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"beardy" Definitions
  1. having a beard

93 Sentences With "beardy"

How to use beardy in a sentence? Find typical usage patterns (collocations)/phrases/context for "beardy" and check conjugation/comparative form for "beardy". Mastering all the usages of "beardy" from sentence examples published by news publications.

"I've got a message for Trebek: Step off, Beardy-come-lately," he warned.
" "In our minds we weren't trying to be all beardy and cowboy-y.
Trump did also get one of the beardy blokes off Duck Dynasty to speak.
Beardy straight guys are getting a 210/22.17 for defying my very low expectations.
So Wilkinson Sword invited women to "choose a new look for their beardy boyfriends" on Facebook.
"We're using our voices and taking to the streets because this needs to end," Beardy-Linklater said.
I momentarily hate Beardy McFit, yet I'm full of gratitude for both him and my new fitness regimen — a.k.a.
Overall, the film pales in comparison with "The Revenant" (2015), the similarly beardy survival epic that bagged Leonardo DiCaprio an Oscar.
But the major players in that movement have mostly been men, beardy and reverent and nowhere near Lambert's level of fame.
"We only want the best for our Beardy Weirdo Extremists in the U.K. when we release them from jail early," she wrote.
We were fucking beardy because we were in the studio 14 hours a day writing songs and not coming up for air.
Or they're of the opinion that what the nation craves right now is a battle of beardy quarterbacks from good schools in prime time.
The 1976 version, with Barbra Streisand and Kris Kristofferson, was about a beardy stadium rocker and a nightclub crooner who becomes a pop star.
Putin fancies the young and beardy Corbyn, but Corbyn is more interested in joining Putin in the covert struggle for the triumph of the proletariat.
Fresh off the podcast circuit, today a thoroughly beardy Jack Dorsey sat down with President Trump for his most high-profile tête-à-tête yet.
Don't worry, Williams treats viewers to some footage of the actually festivities, including a cameo from a beardy Finn Jones, who plays Ser Loras Tyrell.
It tells the story of a…well, a beardy stadium rocker and a nightclub crooner who becomes a pop star, just as its most recent predecessor did.
Remember blonde, clean-shaven, louche Tyrion, as opposed to multiple seasons of drunken, bitter, angry Tyrion, or the current grim but hopeful, self-contained, extremely beardy Tyrion?
Whatever it is that brings the synapses together—stacked heels, Alcazar, "Wiggle That Wotsit"—the chances are it probably isn't a load of beardy blokes from Scandinavia.
Cunningham is, if possible, even more delightful out of character than in, but the meat of the interview is, of course, the 50-second appetizer of beardy heroics.
And now, now in 2016, two thousand years after a beardy bloke snuck out of a cave, this is what we're left with: pancake parties in massive London clubs.
It's pretty easy to joke about how many dozens of beardy white blokes named Mark or John or Dave you'll run into on show floors and behind studio doors.
Taking over for Jimmy Kimmel on Halloween night, Foo Fighters' Dave Grohl, dressed as a beardy David Letterman, was chatting with Frozen star Kristen Bell, dressed as Tom Selleck.
The crowd is a mix of beardy psych dudes here to see the next band, Here Lies Man, and teens keen to hear the next potential "hip" south London export.
Cuteness is unthreatening, it's welcoming, it's a method of expression that comes from parts of the community that are bored with Generic Beardy Gun Boy and his band of beige man-friends.
That, actually, the way forward is to buy one of those old machines made of sawdust and old circuit boards, that, maybe, the beardy lads mentioned above were right to get annoyed.
Not the costumed actor, a beardy creep given to chummy slaps on the fanny (she's learned to keep her back turned away), but the maddeningly empty eyes in the hairy head on his lap.
As Dntel, Jimmy Tamborello's spent the last 15 years or so crafting the kind of miniaturist, microhouse-inflected downbeat electropop that makes beardy blokes in breton striped tops weep into their cold brew coffee.
But that was before Dany hooked up with Jon Snow, her nephew/lover-from-another-brother, and somehow, we're guessing Daario might not feel so loyal once he hears that Dany ditched him for another beardy swordsman.
Cast as an incongruous combination of incompetent beardy old man and peacenik terrorist sympathizer, Mr. Corbyn faced down a leadership challenge from his own party about a year ago and constant sniping, criticism and calls for him to quit throughout.
