Jumpman was a simple soul with a simple talent: jumping.
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"Rose was never this sweet, simple soul — there was always something ferocious about her," Ms. Corman said.
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Think of "Philomena" (2013), in which Judi Dench played a simple soul on a quest for her long-lost son.
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Barnaby, a simple soul whose idea of a good time usually involves little more than staring at the toilet or licking a wall, seemed lost.
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Driftwood is the sixth studio album by Eddi Reader released in the UK on 8 October 2001. Driftwood is also the name of the recording studios, owned by Roy Dodds, where the tracks were all recorded during the same sessions for the previous album Simple Soul. The album has a somewhat unusual status as being almost an album of outtakes although critics and fans regarded it as a bona fide and worthy follow-up album in its own right. The album was released independently by Reader herself and initially sold at the Simple Soul autumn 2001 tour dates.
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Like Theresia and Sing Hi, Finch is another amusing and unique character. Thought dwarf at only four feet and half, he possesses many talents. An innocent and simple soul, Finch used to work in a circus. He can extend his height by using bamboos and walk like a normal person.
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Returning to London, Reader worked on new material with a backing band calling itself The Patron Saints of Imperfection (made up of Roy Dodds, Neill and Calum MacColl, and Phil Steriopoulos). This became her first solo album, recorded for RCA Records: 1992's Mirmama. She met Geoff Travis who signed her to Warner Brothers subsidiary label, Blanco Y Negro. The managing director Rob Dickens executively produced her second solo album Eddi Reader (1994), which won her the "Best female singer" BRIT Award that year, followed by Candyfloss and Medicine (1996), and Angels & Electricity (1998). She parted from Warner Brothers and continued her work on Geoff Travis' Rough Trade label when she recorded Simple Soul (2001) and Driftwood (2002) – a "homegrown" release of songs recorded during the Simple Soul sessions.
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The story takes place in a remote village in the Kerala Highranges. Solomon (Dileep), the son of the village sexton, Geevarghese (Vijayaraghavan), a simple soul who is quiet in nature and fears virtually everything around, thus earning the nickname Kunjaadu (little lamb). His mother, Mary (Vinaya Prasad), was Ittichan's (Innocent) crush. He named his daughter Mary (Bhavana) after Solomon's mother.
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He was a simple soul who started his journey from a small village and made it to several prestigious institutes in India and abroad. He truly lived a meaningful life aimed at improving quality of life of his fellow countrymen. He never received any Prize or glorification from any government or non government bodies. The respect he earned from his students, colleagues and peers was more than any medal or prize.
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Also under suspicion are the crew of the barge Providence, particularly its carter, who had spent the night in the stable, possibly on the night of the murder. He turns out to be a simple soul, incapable of harm. When a second member of the Southern Cross's party is murdered, Maigret has to uncover the secrets of all concerned, including the mild-mannered carter of the Providence.Simenon, tr.
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It can now be purchased via Eddi's official website. A couple of the tracks are available on other albums as different versions. "Curragh of Kildare" would later resurface as "The winter it is past" on the Sings the Songs of Robert Burns album whilst "Old Soul" was a reworking of "I felt a soul move through me" from Simple Soul. "Wasting time" is a Ron Sexsmith song from his self-titled 1995 album.
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Simple Soul is the fifth studio album by Eddi Reader released in the UK on 29 January 2001. The album is a lot more stripped down than its predecessor, Angels and Electricity being predominantly folk and acoustic based. Many of the songs were co-written with longtime collaborator Boo Hewerdine. The album came about when Reader wanted to try her new recording equipment mixed with friend and former Fairground Attraction drummer Roy Dodds' new equipment.
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The show is based on H.G. Wells's novel Kipps: The Story of a Simple Soul. Steele played Arthur Kipps, an orphan who unexpectedly inherits a fortune, and climbs the social ladder before losing everything and realizing that you just can't buy happiness. David Heneker (who had also worked on Irma La Douce and Charlie Girl) wrote both music and lyrics. Steele's importance to the show was made evident by his appearance in twelve of the musical's fifteen songs.
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Bazhov defines important values, such as love, family, masculinity, respect for the elders and workers, skill, sceptical attitude toward religion and clergy, diligence, camaraderie, harmony in the house and friendly relationship with neighbours, hospitality, modesty, honesty.Zubova, N. "Sobiratelnye obrazy i massovye sceny bazhovskih skazov Собирательные образы и массовые сцены бажовских сказов [Zubova N. P. Collective characters and mass scenes in Bazhov's skazy]" in: P. P. Bazhov i socialisticheskij realizm. An ideal man is a "simple soul", who is brave, patient, and hard-working.
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"(Is 54,8). We conclude with the expression used by his mother's friend, who lived for many years in Rome and assisted the young camillian student throughout all his suffering. Simple soul, who after so many years remembers those moments in this way: "He seemed to me like Jesus Christ on the Cross, so calm and confident, with prayers on his lips, calling Our Lady 'Mum'. Then, he reclined the head on the left, his tongue moved a little, and he died so peacefully.
