41 Sentences With "work of a master" | Random Sentence Generator

Either that, or it didn't want to disturb the work of a master.

This doesn't sound like the work of a master hacker, if you ask me.

It's also the work of a master filmmaker during the peak years of his career.

Is the Passion's savage depiction of the Jews simply the work of a master storyteller?

"The work of a Master Blender is not at risk," insists Angela D'Orazio, Mackmyra's Master Blender.

But Harbour, Mignola, and director Neil Marshall are aiming for something completely different with the character and the story, rather than trying to trace the steps of the work of a master like del Toro.

Ira Madison III, The Daily Beast: It's the work of a master helmer and writer who has operated in the sci-fi, pulp, and noir genres and knows how to blend them effortlessly to breathe new life into stories that pop culture has been telling for years.

Fliegel believes the CMA's rare, complete example would have been commissioned by a French monarch, potentially King John II or his father King Philip VI. Its lower terrace features eight shields, each with an eight-pointed star — the symbol of the Order of the Star, the chivalric society established by John II. (The scene of its founding is recorded in an illuminated manuscript from 1378, also on view in the exhibition.) What's certain, however, is that the table fountain was the work of a master goldsmith.

He was named organist emeritus. He is also a librarian in the Music and Dance Library at The Ohio State University. Murray has written many articles and has published five books. His Marcel Dupré: The Work of a Master Organist (Northeastern University Press, ) is in its third printing.

Christie's Thornhurst Addition was listed on the National Register of Historic Places in 2010 for its mid-century modern architecture and as the work of a master builder. The Avriel Shull architectural collection is housed at the Indiana Historical Society. Shull was a member of the National Association of Home Builders and the Builders Association of Greater Indianapolis.

This > school is also used for public assemblies and civic celebrations, a place > for the community to come together. The building is also eligible under > Criterion C in the area of architecture as it represents a harbinger of > school architecture in the 1950s and 1960s and represents the work of a > master architect, Frederick Hutchinson Porter.

Sheperd Paine: The Life and Work of a Master Modeler and Military Historian. Atglen, PA: Schiffer Military History, 2008. Paine had a broad knowledge of military history (particularly uniforms and equipment) with special knowledge of the American Civil War, Napoleonic Wars, and the two World Wars. For thirty years he was an active collector of military antiques, specializing in the Victorian and Napoleonic periods.

The tower was built to alleviate water pressure and storage problems in the Lowry Hill area. Although the tower is not the work of a master architect or representative of a specific architectural style, its design is distinctive. It is ornamented with projecting ribs, narrow rectangular windows, and Lombard bands, suggesting a medieval fortress. The tower serves as a distinct visual focus within the neighborhood.

The maker derived these images from the ornament of the Swedish-style helmets and shield-mounts. In his work they are transferred into the cellwork medium with dazzling technical and artistic virtuosity. These are the work of a master-goldsmith who had access to an East Anglian armoury containing the objects used as pattern sources. As an ensemble they enabled the patron to appear imperial.

According to its NRHP nomination, it was deemed significant for "its direct association with the growth of education in Cheyenne" and "as an example of Art Deco architecture with elements of the International Style in an educational building and as the work of a master architect, Frederick Hutchinson Porter." The building "is a substantial brick masonry structure built with community pride and permanency in mind, and which incorporates the standard designs advocated by early twentieth century educational reformers." With .

Despite her early death, Shull left behind a number of modern-style homes. The Thornhurst Addition, which includes twentyone of her designs, was listed on the National Register of Historic Places in 2010 and is noted for its mid-century modern architecture and the work of a master builder.Zeigler, "'Living Furiously'", Traces of Indiana and Midwestern History, p. 55. Shull was a member of the National Association of Home Builders and the Builders Association of Greater Indianapolis.

With . It was deemed notable > as the representative work of a master architect, Alfred Morton Githens and > possesses statewide significance. Aside from its partner church on the Pine > Ridge Reservation, which has been substantially altered, it is one of the > few buildings in South Dakota designed by an architect educated at the Ecole > des Beaux Arts. The other most prominent example in the state is Sioux > Falls' St. Joseph Cathedral designed by Emmanuel Masquerey which was listed > on the register in 1974.

