The bonus tie-in of AUTOTUNED (BAD GUY features some autotuned vocals) was not planned — it just happened to be the option that led to the best fill there.
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Autotuned the cat because he won't shut up in the mornings.
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This sounds more authentic and not autotuned," wrote another under "Tim McGraw.
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If that sounds terrible to you, at least know that it's autotuned.
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It's impressive stuff, with real words uttered by DJT autotuned to Grande's catchy melody.
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AUTOTUNED makes its Times Crossword debut, although the present tense AUTOTUNE has been in the puzzle three times.
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If heavily AutoTuned vocals are what the moment requires, as on "Tic Toc" and "Feefa," then he'll do that.
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Meanwhile, the girls chasing him into traffic don't seem particularly invested in his heavily autotuned odes to alcohol and narcotics, either.
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Here's an autotuned, musical mash-up called "We Are Connected," starring Carl SAGAN, Neil deGrasse Tyson, Richard Feynman and Bill Nye.
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Ozzy's not AutoTuned, Iommi is one with the blues, and Geezer's lyrics are just as feisty, sci-fi, and profound as ever.
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Mostly there's a lot of unpolished music clearly not from a studio or autotuned but just people playing with the instruments available.
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The 2011 song's autotuned lyrics and cheesy video clip was savaged online, with Black placed under police protection after receiving multiple death threats.
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Then she plays autotuned snippets of CoCo's impassioned speech at the Dear Black People party for all of CoCo's white friends to hear.
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The video, released just this morning, is the visual counterpart to Richard's latest single, "Wake Up," a slinky, Autotuned track produced by Machinedrum.
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Mr. Balvin deftly croons over all of it, favoring an understated vocal approach aligned with AutoTuned American hip-hop — another source of inspiration.
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Chaouch Zakaria, aka Maestroziikos, makes covers of popular songs pieced together with autotuned pieces of sound found on TV, computers, or even office supply cabinets.
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The channel actually autotuned the first two debates as well: the first with Debbie Harry & Chris Stein of Blondie, the second with Joseph Gordon-Levitt.
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Combining his high, often-AutoTuned voice with layers of synths and understated beats, he has made himself into a new model of R&B maestro.
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Not only that, but there are parts of Ms. EILISH's song that are AUTOTUNED, and in a stroke of serendipity, that's in the grid, too. 28A.
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Regardless, The Life of Pablo is a stellar album, combining the best elements of every Kanye album to date: gospel backing tracks, autotuned electronica, verses about Kanye himself.
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The internet is now packed full of countless songs performed by countless creatures, but few are as wonderful as these random autotuned animals singing the Duck Tales theme.
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Baldwin also posted the video of autotuned Elton to Twitter, where it has over 2.47 million views, over 74,000 retweets and plenty of comments from tickled pet owners.
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Wayne and 2 Chainz bounce perfectly off of each other, an autotuned Wayne beginning the song and leaving 2 Chainz the room to drop an equally solid voice.
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On his most recent release he's experimenting with some truly out-there autotuned melodies, making one think Fredo had much more to achieve before his life was cut short.
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You might think, sure, their three-minute videos are funny enough, but can Andy Samberg and Jorma Taccone's AutoTuned parody songs sustain an hour and a half run time?
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"Parkdale Cartel" Sean Leon picks up a flow that ebbs from near-whisper to clear menace about his recent flings with success, while Julian Thomas finishes with autotuned, laid back belligerence.
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Autotuned laments like "Since you met me / I saw in your eyes that you wanted to leave me" ("Valley Man") float over Sylo's experimental production and bass work from pal Betsaleel.
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The pop star recently clapped back at a fan who claimed she autotuned one of her live performances after she shared a video of herself of one of her tour stops.
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The 20-year-old rapper, who is based in Atlanta, first drew recognition as a member of Lil Yachty's Sailing Team collective and favors similarly melodic, AutoTuned verses over trap beats.