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As for the creature being female, Bazhov believed that miners simply missed women, because their work allowed for little contact with them, and therefore so many of their stories had female creatures. All sexual references in Pavel Bazhov's stories were of course very subtle, owing to Soviet puritanism. Denis Zherdev pointed out that Bazhov clearly defines important values in his stories, and Ilya is "an ideal man"— a "simple soul", brave, patient, and hard-working. Zherdev believed that the most important value for Bazhov is family.
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He offers to make the two men's wishes come true by exchanging their souls and bodies for one month. The date is 13 August 1584, and so the souls will revert to their original bodies on 13 September. He utters this spell: :Otto's body, grim and droll, :Shrine young Hans's simple soul; :Otto's soul, of moral shoddy, :Occupy young Hans's body! ;Act II After the souls are transferred, Hans notices that Bertha is attracted to his former body, which now contains the Baron's soul.
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Half a Sixpence is a 1967 British musical film directed by George Sidney and choreographed by Gillian Lynne. The screenplay by Beverley Cross is adapted from his book for the 1963 stage musical of the same name, which was based on Kipps: The Story of a Simple Soul, a 1905 novel by H. G. Wells. The music and lyrics are by David Heneker. This was the final film made by Sidney, director of such films as Annie Get Your Gun, Kiss Me Kate, Bye Bye Birdie and Viva Las Vegas.
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In his writings, he wrote about how he shared food and drink with Kees and considered him a simple soul who was more loyal than many humans. He described the beauty of Narina, a name that he used for a young Gonaqua woman, naming her after a flower. His portrayal of their flirtation influenced early South African novels before such relationships became less socially acceptable in the later colonial period. The portrayal of Narina was probably influenced by the images of exotic beauty from Tahiti in other travelers' accounts.
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In the midst of central London, a successful Indian restaurant called 'Gaylord' is run by a Londoner of Indian origin called Pinu Patel (Vinay Pathak) . A simple soul at heart, Pinu has many complexes - a special one being that even at the age of 40, he is a virgin and has never experienced intimacy with any woman. He agrees to come to India to have an arranged marriage with Payal (Snigdha Pandey), but is crest fallen when his fiancée elopes on the wedding day, leaving a note behind ridiculing Pinu and his personality. This fuels Pinu's biggest fear of being laughed at by people... an ever-repeating phenomenon with him.
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The business continued to grow opening branches in Boscombe, Brighton, Bath, Eastbourne,Folkestone, Andover Weymouth, and Yeovil. The business was celebrated by being mentioned in H. G. Wells book Kipps: The Story of a Simple Soul. Plummer Roddis building Hastings 1927 In 1927 the Hastings store was rebuilt by renowned architect Henry Ward (he also designed the additions to the Brighton store), while the Southampton store and Bournemouth store were extensively rebuilt, the last work before World War II being completed at Bournemouth to the designs of the architect Jonathan Makepeace in 1938. The head office of the Plummer Roddis group was based in Sillwood Road, Brighton.
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Six songs were recorded at Ardent Studios for the 1985 EP Feudalist Tarts, three originals joined by songs from the catalogs of Carla Thomas, Slim Harpo, and Willie Tee. In 1986 Chilton followed this with a second EP, No Sex, which contained three more originals, including the extended mood piece, "Wild Kingdom", a song highlighting Coman's jazz-oriented, improvisational bass interplay with Chilton. During this period in his recordings Chilton began frequently to use a horn section consisting of Memphis veteran jazz performers Fred Ford, Jim Spake, and Nokie Taylor to imbue the soul-oriented pieces among his repertoire with a postmodern, minimalist jazz feel that distinguished his interpretative approach from that of a simple soul revivalist style. Chilton forged a new direction for his solo work, eschewing effects and blending soul, jazz, country, rockabilly, and pop.
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If a king and a beggar and one of your peers came > to you at the same time, would you in their presence dare with bold > confidence to assert what you want in the world, with bold confidence to > assert wherein you seek your comfort, positive that his Royal Majesty would > not disdain you even though you are an inferior, positive that the beggar > would not go away disheartened as if he could not have the same comfort, > positive that your peer would rejoice in your bold confidence! Alas, there > is something in the world called an alliance; it is a dangerous thing, > because all alliances are divisiveness. It is divisive when the alliance > excludes the commoner, and when it excludes the nobleman, and when it > excludes the government worker, and when it excludes the king, and when it > excludes the beggar, and when it excludes the wise, and when it excludes the > simple soul-because all alliances are divisiveness in opposition to the > universally human. But to will one thing, to will the good in truth, to will > as a single individual to be allied with God-something unconditionally > everyone can do-that is harmony.
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