the screenplay for the motionless feature film, Soul of a Slave directed by Hemchandra Mukherjee and was the lead actor.
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Alaska's Adieu to Winter is a documentary that was labeled, perhaps erroneously, with the Thanhouser label. A record of this film exists in The Bioscope which states: "A realistic film, depicting the breaking up of the ice [on] the Tanana River. The heat of the sun breaks up the ice, the huge boulders collapse, and a wooden bridge is carried along, the massive beams being hurled down the stream and carried down to the sea." The 300 foot long film was released in Britain on October 20, 1910.
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William Haggar (10 March 1851 – 4 February 1925) was a British pioneer of the cinema industry. Beginning his career as a travelling entertainer, Haggar, whose large family formed his theatre company, later bought a Bioscope show and earned his money in the fairgrounds of south Wales. In 1902 he began making his own short fictional films, making him one of the earliest directors in Britain. His films were shown worldwide and his short Desperate Poaching Affray is believed to have influenced early narrative drama in American film, especially in chase genre.
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Berry (1986) p. 47 Haggar's travelling 'Bioscope' theatre Moving the theatre deeper into industrial Wales, Haggar found an audience that brought him an unprecedented level of prosperity. The remote villages of Wales welcomed the travelling theatre, known as 'The Castle Theatre', which by now had a repertoire of over a hundred Victorian melodramas and comedies, to which Haggar later included a portable photographic studio having acquired a plate camera. 'The Castle Theatre', his fit-up theatre and their props were originally drawn by horseback, later he purchased a traction engine to do the job.
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The films shown were Turn out of the London Fire Brigade (believed to be the 1897 Lumiére film) and Train emerging from a Tunnel. He continued to take his show around the fairgrounds of South Wales and decided to give 'The Castle Theatre' to his eldest son William, while he focused his energies on promoting 'Haggar's Royal Electric Bioscope' show. The family motto of 'follow the coal' almost lead to Haggar's ruin, when the coal strike of 1898 led to the Welsh miners forgoing the luxury of paid entertainment.
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The films included that of Marie Corelli riding in the Shakespeare Birthday procession and the HMS Albion disaster on the River Thames in 1898.bdcmuseum.org.uk Richard Chipperfield's Electrograph fairground bioscope showSlide Show World, Pages from History, A Collection of Historic Images – The British Sideshow Pg-2Victorian Popular Culture Moving Pictures, Optical Entertainments and the Advent of Cinema Documents Previewcircushistory.org, CHIPPERFIELD Three circus in 1979, by Jack Niblett, 1979 Richard's hobby was painting, particularly of animals; examples adorn the walk-ups of his circus pavilion. He married Maud, daughter of George Seaton.
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It was fitted with a chain track and was trialled by the Army in November 1907 in Aldershot. The 4-ton vehicle achieved speeds of over difficult terrain. Hornsbys, in a rare moment of marketing savoir-faire, commissioned a film of this vehicle to promote the virtues of the caterpillar track, which was to be shown at provincial and London cinemas in the summer of 1908. The film was first shown at the Empire Theatre of Varieties in Leicester Square on 27 April 1908, on a device then known as a bioscope.
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Alibaba, a 1939 Bengali film based on the Arabian Nights The Royal Bioscope Company began producing Bengali cinema in 1898, producing scenes from the stage productions of a number of popular shows at the Crown Theatre in Dacca and the Star Theater, Minerva Theater, and Classic Theater in Calcutta. The Madan Theatre started making silent films in Calcutta in 1916. The first Bengali feature film, Billwamangal, was produced and released in 1919 under the banner of the Madan Theatre. The movie was directed by Rustomji Dhotiwala and produced by Priyonath Ganguli.
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Odeon Kingswest on Brighton seafront opened in 1973. Brighton featured in a number of popular movies including Carry on at Your Convenience (1971), Quadrophenia (1979), The End of the Affair (1999), Wimbledon (2004), MirrorMask (2005), Angus, Thongs and Perfect Snogging (2008), The Young Victoria (2009), Brighton Rock (2010 and 1947) and The Boat that Rocked (2009). The Duke of York's Picturehouse, dating from 1910, was opened by Violet Melnotte-Wyatt. It is the country's oldest purpose-built cinema and was Brighton's first Electric Bioscope, which still operates as an arthouse cinema.