All illustrations via Instagram Instagram is becoming an increasingly surreal place where Kim Kardashian's perfectly-crafted belfies reign supreme, 50 Cent posts photos of himself surrounded by (fake) fat stacks and R.E.M's Michael Stipe continuously uploads additions to a patchwork quilt of his own solemn, beardy face.
It's like they initially released this guide to creating techno dance music and really brazenly claimed that computers are the ONLY way to make techno dance music and some beardy guys who make techno dance music using machines made of sawdust and old circuit boards got very annoyed about the way the multi-brained boffins at WikiHow HQ had denied them a voice.
The name of the river derives from two bearded stockmen, William Chandler and John Duval, who were among the first European settlers of the district through which the river flows. The river was previously known as Maybole Creek, The Beardy Water, Beardy River and The Beardy Waters.
Jackson Beardy was born July 24, 1944. He was the son of John Beardy and Dinah Monias and fifth of 13 children. Beardy's father supported the family as a trapper, hunter, pedlar, gold miner, fisherman and fish filleter. The Beardys lived in a single-roomed log cabin but despite the lack of material goods, John Beardy provided the necessities and Beardy appears to have had a happy childhood.
The principal did not believe that being an artist would make Beardy a "decent" citizen. Instead, he offered Beardy a course in commercial art, since this would be more economically sustainable. When learning this, young Beardy angrily told him, that he would show him that he is capable of becoming an artist. During his last year in high school, his grades began to fall and Beardy turned to alcoholism.
Jackson Beardy died on December 7, 1984 in Winnipeg, Manitoba from complications after a heart attack.
Flora Beardy, a York Factory Cree woman conducted interviews with fourteen elders, some of whom lived in Port Nelson.
In 1984, Beardy was commissioned to paint a mural at the intersection of Selkirk and Powers in Winnipeg. The paintings were to depict "Peace and Harmony" but Beardy died before he could complete it. It was completed posthumously by students from R.B. Russell Vocational High School. The piece was revealed on September 5, 1985.
When drawing at the school, he was not permitted to visually express the Anishinaabe oral narratives. At the age of 16, the authorities allowed the students to leave the school, however the principal of the residential school promised Beardy an art education if he stayed two more years to gain his high school certificate. Beardy then chose to stay another two years. At the age of 18, Beardy approached the principal to ask for the promised art education, but quickly learned that the principal would not allow him the art education after all.
After failing high school, Beardy still wished to pursue an art education; he completed the failed courses and was accepted into a course on commercial art. He completed these courses at Technical Vocational High School and graduated in 1964. Subsequently, Beardy completed his education at the School of Art at the University of Manitoba in 1966.
Beardy River, a perennial river that is part of the Murray–Darling basin, is located in the New England region of New South Wales, Australia.
Beardy Waters, a watercourse and part of the Macintyre catchment within the Murray-Darling basin, is located in the Northern Tablelands region of New South Wales, Australia.
The Beardy River region, particularly the Beardy River Hill Catchment Management Authority sub-region, is rich in rare flora and fauna. Endangered plants such as the MacNutt's wattle, velvet wattle and Torrington pea have been found here. The area is also home to endangered birds such as the glossy black-cockatoo, brown treecreeper, swift parrot, square- tailed kite and barking owl. The area also has a few marsupials, including the spotted-tailed quoll, squirrel glider and koala.
Jackson Beardy's first solo exhibition was in 1965 at the University of Winnipeg. He had many subsequent solo exhibitions throughout 1960s and 1970s. In 1967, Beardy was commissioned to create pieces to commemorate the Canadian centennial. That same year he was invited to serve as consultant for the "Canadian Indian Pavilion" at Expo 67. In 1972 Jackson Beardy, Alex Janvier, and Daphne Odjig held a joint exhibition at the Winnipeg Art Gallery titled "Treaty Numbers 23, 287, 1171".
Built in 1888, the rail bridge was abandoned and eventually converted into a lighted crossing for pedestrians, cyclists and skaters. The mural on the side of the rail bridge is entitled "Jackson Beardy — Woodlands Group of Seven Tribute", and was painted in 2006 for Graffiti Gallery's Winnipeg International Mural Festival. The 30 foot wide and 20 foot tall mural pays tribute to Cree artist Jackson Beardy as well as the other members of the Indian Group of Seven.
