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22 Sentences With "wooers"

How to use wooers in a sentence? Find typical usage patterns (collocations)/phrases/context for "wooers" and check conjugation/comparative form for "wooers". Mastering all the usages of "wooers" from sentence examples published by news publications.

While few of these embarrassing displays of affection worked out, at least several wooers got into a steady, long-term relationship with their sad, cringey memories.
Men were victors, heroes, wooers, the war was theirs, but we were looked at with quite different eyes… I'll tell you, they robbed us of the victory.
But it might play out very differently in person -- at a party, for example -- where you can see who's surrounded by wooers and "redirect your attention to other prospects," he said.
Ben Higgins' wooers had to chase baby turtles and adult wild pigs around a beach last season, and JoJo recently made out with someone on top of a horse's neck. Romance!
ODately's hired wooers are two males, two females, all in their mid- to late-twenties, according to Kenyon, so lets hope they brush up on their cultural references if they end up gaining a lot of non-millennials as clients.
Stone and his girlfriend Nancy convinced Whittier to lease them the property, succeeding where previous wooers had failed, and the ski area began operating in 1954. Whittier left the property to St. Olaf College, in Northfield, Minnesota, upon her death.
Many wooers came to her. At last, a king's son won her heart. He went to get his father's consent. She kissed him, told him not to let anyone else kiss him on that cheek, and sat under a lime tree to await him.
A proud princess set a riddle to her wooers and sent them away when they could not answer. Three tailors came. Two were known for their cleverness and skill, and the third for his uselessness. The princess asked them what two colors were her hairs.
To which she replies, "And I can swear that you gave the ring to a woman therefore, swear no more". But all is explained soon, and Ansaldo marries the young maid-in-waiting who had given Giannetto the hint by which he was able to fulfil the hard conditions imposed upon the wooers and win the "Lady of Belmonte".
Goldsmith wrote this romantic ballad of precisely 160 lines in 1765. The hero and heroine are Edwin, a youth without wealth or power, and Angelina, the daughter of a lord "beside the Tyne". Angelina spurns many wooers, but refuses to make plain her love for young Edwin. "Quite dejected with my scorn", Edwin disappears and becomes a hermit.
A slave ran to tell the sultan, but the princess persuaded him, by signs, to make the prince make her speak three times. She destroyed the candlestick. The next night, the nightingale hid on a pillar, and the prince talked to it. The nightingale told of a woman who had scorned wooers for many years, until she found a white hair and decided to pick one.
She is served by her nurse, named Mortgage, her ladies in waiting, Statute and Band, and her chambermaid, Wax. Among her many wooers are the members of the society of jeerers. The members of this heterogeneous company – a sea captain, a poet, a doctor, and a courtier – have all gone bankrupt and now devote themselves to insulting and jeering at others, raising their practice to a pretended art form. Their leader is Cymbal, the manager of the News Staple.
He slew Feng with his own sword. After a long harangue to the people he was proclaimed king. Returning to Britain for his wife he found that his father-in-law and Feng had been pledged each to avenge the other's death. The English king, unwilling to personally carry out his pledge, sent Amleth as proxy wooer for the hand of a terrible Scottish queen, Hermuthruda, who had put all former wooers to death but fell in love with Amleth.
According to it, Sithon was in love with his own daughter, and that was the reason why he was killing her wooers one after another. This lasted until one day Dionysus came and suggested that he would fight for Pallene's hand with the maiden herself. Sithon agreed, and Dionysus wrestled with Pallene in a manner that was more like seducing her. Sithon interrupted and pronounced the god winner; Dionysus then killed the king with his thyrsus, thus avenging the deaths of the previous suitors.
There lives a woman in Galicia who is very beautiful and lovely so she has many wooers, including the Knight of Castille who is old and wealthy but at the same time, a brutal man. She rejects his offer to be his wife and rather says yes to another man who is not so rich but he is younger with good reputation. Nevertheless, the Knight does not stop bothering her until her husband threatens him. After three years of marriage, the husband is murdered, so she becomes unprotected.