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Tregonning, K. G. (1965) A History of Modern Sabah (North Borneo, 1881–1963) (2nd ed.) published for the University of Singapore by the University of Malaya Press, Singapore, p.191 OCLC 410956 Among the most famous pirates was Datu Kudunding.Black, Ian (1983) A Gambling Style of Government: The Establishment of the Chartered Company's rule in Sabah, 1878–1915 Oxford University Press, Kuala Lumpur, p. 23, The British operated the Darvel Bay Tobacco Plantations Ltd, in Lahad Datu District which was immortalized in the documentary film Urban Bioscope Expedition through Borneo by H. M. Lomas.
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Bilwamangal (Bengali: বিল্লমঙ্গল Billamaŋgal, pronounced ), also known as Bhagat Soordas, is a 1919 silent black-and-white film directed by Rustomji Dhotiwala, a Parsi Gujarati based on the story by Gujarati writer Champshi Udeshi. This full length (12000 feet) film was produced by the Elphinstone Bioscope Company, Calcutta with Bengali intertitles and is credited as the first Bengali feature film. It was released on 1 November 1919 at Cornwallis Theatre in Calcutta. The National Film Archive of India acquired the footage of film from Cinémathèque Française, France in 2016.
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Grameenphone introduced pre-paid mobile phone service in Bangladesh in September 1999. Via an EDGE/GPRS/3G/4G enabled network. Grameenphone was the first mobile operator in Bangladesh to offer internet via EDGE and 3G 4G services to its subscribers. Grameenphone has developed several services, such as GP Music, a music streaming service launched in 2015, and Bioscope, a video streaming service launched in 2016 to stream movies, dramas and live TV. The company also owns an e-commerce app, Shoparu, offering door- to-door delivery service to all areas of Bangladesh, including rural areas.
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Feature phone users may visit any one of the host of Grameenphone Express Centers to order their goods online and receive home delivery. In 2017, Grameenphone introduced its MyGP app that allowed subscribers, through an embedded platform called Flexiload, to personalize their own cell phone packages and discounts based on their personal need for voice minutes, data volumes, text messaging. The MyGP app allowed customers to monitor their usage in real time. MyGP now encompasses GP apps such as Bioscope and Shoparu, as well as third party ride sharing apps like Uber and Shohoz.
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Nova Scotian stories are the subject of numerous feature films: Margaret's Museum (starring Helena Bonham Carter); The Bay Boy (directed by Daniel Petrie and starring Kiefer Sutherland); New Waterford Girl; The Story of Adele H. (the story of unrequited love of Adèle Hugo); and two films of Evangeline (one starring Miriam Cooper and another starring Dolores del Río). There is a significant film industry in Nova Scotia. Feature filmmaking began in Canada with Evangeline (1913), made by Canadian Bioscope Company in Halifax, which released six films before it closed. The film has since been lost.
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Increasingly used in other cities to mean a vagrant of any description. The term hobo is also used for homeless vagrants. ; bioscope, bio: cinema; movie theatre (now dated) ; biltong: dried meat, similar to jerky ; bladdy: (informal) occasionally heard South African version of bloody (the predominantly heard form), from the Cape Coloured/Afrikaans blerrie, itself a corruption of the English word ; boerewors: traditional sausage from Afrikaans "farmer-sausage", usually made with a mixture of beef and pork and seasoned with spices. Droëwors is a Boerewors that has been prepared the same method as biltong.
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Oththa Seruppu Size 7 (), simply known as Oththa Seruppu (), is a 2019 Indian Tamil-language thriller film produced, written and directed by R. Parthiban under the banner Bioscope Film Framers. The film stars Parthiepan himself as the only character. The background score for the film is composed by C. Sathya and the film features only one song, which is composed by Santhosh Narayanan. The film entered the Asia Book of Records and India Book of Records for having a single person writing, directing, solo acting and producing a film.
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These films were still vistas, depicting everyday activities of the common people, with an aim to "[win] the favor of the public and that of the tyrannical authorities of the time".:31 The filmmakers were also active in making propaganda for the government.:31 Some of the subjects of the reemergence of 1907 include "national holidays, bullfights, events, sports, views of places of the national territory and official events".:10 For a few days, beginning on 30 November 1900, a Bioscope was presented by W. H. Whiteman in the Hotel Bolívar of Ciudad Bolívar.
