Julián Castro remains beardless after his twin brother, Texas Rep.
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The first group rated the men's beardless-to-bearded faces for overall sexual attractiveness.
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Five minutes later he is beardless, bald and sits dizzily waiting for a medical examination.
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Beardless and disguised beneath a wig, Lenin fled the Russian capital in fear for his life.
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The portrait depicts a young, beardless man wearing a veil over the back of his head.
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The exchange itself is unusually beardless, devolving into an I can't see you, I can't hear you argument.
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This beardless pic just a #TBT to a time long, long ago when Hivju's face was a lot less hairy.
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The video for this single is a little dated as it features a beardless Drake and a Four Loko-carrying DJ Khaled.
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In 1716, an etching of a young, beardless Palladio materialized in Britain, and was passed off as a work by Paolo Veronese.
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Today, I am a beardless, suburban dad who lives in a house, wears no-iron khakis, and makes Anthony Wiener jokes for a living.
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Industrial designers will surely nod and stroke their beards or beardless chins upon observing some of these nicely turned mechanisms and space-saving tricks.
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At first, the beardless fighter seemed an exception, admitting defiantly that he had been fighting for the group for two years, alongside family members.
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Rather, the "real" Mr. Darcy would have been pale and pointy-chinned, and would have had a long nose on an oval, beardless face.
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Older people have long grumbled about the young in politics, dismissing them as "baby politicians" or "beardless boys" in the early years of this country.
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Remarkably beardless, the staff on hand pointed at the Audi Q3, Porsche Macan, Lexus NX, Land Rover Discovery Sport and Mercedes GLA 43 as competitors.
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Blac Chyna wants everyone to see beardless Rob Kardashian's health is a still a priority despite her arrest last week for public intoxication and drug possession.
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When the pictures of him bearded, beardless, bearded showed up on sixty million screens, I was partway through my third mile on an Urban Active treadmill.
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For the Assembly election, Rafsanjani - whose nickname "Kuseh" means both "beardless" and "shark" for his unbearded face - backed a less-conservative bloc of candidates which included Rouhani.
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Edelman (it's really him, he's just beardless now) met up with Dante (8), Carlos (17) and Tyler (14) and granted their wish to hang with the Pats star.
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On another Lincolnalia hunt in Pennsylvania, Mr. Holzer discovered a bluish-black print of a young, beardless Lincoln that had been used to advertise his nomination for the presidency.
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In photographs that Torres showed me, Kamotolo—tall and beardless, with alert eyes—was clearly recognizable as the man who appeared in the Internet video carrying a soda bottle.
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A beloved older brother of Mazer's had been press-ganged into the Czar's army while still a beardless kid and fed to Japanese Gatlings near the Yalu River in 1905.
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And unlike the tall, dark-skinned, bearded gunman described by the interviewed woman on the night of the killing, Mr. Odiase was short, light-skinned and, at the time, beardless.
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Yet it was summer, and the black-green bushes for which the courtyard was named were in full bloom, attracting a throng of beardless students set loose from their daily lessons.
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Yet no other detainee said that about him, and Mr. Qader was a still-beardless teenager when Pakistani police officers arrested him in 2002 for residing in a guesthouse deemed suspicious.
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We reintroduced the straight-legged capital "R," single-story lowercase "a," lowercase "u" without a trailing serif, a lowercase "t" without a tailing stroke on the bottom right, a beardless "g," some rounded punctuation.
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Even though he has been beardless in the past (see the pic to the left from 2010), his fans seem to think he looks nothing like the Drake they've come to know without facial hair.
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Dressed in the Yankees&apos signature pinstripes and a navy New York ballcap, the young, beardless Cole is seen clutching a sign that reads "Yankee fan today, tomorrow, forever," and leaning over the outfield wall.
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Dressed in the Yankees&apos signature pinstripes and a navy New York ballcap, the young, beardless Cole is seen clutching a sign that reads "Yankee fan today, tomorrow, forever" and leaning over the outfield wall.
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Now beardless, but still writing mystical, folk-inflected indie, Pecknold's not as far away from that ideal as he might think with the band releasing their third studio album, Crack-Up, yesterday after a five-year break.
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Given that there's no shortage of plays about the feats of distinguished men, perhaps the next onstage biography of a 19th-century luminary might feature a protagonist who is beardless because of her gender, rather than her age.
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" It is presumably because the currently beardless Burger King "King" listens to his subjects, then, that Macedo can proudly say the company "accepted the dare to reinvent this favorite limited time only menu item now covered with that crispy, spicy Flamin' Hot Cheetos flavor we can't get enough of.
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Benedick is beardless, so this is presumably after they are married.
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The Beardless Warriors is a 1960 World War II novel by American writer Richard Matheson.The Beardless Warriors at Amazon.com retrieved May 31, 2008 It was based on his experiences as a young infantryman in the 87th Division in France and Germany.
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Scowlin' Guideon Scabb the Beardless helps one hone their pirate vocabulary 1 on 1 over live video.
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Beardless barb is present in local food fisheries. It is also present in the ornamental fish trade.
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There are six major subgroupings of the beardless iris, depending on origin. They are divided into Pacific Coast, Siberica, Spuria, Louisiana, Japanese, and other. Beardless rhizomatous iris types commonly found in the European garden are the Siberian iris (I. sibirica) and its hybrids, and the Japanese Iris (I.
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Some time after this mosaic was executed, the earliest depictions of Christ would also be beardless and haloed.
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Some images do not include Abraham and Sarah, like Andrei Rublev's Trinity, which shows only the three visitors as beardless youths at a table.
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Of the remaining Gothic stained glass windows in the nave, the most noteworthy is a 13th century head of a beardless Christ, another rare feature.
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He has fought Svaran the invincible and Grom Beardless and lived to tell the tale. He appears in "A Gathering of Heroes" and "Ingulf the Mad".
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The beardless barb (Cyclocheilichthys apogon) is a species of freshwater fish in the family Cyprinidae. It is widespread in Southeast Asia. It grows to total length.
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Eastern Christian iconography shows him as a young, beardless man with a tonsure, wearing a deacon's vestments, and often holding a miniature church building or a censer.
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Iris proantha is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Chinenses of the genus. It is a rhizomatous herbaceous perennial.
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The Madonna with Beardless St. Joseph is an early painting by Raphael, produced in 1506, now at the Hermitage Museum. It depicts Saint Joseph, the Virgin Mary, and the baby Jesus.
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The earliest and best is that of the Paris Painter. They depict mythological motifs such as a beardless Hermes, centaurs, Theseus and the Minotaur, Achilles and Troilos, satyrs, maenads and a beardless Herakles, similar to depictions common in East Greece. Scenes from the Trojan War are also common. Occasionally, mythological scenes from outside the corpus of Greek myth occur, such as Herakles fighting Juno Sospita by the Paris Painter, or a wolf-like daemon by the Titios Painter.
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Beardless barb inhabits a range of freshwater environments: rivers, lowland swamps, marshlands (in flooding time), lakes, and reservoirs. It is a migratory species that enters flooded areas during the high-water season.
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Leymus triticoides, with the common names creeping wild rye and beardless wild rye, is a species of wild rye. It is native to western North America from British Columbia to California and Texas.
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Such inclinations and behaviours are found in the Middle East as well . During the pre-modern period (1500-1800 CE) there was a widespread conviction that beardless youths were a temptation to adult men as a whole, and not merely to a small minority of deviant. “Traditions warning against the temptation posed by beardless youths were numerous, some of them attributed to prominent religious figures of the early Islamic period, others to the Prophet Muhammad himself. One tradition related that the Prophet prohibited men from gazing at beardless boys, and another that Muhammad himself had seated a handsome young member of a visiting delegation from the tribe of Qays behind him so as to avoid looking at him.”El-Rouayheb, Khaled. Before Homosexuality in the Arab- Islamic World, 1500-1800, University of Chicago Press, 2005. 113.
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Iris koreana, also known as dwarf woodland Korean iris, is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Chinenses of the genus. It is a rhizomatous herbaceous perennial from Korea.
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17, no. 4 (April 1965), 683-709, esp. 694-8. Warren Cup: a bearded man having anal sex with a beardless youth Warren Cup: a beardless man making love with a young boy Warren purchased the Roman silver drinking vessel known as the Warren Cup, now in the British Museum, which he did not attempt to sell during his lifetime because of its explicit depiction of homoerotic scenes. He also commissioned a version of The Kiss from Auguste Rodin, which he offered as a gift to the local council in Lewes.
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Two subspecies of bluebunch wheatgrass are recognized: P. spicata ssp. spicata and P. spicata ssp. inerme, commonly known as beardless bluebunch wheatgrass.Carlson JR and Barkworth ME (1997) Elymus wawawaiensis: a species hitherto confused with Pseudoroegneria spicata (Triticeae, Poeaceae).
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The Chicago Lincoln is a statue of a standing, beardless Abraham Lincoln in Lincoln Square Chicago. The statue was designed by Lloyd Ostendorf for a city contest and modeled by sculptor Avard Fairbanks, and erected on October 16, 1956.
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Fufluns is usually depicted as a beardless youth, but is sometimes rarely shown as an older, bearded man. Fufluns was shown in art with the thyrsus, satyrs, maenads, and other apotropaic symbols.Bonfante and Swaddling, 2006, p. 54Paleothodoros, 2007, p.
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Iris cathayensis is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from China. It has grey-green leaves, short stems and violet flowers.
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Alexander Hesler Gutzon Borglum bust, 1908. Alexander Hesler or Hessler (1823–1895) was an American photographer active in the U.S. state of Illinois. He is best known for photographing, in 1858 and 1860, definitive iconic images of the beardless Abraham Lincoln.
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Eyes are large and wide open with two concentric circles representing pupils. Male figures are beardless. Female figures wear austere clothing with little to no jewelry. They are often shown holding a domestic object, such as a spindle or distaff.
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The monochrome mosaic Ishthmia (2nd century CE or later), included an ichthyocentaur-form Triton on the upper panel and a winged-form Triton on the lower; both these beardless Tritons were depicted with a pair of what look like crustacean pincers growing out of their heads. and Plates 97–99 A pair of marine thiasos fresco fragments in Herculaneum have been described, such that in one fragment, are two tritons, one of them an ichthyocentaur. The ichthyocentaur here is beardless, and bears a ribboned trident. A pair of sea crayfish (lobster) feet or pincers sprout from each triton's head.
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Macrobius, writing c. 400, says that the temple held a golden statue of Apollo or Zeus. Represented as a beardless youth and in the garb of a charioteer, his right hand held a whip, the left a lightning bolt and ears of corn.
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They used body markings by paint and tattooing to distinguish themselves from other tribes. Zacatecos were known to wear skin coverings below their knees and skin headbands on their foreheads. Occasionally they wore leather-soled sandals. They were "graceful, strong, robust and beardless".
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In 1968, well known Sri Lankan artist David Paynter completed his mural of the Transfiguration of Jesus upon the interior of the East wall of the chapel, which included a then unusual "beardless Christ". In 1951, S. Thomas' became a private fee-levying school.
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The god of sea, earth, and crops, Patrimpas, was portrayed as a young beardless man wearing a wreath of grain ears. The flag also displayed mysterious symbols. Several linguists have unsuccessfully attempted to decipher the writing hoping to discover an ancient Prussian writing system.
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Iris kobayashii is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from China. It has slightly twisted leaves, short stems and 1 to 2 purple or blue and yellow flowers.
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Iris qinghainica is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from China. It has grey green leaves, a very short stem and 1–2 blue or violet flowers.
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Iris anguifuga (or snake-bane iris) is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from China. It has narrow green leaves, long stem and violet or blue flowers.
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Iris bungei is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from Mongolia, Tibet and China. It has green leaves, short stem and 2 violet, purple, lavender or blue flowers.
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The Patrick on this medal is beardless. In one corner of the medal are towers as one might assume Patrick envisioned in Armagh. Finally, around the image is the name of St. Patrick. It is not written in the vernacular, but in Latin (as Patrick spoke).
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The surname Span or Spani probably derives from the Greek word spanos (beardless). In Muzaka's work Miliza Brankovic, daughter of Djuradj Brankovic is mentioned as his wife. Span's progeny included: Demetrio, Costantino, Adrianna, Angela, Demetria and Lucia Span. Karl Hopf has also included another son named Alessandro.
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Kios PashaAllen-Muratoff call him Köse Mehmet. Köse means beardless so he may have been a eunuch. of Erzerum was within an hour's march of Kars, but when he heard the news he withdrew to Ardahan. 1828, July: Akhalkalaki: Paskevich feinted toward Erzerum and then marched north to Akhalkalaki.
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The obverse of three show a long-haired bearded man facing right with a long- haired beardless man wearing an elephant scalp facing right on the reverse. This latter image has been taken to be a personification of Africa. The other coin depicts a bridled horse on the reverse.
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This is a typical beardless Iris of subgenus Limniris, series Californicae, growing from a rhizome that is typically under a centimeter in diameter. Its leaves are about wide. It flowers from April to June. Flowers are usually a purplish-blue, though occasionally white or yellow flowers are found.
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Left: Drawing of a bronze statue from the Temple of Apollo Patroos (6th century BC), showing the parts preserved in the clay molds. Right: Bronze- casting pit and furnace. Museum of the Ancient Agora of Athens. Kouroi are beardless, take a formulaic advancing posture, and are most often nude.
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On December 13, 2011, Matisyahu posted a beardless picture of himself on Twitter, explaining on his website: In June 2012, Matisyahu appeared in an online video to promote his new single "Sunshine" with his hair bleached and apparently without a yarmulke, causing a big stir within the Jewish blogosphere.
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Immediately after Sinsharishkun became king, Sin-shumu-lishir rebelled against him, possibly due to feeling that his prominent position was threatened by the rise of a new king.' Though a military leader attempting to claim the throne during a time of crisis and succession wasn't necessarily unusual, the possibility that a eunuch would do so had never been entertained prior to Sin-shumu-lishir's attempt.' He was the only eunuch to ever claim the throne of Assyria.' It is possible that a set of undated seal impressions from Nineveh containing the image of a beardless king could depict Sin-shumu-lishir, as Assyrian kings were always depicted with beards but eunuchs were always depicted beardless.
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His shoulders also have attached globes. His right arm is holding the left arm of the Roman emperor Valerian (reigned AD 253–260). The Roman emperor holds in his right hand a sword (gladius). He is beardless and has on his head a laurel wreath, identifying him as Roman emperor.
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Iris spuria subsp. maritima is a species of the genus Iris, part of a subgenus series known as Iris subg. Limniris and in the series Iris ser. Spuriae. It is a subspecies of Iris spuria, a beardless, rhizomatous perennial plant, from coastal regions Europe and north Africa with deep blue-violet flowers.
