The majority of people living today imagine the Second World War without color.
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"We love color, and to us a rug without color is depressing," she says.
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Do you want to be one of those German Expressionists painting without color, without light?
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Writing in a journal helped him reimagine the shooting, first without sound, then without smell, then without color.
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I usually work without color to develop an idea, and color studies come next in a gouache or oil sketch.
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The 2.7-inch, 400×240 screen has no backlight; it isn't e-paper, but rather just an LCD without color filters.
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Tyron Machhausen, a makeup artist who works with Chanel, relies on it for a dewy, sculpted look without color or contour.
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Without color or patterning, Dekyndt's flag reads as tabula rasa: a blank slate for a world without borders in which everyone is welcome.
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The fantasy of the early web — a world without color or sex — fostered a belief that the world was largely past issues like inequality.
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"In the history of CINEMA, masterpieces have existed without sound, without color, without a story, without actors and without music," Roma director Alfonso Cuarón said on Tuesday.
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CHRIS BYRNE This booth features numerous drawings — the most impressive without color — by Susan Te Kahurangi King, an autistic artist from New Zealand known for her turbulent mash-ups of pop-culture (toys, cartoon characters, labels).
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Captain Salt in Oz was the first Oz book to be published without color illustrations.
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Basic lip gloss simply adds shine to the lips without color. Colored lip gloss adds a combination of color and shine. Glittery lip gloss has a glitter base, with or without color. New types of "plumping" lip gloss contain ingredients that make the lips appear softer and plumper.
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The margins are carbonaceous and raised, without furrows. Mature spores are without color, but become brown with age.
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There are two categories of registration, regular, for horses with color, and solid Paint-bred, for those without color.
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TEOA is used to provide a sensitivity boost to silver-halide-based holograms, and also as a swelling agent to color shift holograms. It is possible to get the sensitivity boost without color shift by rinsing out the TEA before squeegee and drying.
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I was adjusting to a new world, a world without sight, a world without color. My heart ached. I had a brain tumor eating away at my optic nerve. It was eating away at my sight and my dreams, but I would not let it eat away at my heart, soul, or my love for God.
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Grey or gray (American English alternative; see spelling differences) is an intermediate color between black and white. It is a neutral color or achromatic color, meaning literally that it is a color "without color," because it can be composed of black and white.Webster's New World Dictionary of the American Language, Third College Edition. It is the color of a cloud- covered sky, of ash and of lead.
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For the task of sight-reading, the experimental group scored higher than did the control group. However, the control group (without color-coded notation) scored higher when sight-reading uncolored notation. In fact, the students who learned using color-coded notation scored significantly lower when sight-reading plain notation. A possible theory regarding these results is that the students in the experimental group memorized the colors instead of the notation.
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Because of the β(2,1) linkages, inulin is not digested by enzymes in the human alimentary system, contributing to its functional properties: reduced calorie value, dietary fiber, and prebiotic effects. Without color and odor, it has little impact on sensory characteristics of food products. Oligofructose has 35% of the sweetness of sucrose, and its sweetening profile is similar to sugar. Standard inulin is slightly sweet, while high-performance inulin is not.
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Brickman, David. "Next Time, With Feeling," Metroland (Albany), Sept. 15-21, 2005, p. 22. Works such as Puppet's Dream (2004), Blue (2006) and Sampler (2007) depicted six-, four- and two-legged intermingled creatures sprouting festive groupings of flowers, spirals, leaves and pom-poms that hovered between organic and synthetic; in the later sculpture, Chlorophylia (For a World without Color) (2017), Carson returned to the icy monochromism of Bouquet.
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1, no. 7, September 1969 These small sculptures evolved into larger works in cut, welded, and painted steel and aluminum. Gottlieb's foray into sculpture lasted only about a year and a half, but in that brief time he created a body of work that challenged the delineation between painting and sculpture. In ways similar to his friend the sculptor David Smith, Gottlieb's background as a painter made it impossible for him to visualize objects without color.
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Pieces are carved from a single block of basswood, allowing the carving to take on a sculptural quality through the interplay of mass and space. The carvings are finished with sealer, but not varnished, and presented either without color, or with a hand-painted, detailed, watercolor finish and then waxed. Kaisersatt teaches classes (held through Whillock Studios and CCA) which focus on design, clay modeling, and carving technique. He is a founding member of the Caricature Carvers of America.
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Coloration and figure-ground are two of the effects that can be observed within the watercolor illusion. Dissociation implies that coloration can be observed without the figure-ground effect, and that the figure-ground effect can be observed without color spreading into the inside edges. Border ownership assignment mechanisms (the consistency of color border and the asymmetric shape of edge) determine the figure-ground effects while the surface color from visual cortex lead to the color illusion.Von, D. H., & Pierson, R. (2006).