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He marginally advertised it for a short period. It was a commercial failure and no complete instrument has yet been located, but one bioscope disc has been preserved in the Plateau collection of the Ghent University. It has stereoscopic photographs of a machine. By the late 1850s the first examples of instantaneous photography came about and provided hope that motion photography would soon be possible, but it took a few decades before it was successfully combined with a method to record series of sequential images in real-time.
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According to Variety on 18 October 2014, the film was to be screened at the New York fest on 8 and 13 November.John Hopewell, "Cohen Media Group Inks Eight-Film Gaumont Classics’ Deal for North America (EXCLUSIVE), Deals go down at Lumière Fest’s upbeat Classic Film Market", Variety, 18 October 2014. It was announced on 24 January 2017 on Channel24.co.za that after 44 years the film was to be screened at the Bioscope Independent Cinema in Johannesburg on 24 January and at the Company Gardens in Cape Town on 25 January.
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The film was released in close succession with two other remakes of the same film–Yaraana (1995) and Daraar (1996). A reviewer for the University of California deemed the film to be superior to the original. In her book Bioscope: A Frivolous History of Bollywood in Ten Chapters, Diptakirti Chaudhuri wrote, "Even in a derivative film like Agni Sakshi, her performance as a tortured wife [is] pitch perfect against the formidable Nana Patekar". The film was a commercial success, emerging as the second highest-grossing film of the year in India.
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Lens is a bilingual hostage drama written and directed by Jayaprakash Radhakrishnan made simultaneously in Malayalam and Tamil. Dealing with the subject of voyeurism, it features Anandsami and Jayaprakash in the lead roles. Lens has been screened in several film festivals including Clam - Festival Internacional de Cinema Solidari South Asian International film festival Jagran film festival Chennai International Film Festival, Pune International Film Festival, Bengaluru International Film Festival , Lonavala International Film Festival, and Bioscope International Film Festival in Delhi. The Malayalam version was distributed by LJ Films and the Tamil version is distributed by director Vetrimaaran under his company Grassroot Film Company.
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Furkel worked as his technical director until 1912, along with another Dutch cameraman, Martin Knoop. Deutsche Bioscope's first independent film was the 60-metre 1899 newsreel picture Spring Parade featuring German Kaiser Wilhelm II. His firm released more newsreels in 1901/02, importing American and French features and manufacturing cinema equipment. Deutsche Bioscope GmbH, Berlin, was incorporated on 18 June 1902 with a capital of 20,000 marksEntry in the Commercial Register {Handelsregister} 23 June 1902 . The main offices were at 131d Friedrichstraße, where the firm supplied equipment (including the American Biograph camera), and an 8-hour guaranteed film copying service.
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1901 marked the introduction of film to Sri Lanka (then called Ceylon) when a film was shown for the first time in the country at a private screening for the British governor West Ridgeway and prisoners of the Second Boer War. It was a short film that documented the British victory in the Boer War, the burial of Queen Victoria and the coronation of Edward VII. More English screenings followed and attracted British settlers and Anglicized Sinhalese. Cinema in Sri Lanka became a public affair due to the efforts of Warwick Major, an Englishman who developed "bioscope" showings.
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Jamshedji Framji Madan (1856, Bombay – 28 June 1923), professionally known as J. F. Madan, was an Indian theatre and film magnate who was one of the pioneers of film production in India, an early exhibitor, distributor and producer of films and plays. He accumulated his wealth on the Parsi theatre district scene in Bombay in the 1890s where he owned two theatre companies. He moved to Calcutta in 1902 where he founded Elphinstone Bioscope Company, and began producing and exhibiting silent movies including Jyotish Sarkar's Bengal Partition Movement in 1905. He expanded his empire considerably after acquiring rights to Pathé Frères films.
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In 1966, after the lease on the Carlton Street premises was not renewed McKenzie sold his share of the business to Cliff Adams and John Shakespeare who moved the studios to Barnes under the guidance of Keith Grant. Grant oversaw the development of the new studios bringing in his father Robertson Grant as an architect. Situated at 117 Church Road, the Barnes building was constructed in 1906 and known as Byfeld Hall, a theatre for the Barnes Repertory Company. In its first decade it was a venue associated with the bioscope, an early form of cinema combined with music hall and instrumentation.
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Vernon was hired in 1912 by the German Bioscope as an actress. She made her screen debut in 1912 in the silent film Die Papierspur (The Paper Trail), directed by Emil Albes. The following year she acted in the Vitascope films Menschen und Masken (People and Masks) and Menschen und Masken – 2. Teil (People and Masks Part 2), directed by Harry Piel. She also worked in other films directed by Piel and collaborated with Max Obal until 1914. Some of her early films are The Struggle for the Heritage (1912), The Brown Beast (1914), and The Iron Cross (1914).
