His series of stills, Aureola (Black Presidents), features comedy legends such as Richard Pryor, Dave Chappelle, Sammy Davis Jr., and Chris Rock, all playing the commander-in-chief in pop culture films and TV shows.
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The two strongest pieces, however, drive home his abiding interest in the black male body: "Aureola (Black Presidents)" (2012), a grid of images of black men playing presidents in works of fiction, and "The Big Payback" (2009), an alternately funny and discomfiting video showing two black men dancing to James Brown on a Harlem street.
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Eggs of Emberiza aureola MHNT The yellow-breasted bunting (Emberiza aureola) is a passerine bird in the bunting family Emberizidae that is found across the Boreal and East Palearctic. The genus name Emberiza is from Old German Embritz, a bunting. The specific aureola is Latin for "golden". The bird's call is a distinctive zick, and the song is a clear tru-tru, tri-tri.
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G. Liberti The Dasytidae (Coleoptera) of Sardinia This species is rather similar to [Psilothrix aureola].
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The yellowjacket was first formally described in 1991 by Ian Brooker and Anthony Bean in the journal Austrobaileya and given the name Eucalyptus aureola from specimens collected by Brooker on hills west of Lake Elphinstone in 1989. In 1995, Ken Hill and Lawrie Johnson changed the name to Corymbia aureola. The specific epithet (aureola) is from the diminutive form of the Latin word aureus meaning "golden", referring to the colour of the bark.
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Daphnella aureola is a species of sea snail, a marine gastropod mollusk in the family Raphitomidae.
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The white-browed fantail (Rhipidura aureola) is a small passerine bird belonging to the family Rhipiduridae.
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Glossodoris aureola is a species of sea slug, a dorid nudibranch, a shell-less marine gastropod mollusk in the family Chromodorididae.
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Callidula aureola is a moth in the family Callidulidae first described by Charles Swinhoe in 1905. It is found on Obi in Indonesia.
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Heymann married Miss. Mercy Sewornu in 1951 but the marriage was dissolved in 1956. He later married Miss. Aureola Sawyerr in early 1957.
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Also in the background, at the sides, two spectators without aureola have been identified as possibly Mantegna's self-portrait and a portrait of his wife.
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Mandarina aureola is a species of air-breathing land snail, a terrestrial pulmonate gastropod mollusk in the family Camaenidae. This species is endemic to Japan.
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Odorrana aureola, also known as the Phu Luang cliff frog or gold-flanked odorous frog (), is a true frog species from northeastern Thailand. The specific name aureola is Latin and means ornamented with gold, in reference to the characteristic yellow markings on the limbs and flanks of this frog. It is notable for its ability to change color between green and brown, according to the surroundings.
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Birds use the same song year after year, with progressively small changes, with the result that the song sounds very different after 4–5 years. The male's call is a valuable tool in detection and identification of the bird, which can often be confused with the white-browed fantail, R. aureola, where their ranges overlap. R. aureola has light underparts and prominent spots in two rows on the wings.
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The tympanum although "a bad reconstitution, relatively modern, of the older piece"Carlos Almeida (1987), p.187 is part of the a restrictive number of representations of the Christ in aureola for the period, and is here treated summarily with de-contextualized flowers flanking the aureola. Even by the 1980s, there still existed fragments of the original tympanum in the area that confirmed that a copy was installed in the portal.Lourenço Alves (1982), p.
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The Phu Luang cliff frog (Huia aureola) was found within the reserve in 2006, notable for its ability to change color. Also more than 160 species of orchids grow in the area.
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Other birds include chestnut- bellied seed finch (Oryzoborus angolensis), ruddy-breasted seedeater (Sporophila minuta), slate-coloured seedeater (Sporophila schistacea), arrowhead piculet (Picumnus minutissimus), blood-coloured woodpecker (Veniliornis sanguineus) and crimson-hooded manakin (Pipra aureola).
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Aspergillus aureoluteus (also known as Neosartorya aureola) is a species of fungus in the genus Aspergillus. It is from the Fumigati section. The species was first described in 1985.1985\. Advances in Penicillium and Aspergillus Systematics.
