It might have helped sell Jay's babe-in-the-woods act this week.
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Virtual reality may be a babe in the woods, but it's growing up fast.
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Naz, babe in the woods that he is, refuses to say he committed a crime he didn't commit.
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Mr. Sessions, who prides himself on methodical preparation, has said he was "a babe in the woods" before the committee.
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I was but a babe in the woods when Kitchen Confidential came out, working in my first Big Time professional kitchen.
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I was in a new city, still a babe in the woods, and it was something I had never reckoned with before.
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An economic downturn could happen as a direct result of a babe-in-the-woods trying to do the heavy lifting of world trade.
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The word count is low (62) and there is not a lot of little fill, both challenging elements for any constructor, let alone a naïf, a babe in the woods.
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It stars Watson as Mae, a digital babe-in-the-woods worried about her ailing father (Paxton) and her off-the-digital-grid platonic love interest Mercer (Ellar Coltrane, from Boyhood).
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"The naïf cum babe in the woods cum new guy in town cum man-boy cum…visitor-in-an-unusual-environment conceit was, uh…was very, very good to me," he said.
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The man who titled his first memoir "My Lives" has led dozens of them: babe in the woods, sex god, thief-biographer, critic, giggling Stonewall correspondent, AIDS elegist, and on and on.
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Sessions said he was a "babe in the woods" during the 1986 hearings, and this time around, he is steeling himself for a grilling by his colleagues on the Republican-controlled Senate Judiciary Committee.
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Because as mature as you may think you are in your 20s, you're a relative babe in the woods, and I refuse to accommodate your premature wish to be sterilized without a good medical reason.
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It's only when the memoir arrives at her tenure as a chief of staff at Kleiner Perkins that she fully sheds the voice of the innocent babe in the woods and allows some welcome cynicism and anger to come through.
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We are then introduced to Rush, a ginger-bearded veteran of recovery programs who admits "I've never given it my all"; Adam, who seems a babe in the woods; and Ryan, who comes in off the street, without even having detoxed.
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The image of a dead bird in the snow is similar to the popular "Babe in the Woods" motif of children who are in their mortal sleep in the forest, and may have likewise been a call to empathy for the less fortunate.
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Ahmed goes from a babe in the woods to a creature of the woods in this episode, joking with Freddy and his crew, buzzing off all his hair, standing in front of the communal rec room TV to demonstrate that he won't back down, taking out his hidden anger on a punching bag.
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McDonald played himself in the mob movie "Goodfellas," and one of his lines in that film to a mob associate's wife (Lorraine Bracco) — "Don't give me the babe-in-the-woods routine, Karen" — became memorable in its own right.) Even mob guys have mirrored behavior from the "Godfather" films on occasion, as in 1977 when prosecutors said a man acting on behalf of the Colombo crime family was trying to secretly stash bribe money in a Long Island restaurant.
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For example, at 211A, UMBRELLA POLICY is the answer to the clue "Regulation regarding a 229 #1 Rihanna hit?" and "Umbrella" is the name of that 2007 hit song: Similarly, the 53A clue, "1979 #1 Styx hit played for Little Red Riding Hood?" has as its answer BABE IN THE WOODS, with "Babe" being the No. 1 hit by the band Styx: Ms. Loeb and Mr. Peterson even got Ms. Loeb's 113 No. 1 hit song, "Stay," into their theme: And who could resist Pharrell Williams's 2014 hit, "Happy"?
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The version was less well received, as by this time Sinatra had long moved beyond any babe-in- the-woods persona. Earlier, Sinatra had performed a version for the Old Gold radio show. A rehearsal take for that show in which Sinatra clowns around by voicing it in the manner of Mickey Katz has found popularity with collectors.
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Screenwriter Julian P. Gardner created a musical production number, "Big Surprise" as the children at Weekum's orphanage plead Santa Claus for more toy cats. Other songs include the chorus "Babe in the Woods" and the powerful chant, "Ora e Sempre (Today and Forever)" representing the immortals. Bernard Hoffer composed the music, as well as setting a quatrain by Baum inspired by Claus's famous laugh. The presentation of the Christmas tree is different; Claus, realizing his death is imminent, decorates a tree with ornaments and suggests it should be his memorial.
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Regarding the racism black players faced in the early years of the NBA, Lloyd recalled being refused service multiple times and an incident where a fan in Indiana spit on him. However, Lloyd persevered and said that these instances only pushed him and made him play harder. Saying he didn't encounter racial animosity from teammates or opposing players, Lloyd said of fans' antics, “My philosophy was: If they weren’t calling you names, you weren’t doing nothing. If they’re calling you names, you were hurting them.” "In 1950, basketball was like a babe in the woods; it didn't enjoy the notoriety that baseball enjoyed," Lloyd once said.