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Iris rossii, the long-tail iris, is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Chinenses of the genus. It is a rhizomatous herbaceous perennial from Japan, Korea and China. It has narrow, grass-like leaves, short stems and 1 or 2 purple-violet flowers.
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The beardless Alexander-cousin arrives and explains that Alexander- husband has gone away. Armande falls in love with him at first sight and submits to him, which displeases the painting of Alexander and the maid Philomène. Armande then has dreams full of remorse. In the first dream, both Alexanders kill each other.
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Iris ventricosa is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from Asia and the Russian Federation, to Mongolia and China. It has grey-green leaves, short flowers stems and 1–2 pale violet or pale blue flowers.
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Young, beardless male characters are known as (). They wear paler makeup than laosheng characters to show their youth. characters are often involved with beautiful young women by virtue of the handsome and young image they project. Depending on the character's rank in society, the costume of the xiaosheng may be either elaborate or simple.
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As well as the figures of Charon and Minos, and wingless angels, the very classicized Christ was objected to. Beardless Christs had in fact only finally disappeared from Christian art some four centuries earlier, but Michelangelo's figure was unmistakenly Apollonian.Clark, 61; Sistine, 190; Blunt, 114 Further objections related to failures to follow the scriptural references.
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The coffers were painted intensively and adorn with panels on the ceiling. The panels facing north represented funeral games with the reliefs of the other sides dealt with a centauromachy. The burial chamber was the central part of the mausoleum. In it was a large unfinished sarcophagus with a reclining beardless male figure on top.
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Particularly in works of art influenced by the Greek tradition, Mars may be portrayed in a manner that resembles Ares, youthful, beardless, and often nude.Rehak and Younger, Imperium and Cosmos, p. 114. In the Renaissance, Mars's nudity was thought to represent his lack of fear in facing danger.Entry on "Mars", in The Classical Tradition, p.
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In the film Twist (2003), a film also loosely based on Dickens' Oliver Twist, Fagin is played by actor Gary Farmer. In a 2007 BBC television adaptation, Fagin is played by Timothy Spall. Contrary to his appearance in the novel, he is beardless and overweight in this version. He is also a more sympathetic character.
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Iris speculatrix is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Chinenses of the genus. It is a rhizomatous herbaceous perennial, from Asia, found in China, Hong Kong and Taiwan. It has dark green, evergreen leaves, long slender stem and flowers in various blue shades, from violet, lilac, lavender, to light blue.
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Iris minutoaurea is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Chinenses of the genus. It is a rhizomatous herbaceous perennial of eastern Asia, native to China and Korea. It has been naturalized in Japan. It has long grassy-like leaves, short stem and bright yellow or pale yellow flowers.
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I. unguicularis is a late-winter- flowering species from Algeria, with sky-blue flowers blotched with yellow, produced from Winter to Spring. Yet another beardless rhizomatous iris popular in gardening is I. ruthenica, which has much the same requirements and characteristics as the tall bearded irises. In North America, Louisiana iris and its hybrids are often cultivated.
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102, using "boy." Dyfri Williams uses the terms "beardless youth" and "boy," respectively (Williams 2006, p. 11). The boy's hairstyle is typical of the puer delicatus, a servant-boy or cup or armour bearer. Roman same-sex practice differed from that of the Greeks, among whom pederasty was a socially acknowledged relationship between freeborn males of equal social status.
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Michelangelo ignored the usual artistic conventions in portraying Jesus, showing him as a massive, muscular figure, youthful, beardless and naked. He is surrounded by saints, among whom Saint Bartholomew holds a drooping flayed skin, bearing the likeness of Michelangelo. The dead rise from their graves, to be consigned either to Heaven or to Hell.Bartz and König, pp.
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"Emperor Napoleon at Jena" by Horace Vernet shows an incident from the battle. As the emperor ordered a general attack, a guardsman took off his bearskin hat and shouted "Forward". Napoleon rebuked the soldier, "Only a beardless youth would presume to judge in advance what I should do."Chandler, David G. Jena 1806: Napoleon Destroys Prussia.
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Iris songarica is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from Central Asia, located in Afghanistan, Pakistan, Iran, Kazakhstan, Tajikistan, Turkmenistan and Uzbekistan. It has long strap-like leaves, a long stem and 2–3 flowers in shades of violet, dark blue, to lavender blue.
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Iris farreri is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from China. It has grey-green leaves, long stem and 1 or 2 violet, lilac or light blue flowers. It has undergone several changes of name and series, before being left as Iris farreri.
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Dionysus is often associated with large predatory cats, especially panthers, and as such images of felines tend to crop up often as well. Dionysus himself is often shown as a young man, beardless, often drunken. His bride, Ariadne, is also depicted often, either enjoying time with her husband, or sleeping, being approached by the procession of her future husband Dionysus.
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In Ancient Greek religion and Greek mythology, Death (Thanatos) is one of the twin sons of Nyx (night). Like her, he is seldom portrayed directly. He sometimes appears in art as a winged and bearded man, and occasionally as a winged and beardless youth. When he appears together with his twin brother, Hypnos, the god of sleep, Thanatos generally represents a gentle death.
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A relief from the front of his throne baseND 1 1000 = IM 65574, throne base from Fort Shalmaneser (Nimrud). depicts him gripping Marduk-zâkir-šumi’s hand in a public display of Assyro-Babylonian friendship. The kings are flanked by beardless youths identified as the crown princes and presumed to be Šamši-Adad V and Marduk-balāssu-iqbi, who would eventually come to conflict.
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Dyfri Williams speaks of a "senior, bearded figure" and a "beardless youth," both "males" (Williams 2006, pp. 7, 11). The two figures do not appear to be a great difference in age and are of a similar size. The apparent weight of the upper figure, as he lowers himself onto his lover's penis using the support, makes this a non-traditional passive role.
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In the animated cartoons, Popeye's foe is almost always Bluto, functioning in some capacity--fellow sailor, generic thug, carnival hypnotist, sheik, lecherous instructor, etc. However, in the Famous era shorts there have also been "original" one-time characters with Bluto-like personalities and mannerisms such as the blond, beardless lifeguard in "Beach Peach". Jackson Beck voiced these characters using the same voice.
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This was a period in Rome of widespread imitation of Greek culture, and many other men grew beards in imitation of Hadrian and the Greek fashion. Until the time of Constantine the Great the emperors appear in busts and coins with beards; but Constantine and his successors until the reign of Phocas, with the exception of Julian the Apostate, are represented as beardless.
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Possibly the woman performs fellatio on the male, but damage makes it impossible to determine for sure. Another beardless man stands behind her to the left, with one hand on her buttocks and a raised whip in the other hand. The flogging might have had a ritualistic nature. Erotic scenes like these had an apotropaic purpose to keep demons away from the tomb.
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An old comrade of Istvan, he leads a mercenary troop of Carrodian Axe men, a form of heavy infantry. They have been hired by the King of Tarencia to help patrol the dark border. Svaran, Commander of the armies of Sarlow and their deadliest warrior. He is not as skillful or as fast as Grom Beardless or as strong as Vor Half Troll his lieutenants.
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Agnetha and Frida appeared on the front cover, with Björn and Benny on the back. The photos were actually out-of-date, as Frida was depicted still with her frizzy perm, while Björn was beardless. A limited-edition picture disc using very similar artwork was also issued. The B-side, "Should I Laugh or Cry", included a spoken count-in (in Swedish) from Benny.
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The name Njáll is a Norse derivative of the Irish name Niall.Hudson, B.J (2005) Viking Pirates and Christian Princes: Dynasty, Religion, and Empire in the North Atlantic, Oxford University Press. p. 63 Njáll lived in Bergþórshvoll and was married to Bergþóra Skarphéðinsdóttir. He is described as a kindly, wealthy, non-violent, and handsome man, but beardless, suffering from the peculiar condition of not growing any facial hair.
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In this genre, the more noteworthy works are The Beardless ChristRoberts I 1978 p388. (Five Figures set above the rood screen in the Episcopal Church of St. Mary, Newport-on-Tay), Wind frae the Baltic, Sou- Wester, The Shrew & Gale Force. Altogether 109 of Lamb's works were shown at the RSA annual exhibition 1925–1951. These included 84 works of sculpture, 5 prints and 20 drawings.
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11, 15); Oates (1966/7). Troilus is almost beardless as it is joked that he has fifty-one hairs on his chin, one white (for Priam) and the rest for Priam's sons (one forked for Paris) Act I Sc 2. He displays a mixture of idealism about eternally faithful lovers and of realism, condemning Hector's "vice of mercy".Shakespeare Troilus and Cressida V. iii. 37.
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Subgenus Limniris is one subgenus of beardless irises, which don't have hair on their drooping sepals, also called their falls. 'Limniris' is derived from the Latin for marsh or living-in-lakes iris, or pond iris. This refers to the fact that most species can be grown in moist habitats for part of the year. It was originally described by Tausch in Deut. Bot. Herb.
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Late Hellenistic sculptures of CeltsExamples (both in Roman copies): Dying Gaul, Ludovisi Gaul portray them with long hair and mustaches but beardless. Caesar reported the Britons wore no beard except upon the upper lip. The Anglo-Saxons on arrival in Britain wore beards and continued to do so for a considerable time after.The National Cyclopedia of Useful Knowledge, Vol III, (1847) Charles Knight, London, p.46.
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According to a Hittite description of a statuette of the Protective God, he was depicted as a man standing on a deer, with a bow in his right hand and eagle and hares in his left hand. Iron Age depictions of Runtiya, like the Karasu relief show him as a beardless god standing on a deer, with a peaked cap and a bow over his shoulder.
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A grief-stricken Averill holds Watson's body in his arms. In 1903, about a decade later, a well-dressed, beardless, but older-looking Averill walks the deck of his yacht off Newport, Rhode Island. He goes below, where an attractive middle-aged woman is sleeping in a luxurious boudoir. The woman, Averill's old Harvard girlfriend (perhaps now his wife), awakens and asks him for a cigarette.
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In addition to its Biblical illuminations, the Leo Bible offers two ‘dedication’ images that offer clues as to nature of its commission. One image represents a long haired, beardless man presenting the book to the Virgin Mary, who then refers it to Christ. An inscription identifies the man as, “Leo, patritian, praepositus, sakellarios,”Mango, p.121 referring to his position as an imperial treasurer (or sakellarios).
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Köse Play and songs have an important role in the emotional, and moral development of children in rural areas.A Comparison of Anatolian and Azerbaijan Play With Song, Ankara University, Year: 2005, Vol: 39, Yusuf HABİBOV, İsmail SÖZEN - "Köse" & "Kosa" They learn about solidarity and co-operation. Also old tradition is continued with this game. The word Köse means beardless, but associated with Kosa ceremony.
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Iris loczyi is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from a wide area of Asia, including Afghanistan, Iran (the mountainous parts of Pakistan), Kazakhstan, Tajikistan, Mongolia, Tibet and China. It has long thin grey green leaves, long stems and 1 flower in pale violet, blue violet, lavender or light blue.
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Iris tenuifolia is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Tenuifoliae of the genus. It is a rhizomatous herbaceous perennial, from a wide region over central Asia, including Afghanistan, Pakistan, (the former Soviet Union republics of); Kazakhstan, Uzbekistan and Mongolia and in China. It has long greyish-green leaves, short stem and pale violet, lilac, pale blue, or purple flowers.
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Iris odaesanensis is a beardless iris in the genus Iris, in the subgenus Limniris and in the series Chinenses of the genus. It is a rhizomatous herbaceous perennial from China and eastern Korea. It has blue-green grass- like leaves, short stem, 1 or 2 fragrant, white or off-white flowers in spring to early summer. It is a rare plant in the wild, but it is cultivated in east Asia.
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When confronted with this, Cú Chulainn claims that Nad Crantail had not come to fight him with a real weapon, and he would not kill someone who was not armed. He issues a challenge for Nad Crantail to come fight him the next day. When Nad Crantail meets Cú Chulainn for that fight, he sees that Cú Chulainn is just a “beardless boy”Carson, C. (2007). The Táin.
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Iris lacustris, the dwarf lake iris, is a plant species in the genus Iris, subgenus Limniris and in the section Lophiris (crested irises). It is a rhizomatous, beardless perennial plant, native to the Great Lakes region of eastern North America. It has lavender blue or violet-blue flowers, a very short stem and long fan-like green leaves. It is cultivated as an ornamental plant in temperate regions.
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The pipes were re-gilded by Ursula Falconer of Uley. The case is made out of mahogany, with some restrained Rococo detailing. There is a three-light window at the East end of the church made in 1920 by Sir Ninian Comper. In the centre God is shown as a beardless youth, St Margaret of Scotland is shown in the north light, and St George in the south.
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Cú Chulainn's appearance is occasionally remarked on in the texts. He is usually described as small, youthful and beardless. He is often described as dark: in The Wooing of Emer and Bricriu's Feast he is "a dark, sad man, comeliest of the men of Erin",Cross & Slover 1936, p. 156, 265 in The Intoxication of the Ulstermen he is a "little, black-browed man",Cross & Slover 1936, p.
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The ligule is long, blunt, and hairy. This species can be distinguished from H. mollis by the beardless nodes on its culm, the absence of rhizomes, and the awn becoming hooked when dry and not projecting beyond the tips of the glumes. It has been known to hybridize with H. mollis, producing a male sterile hybrid with 2n = 21 chromosomes. Hybrids tend to resemble H. lanatus in their morphology.
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He was born on the island of Maui. His mother was the High Chiefess Kahikikalaokalani ruler of Hana, Kipahulu and Kaupo. He was Keoua's first-born son and was deemed "Ka Keiki o Kona wa Heuole," which means the offspring of his beardless youth. At age three his father return to his ancestral home on the Big Island of Hawaii and left Kalokuokamaile to be raised by his mother.
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The large west window, depicting the Coronation of the Virgin attended by the heavenly host, is by Burlison and Grylls. The window in the south transept, a memorial to victims of two world wars, is by Ninian Comper and William Bucknall (c.1960). It depicts a beardless Risen Christ and Saints David, George, Andrew and Patrick. There is a painting of Peter’s Denial of Christ by Jusepe de Ribera.
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They also banned pilgrims from bringing musical instruments and mahmal (richly decorated palanquins) – both often brought by pilgrims but incompatible with Wahhabi religious standards, and later "boys or other beardless persons". In 1805, a year before the destruction, Iraqi and Iranian Muslims were not allowed to perform Hajj. Syrians and Egyptians were refused permission to perform Hajj in 1806 and 1807. Maghrebi Muslims were not prevented from performing the hajj.