In 1977, Beardy had an exhibition in Vancouver, BC entitled, "Images for a Canadian Heritage". From 1982 through 1983, Jackson Beardy was senior arts advisor for the Federal Department of Indian Affairs and Northern Development, now known as Indian and Northern Affairs Canada. He developed the "Indian Fine Arts Guide" which outlined procedures for the acquisition of Indigenous art. Additionally during this time, he held the position of art advisor and cultural consultant for the Manitoba Museum of Man and Nature.
The former CBA Bank (former Telegraph Office) is a significant element in one of the finest groups of civic buildings in New South Wales. The building is prominently located in the Beardy Street pedestrian mall, in part of the Armidale Conservation Area as identified by the National Trust. Its arcaded portico complements the arcade on the adjacent Armidale Post Office (158-160 Beardy Street). Together these buildings provide historic and aesthetic streetscape elements of importance to the people of Armidale (Heritage Office file).
Beardy quickly distanced himself from the forced nature of education that all Indigenous peoples in that area underwent at the residential schools, and it was from these lessons that he began to assert his Indigenous culture. Beardy's reaction to the mental de- structuring process at the school was to become the school wit. It was at the residential school that he learned how to draw and paint. A kind school teacher, Mary Morris, encouraged Beardy's art and stayed in touch with Beardy after he left the school.
The Yarraford Rail Bridge is a heritage-listed closed railway bridge that carried the Main Northern line across Beardy Waters, situated from Central station, near Glen Innes, in the Glen Innes Severn local government area of New South Wales, Australia. The bridge was designed by John Whitton in his capacity as Engineer-in-Chief for Railways and built in 1886. It is also known as Beardy River Railway Viaduct. The property is owned by RailCorp, an agency of the Government of New South Wales.
Beardy Waters rises below the Waterloo Range and Great Dividing Range, and flows generally north-east then north, before reaching its confluence with the Severn River, north of Glen Innes; descending over its course. A weir construction across the Beardy Waters was commenced in October 1930 after a grant of 5,500 was made available for the work. This money was granted to pay men working on unemployment relief. Completed in July 1932 at a cost of 10,847 it has a capacity of with the flood gates closed.
They collaborated to move their work toward larger mainstream acceptance. They committed to maintaining Indigenous control over Indigenous works of art and emphasized artistic rather than anthropological value. From 1974 through 1976, Beardy contributed artwork to the covers of numerous books including Ojibway Heritage by Basil Johnston, When the Morning Stars Sang Together by John Morgan, and Almighty Voice by Leonard Peterson. Also in 1976, Beardy was one of the contributing artists for a Royal Ontario Museum exhibit called, "Contemporary Native Art of Canada: The Woodland Indians" which travelled to Germany and England.
The Muskrat Dam Lake First Nation is part of the 1929-30 Adhesion to the James Bay Treaty of 1905 - Treaty 9. The Muskrat Dam people have historical links to the people of Bearskin Lake, and several families have relocated from Bearskin Lake to Muskrat Dam Lake. The families that relocated to Muskrat Dam were that of Tommy and Victoria Beardy, who were joined by Jeremiah and Juliet Duncan, Moses and Eunice Fiddler, Jake and Esther Beardy and Roderick and Effie Fiddler. Later, Fiddlers' son Billy and Moses Fiddler's mother Nainee also joined the little settlement.
The river rises on the western slopes of the Great Dividing Range, north of Glen Innes and flows generally northwest, joined by eleven tributaries, including Beardy Waters, and impounded by Lake Pindari, near Ashford. The river reaches its confluence with the Macintyre River, north of Wallangra; descending over its course.
Cobiness grew up on Buffalo Point First Nation's Indian reserve in southeast Manitoba. Cobiness belongs to the "Indian Group of Seven" along with Jackson Beardy, Alex Janvier, Norval Morrisseau, Daphne Odjig, Carl Ray and Joseph Sanchez. Through a united effort the group created a niche for First Nations Artists in the Canadian Art landscape.
In celebration of his body of work, Beardy's art was shown at the Winnipeg Art Gallery from 1993 to 1994. It was again shown in 1995, in an exhibit called "Jackson Beardy: A Life's Work" at the Thunder Bay Art Gallery. Beardy's artwork has been displayed in many museums and other notable institutions both domestically and internationally.
