Let's call these spaces what they are: flaw accentuation chambers.
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Absolutely. But is there still sort of a unique accentuation that he plays to?
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Text-to-speech engines are not much good at using context to provide such accentuation, and where they do, it rarely extends beyond a single sentence.
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Footwork, technique (in sequences of turns, the head often "spots" front rather than in the direction the pirouettes are traveling), lines and accentuation show many persuasively idiomatic nuances.
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Of course, "new" Ken will also offer a range of hair colors, but from waist dimensions to eye shape accentuation, the male doll line's expansion is more than just a dye job.
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I was struck by how similar their skin color was, how both tribes were preoccupied with the accentuation of excess, and, above all, how the identities of both communities are shaped by femininity.
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Mr. Babayan would state an entire musical sentence as if setting up a challenge for Mr. Trifonov, who would respond with a repeat embellished with a slight, exquisite shift in accentuation or rhythmic twist.
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That in turn is all too likely to lead to a strengthening in the U.S. dollar and to the accentuation of the reversal in emerging market capital flows that has been in evidence over the past few months.
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This is not to mention the economic dislocation that could result from a termination of the North American Free Trade Agreement, or from the accentuation of other protectionist tendencies, whether by the United States or by another big country.
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Throw pillows are to homes as bags are to fashion; both goods meld stylish accentuation with practical functionality within a range of reasonable price points — only instead of accessorizing outfits and holding keys to cards, throw pillows accessorize spaces and support heads to toes.
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This adds an extra layer of alienation from the photographic sources, as well as an accentuation of the painterly qualities of the surface, which catches the ambient light differently depending on the distribution of ink — dense here, sparse there, with occasional patches of white ground peeking through.
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Therefore, it is available for accentuation. However, toast in (13) is given in (12). Therefore, it is not available for accentuation. As previously mentioned, pitch accenting can relate to focus.
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In the diacritical marking, as in accentuation and syllabication, Webster's International Dictionary has been taken as authority.
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The accentuation effect is often found in group interactions, with group members exaggerating the differences between their ingroup and outgroup. For those in the ingroup, the accentuation of characteristics were less for the ingroup than the outgroup, suggesting that this effect may be due to distancing the outgroup from the ingroup. However, this accentuation effect didn’t just depend on the categorization of different groups, but the perceived stereotypical differences between the groups themselves. Rothbart and Lewis, 2006, demonstrated this using the perceived differences of temperament between three groups of a university marching band.
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Accentuation effect occurs when something (be it a person, place or thing) is placed into a category. The differences between the categories are then exaggerated, and differences within the categories themselves are minimised. Memory of anything that can be categorized is subject to an accentuation effect in which the memory is distorted toward typical examples. In the case of people, the accentuation effect is similar to stereotyping and social categorization in that when classified as part of a group, people's features seem to more closely match their classification rather than any individual differences they have.
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In palaeography she proposed new criteria to distinguish 8th-century manuscripts from those of the 9th century: the development of accentuation and the regularity of the accentuation suggest a date in the 9th century; while abundant colourful decoration is uncharacteristic of the eighth century. Rich ornamentation is infrequent in 8th-century manuscripts, which mostly have uncomplicated initials.
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This article addresses the less trivial details of the spelling of Portuguese as well as other issues of orthography, such as accentuation.
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Weber and Toennies (1943) pp. 69, 128 The contrast with Weber’s ‘ideal type’ came from the latter’s ‘accentuation’ of certain elements of a real social process, which is under sociological (or historical) scrutiny - “the one-sided accentuation of one or more points of view ... of a great many diffuse, discrete, more or less present and occasionally absent concrete individual phenomena”, as Weber himself put it.Quoted in Alfred Schutz, The Phenomenology of the Social World (1997) p. 243 From Tönnies’ point of view, an ideal type cannot explain reality, because it is derived from reality by accentuation, but might help to understand reality.
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Later Brazilian MSX models (v1.1 or higher) included a standardized character set named BRASCII, which solved the accentuation incompatibility problems amongst the different makers.
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The ta'am 'elyon (upper accentuation), which makes each Commandment into a separate verse, is used for public Torah reading, while the ta'am tachton (lower accentuation), which divides the text into verses of more even length, is used for private reading or study. The verse numbering in Jewish Bibles follows the ta'am tachton. In Jewish Bibles the references to the Ten Commandments are therefore and .
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She states that these films truly depict what women want, that they are accentualized in a positive manner and have a partner who amplifies this accentuation.
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In the United States, there is regularly a more prominent accentuation on the liberty of speech and the freedom of press, than the right to informational self-determination.
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In reading poetry, it is customary to render the scansion patterns by strong dynamic accents on the long syllables, despite the natural accentuation of the words, not by the actual length.
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In some cases, it may indicate an inherited long vowel (lāman, cognate to Latin nōmen; widār, cognate to Greek hudōr), but it may also have other functions connected with 'word accentuation'.
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Unione is softer than chiaroscuro in the search for the right tonal key. There should be the harmony between light and dark, without the excesses and accentuation of a chiaroscuro mode.
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The accentuation component of self-categorization theory stems from prior research that demonstrated an accentuation effect for categorized non- social stimuli. A prototypical example of non-social accentuation came from Tajfel and Wilkes, who found that when a categorization scheme corresponded to line length participants would view lines belonging to different categories as more different than if no categorization scheme was present. Consistent with the idea that an efficient cognitive system would, where possible, use the same systems regardless of the social or non-social nature of the stimuli, self-categorization theorists have demonstrated similar effects for social stimuli. For example, Haslam and Turner found that a perceiver would describe another person as more or less similar to themselves as a function of the likely categorization scheme.
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Conversely, when perceiving an ingroup the outgroup members may not be psychologically available. In such circumstances there is no ingroup-outgroup categorization and thus no accentuation. Indeed, accentuation of intragroup differences may occur under these circumstances for the same sense making reasons. In line with this explanation it has been shown that in an intergroup context both the ingroup and outgroup is perceived as more homogeneous, while when judged in isolation the ingroup is perceived as comparatively heterogeneous.
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One typical accentuation of the structure of walls, the contrast of prominent visible brick and plastering of recessed areas, had already been developed in Italy, but became prevalent in the Baltic region.
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The devī inflection exhibits an ablaut pattern different from the vṛkīs inflection. Pāṇini does not make the distinction, classifying the ī-stems by their accentuation (devī words may be NiiN, NiiP or NiiS).
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Immunofluorescence (IF) on ethanol- fixed neutrophils is used to detect ANCA, although formalin-fixed neutrophils may be used to help differentiate ANCA patterns. ANCA can be divided into four patterns when visualised by IF; cytoplasmic ANCA (c-ANCA), C-ANCA (atypical), perinuclear ANCA (p-ANCA) and atypical ANCA (a-ANCA), also known as x-ANCA. c-ANCA shows cytoplasmic granular fluorescence with central interlobular accentuation. C-ANCA (atypical) shows cytoplasmic staining that is usually uniform and has no interlobular accentuation.
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The longer the groups spent with each other (and in the case of the study the longer people in the different groups spent in marching bands), the more they perceived that there were differences between them. The preference for the ingroup over the outgroup in the study also did not result in a correlation with the accentuation of differences, suggesting it did not play a role. However, the groups observed in the study were not hostile towards each other, as previous research has reported strong accentuation with groups that are ideologically opposed, meaning that hostility between the ingroup and outgroup as opposed to preference may result in an increased attenuation effect. The understanding of intergroup accentuation is important as it could lead to the understanding of conflict between different groups.
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Then, however, the accentuation varies slightly from the standard case. Usually, the suffix is not stressed. When it is used with languages, however, it is stressed. In Chechen, it is marked with the suffix -l.
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The ancient grammarians were aware that there were sometimes differences between their own accentuation and that of other dialects, for example that of the Homeric poems, which they could presumably learn from the traditional sung recitation.
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Polychords may create secundal chords. The secundal harmony in Ross Lee Finney's "Playing Tag" provides "accentuation and forward motion", as well as the basis for the "fragmentary melody": Secundal harmony in Ross Lee Finney's "Playing Tag".
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The structure is simply decorated except for the cornice moldings and accentuation of the arches in the main area. From the exterior, the building is rectangular with two wall niches and windows on the north, east, and south.
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On the margins of some pages there are notes, in a later hand, referring chiefly to matters of pronunciation and accentuation, similar to those in the manuscript Add. 12138. It lacks the Pericope Adulterae (John 7:53-8:11).
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Composed around 1300, these motets are still considered part of the Ars Antiqua. Characteristics include further division of the triplum, the motetus and triplum move toward light and elegant expression, and a lack of concern for principles of proper textual accentuation.
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A Taxonomic Approach. He followed this up in 2006 with the Dutch-language Semiotaxis. Over theoretische en Nederlandse syntaxis. In the 1960s Ebeling came up with a law-like theory of verbal paradigmic accentuation in Slavic, and possibly Balto-Slavic languages.
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Musicologist James Perone found the recording to be the "richest track" off of Amor Prohibido because of its "rhythmic and textural contrast". Perone compared it to the '90s American dance music scene and commented on how the "techno aspect of the piece is muted; however, Selena's voice is electronically processed for part of the recording." "Techno Cumbia" incorporates "rhythmic shifts from accentuation on off-beats to accentuation on the beat". The "hey, ho" is a reference to American soul singer Ray Charles' call and response 1950s single "What'd I Say", used under a "Latin-style drumbeat".
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In the following centuries many other grammarians wrote about Greek accentuation. The most famous of these, Aelius Herodianus or Herodian, who lived and taught in Rome in the 2nd century AD, wrote a long treatise in twenty books, 19 of which were devoted to accentuation. Although Herodian's book does not survive in full, an epitome (abridgement) was made of it around AD 400 which still survives. Another important authority was Apollonius Dyscolus, the father of Herodian. The names of these diacritics in English, and the term ‘accent’, are based on Latin loan-translations of the Greek terms.
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Intonation, palatalization of consonants, and accentuation are also different. The diphthongs au or ou (unknown in standard Slovene but found in various dialects) are also widespread. Examples include Baug or Boug 'God' (standard Sln. Bog ), and kaus or kous 'piece' (standard Sln.
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Recent empirical work by German et al. suggests that both Selkirk’s and Schwarzschild’s theory of accentuation and F-marking makes incorrect predictions. Consider the following context: (26) Are the children playing their game? (27) Paul took down their tent that they play their game in.
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This is normally referred to as High Tangamim or High Na'um. It is used for special portions of the Torah reading, principally the Ten CommandmentsIn printed Hebrew Bibles, the Ten Commandments have two sets of cantillation marks: the ta'am 'elyon or "upper accentuation" for public reading and the ta'am taḥton or "lower accentuation" for private study. The term "High Tangamim" for the melody in question is borrowed from the ta'am 'elyon, for which it is used. but also Chapter 1 of Bereshit (on Simchat Torah), the Shirat ha-Yam, the Song of Moses, the concluding sentences of each of the five books and several other smaller portions.
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Christian Stang, Frederik Kortlandt, Rick Derksen, and many other linguists deny the operation of the Fortunatov–de Saussure's law in Proto-Slavic.Kortlandt, Frederik (2009). Balto-Slavic accentuation revisited. Studies in Germanic, Indo-European, and Indo-Uralic (Leiden Studies in Indo-European 17), Amsterdam & New York: Rodopi, p.
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R A Riesen, p. 261. During this appointment he produced his first book on the Hebrew language in 1861 "Outlines of Hebrew Accentuation" which was followed later during his professorship by an Elementary Hebrew Grammar (1st ed., 1874) and his Hebrew Syntax (1894).R A Riesen,p. 261.
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Still, there are notable differences in pronunciation, even among North German speakers such as the lengthening of vowels and differences in accentuation. There are also some North German expressions that are in use even in Standard High German but are seldom heard in Southern Germany, such as "plietsch" for "intelligent".
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Sievers, l.c. § 248, p. 375 Although not all the poetical portions of the Old Testament are marked by a special accentuation, the Book of Job in 3:3-42:6 and the books of Psalms and Proverbs throughout have received unusual accents. This point will be further discussed later on.
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Kajkavian accentuation is similar to Slovene. It resembles Slovene in lengthening the old short accent, producing a long falling accent that merges with the old circumflex. However, there is no lengthening in non-final syllables and no progressive accent shift. Thus, the old acute and short neoacute remain short in all syllables.
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The Pre-Kinder and Kindergarten project includes Language Arts, Math, Science, and Social Studies. Dialect reading proficiency and fundamental learning abilities are underlined. The Mandarin Language system concentrates on tuning in; talking, singing, rhyming and character locating with some beginning take a shot at composing. Accentuation is set on tone separation and articulation.