Three years later, Copeland and Day published (again privately) The Deserted City, "nineteen lyrical and finely disciplined sonnets on faith and love, described by Roberts as the work of a ‘master sonneteer’." Modelled on Dante Gabriel Rossetti's "House of Life," the sonnet sequence "demonstrates Sherman’s attempts to reconcile spiritual/secular dichotomies by exploring the soul/body conflict." The Deserted City "exhibits a less elevated language and explores the Canadian scene in a more realistic sense" than in his earlier work.

" Architectural critics approved of the building's design as well. An anonymous writer for the Architectural Record, possibly Schuyler, said that he appreciated the upper stories, as well as the design of the vertical piers and the Gothic ornamentation. Another writer for the Architectural Record stated in 1909 that the structure was "an aesthetic and technical triumph" and "the work of a master mind." In 1912, a writer for the Architectural Review said that the use of ornament and the expression of the building's design "account for the excellence of effect of the West Street Building.

A group or architects took him to see the city and nothing seemed to attract him, until he stopped in front of the School of Engineering. He asked who was the author of the work and commented in praise: "it is the work of a master, the Japanese are just now discovering concrete." In 1942, Vilamajó began teaching project subjects for 4th and 5th years at the School of Architecture, after the demise of long-time teacher, Joseph Carré. In 1944, he was commissioned to create the Annex Storage to Confitería La Americana.

Whichever piece it most closely relates to, it is clear that Schicksalsied was the work of a master composer working at the height of his skill. John Alexander Fuller Maitland stated that in Schicksalslied, Brahms “set the pattern of the short choral-ballad, to which, in Nänie, Op. 82, and the Gesang der Parzen, Op. 89, Brahms subsequently returned.”Evans, 1912. Likewise, Hadow praises the piece for “its technical beauties, its rounded symmetry of balance and charm of melody, and its marvelous cadences where chord melts into chord like colour into colour.”Evans, 1912.

"Life work of a master: Alistair MacLeod's stories are among the best in the world." The Ottawa Citizen, April 30, 2000, p.C14. The essayist Joshua Bodwell wrote about discovering MacLeod while traveling in Cape Breton just months before his first child was born, and then later reading "The Boat" aloud to her near her tenth birthday in his piece "The Great Salt Gift of Alistair MacLeod's "The Boat."" The English literary critic, James Wood, on the other hand, criticized what he saw as "a certain simplicity, even sentimentalism" in many of the stories in Island.

Ritchie 1989, 1993, p.56. The projecting boss at the centre of the cross has eight smaller bosses around it that probably symbolise the eight days of Passion Week running from Palm Sunday to Easter Sunday inclusive. The shaft of the cross contains three pairs of sculpted animals facing each other, with interlaced tails and tongues, while other beasts fill the space between the cross and the outer border of the monument. The monument is the work of a master sculptor with the figures being cut in deep relief and arranged in an orderly fashion.

Ankhaf's mastaba tomb, G 7510, was one the largest in the eastern cemetery at Giza. The tomb was dated to the reign of Khafre by Reisner. More recently a study of the architecture, iconography and titles of the occupants has led to a reassessment and the tomb likely spans the reigns of Khufu, Djedefre and Khafra. A superb and realistic painted limestone portrait bust of Ankhhaf discovered in his tomb is considered the work "of a master" of ancient Egyptian art from the time of the Old Kingdom, and can be seen at the Museum of Fine Arts, Boston.

His most important work in the media was created between 1948 and 1951, Southern Cross, "A Novel of the South Seas, Told in Wood Engravings". Using 118 wood engravings, Hyde tells a story based around the tests of the hydrogen bomb made by the United States at the Bikini Atoll in 1946. The inspiration of book was clearly political, and the book has been called "a political marker of the Cold War years". It is—as Rockwell Kent says in his introduction the book—the work of "a master of the difficult and infinitely laborious art of wood engraving".

This building was listed on the National Register of Historic Places (NRHP) on June 3, 1999 under criterion C., which says: > Property embodies the distinctive characteristics of a type, period, or > method of construction or represents the work of a master, or possesses high > artistic values, or represents a significant and distinguishable entity > whose components lack individual distinction. The NRHP application states that it is Vinita's best, most intact example of Classical Revival architecture, and because it represents a period of public construction in the city. It is the only example of early 20th Century religious architecture.