The flow of the river is impounded by Boggabilla Weir. The Macintyre River, together with Pike Creek, the Mole, Beardy, Severn (Queensland), Severn (New South Wales), and Dumaresq rivers are all part of the Border Rivers group. Originally named the Dumaresq River by Allan Cunningham. The name Macintyre was given by Cunningham to what is now known as the Dumaresq River.
The First Nation elect their officials through a Custom Electoral System, consisting of a Chief and four councillors. The current Chief is Robert Beardy and the councillors elected for the same term are Pauline Greene and Claude Mckay. Two newly councillors elected in are Christopher Mckay Jr. and Stanley L. Tait. There two-year terms all began on April 12, 2019.
He lived with his grandmother, from whom he learned the oral traditions and legends of his Anishinaabe ancestors, for most of his childhood. Beardy attended residential school at Portage la Prairie in Southern Manitoba at the age of seven. Here, he was separated from his sister and could not communicate with her during the school years. Before attending the school, he did not speak English.
The name of the piece was a reference to the numbered treaties that were negotiated with the Canadian government of each artist's band. From this 1973 exhibition, a group of Indigenous artists formed the "Professional Native Indian Artists Association", better known as the "Indian Group of Seven". Included alongside Jackson Beardy was Alex Janvier, Norval Morrisseau, Daphne Odjig, Carl Ray, Eddy Cobiness and Joseph Sanchez.
The former Commercial Bank of Australia Building is situated on Beardy Street, a main street of Armidale which has been closed to traffic creating a pedestrian mall. The building fronts onto the footpath with no setback. The building is a two-storey brick building, rendered and painted on the street side only. The facade is symmetrical and the street level portico has four round arches.
The museum is housed at the Portage College Corporate Centre and contains nearly 2000 Indigenous artworks and artifacts. The exhibits provide an in- depth look at North American Aboriginal Art from First Nations, Métis and Inuit cultures. Since 2018 the museum houses a permanent collection of the Professional Native Indian Artists Inc. (Daphne Odjig, Alex Janvier, Joseph Sánchez, Norval Morrisseau, Eddy Cobiness, Carl Ray and Jackson Beardy).
The Dumaresq River, together with Pike Creek, the Mole, Beardy, Severn (Queensland), Severn (New South Wales), and Macintyre rivers are all part of the Border Rivers group. The Dumaresq River flows through Bonshaw, New South Wales and Yelarbon and Texas in Queensland. South of Texas, the Bruxner Highway crosses the Dumaresq River. Within the river valley there are vineyards and numerous spots for fishing.
Jackson Beardy (July 24, 1944 – December 7, 1984) was an Indigenous Anishinaabe artist born in Canada. His works are characterized by scenes from Ojibwe and Cree oral traditions and many focus on the relationship between humans and nature. He belonged to the Woodland School of Art and was a prominent member of the Indian Group of Seven. His work has contributed to the recognition of Indigenous contemporary art within Canada.
The Commercial Bank of Australia Building is a heritage-listed former telegraph office and bank and now commercial premises at 164 Beardy Street, Armidale, Armidale Regional Council, New South Wales, Australia. It was designed by NSW Colonial Architect's Office (Barnet and Vernon) and built from 1882 to 1885 by C.T. Cook. It is also known as Comfort Lodge. The property is owned by Joe Barbato Pty Ltd (Private).
In the late 1800s big wagon trains rolled northward, drawn by horses and oxen rumbling over the plains. Early ranchers in the district were Beardy Porce, Harry Otterson, Buck Hardin, Hugo Maguire, Wilson McGowe and Bill Huff. Among some of the early pioneer settlers who lived in this immediate area of Shaunavon were Bill Boyle, the Hifners, Thomas NcNelly, and the Marshalls. Pat and Bill Ganley homesteaded the actual town site.
2011's theme was 'Gods and Monsters' with Lamb and Battles headlining. 2012's theme 'Journey to the end of the earth' saw headliners Fat Freddies Drop, Beardy Man and Death in Vegas. 2013's theme of 'Running away from the circus' included bands Bastille, Digitalism, The Joy Formidable, De La Soul and Band of Skulls. 2014 had a "Lost in Latin America" theme with headliners Frank Turner, Maximo Park and Public Enemy.