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That night, the doctor begins his work on restoring Daniel to life, but announces his failure. This devastates Regina, who returns to being Rumplestiltskin’s pupil and demonstrates her readiness by ripping the heart out of his new protegée, crushing it to prove her advancement. It is revealed that Rumplestiltskin was actually in league with the doctor, who exchanged the strong heart for the “monster” he got in Regina, and the Mad Hatter, who allowed him safe passage back to his world, the Land Without Color.
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Struycken reappears in the 2017 revival series as an unidentified character listed in the ending credits as ???????. His character is later identified (in Part 14) as The Fireman, leaving it ambiguous if he is the same entity as the Giant. As in the original series, this character provides cryptic clues to Cooper and appears to have benevolent intentions. Unlike the Giant, however, he does not appear in the natural realm, instead bringing individuals into his own realm, which is depicted as being predominantly without color.
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These additives can also be made as stand-alone products, with or without color. Infinity LTL, manufactures and sells engineering grade, custom compounded precolored polymer composites to meet the demands of specific customer applications. The company specializes in a wide range of engineered polymers with no minimum order size and provides a high level of technical support and a flexible customer focused style. The company also offers a wide array of reinforcements, fillers and lubricants that enhance the base resin properties for many engineering resins.
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This species, like many other species in the family Muricidae, can produce a secretion which is milky and without color when fresh but which turns into a powerful and lasting dye when exposed to the air. This was the mollusc species used by the ancients to produce Tyrian purple fabric dye. Sea snails of the species Banded dye-murex Hexaplex trunculus were also used to produce a purple-blue or indigo dye. In both cases, the mollusks secrete the dye in the mucus of their hypobranchial glands.
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Color correction is a process used in stage lighting, photography, television, cinematography, and other disciplines, which uses color gels, or filters, to alter the overall color of the light. Typically the light color is measured on a scale known as color temperature, as well as along a green–magenta axis orthogonal to the color temperature axis. Without color correction gels, a scene may have a mix of various colors. Applying color correction gels in front of light sources can alter the color of the various light sources to match.
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The system CPU clock and video hardware are synchronized to one-half the NTSC clock frequency. Consequently, the pixel output of all display modes is based on the size of the NTSC color clock which is the minimum size needed to guarantee correct and consistent color regardless of the pixel location on the screen. The fundamental accuracy of the pixel color output allows horizontal fine scrolling without color "strobing"—unsightly hue changes in pixels based on horizontal position caused when signal timing does not provide the TV/monitor hardware adequate time to reach the correct color.
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StarText benefitted from a loyal group of columnists who acted as unpaid content producers who were also subscribers. Their columns were in text only and originally without color, but the content of the columns were original, varied and of a sufficiently reasonable standard to maintain their own readership. Because these columns were basically under the control of their creators the originality, scope and depth of the information presented was both unique and extensive. In the 1990s, these columnists enjoyed meeting with each other at functions arranged by the StarText service of the Fort Worth Star-Telegram.
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In fact, "pity and air", two words of the Shakespeare's verses, are also two motifs used by Blake in this picture: a female cherub leans down to snatch the baby from its mother. According to Blake biographer Alexander Gilchrist, the print "is on a tolerably large scale, a woman bending down to succour a man stretched out at length, as if given over to death."Gilchrist wrote "a man" because he looked a version of the print without color. Gilchrist, Alexander (1863). Life of William Blake, "Pictor ignotus": With selections from his poems and other writings Macmillan and Co., p. 253.
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The majestic Padmanabhapuram Palace, from Trivandrum in India, has colored mica windows. Mica powder is also used as a decoration in traditional Japanese woodblock printmaking, as when applied to wet ink with gelatin as thickener using Kirazuri technique and allowed to dry, it sparkles and reflects light. Earlier examples are found among paper decorations, with the height as the Nishi Honganji 36 Poets Collection, an codices of illuminated manuscripts in and after ACE 1112. For metallic glitter, Ukiyo-e prints employed very thick solution either with or without color pigments stenciled on hairpins, sword blades or fish scales on .
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As some portraits, such as the portrait of Claudius (41–54), are uncolored and others are colored in with watercolor, it is likely that the portraits in earlier sections of the work were originally without color, later colored in by the second scribe. The second scribe also wrote over annotations which had faded and added inscriptions beneath some of the portraits in red. It is clear that the later scribe rearranged parts of the codex. The early and final parts of the earlier scribe's work appear to have been in poor condition, apparently damaged by fire, before the second scribe took to restoring and adding to the codex.