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Nexosa aureola is a species of moth of the family Tortricidae. It is found in New Guinea.tortricidae.com The wingspan is about 11 mm. The forewings are tawny-fuscous, becoming yellow on the base and costa.
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Sparganothina aureola is a species of moth of the family Tortricidae. It is found in Costa Rica. The length of the forewings is about 7.2 mm. The forewings are bright yellowish orange with dark brown markings.
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Eucalybites aureola is a moth of the family Gracillariidae. It is known from Hokkaidō island of Japan and the Kuril Islands.Global Taxonomic Database of Gracillariidae (Lepidoptera) The wingspan is 8-10.2 mm. The larvae feed on Hypericum erectum.
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He received his aureola with his saintly purity and Christian love, he was gentle, humble and charitable. The Serbian Orthodox Church venerates him as Saint Jakov on February 3, in the Church calendar, while February 16, on the Gregorian calendar.
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17th century Central Tibetan thanka of Guhyasamaja Akshobhyavajra, Rubin Museum of Art Images of Mary, mother of Jesus, are often surrounded by an aureole, as in this image of Our Lady of Guadalupe. Christ and His Resurrection, fresco in Chora Church, Istanbul. An aureola or aureole (diminutive of Latin aurea, "golden") is the radiance of luminous cloud which, in paintings of sacred personages, surrounds the whole figure. In Romance languages, the noun Aureola is usually more related to the disc of light surrounding the head of sacred figures and that in English is called Halo or Nimbus.
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Euphaedra aureola, the long-banded Themis forester, is a butterfly in the family Nymphalidae. It is found in Nigeria, Cameroon and the Republic of the Congo.Afrotropical Butterflies: Nymphalidae - Tribe Adoliadini The habitat consists of wetter forests. Adults are attracted to fallen fruit.
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Corymbia aureola grows in skeletal soils on sandstone ridges, often with Acacia shirleyi, E. trachyphloia and E. papuana. It is only known from the Cherwell Range south of Moranbah, the Carborough Range west of Nebo and the Yellowjacket Ridge near Blackwater in central Queensland.
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Christ in Majesty shown within a mandorla shape in a medieval illuminated manuscript. 13/14th c. seal of Stone Priory in Staffordshire, England, in the shape of a mandorla A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure.
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The crimson-hooded manakin (Pipra aureola) is a species of bird in the family Pipridae. It is found in Brazil, French Guiana, Guyana, Suriname, and Venezuela. Its natural habitats are subtropical or tropical swampland and heavily degraded former forest. It is the northernmost member of the genus Pipra.
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The scene is set within a marble frame. The cushion on which the Child lies stands on it and partially juts out. The Virgin Mary, in the foreground, is holding the Child while a bearded priest is near her. At the center, in penumbra, is Joseph with an aureola.
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Corymbia aureola, commonly known as yellowjacket or yellow bloodwood, is a species of tree that is endemic to Queensland. It has rough bark on the trunk and larger branches, lance-shaped to curved adult leaves, flower buds in groups of seven and barrel-shaped, urn-shaped or cylindrical fruit.
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Hakonechloa macra is grown as an ornamental plant, for use in gardens and as a potted plant. The various cultivars of Hakonechloa macra are used as foliage plants in gardens in temperate climates. The species and the cultivars ‘Alboaurea’ and ‘Aureola’ have gained the Royal Horticultural Society’s Award of Garden Merit.
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One might notice the similarities between the traditional depictions of the Dormition of the Theotokos in Byzantine iconography and the account of the death of the Egyptian Desert Father, Sisoes the Great. In both Christ is seen coming to receive the soul of the dying saint surrounded by an aureola or cloud of blinding light and accompanied by the angels and prophets. In Byzantine iconography the other Christs shown surrounded by such a cloud of light are those also seen in icons of the Transfiguration, the Resurrection and the Last Judgment. One might further note that in some icons of the Dormition the Theotokos is depicted at the top of the icon in a similar aureola before the opening gates of heaven.