Oxford: Oxford University Press 2001. The verse preceding the line mentioning the navel (Song of Songs 7:1) states, "your rounded thighs are like jewels, the work of a master hand", ) and the verse following states, "Your belly is a heap of wheat." Thus the treatment of the navel appears placed textually in between the description of the curves of a woman through thigh and the stomach or midriff. "Belly" also suggests the womb, and the combination of the imagery of the womb with that of wheat suggests the link between eroticism and fertility through the imagery of the navel and curvaceous thighs.

On 17 September 2009 the property was placed on the Virginia Landmarks Register, and on 12 November 2009 it was listed on the National Register of Historic Places because it is a locally significant example of a relatively rare form of high-style architecture that is the work of a master builder. In addition to the main house at Annefield, stylistic evidence suggests that Holt also designed and built the Kitchen/Quarter and the Smokehouse. Other secondary buildings and sites on the property contribute to Annefield's importance as a relatively intact antebellum farm complex in Charlotte County, Virginia.

The Times ranked it 63rd in its 1993 list of "All Time Top 100 Albums". In The Encyclopedia of Popular Music (2006), Colin Larkin wrote that the record featured "quite immaculate love songs" from Morrison, along with a prominent sense of spirituality and nostalgia throughout, while Morrison biographer Erik Hage called it "a powerful statement [showing] the often turbulent muse had stabilized, and was now a sublime force flowing through Van Morrison". AllMusic's Jason Ankeny was less enthusiastic and found it somewhat inconsistent but "nevertheless the work of a master craftsman, its lush orchestration and atmospheric production casting an irresistibly elegant spell".

He underwent cataract surgery and obtained a magnifying machine, which allowed him to continue writing. In 2002, at the age of 88, Trevor-Roper submitted a sizable article on Thomas Sutton, the founder of Charterhouse School, to the Oxford Dictionary of National Biography in part with notes he had written decades earlier, which editor Brian Harrison praised as "the work of a master". Trevor-Roper suffered several other minor ailments related to his advanced age, but according to his stepson, "bore all his difficulties stoically and without complaint". That year, he was diagnosed with cancer and died on 26 January 2003 in a hospice in Oxford, aged 89.

Gaillard had already chosen a new method, and his work was a shock, because not done according to the formulae of that day. He was such an innovator that in 1863 he was among the "Salon des Refusés", but in their exhibition his portrait of Bellini was hailed by Philippe Burty as the work of a master, "who engraved with religious care and showed a high classical talent". Gaillard's new manner was to engrave with soft, delicate lines, drawn closely together but not crossing, and to render every fold, wrinkle, or mark on the skin with care. Henceforth Gaillard was represented by engravings and paintings at every Salon.

Filocalus was the official engraver of Pope Damasus (304 - 384), and described himself as "Damasi pappae cultor atque amator" ("admirer and personal friend of Pope Damasus"). The archaeologist Giovanni Battista de Rossi suggests that his inscriptions were reserved for the cult of the martyrs. It is not known for certain whether these inscriptions were drawn and engraved by Filocalus, or only drawn by him, but the first hypothesis seems to be correct. The precision of the cut of the stone and the organic regularity between the letters suggest the work of a master who works based on a sketch, rather than a craftsman copying an elaborate drawing.

His commissions included dioramas for private collections (notably those of Andrew Wyeth and Forbes Magazine), museum projects, and several large commemorative sculptures for the Franklin Mint. Special displays of his work have been seen at the Brandywine River Museum, the Campbell Museum, and the St. Louis Museum of Science and Natural History. He was the author of four books; his work has been featured in articles in Sports Illustrated and Fortune (along with many hobby magazines), and he is the subject of a hardcover biography/career overview entitled Sheperd Paine: The Life and Work of a Master Modeler and Military Historian written by Chicago rock critic and fellow miniaturist Jim DeRogatis.DeRogatis, Jim.

The Horner House is a historic house at 2 Merrivale Street in Beverly Shores, Indiana. It is an excellent example of the mid-twentieth century architectural movement known as the International Style, interpreted by architects like Marcel Breuer, Ludwig Mies van der Rohe, Walter Gropius and Philip Johnson for buildings constructed in America following World War II. It is the work of a master artist of the second generation to be influenced by this school, the Swiss architect and designer, Otto Kolb. Note: This includes and Accompanying photographs. The Horner House is designed into the landscape and reflects a movement toward increased ecological and environmental awareness in the second half of the twentieth century.

