And his narrative voice is terse and uninflected: crisp, clean, and unfussy, without ornamentation.
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For them, the performance of beauty can be as honest a place of vulnerability as something more conventional without ornamentation.
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The west facade, on Wall Street, is utilitarian, relatively without ornamentation. The north facade is also mostly bare, save for several windows; part of it is obscured by a building built against it.
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The spores are spherical, nonamyloid, and are ornamented with irregularly shaped flaring protuberances up to 2 μm high. They measure 3.9–4.8 μm in diameter (without ornamentation), and 5.4–7.0 μm including the ornamentation.
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The ceiling is coves without ornamentation. Opposite the south door, there is an ancient stone font. The pulpit is constructed of carved oak. The length of the body of the church is , the width is .
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1930) and for the post-schism "La Nova Etapo" (The New Stage) (1932). That was too tendentiously Marxist to encounter general agreement. Bulthuis's language style is simple, classical, without ornamentation. One can hardly find in it attempts at "impressionistic" experiment.
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The size of an adult shell varies between 20 mm and 75 mm. The whorls of the spire contain a shallow channel. The body whorl is smooth, striate at the base. The color of the shell is sulphur-yellow, without ornamentation except maculations on the spire.
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The station building and the railway tracks were damaged in air raids during the Second World War. Reconstruction began in 1946. The station lost the hall structure over its platforms and its tower building. The reconstructions were different from the original buildings, simply built and without ornamentation.
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The side halls have square columns set in granite bases. They are plain and without ornamentation. Nan Ming School used two halls from 1915 as classrooms. The children came from nearby villages such as Bukit Ho Swee and would not otherwise have been able to afford an education.
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The main entrance into the structure is a heavy cast iron door with strap hinges and a grated opening located on the south elevation. The interior is a single room that is sheathed in plaster without ornamentation. The furnishings include a stove, folding cot, bureau, table, and chair that appear to be from the early twentieth century.
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They also incorporated embellishments of all sorts (Domenico Corri said da capo arias were invented for that purpose [The Singer's Preceptor, vol. 1, p. 3]), but not every singer was equipped to do this, some writers, notably Domenico Corri himself, suggesting that singing without ornamentation was an acceptable practice (see The Singer's Preceptor, vol. 1, p. 3).
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When East High School was built in 1965 the facility was shared between East and Central. with The two-story brick building measures about by . It features plain surfaces and uninterrupted horizontal lines without ornamentation beyond horizontal brick features in the upper portion. The center section houses a gymnasium illuminated by glass block windows set in a clerestory.
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The original stage set featured two walls and the wheel. The left wall consisted of the California Lottery symbol and pictures of various California landmarks. The right wall, colored in pink and purple, displayed more pictures of the state of California. When Geoff Edwards became the host and the show moved to Sacramento, the set became completely white and without ornamentation.
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The interior of the Garnison Church was clearly defined. Massive columns connected with solid basket arches supported a flat roof and a two-storeyed emporium. The interior, at first largely without ornamentation, had simple wood panelling, and, while the civilian congregation sat on benches in the nave, the soldiers sat above in the gallery. A wooden pulpit stood on the south side of the nave.
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The concept of minimalist architecture is to strip everything down to its essential quality and achieve simplicity.Bertoni 2002, p. 10. The idea is not completely without ornamentation,Rossell (2005), Minimalist Interiors, New York: HapperCollins. p6. but that all parts, details, and joinery are considered as reduced to a stage where no one can remove anything further to improve the design.Pawson (1996), Minimum, London: Phaidon Press Limited. p7.
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Price S, Molyneux N. 'The domestic timber-framed tradition', p. 38, in Brooks & Pevsner, 2007 In such buildings, the lower storey would usually employ close studding, while the upper storeys would have small square panels with or without ornamentation. Examples include the White Lion in Congleton and Moat Farm in Longdon. An ornamental effect was also sometimes obtained with herringbone or chevron bracing between the uprights.
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The orchestra then concludes the piece with 4 measures. After some recitative, Calloandro leaves the stage and Pistofolo appears. The duet is repeated entirely as before, but this time with Pistofolo (who sings an entirely new set of words) rather than Calloandro. Without ornamentation, the range for each singer covers the interval of a minor seventh (from F#4 to E5 for Rachelina and F#3 to E4 for Calloandro and Pistofolo).
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This concept has equivalence to the concept of Acintya, or Sang Hyang Widhi Wasa, in Balinese Hindu temples; elsewhere it has been referred to as satcitananda This space is sometimes referred to as garbha-griya (literally womb house) – a small, perfect square, windowless, enclosed space without ornamentation that represents universal essence. In or near this space is typically a murti (idol). This is the main deity idol, and this varies with each temple.
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Codex Vaticanus comprises a single quarto volume containing 759 thin and delicate vellum leaves. The lettering in the Codex is small and neat, without ornamentation or capitals. The Greek is written continuously in small neat writing; all the letters are equidistant from each other; no word is separated from the other; each line appears to be one long word.John Leonard Hug, Writings of the New Testament, translated by Daniel Guildford Wait (London 1827), pp. 262–263.
