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30 Sentences With "writing desks"

How to use writing desks in a sentence? Find typical usage patterns (collocations)/phrases/context for "writing desks" and check conjugation/comparative form for "writing desks". Mastering all the usages of "writing desks" from sentence examples published by news publications.

His current range also includes table lamps, cabinets, writing desks and chairs in a variety of wood types. simon-doyle.
The second-floor library, complete with tufted furniture, writing desks, books to borrow and a large-screen TV, is reached via a sweeping marble staircase and offers more refined social space indoors.
Mr Roth is also donating a couple of his writing desks, reading chairs and a long refectory table, at which people will be able to peruse his books pretty much as he did.
The dancer Daniel Mantei's contributions actually feel extraneous, as he doesn't have much room to maneuver on Vanessa James's intimate set, which nicely evokes an Old World of gigantic drapes and writing desks.
We slave away at our writing desks, so that you might while away the hours thinking about the football, then go grudgingly back to your auditing, or whatever the fuck it is you people do for a living.
It's after midnight in London, where Zadie is; dark too where I am, in the attic of my house in Princeton, N.J. Despite the 3,000 miles of ocean that separate us, the illusion is that we are facing each other across our individual writing desks.
And as Oscar and Bill begin to send each other little tokens of friendship — sea-lion-wool socks and a tube of sunscreen for Oscar; a four-leaf clover and knitted mittens (alas, only six) for Bill — kids will enjoy looking to see which new items have been added to the otherwise unchanging tableaus of the ant and the octopus sitting at their respective writing desks.
Lynch, Don & Marschall, Ken. Titanic – An Illustrated History, Wellfleet Press: 1997; 57. The sitting rooms were lavish rooms that allowed for receiving small parties of guests. Each featured a faux fireplace, large card table, plush sofas and chairs, sideboards, and writing desks.
The design was linked overall with decorative plasterwork. The library walls were decorated with carved pilasters and mouldings marking out panels of grey and cream silk brocade. The carpet was rose, with Rose du Barry silk curtains and upholstery. The chairs and writing desks were mahogany, and the windows featured etched glass.
On either side of the entry are four-bay wings. The building occupies the entire width of a city block. Inside, the lobby area is richly colored, with multiple shades of marble used on the floors and decorative wall and ceiling elements. It also retains a number of original features, such as writing desks and light fixtures.
The plaster walls have marble wainscot. Brass radiator grilles, bronze writing desks, and an iron grille above the original service entrance remain. The transom area above the opening to the staircase in the west entrance vestibule is adorned with a raised-relief plaster eagle, which conveys the federal presence. The building was renovated between 1972 and 1973.
With the exception of the murals, the ceiling is covered with aluminum leaf. Four original black marble writing desks are centered in the main lobby. Throughout the building, in both public and private spaces, intricate wood inlay designs adorn the ceiling and wall trim. Each of the five floors contains two elevator lobbies with adjacent public staircases.
Other original features that remain include writing desks, radiator grilles, and pendant light fixtures, which were specially designed by Rogers. The walls of the main stair and elevator lobbies are clad in the same Tennessee marble as the exterior. However, the marble was finished to reveal more pink tones. Ceilings in this area are vaulted plaster overlaid with gold leaf.
The foyer, on the parlor floor, was lit by four immense torchères, bearing electric lights. The ladies' reading-room, with pale satin and plush hangings, contained files of newspapers and writing-desks. The drawing room was in the style of Louis XVI., with its walls covered with salmon-tinted satin damask, embroidered portieres, furniture in the Adams and Chippendale styles, and fawn-colored Axminster carpet.
The Fürstenzimmer, or Prince's Rooms, are four in number and located around the edges of the Golden Hall. They were originally used as retreats for distinguished guests of the council. Each room is around with coffered ceiling, panelled walls and parquet floors, and containing elaborately carved writing desks, tables, chairs and stools and several lamps. These rooms were also badly damaged during the war, and only one has yet been fully restored.
