144 Sentences With "window bay" | Random Sentence Generator

Window-bay columns project from the building at seemingly unusual angles.

In the gallery's window bay are portfolios that also function as archives, holding 46 of Mr. Tinkler's vibrant drawings.

The Oscar Gill House is a historic house at 1344 West Tenth Avenue in the South Addition neighborhood of Anchorage, Alaska. It is one of Anchorage's oldest buildings. It is a two-story wood frame structure, three bays wide, with a side gable roof. The bays are asymmetrically arranged, with a single- window bay on the right and a double-window bay on the left.

It features stickwork aprons on the main and the dormer gables. There is also a bracketed polygonal window bay on the first floor. It has been listed on the National Register of Historic Places since 1983.

The Frank McPartland Three-Decker is located in Worcester's northeastern Brittan Square neighborhood, on the west side of Paine Street between Harlow Street and Green Hill Parkway. It is a three-story wood frame structure, covered by a hip roof and clad in modern siding. Its main facade is asymmetrical, with a three-level projecting polygonal window bay on the left. The right side is dominated by a three-level porch, which projects beyond the window bay, and has a single-story section extending all the way across the front.

The main facade is asymmetrical and is dominated by a projecting window bay of the southeast corner and the large porch on the southwest corner. The porch features large semicircular brick arches that complement the church's Romanesque Revival style.

A batch of Dennis Dominators built for Southampton Citybus have bodywork which is mostly to this style, including the downswept front upper deck window bay, but with a divided flat upper deck windscreen in place of the distinctive double-curvature screen.

A polygonal window bay projects above the portico. The south facade has a two-story projecting rectangular bay. The interior retains much of its original period woodwork, the dining room having been remodeled c. 1900 in the Colonial Revival style.

The Bank of Marshall Building is a historic commercial building at the southeast corner of Main and Center Streets in downtown Marshall, Arkansas. It is a 1-1/2 story brick masonry structure, built in 1913-14 by Jasper Treece, a local builder, in a vernacular Colonial Revival style. Its front facade is three bays wide, with an arched window bay to the left of the central entrance, and a square window bay to the right. A narrow band of windows is set in the half story, highlighted by bands of stone acting as sills and lintels.

The garden is set in large grounds. The house is completed in the late Victorian Italianate style. Large two-storey face brick Victorian Italianate style residence with slate roof. The house features a two-storey window bay with cement rendered mouldings and quoins.

A single-story polygonal window bay projects from the right side, and a two-story addition extends to the rear. The house was built in 1869 for Charles Albert Browne Sr., a local inventor who is credited with a number of innovations while working for companies providing explosives to the builders of the tunnel. Most significant of these was the development of an electrical fuse that would work reliably in the tunnel's damp conditions. His house exhibits a number of characterist signatures of a distinctive regional variant of the Italianate style: the side entrance on the front facade, the window bay, and the bracketed eaves.

The initiai"H" for Hopkins is centered above the entrance among foliated carvings. The house also features a two-story octagonal tower and a one-story, triangular-shaped window bay. The house is rich in architectural detail and scroll-sawn details are located on the exterior.

Other lost feature included rounded posts on the porches, and the use of wooden shingles in the bands between the windows of the rounded bay. A polygonal window bay projects from one side. The house was built c. 1912, late in the triple-decker housing boom on Belmont Hill.

1871: p4. Print. The main façade of the house faces a large yard to the south. It originally featured a single- story projecting window bay beside the main entrance. Sometime between 1892 and 1910 a two-story semi-circular bay and a porch that followed the bay was added.

It was decorated with swags and ribbon motif in the pediment, and columns in the Tuscan order. It also featured ornamental shingling of the gable ends on the front and on the south side window bay. At one time the window surrounds had small bracketed cornices and heads with incised decorations.

The fourth- through 32nd-story windows have plain, undecorated sills and windows. Each window bay is separated by vertical limestone piers. Above the 28th story especially, there are cast-stone decorative elements. The 30th floor, 31st floor, and 31st-floor mezzanine contains five triple-height arched windows on each facade.

Designed during the Victorian era, the structure is a well-preserved example of a southeast Portland duplex. It was built just one year after the city of East Portland became part of the growing city of Portland. Notable features include a full-height window bay, imbricated shingles, and a double veranda.

The entry is flanked by pilasters and topped by an entablature. A two-story polygonal window bay, probably a 19th-century addition, projects from the right side. The interior retains a number of period features, including the winding staircase at the front, and raised paneling in the front parlor. The house was built c.

Pearson Terrace is a historic rowhouse block located at Indianapolis, Indiana. It was built in 1901–1902, and is a two-story, seven unit, vernacular Queen Anne style grey brick row with limestone trim. It sits on a raised basement and has a complex gable roof. It features a projecting two bay center unit and projecting window bay.

An angled window bay projects from one side of the building. The porch openings were originally arched, with Tuscan column supports. The house was built about 1912, when the Brittan Square/Lincoln Street area was growing as a fashionable streetcar suburb. Early residents of the area were typically employed in either blue or white-collar skilled jobs downtown.