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Its face was polished with care; the turban has a rippled surface, partly treated with a gradine (toothed chisel) to accentuate the difference between the fabric headdress and the strands of the hair. Balty concluded that the missing part of the headdress which fit into the turban was a royal tiara or mitre, reminiscent of similar crowns worn by many contemporary Eastern monarchs from Commagene, Hatra, Osroene, several Parthian kings, and seen in some portraits of ArdashirI (the first Sasanian king). A Palmyrene lead token in the National Museum of Damascus has a profile of Odaenathus' son and co-King of Kings, Herodianus, who is beardless and wearing a high conical tiara adorned with a crescent. In Balty's view, the Damascus token confirms that the missing part of the tiara portrait's headdress is a royal tiara, and the sculpture depicts Odaenathus, since Herodianus, who died along his father in 267, is depicted beardless on the token.
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Above the door from the southwest vestibule to the narthex another mosaic shows the Theotokos with Justinian and Constantine. Justinian I is offering the model of the church to Mary while Constantine is holding a model of the city in his hand. Both emperors are beardless – this is an example for conscious archaization as contemporary Byzantine rulers were bearded. A mosaic panel on the gallery shows Christ with Constantine Monomachos and Empress Zoe (1042–1055).
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Iris milesii (also known as the red flower iris) is a plant species in the genus Iris, subgenus Limniris and in the section Lophiris (crested irises). It is a rhizomatous, beardless perennial plant, native to the Himalayas, India and China. It has pinkish-violet, or pinkish purple, or pinkish-lavender or pinkish lilac flowers, with a fringed yellow or orange crest (or ridge). It is cultivated as an ornamental plant in temperate regions.
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Further "beardless king" seal impressions from Nineveh, possibly depicting Sin-shumu-lishir. Nothing is known of Sin-shumu-lishir's background or family.' He was a eunuch and probably already a prominent courtier during the reign of Ashurbanipal (r. 669–631 BC)' Eunuchs had often been appointed to prominent government positions in the Assyrian Empire because they could have no dynastic aspirations and thus in the mind of the Assyrians could not represent potential threats.
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He is shown as a beardless youth, probably representing his appearance at his coronation aged seventeen. In this panel, one can already see a difference with the Empress Zoe mosaic that is one century older. There is a more realistic expression in the portraits instead of an idealized representation. The Empress Irene (born Piroska), daughter of Ladislaus I of Hungary, is shown with plaited blond hair, rosy cheeks, and grey eyes, revealing her Hungarian descent.
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The shield which Athena bears with her right arm, bears a dolphin facing to the left. Left of Athena is the inscription, written from right to left, ΤΟΝΑΘΕΝΕΘ(Ε)ΝΑΘΛΟΝΕΜΙ ("I am the Atheneth(eia) prize") in sixth-century BC orthography. On the back side of the vase there is a beardless, seated charioteer wearing red clothing. His feet on a running board, he drives a two-horse chariot to the right.
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The Minoans viewed Velchanos as less powerful that the goddess. At some point, the Mycenaean civilization came in contact with the Minoans, who identified their own god Zeus with the Cretan god. This religious syncretism led to Zeus obtaining some of Velchanos' traits, with his mythology also being affected; henceforth, Zeus was stated to have been born in Crete and was often represented as a beardless youth. He was also venerated as Zeus Velchanos.
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The Spani family was of Albanian origin.; The surname Span or Spani probably derives from the Greek word spanos (beardless). In Croatia and Serbia, the surname is transliterated as Spanić and Spanović. Serbian historians including J. Erdeljanović and Petar Šobajić linked the surname with the descendants of the Romanized Illyrian population of Montenegro, although that is considered unlikely as the name is neither related to a particular population nor are all its bearers related.
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Various Lullubian reliefs can be seen in the area of Sar-e Pol-e Zohab, the best preserved of which is the Anubanini rock relief. They all show a ruler trampling an enemy, and most also show a deity facing the ruler. Another relief can be found about 200 meters away, in a style similar to the Anubanini relief, but this time with a beardless ruler. The attribution to a specific ruler remains uncertain.
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In art, the Beloved Disciple is often portrayed as a beardless youth, usually as one of the Twelve Apostles at the Last Supper or with Mary at the crucifixion. In some medieval art, the Beloved Disciple is portrayed with his head in Christ's lap. Many artists have given different interpretations of which has the disciple whom Jesus loved "reclining next to Jesus" (v. 23; more literally, "on/at his breast/bosom," en to kolpo).
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Although the niche around the figure has been inscribed uncertainly and inconsistently, it points to the impostation of the figure in its own space, typical of plastics of Roman gravestone monuments. General naturalistic tendency also points to Antique as a starting point, which is manifested through the impotence of the artist's expression, especially in the details—the "scully" type of beardless head and the rudiments of the ear shell and barely marked hair.
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Batrachocephalus mino, the beardless sea catfish, is the only species of catfish (order Siluriformes) in the genus Batrachocephalus of the family Ariidae. This species occurs in marine and brackish waters of Bay of Bengal, and parts of the western central Pacific, in coastal waters, estuaries, and lower reaches of rivers. It is distributed from Pakistan, India, Sri Lanka, Bangladesh, Myanmar, Malaysia, Thailand, to Indonesia. This fish reaches about 25.0 cm (9.8 in) in total length.
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Murals were a common form of wall decoration in ancient Rome. The earliest Christian mural paintings come from the catacombs of Rome. They include many representations of Christ as the Good Shepherd, generally as a standardised image of a young, beardless man with a sheep on his shoulders. Other popular subjects include the Madonna and Child, Jonah being thrown into the sea, the three young men in the furnace and the Last Supper.
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He shows mythological figures, included a beardless Heracles, as was customary in eastern Greece. Occasionally there are scenes which are not a part of Greek mythology, such as Heracles fighting Juno Sospita ("the Savior") by the Paris Painter, or a wolf demon by the Tityos Painter. There are also scenes of daily life, komos scenes, and riders. The vases are dated to a time between 550 and 500 BC, and about 200 are known.
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Beards also play an important role in some religions. In Greek mythology and art, Zeus and Poseidon are always portrayed with beards, but Apollo never is. A bearded Hermes was replaced with the more familiar beardless youth in the 5th century BC. Zoroaster, the 11th/10th century BC era founder of Zoroastrianism is almost always depicted with a beard. In Norse mythology, Thor the god of thunder is portrayed wearing a red beard.
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Trapped female bird at Polokwane, Limpopo The species was described in 1868 by the German ornithologist Jean Cabanis based on a specimen from East Africa, probably from the coast opposite Zanzibar. It was initially placed in the genus Crithagra but later moved to a genus of its own, Anomalospiza. The name of the genus means "anomalous finch" with spiza being a Greek word for finch. The specific name imberbis comes from Latin and means "beardless".
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Webster 2012, p. 136. In the top center set within a circular medallion or roundel is a partial frontal human bust of the Evangelist who is beardless and has a halo or nimbus. He holds his Gospel book in his left hand, while the right hand is variable in each image. This medallion is located at the apex of an arched frame that is supported by two verticals or columns with capitals.
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Matthew 4:18–20 The painting shows a young, beardless Christ, leading the two much older- looking brothers. The more prominent of the brothers, presumably Simon, is holding a fish in his right hand. The edge of the canvas is rather damaged, but the central panel is in good condition. The presence of "incisions" into the ground of the canvas marking out St. Peter's ear and the eyes of Christ are typical of Caravaggio's technique.
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Emperor Nikephoros III flanked by his senior court dignitaries, all of them proedroi, in a manuscript from the 1070s. From left: the proedros and epi tou kanikleiou, the prōtoproedros and prōtovestiarios (a eunuch, since he is beardless), the emperor, the proedros and dekanos, and the proedros and megas primikērios.. Proedros (, "president") was a senior Byzantine court and ecclesiastic title in the 10th to mid-12th centuries. The female form of the title is proedrissa (προέδρισσα).
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However, he wears a close fitting suit of dwarf forged plate armour that is proof against mystic Hastur and Elven swords, rendering Svaran virtually invulnerable in combat. He is sometimes known as Svaran the Invincible or the Black. He appears in "A Gathering of Heroes" and "Ingulf the Mad". Grom Beardless, a Captain of the armies of Sarlow, an exceptionally skilled warrior and deadly swordsman who is feared and respected throughout the Island continent of Y'Gora.
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During Perón's last term (1973–1974), the relationship between the right wing of the party and leftist organisations, including Montoneros strained to the point of no return. In his May Day speech, Perón took sides and denounced Montoneros as imberbes ("beardless brats") and mercenaries to the service of foreign interests.Carr, p. 125 The organisation was proscribed after Perón's death in July, and by September Norma and his companions were forced to live in hideouts and to meet in secret.
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Bible of St. Louis - Morgan fragment, the authorship miniature There is no written colophon or any other indication in the work about the patron who commissioned this Bible, but there is a kind of visual colophon. On the last page of the Morgan fragment we find a miniature that tells us something about the making of the Bible. The page is horizontally divided into two scenes. The upper half depicts a queen and a young beardless king.
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The yellow- crowned woodpecker was originally described by the English ornithologist John Latham in 1801 under the binomial name Picus mahrattensis. It is now the only species placed in the genus Leiopicus that was introduced by the French ornithologist Charles Lucien Bonaparte in 1854. The specific epithet mahrattensis is from Marhatta, a historical region in the modern Indian state of Maharashtra. The genus name Leiopicus combines the Classical Greek leios meaning "smooth" or "beardless" and pikos meaning "woodpecker".
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As is often the case in miniature paintings, the same persons are represented more than once.For another example, see Naqdhā rā bovad āyā. The painting is divided into three sections. At the top Sultan Walad (top right) and a companion are seen arriving; two beardless young men, one dressed in red, the other in blue, who can be seen later to be followers or disciples of Shams, are with them, presumably guiding them to the spot.
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The last issue of AntiochusXI from Antioch depicts him beardless, highlighting that the vow was fulfilled. Portrait of Antiochus XI exemplifying the tryphé tradition Drawing his legitimacy from his father, Antiochus XI appeared on his coinage with an exaggerated hawked nose, in the likeness of AntiochusVIII. The iconography of AntiochusXI's portrait was part of the tryphé-king tradition, heavily used by AntiochusVIII. The ruler's portrait express tryphé (luxury and magnificence), where his unattractive features and stoutness are emphasized.
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It is due to the contemporary art historian Giorgio Vasari that Bazzi's nickname of Il Sodoma has become conventional. According to Vasari's testimony, Bazzi always surrounded himself with "boys and beardless youths, whom he loved more than was decent", for which reason he acquired the nickname Il Soddoma. Still according to Vasari, Bazzi took pride in the nickname and composed stanzas and songs about it.. Giorgio Vasari, Lives of the Most Excellent Painters, Sculptors, and Architects, trans.
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Antiochus XII was shown beardless for the first two years of his reign; in 228 SE (85/84 BC), he appeared with a beard, possibly related to Philip I's attack on Damascus. But since Antiochus XII did not march north against his brother, the hypothesis about a connection between Antiochus XII' beard and Philip I's attempt to take Damascus weakens; no coins of Philip I were struck in Damascus, indicating that his occupation of the city was brief.
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Of Albanian origin, the Spani family held several villages around Shkodër (Scutari) and Drisht (Drivasto) in the first half of the 15th century and ruled in various areas in western Kosovo. The surname Span or Spani probably derives from the Greek word spanos (beardless). Peter's father Marin is mentioned in 1409 as already dead. Since he did not have any sons, Petar emphasized that he will be inherited by his nephew Marin, a son of his brother Brajko.
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"Mālikī scholars of the early Ottoman period repeatedly confirmed that a man would negate his state of ritual purity if he touched with lust the skin of a beardless or downy-cheeked youth, since they fell under the category of that 'which is normally the object of lust.'"Ramlī, Shihab al-Dīn, Fatāwā, 3:172; Ramlī, Shams al-Dīn, Nihāyat al-muh . tāj, 6: 192–93; al-Khat . īb al- Shirbīnī, Mughnī al-muh . tāj, 3:130–31; Qalyūbī, H jayrimī, Tuh .
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A truly red bearded iris, like a truly blue rose, remains an unattained goal despite frequent hybridizing and selection. There are species and selections, most notably based on the beardless rhizomatous Copper iris (I. fulva), which have a relatively pure red color. However, getting this color into a modern bearded iris breed has proven very difficult, and thus, the vast majority of irises are in the purple and blue range of the color spectrum, with yellow, pink, orange and white breeds also available.
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They are generally represented as men in middle age, with tonsures and palms of martyrdom; sometimes they hold a crown each. In the catacombs named after them, a fresco dating from the 4th or 5th centuries, represents them without aureolae, with short beards, next to the Lamb of Christ. In another fresco from the 5th or 6th centuries, in the catacombs of Pontian, they are beardless and depicted alongside Saint Pollio. There is a church dedicated to them at Imbersago.
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The northern beardless tyrannulet (Camptostoma imberbe) is protected under the Migratory Bird Treaty Act of 1918."List of Migratory Bird Species Protected by the Migratory Bird Treaty Act as of December 2, 2013" U.S. Fish and Wildlife Service This species is common south of the US border. The situation for a number of other species from South and Central America is far more problematic. In 2007, BirdLife International (and consequently IUCN) considered two species, the Minas Gerais tyrannulet and Kaempfer's tody-tyrant critically endangered.
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Phocas is generally depicted as a villain by Byzantine and modern historians alike, but some of the earliest sources available about Phocas’ reign were written during the reign of Heraclius. The writings that survive aren't reliably neutral and the writers would have good reason to demonize him in order to strengthen the rule of Heraclius. In the cultural sphere, the reign of Phocas is marked by the change of Imperial fashion set by Constantine the Great. Constantine and all his successors, except Julian the Apostate, were beardless.
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Such satires describe assemblages of quadrupeds, birds, and fishes, and recite their lampooning remarks upon the clergy, the bureaucracy, the foreign nations in the Byzantine Empire, etc. See also An Entertaining Tale of Quadrupeds Here belong also the parodies in the form of church poems, and in which the clergy themselves took part, e.g. Bishop Nicetas of Serræ (11th century). One example of this sacrilegious literature, though not fully understood, is the "Mockery of a Beardless Man," in the form of an obscene liturgy (14th century).
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This mounted hunter has a physiognomic portrait (datable to between 220 and 230, by comparison with the style of the portrait of Caracalla) and hurls a spear towards a lion at the right. Beneath this lions paws is a fallen hunter with sword and shield, and under this lion is another, dead lion. To the left are two standing nude divinities, possibly the Dioscuri. To the right, above the live lion, is a beardless mounted hunter in a tunic and another nude standing figure.