Described as "the wild queen of Scotland", she became the wife of Wihtlaeg or Vigletus and is described as a Wicked Queen type of character such as found in a variety of fiction. In the chronicle, Amlethus (Hamlet) is sent to court Hermuthruda by the King of England. However the queen had a reputation for killing all suitors, Saxo saying "in the cruelty of her arrogance she had always loathed her wooers, and inflicted upon them the supreme punishment, so that out of many there was not one but paid for his boldness with his head".Gesta Danorum, Book IV (ed.
Sithon promised both the hand of Pallene and his kingdom to the one who would defeat him in single combat. Pallene was so beautiful that a lot of suitors sought her hand, but all of them, including Merops of Anthemusia and Periphetes of Mygdonia, were slain by Sithon. As he grew older and his strength began to fail him, he arranged that the suitors fight each other instead of himself until one of them was killed; the winner would then get both Pallene and the kingdom. When two new wooers, Dryas and Cleitus, arrived, Pallene fell in love with Cleitus.
She described how a king set three wooers to learn something in six months, and the cleverest would win the princess. One learned how to travel a year's journey in an hour; another to see things at a distance; the third to cure any illness. They met again, and the second saw the princess was dying, the first brought the third to her, and the third one cured her. Then the prince and the nightingale argued whether the second or the third had done the better, until the princess burst out that it would have been useless without the first, who should have her.
"She had withstoode an army of wooers, and I thincke is now lighted on the worst", wrote John Chamberlain.N.E. McClure (ed.), The Letters of John Chamberlain, American Philosophical Society Memoirs XII Part 1 (Philadelphia 1939, reprinted 1962), Letter 181 (9 September 1613), at p. 476. (Hathi Trust) Alice, daughter of the London citizen Mercer William Ferrars, was formerly married to John Halliday, son and heir of Sir Leonard Halliday (Lord Mayor of London 1605-06), and was worth £3000. On 9 March 1614 he took a seat in parliament for New Romney. There was one child of his second marriage, Thomas Ingram, who became Chancellor of the Duchy of Lancaster: Alice died in October 1614 of a quinsy,Letters of John Chamberlain, I, Letter to Isaac Wake (12 October 1614), at p. 556.
Later in May, the Met staged a program of one-act ballets consisting of Theme and Variations, Duo Concertant and Gaîté Parisienne, featuring Copeland in all three. Siebert praised her work as the lead in Balanchine's choreography of Igor Stravinsky's Duo Concertant for violin and piano performed by Benjamin Bowman and Emily Wong. Of her Flower Girl in Gaîté Parisienne, Apollinaire Scherr of The Financial Times wrote that she "tips like a brimming watering can into the bouquets her wooers hold out to her". Copeland was a "flawless" demi-soloist in Theme and Variations, according to Colleen Boresta of Critical Dance. In June 2014 at the Met, she danced the Fairy Autumn in the Frederick Ashton Cinderella, cited for her energetic exuberance in the role by Hochman, who missed the "varied texture and nuance that made it significantly more interesting" in the hands of ABT's Christine Shevchenko.
Because of her efforts to put off remarriage, Penelope is often seen as a symbol of connubial fidelity.J.W. Mackail, Penelope in the Odyssey (Cambridge University Press, 1916) But because Athena wants her "to show herself to the wooers, that she might set their hearts a-flutter and win greater honor from her husband and her son than heretofore", Penelope does eventually appear before the suitors (xviii.160–162). As Irene de Jong comments: > As so often, it is Athena who takes the initiative in giving the story a new > direction ... Usually the motives of mortal and god coincide, here they do > not: Athena wants Penelope to fan the Suitors’ desire for her and (thereby) > make her more esteemed by her husband and son; Penelope has no real motive > ... she simply feels an unprecedented impulse to meet the men she so loathes > ... adding that she might take this opportunity to talk to Telemachus (which > she will indeed do).Irene de Jong. (2001).
In his Proverbs printed in 1566, are the following lines: > >> Where wooers hoppe in and out, long time may bring > Him that hoppeth best at last to have the ring > > But to return to the egg-dance. This performance was common enough about > thirty years back and was well received at Sadler's Wells; where I saw it > exhibited, not by simply hopping round a single egg, but in a manner that > much increased the difficulty. A number of eggs, I do not precisely > recollect how many, but I believe about twelve or fourteen, were placed at > certain distances marked upon the stage; the dancer, taking his stand, was > blind-folded, and a hornpipe being played in the orchestra, he went through > all the paces and figures of the dance, passing backwards and forwards > between the eggs without touching them. John Collier, The New Art Gallery Walsall The hornpipe was one of dances performed as an egg dance.

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