The front facade has a central projecting section that includes a window bay on the second floor and a polygonally hipped roof dormer above. The windows in this section have diamond mullions. Combined with the wood shingling, this gives the house a medieval English manor appearance. The house was listed on the National Register of Historic Places in 1989.

The two levels below the top floor have paired window bays which are similar but double the height. At the base of these is an imitation balcony with balusters supported on brackets. In this way the building has both a distinctive top and base. A similar projecting balcony occurs in front of the central window bay on the level below.

Each section has two bays, one housing the entrance for that section, and the other a projecting polygonal window bay. The Wilson Street facade functions as an extension of the rightmost section, with seven bays and an entrance at their center. The apartment house was built in 1915 to a design by William P. Hutch, with "A. Silverman" as its first owner.

It lacks terra cotta but is otherwise similar in materials and decorative treatment to the main block. The auditorium section has large tripartite windows with transoms, giving way to six-over-six double- hung sash backstage. In one window bay on each side are exit doors, with steel platforms and stairs. Below, on the basement, are paired two-over-two double- hung sash.

Within the piers, raised brick rectangles designed to resemble quoins are laid between the windows. The window openings have a cast stone sill. A stepped brick cornice is between the first and second floors, and the second floor is divided into five bays of windows corresponding to the bays below. Each window bay contains three double-hung windows with a horizontal transom above.

The main entrance is recessed in an arched openings. The window bay has three sash windows, and there are three larger sash windows in a band on the second floor above the projecting bay. The house was built in 1913 by W. Foster Wright, a builder from Waterbury. It was purchased in 1952 by Dr. Frank T. and Marie A. Simpson.

The ground floor porch has been enclosed in glass. On the right side of the building, a square window bay projects, topped by a pedimented gable. The building historically had bands of trim and wooden shingles between the floors; these have been removed. The house was built about 1918, when the Greendale area was being developed as a streetcar suburb for workers at the city's northern factories.

The house is sided in alternating sections of shingles and clapboards, and its upper porches are supported by grouped slender turned columns. The left side of the house also as a projecting three-story window bay. The front roof gable is fully pedimented, and there are shallow brackets in the eaves. The house was built about 1918, when the area was being heavily developed with triple deckers.

On the first floor, the right two bays are taken up by a polygonal wood-frame window bay with a bracketed roof. Second- floor windows are set in segmented-arch openings crowned by a decorative hoods with drip moulding. The right wall of the building has a projecting oriel window with styling similar to the front bay. The building's builder and construction date are not known.

The second and third floors both have fifteen casement windows facing 6th Street and eight facing Evergreen Avenue. On the third floor, window size alternates between large and small size across the facade. There is a ninth window bay on the Evergreen Avenue side of the building that does not have a window on either upper floor. The hotel's interior fire escape stairwell is behind that bay.

The most prominent feature on the structure's left (north) side is a large window bay, sharing the wall with a chimney flanked by three double-hung windows and two more double-hung windows next to a side entry, with a wooden storm door and a wooden paneled door. Sharing the back of the structure with the attached garage, a large enclosed porch sports six double-hung windows and a hipped roof. The left (north) side of the house includes more windows, with a window bay matching the one on the right side of the house and a set of triple-ganged double-hung windows flanked by two single double-hung windows. The roof's front gable, clipped in the front to form a jerkinhead like the house's other three gables, has a pair of double-hung windows flanked by two small triangular windows; the gable end is finished in stucco.

All six sides of the two-story steel frame building are faced in brick laid in Flemish bond. The entrance terrace is granite, paved with bluestone and using limestone coping, flanked with iron lampposts. The middle three of the five bays are recessed to allow for the limestone enframements around the double doors. Each window bay is topped by a roundel and bronze grille in an abstract eagle form.

The porch and a polygonal window bay on the projection feature Italianate doubled brackets in their eaves. The mansard roof is pierced by gabled dormers. The house appears to have been built in stages in the mid-19th century, by James Bergen on a foundation that dates to the 18th century. It was rented by T. Thomas Fortune in 1901, and was home to his family until 1908.

The hall dais was originally lit from a large window bay, which has been demolished although traces remain. There must have been a central hearth in the hall. Both the parlour wing and the south range had heated upper chambers. The narrow extension of the south range has several slit windows for storerooms, and excavations have revealed the footings of an equally narrow west range, no doubt also used for storage.

These towers are crowned by bulbous vaulted-ceiling. The church porch is open to a segmented arch topped by large window bay, with monumental shoulders bound by pediment and interrupted by a royal coat-of-arms. On either side of the large window are two niches with sculptors. The church platform is surrounded by a wall, paced by pilasters and decorated statues, with two ponds and shelters flanking the central staircase.

The end bays project as does the entry bay, the former with five windows in the same 2 over 3 pattern. A massive cast stone lintel spans the windows of each outer bay. The classroom block (the head of the T) is identical on the east and west elevations. Each has a central set of doorways framed with monumental brick and a window bay with five windows to north of the doors.