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Still, 17 songs is kind of a lot to process all at once, so here are the five songs that best show off Brit's range — or, okay, its autotuned equivalent — on Glory.
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The high-pitched autotuned female voice is featured front-and-center of every song the group releases, but she remains faceless in their promotional photographs, hidden by a very Kylie-esque pink wig.
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In the opening credits, the "Indiana Mole Women's" escape is framed as we would see it on YouTube, with the kind of autotuned viral video sensation that so often accompanies real news stories.
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Their latest and 13th studio album This (is what I wanted to tell you), which they're billing as their 14th out of superstition, picks up on the autotuned textures of their last effort FLOTUS.
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That record features Abraham making dark dubstep while shrieking lyrics so heavily autotuned they're rendered incomprehensible gibberish, but damned if it isn't fun trying to adjust your ear to Abraham's wildly-untrained musical sensibility.
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But the fixtures of that scene have somewhat naturally gravitated to Bhad Bhabie, who in a short period of time has become a fact of contemporary hip-hop, like face tattoos and mopey AutoTuned melody.
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Exactly 18 years later, "Giving All I Got" brings this parody to life and dispenses with the obfuscation, as a disembodied autotuned voice softly repeats "Join A-R-M-Y" in the background while the sergeants sing and dance.
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The duo hit the mainstream writing the Far East Movement song "Like A G6," a perfectly timed post-Ed Banger, autotuned, quasi-rap party anthem, which charted at #1, made the duo in-demand songwriters-for-hire, and pushed them toward potential stardom.
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Dumb computer screen gets in the way of cat scratch Watch these cats be the only protectors their garden needs Annoyed cat shows he's fed up with owner's bad singing Cats freak out after they see a video of autotuned cat meowing
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The fact that her flow is matched by a singing voice that doesn't need to be autotuned—thanks to musical theater training at the LaGuardia High School of Music & Art and Performing Arts (the Fame school)—puts her in an even rarer category.
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A fizzy slow jam laced with Autotuned entendre that grinds all over the line separating mockery and genuine affection, "La Croix Boi" turns on the assumed eroticism of the ultra-trendy "water juice," celebrating the brand's tongue-tickling bubbles and range of flavors.
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Funeral is the better of the two—mostly because it presents Wayne in a glorious polyphonic: seesawing between his more free-associative AutoTuned gurgle and the pop avant-garde, all of it over trap-thick beats, syrupy screw-pacing, occasional soul flourishes, and granite-hard cool.
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I'm still trying to wrap my brain around the fact that George Lindell, the subject of the autotuned viral video "Reality Hits You Hard Bro" also went viral in 2016 for yelling "Jew-S-A" at a press pen at a Trump rally, but it's true.
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The sort of autotuned chorale that's become Bon Iver's signature over the last half decade opens the track, but even as the Weeknd slinks his way through the track, Cashmere Cat carefully creates a downcast world of jittery blips and booming synth bass that could only belong to him.
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It was directed by Colin Tilley, who is responsible for dozens of iconic music videos including Kendrick Lamar's "Alright," Nicki Minaj's "Anaconda," and Justin Bieber's "Never Let You Go." The video was soundtracked by an unknown pop song featuring a decent beat and a heavily AutoTuned female vocalist.
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In hindsight, it was incredibly cruel how society collectively came together to hate on 13-year-old Black for this autotuned ode to weekend's eve — but that doesn't mean it doesn't deserve a spot on this list as one of the worst one-hit wonders of the 2010s.
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In just the last couple of months, West's issued subterranean trap (the Dmac-produced "Beliefs"), autotuned power balladry (the Dylan Brady-helmed "45min in LA, tee hee :)"), and a track that's more or less a third-wave emo song built around a cover of a song by scene-y metalcore stalwarts Killswitch Engage.
