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35 Sentences With "without scruples"

How to use without scruples in a sentence? Find typical usage patterns (collocations)/phrases/context for "without scruples" and check conjugation/comparative form for "without scruples". Mastering all the usages of "without scruples" from sentence examples published by news publications.

When you go in without scruples, it's fairly easy to succeed.
The real villain has always been here, scheming, with limitless ambition, and without scruples.
This is the sort of thing Russian President Vladimir Putin might do, or some far-flung dictator without scruples.
He behaved like "a fool without scruples," El País, a Spanish newspaper, wrote in a damning editorial at the time.
This is dangerous ground, given that U.S. officials one day may find themselves fighting shadowy wars involving proxies without scruples.
Morf knows what he wants, and chases it without scruples, but he's still a much lighter figure than his equivalent in Nightcrawler.
Bobby wants only to win, and one of the show's consistent pleasures is witnessing what a man without scruples is capable of accomplishing.
Best of all is Ms. O'Hare, who aside from her lovely singing and dancing has just the right style for a bright young thing without scruples.
Alas, what we've learned with President Trump is that our much-vaunted modern bureaucratic state can be made vulnerable when yoked to a man without scruples and a party that refuses to protect the norms of our nation.
Bell emphasized that he was not without scruples, saying that his "personal morals" would stop him working for someone as cruel as Robert Mugabe, the former dictator of Zimbabwe, whose regime had killed or tortured tens of thousands of his own people.
N. Nambiar), a being without scruples, Muthaiya incurs the wrath of this very vindictive character. The situation complicates when very attractive Vidjaya (K. R. Vijaya) falls in love with the beautiful Muthaiya. Indeed, she (K.
Prior to his entering the Dominican Order, Carino, was, according to Catholic tradition, a cruel man without scruples who had been hired by Milanese Cathars to kill Peter, a prominent Catholic inquisitor. Carino was a native of Cinisello Balsamo. The murder took place on April 6, 1252, when Peter was returning from Como to Milan. Carino's accomplice was named Manfredo Clitoro, of Giussano.
Almodóvar used elements of film noir, borrowing in particular from Double Indemnity. The film's protagonist, Juan (Gael Garcia Bernal), was modeled largely on Patricia Highsmith's most famous character, Tom Ripley,D'Lugo, Pedro Almodóvar, p. 117 as played by Alain Delon in René Clément's Purple Noon. A criminal without scruples, but with an adorable face that betrays nothing of his true nature.
In the book, Galvez is an adventurer without scruples, working as a journalist in Belém. The novel starts when Galvez falls from a window, running away from a lady's husband, and, accidentally, saves the life of Luiz Trucco, the consul of Bolivia. Invited by the diplomat, he goes to a party, where he meets Cira, a woman interested in the Acre question. Cira asks him to steal the USA-Bolivian agreement.
Machiavelli advocates cunning political maneuvers as he understands it as the best way to hold on to power. Machiavelli emphasizes the point that a ruler must learn to be able how to enter into evil as the maintenance of political power sometimes requires one to act without scruples. Machiavelli uses the example of Agathocles the Sicilian. Agathocles had the entire senate of Syracuse killed in order to seize control of the government.
Yago Carcharias Voiced by: Luis de Cespedes (French; English) :A man without scruples, Carcharias is the chief henchman of the Consortium. Cruel and relentless, he is a true predator without compassion, responsible for the dirtiest operations. Intelligent, and therefore dangerous, Carcharias does not accept failure or defeat by the Tracers and in particular by Malo Korrigan. Only the obligation to save face in the eyes of the federal authorities, temper his will to do harm.
While in prison, Posada released a statement renouncing terrorism, and stating that he had been framed for the assassination attempt in Panama by the Cuban intelligence services. By mid-2001, $200,000 had been raised via efforts on Miami radio for a defense fund for Posada and his colleagues. Castro announced the alleged discovery of the plot on international television, describing Posada as "a cowardly man totally without scruples". He also blamed CANF for allegedly orchestrating the plot.
The "very serious and objectively immoral acts" of Maciel, which were "confirmed by incontrovertible testimonies", represented "true crimes and manifest a life without scruples or authentic religious sentiment", the Vatican said. The Vatican also stated that the legion created a "mechanism of defense" around Maciel to shield him from accusations and suppress damaging witnesses from reporting abuse. "It made him untouchable", the Vatican said. The statement decried the "lamentable disgracing and expulsion of those who doubted" Maciel's virtue.
At 18 years of age he landed in Bahia, where he made a point of announcing to the newspaper Correio Mercantil his new name, in order to remove any confusion with another António Ferreira da Silva. He did this to pay homage to his hometown as well. In Bahia he continued to work as a sales clerk for a coffee merchant but continued to be exploited by his boss and frustrated by the "despotism of proprietors without scruples".