The Lars Petterson-James Reidy Three-Decker is located northeast of downtown Worcester, in the Brittan Square neighborhood. It is set on the north side of Harlow Street, between Lincoln and Paine Streets. It is a three-story wood frame structure, its third floor under a cross-gabled gambrel roof, and its exterior finished in modern siding. The front facade is asymmetrical, with porches on the left, and a polygonal window bay on the right.

Its porch openings have distinctive hood moulds, and the window bays are rounded rather than the more usual polygon shape. A second projecting window bay, shallower than that on the front, is found on the right side. A small garage, also finished in stucco, is set at the back of the property. Built about 1916, its first documented owner was Louis Delsignore, a mason who may have been responsible for its stucco finish.

The windows are of the more basic design used by Slavine School architects, with a simple sharp-pointed window bay, as opposed to a more complex (and also sharp-pointed) one. Such windows can be typically found on churches in poorer villages within the range of Slavine School activity. Their simplistic appearance is attributed to the limited financial resources of the congregation. The gates are also of a basic yet typical design.

Both upper cheek walls have stylized eagles carved into their corners. In each pavilion the paired and single entrance doors are surmounted by a curving window bay that rises four stories. Both are flanked by angled reveals, adorned with alternating fluted segments and foliate-motif plaques. The rear of the building is dominated by a five-story central section, flanked by one-story pavilions built to house the post office work floors.

Augustus A. Smith House, also known as Germain House, is a historic home located at Attica in Wyoming County, New York. It is a large, irregularly massed Queen Anne style residence constructed in 1890. It features a large two story, semi-circular window bay on the south facade and other fine architectural details in keeping with its style. See also: It was listed on the National Register of Historic Places in 2007.

The Anthony Massad Three-Decker is located in Worcester's northeastern Brittan Square area, on the north side of Harlow Street. It is a three-story wood frame structure, covered by a hip roof and finished in modern siding. Its front facade is asymmetrical, with a stack of three porches on the left side and a polygonal window bay on the right side. The porches are supported by square posts finished with siding.

The Patrick Murphy Three-Decker is located southeast of downtown Worcester, in the city's Oak Hill neighborhood. It occupies a small lot at the northeast corner of Jefferson and Arlington Streets. It is a three-story wood frame structure, with a hip roof and exterior finished in modern siding. The main facade is asymmetrical, with a projecting polygonal window bay, three stories tall, on the left, and the main building entrance on the right.

The Catharine Roynane Three-Decker is located southeast of downtown Worcester, on the south side of Ingalls Street in the city's Oak Hill neighborhood. It is a three-story wood frame structure, with a hip roof and exterior finished in modern siding. The front facade is asymmetrical, with a full-height projecting polygonal window bay on the right, and the main entrance on the left. The upper floors of the projecting bays have short skirts.

The House at 118 Greenwood Street in Wakefield, Massachusetts is a rare well- preserved example of a Stick-style house. The -story house was built c. 1875, and features Stick-style bracing elements in its roof gables, hooded windows, with bracketing along those hoods and along the porch eave. Sawtooth edging to sections of board-and-batten siding give interest to the base of the gables, and on a projecting window bay.

The Marshall Smith House is a historic house at 26 Liberty Street in Waltham, Massachusetts. The 2-1/2 story wood frame house was built c. 1846-47; it is one of the city's few side-gable Greek Revival houses, with a single-story Doric porch spanning the main facade, a full entablature, and pedimented gable ends. The porch balustrade is a later addition, as are the western ell and northern window bay.

The main facade is three bays wide, with a center entrance flanked by sash windows, except that the one to its left has been replaced by a Victorian-era polygonal window bay. The barn is also framed in wood and finished in clapboards, and has a square cupola at the center of its roof. The house was built c. 1786-89 by Francis Appleton, Jr., and was in the Appleton family until 1950.

Its main facade is divided into two sections: the left side has a projecting polygonal window bay, while the right side has a stack of three porches. The porch entrances are near the center, with small square fixed windows to their right. The porch features spindled balustrades and turned posts, with brackets at the tops. The building was built about 1894, when the area was developing rapidly due to an influx of Scandinavian immigrants.

The blank ends contain recessed rectangular panels to each floor level giving shadow and texture to the exterior walls. The faceting of the central bay forms a full length oriel-like window-bay suggestive of defensiveness. A prominent roof ventilator is located to the centre of the main roof. The second floor verandahs to both elevations are punctuated by pairs of Doric columns with battened timber balustrading with decorative criss-cross central panels.

The house is located on the east side of South Main Street, at the northern edge of the rural village of South Sherborn. It is a 1-1/2, timber- framed structure, with a flared slate mansard roof and clapboard siding. A polygonal window bay projects from the right side of the front facade, with a flat-roof that has a bracketed cornice. The main roof line is also studded with paired brackets.