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In 1989, Selim started his acting career in television through his role in the drama Jonaki Jwoley. He made four digital films titled Mixed Culture, Ekjon Ajmal Hossain, Abinashi Shabdorashi and Chicago Hridoy in 2008, jointly produced by Chicago Bioscope (US) and Dream Factory (Bangladesh) and shooting of these film were in the United States. Ekjon Ajmal Hossain participated in the Independent Film Festival in the US. He directed DB, a detective TV drama serial in 2012, and Ek Jhak Mrito Jonaki in 2015. Selim has also made two tele-dramas titled Somoy Osomoy and Fera Ar Na Ferar Majhe.
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Durga is fond of Indir and often gives her fruit she has stolen from a wealthy neighbour's orchard. One day, the neighbour's wife accuses Durga of stealing a bead necklace (which Durga denies) and blames Sarbajaya for encouraging her tendency to steal. As the elder sibling, Durga cares for Apu with motherly affection, but spares no opportunity to tease him. Together, they share the simple joys of life: sitting quietly under a tree, viewing pictures in a travelling vendor's bioscope, running after the candy man who passes through the village, and watching a jatra (folk theatre) performed by a troupe of actors.
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Katerina Zacharia, "'Reel' Hellenisms: Perceptions of Greece in Greek Cinema" in Katerina Zacharia, Hellenisms, p. 323 The Manaki brothers used a 35 mm Urban Bioscope camera that Yanaki imported from London in 1905. Yanaki and Milton filmed documentaries about various aspects of life in the city of Manastir. They made a name for themselves in their local photography studio and, in 1906, they received an invitation from King Carol I of Romania to participate in the Bucharest Jubilee Exhibition, where they won a gold medal for their collection and were asked to be the King's official photographers.
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Born in Brighton in 1892, Brunel was educated at Harrow School. His mother Adey was a drama teacher so he grew up in a stage milieu and dabbled in acting and writing plays, as well as training in opera. On leaving school he worked for a time as a local journalist in Brighton before taking employment in London in the bioscope show distribution division of music hall chain Moss Empires. This spurred his interest in cinema, and in 1916 he and a friend formed a company called Mirror Films, which produced one film, The Cost of a Kiss, the following year.
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Parsi theatre is a generic term for an influential theatre tradition, staged by Parsis, and theatre companies largely-owned by the Parsi business community, which flourished between 1850 and 1930s. Plays were primarily in the Hindustani language (especially the Urdu dialect), as well as Gujarati to an extent. After its beginning in Bombay, it soon developed into various travelling theatre companies, which toured across India, especially north and western India (now Gujarat and Maharashtra), popularizing proscenium-style theatre in regional languages. Entertainment-driven and incorporating musical theatre and folk theatre, in early 1900s, some Parsi theatre producers switched to new media like bioscope and subsequently many became film producers.
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Sir Walter Gibbons (1871–1933) was the owner of a number of music halls in Britain at the beginning of the twentieth century. Along with Oswald Stoll, he led the employers' side in the Music Hall Strike of 1907, which was won by the artists, musicians and stage hands who were demanding better wages and conditions. Gibbons abandoned his original employment with a Wolverhampton nail factory, to join the Calder O'Berne Opera Company. Following a career as a music hall singer, he acquired an Urban Bioscope projector and, in 1898, launched the Anglo-American Bio-Tableaux, a variety film show that initially concentrated on news subjects.
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In 1995 they were re-discovered by a ballet historian Viktor Bocharov who got hold of Shiryayev's archives and released A Belated Premiere documentary in 2003 with fragments of various films. All of them were later restored and digitized with the help from the Pordenone Silent Film Festival and Aardman Animations.Pordenone diary 2008 – day seven at The Bioscope blog, October 22, 2008 The second person to independently discover animation was Vladislav Starevich. Being a trained biologist, he started to make animation with embalmed insects for educational purposes, but soon realized the possibilities of this medium to become one of the undisputed masters of stop motion later in his life.