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The population was 1,000 by May 1833, and 10,000 were in the county. The land east of Auraria was purchased by Vice President John C. Calhoun, and there he established the Calhoun Mine. A traveling companion of Calhoun, Dr. Croft, suggested the town be renamed Aureola, in Nov. 1832. The town citizens picked Auraria, suggested by John Powell.
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According to Vasily Tatishchev they married in 1095. Polish historian Dariusz Dąbrowski stated that Tatischev didn't base on reliable source. Christina married Mstislav between 1090 and 1096. The personal seal of Christina has been found by archaeologists, depicting a woman with a crown and the aureola of a saint and the inscription "Saint Christina" in Greek.
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The new churchyard included the old one, and was planted with aloes, dracaenas, flowering plants and evergreens. The three-panelled reredos is made of red serpentine and inlaid with a marble cross, aureola and sacred emblems. It was fixed in position in May 1879. The font is also made of serpentine, mounted on small granite columns.
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A sequence of the film Chiedimi se sono felice by the comedian trio Aldo, Giovanni e Giacomo has the trio play a basket game in Piazza Mercanti, using the iron aureola of the statue of a saint as the basket. The statue is an invention of the movie makers: it is not actually found in the square.
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The band-tailed manakin (Pipra fasciicauda) is a species of bird in the family Pipridae. It is found in Argentina, Bolivia, Brazil, Paraguay, and Peru. Its natural habitats are subtropical or tropical moist lowland forest, subtropical or tropical swamps, and heavily degraded former forest. It forms a superspecies with both the Crimson-hooded manakin (Pipra aureola) and the Wire-tailed Manakin (Pipra filicauda).
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On several designs a mustache is apparent. The palm of his right hand bears the Chakra mark, and his brow bear the urna. An aureola, formed by one, two or three lines, surrounds him. The full gown worn by the Buddha on the coins, covering both shoulders, suggests a Gandharan model rather than a Mathuran one, and the style is clearly Hellenistic.
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In general, the representation of the Buddha on these coins is already highly symbolic, and quite distinct from the more naturalistic and Hellenistic images seen in early Gandhara sculptures. On several designs a mustache is apparent. The palm of his right hand bears the Chakra mark, and his brow bear the urna. An aureola, formed by one, two or three lines, surrounds him.
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La juventud y la gracia tejen en sus sienes, ornadas de rizos de oro, una corona de atractivos y encantos. La pobreza añádele uní aureola de irresis-tible simpatía”.La Epoca 11.05.1885 In these circles, in June 1886 Campoamor introduced her to a young Polish nobleman, later to become philosopher and professor, Wincenty Lutosławski, who had arrived in Madrid from France.
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Regalia accessories for Our Lady of All Saints. Note the solid brass Aureola or halo. Spain, 2008. A ''''' (English: 'saint') is a piece of one of various religious art forms found in Spain and areas that were colonies of the Kingdom of Spain, consisting of wooden or ivory statues that depict various saints, angels, or Marian titles, or one of the personages of the Holy Trinity.
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The main image occupies roughly the upper half of the body with the lower half of the body usually filled with two bands of spiral or volute patterns. Between the vents, the foot is mostly decorated with double volutes, bordered above and below by geometric bands. An aureola follows as a conclusion. The figural images are usually quite graceful and elegant; the painters used opaque watercolours in very great quantities.
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In addition, a copy of Saint Peter's statue (attributed to Arnolfo di Cambio) is enshrined inside, across a polychrome life-sized statue of the Immaculate Conception. Prior to 1988, the bronze statue of the Immaculate Conception in the main altar, by national Italian sculptor Vincenzo Assenza, was painted gold until 1988 (though the twelve star halo-aureola is solid gold)."Baldacchino Altar (1980s)". Flickr.com. Retrieved on 2012-02-03.