The second floor has a projecting polygonal window bay on the left side and a Palladian arrangement on the right. Below the left bay on the first floor is the main entrance, sheltered by a porch that extends around to the left side. The porch is supported by grouped columns set on shingled posts with simple low balustrades between then. To the right of the entrance is a polygonal section with simple sash windows.

On the second story over the entrance is a niche with a statue of the Virgin Mary holding the baby Jesus. This, in turn, is flanked with columns and pinnacles, a miniature of the entrance below; a tondo above shows the anagram of the Virgin. Over this all, another semicircular arch is worked into the façade. There in another window bay in the upper story to the left of the entrance, similar to the two bays on the right.

This distinctive style of bodywork has a downward-sloping front window bay on the upper deck, with both top and bottom edges angled downwards. The side windows are square-cornered. A large double-curvature upper deck windscreen (either single-piece or two-piece) is one of the most distinctive features. Originally a tall, wrap-around lower deck windscreen was fitted, but some batches were fitted with a double-curvature windscreen, with either a straight or an arched top.

A polygonal window bay projects from the left side of the house. The house was built in 1875, and is one of the city's finest examples of Second Empire architecture. It was built for David Anthony, a partner in a supply firm, and may have been built by his wife's uncle, who owned a local construction firm. The use of brick in residential construction is unusual for the period in Fall River, indicating a house of some importance.

The Henry Pohlmann House is a historic building located in the West End of Davenport, Iowa, United States. Henry Pohlmann was a brick manufacturer who worked for his family firm of H.B. Pohlmann. The two-story brick house is a McClelland front gable that is a popular 19th-century vernacular architectural style in Davenport. with The three-bay front has an off-centered main entrance and there is a polygonal window bay on the east side of the house.

The main entrance is located at the intersection of 20th Avenue and 6th Street on a cutaway corner. Above the main entrance, the company name and construction date are inscribed into the face of the building. A water table is painted white, and the capitals of the pilasters below each window bay contain a unique "running-dog" pattern. An old side entrance, later enclosed, was highlighted by a stone cornice with corbels which also featured this running-dog pattern.

The Lars Petterson-Fred Gurney Three-Decker is located northeast of downtown Worcester, in the Brittan Square neighborhood. It is set on the north side of Harlow Street, between Lincoln and Paine Streets. It is a three-story wood frame structure, its third floor under a cross-gabled gambrel roof, and its exterior finished mainly in wooden clapboards. The front facade is asymmetrical, with porches on the left, and a polygonal window bay on the right.

It is capped with a Prairie-style low pitch roof with low profile dormers on the south and west sides, and wide eaves. The two-story square structure is clad in wood lap siding. The house is built on a limestone foundation that is faced with brick on the exterior. In addition to the front porch there is also a side porch, a rear service entrance, and a small projecting window bay off the dining room.

The David Hunt Three-Decker is located in Worcester's southeastern Vernon Hill neighborhood, on the east side of Louise Street. It is a three-story frame structure, covered by a hip roof and a combination of wooden clapboards and decorative scalloped shingles. The roof has extended eaves adorned with Italianate brackets. The front facade has a stack of porches on the left side, and a rounded window bay on the right, with bands of decorative shingles separating the floors.

The Morris Levenson Three-Decker is located in a residential area in southeastern Worcester, on the east side of Plantation Street. It is a three-story wood frame structure, with a hipped roof and synthetically sided exterior. Its main facade is asymmetrical, with a three-story porch stack on the left and polygonal window bay on the right. Its porches are supported by multiple slender columns, which are spaced to form arches of varying dimensions on the upper floors.

The John and Edward Johnson Three-Decker is located in Worcester's southeaster Vernon Hill neighborhood, on the west side of Louise Street. It is a three-story frame structure, covered by a gabled roof, and finished in a combination of wooden shingles and clapboards. Its front has a stack of porches on the right side, and a rounded window bay on the left. Unlike many triple deckers its first floor porch extends part way around one of the sides.

The Paul Johnson Three-Decker is located in eastern Worcester, on the west side of Stanton Street just north of its junction with Belmont Street (Massachusetts Route 9, a major east-west route through the city). The house is a three-story frame structure, covered by a hip roof. Its exterior is finished in synthetic siding. The main facade is divided into a polygonal window bay on the left, and a stack of porches on the right.

The Patrick McGrath Three-Decker is located in southeastern Worcester, in the residential area known as Vernon Hill. The house is set on the south side of Dorchester Street east of Vernon Street. It is a three-story wood frame structure, covered by a hip roof and modern siding. It has an asymmetrical front facade, with projecting polygonal window bay on the right, and a simple shed-roof porch sheltering the entrance on the left side.

The Christina Nelson Three-Decker is located in the North Quinsigamond neighborhood of southern Worcester, on the south side of Butler Street between Bothina and Malmo Streets. It is three-story wood frame structure, with a gabled roof and exterior finished in modern siding. Its three stories of porches are supported by Tuscan columns, and flanked on the left side by a rounded window bay. The main facade is topped by a fully pedimented gable end.