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Now, here, have a billionaire's super-autotuned rap track about a famous deceased gorilla: Tesla/Space X/Boring Company guy Elon Musk has apparently uploaded a SoundCloud track titled "RIP Harambe," about the 17-year-old Western lowland gorilla that was shot to death at a Cincinnati zoo in 2016 after a three-year-old boy climb into his enclosure.
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A bonus disc in limited edition versions of the album consists of remixes of each track "for dogs", replacing the vocals with autotuned barking.
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A typical stylistic device of hands up are pitched female or resulting feminine vocals, male vocals are also common. In addition, distorted, autotuned, chopped and repeated spoken phrases are common characteristics.
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Anna Pickard of The Guardian called the pseudoephedrine storyline "relentlessly silly [...] but joyfully so", preferring the boys' performance to the girls' as "some excellent comedy helped me forget about Finn's dodgy autotuned vocals for once".
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The album reached No. 2 in the United Kingdom, and its single, "One More Time", was a major club and mainstream hit that nearly topped the UK Singles Chart. The song is well known for being heavily autotuned and compressed.
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For the bridge, the music is reduced to only an electric and acoustic guitar and as Subaru Shibutani sings the first two lines of the repeating chorus with an autotuned effect. The song then closes out with the chorus, with full instrumentation. The lyrics for "T.W.L" are about going forward towards a goal without looking back.
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Caroline Sullivan of The Guardian said Cruz was "proficient but generic" in the song, but his "autotuned vocals could have been anyone's, and this facelessness is a problem Cruz rarely surmounts." Chris Ryan of MTV Buzzworthy said that the song "perfectly embodies Cruz's infectious, dancefloor-friendly sound and sleek, immaculate production", and compares it to Jason Derulo and Akon.
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"3" is an uptempo electropop song which opens with synths and vocal effects. The song has a basic sequence of Fm-E-Bm-Fm as its chord progression. During the middle eight, the song slows down with synthetic strings and bass beats, and the section ends with a beat similar to a four-on-the floor, a rhythm pattern popularized in 1970s disco music. Throughout the song, Spears' vocals are autotuned.
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Accompanying the release of the remix is cover artwork showing a photograph of a young Eilish—a fan of Bieber's—surrounded by his posters. Halle Kiefer of Vulture compared Eilish's look to that of JoJo Siwa. The remix has identical credits to the original "Bad Guy" with the addition of Bieber and Jason Boyd as songwriters and composers. On the song, Bieber performs autotuned and rap-inspired vocals.
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The lead single for Lil Boat 3 was released on March 9, 2020, titled "Oprah's Bank Account". Featuring melodic, autotuned vocals similar to those of his first project, the track also features fellow rappers Drake and DaBaby. To accompany the track, Lil Yachty released a 9-minute mini movie in which he acts as famous talk show host Oprah Winfrey. The track was produced by frequent collaborator Earl on the Beat.
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The AN/ART-13 operated in CW (code), MCW and AM (voice) modes and covered LF, MF and HF frequencies up to 18.1 MHz. It had ten autotuned VFO tuned channels that could be preset. Post-war modifications by COMCO and other companies added crystal frequency control capability and were approved for use on civil airliners. Power output was approximately 100 watts using an 813 vacuum tube as the final amplifier.
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"I'm So Scene 2.0" by Amidst the Grave's Demons is a parody of "scene" electronicore bands such as Attack Attack! and Abandon All Ships, and features frequent breakdowns, heavy use of synthesizers, and autotuned clean vocals. "I'm So Scene" was officially the first song written that would be featured on the album; a demo version was released in late 2013. The re-recorded version of the song had an additional bridge and electronic interlude.
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The lyrics were written by G-High from MonoTree and Jaden Jeong, with G-High also serving as the producer. Billboard described "Butterfly" as having a "bass-infused, synthy melody" with a "sense of bright airiness and groovy beat drops." It also highlighted the focus on the diverse vocals tones that moved between "autotuned wails, breathy verses and coy raps". Lyrically, the women sing about flying like the titular creature and letting dreams take flight.