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In 1907, the economic crisis in the USA severely affected the export market of Gavioli in the German Black Forest town of Waldkirch, centre of the German fairground organ industry, with the result that Gavioli ceased trading there. This allowed Limonaire the opportunity to be able to take over the premises and remaining stock in 1908, and business became successful enough that a new factory was built on land previously owned by Richard Bruder in 1912. Many organs were produced by Limonaire in these years, under the "Orchestronphone" trade name, often incorporating a bioscope. In the heyday of La Belle Époque, only the other Parisian firm of Gavioli was larger.
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The end of the fair used to be marked with the Director's Thanksgiving Service on the Sunday, at 12 noon, which took place on the stage of Dean's Bioscope, organised for many years by Chris Edmonds, the Lay Chaplain until his death in 2007. The Rev'd Dr Michael Foster, a friend of Chris, and the local Rector of Tarrant Hinton, continued to organise the Thanksgiving Service, with Sally, Chris' widow. Fr Michael was appointed Chaplain to the Show at the Thanksgiving Service September 2011, having been Assistant Chaplain for some four years. It was Fr Michael who conducted the founder of the Fair, Michael Oliver's Funeral in 2009.
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Satyawadi Raja Harishchandra (; ) is a 1917 silent black and white Indian film based on Hindu mythology, directed by Rustomji Dhotiwala. It was produced by J. F. Madan's Elphinstone Bioscope. Credited as the first remake in Indian cinema, the film is a remake of the first Indian feature film, Raja Harishchandra (1913) and was also inspired by an Urdu language drama, Harishchandra. The film is based on the mythological story of a Hindu King Harishchandra, the 36th king of the Solar Dynasty, who donated his entire kingdom and sold himself and his family to keep the promise given to the sage Vishvamitra in the dream.
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In October 2015, FilmDoo was selected by Forbes as one of "Five Leading Startup Entrepreneurs Graduating From MassChallenge UK". In May 2015, FilmDoo's acquisition of two new Indonesian titles and their new deal with distribution company Trinity were covered by Variety, with Asia Bureau Chief Patrick Frater writing that, with these new developments, "FilmDoo has bolstered its Asian credentials". Similarly, in April 2016, FilmDoo received coverage from IndieWire for giving international releases to more than twenty "Vintage South African films" from distributors Retro Afrika Bioscope. In June that same year, Screen Daily published an article on the release of fourteen Southeast Asian films on FilmDoo.
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However, Victory, pictured above, while a traditional mechanism plays traditional books, it also contains a Yamaha MIDI interface and is most often played electronically – with a blank card in place of the traditional book. Owner Willem Kelders uses this interface to link organs (Rhapsody and Locomotion, driven by Victory) together so they all play the same music perfectly synchronised. Fairground organs were used in many settings such as general fairground rides, static side shows such as bioscope shows and various locations in amusements parks such as ice rinks and the like. Manufacturers of fairground organs also typically made instruments for indoor usage in a dance hall called a dance organ and travelling street use called a street organ.
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Bioscopewala is the story of Rehmat Khan (Danny Denzongpa), a man from Kabul, Afghanistan who used to show films to children through his Bioscope. Rehmat befriends a little girl named Minnie who is of the same age as his own daughter and one day he disappears from her life. Many years later a grown-up Minnie (Geetanjali Thapa), who is now a documentary film-maker living in France, comes to know about her father, who died in a plane crash while traveling to Afghanistan. As Minnie tries to figure out the reason why her father made that trip, she comes across Bioscopewala, the man who used to tell her stories when she was a child.
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Together they launched a film series, The Unseen World, showcased at the Alhambra Theatre in London from 17 August 1903, which showed scenes of animal life, with particular emphasis on micro-cinematographic views. The shows were advertised as being shown by the 'Urban-Duncan Micro-Bioscope'. Among the films shown were Circulation of Blood in a Frog's Foot, Red Sludge Worms and the notorious The Cheese Mites, the views of which were preceded by a scene of a man (played by Duncan himself) horrified by what he sees when he views a piece of Stilton through a magnifying glass. Duncan continued to work for Urban until 1908, when he was succeeded by F. Percy Smith.
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Chronophone was showing Phonoscène like this one, "On a tree by a river" from The Mikado The Chronophone is an apparatus patented by Léon Gaumont in 1902 to synchronise the Cinématographe (Chrono-Bioscope) with a disc Phonograph (Cyclophone) using a "Conductor" or "Switchboard". This sound-on-disc display was used as an experiment from 1902 to 1910. In January 1911, the industrial exploitation started at the Olympia.Letter by Léon Gaumont to Charles Delac, 10 december 1938 Chronophone would show Phonoscènes (an early forerunner of music videos) and Filmparlants ("Talking Films") almost every week from 1911 until 1917 at the Gaumont Palace, "the Greatest Cinema Theatre in the World", previously known as the Paris Hippodrome.