The entrance is in the left bay, with a polygonal window bay to the right. The right side of the main block also has projecting two-story bays, and the long ell has porches on the right side. with A house of some sort was standing on this lot when it was bought by Charles G. Marshall in 1853. Marshall's son Caleb, a brass finisher by trade, is credited with updating the house with its Italianate features in 1870.

The Erlanger House is located in the St. Louis' Forest Park area, on the north side of Waterman Boulevard, between Lake Avenue and Kingshighway Boulevard. It is an architecturally undistinguished suburban two story brick building, with a dormered hip roof. The front facade is made up of two bays wide, with a single-story porch extending across its width. A polygonal window bay projects above the main entrance and a two-story bay projects from the right side.

The J.M. Johnson House in Boise, Idaho, is a -story Queen Anne house designed by John E. Tourtellotte and constructed in 1898. The house includes a sandstone foundation and features a Tuscan column porch with a prominent, corner entry at 10th and Franklin Streets. A side gable with a shingled dimple window above a prominent beveled window bay are central to the Franklin Street exposure. The house was added to the National Register of Historic Places in 1982.

The central part of the center section is even taller, with a projecting rounded window bay topped by a clock face. The wings are symmetrical, with the ground floor composed mainly of glass blocks interspersed with regularly spaced horizontal windows. The upper floors are defined by long bands of horizontal windows. The building was designed by Coolidge, Shepley, Bulfinch & Abbott and built in 1937 for the B B Chemical Company, a subsidiary of the United Shoe Machinery Corporation since 1929.

The square tower rises above the 14th floor and consists of five bays on either side. The wings to the west and east, which rise to the 25th floor, have three bays on either side. The west and east walls of the tower between the 14th and 25th floors, which are mostly hidden by the "wings", each have one window bay to the north and south, flanking the respective wings. There are minimal setbacks at the 30th and 31st floors.

The next year, AT&T; decided to display "the most accurate clock in the world" on the northernmost window bay along the Broadway facade, a showcase of the successful timekeeping service developed by AT&T;'s Bell Labs. At that time, AT&T; had developed a near-monopoly on the United States' telephone and long-distance service. AT&T;'s Western Electric division outgrew the original headquarters at 195 Broadway in the 1950s, having made significant profits during the Cold War.

The Swan Larson Three-Decker is located in Worcester's northern Greendale area, on the south side of Summerhill Avenue east of Massachusetts Route 12. It is a three-story wood frame structure, covered by a hip roof and finished in wooden clapboards. Its front facade is asymmetrical, with a stack of porches on the left and a wide polygonal window bay on the right. The porches are supported by clustered columns, and topped by a fully pedimented gable with oriel window.

Both the entry porch and window bay are topped by turned balustrades, and have bracketed and dentillated cornices, details that are repeated on the main roof line. The porch is supported by panelled posts mounted in wooden piers. Windows on the front and sides are capped by decorated bracketed hoods with mini-gables. Clark Perry, a Machias native who owned a local general store, had this house built in 1868 by Haskell Preble, who may have also played a role in its design.

The sandstone window bay is made up of full sections of stone in the lintel and architraves with a finely detailed dentilled cornice. The brickwork is laid in red bricks in Flemish bond and tuckpointed with fine white joints. The northern side of the station was the principal entrance in the original design. It features the central breakfront, with the fine sandstone bay window, and originally a pair of symmetrical verandahs that protected visitors entering the station via the general waiting room.

From top to bottom, the storefronts at the base are generally composed of a solid panel, glazed glass, and a decorative transom. alt= There is an enclosed, arched arcade above the Vesey Street sidewalk on the southern facade, measuring long by wide and tall. There are 12 arches in total; each corresponds to two window bays above, except the westernmost arch, which corresponds to one window bay. The arches are supported by brick piers while the ceilings are composed of Guastavino tiles.

The Forest Hill Cottage is located in the hills of eastern Worcester, on the east side of Windsor Street near its junction with Forestdale Road. It is a 1-1/2 wood frame structure, oriented facing south. It has asymmetrical massing, with varied steeply pitched gables, narrow arched windows, and board-and-batten siding. The street-facing facade has a three- window projecting rectangular window bay, while the front has a semi-octagonal porch that is a later 19th century addition.

The John Johnson Three-Decker is located on a residential street in eastern Worcester, on the west side of Eastern Avenue north of Belmont Avenue (Massachusetts Route 9, a major through road). It is a three-story frame structure, covered by hip roof with decorative brackets in it eaves. The walls are finished in wooden clapboards. The facade of the building is unusual for triple deckers built in Worcester, with three bays, of which the center one is a projecting polygonal window bay.

The facade facing Windsor Street includes a rectangular window bay with three sash windows on the front and one each on the sides. Windows in some of the gables are topped by either half-round or Gothic style arched elements. The cottage was built in 1860, as a mirror image to the Forest Hill Cottage across Windsor Street (which has been more substantially altered). Its first owner was William Allen, an English immigrant who worked as a machinist and foreman in local factories.