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Seulong collaborates with Swedish DJ Avicii for a Korean remake of the hit song "Levels". For the newest version with Seulong, James's vocals are replaced with an autotuned verse in Korean. According to a spokesman for Universal Music Korea, Avicii's agency decided on Seulong for the Korean version "after monitoring various artists because they found his voice the most suitable and beautiful." The single named "Levels with Seulong from 2AM" was released on 9 May 2013.
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"I'll Trade (A Million Bucks)" is the lead single by the R&B; singer Keith Sweat featuring former label-mate Lil' Mo from Sweat's seventh album, Didn't See Me Coming (2000). The song was solely written by Mo and featured production by Sweat, Barry Salter and Jules Bartholomew. An autotuned remix produced by Walter "Mucho" Scott was released to vinyl pressings and appeared on Sweat's album as an interlude in the form of a snippet. A music video for the single was directed by J. Jesses Smith and premiered on BET in late September 2000.
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HipHop-N-More stated that the song felt like "more than just a throwaway", saying it "could be another big moment for Post on the charts and radio". NME called it one of Post Malone's "most stripped back recordings to date", saying his rapping over a beat is a "stark contrast" to his previous Autotuned vocals and "heavily produced" music. Billboard magazine said the song "bounces along on a tick-tock beat and deep bass thrum", further describing the song as a chronicle of Post's rise to fame.
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Reviews of Selfish Machines were mixed. Rock Sounds Amy Bangs notes that "Fast Times at Clairemont High ...sounds way too similar" to "Sunburn Versus the Rhinovirus" by The Matches, calling the album's production "over-experimentation" with "particularly autotuned vocals," that "gives the impression of something to hide". AbsolutePunks Drew Beringer noted that, despite the opening four tracks that "hit you in the mouth", the band "lose their focus and get a bit indulgent". Beringer also mentions the auto-tune, saying that it "rears its ugly head" on "Million Dollar Houses (The Painter)".
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His first album, Anar, was recorded in Sokoto, Nigeria in 2008 and prominently featured "spaced-out" autotuned vocals and the influence of Hausa music. The album was not officially released at the time but the songs became hugely popular across the Sahel when they went viral through cell-phone music trading networks. They reached a global audience when Sahel Sounds released his music on the Music from Saharan Cellphones: Volume 1 compilation. Two songs were covered with English homophone lyrics by Brainstorm, an American band from Portland, Oregon.
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"One More Time" is a song by French electronic music duo Daft Punk, first released as a single on 13 November 2000 and later included in their 2001 album, Discovery. It is a French house song featuring a vocal performance by Romanthony that is stylistically autotuned. The music video of the song forms part of the 2003 anime film, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. "One More Time" was a commercial success, charting at number one on the French Singles Chart, number 2 on the UK Singles Chart, and number 61 on the US Billboard Hot 100.
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The filmed version, much to Minchin's annoyance, had his voice autotuned. The production toured Australia from May to July 2013, before returning to the UK and Ireland in Autumn 2013. Minchin made his Sydney Theatre Company debut in 2013 in Tom Stoppard's Rosencrantz and Guildenstern Are Dead alongside Toby Schmitz. In 2015, it was announced he had teamed up again with the creative team from Matilda to write the music and lyrics for the new stage musical Groundhog Day. The musical had its premiere at The Old Vic in 2016, before transferring to the August Wilson Theatre on Broadway.
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In contrary, Taj Ran from Billboard wrote the song "isn't part of a new genre that many in the mainstream media are calling 'tropical house.' Anti lead single is undeniably drenched in dancehall, a genre with deep roots in Jamaica's club scene that spun off from reggae in the 1970s." According to The Atlantics Spencer Kornhaber, the single has "strangely unfinished quality" that features its verses, choruses and bridge fade into themselves, "forgoing soft-to-loud explosions or exciting rhythmic changes". He also noted that, Boi-1da also tries to create "escalation" in the song by adding additional drums for the second chorus, flutes, autotuned harmonies and back-off piano.