Pope names envoy, commission to reform Legionaries The Vatican statement was remarkable in its tough denunciation of Maciel's crimes and deception. The "very serious and objectively immoral acts" of Fr. Marcial Maciel which were "confirmed by incontrovertible testimonies" represent "true crimes and manifest a life without scruples or authentic religious sentiment," the Vatican said. The Vatican said Fr. Marcial Maciel created a "mechanism of defense" around himself to shield him from accusations of abuse. "It made him untouchable," the Vatican said.
He discovers that the US embassy official, a corrupt man without scruples, is the source of the visa. After receiving the visa, he plans his visit to his son, but the man whom he assaulted has other plans, sending two of his workers to abduct him and rake him into the countryside to interrogate him. When they realize that Mario no longer has the money, they give him a beating and throw him off a cliff. Luck is with Mario, however.
Subsequently, Fernán Pérez acted as a great lord, and it is likely that he was a knight at this time, probably having been knighted between 1369 and 1371. He began constructing the Castle of Nogueirosa, confronting the prior of the monastery of Sobrado to whom the lands surrounding the castle belonged. Fernán Pérez acted without scruples, inspiring gear according to the chronicles, and letting his violent character show. He permanently abandoned the pre-existing family castle to rule his domain from the new Castle of Nogueirosa.
According to Pandrea, it was possible only because Ralea was "without scruples", always ready for a "cowardly submission", and a "valet" of Workers' Party potentates such as Ion Gheorghe Maurer. As a sign that he was still protected by the regime, in February 1953 Ralea was awarded the Star of the People's Republic, Second Class.Zavarache, pp. 251–252 A close bond existed between Ralea and the Workers' Party chief, Gheorghe Gheorghiu-Dej, who began cultivating his very own intellectual circle after engineering Pauker's downfall.
He did not intend De Oratore as merely a treatise on rhetoric, but went beyond mere technique to make several references to philosophical principles. Cicero understood that the power of persuasion—the ability to verbally manipulate opinion in crucial political decisions—was a key issue. The power of words in the hands of a man without scruples or principles would endanger the whole community. As a consequence, moral principles can be taken either by the examples of noble men of the past or by the great Greek philosophers, who provided ethical ways to be followed in their teaching and their works.
Being disabled because of a mysterious accident, during the ceremony of his wedding, Jasуn it blames deeply to Adonis and Sirena. While Sirena faces the decision to be faithful to its marriage or the instincts of its heart, Adonis fights to conquer the love of her. Maintaining one it doubles secret life, Adonis tries to be playboy without scruples, at the same time that is hidden after the masked hero: "the Lynx", dedicating its life to the noblest aims, to clean to the name of its father and his fortune... and to make sure the love Sirena. The price that it will have to pay, could cost the life to him.
At the end of the 15th century, Rome was no longer a medieval city, but not yet the important centre of artistic endeavors it would become a few decades later as one of the most important cities of the Renaissance. Upon her arrival in May 1477, Caterina found a city full of cultural fervour, with a desire for renovation. The atmosphere was a mix of intrigue and power, which was pursued without scruples, with material interests far exceeding the spiritual. Caterina was banned by her husband from meddling in politics, but she quickly integrated—owing to her extroverted and sociable character—into aristocratic Roman society.
In early December 2004, a few months before Pope John Paul II's death, Cardinal Joseph Ratzinger (who would replace him as Pope, becoming Benedict XVI) reopened a Vatican investigation into longstanding allegations against Maciel. On 19 May 2006, the Vatican Press Office, in a follow up to the investigation, released a statement censuring Fr. Maciel but excusing him from a canonical trial because of his advanced age. In early 2009, the order admitted that he had fathered a child. In 2010, after investigation, the Vatican released a report saying that Fr Marcial committed "true crimes and manifest a life without scruples or authentic religious sentiment," the Vatican said.
Römer finds that the records "prove that Hitler's generals had executed his murderous orders without scruples or hesitations", contrary to the myth of a "clean" Wehrmacht. Historian Wolfram Wette, reviewing the book, notes that the sporadic objections to the order were merely pragmatic and that its cancellation in 1942 was "not a return to morality, but an opportunistic course correction". Wette concludes: > The Commissar Order, which has always had a particularly strong influence on > the image of the Wehrmacht because of its obviously criminal character, has > finally been clarified. Once again the observation has confirmed itself: the > deeper the research penetrates into the military history, the gloomier the > picture becomes.
In his youth, Hergé admired and suggested that a number of images within Tintin in the Land of the Soviets reflected this influence, particularly the pictures of animals. , the Art Deco designer, also affected early Tintin adventures: "His influence can be detected at the beginning of the Soviets, where my drawings are designed along a decorative line, like an 'S'." Hergé also felt no compunction in admitting that he had stolen the image of round noses from George McManus, feeling they were "so much fun that I used them, without scruples!" During the extensive research Hergé carried out for The Blue Lotus, he became influenced by Chinese and Japanese illustrative styles and woodcuts.