Wawakapewin First Nation (Oji-Cree: ᐙᐙᑲᐯᐎᐣ ᓂᐢᑕᒼ ᐊᓂᐦᔑᓂᓂᐗᐠ (Waawaagabewin Nistam Anishininiwag); unpointed: ᐗᐗᑲᐯᐎᐣ ᓂᐢᑕᒼ ᐊᓂᔑᓂᓂᐗᐠ) is an Oji-Cree First Nation reserve located 350 kilometers north of Sioux Lookout, Ontario. It is only accessible by air and the winter road system from Pickle Lake. It is a small community in which the registered population in June 2013 was 73, of which 43 lived on their own Reserve. The current Chief is Anne-Marie Beardy.
Marwick had a flamboyant and outgoing personality. A. W. Purdue described him as "alternatively, wonderful, outrageous and dangerous to know. Kind and supportive to colleagues, he was an heroic drinker but not always fun after the first few drinks." Jonathan Meades called him "the very picture of baba-cool, with his daringly arty shirt, negligently loose foulard and his beardy grin for which the only word is that late Sixties shocker 'mellow'".
Warpaint's style has been characterized as art rock, dream pop and psychedelic rock. NME has described their style as "intermittently emerging from plaintive moods into harder rocking, they play expansive, lushly-harmonic psych-rock songs with enough time-changes to satisfy even the most beardy prog-rock bong- tokers". They have been compared to Cocteau Twins, Joni Mitchell, and Siouxsie and the Banshees. Other influences include Kraftwerk, Depeche Mode and Public Image Ltd.
In 1972, Jackson Beardy, Alex Janvier, and Daphne Odjig participated in a group exhibition in Winnipeg, Treaty Numbers 23, 287 and 1171, referring to the Numbered Treaties of the artists' respective bands. The exhibition brought modern Indigenous art to the mainstream Canadian art audience. The work was presented as fine art as opposed to craft. Following the exhibition, Daphne Odjig became the driving force to organize the Professional Native Indian Artists Inc.
Pathak is engaged with several community and public causes. He helps run a social venture capital fund initiative, Project Beyshick, that nurtures prosperity and financial independence amongst First Nations communities and individuals by encouraging and mentoring entrepreneurial efforts. The project was co-founded by Toronto-based entrepreneur & philanthropist Aditya Jha, Ontario Regional Chief Stan Beardy, and his mentee Ashutosh Jha. In past, he was also involved with UNICEF Canada's $3-million HIV/AIDS program campaign.
156 His wife Margaret, (daughter of Alexander Macleay), was also an early grantee and received land at Crottys Plains on the Wilson River near Rollands Plains. Major A. C. Innes owned Innestown on the Manning River and Yarrows (Yarras) on the Hastings River. He was one of the first squatters in the New England district when, in 1836, he held Waterloo Station. Some of his other New England properties included Kentucky Station, Beardy Plains, Dundee Station and Furracabad Station.
The former CBA Bank is part of an important historic precinct centred on the Beardy/Faulkner Streets intersection. Its pleasantly symmetrical façade shares aesthetic similarities to many of the adjoining buildings resulting in a particular streetscape harmony. It relates well to the Post Office at No.158, and the Court House. The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.
At her home in Winnipeg, she invited Alex Janvier, Jackson Beardy, Eddy Cobiness, Norval Morrisseau, Carl Ray, and Joseph Sanchez to discuss their mutual concerns about art. They organized in November 1973. These meetings provided a sense of community among the artists and a forum for criticism of each other's work. In November 1973 they proposed to formalise their movement as the Professional Native Indian Artists Incorporation (PNIAI), to be funded by the Department of Indian Affairs.
Jha's Project Beyshick initiative nurtures prosperity and financial independence amongst First Nations individuals by encouraging and mentoring entrepreneurial efforts. The project was launched with the support of Nishnawbe Aski Nation (NAN) Grand Chief Stan Beardy, nephew Ashutosh Jha and many others. The project has had numerous life changing positive impacts on participants, putting them on an accelerated path towards success and personal growth.Natives get a hand up from Indo-CanadianCBC Radio One: First Nations Entrepreneurs Northern Ont.
Recreation Reserve, Stonehenge, NSW Stonehenge is a rural locality on the Northern Tablelands of New England in New South Wales, Australia. The settlement is located about south of Glen Innes, on the New England Highway and just north of Beardy Waters. It is about above sea level and exists mainly as a flat plateau strewn with granite boulders, some over 5 metres high. One of note is a roughly spherical monolith about 2.5 metres in diameter known as the Balancing Rock.