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This gradually became greater until it became more than a right angle. Characteristic of the Romanesque style is the grouping together of two to four windows, the so-called clustered window. Above the window the flat surface of the arch remained without ornamentation or was pierced by small round windows. Romanesque art used, in addition to windows enclosed by the round arch, others surrounded by the trefoil or fan-arch, and even openings for light entirely Baroque in design, with arbitrarily curved arches.
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Those three sides, following the heavy massiveness and crude simplicity of the California mission adobe style, were without ornamentation. This contrasted with the front facade of the California State Building, 'wild' with Churrigueresque complex lines of mouldings and dense ornamentation. Next to the frontispiece, at one corner of the dome, rose the tower of the California Building, which was echoed in the less prominent turrets of the Southern California counties and the Science and Education buildings. The style of the frontispiece was repeated around the fair.
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A four-speed gearbox with floor change fitted as standard; the 1300 would remain the only Giulia model not fitted with a five-speed gearbox. Braking was by discs all around, without a servo at first, later with a servo. Visually the 1300 was distinguished by a new grille design housing single instead of twin head lamps, rectangular side repeaters without ornamentation, and all-metal hubcaps. It also did without bumper over-riders, most pieces of exterior chrome trim, and rear back-up lamps.
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Due to this correlation it is hypothesized that females choose males without ornamentation to avoid aggression from the males. Females are able to be choosy when courtship rates are high because they do not have to worry about missing out on copulations if there are plenty of male spiders to mate with. When courtship rates are low, males with high degrees of ornamentation are able to get to the female more quickly, thus giving them an advantage over non ornamented males. Sometimes facial color or leg brightness can play a role in mate choice.
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The first railway station in Halifax was built by the Nova Scotia Railway in 1854 at Richmond, Nova Scotia. A large wooden structure, it consisted of an enclosed train shed covering one track and platforms with series of wings for the ticket offices, waiting rooms and a lunch room and saloon. The station was functional and without ornamentation as well as inconveniently located two miles from downtown Halifax, connected by a horse- drawn street railway. After Confederation in 1867, the Nova Scotia Railway was taken over by the Government of Canada and became part of the Intercolonial Railway.
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Her developing Modernist sensibility was influenced by French Postimpressionists such as Paul Cézanne, Paul Gauguin, and Henri Matisse as well as by Japanese art and design, which she encountered at the Musée Guimet. From Japanese art in particular she acquired a preference for asymmetrical composition, a focus on plants as subject matter, and an appreciation of pattern as an organizing method. She began to try to reduce her own work to "decoration without ornamentation". Returning to Australia in 1907, Preston leased a studio with Bessie Davidson, and they put on a joint exhibition from which one of her paintings Onions (1905), was bought by the National Gallery of South Australia.
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In the late 18th and early 19th century came the style called neoclassical, which was characterized by the dominance of a trend towards the return of the classic styles of Greco-Roman architecture (using Romanesque columns with Corinthian capitals and without ornamentation, straight lines and simplicity in them, in addition to triangular frontispiece). It was as a reaction against the baroque. These are magnificent examples of this style the altar and the towers of the Cathedral of Lima, the facade of the Basilica and Convent of San Pedro, the main altar of the Basilica and Convent of San Francisco, pilasters of the Osambela House, the facade of Fort Santa Catalina and Presbyter Matías Maestro Cemetery.
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The essay was written when Art Nouveau—known as Secession in Austria and which Loos had excoriated even at its height in 1900—was showing a new way forward for modern art. The essay is important in articulating some moralizing views, inherited from the Arts and Crafts movement, which would be fundamental to the Bauhaus design studio, and would help define the ideology of modernism in architecture. "The evolution of culture marches with the elimination of ornament from useful objects," Loos proclaimed, thus linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying evolution to cultural contexts. Loos's work was prompted by regulations he encountered when he designed a tailorshop without ornamentation next to a palace.
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Unlike previous buildings in Terminal City, the Graybar Building was designed without ornamentation, and was built with setbacks and "light courts" to conform with the 1916 Zoning Resolution. The western part of the building is shaped like a capital "H", while the eastern part consists of two arms branching eastward from the eastern part of the "H", giving it the shape of a "C". The "H" and "C" form three light courts: a set of north- and south-facing courts on the western part of the building, within the "H", and a east-facing court on the eastern part of the building, within the "C". The presence of the three light courts resulted in much of the floor area being close to a window, and the building incorporated over 4,300 window openings.
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Out of these panels, ten of the original have been lost, and are left without ornamentation. Seventeen out of the original remaining eighteen panels depict a scene from the Old Testament or the New Testament, leaving one panel that does not directly correlate to a Biblical story This panel, found near the bottom of the door, depicts an homage to a man wearing a chlamys, and is thought to depict a historical event relating to a powerful ruler, though the exact story depicted is unknown. One of the smaller top panels depicts the crucifixion of Jesus Christ and two other figures in front of a building that alludes to the architecture of a Roman mausoleum; this panel is the first known publicly displayed image of the crucifixion of Christ. The panels are carved in two distinct styles, one including more detail and adherence to the style of classical art, and one adopting a simpler style, indicating that several artists may have worked on the doors.
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