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Researchers call this the accentuation effect. It is suggested that voice pitch, alongside other 'surface properties' of speech such as speech content, are instantaneously encoded into memory. This contrasts with auditory features such as amplitude and speaking rate, of which there is contrary evidence about whether they are automatically encoded into memory.
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Many songs use only a few real words, interspersed among numerous vocables, or non-lexical syllables like ai-ya-yainga. Inuit songs are strophic and mostly use six different pitches; textual and melodic motifs are common. A song's word length and accentuation determines the rhyhm, giving the songs a recitative-like style.
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Helmore himself resolved to research and contribute. His aim was to create a setting which was authentic, but also well fitted to the text in tempo and accentuation. In 1849 he completed The Psalter Noted, the first of a series of similar works. His Primer of Plainsong (1877) came to be regarded as the standard work on the subject.
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A that point, Monasterio was also the Director of the Madrid Conservatory. Breton was a leading Spain's composer, and had written the first genuinely Spanish opera. In his memoirs, Casals said Monasterio was an excellent teacher that emphasized intonation and proper accentuation in chamber music performance. Casals grew musically under the influence of both these fine musicians.
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Carolyn Hill, ed., Mexican Masters: Rivera, Orozco, and Siqueiros (Oklahoma City: Oklahoma City Museum of Art, 2005), 80. His interest in the human form developed at the Academy in Mexico City. His accentuation of the angles of the body, its muscles and joints, can be seen throughout his career in his portrayal of the strong revolutionary body.
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The central nave is only slightly wider than the side aisles. This results in merely a weak accentuation of the longitudinal axis of the church. The bays of the side aisles counteract this slight longitudinal alignment by opening up their broadsides to the central nave, thus emphasising the lateral alignment. This gives the impression of undirected space.
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The first writer who extended the theory of "agogics" was Hugo Riemann in his book Musikalische Dynamik und Agogic (1984). The theory was based on the idea of using small changes of rhythm and tempo for expression. Riemann used the term "agogic accent", by which he meant accentuation achieved by lengthening of a note. The theory found many supporters.
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Through increased stress, or variations in duration or articulation, particular tones may be accented. There are conventions in most musical traditions for regular and hierarchical accentuation of beats to reinforce a given meter. Syncopated rhythms contradict those conventions by accenting unexpected parts of the beat. Playing simultaneous rhythms in more than one time signature is called polyrhythm.
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A key researcher and publisher of many works on Matis language is Vitória Regina Spanghero Ferreira. Her master’s thesis was a phonetic and phonological description of Matis language that discussed phonemes and allophones, syllable structure, phonological processes, and accentuation patterns of Matis.Ferreira, V. (2000). Língua Matis (Pano): Uma Análise Fonológica (Master's thesis, Universidade Estadual de Campinas, 2000).
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In the fourth movement, Ligeti employs combinations of accents, short joints, open strings, double stops and harmonics, that with the high speed required create a particular sound. In the subsequent occurrences of the thematic material, the composer makes changes through addition or subtraction of notes, transforming individual notes in chords and vice versa, and consequently adapting accentuation and dynamics.
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He also coached the native British singer in the Polish way of singing, accentuation, and pronunciation, in those songs which were recorded with Polish lyrics. Katy Carr's new album has been released in Sept. 17 2012.'Katy Carr's Official Newsletter''Katy Carr's \"Paszport\" album' Since 2013, Wentura works on his classical opera composition that will have polish libretto.
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Schwarzschild points out weaknesses in Selkirk’s ability to predict accent placement based on facts about the discourse. Selkirk’s theory says nothing about how accentuation arises in sentences with entirely old information. She does not fully articulate the notion of discourse status and its relation to accent marking. Schwarzschild differs from Selkirk in that he develops a more robust model of discourse status.
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Tommaso Bai, or Tommaso Baj, was an Italian conductor, composer, and tenor at the Vatican. He was born in Crevalcore around 1650 and died in Rome on 22 December 1714. He is most well known for his Miserere, which he composed in 1713, which imitated Gregorio Allegri's Miserere. Bai was acclaimed for his intricate attention to prosody, accentuation of words, and notation.
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A presystolic murmur, also called presystolic accentuation, is a type of diastolic heart murmur typically associated with the opening snap in mitral valve stenosis. It is heard following the middiastolic rumble of the stenotic valve,Eric J. Topol. The Topol Solution: Textbook of Cardiovascular Medicine, Third Edition with DVD, Plus Integrated Content Website, Volume 355. Lippincott Williams & Wilkins, Oct 19, 2006; page 222.
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Similarly, the accentuation of names is central. Lorraine Franconian and German emphasize the same linguistic relationship, placing a tonic accent at the initial of words, in general. On the other hand, the French name is unemphasized and is characterized by an increase in tone on the final part of the word. The difference between the Germanic and French form is audible.
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At the beginning of the 20th century Aulnay grew through accentuation on rail traffic and installation of industries. On 5 January 1903, the city became Aulnay-sous-Bois. In September 1914 Aulnay was saved from German military occupation by the counter-offensive during the First Battle of the Marne. In 1924 the Radiator Company commenced operation and provided employment for 2,300 workers.
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7; G.B. Pighi De ludis saecularibus populi Romani Quiritium Pubbl. dell' Universitá Cattolica del Sacro Cuore, Serie 5 35 Milano 1941 p. 107-119; p. 201-221 Gagé and D'Albret remark an accentuation of the matronal aspect of Juno Regina that led her to be the most matronal of the Roman goddesses by the time of the end of the republic.
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According to the rule called "default accentuation," the accent falls on the antepenult or on the leftmost syllable of verbs. The exception to the rule is resultative and long imperfect positive stems. For example, a-bæ̀mbæra, which means Bambara, has its primary accent on the antepenult syllable. A bisyllabic word hæ̀ræt, which is glossed as 'thing,' has its accent on the initial syllable.
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A summary of the Damascus Pentateuch was made by Israel Yeivin, in connection with the problems of the Aleppo Codex.Israel Yeivin, The Aleppo Codex of the Bible (A study of its vocalization and accentuation), Jerusalem 1968, pp. 361-362 (Hebrew: כתר ארם צובה : ניקודו וטעמיו). According to Yeivin, the textus receptus of the Damascus Pentateuch is mostly harmonious with the Leningrad Codex.
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Chakavian accentuation is particularly archaic, and therefore invaluable for reconstructing the Common Slavic situation. The old acute and short neoacute merge with the short accent, all becoming a short falling intonation. The long neoacute and circumflex remain distinct, reflected as long rising and long falling respectively. Thus, there are no pitch distinctions in short syllables, but they remain in long syllables, unlike the earlier stages of Neoshtokavian.
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Page 106 quotes Frank Coia as saying that Jansch's style "was a total diversity from normal, conventional playing – in tonality, in dissonance, in his idea on chord progressions. [...] His accentuation and the actual timing [...] is so unique." Jansch's first guitar was home-made from a kitHarper, C., p. 12 but when he left school and started work, he bought a Höfner cello-style guitar.
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It was the Queen's wish that the coronation dress should be made of satin, like her wedding dress, with accentuation of regal elegance, but with no undue emphasis on shape. The gown now forms part of the Royal Collection. After the coronation, the dress was worn on several occasions such as when she opened the parliaments in New Zealand (1954), Australia (1954), Ceylon (1954), and Canada (1957).
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Structurally, the album has three distinct sections: the opening 18 minutes consist primarily of quiet, sparse acoustic guitar strums backed by distant whirs and machine noises; a lengthy crossfade shifts the album into drone doom metal, with Merzbow's accentuation via harsh noise layers; eventually, the loud half-hour settles through movements of noise into 6 minutes of a quiet electric guitar and ambience coda.
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However, σ is often voiced, according like s in German before a vowel, . ευ and ηυ are not distinguished from οι but are both pronounced , following the German eu, äu. Similarly, ει and αι are often not distinguished, both pronounced , like the similar German ei, ai, and ει is sometimes pronounced . No attempt is usually made to reproduce the accentuation contrast between acute and circumflex accents.
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Syllabic length is a factor but accentuation is not. Caesura should occur at the same place in every line; it helps to keep up distinctness and clarity, two virtues of civil language. "Concord, called Symphonie or rime" (76) is an accommodation made for the lack of metrical feet in English versification. The matching of line lengths, rhymed at the end, in symmetrical patterns, is a further accommodation.
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Yet, contemporary dialectologists are particularly interested in it since it has retained the old accentuation system characterized by a Proto-Slavic new rising accent (neoacute) and the old position of stress, and also numerous Proto-Slavic and some Proto-Indo- European archaisms in its vocabulary. Another feature of Chakavian is the influence of Romance languages in its lexicon (especially from Italian, Dalmatian and Venetian).
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New York: Charles Scribner's Sons, 1900. German pianist and composer Theodor Kullak (1818–1882) calls it a "bravura study for velocity and lightness in both hands. Accentuation fiery!"Huneker (1900) Leichtentritt calls the piece a "magnificent tone- painting’’ [prachtvolles Tongemälde] and "elemental sound experience" [elementares Klangerlebnis]: Chopin scholar Robert Collet believes that the study "has more than a hint of something elemental, demoniacal and even sinister.
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Official site of Lincolnshire, p. 4 The priory's religious accentuation as an important religious pilgrimage site began when St Gilbert established the Gilbertine Order in 1131 by inducting "seven maidens" who were his pupils. Alexander, Bishop of Lincoln, helped in establishing the religious buildings to the north of St Andrew's Church as a protected area. St Gilbert died at Sempringham in 1189 and was buried in the priory church.
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He wrote several specialized works on aspects of language and grammar, from which only a handful of fragments now survive. These included treatises on word-types, dialects, accentuation, pronunciation, and orthography, as well as a grammar (Τέχνη Γραμματική, Tékhne grammatiké) and a dictionary. The two extant works that bear his name, On Meters and On Tropes, may or may not be by him. He had a pupil named Abron.
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From the palaeographical point of view it looks older, but the regularity of the accentuation and the abundant colourful decoration are uncharacteristic of the 8th century. The number of errors is remarkably small. According to Palau it was copied by a non-Greek, probably Latin scribe, in 9th century Italy. The Italian location had a strong Byzantine influence.A. Cataldi Palau, “A Little Known Manuscript of the Gospels in ‘Maiuscola biblica’: Basil.
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Maturity in the Palau nautilus is reached when there is a rapid decrease in growth rate until there is no additional growth. The body chamber shell wall thickens with deposition of a black layer along the apertural margin and the accentuation of the hyponomic and ocular sinuses. The exterior body chamber lacks colour banding. The last septum is thickened but has a reduced volume in the final chamber.
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He transferred his private collection of micro-films of vocalizations, including parts of hidden archives of Genizah, in vocalization and accentuation to the Institute of Microfilmed Hebrew Manuscripts of the National Library in Jerusalem in memory of his son Dov, who died in 1986. Further in memory of his son Dov, a large part of his rare scholarly collection has been donated to the Ariel University Center of Samaria Library.
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The strange cadence of the Man’s dialogue was achieved by having Anderson speak into a recorder. This was then played in reverse, and Anderson was directed to repeat the reversed original. This "reverse-speech" was then reversed again in editing to bring it back to the normal direction, a technique called phonetic reversal. This created the strange rhythm and accentuation that set Cooper’s dream world apart from the real world.
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A grace note is by definition decidedly shorter in length than the principal note which it 'graces', but in many examples the grace note receives a greater degree of accentuation (emphasis) than the principal itself, even though it is a much shorter note than the principal. In other words, while a grace note could be ghosted, the ghosting of notes is a function of volume rather than of duration.
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Gabriel Warburg, Sudan Under Wingate: Administration in the Anglo- Egyptian Sudan (1899–1916) (Routledge, ), p. . Among the Nuba, the government made the "mek-in-council" (akin to the king-in-council), along with tribal hierarchies and federations, the basis of indirect rule.Kamal Osman Salih, "British Policy and the Accentuation of Inter-Ethnic Divisions: The Case of the Nuba Mountains Region of Sudan, 1920–1940", African Affairs 89, 356 (1990): 417–36.
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The figures are distinguished by their plasticity of form, softness of modeling, and accentuation of certain details of clothing. A group of the founders of Burtelashen is depicted on three columns of the western part of its rotunda. The picture consisted of relief figures of the Holy Virgin with the Child, sitting on a throne, and two standing men in rich attire, one of them holding a model of the temple.