Sales ended after the 2007 model, replaced by a second generation, again a rebadged Ford Escape. On September 7, 2006, Ford delivered a special "Presidential Edition" Mercury Mariner Hybrid to former President Bill Clinton. Its custom features include: LED lighting, 110-volt outlet, rear bucket seats, center console & rear seat fold-out writing desks, personal DVD players for each seat, refrigerator, increased rear seat legroom. There have also been several undisclosed security modifications made to the vehicle.
It can be clearly sensed how the artist has enjoyed playing with materials and forms, having developed both its meanings and looks, creating a versatile series, based on contradictions and contrasts. Karmin uses mines as modules. The entire furniture series is composed of only two existing basic forms of mines – the hemisphere and the cylinder. He has created utility articles of diverse forms, resulting in armchairs, writing desks, beds, toilets, cupboards, bathtubs, swings, fireplaces, and more.
The library was located on C Deck at the aft end of the Titanic superstructure, overlooking the aft well deck and poop deck. Decorated in the Adam style, it was paneled in contrasting light sycamore and dark mahogany with columned accents. There were fluted, white-painted wooden columns throughout the room supporting a coffered plaster ceiling. Mahogany chairs and tables furnished the room, with writing desks by the windows with lamps and a large bookcase which functioned as the lending library.
The floor tile is laid in a basket weave pattern surrounded by black marble, giving the effect of rugs on a marble floor. Some of the original bronze lamps and ink wells are still intact at the public writing desks. The mural inside the Post Office Building was painted by Fletcher Martin in 1938 and is titled "Mail Transportation." Martin (born 1904) also painted WPA-era murals at the U.S. Post Office buildings in La Mesa, Texas, and Kellogg, Idaho.
Soban () are small tray-like tables, usually wooden, used in Korea for carrying food and as individual dining tables. They are generally made of walnut, pine or ginko wood, often sourced from the carpenter's local area. Carvings and murals showing images of soban have been found in tombs dating back to the time of the Goguryeo kingdom. As well as being used for dining, soban were also used for general carrying tasks, as writing desks and as small altars for prayers or for burning incense.
The seats were logs split into halves and supported by round sticks; the writing desks were of similar pattern, and the door was constructed of split logs, fastened together with wooden pine and hung with wooden hinges. In the construction of these pioneer seminaries not a nail was used. It was not unusual for boys to travel three or four miles (6 km) through dense woods, to school, blazing their way the first time going over the route. Those seats of learning are now gone, and the recollection of them is rapidly fading from memory.
The bank vault door and vault opening is now the backdrop for a clothing display The first floor has ceilings of . When it was used as a bank, the first floor contained tellers' booths, the vault, and other quick- service banking facilities. The space was relatively plain with individual writing desks as well as an ebony-wood banking counter with a marble countertop, extending in an "L" shape parallel to the southern and western walls. A black granite wall at the southern end of the space separated the banking counter from the vault.
French style secretaire writing tables were also popular in Italian furnishings, but were made uniquely Italian by adding pietra dura intricate designs on the marble slabs which covered the writing desks. Italian commodes and console tables were still relatively similar to before, yet they were more classical in style, and rather than having cabriole legs usually had elegantly decorated straight, demi-lune at most, legs.Miller (2005) p. 131 Armachairs made in Italy were based on the French Louis XVI-esque fauteuils, but were made unique by adding gilded gold and many precious and exotic decorations, such as stones and jewels etc.
In the drawing room, there were portable lounges and Waring & Co furnishings, all upholstered in purple plush. The drawing room was also equipped with satinwood panelled walls, an elaborate bookcase with up-to-date library, and other furniture, including a Broadway piano and a pair of Chippendale-style writing desks. Its ceilings were white painted canvas with a gilt-edged floral design; its main entrance and the stairway leading to the promenade deck were both panelled in mahogany. The smoke room was upholstered in scarlet. Koombana’s dining room in the first saloon was roomy, well ventilated, and had green-upholstered seating for 75 people.