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Draba aureola is a species of flowering plant in the family Brassicaceae known as the Mt. Lassen draba or Mt. Lassen whitlow-grass. This plant is native to the Cascade Range of western North America, where it grows at elevations above 2000 meters. This is usually a perennial plant found growing in rocky areas such as volcanic cliffs and scree. It has one or more short, stout stems which are covered in stiff hairs.
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Two visions are stated in this context. The first vision was witnessed by Chow Wang, the fifth ruler of the Tang dynasty. The Emperor saw, in the southwestern region of China, a very bright light in the sky, like a halo or aureola from the west which lit the whole space. The astrologers of his court predicted that a saint was born in that quarter of the world where he saw the bright halo light.
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Christ in Majesty shown within a mandorla shape in a medieval illuminated manuscript. A mandorla is a vesica piscis shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art. It is commonly used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. The term refers to the almond like shape: "mandorla" means almond nut in Italian.
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Most common are standing or sitting statues of Ksitigarbha with a monk's staff in the right hand and Cintamani in the left hand. There are other types of statues, such as Amitabha, Guanyin, Avalokitesvara, Bhaisajyaguru and mixtures of these statues. The height differs from the size of a man to . Behind each statue is a boat-shaped Aureola on which is written "Tariki" ("Through the Buddha") and the sequence number of his statue such as the 100th, and the petitioner is Hōgyū.
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Corymbia aureola is a tree that typically grows to a height of and forms a lignotuber. It has rough, flaky to tessellated bark on the trunk and larger branches, smooth greyish yellow bark on the thinnest branches. Young plants and coppice regrowth have glossy green, egg-shaped, lance-shaped or heart-shaped leaves that are paler on the lower surface, long and wide. Adult leaves are the same shade of glossy green on both sides, lance-shaped to curved, long and wide on a petiole long.
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The wire-tailed manakin (Pipra filicauda) is a species of bird in the family Pipridae. It forms a superspecies with both the Band-tailed Manakin (Pipra fasciicauda) and the Crimson-hooded Manakin (Pipra aureola). It is found upriver in the western Amazon Basin and the neighboring countries of northern Peru, eastern Ecuador and Colombia, and southern and western portions of Venezuela. In Venezuela it occurs upriver in the Orinoco River basin, but not the final 1300 km; its range in Venezuela continues around the Andes cordillera to the northwestern coast.
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Tintoretto's 1592–1594 painting, a work of his final years, departs drastically from this compositional formula. The centre of the scene is occupied not by the apostles but instead by secondary characters, such as a woman carrying a dish and the servants taking the dishes from the table. The table at which the apostles sit recedes into space on a steep diagonal. Furthermore, Tintoretto's painting features a more personal use of light, which appears to come into obscurity from both the light on the ceiling and from Jesus' aureola.
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Among recordings of his works are La Canción de las Antillas, recorded by the Puerto Rico Symphony Orchestra in 1990; Requiem, released by RTS Music Records in 1997 and featuring mezzo-soprano Ilca Lopez and baritone Rafael Cotto; Fantasia Caribeña, recorded by the San Juan Pops Orchestra in 2000; and Jubilum in 2017 and Aureola in 2019 under the RTS Music label. His music arrangements have been recorded by Sony Music (classical and pop). In 2014 he also produced under the RTS Music, Antillano, as a jazz pianist.
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The presence of the international non-governmental organizations (NGOs) in the municipality remains unchanged. The number of international NGOs is reduced, while their activity level can be described as modest. Only the International Committee of Red Cross (ICRC) continues to be based in Glogovac while the few other international NGOs working in Glogovac are mainly based in Pristina. These include Swiss CARITAS and the Danish Refugee Council (DRC). The most prominent local NGOs are Mother Theresa Society (MTS), the ‘Council for Defense of Human Rights and Freedoms’, Shpresa, Aureola, Gresa, Nora, and Handikos.
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Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings. Other features include the aureola and halo, also found in Christian and Islamic art, and divine qualities and attributes represented by asana and ritual tools such as the dharmachakra, vajra, chhatra, sauwastika, phurba and danda. The symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of tantra art developed esoteric meanings, accessible only to initiates; this is an especially strong feature of Tibetan art.