Aboriginal people on occasion took stock as compensation for the decimation of their traditional food resources. On other occasions they would attempt to drive stock off their traditional lands and in some cases European shepherds were killed. Settlers in return chased Aboriginal people from their farms and in a number of cases between 1839 and 1842 killed Aboriginal people en masse. This happened on the Beardy Plains, at Deepwater Station and at Bluff Rock in the vicinity of Glen Innes.
Armidale City Centre with post office to the right, 2005 The Armidale Post Office is associated with the historical development of the town's civic core and is part of an important precinct centred on the Beardy/Faulkner Streets intersection. It is also associated with Colonial Architects Barnet and Vernon who both contributed to the present appearance of the building. An outstanding public building on a key corner site. The building itself is unusual in combining a Victorian Free Classical palazzo form with an attached stuccoed loggia.
The Professional Native Indian Artists Incorporation (PNIAI), informally known as the Indian Group of Seven, was a group of First Nations artists from Canada, with one from the United States. Founded in November 1973, they were Indigenous painters who exhibited in the larger art world. The nickname is an allusion to the Group of Seven, a Euro-Canadian group of painters from the early 20th century. The PNIAI were Daphne Odjig, Alex Janvier, Jackson Beardy, Eddy Cobiness, Norval Morrisseau, Carl Ray and Joseph Sanchez.
The river rises on the western slopes of the Great Dividing Range, formed by the confluence of the Queensland branch of the Severn River and the Tenterfield Creek, east of Glenlyon Dam in Queensland. The upper reaches of the Dumaresq River form north of Stanthorpe, Queensland. The Dumaresq River flows generally southwest and northwest, joined by fourteen tributaries, including the Mole River, Pike Creek, Beardy River, and Macintyre Brook, before reaching its confluence with the Macintyre River, east of Boggabilla. The river descends over its course.
During the 1830s and 1840s, Lake Innes House was an important social centre in which Major Innes provided generous hospitality to a succession of prominent house guests who in 1847 included even Sir Charles Fitzroy, at that time the Governor of NSW and his wife Mary. As his wealth grew he acquired more and more property. He bought sheep and cattle stations all over northern New South Wales, among them Yarrows on the Hastings, Brimbine and Innestown on the Manning, Waterloo, Innes Creek, Kentucky and Beardy Plains. He also bought Furracabad.
The Armidale Post Office is a heritage-listed post office located at 158 Beardy Street, Armidale, in the Armidale Regional Council local government area of New South Wales, Australia. The post office building was designed by the NSW Colonial Architect's Office under the direction of James Barnet and, subsequently, Walter Liberty Vernon and built in 1880 by W. Seabrook and J. T. Brown, with additions completed in 1897. The property is owned by Australia Post. The property was added to the New South Wales State Heritage Register on 17 December 1999 and to the Australian Commonwealth Heritage List on 8 November 2011.
Beardy, as well as other members from the Professional Native Indian Artists Incorporated, was a member of the Woodlands School of Indigenous Art. This Woodlands style of artistic expression can be seen in the central role Beardy's Anishinaabe heritage plays within his work. Using a variety of supports, such as canvas, birch bark, and beaver skins, Beardy's artwork often showcases traditional figures from Ojibwe and Cree oral traditions. His art draws on a deep knowledge of his native Cree tradition gained from a close childhood relationship with his grandmother and from his systematic collection of myths and legends in northern Manitoba.
Hard Normal Daddy received positive reviews upon release. In a contemporary review, Muzik critic Rupert Howe praised Hard Normal Daddy as an album of "style, wit and crafty ingenuity", albeit one that "isn't always quite as clever as it would like to think it is". Writing for NME, Andy Crysell noted Jenkinson's "passion for jazz that separates him from that other most weirdy and beardy of dance warriors" but called the album "schizophrenic", expressing frustration at its "high-velocity experimentation" and perceived emphasis on virtuosity. NME placed Hard Normal Daddy at number 34 on its list of best albums of 1997.
They had to be timber, mostly ballast top timber beam bridges but at three locations larger bridges were required, over the Beardy River, Severn River and Bluff River. Whitton, a successful railway engineer from England, chose one of Isambard Kingdom Brunel's timber bridge viaducts built in Cornwall during the 1850s. The model chosen was the St Germans Viaduct, composed of composite deck Queen post trusses, with the bottom chords being large iron rods. Whitton's staff redesigned the trusses to be all timber and the viaducts were built during construction of the Glen Innes to Tenterfield section 1884-86.