Examples of the mingling of Byzantine and Latin styles (as cited by James Hall) include: 1\. The "lunette over the entrance with a half-length figure of St. Michael and above him an orant Virgin in a medallion supported by flying angels, with an inscription in Greek on the lintel at the foot. The treatment is wholly Byzantine except for the Latin motif of a crown on the Virgin's head". 2\. The evangelists around the enthroned Christ in the Apse are in the form of the four symbolic creatures of the Latin tradition, rather than being shown as figures (often seating at writing desks) in the Greek manner. 3\.
Named intarsiatore to the Habsburg granducal court, by 1780 Maggiolini in his turn was able to commission from Piermarini a new façade for the Church of Saints Gervasio and Protasio in his natal Parabiago, and from Albertolli its internal redecoration. Maggiolini's characteristic furniture consists of commodes and chests, coffers and writing-desks and tables, inlaid with a wide varietyEighty different woods is the conventionally quoted number. of European woods and exotic woods imported from abroad, used in their natural colors or tinted green, like blue or rose. Cartoons for execution in marquetry were provided by artists such as Levati and Appiani, and panels of pictorial marquetry were produced purely for displays as tours de force.
During World War II, the south end of the basement was converted for use as a Masonic Service Club, a social and recreational area for members of the armed forces, with pool tables, a snack bar, writing desks, and a library of national newspapers–similar to a USO club. Area Masons, women from the auxiliary groups like the Order of the Eastern Star, and teenaged members of the Masonic youth groups like Rainbow Girls and Jobs Daughters volunteered to staff the club 24 hours a day. Even the rooftop was designed for active use. Originally covered in tile, the rooftop was used for drill team practice by the Knights Templar, as well as open air parties and dinners with a view of the city.
The first explicit and systematic summary of the materialist interpretation of history published was Engels's book Herr Eugen Dühring's Revolution in Science, written with Marx's approval and guidance, and often referred to as the Anti-Dühring. One of the polemics was to ridicule the easy "world schematism" of philosophers, who invented the latest wisdom from behind their writing desks. Towards the end of his life, in 1877, Marx wrote a letter to the editor of the Russian paper Otetchestvennye Zapisky, which significantly contained the following disclaimer: Marx goes on to illustrate how the same factors can in different historical contexts produce very different results, so that quick and easy generalizations are not really possible. To indicate how seriously Marx took research, when he died, his estate contained several cubic metres of Russian statistical publications (it was, as the old Marx observed, in Russia that his ideas gained most influence).
The National Museum of Decorative Arts is one of the largest and most richly appointed in Madrid. It houses collections of great interest, both ethnographic and of artistic craftsmanship of ceramics, furniture, jewelry, textiles, and Oriental arts. Of the 40,000 objects collected, about 15,000 pieces are loaned out to other museums, including the Real Fábrica de Cristales de La Granja. The museum focuses on Spanish decorative arts, but includes examples from other countries, mostly ceramics and luxury items imported from an early date. Several of the rooms recreate scenes from the past, using original furnishings and other pieces; there are examples of 18th-century kitchens. The furniture collection is well represented from the 14th century, a period in which the furniture was very poor and those piece which remain are rarities. The gothic to baroque collection is the best there is in a Spanish public museum, and the collections of National Heritage are mostly of the 18th century and later. Pieces include writing desks, seats, and furniture in various types.
Before Quin Snyder came to coach the Tigers, student seating was scattered throughout the arena and distributed via who picked up tickets first, and while the largest amount sat along one sideline (including the band, Student Athletic Board and the aforementioned Antlers), others sat as high as the D sections, which early in the arena's life doubled as lecture halls (to this day, their seats have fold-out writing desks). Attempting to create an atmosphere similar to his former employers, Duke, Snyder mandated that all students be moved to one end of the court, where bleachers would replace the old seats and primacy would be given to his new "Zou Crew" club, with all other seating areas becoming general admission. The move was criticized for changing the atmosphere at Missouri games to something less distinctive while enabling more seats to be sold at a higher cost, but was duplicated (with more restrictions on student seating) at Mizzou Arena. The Hearnes Center also contains a field house that is home to the indoor track and field team, as well as one of the country's largest blood drives.

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