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When his father died in 1908, Nöggerath returned to the Netherlands and took over the business with his mother.The building where the Flora theatre was located still exists; the external façade is decorated just below the pediment with typical polychrome ceramic tiles showing Greek masks and musical instruments; the façade is topped with square capitals depicting stylised theatrical masks with merely eyes and eyebrows in Art Deco style. See photo at 79–81 Wagenstraat. Flickr. Accessed 11 February 2016 The Miracle played for two weeks from 16 May 1913 at the Bioscope Theatre, 34 Reguliersbreestraat, Amsterdam, another Noggerath establishment; at the Thalia Theatre in the Hague for a week from 25 October 1918, and at the Prinses Theater, Rotterdam, for the week starting 25 July 1919.
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In the following year, the owner of the London Bridge Picture Palace and Cinematograph Theatre, in South London, was prosecuted under Section 2 of the Act after he defied a condition of the licence issued by the local authority, the London County Council, by opening on a Sunday (27 February 1910). In the appeal hearing which resulted,LCC v. Bermondsey Bioscope Co., [1911] 1 K.B. 445 the cinema owner argued that the intention of the 1909 Act was simply to ensure health and safety, and that authorities had no legal power to attach unrelated conditions to cinemas' licences. The LCC won the appeal, which established the precedent that the purpose of restrictions on a cinema licence did not have to be restricted to fire prevention.
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The Act was introduced for reasons of public safety after nitrate film fires in unsuitable venues (fairgrounds and shops that had been hastily converted into cinemas) but the following year a court rulingLCC v. Bermondsey Bioscope Co., [1911] 1 K.B. 445 determined that the criteria for granting or refusing a licence did not have to be restricted to issues of health and safety. Given that the law now allowed councils to grant or refuse licences to cinemas according to the content of the films they showed, the 1909 Act therefore enabled the introduction of censorship. The film industry, fearing the economic consequences of a largely unregulated censorship infrastructure, therefore formed the BBFC to take the process 'in house' and establish its own system of self-regulation.
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In that year, Manitoban James Freer made a series of films about farm life in western Canada. In 1889–1899, the Canadian Pacific Railway sponsored a successful tour by Freer to present these films in Britain to encourage immigration from that country for the development of the prairies and therefore boost the business of the railway. This inspired the railway to finance the production of additional films and hire a British firm, which created a Canadian arm, the Bioscope Company of Canada, and produced 35 films about Canadian life. In Montreal in 1900, Emile Berliner, inventor of the gramophone sound recording technique, established the Berliner Gramophone Company and began to manufacture the first phonograph records in Canada, first produced as seven-inch single-sided discs.
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After the release of first Indian feature film Raja Harishchandra by Dadasaheb Phalke in 1913, no other production attempts were made in Indian cinema for the next four years. Phalke, however, made several short films and documentaries like Scenes of the River Godavari and Ahmadabad Congress, and also the feature film Mohini Bhasmasur in 1913 and Satyavan Savitri in 1914. J. F. Madan, who had formed two production companies in the beginning of the 1900s, decided to make a film. His first company, Elphinstone Bioscope, was a leading producer and distributor of foreign films in permanent and travelling cinema in India, whereas his second company, Madan Theaters Limited, was mainly involved in exhibition, distribution and production of Indian films during the silent era of film industry.
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Dena Paona, 1931, the first Bengali talkie The history of cinema in Bengal dates to the 1920s, when the first "bioscopes" were shown in theatres in Calcutta. Within a decade, the first seeds of the industry were sown by Hiralal Sen, considered a stalwart of Victorian era cinema when he set up the Royal Bioscope Company, producing scenes from the stage productions of a number of popular shows at the Star Theatre, Minerva Theatre, Classic Theatre. Following a long gap after Sen's works,Pioneers of Bangladeshi Cinema Dhirendra Nath Ganguly (known as D.G.) established the Indo British Film Co, the first Bengali-owned production company, in 1918. However, the first Bengali feature film, Billwamangal, was produced in 1919, under the banner of Madan Theatre.