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Larry Kenney was the Commander of the Wind Demons, who initially served as a devil's advocate to Ak at the fateful hearing, but soon became the Immortal most approving of giving the Mantle to Claus, and casts the first vote in what proves to be a unanimous decision to that effect. Most of the Immortals' titles were changed to alleviate them all being kings and queens. Screenwriter Julian P. Gardner created a musical production number, "Big Surprise" as the children at Weekum's orphanage plead Santa Claus for more toy cats. Other songs include the chorus "Babe in the Woods" and the powerful chant, "Ora e Sempre (Today and Forever)" representing the immortals.
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Noonan said; "This album was one of the hardest albums I have ever made! Not only musically challenging but I was babe in the woods with this intense band!! I remember doing one of our first live takes and going outside and have a good cry in the gutter, nevertheless, I came out the other side relatively unscathed and am extremely proud of this album and we had a great time touring Australia with this music". Comprising sixteen songs, the cycle explores the trajectory of a single relationship. "Before Time Could Change Us" is the final song in the cycle, and expresses what Porter referred to as the 'We’ll always have Paris' effect – the mature realisation that the breakup had made both parties stronger.
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In Tummy Trouble and Roller Coaster Rabbit, she made no impression. But in Trail Mix-Up, Roger fantasizes over her, calling her a "babe in the woods" and panting like a dog. She also appeared frequently in the Roger Rabbit comic book series, and she had her own feature in most issues of Roger Rabbit's Toontown such as "Beauty Parlor Bedlam," where she comes face to face with female weasel counterpart, Winnie. Though Jessica didn't physically appear in the Disney film Aladdin and the King of Thieves, a cardboard cut-out of her body (from the neck-down) was visible for a few seconds while Genie was picking wedding dresses for Princess Jasmine, to which he did the Wolf- whistle.
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She mentions Stephenson's poor writing and his lack of knowledge of the literary tradition, which she considers to be because "the greatest influences upon Stephenson's work have been comic books and cartoons". She dislikes his use of anachronism, his failure to be literary and his general approach to historical fiction. She writes of Stephenson and the reviewers who reviewed the work in a positive manner: > Stephenson is decidedly not a prodigy; but his babe-in-the-woods routine has > proved irresistible for some, who are hailing his seemingly innate ability > to meld the products of exhaustive historical research with what they see as > a brilliant, idiosyncratic sense of humor and adventure. Time's critic has > declared that Stephenson has a "once-in-a-generation gift", and that > Quicksilver "will defy any category, genre, precedent or label—except for > genius".
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While still at UCLA he had the lead role in Johnny Moccasin (1956), a half hour film made for television by Laslo Benedek as a white boy raised by Indians after a massacre. McCrea followed this with a good supporting role in a feature starring his father, The First Texan (1956). McCrea studied under Sanford Meisner for two years in New York City. He appeared on television in Chevron Hall of Stars ("Flowers for Charlie McDaniels"), The George Burns and Gracie Allen Show ("Return to California", "George's Gray Suit", "Fighting for Happiness"), Conflict ("No Man's Road" with Gig Young and Dennis Hopper), Studio One in Hollywood ("Babe in the Woods" – The New York Times said that "his playing was not too resourceful"), Sergeant Preston of the Yukon ("The Criminal Collie"), and Kraft Theatre ("The Last of the Belles").
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Throughout the series, author Lin Carter has portrayed himself as the recipient and editor of the manuscripts of protagonist Jonathan Dark (Jandar), teleported from the Jovian moon Callisto (moon) (or Thanator, as its inhabitants call it) to the ruined Cambodian city of Arangkhôr. In this volume he finally travels to Cambodia, hoping to learn what became of Jandar after the conclusion of the last volume of his memoirs, Mind Wizards of Callisto. Once in Arangkhôr Carter accidentally falls into the well-like teleportation device himself, and is duly transported to the jungle moon as Jandar had been. A literal babe in the woods, he is hardly cut out to become an interplanetary hero; indeed, he spends much of his sojourn on Thanator mooning like a tourist over its extraordinary sights, likening them to wonders of which he has read or seen portrayed in various works of fantastic literature and art.
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Following the end of the Second Liberian Civil War, Weah announced his intention to run for President of Liberia in the 2005 elections, forming the Congress for Democratic Change to back his candidacy. While Weah was a popular figure in Liberia, opponents cited his lack of formal education as a handicap to his ability to lead the country, in contrast with his Harvard-educated opponent, Ellen Johnson Sirleaf. Analysts also noted Weah's lack of experience, calling him a "babe-in-the-woods", while Sirleaf had served as minister of finance in the Tolbert administration in the 1970s and had held positions at Citibank, the World Bank and the United Nations. Weah's eligibility to run for Presidency was also called into question as it was reported that he had become a French citizen in his footballing career at Paris St. Germain, but these complaints were rebuffed by the electoral commission in court and Weah was allowed to proceed.
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