Despite a degree of inaccessibility, the timber viaducts over the Beardy, Severn and Bluff Rivers are impressive structures within their rural landscapes. At Tenterfield, the adjacent New England Highway provides easy viewing of the fourth such viaduct. The place has strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons. The Main North Railway made a significant contribution to the development of the New England Region from the time of its construction 1882-88, and the four timber viaducts were important items of the railway's infrastructure.
They had to be timber, mostly ballast top timber beam bridges but at three locations larger bridges were required, over Beardy Waters, and the Severn River and Bluff River. Whitton, a successful railway engineer from England, chose the design of one of Isambard Kingdom Brunel's timber bridge viaducts built in Cornwall during the 1850s. The model chosen was the St Germans Viaduct composed of composite deck Queen post trusses, with the bottom chords being large iron rods. Whitton's staff redesigned the trusses to be all timber and the viaducts were built during construction of the Glen Innes to Tenterfield section 1884-86.
Yarraford rail bridge over Beardy River was listed on the New South Wales State Heritage Register on 2 April 1999 having satisfied the following criteria. The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales. The timber Queen post truss viaduct was an economic bridge for the Glen Innes to Wallangarra Railway at a time when the boom years of the 1880s was ending and funding for railway construction was decreasing. The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales.
Despite a degree of inaccessibility, the timber viaducts over the Beardy, Severn and Bluff Rivers are impressive structures within their rural landscapes. At Tenterfield, the adjacent New England Highway provides easy viewing of the 4th such viaduct. The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons. The Main North Railway made a significant contribution to the development of the New England Region from the time of its construction 1882-88, and the four timber viaducts were important items of the railway's infrastructure.
The post office is associated with colonial architect James Barnet, under whose direction the original building was designed and built, and with government architect W. L. Vernon, during whose office the Federation period Queen Anne style loggia was added. The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. An outstanding public building on a key corner site, the Armidale Post Office is part of an important historic precinct centred on the Beardy/Faulkner Streets intersection. The post office is aesthetically similar to many of the adjoining buildings resulting in a particular streetscape harmony.
On 19 July 2007, two Senior Aircraftmen from No.1 Squadron, SAC Matthew "Lip" Caulwell (22) of Birmingham and SAC Peter "Pete" McFerran (24) of Connah's Quay were killed during a rocket attack on Basrah Airfield. RAuxAF SAC Christopher Dunsmore attached to No.1 Squadron was also killed in an insurgent indirect fire attack on their base in Iraq. On 7 August 2007 Leading Aircraftman Martin ‘Beardy’ Beard from Mansfield was killed on his sister Rachael’s 22nd birthday, during a fire fight with Iraqi insurgents in the Battle of Al Waki Market. This last action resulted in the award of the Military Cross to one of the section commanders.
Pre European settlement, the area around Glen Innes was the traditional land of the Ngarabal people, whose totem was the koala. Their land extended to include current towns of Glencoe, Kingsplains, Wellingrove, Strathbogie, Bolivia and Beardy Plains. Due to the severity of the winters in the area and the consequent reduction in food resources, the people migrated away from the high tableland area during the coldest months to the warmer regions along tributaries to the Clarence River in the south and east and the Mole district in the west. The population again swelled during the summer months as the Ngarabal returned to feast on wallaby, bandicoots, possum, lizards, birds and many other creatures.
In her review for Allmusic, critic Katherine Fullton wrote "it quickly becomes clear that the Wit's intricate, meandering rhythms and melodies are a fitting complement to Flynn's straightforward delivery, augmenting lyrics that would also function as poetry outside of a musical setting... The tangible intimacy between Flynn and his group makes A Larum not only an introduction, but also captures the gentle, amicable nature that makes them such an inviting and satisfying listen." Peter Hayward of MusicOMH called the album "a marvellously accomplished and endearing debut that, while rooted in tradition and most easily described as folk, should have broader appeal beyond the beardy-weirdy set." Writing for Rolling Stone, David Fricke named A Larum as one of "Fricke's Picks", calling it a "dramatic entrance" for Flynn and his band, drawing allusions between Flynn and earlier folk artists such as Fairport Convention and Bert Jansch. The song "Tickle Me Pink" was featured as iTunes free single of the week.

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