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Some of the prominent names in the South African art scene today – a new generation following those mentioned above – that were also born and bred in New Brighton include poet Mxolisi Nyezwa and dramatist-playwright Mzwandile Zwai Mgijima. Many of the historic places that served as cultural and political hubs in New Brighton and Port Elizabeth at large in the 1960s have either been demolished or changed to suit contemporary needs. Notable amongst these include the former Rio Bioscope, opened in 1950 on Aggrey Road, is today being used as a church by the Cathedral Church of Umzi Wasi Topiya, naming it Kaizer Ngxwana after the anti-apartheid struggle stalwart. The Red Location Museum is one of the main tourist attractions.
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Ed Genung in 1911 Ed Genung was an American actor of the silent era notable for being the first actor to play David Copperfield on film - in David Copperfield (1911) and one of the earliest to play Ferdinand on film - in The Tempest (1911).John Glavin (ed), Dickens on Screen, Cambridge University Press (2003) - Google Books pg. 209Karen E. Laird, The Art of Adapting Victorian Literature, 1848-1920: Dramatizing Jane Eyre, David Copperfield and The Woman in White, Routledge (2015) - Google BooksCharles dickens: filmmaker- The Bioscope websiteWilliam Shakespeare, The Late Romances, Bantam Classic (2008) - Google Books pg. 673The Tempest (1911) - Silent Era Database Ed Genung (front) as David Copperfield with Mignon Anderson as Dora Spenlow in David Copperfield (1911) Born as Edward Genung, he worked in various films for the Thanhouser Company in 1911.
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Still from left Cinema show times written in typical Gujarati style; (above) Screen-1 Show – 12, 3, 6, 9 (below) 12, 3, 6, 9 Even before the advent of talkies there were several silent films closely related to the Gujarati people and their culture, and many directors, producers and actors who were Gujarati and Parsi. Between 1913 and 1931 there were twenty leading film company and studios owned by Gujaratis—mostly in Bombay (now Mumbai)—and at least forty-four leading Gujarati directors. The silent film Bilwamangal (also called Bhagat Soordas, 1919) was directed by Rustomji Dhotiwala, a Parsi Gujarati, based on a story by Gujarati writer Champshi Udeshi. This full-length (132 minutes, ) film was produced by Elphinstone Bioscope Company of Calcutta (now Kolkata in West Bengal), and is considered Bengali.
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Bioscope's cameramen were sent to Vienna, Munich, Leipzig, Halle, Nuremberg, Kiel, Hamburg, Poznan, Lviv and Riga in search of vaudeville/variety acts to film. Studios at 123 Chausseestraße 123 Chauseestraße Bioscope built new offices in 1906 at 123 Chausseestraße, in the east of Berlin; a glasshouse studio was erected in the large courtyard at the rear of the Jugendstil building, where Continental-Kunstfilm would later film In Nacht und Eis in 1912. Vitascope-Theater Greenbaum began acquiring cinemas, opening a Vitascope cinema at 10 Friedrichstraße,Coincidentally, right next door to 11 Friedrichstraße, the offices of Cines-Theater AG, a Berlin-based offshoot of the Società Italiana Cines, which was involved with the building of the Ufa- Pavillon am Nollendorfplatz in 1912–1913. and in March 1907 he registered Vitascope Theater GmbH as a limited company.
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Baburao Patel (1904–1982) from filmindia January 1938 The first film periodical "exclusively devoted to cinema" was established in India in 1924, with the Gujarati magazine Mouj Majah by J. K. Dwivedi. Its success began a trend with the Bengali language Bioscope, published by Shailjananda Mukherjee in 1930, Filmland an English language weekly published from Bengal since 1930, and the Hindi Chitrapat in 1934, by Hrishamcharan Jain from Delhi. In 1935, on his thirty-first birthday, Baburao Patel (1904–1982), started filmindia, with a small 'f' in the name, which was published initially by D. K. Parker and B. P. Samant and edited by Patel. "The very first issue of filmindia became a huge success and Patel gradually took over the monthly journal" making filmindia achieve "an unprecedented cult status".
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In 1900, New Brighton Tower athletic grounds boasted the UK's first visit from a group known as The Ashanti Village, in which 100 West African men, women and children re-created an Ashanti village, produced and sold their wares and performed "war tournaments, songs [and] fetish dances". Although they had arrived, delays meant that they were not set up in time for Whitsun the traditional start of the summer season. As was common at fairgrounds of the time, there was a Bioscope exhibition showing the latest wartime pictures to audiences of up to 2,000. In the summer of 1907 there was a Hale's Tours of the World exhibition in the tower's grounds, consisting of short films shown in a stylised railway carriage with sound effects and movements at the appropriate times.