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In 1956, after the independence of some Departments, Technical Faculty ceased to exist. chemical technology continues to work as newly established Faculty of Technology. From the latter one, with development and accentuation of particular professions in industry, in 1978 separates the Faculty of Metallurgy, in 1980 the Faculty of Food Technology and Biotechnology, and in 1991. the Faculty of Textile Technology and modern Faculty of Chemical Engineering and Technology.
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The accentuation of Hebrew adheres strictly to the rules of Biblical Hebrew, including the secondary stress on syllables with a long vowel before a shva. Also, the shvá nang in the beginning of a word is normally pronounced as a short eh (Shemang, berít, berakháh). Shva nang is also normally pronounced after a long vowel with secondary stress (ngomedím, barekhú). However it is not pronounced after a prefixed u- (and): ubne, not u-bene.
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The following positive traits are also believed to be typically Tatar: quick adoption of new developments; diligence; moderateness; persistence; friendliness; patience; courage. The community’s value system is based not only on the accentuation of the positive, but also on the admission of negative character traits. The Tatars sometimes say they are fickle. Tatars will not keep their word, they are easily carried away and make big promises which they don’t keep: "I’ve broken my word".
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Traditional chant accentuation derives from the Syriac standard, which was instituted by the scholars known as the Masoretes in the Middle Ages. The form is similar to that codified by the Hebrew grammarians of Tiberias for Jewish cantillation of the Bible. It features dot notation above, below, and to the side of words in the text. The names of the notations are expressive, reflecting the style of Syriac Bible reading and chant in general.
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According to self-categorization theory, depersonalization describes a process of self-stereotyping. This is where, under conditions of social category salience and consequent accentuation, "people come to see themselves more as the interchangeable exemplars of a social category than as unique personalities defined by their differences from others". Under these conditions a perceiver directly bases their behaviour and beliefs on the norms, goals and needs of a salient ingroup.Brown, R. J. & Turner, J. C. (1981).
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The Museum of the Portuguese language (the second language museum in the world) is located in São Paulo, Brazil. The Brazilian Ministry of education has developed a proficiency test in Portuguese specifically for Brazil and based on the Brazilian norm: CELPE-Bras The latest orthographic agreement was ratified first by Brazil and while it requires adjustments in spelling, hyphenation and accentuation from all CPLP member states, the agreement favours the Brazilian norm.
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Kazimieras Jaunius (1848-1908) was a Lithuanian Catholic priest and linguist. While Jaunius published very little, his major achievements include a well regarded Lithuanian grammar, systematization and classification of the Lithuanian dialects, and descriptions of Lithuanian accentuation. Though most of his conclusions on etymology and comparative linguistics were proven to be incorrect, his works remain valuable for vast observational data. Jaunius studied at the Kaunas Priest Seminary and Saint Petersburg Roman Catholic Theological Academy.
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The play influenced Bojić to such an extent that he later composed a poem of the same name. According to Đorđević, Bojić was "thrilled by the beauty of Wilde's descriptions", and reading his work inspired Bojić to use Biblical rhythm and accentuation. Đorđević notes that the archaic phrase "thou art" only appears in Bojić's poems after he began reading Wilde. Wilde's influence can also be observed in Bojić's lyric plays, especially "The King's Autumn".
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However, the articulation of three windows was preserved. The northern snail staircase lost its function as the main staircase due to changes in the floor-to-floor height and was used from then on as a pantry. The year 1775 was another year of significant adjustments to the house. A built-on gallery, seated on massive Baroque brackets, was built in the inner courtyard and the western facade got a new stucco accentuation.
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Mateo's work on the portal inspired such great works as the western portal of San Vincente of Avila. Mateo's figures in the Pórtico de la Gloria were the first manifestations of the Gothic spirit in European sculpture. Mateo's style and that of his studio are materialistic in representation with plastic accentuation of the folds in the garments. After his death, his workshop suffered and a lesser quality can even be seen at the tympanum.
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Proto-Slavic masculine o-stems with fixed accent on a non-acute root (accent paradigm b) become mobile-accent (accent paradigm c). This change is also termed "Holzer's metatony", after linguist Georg Holzer who described it. Older literature suggests that this was not a Common Slavic innovation, and that there are exceptions in some Croatian Čakavian dialects of Susak and Istria, which have retained the original accentuation. This has been recently disputed.
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The play does feature a gay character, but he is referred to as The Other Fellow. In Ireland, the word 'quare' has come to be used in a context that means "remarkable" (e.g. "That's a quare day" or "she's a quare singer"), which is most likely the sense in which Behan intends it to be read. It is also used to add accentuation to an adjective, usually as an alternative to 'very' (e.g.
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O'Rahilly worked full-time in the Irish civil service as a clerk in the Four Courts. He founded and edited journal Gadelica: a Journal of Modern Irish Studies which "sought to pursue and promote investigation into the area of Celtic studies, including philology". The journal was short-lived due to a shortage of subscriptions and four issues were published between 1912-1913. He completed his MA thesis The Accentuation of Gaelic in 1916.
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The English language consists of sentences, which are made up of phrases, which are made up of words, which are made up of syllables. There are two types of syllables: stressed and unstressed, also referred to as strong and weak. A stress is the accentuation or emphasis in a word. Intonation, duration, and dynamics are all suprasegmentals that contribute to determining the prominence, or stress, of a syllable in relationship to other syllables.
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Some Hasidic "courts", and not a few individual prominent masters, developed distinct philosophies with particular accentuation of various themes in the movement's general teachings. Several of these Hasidic schools had lasting influence over many dynasties, while others died with their proponents. In the doctrinal sphere, the dynasties may be divided along many lines. Some are characterized by rebbes who are predominantly Torah scholars and decisors, deriving their authority much like ordinary non-Hasidic rabbis do.
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This conception emerged as the result of elaboration of the idea of the "individual sensibility" to psychic traumas proposed by the eminent Russian developmental psychologist, Vladimir Nikolayevich Myasishchev.Alexandrov, A. A. “The Contemporary Psychotherapy”. Saint Petersburg: Academic Project, 1997, p. 173. By improving and elaborating the conception of "situativity" and "individual hypersensibility" to outside influence, Andrey Lichko has developed the theory stating that each type of accentuation of character has its own different "Achilles' Heel".
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The focal point of Ivšić's research was Croatian Štokavian subdialects, on which he published several very important studies (Šaptinovačko narječje, 1907; Današnji posavski govor, 1913). He was especially interested in the accentuation of Croatian subdialects and Old Slavic grammars. He was the first to determine the existence of the neoacute in all three Croatian dialects. In 1928 he participated in the efforts of state committee to create a common orthography for Croatian and Serbian.
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Some Hasidic "courts", and not a few individual prominent masters, developed distinct philosophies with particular accentuation of various themes in the movement's general teachings. Several of these Hasidic schools had lasting influence over many dynasties, while others died with their proponents. In the doctrinal sphere, the dynasties may be divided along many lines. Some are characterized by Rebbes who are predominantly Torah scholars and decisors, deriving their authority much like ordinary non-Hasidic rabbis do.
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A study at Brown University found accentuation effects happened when participants were asked to estimate average temperatures in days throughout the year. Typically, four days in a month were used, i.e., September 2, 10, 18, and 28, and the average high and low temperatures were estimated for each day. Results of this study found that when estimating the temperature, there was more of a jump in temperature estimates between months as opposed to estimates within months.
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In self-categorization theory, categorizing people does not simply involve the redescription of characteristics and categories present in social stimuli. Rather, salient social categories form the basis of a social world that is enriched with meaning. This is achieved through a non-conscious process of accentuation, where differences between social categories are accentuated along with the similarities within social categories. The resulting augmentation of social content allows the perceiver to interact with others with greater confidence and ease.
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Although Kernig's sign and Brudzinski's sign are both commonly used to screen for meningitis, the sensitivity of these tests is limited. They do, however, have very good specificity for meningitis: the signs rarely occur in other diseases. Another test, known as the "jolt accentuation maneuver" helps determine whether meningitis is present in those reporting fever and headache. A person is asked to rapidly rotate the head horizontally; if this does not make the headache worse, meningitis is unlikely.
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The first widely accepted theory was constructed by Eduard Sievers (1893), who distinguished five distinct alliterative patterns. His system of alliterative verse is based on accent, alliteration, the quantity of vowels, and patterns of syllabic accentuation. It consists of five permutations on a base verse scheme; any one of the five types can be used in any verse. The system was inherited from and exists in one form or another in all of the older Germanic languages.
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It is easy to intentionally intensify the second part in the circumflex accent, but it is common too, that it is impossible to extract, hear out them from the standard language, the sounds are pronounced without an attention on emphasizing some accentual oppositions. In a case of the mixed diphthongs starting in a, e the opposition can be understood at least by different quantity of these sounds: lengthened in the acute case, and not lengthen in the circumflex. Such lengthening helps to hold the two accents in the simple diphthongs (au, ai, ei) too (for example, in an ui case, where the first element is short, the opposition between accents is usually lost in a standard language), but in this case the lengthening, emphasis of the second element in the circumflex accentuation (similarly to the emphasis of the first element in the acute accentuation) is characteristic, not unusual. Among the reasons of unification of accents in, for example, mixed diphthongs, there possibly is the absence of necessity to distinguish between them.
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Alexander Lubotsky was born in Moscow, Russian SFSR. He earned a PhD in linguistics in 1987, following a thesis on the "Nominal accentuation in Sanskrit and Indo-European" under the supervision of Robert S. P. Beekes. Since 1999, he has been a full professor of Comparative Indo-European Linguistics at Leiden University. He is the editor-in-chief of the Leiden Indo-European Etymological Dictionary, and a member of the editorial board of Brill's studies in Indo-European Languages & Linguistics.
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The word (without the accentuation) is a palindrome. Lácar Department in Neuquén Province has the southernmost known remains of maize before it was further diffused by the Inca Empire. Maize remains were found as far south as 40°19' S in Melinquina, with it being found inside pottery dated to 730 ±80 BP and 920 ±60 BP. This maize was probably brought across the Andes from Chile. Inhabited by Tehuelches and Pehuenche, the territory was initially explored by conquistadores coming from Chile.
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The medieval version of the cursive script forms the basis of another style, known as Rashi script. When necessary, vowels are indicated by diacritic marks above or below the letter representing the syllabic onset, or by use of matres lectionis, which are consonantal letters used as vowels. Further diacritics are used to indicate variations in the pronunciation of the consonants (e.g. bet/vet, shin/sin); and, in some contexts, to indicate the punctuation, accentuation and musical rendition of Biblical texts (see Cantillation).
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164 Theo Hirsbrunner has pointed out other signs of influence of Berlioz on Schumann.Hirsbrunner, Theo: Schumann und Berlioz. Ein Franzose in Deutschland, Laaber-Verlag, Laaber 2005 The same idea is used as opening for the next movement of Nachtstücke in varied form (stepwise descending and ascending seconds, with a characteristic accentuation of the upbeat quarter, again reminding the upbeat half note of the ostinato theme in the fourth movement of Symphonie Fantastique). The theme is recapitulated in heroic fashion before collapsing into nothingness.
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In the 1980s and 1990s, Estia was the only daily written in katharevousa, a purist and archaic form of modern Greek that was abolished as the official administrative language in 1976. In recent years, however, Estia has adopted a conservative form of Standard Modern Greek. Estia is also the only daily employing the polytonic system of accentuation, which was officially abandoned following legislation in 1982; Estia, nevertheless, uses a simplified polytonic orthography in which the grave accent is replaced by the acute.
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The Lithuanian prosodic system is characterized by free accent and distinctive quantity. Its accentuation is sometimes described as a simple tone system, often called pitch accent.Phonetic invariance and phonological stability: Lithuanian pitch accents Grzegorz Dogil & Gregor Möhler, 1998 In lexical words, one syllable will be tonically prominent. A heavy syllable—that is, a syllable containing a long vowel, diphthong, or a sonorant coda—may have one of two tones, falling tone (or acute tone) or rising tone (or circumflex tone).
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One or more munachs can be followed by many different trope sounds, including Zakef katon, Etnachta, Rivia, Zarka, Segol, and Pazer. It is normally used when the number of syllables in a phrase are so long that an extra note is required to accommodate all the syllables.Outlines of Hebrew Accentuation By A. B. Davidson, page 39 The munach is normally a short note. But when it is the first of two munachs followed by a Rivia, it has a longer melody.