The Richard O'Brien Three-Decker is located southeast of downtown Worcester, on the east side of Suffolk Street in a mixed residential-industrial area. It is a three-story wood frame structure, with a hip roof and exterior clad in modern siding. Its front facade is asymmetrical, with a three-story rounded window bay on the left, and the main entrance on the right. The entrance is sheltered by a porch with bracketed turned posts and a plain 20th-century balustrade.

The main block is three bays wide, with an elaborate center entrance that has sidelight and transom windows, and pilasters supporting and an entablature with a shallow gable. To its left is a single-story projecting window bay. The building's cornices are bracketed, and there is a porch extending along part of the ell, supported by bracketed chamfered posts. The house was built about 1883 for George McGlashan, a Scottish immigrant who was a part owner of the Maine Red Granite Quarry Company.

Espie Dods House, side view, following storm damage to roof, 2015 The house is solid brick with roughcast render, the Federation era design influenced by the Arts and Crafts movement. It is built on two levels, the ground floor facing Wickham Terrace, and a full subfloor which was formerly exposed as the land fell away toward the rear of the house. The front elevation is dominated by a gabled projection with a window bay. A small porch with an oval window nestles in the angle.

The octagonal pyramidal roof at the top is tall and includes the 35th through 40th stories. The 35th floor is slightly set back from the 34th floor; it contains arched window openings, finials between each window bay, and a parapet. The roof itself consists of 25,000 gold-leaf dipped terracotta tiles produced by Ludowici, with a fineness of 22 karats. The roof was originally gold leaf on a copper base, but due to copper corrosion, the roof was subsequently renovated in 1967 and 1995.

30 Queens Road, South Melbourne, 1939-41 Newburn. Frederick Romberg's office was located for a time in the penthouse The 26-year-old Romberg had been in Melbourne for little more than a year when he embarked on Newburn project. It was his first reinforced concrete multi—storey residential building. There are four storeys of twenty-four flats, with the living spaces on the sunny north side, each with an angled window bay and balcony so as to obtain a view towards Queens Road and park beyond.

Windows are set in rectangular openings with stone sills and lintels; the first-floor front windows are elongated in the Greek Revival style. On the sides, there are small windows at the attic level, and a projecting window bay occupies one bay on the left side. A two-story ell extends to the rear, with an enclosed porch attached to its south side. The house was built in 1856 for George Gilbert Loomis, and is a good example of the transition between the Greek Revival and Italianate.

The main building entrance is recessed in the center of the South Main Street facade, with an arched window above it on the second floor, and a heavily bracketed balcony on the third floor. The rightmost window bay has a projecting oriel bay on the second and third floors. The building was completed in 1894 to a design by the regionally notable Damon Brothers architects. It was the city's first large commercial building south of Pleasant Street, and the first devoted exclusively to commercial activities.

The Louis Delsignore Three-Decker is located in Worcester eastern Shrewsbury Street residential area, on the east side of Imperial Road at its junction with Imperial Place. It is a three-story frame structure, with a flat roof that has a deep projecting cornice. The exterior is finished in stucco, believed to be the only triple-decker in the city finished in that way. The front facade is asymmetrical, with a porch stack on the left, and a projecting window bay on the right.

The porches to the left of the window bay are likewise later 20th- century replacements. The house was built about 1902, and represents an early example of the gambrel-roofed triple decker in the city, a style of Colonial Revival architecture that would not become widely deployed until the 1920s. The area was at the time of construction developing as a streetcar suburb, serving a largely middle-class population. Evert Gullberg, the first owner, was a carpenter; tenants included a salesman and a grocer.

The main roof is also gambreled, with a circular window near the apex, and modillion blocks in the eaves. Beside the porch stack on the lower two levels is a polygonal window bay, while there is a three-part picture window on the third level. Shed-roof dormers project on the steep side faces, and some side windows feature diamond-pattern panes. The house was built about 1918, when Vernon Hill was being developed as a streetcar suburb with high-quality multi-unit housing.

The Charles Miles House is located in Worcester's northeastern Brittan Square neighborhood, on the east side of Lincoln Street (Massachusetts Route 70) at its corner with Forestdale Road. It is a two-story wood frame house, three bays wide, with a hip roof and modern siding. A single-story hip-roofed porch extends across its front facade, with square posts rising to arched openings. The porch roof eave is lined with dentil moulding, a detail repeated in a projecting polygonal window bay on the right side.

A rectangular window bay projects from the right side of the building. At the time of its National Register listing, the building had a number of distinctive Queen Anne features: it had jigsawn brackets in its eaves, and a band of scallop-cut wooden shingles between the second and third floors. A single-story porch extended across the entire front facade and around the side to the projecting bay, which had bracketed posts and a spindled valance. These features have been lost due to subsequent alterations.