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Bermondsey Bioscope Co., [1911] 1 K.B. 445 determined that the criteria for granting or refusing a licence did not have to be restricted to issues of health and safety. Given that the law now allowed councils to grant or refuse licences to cinemas according to the content of the films they showed, the 1909 Act therefore enabled the introduction of censorship. The film industry, fearing the economic consequences of a largely unregulated censorship infrastructure, therefore formed the BBFC to take the process 'in house' and establish its own system of self-regulation. After the Second World War, developments in cinema technology stimulated the growth of a mass market, particularly the introduction of the 8mm and super-8 film gauges which resulted in the widespread use of amateur cinematography.
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For the Clarendon Film Company, Spiers wrote the screenplay for the comedy Sister Susie’s Sewing Shirts for Soldiers (1917) and the crime film Queen of My Heart (1917).Filmography of Hetty Langford Reed - British Film Institute DatabaseLuke McKernan, Hetty Langford Reed - Women Silent Filmmakers in Britain (2007) In 1919 her article 'Costume Designing for Cinematography' was published in The Bioscope and she was awarded a prize for Best Costume Representing a Stoll Film at the Crystal Palace Carnival in 1921 for The Fruitful Vine starring a young Basil Rathbone. With her husband Spiers co-authored the books Daphne Goes Down (1925), Who's Who in Filmland (1931), and The Mantle of Methuselah: A Farcical Novel (1939).Langford Reed - Library of Congress Also with her husband she wrote the screenplay for Potter's Clay (1922), a silent film directed by H. Grenville- Taylor and Douglas Payne and starring Ellen Terry.
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News cameramen, Washington, DC, 1938 Created in 1911 by Charles Pathé, this form of film was a staple of the typical North American, British, and Commonwealth countries (especially Canada, Australia, and New Zealand), and throughout European cinema programming schedule from the silent era until the 1960s when television news broadcasting completely supplanted its role. The National Film and Sound Archive in Australia holds the Cinesound Movietone Australian Newsreel Collection, a comprehensive collection of 4,000 newsreel films and documentaries representing news stories covering all major events. The first official British news cinema that only showed newsreels was the Daily Bioscope that opened in London on May 23, 1909. p. 56 Popple Simon & Kember, Joe Early Cinema: From Factory Gate to Dream Factory Wallflower Press 2004 In 1929, William Fox purchased a former Broadway theater called the Embassy (now a visitor center operated by the Times Square Alliance).
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The synopsis from The Bioscope trade paper of 5 June 1919 reads as follows: > In the company of Rupert Bedford, a grasping speculator, Samson Cavor, an > elderly inventor-scientist, ascends to the Moon in a sphere coated with > 'Cavorite', a substance which has the property of neutralizing the law of > gravity. After strange adventures with the 'Selenites' (the inhabitants of > the Moon), Bedford villainously deserts the professor and returns to Earth > alone in order to make a fortune for himself out of Cavorite. By means of > wireless telegraphy, however, Hogben, a young engineer in love with Cavor's > niece, Susan, succeeds in getting in touch with the stranded inventor, who > denounces Bedford and states that he has been amicably received by the Grand > Lunar, overlord of the Selenites. Susan thereupon indignantly rejects the > proposals of Bedford, who has represented it as Cavor's last wish that she > should marry him, and, instead, accepts Hogben as her husband.
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Glued to a railway track with plastic cement courtesy of False Face, Batman and Robin are saved when Alfred, on hearing of their peril through the radio, throws the short-circuit lever of the Battransmitter; this causes Batman's radio to explode, melting the cement on his wrist and enabling him to use his Batlaser to free himself and the Boy Wonder mere seconds before the train passes through the station. Returning to Commissioner Gordon's office, the Dynamic Duo deduce that False-Face is planning a bank robbery in which he will replace real money with his own fake bills. The two heroes hide in the bank vault, surprising False-Face and his cronies when they break in; the master of disguise and Blaze manage to escape in the Trick-Truck, but Batman and Robin chase them to Bioscope Movie Studios. Here False-Face discovers that Blaze has a crush on Batman, and that it was she who sent the radio message that alerted Alfred; he takes her hostage and then leads the Caped Crusader and Boy Wonder on a long, winding, chase.
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