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Heiligenschein, or hotspot, around the shadow of a hot-air balloon cast on a field of standing crops (Oxfordshire, England) (German for "halo" or "aureola", ) is an optical phenomenon in which a bright spot appears around the shadow of the viewer's head in the presence of dew. In photogrammetry and remote sensing, it is more commonly known as the hotspot. It is also occasionally known as Cellini's halo after the Italian artist and writer Benvenuto Cellini (1500-1571), who described the phenomenon in his memoirs in 1562. Nearly spherical dew droplets act as lenses to focus the light onto the surface behind them.
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The top of the statue was broken, and a full decorated aureola with flying attendants initially stood behind the image of the Buddha. He is flaked by two attendants holding fly whisks in a sign of devotion. The pedestal is structured around a wheel on a columns, seen in profile, with two attendants holding flowers, and two winged lions on the sides. Technically, the image mentions the "Bodhisattva" rather than the "Buddha", which would mean the Buddha just before his enlightenment, as the image of the Buddha after his enlightenment would be beyond the capabilities of human illustration.
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Major restoration works were completed in 1927. The painting depicts complex personality and devotion to Mary. Her head is gently leaning to her right, her eyes are half closed, her hands are crossed in devotion; this reminds that she is a virgin, humble servant of the Lord, merciful mother and patron of the people. At the same time, her head is surrounded by an aureola with golden rays and her body is usually covered in elaborate gold and silver clothes and crowns; these are the symbols of her divine and majestic role as the Queen of Heaven.
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1564), and Mary with the baby Jesus in the aureola (right) The nave is lit by two levels of windows with pointed arches in the side galleries, which are separated by a cornice. The choir has five large windows with pointed arches. In the northeastern choir window are the remains of the old stained glass windows, which include a depiction of Mary with Child in the aureole from the previous church and one of Elizabeth of Hungary from the date of the present church's original construction, flanking depictions of the coats of arms of (above) and of (below).Magistrat der Stadt Lich (ed.): Licher Heimatbuch.
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205–206, 1992; accessed December 1, 2006 and that it repaired itself with no external assistance after a 1791 accident in which nitric acid was spilled on its top right, causing considerable damage but leaving the aureola of the Virgin intact. Furthermore, on November 14, 1921 a bomb hidden within a basket of flowers and left under the tilma by an anti- Catholic secularist exploded and damaged the altar of the Basilica that houses the original image, but the tilma was unharmed. A brass standing crucifix, bent by the explosion, is now preserved at the shrine's museum and is believed to be miraculous by devotees.D.A. Brading, Mexican Phoenix.
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On the wall of the painted room is a slab with an inscription in gold lettering of the following words by St. Gregory: Above a painted architrave at the top of the picture a small image shows two angels transporting the soul of the praying woman within an aureola. The scene on the left wall portrays the Funeral of Saint Fina. The saint is on her funeral bier, lying on a richly decorated brocade cloth, her head supported on a pillow. The scene is set in front of Renaissance exedra around the altar, decorated with precious marble, grooved pillars and composite capitals, supporting a rich entablature and a blue semi-dome.
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All other works attributed to Joos van Wassenhove were painted on commission by Federico da Montefeltro. In the enlarged version of Communion of the Apostles it can be easily seen that Jesus Christ is depicted with light rays originating from his head which is also surrounded by a circular aureola both of which constitute a halo. Ptolemy with an armillary sphere model, from the Famous men series A series of 28 portraits of Famous men, which are still in existence and part of the collections of the Louvre and the Galleria Nazionale delle Marche in Urbino, have been attributed to Joos van Wassenhove. There are many arguments for such attribution.
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Coronation of Henry II. (fol. 11r) Coronation image from the Menologion of Basil II. The Coronation portrait is the most well known depiction of Henry II in existence and the most significant and discussed image in the sacramentary. It shows the king in front of four windows decorated with alternating mosaic-patterned backgrounds with his hands reaching up to heaven, as he is crowned with a hoop crown by Christ himself who is enthroned on a rainbow in a golden aureola and is making the sign of benediction. The king wears a calf-length tunic with a belt set with gemstones and cross-patterned appliqués and a blue cloak which is held shut by a gem- studded golden brooch.
