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33 Sentences With "worm's eye view"

How to use worm's eye view in a sentence? Find typical usage patterns (collocations)/phrases/context for "worm's eye view" and check conjugation/comparative form for "worm's eye view". Mastering all the usages of "worm's eye view" from sentence examples published by news publications.

Thus far, we have taken a worm's eye view of fear.
Third place was awarded to Michael Pickard and Gurpreet Singh, also from the United Kingdom, for their Worm's Eye View Illusion.
Or, hold the camera lens very close to the surface of the street and take pictures from a worm's-eye view.
Using depth sensors at their bases that give them a "worm's eye view" of the world, these robots would track passersby and respond to their movements.
I played with perspective in both traditional and digital media too; I drew my main figure from a worm's eye view, and exaggerated it via Photoshop.
The second is to jump from micro to macro, from a worm's eye view of individual plants and specific customers to a panoramic view of the economy as a whole.
And then I'm in the Diamond District, trying to get a worm's eye view and write the contemporary version of the movie, getting rid of all the nostalgic junk from our previous draft.
In one, "Triangle (adjusted to fit)," we get a worm's-eye view of a museum's gleaming Minimalist works; in another woozy wall-size scene, a big Murakami inflatable seems about to bite into some Warhols.
Worm's-eye view with two vanishing points A worm's-eye view is a view of an object from below, as though the observer were a worm; the opposite of a bird's-eye view. It can be used to look up to something to make an object look tall, strong, and mighty while the viewer feels childlike or powerless. A worm's eye view commonly uses three-point perspective, with one vanishing point on top, one on the left, and one on the right.
His play Worm's Eye View was filmed with Diana Dors under its original title. The 1956 film Now and Forever was based on his play The Orchard Walls.
Worm's Eye View is a 1951 British Technicolor comedy film directed by Jack Raymond and starring Ronald Shiner as Sam Porter and Diana Dors as Thelma. Based on the successful play of the same name by R.F. Delderfield, it was produced by Henry Halsted and Byron Film.
TV Guide wrote, "some mild amusement is to be found here, particularly in the dialogue, though all in all this is nothing special. British filmgoers thought otherwise, though, making both the film and Shiner big successes." Worm's Eye View was the sixth most popular film at the British box office in 1951.
A Worm's Eye View of the Early Days, . The 1960 Nobel Prize in Chemistry was awarded to Willard Libby for his radiocarbon-dating method. His other major area of research included studies of human color vision and hearing. De Vries became a member of the Royal Netherlands Academy of Arts and Sciences in 1956.
Worm's-eye view In March 2011, HypoVereinsbank (UniCredit Bank AG) announced that the HVB Tower will be redeveloped the coming years (until approx. 2015) and so should be converted to a "green building" according to LEED. Construction works began during the year 2013. Important components of the energy-efficient renovation is the renewal of the entire facade while maintaining the outer listed appearance.
Sign at the Taiwanese headquarters of Nokia Siemens Networks in Songshan District, Taipei. Office building in Tampere, Finland. Office building in Oulu, Finland. Worm's-eye view of inside the Nokia Networks building in Munich, Germany in 2017 The company was created as the result of a joint venture between Siemens Communications (minus its Enterprise business unit) and Nokia's Network Business.
Hastings's Seagulls Over Sorrento made theater history by running for 1,551 performances at London's Apollo Theatre. Only two other plays had then run longer in theater history: Noël Coward's Blithe Spirit; and R. F. Delderfield's Worm's Eye View. Part of the play's appeal was that it was radical for the time. The play was set inside a Royal Navy research station near Scapa Flow.
Worm's-eye view of the Lighthouse in Minicoy island In December 1976, India and the Maldives signed a maritime boundary treaty whereby Minicoy was placed on the Indian side of the boundary."India–Maldives: Agreement between India and the Maldives on Maritime Boundary in the Arabian Sea and Related Matters", in Jonathan I. Charney and Lewis M. Alexander (eds., 1998). International Maritime Boundaries (Leiden: Martinus Nijhoff Publishers, ) pp. 1389–1399.
Shiner's career received a massive boost when he appeared in a stage hit Worm's Eye View which ran from 1945 to 1947. Shiner performed in it over 1,700 times. On screen, George Formby gave Shiner another good part in George in Civvy Street (1946) and Shiner had a decent role in The Man Within (1947). He was in a children's film Dusty Bates (1947) and had a good part in Forbidden (1949).
The primary objections to Lazarillo had to do with its vivid and realistic descriptions of the world of the pauper and the petty thief. The "worm's eye view" of society contrasted sharply with the more conventional literary focus on superhuman exploits recounted in chivalric romances such as the hugely popular Amadís de Gaula. In Antwerp, it followed the tradition of the impudent trickster figure Till Eulenspiegel. Lazarillo introduced the picaresque device of delineating various professions and levels of society.
Gutmann's main subject matter was the American way of life, especially the Jazz music scene. Gutmann is recognized for his unique "worm's-eye view" camera angle. He enjoyed taking photos of ordinary things and making them seem special. Kenneth Baker, art critic for the San Francisco Chronicle, wrote in 1997 that Gutmann was "an emissary of European modernism" who "brought a distinct angle of vision to the American scene" and his images demonstrated his "excitement of his witness to the [Depression-era] times".
In 1962 he had a house, 'Dove Cottage' (now 'Gazebo'), built on Peak Hill in Sidmouth. Delderfield's first published play was produced at Birmingham Repertory Theatre in 1936; the Birmingham Post wrote "more please, Mr Delderfield". One of his plays, Worm's Eye View, had a run at the Whitehall Theatre in London, and was filmed in 1951 with Diana Dors. Following service in the RAF during World War II, he resumed his literary career, while also running an antiques business near Budleigh Salterton, Devon.
