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23 Sentences With "wooer"

How to use wooer in a sentence? Find typical usage patterns (collocations)/phrases/context for "wooer" and check conjugation/comparative form for "wooer". Mastering all the usages of "wooer" from sentence examples published by news publications.

Melville is a giddy, lust-smacked swain, a reckless wooer in thrall to his
"I'm a loving caring tender man and I always respect my woman," wrote an ersatz wooer, beside photos of Mr. Swenson, in a snippet culled from a site called DateHookup.
The man took such a stone and sat down at once. She told a third wooer that a wizard had taken the place of her father's body in the grave, but if he brought him before her, she would be free. He immediately brought the body before her. Then the nightingale argued whether the second or third wooer had done the best, until the princess said it was the first.
She set them to tasks. She told the first wooer that her father had died, and proved to be a wizard because his grave was empty; the man's task was to lay in the grave three hours, so the woman would be free of him. He lay down there at once. She told a second wooer that a wizard had taken the place of her father's body in the grave; if he stood over the wizard with a stone and smashed his head if he moved, she would be free.
Frances is now inconsolable, and Edward very obligingly goes in search of the wooer. When they return, the reporter reveals that he is wealthy and has a title and estate in England, but Frances decides in favor of the conventional Edward.
July 6, 2007 Other Russian writers of Jewish descent include Boris Pasternak (who never wrote on Jewish themes); Joseph Brodsky, a poet who won the Nobel Prize in 1987; Osip Mandelstam, another famous poet, wooer of Akhmatova, and victim of the Soviets. Vassily Grossman's experiences in WWII provide the main material for his novels.
A wooer came for the daughter, and she said she did not want to marry but to live with her bird. Her father swore to wring its neck, and the prince fled. He got his mother to transform many of his men, his sons, and himself to larger birds, and they attacked the wedding party and bore away the bride.
The widowed Countess was barely twenty and richly dowered. Many a wooer "sought to console her with a new prospect of wedded happiness". But she refused them all and for seventeen years she lived, "a model of all that is beautiful in womanhood, captivating all hearts by her sweetness and graciousness, and by a beauty which sorrow only served to refine and make more lovely still". In 1745, when still young the Countess became involved in a scandal.
Heimskringla describes Sigrid as the beautiful but vengeful daughter of Skogul-Tosti, a powerful Swedish nobleman. As widow of Eric the Victorious, she held many great estates, and was living with her son Olav the Swede, when her foster-brother Harald Grenske, a king in Vestfold, sought her hand. She had him and another royal wooer, Vissavald of Gardarik, burned to death in a great hall following a feast to discourage other suitors. This episode earned her her byname.
Realizing the adverse attitude of Sweyn, Canute and Valdemar visited Sverker in 1154 with an eye to a marriage alliance. According to the probably exaggerated account of Saxo, "Sverker received them so friendly, that he, hoping for a future son-in-law, offered to make them his heirs while passing over his own children, either because of the incompetence of his sons or the high birth of the distinguished wooer."Saxo Grammaticus. Danmarks kronike, II, p. 125.
In order to win the hand of Kriemhild, Siegfried becomes a friend of the Burgundian kings Gunther, Gernot, and Giselher. When Gunther decides to woo the warlike queen of Iceland, Brünhild, he offers to let Siegfried marry Kriemhild in exchange for Siegfried's help in his wooing of Brünhild. As part of Siegfried's help, they lie to Brünhild and claim that Siegfried is Gunther's vassal. Any wooer of Brünhild's must accomplish various physical tasks, and she will kill any man who fails.
He slew Feng with his own sword. After a long harangue to the people he was proclaimed king. Returning to Britain for his wife he found that his father-in-law and Feng had been pledged each to avenge the other's death. The English king, unwilling to personally carry out his pledge, sent Amleth as proxy wooer for the hand of a terrible Scottish queen, Hermuthruda, who had put all former wooers to death but fell in love with Amleth.
Unbeknown to the King the plotting Calchas has made a deal with Trojanus' ambassador, Hector, for a marriage for Menelaus. The chosen consort is the Trojan beauty queen Helen. When the king is told of his imminent entry into matrimony, he is dismayed; the prospect of a foreign wife by his side and having to abandon Läspia does not appeal to him. Läspia discovers that her wooer is the king himself, and starts a counter-plot to out-manoeuvre the future queen.
Gaston proceeds to teach him all the arts of the fiery lover – his servant Ambrosio having to play the part of the bride. When Pinto, now exhausted, turns to food and drink, Gaston decides to save the unknown girl from this uncouth wooer: he makes Pinto drunk and takes from him the letter promising marriage. To the amusement of the other guests at the inn, Gaston and Ambrosio put the sleeping Don Pinto to bed, so that he can sleep off his drunkenness and they can proceed to Madrid.