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His first book of poetry Tėvynės ašaros (Tears of the Motherland) came out in 1914 in Chicago. It was followed by Erškėčių taku (On the Path of Thorns, 1916), Sielos akordai (Chords of the Soul, 1917), and Varpeliai (Little Bells, 1925). He also wrote cantata Broliai (Brothers; music by Česlovas Sasnauskas), oratorio Aureolė (Aureola; combines patriotic feelings with religious mysticism), poem Meilė (Love; an allegoric tale of self-sacrifice), and four-part musical drama Gaustas ir Zapsė (unpublished). A comprehensive collection of his works was prepared in 1940, but it was not published due to World War II. Literary critics often found his poetry to be heavy, cold, lacking emotions, and struggling with metre.
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192 Although these forms are not well defined, they testament to the popularity of public interests at the time of its carving, providing an iconographic representation of the scene rather than a clearly literal interpretation. These sculptural themes are comparable to the churches of Sanfins de Friestas, Longos Vales and Bravães and suggest its completion in the middle of the 13th century. The lintel is inscribed with the presumed date of its construction, while in the tympanum is the figure of Christ surrounded by aureola. The representation of Christ is part of the first revivalist reproduction of the tympanum, while the serpentine lintel which is thin and less profound, is almost graffiti and less to do with the original form.
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In the late Middle Ages it was alleged that Hildegard was buried in Kempten, as well as her son Louis the Pious; there was built the so-called Hildegard Chapel (Hildegardkapelle), which quickly became a place of pilgrimage and where several miracles are reported. This explains why the Queen was revered as a saint in the Allgäu and always presented with an aureola. In the 17th century the building of another Hildegard Chapel at the Fürstäbtliche of Kempten was projected, but this was abandoned after the secularization. Even in modern times, the memory of Hildegard and her importance in the urban development at Kempten is still very noticeable: The central square in front of St. Lorenz Basilica was named the Hildegard Square (Hildegardplatz) in her honor.
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Benson was born on 26 December 1885 in Anerley to William Benson, a Quaker shipping manager, and his wife Emma Elizabeth Benson, who was also descended from another branch of the Benson family. Soon after his birth the family moved to Tasmania, where he studied at The Friends' School, Hobart between 1897 and 1902. After scientific training at the University of Tasmania he started studying Geology and Mineralogy at the University of Sydney in 1905, where he was taught by Sir Edgeworth David. His first paper, on the contact aureola of a granitic body, was published before he even finished his degree, and after graduating in 1907 with First Class Honours he temporarily worked as a Lecturer at the University of Adelaide.
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In the earliest periods of Christian art it was confined to the figures of the persons of the Christian Godhead, but it was afterwards extended to the Virgin Mary and to several of the saints. The aureola, when enveloping the whole body, generally appears oval or elliptical in form, but occasionally depicted as circular, vesica piscis, or quatrefoil. When it appears merely as a luminous disk round the head, it is called specifically a halo or nimbus, while the combination of nimbus and aureole is called a glory. The strict distinction between nimbus and aureole is not commonly maintained, and the latter term is most frequently used to denote the radiance round the heads of saints, angels or Persons of the Trinity.
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The head is covered with a cloak which falls over the body a bit rigidly, and over her left arm which holds the baby Jesus in an upright posture with his right arm placed in the typical position for blessing in the old Greek manner and his left arm holding what resembles a globe, like the virgin he is dressed in a clinging tunic. It has a unique form of shifting the hips to sustain the baby in its left arm, which is characteristic of the type of sculpture to which it belongs. In her right arm the Virgin carries a Pomegranate, placed there in a restoration done in 1937, after the damage suffered during the Spanish Civil War, and which replaced the Lilium she initially held. As an exterior adornment the image ports an aureola with an oval structure, something rare among images of the Virgin.
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