The Robert Simpson Woodward House is located a short way north of Scott Circle, on the east side of 16th Street NW between P and Church Streets. It is a four-story brick building with Romanesque styling, and is not of particular architectural significance. Prominent features include hipped dormers with tile roofing, the entrance recessed under a rounded arch, and the right-side curved window bay that extends to the third floor. The house was built in 1895 and designed by William M. Conley.

The Henry O. Tanner House is located on Philadelphia's north side, on the south side of West Diamond Street between 29th and 30th Streets. It is a three-story brick rowhouse, set between a similar-height rowhouse and the modern Mount Lebanon Church. It has a three-part picture window with flanking sashes on the ground floor, with the entrance to its left, both devoid of styling. The upper two levels are filled with an oriel window bay, whose exterior has been clad in aluminum siding.

A 2-1/2 story ell, also with chimney, extends to the rear. Attached to the ell is the 1-1/2 story shed-roof carriage house. The main house's roof has dormers that appear to be Greek Revival, and there is a later Italianate window bay on the east end. The house was built in 1809 by Thomas Perley, whose ancestor (also named Thomas) was one of the original proprietors of the town of Bridgton (from which Naples was later divided) in 1763.

The exterior was originally finished in a combination of clapboards and wooden shingles; the latter appeared in bands between the windows of the front window bay. The house was built about 1916, during an extended residential building boom in the Quinsigamond area that lasted from 1890 to about 1920. Its earliest documented owner was Christina Nelson, who lived nearby on Keach Street; many of its early tenants were Scandinavian immigrants, drawn to employment at the nearby Quinsigamond Works, a metal processor and major local employer.

The entrance is a pair of paneled doors, each with frosted windows framed by a bracketed cornice. The exterior of the house was originally more elaborate: the main roof eave was bracketed, the porch balustrade had turned balusters, and the window bay had bands of decorative cut shingles between the floors. These features have been lost or obscured by the application of modern siding. The house was built about 1890, serving as worker housing for people employed either in the nearby railroad yards or factories.

The first-floor bays have fluted Doric columns at each side, topped by carved wreaths. The center bays house the two unit entrances, and the outer bays have full-length windows; these all have flanking sidelight windows, and the window bays have wrought iron railings across the front. The upper level window bays also have ornate railings across the bays. The first floor of each side has a rounded window bay topped by a railing similar to the second-floor railings of the front.

The Chatfield Farmstead is located in far northwestern Woodbridge, at the northwest corner of Seymour Road (Connecticut Route 67) and Bear Hill Road. It is set of land, surrounded in part by farmlands historically associated with it. The main house, a Gothic Revival frame structure is set near the street corner, and the barn is set just to its north. The house is a rambling structure with multiple roof gables, a projecting window bay with decorative panels, and Stick style applied woodwork in some of the gables.

The Daniel Hale Williams House stands on the south side of 42nd Street on Chicago's South Side, about 1/2 block east of Martin Luther King Jr. Boulevard. It is a modest 1-1/2 story wood frame structure, with a roughly L-shaped plan covered by a gabled roof. The front facade has a single-story porch across it, sheltering the main entrance in the left bay, and a polygonal window bay in the right. In the gable above the bay there is a sash window topped by a gabled cornice.

Above each window bay is a roof gabled dormer, with wood window frames reflecting those below. The central plank tie plate over the upper storey and the offset front portal may be an indication of two cottages converted to one.Cliff Cottage, Todenham Main Street, Todenham, Google Street View (image date August 2016). Retrieved 7 October 2019 The detached 18th-century Orchard House (listed 1985), south from Cliff Cottage at the junction of Todenham Road and the minor road to Great Wolford (Wolford Road), is of two storeys in dressed limestone.

Inside the Brisbane Arcade, 2015 The Brisbane Arcade connects Queen and Adelaide Streets in the block between Edward and Albert Streets. The facades at each end have similar features - both are three storeys high and five window bays across, of face brickwork with cement dressings, and use plain Classical details. The Queen Street facade has triangular Classical pediments at parapet level above each end window bay. These end bays are separated by flanking brick pilasters and have cantilevered balconies on both levels with wrought iron railings consisting of vertical balustrading.

Samuel Richardson is said to have transformed the south front in the late 18th or early 19th century, by adding more castellations and corner turrets, but there is some doubt about this. In the 1840s Rowland Fothergill employed T.H. Wyatt & David Brandon to improve the property. They extended the house to the north, added a new courtyard, and refashioned some of the gothic into perpendicular, changed the battlements and added the off-centre window bay to the south front. The interior is classical in style of various dates.

The two-story, frame house built on a stone foundation is an example of a popular 19th-century Vernacular house style in Davenport known as the McClelland. with It features a front gable, a three-bay facade with an entrance to one side, and a projecting polygonal window bay on the south side. Some of the embellishments that gave this house interest have either been covered with vinyl siding or have been removed entirely. One of the removed elements was an Adamesque-style porch from around the turn of the 20th- century.