In some situations the lens itself may be tilted with respect to the fixed camera body in order to generate greater depth of focus. The camera's tilt will change the position of the horizon, changing the amount of sky or ground that is seen. Tilt downward is usually required for a high-angle shot and bird's-eye view while a tilt upward is for a low-angle shot and worm's-eye view. The vertical offset between subjects can reflect differences in power, with superior being above.
Fellow journalists praised Pyle's writing. Walter Morrow, editor of the Rocky Mountain News, claimed that Pyle's columns from his travels across the United States in the 1930s were "the most widely read thing in the paper." During World War II Pyle continued to write about his experiences from the perspective of what he called "the worm's-eye view." In addition to publication of his columns in newspapers in the United States, Pyle's writing was the only writing from a civilian correspondent to be regularly published in the U.S. armed forces newspaper, Stars and Stripes.
Anuryzm is a project created by Canadian guitarist John Bakhos in 2003 as a means to branch out from his background in extreme metal in favor of progressive heavy metal music. In 2010, after returning to the United Arab Emirates, Bakhos reconnected with, British vocalist Nadeem Michel Bibby, and forged the recording incarnation of Anuryzm. The band independently released their debut album Worm's Eye View in 2011. It featured guest performances by Martin Lopez (Soen, Opeth, Amon Amarth) on drums and by Uri Dijk (Textures, Ethereal), who performed synths on one track.
In late 1949, Albert, travelling alone, returned to Australia from his 19-year stay in London. In his final years, Albert continued to act in such plays as ‘Charlie’s Aunt’, 'A Worm's Eye View', 'One Wild Oat', and 'Seagulls Over Sorrento' with the Australian actor Gordon Chater. His work was also mentioned in a series of notices in the Brisbane Courier Mail between 3 and 25 January 1952. Albert was credited as working with Australian actor Bill Hodge in 'A Worms Eye View' in 1955, this was one of Albert's last known plays.
Dors landed the female lead supporting Ronald Shiner in Worm's Eye View (1951), a comedy which was one of the most popular movies of 1951 in Britain; her fee was £250. had a leading role in a TV movie for the BBC, Face to Face (1951) then appeared in two plays. Miranda at Stratford, and Born Yesterday at Henley. She auditioned for the lead in Lady Godiva Rides Again and was turned down because it was felt she did not appeal to men and women, but she was given a support role.
Early example of use of camera angle Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject. There are a number of camera angles, such as a high-angle shot, a low-angle shot, a bird's-eye view and a worm's-eye view. A Viewpoint is the apparent distance and angle from which the camera views and records the subject. They also include the eye-level camera angle, the over the shoulder shot and the point of view shot.
After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style from the Forlì school of painting. The now critical Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men made of stone, and should have been painted stone color. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution.
The Mission Song is a thriller/espionage novel by John le Carré, published in 2006. Set against the background of the chaotic East Congo, the story involves the planning of a Western-backed coup in the province of Kivu, told from the worm's-eye view of the hapless interpreter. Although the events are fictional, the book evokes a rich and detailed picture of the political and ethnic tensions of the region, highlighting the greed and amorality of local bureaucrats and Western interests, and calling attention to the apathy of the British press about the continuing humanitarian crisis of the Congo War.
In 1950 the newly-weds toured together with Reluctant Heroes until Rix managed to persuade the Whitehall Theatre management that this army farce was the ideal play to follow the long-running Worm's Eye View. It was a happy choice, for Rix's productions ran there for the next 16 years, before he moved to the Garrick Theatre, breaking many West End records in the process. His farces for BBC Television also began at the Whitehall, increasing Rix and Gray's profile as well as that of the Whitehall Theatre. During the next 18 years, Rix presented more than 90 one-night-only television farces on the BBC.
Brabner recalls that she was: On their second date, they bought rings, and the third date they tied the knot. With the benefit of hindsight, she believes that it was Pekar's honesty that attracted her to him, crediting his work on "American Splendor [for giving her] a worm's-eye view of what his other marriages were like," allowing for a greater degree of understanding and openness between the two of them. It was Brabner's second marriage and Pekar's third. As Pekar's third wife, she has appeared as a character in many of his American Splendor stories, as well as helping package and publish the various iterations of the comic.
Low point of view camera angle employing a forced perspective technique A point of view shot (POV) shows the viewer the image through the subject's eye. Some POV shots use hand-held cameras to create the illusion that the viewer is seeing through the subject's eyes. Bird's eye shot or bird's-eye view shots are taken directly above the scene to establish the landscape and the actors relationship to it. Worm's-eye view is a shot that is looking up from the ground, and is meant to give the viewer the feeling that they are looking up at the character from way below and it is meant to show the view that a child or a pet would have.
Bodanis was born and brought up in Chicago, Illinois, and read mathematics, physics and history at the University of Chicago. In his early twenties he moved to Paris, where he began his career as a foreign correspondent for the International Herald Tribune. A move to the South of France followed, and he then split his time between France and London, combining writing with stints as a science presenter on 1980s ITV show, the Wide Awake Club. In 1986 Bodanis had his first commercial authorial success with The Secret House: 24 Hours in the Strange & Wonderful World in Which We Spend Our Nights and Days, which reached no 5 on The New York Times Best Seller list and established him as a popular science writer. This book introduces Bodanis’s "microphotography" writing style, in which the author takes a worm's-eye view perspective that allows him to observe many obscure and complex phenomena of everyday life.

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