The city has expressed interest in preserving the site, and tried draw attention to the complex in 2011 by placing a historic site marker there. Protective stipulations were written into the city's zoning plan passed in early 2012. Around the same time, local historian Tony Squire made the discovery that the stained glass windows, which are still in excellent condition for their age, were not made in Germany, but by artist Leo P. Frohe. Because obtaining national landmark status for the Chapel would require establishing its architectural or historical importance as "the work of a master" or the studio of a significant artist, it is speculated that Squire's research may reveal Frohe as such a master.

The Moran Municipal Generation Station is on the National Register of Historic Places. It was listed on December 17, 2010. Its applicable National Register Criteria were, "Property is associated with events that have made a significant contribution to the broad patterns of our history," and "Property embodies the distinctive characteristics of a type, period, or method of construction or represents the work of a master, or possesses high artistic values, or represents a significant and distinguishable entity whose components lack individual distinction." The mid- century coal-fired electricity-generating plant was the only one of its kind erected in Vermont and gained international acclaim for innovative uses and adaptations of existing technologies.

The company plans to expand its employment by almost 200 jobs - about 30 per cent - starting with 50 additional jobs this year in 2007. Coppley's growth burst will bring its workforce to about 750 people, the majority of them in Hamilton. The new jobs follow exploding sales growth as the company uses computer-aided custom tailoring of suits that give struggling retailers a much-needed cash-flow boost. Coppley, which has been a fixture in downtown Hamilton for more than 150 years, pioneered a method of using a computer, a grid and a digital camera to do the work of a master tailor, producing made-to-measure suits in as few as seven days - work that used to take six weeks.

Chana School was added to the National Register of Historic Places on December 6, 2005. On its original nomination form to the National Register, Chana School was cited as being significant for inclusion in the Register under criteria C, which states a property: "embod(ies) the distinctive characteristics of a type, period, or method of construction, or that represent the work of a master, or that possess high artistic values, or that represent a significant and distinguishable entity whose components may lack individual distinction." In addition, the school was subject to considerations by the Register which allowed its inclusion despite the general policy which does not encourage the nomination of properties that have been moved from their original location."Listing a Property: Some Frequently Asked Questions ," National Register of Historic Places, Official site.

It elegantly combined the Air Corps' > operational and training needs with advanced city planning principles. Key > features of Ford's design (and which do not appear in Lt. Clark's plan) > include the dramatic, impressive entranceway, its termination at Washington > Circle (a smaller circle below Main Circle, formerly known as North Circle), > and the siting of three notable buildings around Washington Circle on the > east, west, and south. The final layout for Randolph Field is clearly the > work of a master planner. Once the site for the field was selected, a committee decided to name the base after Captain William Millican Randolph, a native of Austin and graduate of Texas A&M;, who was killed on 17 February 1928, in the crash of a Curtiss AT-4 Hawk, 27–220, on takeoff from Gorman Field, Texas.

In this figure there is a particular correspondence between the size of the clothing and the body which does not nullify the complexity of the surface design, however. The Antenor Kore (Acropolis 681) could be considered an interpretation of this theme by its creator. The connection of the statue with the inscribed base which identifies the creator of the statue as the Athenian sculptor Antenor has been doubted, but it was in any case the work of a master: the treatment of the clothes with deep vertical grooves, alternating with horizontal markings is not found on any of the other figures from the Acropolis. The kore Acropolis 674 is unique in its body structure: a long, thick neck and sloping shoulders contrast with head which is a little heavy.

In the Preface, Benjamin presents Marxist analyses of the organisation of a capitalist society and establishes the place of the arts in the public sphere and in the private sphere. Then explains the socio-economic conditions to extrapolate developments that further the economic exploitation of the proletariat, whence arise the social conditions that would abolish capitalism. That the reproduction of art is not a modern human activity, and reviews the historical and technological developments of the means for the mechanical reproduction of art — such as an artist manually copying the work of a master artist, and their effects upon society's valuation of a work of art — the industrial arts of the foundry and the stamp mill in Ancient Greece; and the modern arts of woodcut relief-printing and engraving, etching, lithography, and photography, techniques of mass production that permit greater accuracy in reproducing a work of art.Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction” (1935) p. 01.