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Stuttgart : Dt. Bibelges., 2006 . However, in modern Greek the accentuation is Xαναάν, while the current (28th) scholarly edition of the New Testament has Xανάαν. – ) was a Semitic-speaking civilization and region in the Ancient Near East during the late 2nd millennium BC. The name Canaan appears throughout the Bible, where it corresponds to the Levant, in particular to the areas of the Southern Levant that provide the main setting of the narrative of the Bible: Phoenicia, Philistia, Israel, and other nations.
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Candles were a representation of life – two of the candles are already blown out, signifying that her death is soon to come. Aside from the metaphoric details, this painting is valued for Waterhouse's realistic painting abilities. The Lady's dress is stark white against the much darker hues of the background. Waterhouse's close attention to detail and colour, the accentuation of the beauty of nature, realist quality, and his interpretation of her vulnerable, wistful face are further demonstration of his artistic skill.
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Ligorio has published two PhD theses and around 30 papers, which mostly focus on Indo-European and Romance linguistics. His work mostly deals with the topics in the history of the Serbo-Croatian accentuation, the reconstruction of the Phrygian and Dalmatian languages, and the reconstruction and etymology of the Indo-European proto-language. In terms of Indo-European linguistics, he was influenced by his supervisors, Alexander Lubotsky and Frederik Kortlandt of Leiden University, and adheres to the so- call Leiden School of reconstruction.
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All Hasidic schools devoted a prominent place in their teaching, with differing accentuation, to the interchanging nature of Ein, both infinite and imperceptible, becoming Yesh, "Existent" – and vice versa. They used the concept as a prism to gauge the world, and the needs of the spirit in particular. Rachel Elior noted: "reality lost its static nature and permanent value, now measured by a new standard, seeking to expose the Godly, boundless essence, manifest in its tangible, circumscribed opposite."Elior, p. 56.
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All Hasidic schools devoted a prominent place in their teaching, with differing accentuation, to the interchanging nature of Ein, both infinite and imperceptible, becoming Yesh, "Existent" – and vice versa. They used the concept as a prism to gauge the world, and the needs of the spirit in particular. Elior noted: "Reality lost its static nature and permanent value, now measured by a new standard, seeking to expose the Godly, boundless essence, manifest in its tangible, circumscribed opposite."Elior, p. 56.
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The cause of esophageal intramucosal pseudodiverticulosis is uncertain. It has been hypothesized that the pseudodiverticulae are not a primary phenomenon, but rather are secondary to a chronic irritant to the esophagus, or to accentuation in the movement of the esophagus (hypermotility). Both of these factors lead to obstruction or compression of the subucosal ducts of the esophagus, leading to the formation of the pseudodiverticulae. Autopsy specimens of individuals with esophageal intramucosal pseudodiverticulosis have confirmed that the flask-like openings are indeed dilated submucosal glands.
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In music, incongruity refers to the inclusion of varied or irregular musical and lyrical features, such as mispronounced words or unexpected syllable accentuation. These incongruities are intended to capture the listener's attention and to preserve their level of interest throughout the song, regardless of the simple and otherwise repetitive lyrical content. Songwriter/producer Eve Nelson was quoted saying, "a five-year-old could probably sing this, because it’s just so easy." As well as having lyrical hooks, the music itself can also be considered a hook.
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In 1963 he obtained a Ph.D. with the thesis Language of Ante Kovačić. He taught at the Faculty of Philosophy in Zadar from 1960 to 1974, when he moved to the Faculty of Philosophy in Zagreb, becoming a full professor and head of the Department of Croatian literary language in 1976. Anić published more than two hundred papers, studies, reviews and assays in subject areas of syntax, phonology, accentuation, morphology, lexicography, lexicology, terminology and stylistics. He taught at universities in Germany, Sweden and Slovenia.
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In the case a word doesn't follow this pattern, it takes an accent according to Portuguese's accentuation rules (these rules might not be followed everytime when concerning personal names and non-integrated loanwords). Because of the phonetic changes that often affect unstressed vowels, pure lexical stress is less common in Portuguese than in related languages, but there is still a significant number of examples of it: : dúvida 'doubt' vs. duvida 's/he doubts' : ruíram 'they collapsed' vs. ruirão 'they will collapse' :falaram 'they spoke' vs.
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New York: Norton & Comp., p. 166. the conclusion seems warranted that the Gregorian melodies enhance the expressiveness of the Latin words by mimicking to some extent both the accentuation of the sacred words (pitch differences between neumes) and the relative duration of the word syllables (by paying attention to well-defined length differences between the individual notes of a neume). During the seventeenth through nineteenth centuries in France, the system of rhythmic notation became standardized, with printers and editors of chant books employing only four rhythmic values.
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The portraits in these works are almost always generic, without real individualized details. As a result, it is often useless to try to date them based on the hairstyles and styles of the clothes depicted in the art. There are two main original trends observed in provincial art: The conception of figures carved in blocks, with accentuation of mass at the edges ("cubistic" conception, which had also existed in Etruscan art and then disappeared in the Republican era); and figures with expressions of a gentler nature.
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Any reconstruction of Ancient Greek needs to take into account how the sounds later developed towards Modern Greek, and how these changes could have occurred. In general, the changes between the reconstructed Ancient Greek and Modern Greek are assumed to be unproblematic in this respect by historical linguists, because all the relevant changes (spirantization, chain-shifts of long vowels towards , loss of initial , restructuring of vowel-length and accentuation systems, etc.) are of types that are cross-linguistically frequently attested and relatively easy to explain.
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From 1991 to 1995, Probert studied Literae Humaniores (classics) at Exeter College, Oxford, graduating with a Bachelor of Arts (BA) degree. Remaining at Exeter College, she undertook postgraduate studies in general linguistics and comparative philology, completing her Master of Philosophy (MPhil) degree in 1997. She then moved to St John's College, Oxford, where she undertook research towards her Doctor of Philosophy (DPhil) degree under the supervision of Anna Morpurgo Davies. She completed her DPhil in 2000 with a thesis titled "Studies in ancient Greek accentuation".
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Eight foot stops include the 8′ Open Diapason. Pedal divisions may also include higher-register stops, such as the 4′ Choral Bass or various mixtures. When pedal parts are performed, a 16′ stop is usually paired with an 8′ one to provide more definition. For pedal parts that need accentuation, such as the Cantus Firmus melody in a 17th-century organ piece, many organs have a nasal-sounding reed stop in the pedal division, or a 4′ Principal designated on the stop knob as "Choralbass".
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Sculptures from the Amarna period are set apart from other periods of Egyptian art. One reason for this is the accentuation of certain features. For instance, the portrayals feature an elongation and narrowing of the neck and head, sloping of the forehead and nose, a prominent chin, large ears and lips, spindle-like arms and calves, and large thighs, stomachs and hips. In a relief of Akhenaten, he is portrayed in an intimate setting with his primary wife, Nefertiti, and their children, the six princesses.
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Specialization is much easier to observe as a trend, since it has a stronger anthropological history. The best example of an established lateralization is that of Broca's and Wernicke's areas, where both are often found exclusively on the left hemisphere. Function lateralization, such as semantics, intonation, accentuation, and prosody, has since been called into question and largely been found to have a neuronal basis in both hemispheres. Another example is that each hemisphere in the brain tends to represent one side of the body.
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This stage corresponds to more severe generalized and focal areas of arteriolar narrowing, changes in the arteriolar and venular junctions, and alterations in the arteriolar light reflex (i.e., widening and accentuation of the central light reflex, or "copper wiring"). This is followed by an exudative stage, in which there is disruption of the blood–retina barrier, necrosis of the smooth muscles and endothelial cells, exudation of blood and lipids, and retinal ischemia. These changes are manifested in the retina as microaneurysms, hemorrhages, hard exudates, and cotton-wool spots.
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In the performance of Italian bel canto music, the concept of the musical slur and that of the true portamento have not always been held to mean the same thing. This is explained simply by Nicola Vaccai in his Practical Method of Italian Singing, originally published 1832,Vaccai 1832. whose opinion in the matter holds some authority. In the sense described by Vaccai, the portamento is not a slur but an ornamental accentuation of the legato linking two distinct notes, without any slide or glide through the intervening notes.
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The Nash Papyrus (2nd century BCE) contains a portion of a pre-Masoretic Text, specifically the Ten Commandments and the Shema Yisrael prayer. The Masoretic Text (MT or 𝕸) (נוסח המסורה) is the authoritative Hebrew Aramaic text of the 24 books of the Tanakh in Rabbinic Judaism. The Masoretic Text defines the Jewish canon and its precise letter-text, with its vocalization and accentuation known as the masorah. It was primarily copied, edited and distributed by a group of Jews known as the Masoretes between the 7th and 10th centuries of the Common Era (CE).
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The accentuation effect often works to create more polarized judgements within individuals. A study conducted by Eiser, 1971, showed this through people’s judgements of different attitude statements. Those who were judging were asked to rate a variety of statements regarding the non-medical use of drugs from being ‘extremely permissive’ to ‘extremely restrictive’. The group which received the statements already categorized into two distinct groups, one being from anti-drug newspapers and the other being from pro-drug newspapers, accentuated the differences between these two groups as opposed to those from the control condition.
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Development of Cortex Strikes Back began in October 1996. For the game, Andy Gavin created a new engine and scripting language named "Game Oriented Object LISP 2" (GOOL 2) that was three times faster than the previous game's engine, could handle ten times the animation frames and twice the polygon count. The jungle levels were originally to have featured ground fog, but this was abandoned when magazines and the public began to heavily criticize other developers for using fog to hide polygon count. Sunlight and depth accentuation was experimented with for these levels.
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This is seen especially in the orthographic peculiarities of the fragments like α = η, ω = ου, η = ει, σ = θ and the use of the Doric accentuation, though it is uncertain whether these features were actually present in Alcman's original compositions or were added either by Laconian performers in the subsequent generations (see Hinge's opinion below) or even by Alexandrian scholars who gave the text a Doric feel using features of the contemporary, and not the ancient, Doric dialect. Apollonius Dyscolus describes Alcman as "constantly using the Aeolic dialect".Ap.Dysc., Pron. 1, p. 107.
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"It's got a backbeat, you can't lose it" – Chuck Berry, "Rock and Roll Music" A back beat, or backbeat, is a syncopated accentuation on the "off" beat. In a simple rhythm these are beats 2 and 4. "A big part of R&B;'s attraction had to do with the stompin' backbeats that make it so eminently danceable," according to the Encyclopedia of Percussion.Beck, John H. (2013). Encyclopedia of Percussion, p. 323. Routledge. . An early record with an emphasised back beat throughout was "Good Rockin' Tonight" by Wynonie Harris in 1948.Beck (2013), p. 324.
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Patients with mitral stenosis may present with heart failure symptoms, such as dyspnea on exertion, orthopnea and paroxysmal nocturnal dyspnea, palpitations, chest pain, hemoptysis, thromboembolism, or ascites and edema (if right-sided heart failure develops). Symptoms of mitral stenosis increase with exercise and pregnancy On auscultation of a patient with mitral stenosis, typically the most prominent sign is a loud S1. Another finding is an opening snap followed by a low-pitched diastolic rumble with presystolic accentuation. The opening snap follows closer to the S2 heart tone with worsening stenosis.
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This category includes findings that are minor and not suggestive of TB disease. These findings require no follow-up evaluation.. Chest x-ray of pleural thickening post-primary tuberculosis #Pleural thickening - Irregularity or abnormal prominence of the pleural margin, including apical capping (thickening of the pleura in the apical region). Pleural thickening can be calcified. #Diaphragmatic tenting - A localized accentuation of the normal convexity of the hemidiaphragm as if “pulled upwards by a string.” #Blunting of costophrenic angle (in adults)—Loss of sharpness of one or both costophrenic angles.
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Among his more important writings were editions of the Techne (grammatical manual) of Theodosius of Alexandria (Theodosii Alexandrini grammatica, 1822), Aristotle's Politics (1824), and Economics (1830), as well as editions of the poet Hesiod (1831; 3rd ed. by J. Flach, 1878). In the field of Greek grammar he published Allgemeine Lehre vom Akzent der griechischen Sprache (Jena 1835), enlarged from a smaller work, which was translated into English (1831) as the Elements of Greek Accentuation. His smaller works were for the most part combined in Gesammelte Abhandlungen aus dem klassischen Altertum and Opuscula Academica (1869).
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The Weser dialects of the East Frisian language were unique among the Germanic languages as they kept full vowels in secondary syllables. This phenomenon was especially distinctive in the Wursten Frisian, the easternmost of the East Frisian dialects. In Old Frisian words with a short stem vowel the accentuation shifted from the first to the second syllable. Thus it could happen that not only the full vowel was preserved in what was now a stressed secondary syllable but the old stem vowel was partially reduced to a total loss.