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Watkins, pp. 94–95. Only two of the disciples can be identified with any degree of certainty: Peter with his iconographic grey hair and beard, and blue and yellow attire, and John; the young beardless man standing next to Christ. John's head is reminiscent of Roman sculptures, and it is reflected in the very similar face of another disciple on the right. The person next to this disciple is assumed to be Judas, whose dark and sinister face mirrors that of the tax collector.
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Donatello had also sculpted the classical frame for this work, which remains, while the statue was moved in 1460 and replaced by the Incredulity of Saint Thomas by Verrocchio. Between 1415 and 1426, Donatello created five statues for the campanile of Santa Maria del Fiore in Florence, also known as the Duomo. These works are the Beardless Prophet; Bearded Prophet (both from 1415); the Sacrifice of Isaac (1421); Habbakuk (1423–25); and Jeremiah (1423–26); which follow the classical models for orators and are characterized by strong portrait details.
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Hrabosky later said that being beardless made him feel "like a soldier going to war without his rifle", and demanded a trade following one season without facial hair courtesy of Rapp's rule against it. When the Cards suffered through a seven-game losing streak that saw their record fall to 5–11 early in the 1978 season, Rapp was fired April 25 following a win at Olympic Stadium against the Expos. Coach Jack Krol succeeded him for two games, but another former Cardinal star, Ken Boyer, was ticketed for the permanent job.
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He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or "man-womanish". In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession (thiasus) is made up of wild female followers (maenads) and bearded satyrs with erect penises; some are armed with the thyrsus, some dance or play music.
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Several depictions of Greeks in Central India dated to the 2nd-1st century BCE are known, such as the Greek soldier in Bharhut, or a frieze in Sanchi which describes Greek-looking foreigners honouring the Sanchi stupa with gifts, prayers and music (image above). They wear the chlamys cape over short chiton tunics without trousers, and have high-laced sandals. They are beardless with short curly hair and headbands, and two men wear the conical pilos hat. They play various instruments, including two carnyxes, and one aulos double-flute.
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Sex slaves are reportedly also bought by 'agents' in Afghanistan who trick young girls into coming to Pakistan for well-paying jobs. Once in Pakistan they are taken to brothels (called kharabat) and forced into sexual slavery, some for many years. Donald G. McNeil Jr. (1 August 2007) Sex Slaves Returning Home Raise AIDS Risks, Study Says , New York Times Beardless young boys in Afghanistan may be sold as bacha bazi for use in dancing and prostitution (pederasty), and are sometimes valued in tens of thousands of dollars.
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Iris lazica, the Lazistan iris, is a species of flowering plant in the family Iridaceae, native to the Black Sea coast of Turkey and Georgia, and also cultivated as an ornamental plant in temperate regions. Growing to tall, it is a beardless rhizomatous iris with broad evergreen leaves, producing stemless flowers which are shorter in stature than the foliage, and which appear in late winter or early spring. The flower colour is typically pale lilac. Exceptionally for an iris in its group, this species prefers moist conditions and will tolerate some shade.
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The environment, one of the most unspoiled in south-west England, is a designated Area of Outstanding Natural Beauty and a Heritage Coast. In October 2007 Caradon District Council granted planning permission for the building of 40 houses costing between £285,000 and £350,000. This controversial development is supposedly in keeping with the local area. Talland Barton Farmland has been designated a Site of Special Scientific Interest for its assemblage of nationally rare and nationally scarce mosses; in particular for the many-fruited beardless moss (Weissia multicapsularis), which is known from only two sites worldwide.
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Basilica of San Lorenzo, Milan, with underdrawing revealed. Milan was the main military centre of Northern Italy, controlling the roads to the north, and the effective capital of Constantius II, Constantine's son. The large octagonal Chapel of San Aquilino in the Basilica of San Lorenzo, Milan was perhaps built as an Imperial mausoleum for Galla Placidia about 400. It has an apse mosaic of a Traditio Legis with a beardless Christ in white robes flanked by the apostles, as part of a much larger scheme, now remaining only in fragments.
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The relief shows a beardless male figure, clad in short tunic by his knees, tightened at the hips. Costume is Antique, Roman. This was the clothes of slaves, laborers and peasants. Frontal setting of the character with his left arm bended at the elbow in front of the chest, holding some kind of an object, reminding of the pose and the typical gesture of male portraits of Late Antique Roman gravestones stelae, makes the connection of continuity or imitation of this primitive relief to the Late Antique gravestone plastics unambiguous.
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Tinia was also part of the powerful "trinity" that included Menrva and Uni, and had temples in every city of Etruria. Tinia was sometimes represented as seated and with a beard or sometimes standing and beardless. In terms of symbolism, Tinia has the thunderbolt and the rod of power, and is generally accompanied by the eagle and sometimes has a wreath of ivy round his head, in addition to the other insignia of Jove. Some of Tinia's possible epithets are detailed on the Piacenza Liver, a bronze model of a liver used for haruspicy.
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The witches in his play are played by three everyday women who manipulate political events in England through marriage and patronage, and manipulate elections to have Macbeth made Treasurer and Earl of Bath. In the final scene, the witches gather around a cauldron and chant "Double, double, Toil and Trouble / parties burn and Nonsense bubble." Into their concoction they throw such things as "Judgment of a Beardless Youth" and "Liver of a Renegade". The entire play is a commentary on the political corruption and insanity surrounding the period.
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The use of a strap or support during sex can be found in other Greek and Roman artworks, a close example being an erotic cup by Onesimos where a woman spreads her legs in anticipation while grasping a strap with her left hand. The other side depicts another scene of anal sex, between a "beardless" and clean-shaven "young man" and a smaller figure with long hair indicating he is a "boy" or "adolescent" (now the "eromenos").Pollini 1999, p. 29, using "adolescent"; C. A. Williams, Roman Homosexuality, p.
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Regardless of his precise ancestry, Priapatius succeeded Arsaces II in 176 BC. Like many Arsacid rulers, not much is known about Priapatius. His coinage in terms of style followed the same model as that of his predecessors. The obverse shows a beardless portrait of him wearing a soft cap (bashlyk), whilst the reverse shows him carrying a bow. However, changes to the titulary were made on the coinage: the Greek title of (Basileus) was for the first time added and made regular on his coinage, and the title (Great) was also added.
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There is a deity Mithra mentioned on monuments in Commagene. According to the archaeologist Maarten Vermaseren, 1st century BC evidence from Commagene demonstrates the "reverence paid to Mithras" but does not refer to "the mysteries". In the colossal statuary erected by King Antiochus I (69–34 BC) at Mount Nemrut, Mithras is shown beardless, wearing a Phrygian cap,Lewis M. Hopfe, "Archaeological indications on the origins of Roman Mithraism", in Lewis M. Hopfe (ed). Uncovering ancient stones: essays in memory of H. Neil Richardson, Eisenbrauns (1994), pp. 147–158. p.
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The following observation was made by a religious dignitary to Muhammad-Haydar Mirza Dughlat: > I had heard that Yunus Khan was a Moghul, and I concluded that he was a > beardless man, with the ways and manners of any other Turk of the desert. > But when I saw him, I found he was a person of elegant deportment, with a > full beard and a Tajik face, and such refined speech and manner, as is > seldom to be found even in a Tajik.W.M. Thackston, Jr. (2002). The > Baburnama: Memoirs of Babur, Prince and Emperor.
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299, note 48, and 300. . See also Cartlidge and Elliott, 55–61. The tendency of older scholars such as Talbot Rice to see the beardless Jesus as associated with a "classical" artistic style and the bearded one as representing an "Eastern" one drawing from ancient Syria, Mesopotamia and Persia seems impossible to sustain, and does not feature in more recent analyses. Equally attempts to relate on a consistent basis the explanation for the type chosen in a particular work to the differing theological views of the time have been unsuccessful.
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His first poem, Tragedy of a beardless son, was published in 1967. Publication of his poems and writings continued to appear in the magazins Soyut, Forum, Papirüs, Yordam, Dost and Yansıma, as well as in the newspaper Ulus. During his life, he had no opportunity to publish his works in a book. A year after his death, a collection of his poems that have been published in various newspapers and magazines, was gathered by his friends and published in a book titled Şiirler ("Poems") by Nadas in 1974.
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The Green Lama's first full-length novel in nearly 70 years, Green Lama: Unbound, was released July 28, 2010. Written by Adam L. Garcia, it displayed interior and cover art by Mike Fyles. The novel takes place roughly six months after "Studio Specter" and shortly after the last original pulp story, "Beardless Corpse." Continuing the Jade Tablet storyline established in "Shiva Enangered" and "Horror in Clay," Unbound pitted the Green Lama against Lovecraft's Great Old Ones and Cthulhu, as well as featured—for the first time ever—details of Dumont's ten years in Tibet.
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In addition to reprinting the original pulp stories in 2011 and 2012, Altus Press included a new short story in their third volume, "Green Lama and the Case of the Final Column", by Garcia and Fyles that will tie the original pulps and new pulps stories together. "The Final Column" will be set immediately after "The Case of the Beardless Corpse," shortly before the events of Green Lama: Unbound, and lays the groundwork for several plot points in Unbound and the upcoming Crimson Circle. It also features Crossen's pseudonym "Richard Foster" as a principal character.
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Sher Ali Khan The son Dost Muhammad Khan was then a beardless youth and Nasrullah Khan coveted him. The Afghan pride of Sher Ali was however inflamed and he informed his father and brothers of the insulting desire of Nasrullah Khan. Dost Muhammad Khan then determined to leave Emirate of Bukhara but he found himself a prisoner and with difficulty escaped together with his sons to Balkh. Also in 1839, Mir Muhammad Murad Beg again attacked Rustak in Badakhshan and appointed an officer of his own in Farkhar.
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The genus name originated from the Greek language and refers to a beard-like structure, the psammophore, below the head (Greek πώγων/pōgōn, "beard" + μύρμηξ/murmēx, "ant"), which can be found in most species of the subgenus sensu stricto. The psammophore is used for gathering small seeds, helping to increase the efficiency of transportation of fine sand and pebbles during nest construction, or to carry eggs. However, this structure is missing in species of the subgenus Ephebomyrmex (Greek ἔφηβος/ephēbos, "beardless lad"), and these species generally have smaller individuals and colonies.
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Vardanes II was the son of Vologases I and briefly ruler of parts of the Parthian Empire. In ancient records he only appears in Tacitus.Tacitus, Annals 13,7 Otherwise he is only known from coins that are dated between 55 to 58 CE.Sellwood 1983, 295 He rebelled against his father from about 55 to 58 CE and must have occupied Ecbatana, since he issued coins from the mint there, bearing the likeness of a young beardless king wearing a diadem with five pendants. Nothing more about him is known.
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A public subscription campaign raised $23,000 for the sculpture. This money was donated by schoolchildren, the business community, and members of the E.B Wolcott Post of the G.A.R. Unfortunately, the sculpture was not able to be built right away as the United States became involved in World War I. In 1932 the Lincoln Memorial Association hosted a national competition for the Abraham Lincoln sculpture's design. Gaetano Cecere, a sculptor from New York City, won. He designed a sculpture that showed a young beardless Lincoln, standing up with his hands at his sides.
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Three of these windows have their original pierced stone screens. Mosaic fragment from the side chapel of Santa Maria del Canneto (Arheološki Muzej Istre) Inside the chapel, the conch of the apse was originally covered with a golden mosaic which, as with many early depictions, showed Jesus as a beardless youth. The scene may have depicted the traditio legis. The subject, common in Paleochristian art, concerns the transmission of the gospel message and typically shows Christ, holding a scroll, with Saint Peter and Saint Paul on either side.
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On 25 October 2007, Drew--now bald and beardless--appeared on Ryan Confidential on RTÉ 1 to give an interview about his role in The Dubliners, his life since leaving the band and being diagnosed with throat cancer. Later in 2007, he again appeared on The Late Late Show, where he spoke some more about the death of his wife and his ongoing treatment for cancer. Drew died in St. Vincent's Hospital, Dublin on 16 August 2008, following his long illness. He was buried three days later in Redford Cemetery in Greystones.
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They are broadly similar in style, though often much superior in quality, to the mummy portraits done in wax (encaustic) and found at Fayyum in Egypt. As we may judge from such items, the first depictions of Jesus were generic rather than portrait images, generally representing him as a beardless young man. It was some time before the earliest examples of the long-haired, bearded face that was later to become standardized as the image of Jesus appeared. When they did begin to appear there was still variation.
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Part of the statue of Lincoln by Andrew O'Connor on the State Capitol grounds at Springfield, Illinois The designs were prepared internally in the Engraving Department at the Philadelphia Mint. The obverse design, depicting Abraham Lincoln, was created by Chief Engraver George T. Morgan. The Chief Engraver worked from a photograph of a statue of Lincoln designed by Andrew O'Connor and unveiled in Springfield (the city where Lincoln lived for much of his adult life) in August 1918. Lincoln is shown beardless, as he was when living in Illinois before he was elected president in 1860.
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It was Manuel who suggested the marriage of his daughter Maria the Porphyrogenita to a son of William V. Since Conrad and Boniface were already married, and Frederick was in the priesthood, the only eligible son was the youngest, 17-year-old Renier. The Byzantine chronicler Niketas Choniates described him as handsome, blond (his hair "shone like the sun") and beardless. Renier arrived in Constantinople in autumn 1179 and soon afterwards accompanied Manuel on a military expedition. His marriage to the 27-year-old Maria took place at the Church of St. Mary of Blachernae, in February 1180.
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Jesus touches the body of Lazarus with a long staff, which turns into a cross, and he is joined by a beardless figure with red hair, possibly St. John, who is holding a green book in his left hand. Jesus is shown with a yellow-crossed nimbus, red hair, and pointed beard, and he wears an orange tunic with wide sleeves under a green mantle. The disciple at the left, also depicted with red hair, is wearing a long grey tunic and dark blue mantle. Both the women have halos and they wear pale green-orange headdresses that fall over the shoulders.
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A beardless Brigham Young in 1853. As colonizer and founder of Salt Lake City, Young was appointed the territory's first governor and superintendent of American Indian affairs by President Millard Fillmore on February 3, 1851. During his time as prophet, Young directed the establishment of settlements throughout present-day Utah, Idaho, Arizona, Nevada, California and parts of southern Colorado and northern Mexico. Under his direction, the Mormons built roads and bridges, forts, irrigation projects; established public welfare; organized a militia; issued an extermination order against the Timpanogos and after a series of wars eventually made peace with the Native Americans.