"An Historical Account of the Expedition Against Sandusky Under Col. William Crawford in 1782", p. 67. Thus, it's likely that whatever tune "Crawford’s Defeat" was originally performed to was a popular Scottish or Irish folk song; for instance, a song such as "Last May A Braw Wooer," "Kellyburn Braes," "Bonnie Dundee," "Bonnie Strathyre," Or Even "Believe Me If All Those Endearing Young Charms." According to Pennsylvania folklorist Samuel Preston Bayard, when "Crawford’s Defeat" was first issued, it might have undergone oral variations, depending on who it was exposed to.
The Bishop of Hereford appears in Howard Pyle's influential children's book The Merry Adventures of Robin Hood (1883), based on the medieval ballads. The Merry Men rob him to pay Sir Richard at the Lee's debt. Later, he is scheduled to perform the marriage of Alan-a-Dale's sweetheart to her unwanted wooer, until Robin intervenes. He also appears in the archery contest scene, where the Queen (here Eleanor of Aquitaine) attributes his refusal to bet on Robin more to greed than to the impropriety of his betting.
Seeing an opportunity to vicariously declare his love for Roxane, he decides to aid Christian, who does not know how to court a woman and gain her love. Cyrano aids Christian, writing love letters and poems describing the very emotions that Cyrano himself feels for Roxane. Roxane begins to appreciate Christian, not only for his good looks but also his apparent eloquence. She eventually falls in love with him and they contract a secret marriage in order to thwart the plans of the Comte de Guiche, an arrogant nobleman who is himself a frustrated wooer of Roxane.
55-74 (p. 68). 'The author of Jarlmanns saga ok Hermanns was acquainted not only with indigenous Icelandic romances, such as Konráðs saga, but also with the Old Norse translation Tristrams saga ok Isondar, from which the proxy wooing, the bride as leech, and the problem of the proxy wooer as lover presumably derive. The hall-of-statues episode in Tristrams saga seems to have been the inspiration for the scene in which Jarlmann draws a picture of Hermann for Ríkilát to obtain her consent to the marriage'.Marianne E. Kalinke, 'Jarlmanns saga ok Hermanns', in Medieval Scandinavia: An Encyclopedia, ed.
This appears to be the compound of two ballads: one of a proud princess being humbled by a clever wooer, and the other of a dead soul rebuking the living.Francis James Child, The English and Scottish Popular Ballads, v 1, p 425-6, Dover Publications, New York 1965 Many of the elements of this are found in other ballads: the riddles from "Riddles Wisely Expounded", the suitor who proves to be a brother in "The Bonnie Banks o Fordie", the lover who returns as a ghost and must forbid the beloved from following him, as in "The Unquiet Grave".
Cordova, p. 2 He returned to London in March 1885 to play at the Lyceum Theatre in Helena Modjeska's company, as the Abbé in Adrienne Lecouvreur, and then toured with her, playing such roles as Mortimer in Mary Stuart and Orlando in As You Like It; The Manchester Guardian said of the latter that he "kept Orlando properly ingenuous, and made him a taking and gallant young wooer.""Theatre Royal", The Manchester Guardian, 4 June 1885, p. 5 Towards the end of 1885, Waller ventured into management for the first time, touring a production of Called Back, switching to the role of Dr. Basil North, in which The Manchester Guardian thought him "a trifle too melodramatic".
Belleur meets Rosalura again, but finds her haughty and distant; he's so distressed by his poor showing as a wooer that he storms out looking for a fight, threatening to "beat all men." Lillia-Bianca surprises Pinac by turning effervescent; she exhausts him with dancing and singing, and leaves him frazzled and confused. It turns out that both young women are under the curious tutelage of a man named Lugier, and have enacted the "taught behaviors" he espouses; but both want husbands, and neither is happy with their result so far. The three of them, however, are united in their dislike of the conceited Mirabel; and Lugier claims he can help Oriana to obtain her desires and humble the arrogant man in the bargain.
One Friday in early May, Nastagio walks through a pine forest at dusk, where he sees a girl running naked in tears, being chased by two dogs trying to bite her and a Knight with a black sword intending to kill her. Nastagio tries to defend her, but the knight presents himself as Guido of Anastagi and tells of how he had once loved this woman, but because she did not love him, he had himself committed suicide. When the girl died without any regrets for the misery she had inflicted on her admirer, she was sentenced to the cruel punishment of being hunted. Every Friday, the girl would have to undergo the killing and subsequent restoration of their bodies for as many years as it had been months that she had rejected her wooer.
Child ballad 90 Jellon Grame has affinities to this ballad.Francis James Child, The English and Scottish Popular Ballads, v 2, p 298, Dover Publications, New York 1965 This ballad is closely related with a Scandinavian one, "Young William" (TSB E 96), in which a rival in love kills the successful wooer, the woman bears a child and has the rival told it was a girl, and the son, grown, kills the rival.Francis James Child, The English and Scottish Popular Ballads, v 2, p 297, Dover Publications, New York 1965 Another Scandinavian ballad (TSB D 352) opens with the bride being carried off, and her family coming to burn down the church that the bridegroom and his people are in; she hides her son from her family and in time he avenges his father.Francis James Child, The English and Scottish Popular Ballads, v 2, p 298, Dover Publications, New York 1965 The procession scene in the movie The Wicker Man is set to this tune.

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