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In 1959, Yeivin joined the Academy of the Hebrew Language's project to publish a historic dictionary of the Hebrew language. He worked on the Dictionary's editorial board for more than 30 years as Head of Ancient Hebrew research. From 1968, he taught at the Hebrew University Language Department, becoming a professor and head of the Hebrew Language Department. He retired in 1990 but continued to research the Masorah; Bible accentuation (Ta'amei HaMikra), the traditional language revealed in the Babylonian Vocalization, Rabbinical Hebrew, Leshon Hachamim), liturgical poetry (Piyyut), and lexicology.
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In the meantime, the original 1888 version of The Secret Doctrine was out of print and replaced by Annie Besant's "Third and Revised Edition". This edition was found to contain tens of thousands of alterations and major distortions. This and other material which diverged significantly from H.P. Blavatsky's original presentation was denominated Neo-Theosophy. Robert Crosbie denounced Neo-Theosophy and considered it along with other leadership claims and rivalries in the Theosophical Society to be the result of the accentuation of personality, in the Theosophical sense of the lower or illusionary self.
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Zephirus Returns (2001) recycles and, by means of post-modern stylisation, "disintegrates" the Franco-Italian flavour by hybridising Monteverdiesque patterns and post-impressionist expression. Cinq poèmes de Mallarmé (2003) are composed after the author's own translation of Mallarmé's poetry, following the rhythm and the accentuation of the French language in the strictest possible sense, in pursuit of the subtlest permutations of the verses and post-impressionist musical colouring. As a result, the identical vocal part can be performed in either the original French verse, or the corresponding Serbian translation.
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Nevertheless, it was the difference between Greek and Latin chant sources and especially the particular function of the tonary in chant transmission, which led Peter Jeffery to the conclusion, that the huge repertoire of Roman chant was classified according to the Octoechos a posteriori.Jeffery (2001). While early manuscripts of Greek chant always used modal signatures (even before neume notation was used), the fully notated graduals and antiphonaries of the first generation (10th century), written by Frankish cantors, report a lot of details about accentuation and ornamentation, but the melodic structure was remembered orally by tropes.
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However, in spite of their theoretical advantages, these proposals have not been very successful outside of academic circles, because of regional variations in pronunciation and incompatibility with existing literature. More recently, on December 14, 2017, the Modern International Manual of Venetian Spelling has been approved by the new Commission for Spelling of 2010. It has been translated in three languages (Italian, Venetian and English) and it exemplifies and explains every single letter and every sound of the Venetian language. The graphic accentuation and punctuation systems are added as corollaries.
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Pomar first truly neo-realist painting was Gadanheiro (Mower), from 1945, while his most emblematic work in this style would be O Almoço do Trolha (The Lunch of the Trolley), where he worked from 1946 to 1950, and was first exhibited in 1947. Portuguese art historian Rui Mário Gonçalves described it as one of "the most important milestones of Neo- realist painting, with its theme taken from the life of the proletariat, treated with rough material and with a Portinariesque anatomical accentuation of the feet and hands".Rui Mário Gonçalves, Pintura e Escultura em Portugal.
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The word plene has also come to denote the horizontal bar or line written above the six double-sounding consonants in ancient Hebrew codices, whenever their assigned reading is to be read without a dagesh, or as a non-accentuated Hebrew character. These letters are the bet (), gimel (), dalet (), kaph (), pe (), and tau (). When the accentuation dot appears in the middle of these Hebrew characters, there is no plene bar written above them. In ancient Roman usage, the phrase plene scriptum may have simply referred to Latin characters written without abbreviation.
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Etymologically, Ugardanti is a feminine term made of two words, Ugar means Fierce and Danti means Tooth.A practical Sanskrit dictionary with transliteration, accentuation, and etymological analysis throughout - Arthur Anthony Macdonell One having Fierce Tooth, is called Ugardanti. Guru Gobind Singh is praying to Ugardanti, writing various attributes of Ugardanti and asking for blessings of prospering of new Panth which is free from hypocrisy, ritualism, casteism, human worship and worship only One Immortal God. In Gurmat, Fierce Tooth is explained as Hukam/Command/Will Power(Shakti) of God which tears off and destroys enemies.
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Antibodies to KIT are widely used in immunohistochemistry to help distinguish particular types of tumour in histological tissue sections. It is used primarily in the diagnosis of GISTs, which are positive for KIT, but negative for markers such as desmin and S-100, which are positive in smooth muscle and neural tumors, which have a similar appearance. In GISTs, KIT staining is typically cytoplasmic, with stronger accentuation along the cell membranes. KIT antibodies can also be used in the diagnosis of mast cell tumours and in distinguishing seminomas from embryonal carcinomas.
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According to the formulation of the Moscow Accentological School, in the Early Proto-Slavic (most likely Balto-Slavic) languages, accent shifted from dominant short and dominant circumflex syllables to syllables with an internal dominant acute, and there was no shift to both recessive aсutе and long syllables that had a circumflex intonation. For the Lithuanian language, Vladimir Dybo introduced a clarification to this law: "The accent was shifted from the circumflex to the next final acute. Without prohibitions. And the next, not the final acute, only if both syllables have the same accentuation valence".
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The tendency of the ruling side to blur and mask this must be countered by a sharpening and accentuation of this conflict of interests.'“Bestuurswisseling,” Indonesia Merdeka 3.1 (February 1925): 3 Important students in the first half of the 1920s were Soetomo, Nazir Pamontjak, Mohammed Hatta and Achmad Soebardjo. In the end of the 1920s and the 1930s Soetan Sjahrir, Abdulmadjid Djojoadhiningrat and Roestam Effendi gained in prominence. Via the return of its members, the PI was influential in the forging of a nationalist non-cooperationist movement in the Netherlands Indies.
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Müller, who described and categorized clothing, religions and rituals of the Siberian ethnic groups, is considered to be the father of ethnography. On his return from Siberia, he became historiographer to the Russian Empire. He was one of the first historians to bring out a general account of Russian history based on an extensive examination of the documentary sources. His accentuation of the role of Scandinavians and Germans in the history of that country – a germ of the so-called Normanist theory – earned him enmity of Mikhail Lomonosov, who had previously supported his work, and dented his Russian career.
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Terry Ritz, founder of the organization, and his partner Steve Aleff had created various ideas based on the tour soundtrack that was provided to them by the Wonder World Tour's personnel. They met with the tour's choreographer, band manager, and lighting designer, asking them to bring their "hopes, wishes, and dreams." Out of these meetings, the show was completed and a lighting crew, who monitored the stage with a four-camera monitor system when cues were executed, was selected. The pyrotechnics for the show were described as more elegant and subtle, being composed of pink flames with accentuation of silver and white glitter.
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In the late 1950s a spontaneous mutation in red and red tabby Persians gave rise to the "peke-faced" Persian, named after the flat-faced Pekingese dog. It was registered as a distinct breed in the CFA, but fell out of favor by the mid-1990s due to serious health issues; only 98 were registered between 1958 and 1995. Despite this, breeders took a liking to the look and started breeding towards the peke-face look. The over-accentuation of the breed's characteristics by selective breeding (called extreme- or ultra- typing) produced results similar to the peke-faced Persians.
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The best known portrait of Caracalla is that held at the Vatican Museums and of which several copies are known. Judging by the large number of copies and comparison with medieval copies, the type was first created on his assuming full responsibility for the empire after his murder of Geta in 212. He is shown with an unusual twist in the neck towards the left and an accentuation of psychological character, inspired by Hellenistic prototypes but with added Roman feeling. The bust on which the head rests is 18th-century, but probably similar to the original.
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In 1976, the Société Zaïroise des Linguistes (Zairian Linguists Society) adopted a writing system for Lingala, using the open e and the open o to write the vowels and , and sporadic usage of accents to mark tone, though the limitation of input methods prevents Lingala writers from easily using the and and the accents. For example, it is almost impossible to type Lingala according to that convention with a common English or French keyboard. The convention of 1976 reduced the alternative orthography of characters but did not enforce tone marking. The lack of consistent accentuation is lessened by the disambiguation due to context.
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The most obvious accentuation is seen in the tonic labyrinthine reflexes, the otolithic organs mediate input about the gravitational force exerted on the body and the labyrinthine reflex acts on the extensor muscles in order to resist this gravitational force. In an animal where the cortical areas or the midbrain have been "cut off" from the neural axis, this reflex is hyperactive and the animal will maximally extend all four limbs. This phenomenon is known as decerebrate rigidity. In humans, true decerebrate rigidity is rare since the damage to the brain centers it might be caused by usually are lethal.
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An Agraharam in Thanjavur District, Tamil Nadu An Agraharam from Tirunelveli assembled within the DakshinaChitra museum. An Agraharam or Agrahara was a grant of land and royal income from it, typically by a king or a noble family in India, for religious purposes, particularly to Brahmins to maintain temples in that land or a pilgrimage site and to sustain their families.AA Macdonnell, A practical Sanskrit dictionary with transliteration, accentuation, and etymological analysis throughout London: Oxford University Press, page 9 Agraharams were also known as Chaturvedimangalams in ancient times. They were also known as ghatoka, and boya.
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Crates made a strong distinction between criticism and grammar, the latter of which he regarded as subordinate to the former. A critic, according to Crates, should investigate everything which could throw light upon literature; the grammarian was only to apply the rules of language to clear up the meaning of particular passages, and to settle the text, prosody, accentuation, etc. From this part of his system, Crates derived the surname of Kritikos. Like Aristarchus of Samothrace, Crates gave the greatest attention to the works of Homer, from his labours upon which he was also surnamed Homerikos.
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Basque features great dialectal variation in accentuation, from a weak pitch accent in the western dialects to a marked stress in central and eastern dialects, with varying patterns of stress placement. Stress is in general not distinctive (and for historical comparisons not very useful); there are, however, a few instances where stress is phonemic, serving to distinguish between a few pairs of stress-marked words and between some grammatical forms (mainly plurals from other forms), e.g. basóà ("the forest", absolutive case) vs. básoà ("the glass", absolutive case; an adoption from Spanish vaso); basóàk ("the forest", ergative case) vs.
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171 La Trobe Street occupies four squares on the corner of Russell Street and La Trobe Street. The building rises uniformly with 10 storeys of office floors from a catenary canopy over a tavern at the ground level, with a pair of double-storey penthouses on the top. The residential usage of the building is differentiated from its office counterpart by accentuation of masses protruding from the apartments on the exterior. Other distinctive features of 171 La Trobe Street include vertical shafts composed by green-glazed glass, horizontal curtain walling, vertical fins and black cladded shear wall.
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The image took 5 days to produce, in order to reproduce the tonal range of the scene, which ranges from a bright lamp (relative to the scene) to dark shadow.4.209: The Art and Science of Depiction, Frédo Durand and Julie Dorsey, Limitations of the Medium: Compensation and accentuation – The Contrast is Limited, lecture of Monday, April 9. 2001, slide 57–59; image on slide 57, depiction of dodging and burning on slide 58 Ansel Adams elevated dodging and burning to an art form. Many of his famous prints were manipulated in the darkroom with these two techniques.
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In 1986, Yeivin was awarded the Friedenberg Prize for his book "The Hebrew Language Tradition as Reflected in the Babylonian Vocalization". In 1989, he was awarded the Israel Prize, for the study of the Hebrew language. Among the reasons for their decision, the judges stated that "…he is one of the greatest world authorities in the study of the Masorah and Accentuation (Teamim) and the greatest scholar of the Hebrew Masorah in Babylonian Vocalization." Yeivin was a member of the Academy of the Hebrew Language from 1987 and member of the Israel Academy of Sciences since 1991.
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Different types of pressure waves can be generated in specific axis, allowing geoscientists to determine anisotropic stress regimes. This is very important in determining hole stability and aids drilling engineers in planning for future well design. Sonic tools are also used extensively to evaluate the cement bond between casing and formation in a completed well, primarily by calculating the accentuation of the signal after it as passed through the casing wall (see Cement Bond Tools below). Ultrasonic tools use a rotating acoustic transducer to map a 360 degree image of the borehole as the logging tool is pulled to surface.
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Notable Croatian linguists consider Kajkavian to be a language in its own right, with its own established dialects and documented literature. Croatian linguist Stjepan Ivšić has used Kajkavian vocabulary and accentuation, which significantly differs from that of Shtokavian, as evidence. Furthermore, there is no clear demarcation between Slovene dialects and Kajkavian: this continuum is particularly strong along the border with Slovenian Styria, and on the upper stream of the Kolpa river, where dialects spoken on both sides of the border are sometimes indistinguishable. Thus, Kajkavian has low mutual intelligibility with Shtokavian, on which Croatia's standard language is based.