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On the show, Hasbro rewarded her with more Star Wars toys. Later that day, The Gregory Brothers uploaded an autotuned remix of the video. Payne was later featured on The Late Late Show with James Corden with J. J. Abrams. She was also featured on "The Star Wars Show" on the Star Wars official YouTube channel on May 25, 2016. Additionally, Payne received $7,500 for a Memorial Day weekend visit at Disney's Hollywood Studios, $2,000 to attend the Fan Dallas Expo with Chewbacca actor Peter Mayhew, and $400,000 in scholarship money from Southeastern University, bringing the total value of her gift to more than $420,000 as of June 7, 2016.
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The exact roles of a producer depend on each individual, but some producers work with DJs and drum machine programmers to create beats, coach the DJs in the selection of sampled basslines, riffs and catch phrases, give advice to rappers, vocalists, MCs and other artists, give suggestions to performers on how to improve their flow and develop a unique personal style. Some producers work closely with the audio engineer to provide ideas on mixing, effects units (e.g., Autotuned vocal effects such as those popularized by T-Pain), micing of artists, and so on. The producer may independently develop the "concept" or vision for a project or album, or develop the vision in collaboration with the artists and performers.
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It was preceded by the release of "Missing You", an electropop song incorporating elements of trance and synthpop which was released as the lead single on 9 August 2010. It features autotuned vocals. The Saturdays have performed the single at T4 on the Beach 2010, where member of the band, Mollie King was absent from the performance, after a horsefly bite left her on crutches and thus unable to perform. King was absent from a number of other performances The Saturdays performed to promote the single. On 1 August 2010, all of the members of The Saturdays performed on Alan Carr: Chatty Man and they were interviewed on GMTV three days later.
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Made in the style "SJ Funky", which Super Junior had been exploring since the release of their third studio album, Sorry, Sorry, "Bonamana" draws influences from American electronica, funk and hip hop, incorporating African rhythms and club house beats into the melody, similar to the song's writer Yoo Young-jin, who later displayed the same style in Super Junior-M's "Super Girl" and Shinee's "Ring Ding Dong". The song incorporates the Afro tom, an African percussive instrument, and the riff of a Jupiter synth, a sound synthesizer. Vocals are also autotuned. The song is about the sincerity of a man who is trying to win a girl's love, with the lyrics having been described as witty and humorous.
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"Whatcha Say" received mixed reviews. Glenn Gamboa of Newsday wrote: "For fans of Imogen Heap's "Hide and Seek", the new Jason Derulo single "Whatcha Say" – which liberally samples from the song and even uses Heap's chorus as his own chorus – may be hard to swallow. But Derulo weaves easily in and out of Heap's parts and matches his autotuned vocals to hers pretty well to craft a catchy, if derivative, little number." Upon its November 2009 UK release, noted R&B; writer Pete Lewis of 'Blues & Soul' described the single as "Blending pounding beats and Derulo's rich, soulful vocals with an instantly-infectious pop hook sampled from alternative/indie songstress Imogen Heap".
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The track is a return to Scooter's old happy hardcore style with influences from both gabber and hardcore techno. Unlike their recent work from the albums Under the Radar Over the Top and Jumping All Over the World, which has been strongly influenced by hardstyle and jumpstyle, respectively, "Friends Turbo" has a much higher BPM, easily fitting into the happy hardcore genre. The track is recognizably different from the 1995 original, as more lyrics from band vocalist H.P. Baxxter have been added, various other instruments have been introduced into the mix, and the drums/bassline has been completely reworked. The band also returns to their trademark high pitched vocal, this time slightly autotuned to fit the 2011 sound.