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They are divided into two lines of ten ranks – the same number as that of the Attic tribes.The Athenian cavalry was organised by tribe of phylai and commanded by ten officers known as phlyarchs All figures are beardless youths with the exception of two, W8 and W15, who along with S2–7 wear Thracian dress of fur cap, a patterned cloak, and high boots; these have been identified by Martin Robertson as hipparchs.Robertson, Frantz, 1975, p.46 Next are the four-horse chariots, each with charioteer and armed passenger, there are ten on the south frieze and eleven on the north.
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Some people theorize that Spanish definitions of the word "Chamorro" played a role in its being used to refer to the island's indigenous inhabitants. Apart from "Chamorro" being a Spanish surname, in Spanish it also means "leg of pork", "beardless [wheat]", "bald", "close-cropped", or "shorn/shaven/[hair or wool] cut close to the surface". Circa 1670, a Catholic missionary reported that men were sporting a style in which their heads were shaven, save for a "finger- length" amount of hair at the crown. This hairstyle has often been portrayed in modern-day depictions of early Chamorros.
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Quintus of Smyrna, in a passage whose atmosphere Boitani describes as sad and elegiac, retains what for Boitani are the two important issues of the ancient story, that Troilus is doomed by Fate and that his failure to continue his line symbolises Troy's fall.Boitani (1989: pp.6–7). In this case, there is no doubt that Troilus entered battle knowingly, for in the Posthomerica Troilus's armour is one of the funerary gifts after Achilles' own death. Quintus repeatedly emphasises Troilus's youth: he is beardless, virgin of a bride, childlike, beautiful, the most godlike of all Hecuba's children.
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Saint Ambrose barring Theodosius from Milan Cathedral is a painting of by Anthony van Dyck in the National Gallery, London. It draws heavily on a 1618 treatment of the same subject by Peter Paul Rubens, on which van Dyck had worked as a studio assistant. In van Dyck's version, Theodosius is beardless, the architectural background is more defined and a spear and a halberd are added on the left-hand side. The painting depicts the Roman emperor Theodosius I and his entourage being barred from Milan Cathedral by its archbishop Saint Ambrose, as punishment for the Massacre of Thessalonica.
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The natives were impressed with these strangers chiefly because they were taller in stature than themselves and bearded. (The natives were uniformly beardless.) More significantly, the natives communicated to the Spaniards that their mythos held that, eventually, their gods would come from the sea to visit them. The natives gave their "divine" visitors food and gold; they even offered the strangers their women as gifts. (Some believe that syphilis was introduced to the Old World through these acts of generosity.) After a short sojourn among the natives, the Spaniards began to prepare for their return trip.
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The name 'Unlucky Mummy' is misleading as the artifact is not a mummy at all, but rather a gessoed and painted wooden 'mummy-board' or inner coffin lid. It was found at Thebes and can be dated by its shape and the style of its decoration to the late 21st or early 22nd Dynasty (c 950–900 BC). In the British Museum it is known by its serial number EA 22542. The beardless face and the position of the hands with fingers extended show that it was made to cover the mummified body of a woman.
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Illustrated drinking cups, often in pairs, were intended as dinner-party conversation pieces. Roman artwork on pottery, glass and wall-paintings with sexual acts represented were popular and were intended to be seen by all sections of society. The Romans had no word for homosexuality and the images on the Warren Cup provide an important insight into this aspect of their culture. One side of the Warren Cup depicts a "bearded man" and a "beardless youth" engaging in anal sex in a reclining position, with the youth lowering himself using a strap or sash to be penetrated.
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Two of these are missing; there would have been a total of 17 originally, with five on the front, four on the back and four, one now missing, on each side. A young beardless Jesus is agreed to occupy the centre of the front panel, and he is probably surrounded by the Twelve Apostles, with Saint Paul substituting for Judas, making 13. Saints Peter and Paul are presumed to be the two older men with long beards flanking Jesus. The remaining four heads, presumably those on the back face, might be the Four Evangelists, which would mean repetition of subjects, or other saints.
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Illustrations of Jan Hus as a holy martyr are captured in their oldest form, as we know from the few surviving fragments of altars from the middle of the 15th century. This monumental painting presents us with Jan Hus as a man of small stature with a round face, beardless, dressed in a liturgical white shirt. His representation with other religious saints assigns him to providence, and the founding legitimacy of the early church. Utraquists needed to present their own saint, with the traditional saints, as one of the reasons their relationship to the paintings had religious themes.
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The general closed the gates, locking Philip I out, and awaited the return of Antiochus XII, who had hastily ended his campaign when he heard of his brother's occupation of the city. Modern scholars noted that Seleucid currency, struck during campaigns against a rival (or usurper), portrayed the King sporting a beard. During his first two years, Antiochus XII's visage appeared beardless, but this changed in 228 SE (85/84 BC). This is possibly related to Philip I's attack on Damascus, but this supposition has little support, as Antiochus XII failed to take any action against his brother.
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Matheson was born in Allendale, New Jersey, to Norwegian immigrants Bertolf and Fanny Matheson. They divorced when he was eight, and he was raised in Brooklyn, New York by his mother. His early writing influences were the film Dracula, novels by Kenneth Roberts, and a poem which he read in the newspaper Brooklyn Eagle, where he published his first short story at age eight. He entered Brooklyn Technical High School in 1939, graduated in 1943, and served with the Army in Europe during World War II; this formed the basis for his 1960 novel The Beardless Warriors.
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Al- Nuwayri (1272–1332) in his Nihaya reports that Muhammad is "alleged to have said what he feared most for his community were the practices of the people of Lot (he seems to have expressed the same idea in regard to wine and female seduction)." Other hadiths seem to permit homoerotic feelings as long as they are not translated into action. One hadith acknowledges homoerotic temptation and warns against it: "Do not gaze at the beardless youths, for verily they have eyes more tempting than the houris" or "... for verily they resemble the houris". (cf. Dictionary of Modern Written Arabic 3rd ed. p.
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When Cigars of the Pharaoh was first published in the 1930s, Sarcophagus was an unnamed and beardless scholar who wore sunglasses. When Tintin explored the tomb, he found sarcophagi for himself and Snowy but not for the scholar, who does not even turn up in the Red Sea incident—thus, how he ends up in India is unexplained. Tintin finds Sophocles in the Indian jungle completely by chance in a string of absurd coincidences, painting the symbol of Kih-Oskh on palm trees. Tintin even speculates that the scholar is a member of the gang of drug smugglers that he finds himself pitted against.
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The vision evoked in this image is both the Ascent of Christ and his triumphant return at the end of time. An attractive Greek fret in the classical tradition separates this register from the one below, in which are the Virgin and the Apostles, centred in the figures of St Peter, with the keys, and Mary, with a crown in her hand, a curious iconographic detail referring to the Kingdom of Heaven. Also portrayed are Andrew, with the cross, a beardless John the Evangelist and Paul, the Apostle of the Gentiles, who represent the Church militant attending the manifestation of God. Attractive floral borders decorated the windows.
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The Spartan version tells of the raping of virgins and the killing of the king of the Agiad line in Sparta, Teleklos. Ordinarily festivals and temples were sacred and were conducted on sacred ground in Greece; even hunted men could take refuge in a temple because of the taboo against violence. The Spartan version does not explain why the Messenians came to worship and suddenly began committing rape and murder on sacred ground. The Messenian story says that the "virgins" were beardless soldiers dressed up as women under the leadership of Teleklos, and that the soldiers intended to get close to the Messenian aristocracy for an attempt at their lives.
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In the Gospel of Mark (16:12) Jesus is said to have appeared to them "in another form", which may be why he is depicted beardless here, as opposed to the bearded Christ in Calling of St Matthew, where a group of seated money counters is interrupted by the recruiting Christ. It is also a recurring theme in Caravaggio's paintings to find the sublime interrupting the daily routine. The unexalted humanity is apt for this scene, since the human Jesus has made himself unrecognizable to his disciples, and at once confirms and surmounts his humanity. Caravaggio seems to suggest that perhaps a Jesus could enter our daily encounters.
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310x310px The Ephebe does not correspond to any familiar iconographic model, and there are no known copies of the type. He held a spherical object in his right hand,Minute fragments of bronze adhere to the fingers (Svoronos 1911, Myers 1999, Dafas 2019 and 2015). and possibly may have represented Paris presenting the Apple of Discord to Aphrodite; however, since Paris is consistently depicted cloaked and with the distinctive Phrygian cap, other scholars have suggested a beardless, youthful Heracles with the Apple of the Hesperides. It has also been suggested that the youth is a depiction of Perseus holding the head of the slain Gorgon.
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The figure of the Good Shepherd and pastoral scenes were familiar to Christian thought; depictions of a young man, the criophorus, bearing on his shoulders a sheep were known in the ancient world from the 6th century BC and was adopted from the late 3rd century AD into Christian art, especially in funerary contexts. The shepherd was understood to represent Christ, as in John 10:11-17 and Luke 15:4-7. Here the beardless figure of the shepherd is in imperial garb, wearing purple and gold and bearing a cruciform staff in place of the usual shepherd's crook. He holds an imperial staff joined to the Christian cross, .
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Art historians have inserted Tages freely among them but entirely in a speculative fashion. In addition to the labelled scene on the bronze mirror described above, which must have been repeated many times without labels, a type of scene engraved on fourth-century BC gemstones, once set in seal rings, appears to describe the Tages myth. A bearded figure (Tarchon?) bends over as though listening at the head or head and torso of another, beardless figure embedded in or arising from the ground. On a similar theme is a third-century BC bronze votive statuette, high, from Tarquinia, of a sitting infant peering upward with an adult's head and visage.
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234 Before his role as protector of merchants and travelers, Hermes was a phallic god, associated with fertility, luck, roads and borders. His name perhaps comes from the word herma, referring to a square or rectangular pillar of stone, terracotta, or bronze; a bust of Hermes' head, usually with a beard,The image of a youthful, beardless Hermes was a development of the 5th century BCE. sat on the top of the pillar, and male genitals adorned the base. The surmounting heads were not, however, confined to those of Hermes; those of other gods and heroes, and even of distinguished mortals, were of frequent occurrence.
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Apollo is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the kouros (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods.
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In Roman Britannia, a tesselated mosaic pavement was uncovered at Hinton St. Mary, Dorset, in 1963. On stylistic grounds, it is dated to the 4th century; its central roundel represents a beardless male head and bust draped in a pallium in front of the Chi-Rho symbol, flanked by pomegranates, symbols of eternal life. Another Romano-British Chi-Rho, in fresco, was found at the site of a villa at Lullingstone (illustrated). The symbol was also found on Late Roman Christian signet rings in Britain.. In 2020, archaeologists discovered in Vindolanda in northern England a 5th-century chalice covered in religious iconography, including the Chi-Rho.
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Later personified symbols were used, including Jonah, whose three days in the belly of the whale pre-figured the interval between the death and resurrection of Jesus, Daniel in the lion's den, or Orpheus' charming the animals. The image of "The Good Shepherd", a beardless youth in pastoral scenes collecting sheep, was the most common of these images, and was probably not understood as a portrait of the historical Jesus. These images bear some resemblance to depictions of kouros figures in Greco-Roman art. The "almost total absence from Christian monuments of the period of persecutions of the plain, unadorned cross" except in the disguised form of the anchor,Marucchi, Orazio.
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Roman men, however, were free to engage in same-sex relations without a perceived loss of masculinity only as long as they took the penetrative role and their partner was a social inferior such as a slave or male prostitute: the paradigm of "correct" male sexuality was one of conquest and domination. There are significant differences to pederastic scenes found on classical Greek vases. The sex act is presented in graphic detail, and the "beardless youth" appears to encourage the penetration, grasping his lover's arm. In Roman artwork there is an assumption that the penetrated youth is a slave or prostitute and on the Warren Cup, a mutual tenderness is represented.
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In the earliest large New Testament mosaic cycle, in Sant'Apollinare Nuovo, Ravenna (c. 520), Jesus is beardless though the period of his ministry until the scenes of the Passion, after which he is shown with a beard.The two parts of the cycle are on opposite walls of the nave; Talbot Rice, 157. Bridgeman Library The Good Shepherd, now clearly identified as Christ, with halo and often rich robes, is still depicted, as on the apse mosaic in the church of Santi Cosma e Damiano in Rome, where the twelve apostles are depicted as twelve sheep below the imperial Jesus, or in the Mausoleum of Galla Placidia at Ravenna.
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"Run Run Run" is a song by the Velvet Underground originally released on the band's 1967 debut album, The Velvet Underground & Nico. The song was written on the back of an envelope by Lou Reed while he and the band were on their way to a gig at the Café Bizarre. The song details a number of characters living in New York City, including Teenage Mary, Margarita Passion, Seasick Sarah, and Beardless Harry, all of whom are detailed using or seeking drugs. In addition to mentioning New York scenery such as Union Square and 47th Street, the song makes use of drug terms paired with religious imagery.
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Following the shooting the Atlanta Constitution called Standing "fat and beardless, and with not a very bright look, judging from his picture" and reported that those in the community became "alarmed for fear some member of their family might fall a victim to the seductive arguments and pleadings of the young Mormon[s]… [their] services were regularly attended by those who every week became more and more inoculated with the pernicious creed.""In Brigham's Bosom," The Atlanta Constitution, August 7, 1879. In spite of this perception Clawson told a reporter he believed the actions of the mob were not in harmony with the sentiments of the general population.
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The first depictions show Christ standing frontally, apparently at rest, standing on defeated beasts. From the late Carolingian period, the cross starts to end in a spear-head, which Christ may be shown driving down into a beast (often into the mouth of the serpent) in an energetic pose, using a compositional type more often (and earlier) found in images of the Archangel Michael fighting Satan.Hilmo, 49 In all the depictions mentioned above and below, up to the Errondo relief, Christ is beardless. Later still the beasts more often appear beneath the feet of a seated Christ in Majesty, becoming an occasional feature of this subject.
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Jones) There were many legends, stories and miracles said to have taken place in the temple during the centuries of pilgrimage to it. Cicero alluded the merciful nature of Ascleius when he recounted how Dionysius of Syracusa allegedly committed sacrilege at the sanctuary without divine punishment: "He gave orders for the removal of the golden beard of Aesculapius at Epidaurus, saying it was not fitting for the son to wear a beard when his father [Apollo] appeared in all his temples beardless... Nor did Aesculapius cause him to waste away and perish of some painful and lingering disease."Cicero, De Natura Deorum 3. 34 (trans.
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He saw considerable action during the course of hostilities, participating in the Battle of Shiloh and being wounded at least once. A later account in the Vicksburg Daily Herald reported of the youth, "It was under the eye of the gallant Bod Smith that Fitzgerald, then a beardless stripling of seventeen, charged, with his gallant company, the impregnable Federal works, held by a large body of troops, strongly intrenched, with heavy siege guns, behind quadrilateral earthworks, and fell, sword in hand, pierced through the lungs, at the foot of the murderous parapet. He alone of his entire company succeeded in reaching the works." As a result of this action Fitzgerald received a battlefield promotion to first lieutenant.