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However, the history rank of the Majors of France () is still very different. In the French Armed Forces, the official rank and referral of Major ()pronounced the same way in the French language with different pronunciation accentuation on the letters "a" and "o". included the same rank designation across the board, this time however as of 2009, attached to the non-commissioned ranks (sub-officer corps) of the French Army, the ranks of the French Navy, the ranks of the French Air Force and ranks of the National Gendarmerie. The title is also often associated with another rank, which can be that of the general () or a senior warrant officer ().
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A blues guitarist playing electric guitar might use string bending to add expression; a heavy metal guitar player might use hammer-ons and pull-offs. In the 19th century, art music for solo performers may give a general instruction such as to perform the music expressively, without describing in detail how the performer should do this. The performer was expected to know how to use tempo changes, accentuation, and pauses (among other devices) to obtain this "expressive" performance style. In the 20th century, art music notation often became more explicit and used a range of markings and annotations to indicate to performers how they should play or sing the piece.
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In this veil of dimness and translucent sedimentations lies an opening towards widespread interpretations, like large canvases of dreams. A current but profound preoccupation with darkness in all its shapes and spirits materialized itself most intensely at the 57thVenice Biennale where Roepstorff was appointed Danish national representative and made an extensive intervention in the Danish Pavilion. However, darkness as a transitory and regenerating force continues to determine an artistic direction generally concerned with exploring gaps, breaks and in-betweens. The task and challenge of today lie in a fundamental re-accentuation of the dark potentials, for darkness is beginnings: of art, of lives and of visions.
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" Patricia Limerick suggests that future historians may conclude that, in the last four decades of the 20th, the general authorities of the LDS Church "undertook to standardize Mormon thought and practice". According to Limerick, this campaign of standardization has led to a retreat from the distinctive elements of Mormonism and an accentuation of the church's similarity to conventional Christianity. According to Claudia Bushman, "[t]he renewed emphasis on scripture study, especially the Book of Mormon, led the Church away from speculative theology. The freewheeling General Conference addresses of earlier years, elaborating unique LDS doctrines, were gradually replaced with a basic Christian message downplaying denominational differences.
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The nave, with William Pye's decorative font visible in the foreground Salisbury Cathedral is unusual for its tall and narrow nave, which has visual accentuation from the use of light grey Chilmark stone for the walls and dark polished Purbeck marble for the columns. It has three levels: a tall pointed arcade, an open gallery and a small clerestory. Lined up between the pillars are notable tombs such as that of William Longespée, half brother of King John and the illegitimate son of Henry II, who was the first person to be buried in the cathedral. Another unusual feature of the nave is an unconventional modern font, installed in September 2008.
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The hymnographers had already used the melody of the avtomelon to compose the stanza and its verses of the prosomoion, while a singer had to adapt accentuation patterns, if the accent in a verse has moved to the neighbouring syllable (see the kontakion example). Hence, the prosomoia had been written in textbooks (the Octoechos mega or Parakletike, or later another textbook called "Menaion"), but sometimes the prosomoia had been also notated in the Octoechos part of certain notated Sticheraria. These notated prosomoia allow to study, how the avtomela were adapted to the verses and accents of their prosomoia. Pantokratorou monastery (GB-Ctc Ms. B.11.17, f.
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A further peculiarity of the English pronunciation of Ancient Greek occurred as a result of the work of Isaac Vossius. He maintained in an anonymously-published treatise that the written accents of Greek did not reflect the original pronunciation. Moreover, Henninus (Heinrich Christian Henning) published Dissertatio Paradoxa, which claimed that accentuation in Ancient Greek must follow the same principles as in Latin, a view that is now universally considered to be erroneous. It is generally accepted that the accented syllable in Ancient Greek is the one carrying the written accent, but most authorities consider that it was a pitch accent, rather than the Modern Greek stress accent.
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Henninius's has affected the pronunciation taught in schools in the UK and the Netherlands but has been resisted in the United States and other countries. Thus, by the mid-19th century, the pronunciation of Ancient Greek in British schools was quite different from Modern Greek, from the reconstructed pronunciation of Ancient Greek and from the pronunciation used in other countries. The Classical Association, therefore, promulgated a new pronunciation as described by W. Sidney Allen in 1987,W. Sidney Allen (1987): Vox Graeca: the pronunciation of Classical Greek, Cambridge: University Press, (3rd edition, ) – especially Appendix A Section 1 "The pronunciation of Greek in England" and Section 2 "The oral accentuation of Greek".
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In a short time, Pliateris wrote several studies on the Lithuanian language, though due to his early death many were left unfinished and none were published during his lifetime. He completed short biographies of 27 Elders of Samogitia (Lithuanian translation by Jonas Šliūpas published in 1921) and an 18-page study about the Lithuanian translation of the Bible by Samuel Bogusław Chyliński (written in Lithuanian, discovered in 1959, and published in 1964). His manuscripts on the Lithuanian grammar, accentuation, and etymological tables were lost. His Polish-language bibliographical work Materiały do historyi literatury języka litewskiego (Sources for the history of the Lithuanian language) was left unfinished.
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Christian Troelsgård described the sticheron quite similar to the troparion and regarded the sticheron as a subcategory, only that a sticheron as an intercalation of psalmody, has been longer as a poem than a troparion, thus it had been chanted without repetitions of its text, but in sections. There had been a lot of stichera, but the book sticherarion was a rather dislocated collection of stichera from different local traditions and their singer-poets. It was obviously not used on a pulpit during celebrations, but rather an exercise book with various examples which could be studied for own compositions with similar accentuation patterns.Christian Troelsgård (2001).
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The Damascus Pentateuch came to renown owing largely to the works of the bibliophile, David Solomon Sassoon, who bought the codex in Damascus in the early 20th century. It is one of the oldest extant Bible codices, ranking along with the Aleppo Codex and Leningrad Codex. In many places, the Damascus Pentateuch follows the traditions of the masorete, Aaron ben Asher, in plene scriptum and defective scriptum, as well as in most large and small letters, being harmonious with the Masoretic variants prescribed by Ben-Asher up to 52% of the time.Israel Yeivin, The Aleppo Codex of the Bible (A Study of its Vocalization and Accentuation), Jerusalem 1968, p. 361.
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Michael Keaton as the eponymous character in the 1989 film Batman. Batman's first cinematographic adventures consisted of the 1943 serial film Batman and its 1949 sequel Batman and Robin, which both depicted a government-backed version of Batman and Robin (censorship would not have allowed for vigilantes to be depicted as unauthorized crimefighters). The serials (especially the first one) are, though, notorious for their accentuation on anti-Japanese sentiments due to their World War II-period setting. As mentioned earlier, in 1966, 20th Century Fox produced the first Batman feature film, titled Batman, set in the universe and featuring most of the actors from the TV series. In 1989, Warner Bros.
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The letter O and the digit 0 are intentionally identical, as are the letter I and digit 1. But the typeface accentuates the differences between characters such as 8 and B, or D and 0, with slab serifs to improve the legibility of a plate from a distance. This is especially useful for the automatic number plate recognition software of speed cameras and CCTV. This accentuation also discourages the tampering that is sometimes practised with the use of black insulating tape or paint to change letter forms (such as P to R, or 9 to 8), or with the inclusion of carefully positioned black "fixing screw" dots that alter the appearance of letters on some vanity plates.
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691 a passage which is to be translated as follows: "Only in a codex [may the Torah, the Prophets, and the Writings be combined]; in a scroll the Torah and the Prophets must be kept separate"; while the following section describes a scroll of the Law as being divided into verses (doubtless by means of blank spaces), or as having the initial portion of its verses pointed. Among the ancients the beginning ("resh pasuk") of a verse rather than the end ("sof pasuk") was emphasized, since the former was important mnemonically. There were scribes, therefore, who marked the initial of the verse, although there is no trace of such points in the present Masorah and system of accentuation.
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The hyphen (-) is used to make compound words, especially plants and animal names like papagaio-de-rabo-vermelho "red-tailed parrot". It is also extensively used to append clitic pronouns to the verb, as in quero-o "I want it" (enclisis), or even to embed them within the verb (mesoclisis), as in levaria + vos + os = levar-vo-los-ia "I would take them to you". Proclitic pronouns are not connected graphically to the verb: não o quero "I do not want it". Each element in such compounds is treated as an individual word for accentuation purposes: matarias + o = matá-lo-ias "You would kill it/him", beberá + a = bebê-la-á "He/she will drink it".
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The secondary flow is then upward toward the surface where it mixes with the primary flow or moves slowly across the surface, back toward the concave bank.Journal of Geophysical Research, Volume 107 (2002) This motion is called helicoidal flow. On the floor of the river bed the secondary flow sweeps sand, silt and gravel across the river and deposits the solids near the convex bank, in similar fashion to sugar or tea leaves being swept toward the center of a bowl or cup as described above. This process can lead to accentuation or creation of D-shaped islands, meanders through creation of cut banks and opposing point bars which in turn may result in an oxbow lake.
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The Nash Papyrus (2nd century BCE) contains a portion of a pre-Masoretic Text, specifically the Ten Commandments and the Shema Yisrael prayer. The Masoretic Text is the authoritative Hebrew text of the Hebrew Bible. It defines the books of the Jewish canon, and also the precise letter-text of these biblical books, with their vocalization and accentuation. The oldest extant manuscripts of the Masoretic Text date from approximately the 9th century CE,A 7th-century fragment containing the Song of the Sea (Exodus 13:19–16:1) is one of the few surviving texts from the "silent era" of Hebrew biblical texts between the Dead Sea Scrolls and the Aleppo Codex.
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As for the variants in vocalization it follows that of Ben Asher up to 52% of the time, and that of Ben Naphtali up to 46% of the time, for which diversity it has been called by him "a mixed manuscript where one can find in it a few 'improvements,' but which differs in several aspects regarding its vocalization and trope symbols from the Aleppo Codex."Israel Yeivin, The Aleppo Codex of the Bible (A study of its vocalization and accentuation), Jerusalem 1968, pp. 361-362. A two-volume facsimile edition of the manuscript was printed in 1978–1982 in Baltimore, Maryland (USA), by Johns Hopkins University Press, and in Copenhagen, Denmark, by Rosenkilde and Bagger.
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The close relation which existed in earlier times (from the Soferim to the Amoraim inclusive) between the teacher of tradition and the Masorete, both frequently being united in one person, accounts for the Exegetical Masorah. Finally, the invention and introduction of a graphic system of vocalization and accentuation gave rise to the Grammatical Masorah. The most important of the Masoretic notes are those that detail the Qere and Ketiv that are located in the Masorah parva in the outside margins of BHS. Given that the Masoretes would not alter the sacred consonantal text, the Kethiv-Qere notes were a way of "correcting" or commenting on the text for any number of reasons (grammatical, theological, aesthetic, etc.) deemed important by the copyist.
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First and foremost, the Olympics of the IOC stressed competition between nations — regarded by the radicals as a manifestation of national chauvinism. Rather than the accentuation of national rivalry and patriotic feeling, international competition should focus on the actual athletic effort in a setting designed to build the ethic of internationalism, both the socialists and communists agreed. The IOC games also were based upon rigid entrance standards, while the international festivals of the worker athletic movement instead attempted to build mass participation through pageantry, artistic and cultural activities, and unifying political presentations. Moreover, the sort of athletes dominating the IOC games were objectionable to the radicals on the basis of social class, dominated as they were by the privileged children of the rural aristocracy and the bourgeoisie.
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Cacography is deliberate comic misspelling, a type of humour similar to malapropism."On the Real Side: Laughing, Lying, and Signifying: the Underground Tradition of African-American Humor that Transformed American Culture, from Slavery to Richard Pryor", by Mel Watkins, 1994, , pp. 60, 62"A History of American Literature Since 1870" by Fred Lewis Pattee, 1917, p.34, digitized by Google Books The term in the sense of "poor spelling, accentuation, and punctuation" is a semantic antonym to orthography,"A Practical Grammar of French Rhetoric, by Gabriel Surenne", 1846, 150, digitized by Google Books and in the sense of "poor handwriting" it is an etymological antonym to the word calligraphy: cacography is from Greek κακός (kakos "bad") and γραφή (graphe "writing").