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The Guardian contributor Alexis Petridis gave the song a negative review, and said that although most of tracks of the album are "genuinely exciting [...] there's certainly some unremarkable stuff on offer, notably 'Seal It With a Kiss' and 'I Wanna Go'". Evan Sawdey of PopMatters also noted that "I Wanna Go" is the point of the album in which "things stop being fun and start becoming intensely repetitious", criticizing specifically "[the] utterly stupid set of syllables repeated ad nauseam for no reason whatsoever? [..] the 'ably' part of 'uncontrollably' gets recycled far beyond the point where it just sounds stupid". Nicholas Hautman, from Us Weekly, called it "so beyond AutoTuned at points that it could be Ozzy Osbourne singing for all we know".
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Furthermore to the end, in 2011, her collaboration with the young Serbian folk-pop singer Saša Kovačević was arranged via a song called "Idemo do mene". Though announced and officially billed as a duet between Kovačević and Pišek, her heavily autotuned singing part is quite small and she mostly appears as eye candy in the video. Throughout late summer and early fall 2011, the news of her transfer to RTV Pink and relocation to Serbia received a lot of play in different media outlets throughout the Balkans. The show she was eventually attached to on Pink was a newly-launched weekly late-night programme meant to compete with a more established Veče sa Ivanom Ivanovićem, which was going into its third season on the rival 1Prva network.
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The sequence had to be licensed, as it was under copyright in most parts of the world. Another cultural reference appears in one of Wayne's flashbacks, in which he is seen receiving special training against enemies such as Chucky from the Child's Play film and basketball player Kobe Bryant. The Taiwanese dramatization of Wayne's fight with Snake at Moe's Tavern parodies the humorous computer animated re-enactments of news stories done by the Taiwan- based Next Media Animation. One YouTube clip that Viktor sees is a reference to The Gregory Brothers, the creators of the popular online Auto-Tune the News series, in that a news segment featuring a lady who has lost her cat has been autotuned into a song.
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Katie Antonsson published an article called "Best of the B Sides: “Heartbeat"”, on a website called RockOnPhilly. She added her own perspective to Childish Gambino's hit single: > So, to “Heartbeat.” It’s the second single of the album (I know! I’m sorry! > I just have to talk about this song!) and it’s the most intoxicating song > Glover’s come out with. From the echoey beginning and the solemn piano > refrain in the beginning to the stunning drop about 45 seconds in, > “Heartbeat” is immediately something unexplored. It has a lot of the feeling > and tone of Kanye’s “Heartless” from 808s & Heartbreak but we get the rap > element that Kanye stayed away from on 808s (808s was an entirely autotuned, > melodic album from Kanye. There wasn’t an inch of rap on it).
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Sophie recalled that it was Madonna who was "calling the final shots" for recording the song and noted that there was no label representative who dictated the process. "Bitch I'm Madonna" has similarities to DJ Snake and Lil Jon's "Turn Down for What" (2013) with Madonna's vocals reminiscent of singer Miley Cyrus' autotuned rapping. The song has a "berserk", "bleepy" and "churning" EDM, trap, electro, dubstep and electropop sound. It begins with the sound of acoustic guitar reminiscent of Avicii's single "Wake Me Up" (2012), as Madonna coos in the background, "You're gonna love this", but quickly transitions "past stadium-filling EDM into a genre that more commonly fills the headphones of kids surfing obscure music blogs late at night", as noted by Sasha Geffen, who also compared the sound to the vaporwave genre.
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Emily Tan from Spin described the beginning of the song as an "autotuned robotic snippet" that "transitions into a mid-tempo bounce" as " Charli explains how much she likes someone". Michael Love Michael of Paper wrote that the song "instantly sinks its claws into you and [won’t] let go", and felt that "[people will] like everything about it". In a different article for the same publication, Matt Moen described the song as a "puppy dog-eyed bop about lovestruck infatuation" laid over "top of blown-out trap drums and caustic synths before descending into a euphoric trance break that comes in as the icing on the cake". Moen also talked about the "jittery effects" and "mindless repetition" that was "Stylistically more in line with the futuristic sound [on] Charli" as the track "reasserts her dominance as being one of pop's foremost innovators".
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