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After the Civil War, the wench emerged as the most important specialist role in the minstrel troupe; men could alternately be titillated and disgusted, while women could admire the illusion and high fashion.. The role was most strongly associated with the song "Miss Lucy Long", so the character many times bore that name. Actress Olive Logan commented that some actors were "marvelously well fitted by nature for it, having well-defined soprano voices, plump shoulders, beardless faces, and tiny hands and feet.". Many of these actors were teen-aged boys. In contrast was the funny old gal, a slapstick role played by a large man in motley clothing and large, flapping shoes.
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The emphasis on scenes of judgement may have been influenced by the career of Bassus as a magistrate, but all the scenes shown can be paralleled in other Christian works of the period. alt= In all the three scenes where he appears Christ is a youthful, beardless figure with shortish hair (though longer than that of other figures), which is typical of Christian art at this period. The angel standing behind Abraham in the Sacrifice of Isaac is depicted similarly, and without wings. Christ appears in the centre of both rows; in the top row as a law-giver or teacher between his chief followers, Peter and Paul (the Traditio Legis), and on the bottom entering Jerusalem.
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The account in Genesis naturally credits the Creation to the single figure of God, in Christian terms, God the Father. However the first person plural in Genesis 1:26 "And God said, Let us make man in our image, after our likeness", and New Testament references to Christ as creator (John 1:3, Colossians 1:15) led Early Christian writers to associate the Creation with the Logos, or pre-existing Christ. A number of other sarcophagi, most conveniently collected in the same Vatican collection as the Dogmatic Sarcophagus, also show groups of three figures usually interpreted as representing the Trinity in scenes from Genesis. Sometimes one figure is beardless, while the other two are bearded.
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An inscription at Ernzen in Germany has his name as [In]tarabus, while another from Foy-Noville (now within the town of Bastogne in Belgium), invokes Entarabus in conjunction with the Genius Ollodagus. A bronze statuette from the Foy-Noville site, identified on the base as Deo Intarabo (in the dative case), depicts the god as a beardless, long-haired man in a tunic, draped with a wolf skin.David Colling (2011), La statuette d'Intarabus de Foy-Noville, Annales de l'Institut Archéologique du Luxembourg, 145, p. 83-89, ISSN 0776-1244 His raised right hand would presumably have held a spear or some other implement, while his left hand, extended at waist length, is now missing.
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It states instead that Hermolaus was still alive while Pantaleon's torture was under way, but was martyred himself only shortly before Pantaleon's beheading along with two companions, Hermippas and Thermocrates. The saint is canonically depicted as a beardless young man with a full head of curly hair. Pantaleon's relics, venerated at Nicomedia, were transferred to Constantinople. Numerous churches, shrines, and monasteries have been named for him; in the West most often as St. Pantaleon and in the East as St. Panteleimon; to him is consecrated the St. Panteleimon Monastery at Mount Athos, Agios Panteleimon Monastery in Crete, St Panteleimon monastery in Myrtou, Cyprus, and the 12th-century Church of St. Panteleimon in Gorno Nerezi, North Macedonia.
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Abbas II's reign was relatively peaceful and was significant for being free of any Ottoman attack. Abbas II, like his great-grandfather Abbas I, was famous for the construction of many buildings, such as the famous Chehel Sotoun in Isfahan. European travellers and locals, who were charmed by the hospitality and the favourable marketing circumstances of the Iranian court, usually described Abbas II's character and nature in a positive light. The ambassador of the Dutch East India Company, Joan Cuneaus, who made acquaintance with Abbas II in March 1652, where he and the visitors were permitted to drink from the shahs wine chalice, portrayed him as being of medium height, somewhat skinny, agile, and beardless.
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The upper register is based on Revelations 1:1, and shows a vision of the glorified Christ in Majesty, with the Alpha and Omega symbols and the seven candles. John, who throughout the panels is depicted as beardless young man, is shown at the side with his head bowed. The two medallions below this are based on the Gospel of John, and show (on the left) St. Peter and John running towards Jesus' tomb, and (on the right) Jesus walking with Peter while St John follows behind. The crucifixion scene in the central register is more richly coloured that the other panels, and per tradition shows Mary and St. John at the foot of the cross.
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The Lansdowne Heracles is a Roman marble sculpture of about 125 CE. Today it is in the collection of the J. Paul Getty Museum's Getty Villa in Malibu, California. The statue, representing the hero Heracles as a beardless LysippicAdolf Michaelis recognized the canonic features of Lysippus in the youthful Lansdowne Heracles, in Ancient Marbles in Great Britain, 1882:451; Scopas was also invoked (e.g. by Andrew Stewart, "Notes on the reception of the Polykleitan style" in Warren Moon, ed. Polykleitos, the Doryphoros, and tradition :1995:256); the practice of relating classicizing Roman marbles to classical Greek sculptors has been enthusiastically pursued and debated; a survey of attributions is in J. Paul Getty Museum Journal 1 (1974).
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Mithras-Helios, with solar rays and in Iranian dress, with Antiochus I of Commagene. (Mt. Nemrut, 1st Century BCE) According to the archaeologist Maarten Vermaseren, 1stcentury BCE evidence from Commagene demonstrates the "reverence paid to Mithras" but does not refer to "the mysteries". In the colossal statuary erected by King Antiochus I (69-34 BCE) at Mount Nemrut, Mithras is shown beardless, wearing a Phrygian cap (or the similar headdress, Persian tiara), in Iranian (Parthian) clothing, and was originally seated on a throne alongside other deities and the king himself. On the back of the thrones there is an inscription in Greek, which includes the name Apollo Mithras Helios in the genitive case (Ἀπόλλωνος Μίθρου Ἡλίου).
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Hall, 70–71 The oldest known portrait of Jesus, found in Syria and dated to about 235, shows him as a beardless young man of authoritative and dignified bearing. He is depicted dressed in the style of a young philosopher, with close-cropped hair and wearing a tunic and pallium—signs of good breeding in Greco-Roman society. From this, it is evident that some early Christians paid no heed to the historical context of Jesus being a Jew and visualised him solely in terms of their own social context, as a quasi-heroic figure, without supernatural attributes such as a halo (a fourth-century innovation).Brandon, S.G.F, "Christ in verbal and depicted imagery".
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The Young Warriors is a war film filmed in 1967 by Universal Pictures based on Richard Matheson's 1960 novel The Beardless Warriors that was the working title of the film. The novel was inspired by Matheson's own experiences as an 18-year-old infantryman with the 87th Infantry Division in Germany in World War II. The film was directed by John Peyser. It was filmed cheaply by Universal on their backlot using many of its contract players, with Matheson asked to do a rewrite of his screenplay in order to use the battle sequences from Universal's To Hell and Back.Bradle, Matthew R. and Matheson, Richard Richard Matheson on Screen: A History of the Filmed Works McFarland, pp.
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Justin was born around 525, the eldest son of Germanus and his wife Passara. Germanus was a cousin of the Byzantine emperor Justinian I () and thus a member of the wider Justinian dynasty and cousin to Justinian's successor, Emperor Justin II ().. In 540, he was named ordinary consul at a very young age; he is illustrated as beardless in his consular diptych, and is still mentioned as a "young man" by Procopius nine years later. At this point, he already held the title of vir illustris and the honorary office of comes domesticorum. In the same year, he accompanied his father to the East against the Sassanid Persians, but saw no action.
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878: = he looks like his father) These beardless youths are also described as wearing sumptuous robes and having perfumed hair. In addition, there is a number of "purported (but mutually inconsistent) reports" (athar) of punishments of sodomy ordered by early caliphs. Abu Bakr apparently recommended toppling a wall on the culprit, or else burning him alive, while Ali bin Abi Talib is said to have ordered death by stoning for one sodomite and had another thrown head-first from the top of a minaret—according to Ibn Abbas, the latter punishment must be followed by stoning. There are, however, fewer hadith mentioning homosexual behavior in women; but punishment (if any) for lesbianism was not clarified.
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After the raid, Graal returns to his hidden base on the planet Noxon where he is joined by Lady Agatha, the world's tyrannical queen, who hopes to share the rule of the galaxy as Graal's wife once he conquers Metropolis. Kraspin is also hiding there, given asylum in exchange for keeping Agatha young and beautiful with daily injections of a youth serum he creates by sapping the life essence of female slaves. Once in possession of the Kapitron, Kraspin selects the perfect specimen to test his mutation on and targets a bearded, giant of a man named Golob. Kraspin forces Golob to crash his ship in a lake and Kraspin fires a small Kapitron missile which explodes turning Golob into a beardless, raging hulk with superhuman strength.
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According to scholars, the age groups are boys: 12–16; beardless youths: 16–20; men: over 20. One thing that was different about these games than normal funeral games is that prizes were given to runners-up, not just the lone victor. Using the inscription, experts put together a general program like so: Day 1: Musical and Rhapsodic Contest; Day 2: Athletic Contest for Boys and Youths; Day 3: Athletic Contest for Men; Day 4: Equestrian Contest; Day 5: Tribal Contest; Day 6: Torch Race and Sacrifice; Day 7: Boat Race; Day 8: Awarding of Prizes, Feasting and Celebrations. Experts reasonably came up with how the games went based on the order of prizes which were written on the marble block.
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The beardless one on the left is Thaddeus and the one on the right, with a beard, is James, as the inscriptions indicate. The pictorial style belongs to the Lombardicinfluenced Pedret Circle and shows a close relationship with that in the paintings in the cathedral of Saint-Lizier in Couserans (in situ, France). As in Saint-Lizier, in each of the niches in the apse of Sant Pere in Àger there must have been a pair of apostles. All together they must have made up the Apostolic College, whose representation was fully meaningful in Augustinian chapter houses like that of Àger, who, in keeping with the Gregorian reform, wanted to strengthen the independence of the Church as an institution in the face of secular power.
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Anke Eißmann's portrayal of Faramir interrogating Frodo Faramir appears in several illustrations created by John Howe, Ted Nasmith and Anke Eißmann for The Lord of the Rings and related products.See the illustrations by John Howe: , One of the scenes from the book that received many depictions is Faramir and Éowyn's meeting at the top of Minas Tirith.Anke Eißmann's gallery for Book 6 of The Lord of the Rings and Ted Nasmith's Éowyn and Faramir and The Sun Unveiled are prominent examples of art illustrating their meeting. Eißmann apparently follows the book in presenting Faramir as dark-haired and beardless, also emphasising his recent recovery in the illustration for the dialogue with Éowyn; Nasmith depicts Faramir as bearded and brown-haired.
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The sources state that his statue had a beardless head and carried a bundle of arrows in his right hand. The chief feature of this temple, and one which is not shared by many other Roman buildings – probably on account of the very limited space available – is the transversally- elongated cella, whose width is almost double its depth (15 x 8.90 metres). The temple's high podium has a lime-and-mortar internal nucleus lined with travertine marble, the same stone that was used to pave the temple court. The façade runs in line with the road that climbed up from the Clivus Capitolinus, and features a pronaos with four pillars in the central part preceded by a flight of steps.
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Apollo as a handsome beardless young man, is often depicted with a kithara (as Apollo Citharoedus) or bow in his hand, or reclining on a tree (the Apollo Lykeios and Apollo Sauroctonos types). The Apollo Belvedere is a marble sculpture that was rediscovered in the late 15th century; for centuries it epitomized the ideals of Classical Antiquity for Europeans, from the Renaissance through the 19th century. The marble is a Hellenistic or Roman copy of a bronze original by the Greek sculptor Leochares, made between 350 and 325 BCE. The life-size so-called "Adonis" found in 1780 on the site of a villa suburbana near the Via Labicana in the Roman suburb of Centocelle is identified as an Apollo by modern scholars.
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Worship of Cornelius spread through Europe during the 7th to 10th century when his relics were taken to Germany, with the main center of worship at Kornelimünster Abbey in Aachen, just over the border from Bocholtz. During the 19th and 20th century worship of Cornelius became popular in the Dutch provinces of North Brabant and Limburg, and the James the Greater parish acquired a statue of Cornelius. The statue is a wooden neo-gothic 132 centimetre high statue of a beardless young man in mass vestment wearing a tiara, with his right hand holding a horn and his left hand a staff. The statue stands against a column in the back of the church, on the right side of the center nave, just below the rood screen.
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The glib tone and racist disparagement with which he continues this description of coming upon a relief works party at the side of a remote hill can perhaps be explained by his genre and target English audience. Trollope makes a useful contribution to our understanding of the road-building schemes in action in his description of the arrival of the English ‘engineer’, for whom the workers have been waiting since assembling seven hours previously as instructed, before daybreak. The engineer, sent to direct the work, is ‘a very young fellow, still under one-and-twenty, beardless, light-haired, blue-eyed, and fresh from England’ (204). He doesn’t know where he is and sends the men home, noticing that they have no tools.
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Thorn lives his life chiefly as a man but can easily pass for a woman (he is beardless, has shoulder-length hair, and is relatively small-statured), and he uses this ambiguity for his own benefit. Throughout his life, Thorn conducts affairs with both men and women. The novel treats actual historical events, the fall of the Western Roman Empire, the deposition of Romulus Augustulus by Scirian soldiers on 4 September AD 476, and Theodoric's assassination of Odoacer among them. Taking place in most of western Europe (the British Isles and Spain notably excepted), the story has an international feel, heightened by the appearance of several characters from different cultures (not only Romans and Goths but also Greeks, Celts, Huns, Jews and Syrians appear).
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At the centre of the dome is a foreshortened beardless Jesus descending to meet his mother. Correggio's Assumption would eventually serve as a catalyst and inspiration for the dramatically- illusionistic, di sotto in su ceiling paintings of the 17th-century Baroque period. In Correggio's work, and in the work of his Baroque heirs, the entire architectural surface is treated as a single pictorial unit of vast proportions and opened up via painting, so that the dome of the church is equated with the vault of heaven. The illusionistic manner in which the figures seem to protrude into the spectators' space was, at the time, an audacious and astounding use of foreshortening, though the technique later became common among Baroque artists who specialized in illusionistic vault decoration.
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As early as the 4th century BC, Romans had adopted Hermes into their own religion, combining his attributes and worship with the earlier Etruscan god Turms under the name Mercury. According to St. Augustin, the Latin name "Mercury" may be a title derived from "medio currens", in reference to Hermes' role as a mediator and messenger who moves between worlds. Mercury became one of the most popular Roman gods, as attested by the numerous shrines and depictions in artwork found in Pompeii.Beard, Pompeii: The Life of a Roman Town at 295–298 In art, the Roman Mercury continued the style of depictions found in earlier representations of both Hermes and Turms, a young, beardless god with winged shoes and/or hat, carrying the caduceus.