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However, one should keep in mind that the prosodical systems of dialects in the aforementioned languages are sometimes very different from those of standard languages. For example, some Croatian dialects like Čakavian and Posavian dialects of Slavonian Štokavian are especially important for Balto- Slavic accentology, as they retain more archaic and complex tonal accentual system than the Neoštokavian dialect on which modern standard varieties of Serbo-Croatian (Bosnian, Croatian and Serbian) are based. On the other hand, many dialects have completely lost tonal oppositions (such as some Kajkavian varieties, the Zagreb spoken nonstandard idiom). A minority view, originating from Vladimir Dybo, considers Balto-Slavic accentuation (based on correspondences in the Germanic, Celtic, and Italic languages) more archaic than Greek-Vedic and therefore closer to Proto-Indo-European.cf.
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Nadia Calviño, Economy Minister since June 7, 2018.The recovery of the Ministry of Economy in 1977 takes place in conjunctural circumstances and of great importance for the economic history of Spain. Once the political transition to democracy began, the second government presided over by Suarez was aware that the constitutional process would be seriously hampered if there was no economic growth. The circumstances were totally contrary due to the serious situation that the country was going through due to the oil crisis of 1973, the ineffectiveness of the measures adopted by the last governments of the dictatorship; as well as the accentuation of the latent problems: inflation, unemployment, external deficit, deficit of the public sector and the low level of investments.
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De Giorgi was born 6 September 1930 in Vernole, in Apulia (Southern Italy). He was ordained a priest in 1953 and was secretary to Bishop Francesco Minerva of Lecce from 1953 to 1958. He also served as diocesan chaplain for the Teachers' Movement of Catholic Action. In 1958 he became parish priest of Our Lady of Grace in Santa Rosa. On 21 November 1973, he was named Titular Bishop of Tulana and an auxiliary bishop of Oria. He received his episcopal consecration on 27 December. Pope John Paul II appointed him Bishop of that see on 17 March 1978. His pastoral ministry was characterized by the accentuation of the spiritual, commitment to the formation of the clergy, the promotion of the laity.
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Illustrated online Turcan's 1883 rendering of the fable Previously there had been several compassionate treatments in French art exhibited over the last quarter of the 19th century. Auguste-Barthélemy Glaize's painting for the 1877 SalonExhibition catalogue was notable enough to be made part of the French exhibit at the World's Columbian Exposition of 1893 and his own lithograph of it appeared in the programme.View online A contemporary account describes it as "One of the largest paintings ... and among the best of its kind. With staff in hand, striding vigorously over a rough country road, a man with sightless orbs is bearing on his back one stricken and wasted by paralysis, whose piercing and lustrous gaze gives stronger accentuation to the theme".
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The New Jersey State Board of Agriculture had realized the value of his work and arranged to send him on a lecture tour around the state to discuss the value of snakes, lizards and turtles at the Farmer's Institutes held at the various counties during the winter shortly after his marriage.Numerous newspaper clippings from 1911 to 1912 He was known to many as the "Snake Man" having specialized in the reptiles and for that matter all forms of nature for many years. He was a charismatic speaker and always pleased his audiences with his enthusiasm and accentuation of humorous and interesting facts. Newspaper articles stated that he had in his possession the largest private collection of living reptiles in the state.
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All verbs ending in -guar are diphthong-keeping, as well as saciar, desairar, restaurar and reinar. Note that two diphthongs are kept in desahuciar > desahucio (again the -h- makes no difference), which thus follows both the anunciar and causar models. Diphthong-breaking verbs include ahincar, aislar, aunar, aullar, maullar, aupar, aliar, vaciar, contrariar, evaluar, habituar, reunir. The verbs criar, fiar, guiar, liar and piar are also diphthong-breaking (crío, guíe), but when the stress falls on the endings the resulting forms are generally considered as monosyllables and thus written without accent: crie, fie, guiais, lieis.... In spite of that, the regular accentuation rules can also be used if they are pronounced as bisyllabic: crié, guiáis.... For the verbs licuar and adecuar both options are valid: adecuo or adecúo.
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Estia () is a Greek national daily broadsheet newspaper published in Athens, Greece. It was founded in 1876 as a literary magazine and then in 1894 has been transformed into a newspaper, making it Greece’s oldest daily newspaper still in circulation. It is named after the ancient Greek goddess Hestia, one of the Twelve Olympians. Estia is widely regarded as right wing in terms of political alignment and most often referred to as “conservative” and “nationalist” and is readily distinguishable as the only Greek newspaper still employing the old-fashioned polytonic system of accentuation. An “opinion newspaper” with a writing style acknowledged to be “incisive” and with a loyal readership also described as “exclusive”, Estia is often treated not merely as a newspaper but as “an institution of bourgeois Athens”.
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Campbell, who could not have seen her, says in his Life of Siddons, unjustly, that something of her Bartholomew Fair origin may be traced in her professional characteristics, declares that she "never rose to the finest grade, even of comedy, but was most famous in scolds and viragos"; adds that in tragedy, though she "had a large imposing manner" (in fact, like her daughter, she was small), "she wanted grace", and says that Garrick told Tate Wilkinson that she was "apt to blubber her sorrows". Most of this condemnation is an over- accentuation of faults indicated by Davies. Francis Hayman painted her twice — once separately, and again (as Clarinda), with Garrick as Ranger, in a scene from Hoadley's Suspicious Husband. Johann Zoffany represented her as Lady Macbeth, with Garrick as Macbeth.
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The second anuvaka highlights phonetics as an element of the Vedic instruction. The verse asserts that the student must master the principles of sound as it is created and as perceived, in terms of the structure of linguistics, vowels, consonants, balancing, accentuation (stress, meter), speaking correctly, and the connection of sounds in a word from articulatory and auditory perspectives.Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages 222-223 Taittirĩya Upanishad's emphasizes, in its later anuvakas, ', a practice that served as the principal tool for the oral preservation of the Vedas in their original form for over two millennia. Svādhyāya as a part of student's instruction, involved understanding the linguistic principles coupled with recitation practice of Indian scriptures, which enabled the mastering of entire chapters and books with accurate pronunciation.
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Since 2006, he has been music director of the Tchaikovsky Symphony Orchestra of Moscow Radio. When in winter 1975, the USSR Radio and Television Orchestra was on tour in Japan, a reviewer of the Hota Shimbun newspaper wrote: > «Fedoseyev has worked out his own style, the gist of which is the > accentuation of rhythm colors and melody design and the imparting of clarity > and simplicity to complicated music compositions. From the first to the last > bar he performed the Fifth Symphony by Shostakovich in a clear and precise > way, and this performance of his cannot be subjected to criticism, as it is > faultless.» In 2002–03, the Swiss label Relief published a series "Anni in Concordia 1974-1999", primarily reissues of Melodiya recordings, in tribute to Fedoseyev's work with the Tchaikovsky Symphony Orchestra.
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Besides the transformation of the lundum to the morna (check the main article — morna), the lundum went on absorbing external elements, for instance, from the Brazilians bossa nova and samba-canção, and later from the emerging genre coladeira. Today, this variant is more known as slow coladeira, and it has also been known as toada or contratempo. Due to some analogies with the bossa nova it occasionally called cola-samba or “sambed” coladeira. It is a variant of the coladeira with a slower tempo (andante), simpler structure than the morna, the rhythmic accentuation of the melody is on the first beat and the last half-beat of the bar. Perhaps the most internationally known example of this variant of coladeira is the song “Sodade” performed by Cesária Évora.
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However, the term "prosody" tends to refer not to the matching of music with content, but with the matching of a melody with the language itself, so that the words being sung come across as naturally as possible. According to Mark Altrogge: "Generally when writing songs and poetry, we want to accent a phrase like we'd speak it." Melodies that do not come relatively close to approximating speech make the words hard to understand; melodies that go beyond the point of clarity and come even closer to approximating speech make the singer sound more human and therefore have a stronger emotional impact on the listener. A melody with good prosody will not assign long notes to relatively insignificant syllables, nor will it put them on the beat or give them any sort of accentuation.
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The Huelmo–Mascardi Cold Reversal (HMCR) is a cooling event in South America between 11,400 and 10,200 14C years BP. This cooling began about 550 years before the Younger Dryas cooling in the Northern Hemisphere, and both periods ended at about the same time. The event was given its name from the Huelmo, Chile, and Mascardi Lake, Argentina (Nahuel Huapi National Park) sites where it was detected and dated. The HMCR cooling event began with the accentuation of a cooling period which began 12,400 14C yr BP. The 11,400 14C yr BP (13,400 calendar years BP) event onset took place 400–700 years before the onset of the Younger Dryas event. The 10,200 14C yr BP (circa 11,500 cal yr BP) end date is difficult to calibrate to a calendar year because it took place during a radiocarbon age plateau.
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Other early recorded examples include the final verse of "Grand Slam" by Benny Goodman in 1942 and some sections of The Glenn Miller Orchestra's "(I've Got A Gal In) Kalamazoo", while amateur direct-to-disc recordings of Charlie Christian jamming at Minton's Playhouse around the same time have a sustained snare-drum backbeat on the hottest choruses. Outside U.S. popular music, there are early recordings of music with a distinctive backbeat, such as the 1949 recording of Mangaratiba by Luiz Gonzaga in Brazil. Delayed backbeat (last eighth note in each measure) as in funk music Slap bass executions on the backbeat are found in styles of country western music of the 1930s, and the late '40s early '50s music of Hank Williams reflected a return to strong backbeat accentuation as part of the honky tonk style of country.
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There seems to be a consensus among the few scholars who have seriously studied the metrics of zajal that it follows two distinct metrical systems. One metrical system is quantitative and is clearly based on some of the strict so-called Khalili meters of classical Arabic poetry (for instance the m3anna and related forms scan according to the classical sari3, rajaz and wafir meters,) and the other is stress-syllabic (for instance many sub-forms of the qerradi are clearly based on Syriac metrics, such as the syllabic metric of the Afframiyyat homilies attributed to the 4th-century St. Ephraem.) Both kinds of metrics in zajal are subject to fluid alteration by musical accentuation and syncopation which is possible due to the colloquial's malleability and its inherent allowance (like Syriac) to erode inflections and internal voweling.
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It is a repetition whose consequence is a new activity in the relationship between man and environment: consumerism. In this sense the concept of trash culture can be considered an evolution of the 19th-century concept of kitsch, a development of a consumeristic behavior that, at the beginning, was related to the lowest social classes. Now the phenomenon has embraced a wider range of classes, reaching the contemporary middle class and sometimes the high class. As kitsch was a social phenomenon that established itself as a way of being, so too trash culture can be defined, but in this one the aim of a continuous process of creation and consumption is the externalization and the accentuation of the self being, that can be expressed through the way of dressing, wearing accessories, and through the self social approach.
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E. Graves notes in a 1956 article in College English that proper courses in HEL are necessary for any future English teacher, and bemoans the perceived shoving aside of "language study in high school with non-rigorous semantics and 'learning situations.'" One such plea came in 1961 from Albert C. Baugh, professor of English at the University of Pennsylvania and author of A History of the English Language, who "justified" HEL by arguing that it teaches skills necessary for teachers of literature who often have students read older texts (Baugh cites Shakespeare throughout), including etymology (and the history of word changes), pronunciation and accentuation, and grammar and idiom. Many, though by no means all, scholars of education suggest the importance of HEL. Marcia Henry, taking the Orton-Gillingham approach for dyslexic children as a structural starting point, argues that teaching the subject aids students in decoding and spelling.
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But -imi is normal as well for the masculine nouns of the fifth declension, for example – akmenimi / akmeniu. A word šuo – dog, differs from the other -uo words in that, that its stem is mixed with the suffix -uo and it consequently does not have the suffix -en- in the other cases (š-uo, akm-uo; šu-n-į, akm-en-į), its singular instrumental normal ending is of the third type (šunimi; that can be understood as a part of a meaning: more like an indefinite gender) and its accentuation paradigm is fourth, the sole case for the -uo words. Mėnuo – month, moon, is of the first declension -is type, the only fifth type form is one of the two equal variants of singular nominative: mėnuo (other is mėnesis); genitive is mėnesio etc. The word žmogus – man, human, historically had the nominative singular žmuo (compare Latin homō).
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The word is usually pronounced in French ("Le Racing") or in Alsatian ("D'Racing") without any English accentuation. Racing quickly joined French competitions and won the Alsace championship in 1923, 1924 and 1927. They also took part in the Coupe de France, the only national competition at that time. In 1925, they reached the last sixteen, where they fell to Lille after eliminating the then-dominant Red Star Paris. On 10 June 1933, at the "Restaurant de la Bourse", the club made the jump to the professional ranks and, thus, joined the national championship established just a year before. RCS started competition in Ligue 2 but immediately earned promotion to the top flight at the end of the 1933–34 season, going through a pair of two-legged playoff matches, first against Mulhouse (0–0 and 3–1), and then against AS Saint-Étienne (2–0 and 4–4).