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The colors red and green (symbols of the Italian flag) were two essential components in Pittore's work that defined his belief and understanding in complementary palette application. The contrast of these two color schemes arise time and again throughout his works; as can be seen in "Portrait of Blair Tily" (1987), "Opera - Self Portrait" (1981), "La Buffonera" (1983), and "Portrait of a Skeptic" (1996). Pittore's "Lincoln Portrait Series" was the only oil-on-canvas medium in which he worked without color. For this he painted entirely in black and white due to the fact that the portraits were modeled after 19th century photographs of Abraham Lincoln.
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This needed only to be done for physical colors that are spectral, since a linear combination of spectral colors will be matched by the same linear combination of their (IS, IM, IL) matches. Note that in practice, often at least one of S, M, L would have to be added with some intensity to the physical test color, and that combination matched by a linear combination of the remaining 2 lights. Across different individuals (without color blindness), the matchings turned out to be nearly identical. By considering all the resulting combinations of intensities (IS, IM, IL) as a subset of 3-space, a model for human perceptual color space is formed.
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To protect alcohol tax revenue in the United States all preparations classified as Rubbing Alcohols (defined as those containing ethanol) must have poisonous additives to limit human consumption in accordance with the requirements of the US Treasury Department, Bureau of Alcohol, Tobacco, and Firearms, using Formula 23-H (8 parts by volume of acetone, 1.5 parts by volume of methyl isobutyl ketone, and 100 parts by volume of ethyl alcohol). It contains 87.5–91% by volume of absolute ethyl alcohol. The rest consists of water and the denaturants, with or without color additives, and perfume oils. Rubbing alcohol contains in each 100 ml more than 355 mg of sucrose octaacetate or more than 1.40 mg of denatonium benzoate.
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The Mineralogical Record began to be published in 1970, at the initiative of John S. White, curator in the Smithsonian Institution's Department of Mineralogy, with the aim of filling the gap between scientific mineralogy journals (which began at that time to look more like solid state physics and chemistry than conventional descriptive mineralogy) and purely amateur magazines. The first year only four numbers were published, without color photographs, with the financial support of Arthur Montgomery. In number 2 of 1976 he joined as editor Wendell E. Wilson, which remains as such today. This magazine is considered among the best in the world, both for the scientific quality of its contents and for the formal aspect, which includes the quality of the photographs and their reproduction.
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Magnified image of the RGBW unit PenTile RGBW technology, used in LCD, adds an extra subpixel to the traditional red, green and blue subpixels that is a clear area without color filtering material and with the only purpose of letting backlight come through, hence W for white. This makes it possible to produce a brighter image compared to an RGB-matrix while using the same amount of power, or produce an equally bright image while using less power. The PenTile RGBW layout uses each red, green, blue and white subpixel to present high-resolution luminance information to the human eyes' red-sensing and green-sensing cone cells, while using the combined effect of all the color subpixels to present lower-resolution chroma (color) information to all three cone cell types. Combined, this optimizes the match of display technology to the biological mechanisms of human vision.
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Ardices of Corinth was (along with a "Telephanes of Sicyon") according to Pliny the Elder the first artist who practiced the form of "monogram",Pliny the Elder, Natural History (Pliny) 35.5 or drawing in outline with an indication also of the parts within the external outline, but without color, as in the designs of the artists John Flaxman and Moritz Retzsch. Pliny, after stating that the invention of the earliest form of drawing, namely, the external outline, as marked by the edge of the shadow (umbra hominis lineis circumducta, or pictura linearis), was claimed by the ancient Egyptians, the Corinthians, and the Sicyonians, adds that it was said to have been invented by Philocles, an Egyptian, or by Cleanthes, a Corinthian, and that the next step was made by Ardices and Telephanes, who first added the inner lines of the figure (spargentes lineas intus).
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Frantz, Tagliapietra in Retrospect, 23 In 1998, he undertook a challenging project with Steuben Glass Works that required him to work without color usingthe unfamiliar batch glass that Steuben has developed for its own production.Frantz, Tagliapietra in Retrospect, 21 In 2008, Art Guide Northwest reported: The Istituto Veneto di Scienze, Lettere ed Arte mounted the first exhibition of his work in his homeland in the spring of 2011, a retrospective of his entire career including works from as far back as the 1950s. Its center gallery held Avventura, a large black shadowbox displaying a collection of over 100 avventurina vessels made of glass mixed with copper particles. According to GLASS Quarterly, "the gilded vases and pitchers emulate Roman amphorae, vessel forms far older than the Murano glassblowing tradition and its challenging avventurina technique." Another 16 pieces under the title Masai d’Oro "inspired by the deeply symbolic shields used by the Masai peoples in Kenya and Tanzania".
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