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Belonging to his late Sicyonian father Hegemon, the girl was educated like a lady and Stratophanes fell in love with her, but now, due to an important lawsuit lost by his father, her fate is uncertain as the property of the slaves is claimed by the Boeotian plaintiff. When the girl takes refuge in a temple at Eleusis, the old slave in her company claims that she is an Athenian, and a pale beardless young man offers himself as her protector. But then Stratophanes steps up to declare that she belonged to his family. He implores the Eleusinian assembly to be given more time allowing to prove that she is actually an Athenian, which would save her from the Boeotian, but also make it impossible for the Sicyonian to marry her.
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Köse Halil Pasha ("Beardless Halil Pasha" in Turkish; died 1715), also known as Khalil Pasha al-Kawsaj ("Thin-bearded Halil Pasha" in Arabic), was an Ottoman statesman who served several high-level roles in the Ottoman Empire's administration, including serving as Defterdar (financial minister; 1692/93–1694/95 and 1695/96–1699) and the Ottoman governor of Bosnia Eyalet (1699–1702), Erzurum Eyalet (1703–04), Van Eyalet (1704–06), Basra Eyalet (1706–07, and again 1707–08), Sidon Eyalet (1708–1710), and Egypt Eyalet (1710–11). During his tenure in Erzurum, Hahil Pasha was in command of a military expedition in Georgia in 1703. As the governor of Egypt, he served during a turbulent time and was overthrown by the local (Mamluk) beys in 1711 after a small civil war.
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Some corpses are taboo for shava sadhana: that of a Brahmin (priest caste), of a cow (sacred Hindu animal), of a woman, of an aged man (age not specified), of a leper, of an "untouchable", of a beardless man, of a man whose genitals are not clearly visible, a man who died due to suicide or starvation/famine, of an apostate, and of a hen-pecked man. Though corpses of women are forbidden by the Tantrasara, a Tantric priest from Bolpur, West Bengal described how people used to use the corpse of a virgin girl for shava shadhana. The girl is believed to become the goddess Kali's vessel and speak in the ritual. In absence of human corpses or carcasses of specified animals, the carcass of any animal can be used.
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Firstly, James's father is known to have planned a pilgrimage to the shrine of Saint James of Compostella in 1252 or after, so that James would probably have been born after this, and named in honour of that saint. Secondly, James's Christian name was an unusual one, then uncommon in Scotland and not a traditional name in the Stewart family where Walter and Alan were favoured. It is therefore quite possible that he was not Alexander's eldest son, but rather the eldest surviving son. For these reasons, and also the fact of his son and successor Walter Stewart, 6th High Steward of Scotland being described in about 1314 as a "beardless lad" by John Barbour in his poem The Brus, it is proposed that James was born in about 1260..
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A possible Titanomachy: A beardless Zeus is depicted launching a thunderbolt against a kneeling figure (a Titan?) at the Gorgon pediment from the Temple of Artemis in Corfu as exhibited at the Archaeological Museum of Corfu A somewhat different account of the Titanomachy appeared in a poem that is now lost. The poem was traditionally ascribed to Eumelus of Corinth, a semi-legendary bard of the Bacchiad ruling family in archaic Corinth,The Bacchiadae were exiled by the tyrant Cypselus about 657 BC. who was treasured as the traditional composer of the Prosodion, the processional anthem of Messenian independence that was performed on Delos. Even in Antiquity many authors cited Titanomachia without an author's name. The name of Eumelos was attached to the poem as the only name available.
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In his 1/4-star review, Rolling Stones Peter Travers wrote: "Arriving just in time to win a place among the year's worst films, Robin Hood robs you of two hours", while Glenn Kenny of The New York Times said that the film "strains to be relevant... Jamie Foxx must have lost a bet. The plot is twisty in a perfunctory way, the action predictably explosive, the sought- after exhilaration nonexistent." Peter Bradshaw of The Guardian summarized the film as a "beardless and bloated prequel (which) should be outlawed". Michael O'Sullivan, writing for The Washington Post, described the film as amounting to "a chilly and flavorless frappé of historical speculation, revisionist folklore and every lazy action-movie cliché ever written" and further characterized the dialogue and costumes as anachronistic.
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Contemporary scholarship on this piece asserts that this work represents the 945 CE Easter coronation of junior emperor Romanos II and his child bride, Bertha (renamed Eudokia on her arrival at court). Stating that “emperors are always shown more or less as they looked”, scholars point to the fact that the Romanos depicted on the Ivory is beardless, and therefore more likely to be Romanos II, who was only six years old by the time of his coronation in 945 CE. In contrast, the later Romanos IV would have been about 30 and had a full beard. There is also some allusion to the Eudokia figure’s ‘child-like features’.Cutler, Anthony. “The Date and Significance of the Romanos Ivory,” in Byzantine East, Latin West: Art Historical Studies in Honor of Kurt Weitzmann, ed.
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Possible Titanomachy: A beardless Zeus is depicted launching a thunderbolt against a kneeling Titan? (or Giant?) at the Gorgon pediment from the Temple of Artemis in Corfu as exhibited at the Archaeological Museum of Corfu The Titanomachy (Greek: Τιτανομαχία) is a lost epic poem, which is a part of Greek mythology. It deals with the struggle that Zeus and his siblings, the Olympian Gods, had in overthrowing their father Cronus and his divine generation, the Titans. The poem was traditionally ascribed to Eumelus of Corinth (8th century BC), a semi-legendary bard of the Bacchiad ruling family in archaic Corinth,The Bacchiadae were exiled by the tyrant Cypselus about 657 BC. who was treasured as the traditional composer of the Prosodion, the processional anthem of Messenian independence that was performed on Delos.
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Other scenes remain ambiguous—an agape feast may be intended as a Last Supper, but before the development of a recognised physical appearance for Christ, and attributes such as the halo, it is impossible to tell, as tituli or captions are rarely used. There are some surviving scenes from Christ's Works of about 235 from the Dura Europos church on the Persian frontier of the Empire. During the 4th century a much greater number of scenes came to be depicted,Syndicus, 94–95 usually showing Christ as youthful, beardless and with short hair that does not reach his shoulders, although there is considerable variation.Syndicus, 92–93, Catacomb images Jesus is sometimes shown performing miracles by means of a wand, as on the doors of Santa Sabina in Rome (430–32).
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The image of "The Good Shepherd", a beardless youth in pastoral scenes collecting sheep, was the most common of these images, and was probably not understood as a portrait of the historical Jesus. The depiction of Jesus already from the 3rd century included images very similar to what became the traditional image of Jesus, with a longish face and long straight hair. As the Church increased in size and popularity, the need to educate illiterate converts led to the use of pictures which portrayed biblical stories, along with images of saints, angels, prophets, and the Cross (though only portrayed in a bejewelled, glorified state). After the end of persecution, and the adoption of Christianity by Constantine, large churches were built and from the start decorated with elaborate images of Jesus and saints in mosaic.
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The final vignette is an allusion to the Marquis de Sade's novel The 120 Days of Sodom; the intertitle reads: 120 Days of Depraved Acts, about an orgy in a castle, wherein the surviving orgiasts are ready to emerge to the light of mainstream society. From the castle door emerges the bearded and berobed Duc de Blangis (a character from de Sade's novel) who greatly resembles Jesus, the Christ, who comforts a young woman who has run out from the castle, before he takes her back inside. Afterwards, a woman's scream is heard, and only the Duc re-emerges; and he is beardless. The concluding image is a Christian cross festooned with the scalps of women; to the accompaniment of jovial music, the scalps sway in the wind.
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Luwdig Schorn, Ernst Förster, vol. 4 (1846), 345f. (però che aveva sempre attorno fanciulli e giovani sbarbati, i quali amava fuor di modo, si acquistò il sopranome di Soddoma, del quale, non che si prendesse noia o sdegno, se ne gloriava, facendo sopra esso stanze e capitoli e cantandogli in sul liuto assai commodamente. trans. Adrienne DeAngelis: "since he always had about him boys and beardless youths, whom he loved more than was decent, he acquired the by-name of Sodoma; and in this name, far from taking umbrage or offence, he used to glory, writing about it songs and verses in terza rima, and singing them to the lute with no little facility.") See also: Jeanne Morgan Zarucchi, "Vasari’s Biography of Bazzi as ‘Soddoma’: Art History and Literary Analysis", Italian Studies 70.2 (2015), .
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This suggests that Brenner may have drawn inspiration from the well-known Brady photograph of Lincoln with his son, Tad. In a 2012 study published in Coin World, numismatic historian Fred Reed suggests that Brenner's Lincoln work was based on a Brady portrait of Lincoln in right profile which was taken on the same day as the picture with his son (there were several photos taken at this sitting).See As the photograph in question only showed Lincoln's head and shoulders, Reed indicates that Brenner obtained additional detail from an 1860 campaign photograph of a beardless Lincoln. "The Penny Profile" photo, February 9, 1864 On January 18, 1909, Brenner submitted models to the Mint with a Lincoln profile on the obverse, and a reverse design very similar to that on the then-current French silver coins, showing a tree branch.
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In 1863, fine-arts inspector general Arsène Houssaye received an imperial commission to excavate the site and discovered a partially complete skeleton with a bronze ring on one finger, white hair, and stone fragments bearing the inscriptions "EO", "AR", "DUS", and "VINC"—interpreted as forming "Leonardus Vinci". The skull's eight teeth corresponds to someone of approximately the appropriate age and a silver shield found near the bones depicts a beardless Francis I, corresponding to the king's appearance during Leonardo's time in France. Houssaye postulated that the unusually large skull was an indicator of Leonardo's intelligence; author Charles Nicholl describes this as a "dubious phrenological deduction." At the same time, Houssaye noted some issues with his observations, including that the feet were turned towards the high altar, a practice generally reserved for laymen, and that the skeleton of seemed too short.
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The rooms on the first floor of the Old Hermitage were designed by Andrei Stakenschneider in revival styles in between 1851 and 1860, although the design survives only in some of them. They feature works of Italian Renaissance artists, including Giorgione, Titian, Veronese, as well as Benois Madonna and Madonna Litta attributed to Leonardo da Vinci or his school. The Small Italian Skylight Room The Italian Renaissance galleries continues in the eastern wing of the New Hermitage with paintings, sculpture, majolica and tapestry from Italy of the 15th–16th centuries, including Conestabile Madonna and Madonna with Beardless St. Joseph by Raphael. The gallery known as the Raphael Loggias, designed by Giacomo Quarenghi and painted by Cristopher Unterberger and his workshop in the 1780s as a replication of the loggia in the Apostolic Palace in Rome frescoed by Raphael, runs along the eastern facade.
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It successfully resisted Cassander in 301 BC, but it was taken by the king of Macedon Philip V, the son of Demetrius II Aetolicus. It remained faithful to Philip V when the Romans invaded Greece, and was taken by assault by the Romans in 198 BC.Livy, Ab Urbe condita, xxxii. 24 At a later time, the Romans declared the town free, because the inhabitants had repulsed an 86 BC attack by Taxiles, the general of Mithridates VI. Among noteworthy sites in Elateia, Pausanias mentions the agora, a temple of Asclepius that contained a beardless statue of the god, a theater, and an ancient brazen statue of Athena. He also mentions a temple of Athena Cranaea, situated 20 stadia from Elateia: the road to it was a very gentle ascent, but the temple stood upon a steep hill of small size.
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Nisse on Christmas Card (1885) The nisse/tomte was often imagined as a small, elderly man (size varies from a few inches to about half the height of an adult man), often with a full beard; dressed in the traditional farmer garb, consisting of a pull-over woolen tunic belted at the waist and knee breeches with stockings. This was still the common male dress in rural Scandinavia in the 17th century, giving an indication of when the idea of the nisse spread. However, there are also folktales where he is believed to be a shapeshifter able to take a shape far larger than an adult man, and other tales where the nisse is believed to have a single, Cyclopean eye. In modern Denmark, nisser are often seen as beardless, wearing grey and red woolens with a red cap.
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He joined his brother Keōua Kūʻahuʻula's forces in opposition to Kamehameha in 1782 after the Battle of Mokuʻōhai split the island into three warring chiefdoms. In his book; "Pauahi: the Kamehameha legacy ", George H. Kanahele states that Bernice Pauahi Bishop's mele hānau does not actually mention Kamehameha I. He attributes the suggestion of Kaʻōleiokū being a son of Kamehameha to Joseph Mokuʻōhai Poepoe who calles Pauli; "ke keiki kamahaʻo" ("the love child"). Kanahele also states that Mary Kawena Pūkuʻi described this as part of the training of each warrior, and supposedly Kānekapōlei was chosen for this training. The author points out that the incident that created the doubt was when Keōua Kūʻahuʻula was killed at the consecration of the Puʻukoholā Heiau and Kamehameha announced that Kaʻōleiokū was the child of his beardless youth thus sparing his life.
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In a memorable scene, he and Elmer Fudd shoot off the teeth of one of the Monstars while clad in Pulp Fiction-esque attire, complete with Dick Dale's "Misirlou" playing. In an earlier scene, when the Nerdlucks hold all the toons hostage, he confronts the Nerdlucks, pointing his pistols at them, and orders them to release all the toons ... only to have the lead Nerdluck fire a laser pistol back at him, which leaves Sam smoldering naked and beardless as the phasers burned off his mustache. Sam also appeared in The Warners 65th Anniversary Special and two episodes of 1995's The Sylvester and Tweety Mysteries. In the 2003 movie Looney Tunes: Back in Action, Yosemite Sam is a bounty hunter employed by the Acme Corporation who was hired to finish off DJ Drake and Daffy Duck.
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The population likely varied seasonally with market fairs and the schedules of the Indian monsoon and caravans to the coast and interior. Corinthian capitals ornamenting the Temple of Bacchus During Classical Antiquity, the city's temple to Baʿal Haddu was conflated first with the worship of the Greek sun god Helios and then with the Greek and Roman sky god under the name "Heliopolitan Zeus" or "Jupiter". The present Temple of Jupiter presumably replaced an earlier one using the same foundation; it was constructed during the mid-1st century and probably completed around 60\. His idol was a beardless golden god in the pose of a charioteer, with a whip raised in his right hand and a thunderbolt and stalks of grain in his left; its image appeared on local coinage and it was borne through the streets during several festivals throughout the year.