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In 1973, cartoonist Juan López Fernández "Jan" was commissioned to produce a book of very short comic strips parodying Superman. Antonio Martín, then editorial director of the comic book area of the Barcelona publisher Euredit and responsible for the commission, had to convince Jan -who did not consider himself a comedian- to do the job, and he did it quickly, without much faith. The work was included in the collection Humor siglo XX, edicated to the satire of characters from comic books, literature and American cinema, such as King Kong, Tarzan or Frankenstein. The comics had to be silent, printed in black and white and in a 48-page landscape format, so, to overcome these creative restrictions, the author resorted to all kinds of graphic resources, such as thought snacks, kinetic signs or accentuation of expressions, with which he achieved great expressiveness in his drawings.
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The distinguishing feature of the ' inflection is that the ī always has the Vedic accent except in the vocative case, and the nominative singular has the -s like non-feminine words. Indeed, while '-words are overwhelmingly of the feminine gender, there are a few members of the class that belong to the masculine gender or are gender indeterminate: ' "wain-driver, charioteer" (often applied to Agni, who trafficks sacrificial offerings and divine boons between mortals and immortals). The inflectional type is usually accepted to reach back into Proto-Indo-European times, with an exact correspondence of Sanskrit ' and Old Norse ', both meaning "she-wolf", first described by Karl Verner in 1877 (see Verner's law). The distinction between devī and vṛkīs dies out in during the Vedic period and Pāṇini is unaware of it, classifying ī-stems by accentuation (vṛkīs-words are a subset of NīS).
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The spiritual teacher Meher Baba described the differences between lust and love: > In lust there is reliance upon the object of sense and consequent spiritual > subordination of the soul to it, but love puts the soul into direct and co- > ordinate relation with the reality which is behind the form. Therefore, lust > is experienced as being heavy and love is experienced as being light. In > lust there is a narrowing down of life and in love there is an expansion in > being...If you love the whole world you vicariously live in the whole world, > but in lust there is an ebbing down of life and a general sense of hopeless > dependence upon a form which is regarded as another. Thus, in lust there is > the accentuation of separateness and suffering, but in love there is the > feeling of unity and joy....Baba, Meher (1967). Discourses.
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The term "Dub Poetry" was coined by influential Dub artist Linton Kwesi Johnson in 1976, and further popularized by equally influential artist Oku Onoura, which consists of spoken word over reggae rhythms, originally found on the backing or "version" side of a 12 or 6 inch vinyl record. Unlike dee jaying (also known as toasting), which also features the use of the spoken word, the dub poet's performance is normally prepared, rather than the extemporized chat of the dancehall dee jay. In musical setting, the dub poet usually appears on stage with a band performing music specifically written to accompany each poem, rather than simply perform over the top of dub plates, or riddims, in the dancehall fashion. Musicality is built into dub poems, yet, dub poets generally perform without backing music, delivering chanted speech with pronounced rhythmic accentuation and dramatic stylization of gesture.
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It is in his sixth book of madrigals, published in 1600, the year traditionally (and arbitrarily) marking the end of the musical Renaissance, that his shift to the new style of the seconda pratica is most prominent. The madrigals, mostly based on texts by Giovanni Battista Guarini – by far the favorite poet of madrigal composers of the time – are written in a largely homophonic and declamatory style which is highly attentive to text accentuation and rhythm. It is also in this book that he uses some of the musical devices that were to make Monteverdi famous, such as the unprepared dissonance that so horrified Artusi, as well as previously forbidden melodic intervals such as diminished fourths; he also exploits cross relations for expressive effect. Curiously, he also frequently uses the interval of the falling sixth, a characteristic of Monteverdi's – though which learned it from the other is uncertain.
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Textbooks and dictionaries usually indicate the length of vowels by putting a macron or horizontal bar above the long vowel, but it is not generally done in regular texts. Occasionally, mainly in early printed texts up to the 18th century, one may see a circumflex used to indicate a long vowel where this makes a difference to the sense, for instance, ('from Rome' ablative) compared to ('Rome' nominative). Sometimes, for instance in Roman Catholic service books, an acute accent over a vowel is used to indicate the stressed syllable. It would be redundant for one who knew the classical rules of accentuation and made the correct distinction between long and short vowels, but most Latin speakers since the 3rd century have not made any distinction between long and short vowels, but they have kept the accents in the same places; thus, the use of accent marks allows speakers to read a word aloud correctly even if they never heard it spoken aloud.
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An ideal type is formed from characteristics and elements of the given phenomena, but it is not meant to correspond to all of the characteristics of any one particular case. It is not meant to refer to perfect things, moral ideals nor to statistical averages but rather to stress certain elements common to most cases of the given phenomenon. It is also important to pay attention that in using the word "ideal" Max Weber refers to the world of ideas (, "mental images") and not to perfection; these "ideal types" are idea-constructs that help put the seeming chaos of social reality in order. Weber himself wrote: "An ideal type is formed by the one-sided accentuation of one or more points of view and by the synthesis of a great many diffuse, discrete, more or less present and occasionally absent concrete individual phenomena, which are arranged according to those onesidedly emphasized viewpoints into a unified analytical construct..."Shils, Edward A. and Finch, Henry A. (trans.
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A possible alternative way of rhythmizing the Seikilos song, in order to preserve the iambic ('rising', di-dum) feel of the rhythm, was recently suggested by Armand D'Angour, with the barlines displaced one quaver to the right, as in the following transcription:, similarly suggests that the theses were placed on the long syllables of the song. A variation of the Seikilos epitaph with barlines as suggested by Armand D'Angour (2018) D'Angour adds: "In practice, it is open to listeners to switch their perception of ictus to either manner of execution. When one attempts to sing the piece according to such dynamic accentuation ..., the resulting cross-rhythms give the performer a different (and arguably more interesting) sense of melodic movement from that achieved by stressing the words solely according to the regular alternation of ictus." Stefan Hagel, discussing an example in the Anonymus Bellermanni, suggests the possibility of a similar transcription with displaced barlines of a line of music with this same rhythm.
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It was about then that Aristophanes of Byzantium compiled an edition of all the extant plays of Euripides, collated from pre-Alexandrian texts, furnished with introductions and accompanied by a commentary that was "published" separately. This became the "standard edition" for the future, and it featured some of the literary conventions that modern readers expect: there was still no spacing between words; little or no punctuation; and no stage directions; but abbreviated names denoted changes of speaker; lyrics were broken into "cola" and "strophai", or lines and stanzas; and a system of accentuation was introduced. Fragment of a vellum codex from the fourth or fifth centuries AD, showing choral anapaests from Medea, lines 1087–91; tiny though it is, the fragment influences modern editions of the play : : : : : : :"Among many women, you might find a small class who are not uneducated. And I tell you that those who have no experience of children and parenthood are better off than those who do."Medea lines 1087–91.
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After the collapse of Yugoslavia, Bosniaks affirmed their wish to stylize their own standard language, based on the Neo-Shtokavian dialect, but reflecting their characteristics—from phonetics to semantics. Also, the contemporary situation is unstable with regard to the accentuation, because phoneticians have observed that the 4-accents speech has, in all likelihood, shown to be increasingly unstable, which resulted in proposals that a 3-accents norm be prescribed. This is particularly true for Croatian, where, contrary to all expectations, the influence of Chakavian and Kajkavian dialects on the standard language has been waxing, not waning, in the past 50–70 years. The Croatian, Serbian, and Bosnian standard variants, although all based on the East Herzegovinian subdialect of Neo-Shtokavian and mutually intelligible, do differ slightly, as is the case with other pluricentric languages (English, Spanish, German and Portuguese, among others), but not to a degree which would justify considering them as different languages. (NSK).
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The Flemish miniature affected extreme softness and depth of color; also an ever-increasing carefulness in the treatment of details, of the draperies, of the expression of the features: the Flemish type of the Virgin's face, for example, with its full, high forehead, can never be mistaken. In the best Flemish miniatures of the period the artist succeeds in presenting a wonderful softness and glow of color; nor did the high standard cease with the 15th century, for many excellent specimens still remain to attest the favor in which it was held for a few decades longer. In the foregoing remarks what has been said in regard to the careful treatment of details applies still more to the miniatures executed in grisaille, in which the absence of color invited an even stronger accentuation of that treatment. This is perhaps most observable in the grisaille miniatures of northern Flanders, which often suggest, particularly in the strong angular lines of the draperies, a connection with the art of the wood engraver.
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Jean-Pierre Ouvrard could not content himself with theory alone through musicological study and, above all, to continue his vocal practice, but wanted to revive Renaissance music - an ancient music that had been forgotten or even lost - and to make it resonate again in a region dotted with masterpieces of architecture from the same period. In November 1973, he founded the university ensemble of early music whose first auditions took place the following month and the first concert, 25 April 1974, in the Amphitheatre of the Faculty of Letters of Tours. An intense activity of dissemination and animation of the heritage opened up in parallel with the university research that he carried out to feed them from this confrontation with the reality of interpretation. Declamation was important for him because the accentuation of the text influenced his interpretation: "By choosing, on the other hand, the restitution of the declamation and the ancient pronunciation, we make the bet that polyphony[...] will find in this apparent archaism the catalyst of its modernity".
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The Octoechos cycles as they exist in different chant genres, are no longer defined as entirely diatonic, some of the chromatic or enharmonic mele had replaced the former diatonic ones entirely, so often the pentachord between the finales does no longer exist or the mele of certain kyrioi echoi used in more elaborated genres are transposed to the finalis of its plagios, for instance the papadic melos of echos protos. Their melodic patterns were created by four generations of teachers at the "New Music School of the Patriarchate" (Constantinople/Istanbul), which redefined the Ottoman tradition of Byzantine chant between 1750 and 1830 and transcribed it into the notation of the New Method since 1814. Whereas in Gregorian chant a mode referred to the classification of chant according to the local tonaries and the obligatory psalmody, the Byzantine echoi were rather defined by an oral tradition how to do the thesis of the melos, which included melodic patterns like the base degree (ison), open or closed melodic endings or cadences (cadential degrees of the mode), and certain accentuation patterns. These rules or methods defined melopœia, the different ways of creating a certain melos.
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"Macedonian folk music is governed by rhythmic laws and set metres. Foreign influences, in so far as they existed, where subjected to the rules of accentuation of the Macedonian popular language. The melody is usually asymmetrical... ""Teškoto" from Nižopole (Bitola) means "heavy," and indicates the heavy rhythm which is typical of very ancient dances," appeared in an article entitled, "Extracts from PROGRAMME NOTES ON THE DANCES AND SONGS performed at the Yugoslav Folk Music Festival", with the subtitle ‘MACEDONIA – represented by 23 villages", published by The International Folk Music Council (IFMC) Stevan Ognenovski in his book entitled Tale Ognenovski Virtuoso of the Clarinet and Composer / Тале Огненовски виртуоз на кларинет и композитор (2000), noted: "At the "Yugoslav Folk Music Festival in Opatija, Croatia (8 to 14 September 1951) the Folk Dance group from the Bitola village of Nižopole from the Bitola in which Tale Ognenovski was playing as a clarinet soloist in the folk dance "Teškoto", received First Award as the best Folk Dance group at the festival. This was a great success because in this Festival participated 85 different folk dance groups from Macedonia, Croatia, Serbia, Slovenia, Montenegro and Bosnia and Herzegovina.
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His research on Balto-Slavic comparative accentology culminated with work Slavonic Accentuation (Oslo, 1957) which, according to Kortlandt, "...marked an era in the study of the subject. The importance of this book can hardly be overestimated." Stang proved in this work that # de Saussure's law did not operate in Slavic # the neoacute is due to a retraction of the ictus from a stressed jer or from a non-initial vowel with falling intonation # the neo-circumflex was not the result of a Common Slavic development Furthermore, he demonstrated that # the acute is restricted to paradigms with fixed stress # the neoacute is characteristic of paradigms where the next syllable is stressed in other forms # the circumflex occurs on the first syllable of paradigms with final stress in other forms In this way Stang replaced the classical doctrine, which derived the stress pattern of a paradigm from the intonations of the root vowel and the ending, by a doctrine which derives the intonation of the root vowel, when accented, from the stress pattern of the paradigm. Stang also published several important contributions to comparative Indo-European linguistics.
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