Her defense counsel, veteran international lawyer Édouard Clunet,Mauro Macedonio Mata Hari, a life through images, Tricase: Youcanprint, 2017 p. 207. faced impossible odds; he was denied permission either to cross-examine the prosecution's witnesses or to examine his own witnesses directly. Bouchardon used the very fact that Zelle was a woman as evidence of her guilt, saying: "Without scruples, accustomed to making use of men, she is the type of woman who is born to be a spy." Zelle has often been portrayed as a femme fatale, the dangerous, seductive woman who uses her sexuality to effortlessly manipulate men, but others view her differently: in the words of the American historians Norman Polmer and Thomas Allen she was "naïve and easily duped", a victim of men rather than a victimizer.
On 1 May 2010, the Vatican named a delegate and appointed a commission to review the Legionaries of Christ. In a statement, the Vatican denounced Marcial Maciel for creating a "system of power" that enabled him to lead an "immoral" double life "devoid of scruples and authentic religious sentiment" and allowed him to abuse young boys for decades unchecked. The "very serious and objectively immoral acts" of Marcial Maciel, which were "confirmed by incontrovertible testimonies," represent "true crimes and manifest a life without scruples or authentic religious sentiment," the Vatican said."Fr. Maciel guilty, 'profound' revision of Legion needed, report Apostolic Visitors", Catholic News Agency, May 1, 2010 The Vatican said the Legion created a "mechanism of defense" around Maciel to shield him from accusations and suppress damaging witnesses from reporting abuse.
In a beautiful valley where the most exquisite grapes are farmed, an intense and sizzling love story will flourish between Valeria San Roman, a beautiful woman with a strong character, which has given her the strength to face life's deceptions, and Francisco Contreras, renowned publisher, widower and a man of will. Valeria, who manages the San Roman vineyard, hasn’t had an easy life. Her own father, Jose Maria `Chema` San Roman, the family's patriarch, has always hated her because she is the only one who doesn’t obey him. A man without scruples, selfish and womanizing, Chema arrived to the United States, married Valeria's mom to steal everything from her and later disposed of her. If that weren’t enough, Chema schemes a hideous plan causing Valeria to experience a horrible betrayal.
Torrey, p.23, 25 Rakovsky also drew attention to himself after welcoming to Bucharest the pro-German maverick socialist Alexander Parvus. His independence was consequently challenged by the interventionist paper Adevărul, a former socialist venue, who called Rakovsky "an adventurer without scruples", and viewed him as employed by Parvus and other German socialists.Torrey, p.25 Rakovsky himself alleged that, "under the mask of independence", Adevărul and its editor Constantin Mille were in the pay of Take Ionescu. After Romania's entry into the conflict on the side of the Entente in August 1916, having failed to attend the Kienthal Conference due to the closure of borders,Fagan, Regroupment of the socialist movement; Rakovsky, "An Autobiography" he was placed under surveillance and ultimately imprisoned in September, based on the belief that he was acting as a German spy.110 ani de social-democraţie, p.
In the original text, it already appears as a double entendre: one of the key characters, Nae Cațavencu, declares himself liber schimbist, technically "a supporter of free trade", but this can also be read as "easy changer"—one who changes views or convictions easily, without scruples. One of the main principles of the party was granting the status of honorary membership to anyone who changed their allegiance from one political party to another. Cazimir, often mistaken as the party founder, had had a political involvement with the Romanian Communist Party and, earlier, the Union of Communist Youth, to which he adhered ca. 1949. Alex. Ștefănescu, "Reacții rapide. Ștefan Cazimir-show", in România Literară, Nr. 16/2007 In December, he had been caught up in the revolutionary events, first as an unwilling participant in the communist counter-manifestation, then as a supporter of the street movement in Bucharest.
Călinescu, p.481-482 In his view, the work became "a drama of maternity" and a fable using characteristic anthropomorphism ("the devices of La Fontaine").Călinescu, p.482 In this context, he noted, the tale also provided a comedic "analogy between the animal and the human worlds", with "symbols-caricatures": the goat "with many utters and a bleating voice" as "a caricature of motherhood which nature itself has provided", but also as "the garrulous and whiny woman"; the wolf as a "man without scruples." Literary historian Mircea Braga explored the narrative in order to locate themes he argues are characteristic for both Creangă's work and Romanian folklore: the "perturbing situation" (in this case, the departure of the goat and the unusual responsibility bestowed on her sons), the rite of passage trial (testing the kids' ability to hide from the path of danger) and the happy ending as a triumph of the good, which often involves a positive reply to each of the evil deeds preceding it (the mock- feast organized by goat).Mircea Braga, postface to Ion Creangă, Poveşti şi povestiri, Editura Minerva, 1987, p.

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