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The drawing has a loosely sketched background and shows, from left to right: an unidentified bishop saint with mitre and crosier making a blessing gesture; a narrow gap with a few wavy vertical lines suggesting a start at the outline of a further kneeling figure; a barefoot bearded figure in a rough robe identified as Saint John the Baptist; a seated Virgin holding on her lap the Christ Child who leans to the right, looking at a book; and holding the book, a kneeling beardless male identified as John the Evangelist. The drawing stops at the end of John's robe, at about the point on the London panel where Joseph's walking stick meets John and the Magdalene's robes. This suggests that the Magdalene panel was the first to be cut from the larger work. Head of a Female Saint (Saint Catherine?) (fragment). .
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In this interpretation, the poet could have travelled with Wingfield and Chief Justice Shareshull to Chester for a judicial enquiry, or eyre, recorded in 1353; the poem would have been a suitable entertainment for the banquet held by the Prince at Chester Castle for local administrators.Turville-Petre, T. 'Wynner and Wastoure: When and Where?' in Houwen & McDonald (eds), Loyal Letters: Studies on Mediaeval Alliterative Poetry & Prose, John Benjamins, 1994, pp. 164-6 The author laments at the start of Wynnere and Wastoure that poetic standards and appreciation have degenerated alongside society; where once lords gave a place to skilled "makers of myrthes" (21), the serious poets have been supplanted by beardless youths who "japes telle" (26), having "neuer wroghte thurgh witt three wordes togidere" (25). This complaint could indicate a certain conservatism on the poet's part, though it could also be merely conventional, as similar passages are quite common.
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Peniston (2004) pp. 77–78. This is less likely as Reddie died several years before the book's publication, and was ill with poor eyesight prior to that. Saul's character is described as possessing "a fresh looking beardless face, with almost feminine features, auburn hair and sparkling blue eyes…and endowed by a very extraordinary development of the male appendage". Asked by a prospective customer to provide this name, his character replies: "Saul, Jack Saul, Sir, of Lisle Street, Leicester Square, and ready for a lark with a free gentleman at any time."Anon: Saul, Jack The Sins of the Cities of the Plain or the Recollections of a Mary-Anne, Vol I, 1882 In the book Saul is picked up on the street by a 'Mr Chambon' who, charmed by his looks and story, pays him five pounds a week to write his memoirs.
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Trail in the park Birds species include the yellow- headed caracara (Milvago chimachima), solitary tinamou (Tinamus solitarius), Amazon parrots, Muscovy duck (Cairina moschata), blue ground dove (Claravis pretiosa), violaceous quail-dove (Geotrygon violacea), chestnut-bellied seed finch (Oryzoborus angolensis), hummingbirds, toucans, pionus parrots, black- throated grosbeak (Saltator fuliginosus), rufous-bellied thrush (Turdus rufiventris), forpus parrots, great kiskadee (Pitangus sulphuratus), thraupis, woodpeckers, tataupa tinamou (Crypturellus tataupa), small-billed tinamou (Crypturellus parvirostris), partridges, seriemas, hawks and Cathartiformes. Other birds observed in the park include the rufous-tailed jacamar (Galbula ruficauda), squirrel cuckoo (Piaya cayana), southern beardless tyrannulet (Camptostoma obsoletum), purple-throated euphonia (Euphonia chlorotica), grey- headed tanager (Eucometis penicillata), barred antshrike (Thamnophilus doliatus), pale-breasted thrush (Turdus leucomelas), toco toucan (Ramphastos toco), white-throated spadebill (Platyrinchus mystaceus), sepia-capped flycatcher (Leptopogon amaurocephalus), silver-beaked tanager (Ramphocelus carbo), planalto tyrannulet (Phyllomyias fasciatus), bananaquit (Coereba flaveola) and red-eyed vireo (Vireo olivaceus).
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Hall, 66 The image of "The Good Shepherd", a beardless youth in pastoral scenes collecting sheep, was the most common of these images, and was probably not understood as a portrait of the historical Jesus at this period.Syndicus, 21–3 It continues the classical Kriophoros ("ram- bearer" figure), and in some cases may also represent the Shepherd of Hermas, a popular Christian literary work of the 2nd century.Cartlidge and Elliott, 53–55. See also The Two Faces of Jesus by Robin M. Jensen, Bible Review, 17.8, October 2002, and Understanding Early Christian Art by Robin M. Jensen, Routledge, 2000 Among the earliest depictions clearly intended to directly represent Jesus himself are many showing him as a baby, usually held by his mother, especially in the Adoration of the Magi, seen as the first theophany, or display of the incarnate Christ to the world at large.
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Wildlife spotted at Bushy Lake include:the western pond turtle, North American River Otter, red tailed hawks, Valley Elderberry Longhorn Beetles, the Willow Flycatcher, and many other bird species. Bushy Lake is a wetland riparian plant community. As a result of different stressors, such as fire and drought, there has been an increase in the biomass of invasive species in the area that prosper in drought-like conditions. A vegetation survey of the area revealed native and non-native species present at Bushy Lake, 52% are native to the area and include trees, bushes, and herbaceous understory including: beardless wild rye (Elymus triticoides) and Santa Barbara sedge (Carex barbarae), elderberry (Sambucus Mexicana), coyote brush (Baccharis pilularis), California blackberry (Rubus ursinus), California grape (Vitis californica), sandbar willow (Salix exigua), arroyo willow (Salix lasiolepis), Goodding’s willow (Salix gooddingii), box elder (Acer negundo), and Fremont’s cottonwood (Populus fremontii).
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Schiller, I, 147. On the Brescia Casket Christ flanked by two other men stand on wavy lines that might be clouds or waves; in the latter case the secene shows something else, perhaps the Calling of Peter and Andrew A more symbolic representation in the Basilica of Sant'Apollinare in Classe in Ravenna, 533–549, where the lambs represent apostles A different, symbolic, approach is taken in the apse mosaic of the Basilica of Sant'Apollinare in Classe in Ravenna, also mid 6th century, where half-length figures of Moses (beardless) and Elijah emerge from little clouds on either side of a large jewelled cross with a Hand of God above it. This scene occupies the "sky" over a standing figure of Saint Apollinaris (said to have been a disciple of Saint Peter) in a paradisal garden, who is flanked by a frieze-like procession of twelve lambs, representing the Twelve Apostles.
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On the two highest terraces of the hill so far three settlement phases were detected archaeologically. (I) The earliest settlement dates from the period 1300 - 970 BC (14C data); previously no associated architectural remains were found, but layers and a wide variety of finds. At least one predecessor of the fortified wall that surrounds Terrace I and II is contemporary to this earliest phase. The carved lime rock ashlars that were embedded in the later architecture (II-III) as building material could originate from a cult or representative building of this earliest phase or a little later from the period 900-700 BC. The three largest and most interpretable fragments that were found so far show (a) the head of a decorated lion, (b) a woman or child with a goat, and (c) with a (a-b) stylistically similar illustration of two (seated?) beardless persons, each are holding an instrument in front of them that surmount their heads considerably, maybe a harp.
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John Quincy Adams (1825–29) was the first U.S. president to have notable facial hair, with long sideburns.Most Presidents Have Favored Beardless Look, Star- Banner (Associated Press), August 27, 1986 But the first major departure from the tradition of clean-shaven chief executives was Abraham Lincoln (1861–65),Brus, Michael.Beards, Slate (magazine), August 9, 2001Whiskers in History, Chicago Tribune, May 27, 1888 ("Thirty Years Ago a Bearded Man in the United States Was an Exception – The Fathers of the Republic Were Smooth Shaven – All Republican Candidates and Presidents Have Worn Full Beards, While No Democrat Has Yet Been Able to Display More than a Mustache")Presidential Whiskers, Atlanta Constitution, January 7, 1892 who was supposedly (and famously) influenced by a letter received from an eleven-year-old girl named Grace Bedell, to start growing a beard to improve his chances of being elected.Kansas Honors Girl Who Urged Lincoln To Grow Whiskers, The New York Times, August 9, 1966Shapiro, Ben.
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Erasmus Darwin offered the first glimpse of his theory of chypofuet, obliquely, in a question at the end of a long footnote to his popular poem The Loves of the Plants (1789), which was republished throughout the 1790s in several editions as The Botanic Garden. His poetic concept was to anthropomorphise the stamen (male) and pistil (female) sexual organs, as bride and groom. In this stanza on the flower Curcuma (also Flax and Turmeric) the "youths" are infertile, and he devotes the footnote to other examples of neutered organs in flowers, insect castes, and finally associates this more broadly with many popular and well- known cases of vestigial organs (male nipples, the third and fourth wings of flies, etc.) > Woo'd with long care, CURCUMA cold and shy > Meets her fond husband with averted eye: > Four beardless youths the obdurate beauty move > With soft attentions of Platonic love. Darwin's final long poem, The Temple of Nature was published posthumously in 1803.
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Emperor Nikephoros III flanked by personifications of Truth and Justice, and by his senior court dignitaries, from an illuminated manuscript dating to the 1070s. From left: the proedros and epi tou kanikleiou, the prōtoproedros and prōtovestiarios (a eunuch, since he is beardless), the emperor, the proedros and dekanos, and the proedros and megas primikērios. In the 8th–11th centuries, according to information provided by the Taktikon Uspensky, the Klētorologion of Philotheos (899) and the writings of Constantine Porphyrogennetos, below the imperial titles, the Byzantines distinguished two distinct categories of dignities (): the "dignities by award" (), which were purely honorific court titles and were conferred by the award of a symbol of rank, and the "dignities by proclamation" (), which were offices of the state and were conferred by imperial pronouncement. The former were further divided into three subcategories, depending on who was eligible for them: different sets of titles existed for the "Bearded Ones" (βαρβάτοι from Latin barbati, i.e.
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Ares/Mars is portrayed as young and beardless and seated on a trophy of arms, while an Eros plays about his feet, drawing attention to the fact that the god of war, in a moment of repose, is presented as a love object. The 18th-century connoisseur Johann Joachim Winckelmann, a man with a practiced eye for male beauty, found the Ludovisi Ares the most beautiful Mars that had been preserved from Antiquity, when he wrote the catalogue of the Ludovisi collection. Rediscovered in 1622, the sculpture was apparently originally part of the temple of Mars (founded in 132 BCE in the southern part of the Campus MartiusThe southern part of the Campus Martius ), of which few traces remain, for it was recovered near the site of the church of San Salvatore in Campo. Pietro Santi Bartoli recorded in his notes that it had been found near the Palazzo Santa Croce in Rione Campitelli during the digging of a drain.
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The work is lost since at least the 17th century, known only through three surviving fragments and drawing of the full work in Stockholm's Nationalmuseum by a follower of van der Weyden.Campbell (1998), 398–400 The drawing is sometimes attributed to the Master of the Drapery Studies. The drawing has a loosely sketched background and shows, from left to right: an unidentified bishop saint with mitre and crosier making a blessing gesture; a narrow gap with a few wavy vertical lines suggesting a start at the outline of a further kneeling figure; a barefoot bearded figure in a rough robe identified as Saint John the Baptist; a seated Virgin holding on her lap the Christ-child who leans to the right, looking at a book; and holding the book, a kneeling beardless male identified as John the Evangelist. The drawing stops at the end of John's robe, at about the point on the London panel where Joseph's walking stick meets John and the Magdalen's robes.
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The influence of Greek art, however, led to "heroic" nude portrayals of Roman men and gods, a practice that began in the 2nd century BC. When statues of Roman generals nude in the manner of Hellenistic kings first began to be displayed, they were shocking not simply because they exposed the male figure, but because they evoked concepts of royalty and divinity that were contrary to Republican ideals of citizenship as embodied by the toga.Paul Zanker, The Power of Images in the Age of Augustus (University of Michigan Press, 1988), p. 5ff. The god Mars is presented as a mature, bearded man in the attire of a Roman general when he is conceived of as the dignified father of the Roman people, while depictions of Mars as youthful, beardless, and nude show the influence of the Greek Ares. In art produced under Augustus, the programmatic adoption of Hellenistic and Neo-Attic style led to more complex signification of the male body shown nude, partially nude, or costumed in a muscle cuirass.
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He is beardless, and "compounded from antique conceptions of Hercules, Apollo, and Jupiter Fulminator", probably, in particular, the Belvedere Apollo, brought to the Vatican by Pope Julius II.Khan However, there are parallels for his pose in earlier Last Judgments, especially one in the Camposanto of Pisa, which Michelangelo would have known; here the raised hand is part of a gesture of ostentatio vulnerum ("display of the wounds"), where the resurrected Christ reveals the wounds of his Crucifixion, which can be seen on Michelangelo's figure.Sistine, 185; Hall, 187; Detail from Pisa To the left of Christ is his mother, Virgin Mary, who turns her head to look down towards the Saved, though her pose also suggests resignation. It appears that the moment has passed for her to exercise her traditional role of pleading on behalf of the dead; with John the Baptist this Deesis is a regular motif in earlier compositions.Sistine, 185–186; Freedberg, 471; Barnes, 65–69; Murray, 10 Preparatory drawings show her standing and facing Christ with arms outstretched, in a more traditional intercessory posture.
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With the increased popularity in many countries of women wearing fashion clothing, sportswear and swimsuits during the 20th century and the consequential exposure of parts of the body on which hair is commonly found, there has been an increase in the practice of women removing visible body hair and hirsutism, such as on legs, underarms and elsewhere. In the United States, for example, the vast majority of women regularly shave their legs and armpits, while roughly half also shave hair that may become exposed around their bikini pelvic area (often termed the "bikini line"). Many men in Western cultures are accustomed to shave their facial hair, so only a minority of men reveal a beard, even though fast-growing facial hair must be shaved daily to achieve a clean-shaven or beardless appearance. Some men shave because they cannot genetically grow a "full" beard (generally defined as an even density from cheeks to neck), their beard color is genetically different from their scalp hair color, or because their facial hair grows in many directions, making a groomed or contoured appearance difficult to achieve.
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Traditio legis, or "transmission of the law," Christ as lawgiver, mosaic, Basilica of San Lorenzo, Milan, 4th century, includes a scroll box at Christ's feet. From the latter part of the fourth century, a still beardless Christ begins to be depicted seated on a throne on a dais, often with his feet on a low stool and usually flanked by Saints Peter and Paul, and in a larger composition the other apostles. The central group of the Sarcophagus of Junius Bassus of 359 (Vatican) is the earliest example with a clear date. In some cases Christ hands a scroll to St Peter on his right, imitating a gesture often made by Emperors handing an Imperial decree or letter of appointment to an official, as in ivory consular diptychs, on the Arch of Constantine, and the Missorium of Theodosius I. This depiction is known as the Traditio legis ("handing over the law"), or Christ the lawgiver – "the apostles are indeed officials, to whom the whole world is entrusted" wrote Saint John Chrysostom.
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