The Lars Petterson-Adolph Carlson Three- Decker is located in a residential setting in Worcester's northeastern Greendale neighborhood, on the south side of Fairhaven Road east of Leeds Street. It is a three-story wood frame structure, with a gabled roof and exterior finished in modern siding. The front facade is asymmetrical, with a stack of porches on the left and a polygonal window bay on the right. Instead of a more typical polygonal side projection, this house has a rectangular projection on the side with a fully pedimented gable.

The Hall House is located a short way south of downtown Bellows Falls, at the northwest corner of Westminster and Hapgood Streets. It is a large, rectangular wood frame structure, three stories in height, with a dormered hip roof, clapboard siding, and a granite foundation. A single-story porch extends across the front and wraps around to the left side, with a turned balustrade and Tuscan columns. The east facade, facing Westminster Street, consists of two bays, each of which is taken up by a two-story bowed three-window bay.

He and his wife Nanie owned the house for nine years when they sold it in March 1891. with While he lived in town he became involved with the local newspaper business and bought the Winterset Chronicle and the Madisonian. He would go on to be the editor of the Iowa Homestead, a leading farm publication in Des Moines, and found Wallace's Farmer. The two-story frame, Italianate, house features a hip roof, and ornamental iron work on the roof, above the main entry porch, and above the side window bay.

A verandah roof, set down around four sides, is interrupted by a projecting dominant front gable with hooded sash and side lights, and a rear hipped kitchen section with a rectangular window bay. A gabled portico projects over the front stair landing. The front stair, with balustrade of crossed timber members, descends in one flight, turning out into the garden from an intermediate landing. Adjoining the main roof on the southeast is a smaller, short-ridged pyramid which roofs that section of verandah, extended an equivalent width to the south.

The deep, overhanging eaves are emphasized by the placing of oversized paired brackets, with their undulating curves and pendants, around the entire roofline. The three-bay main facade (north) features a central entrance porch with an elliptical-arched fanlight and sidelights framing the double doors. On the second level, twin-arched windows which open to the balustraded porch roof visually support the circular window above, set in the cross-gable. At either side of the central porch and window bay on the first level are also twin-arched windows with hood molds and shallow balconies.

Fay Street is located southeast of downtown Worcester; it is a short dead-end residential street on the north side of Grafton Street west of its junction with Hamilton Street. Numbers 4 and 6 stand side by side at the far end of the street, on the east side. They are nearly identical in their construction: both are three stories in height, with a hip roof. They have asymmetrical facades, with a three-story projecting polygonal window bay on the right, and a single-story porch on the left.

There is a second projecting window bay about midway down the long right side of each one, and a porch at the back of that side. When the district was listed on the National Register of Historic Places in 1990, the two triple deckers, built c. 1896, were noted for the preservation of their Queen Anne styling, including porches with turned balusters and brackets, with similar decorative bracketing in the roof eaves. 4 Fay Street was also noted for having decorative pendants hanging from the roof line near the side projection.

The Knut Erikson Three-Decker is located in Worcester's eastern Bell Hill neighborhood, on the west side of Stanton Street between Belmont and Ivan Streets. It is a three- story wood frame structure, with a gabled roof and exterior finished in a combination of wooden clapboards and shingles. The front-facing gable end has deep eaves, and is fully pedimented with a window opening at the center. The facade is otherwise asymmetrical, with a three-story projecting polygonal window bay on the left, and the former site of a porch stack on the right.

The Charles Magnuson Three-Decker is located in Worcester's eastern Belmont Street neighborhood, on the east side of Olga Street near its northern end. It is three stories in height, with a gabled roof and exterior finished in modern siding. The asymmetrical main facade has a three-tier porch on the right, supported by square posts, and a rounded projecting window bay on the left, which has two sash windows on each level. The gable end is fully pedimented; the roof cornice once had brackets, but these have been lost.

The Sarah Monroe Three-Decker is located in Worcester's eastern Belmont Street neighborhood, on the east side of Rodney Street just north of Belmont Street (Massachusetts Route 9). It is a three-story wood frame structure, with a hip roof and exterior finished in modern siding. The main roof has deep eaves, which were originally adorned with paired carved brackets and modillion blocks. The facade is asymmetrical, with a projecting three-story polygonal window bay on the right, and a single-story porch on the left, sheltering the entrance.

The left bay is a projecting polygonal window bay on the ground floor; the second floor windows are regular sash, extending up into the gable end. A second entrance is located in a right-side porch set in the crook of the L, with similar posts and brackets. with The house was built about 1860, when the area was known as "Glassville" for the large number of residents who worked at the nearby Champlain Glass Company. The house was given its present shape by Joseph Cota, a worker for the Central Vermont Railroad.

The porches are covered by a truncated hip roof with a deep pediment, and the main roof gable has a square window with original tracery. Features lost due to the application of modern siding include shingle bands between the floors of the projecting window bay, and modillion blocks in the porch's eave. The house was built about 1916, during a major real-estate development phase in the city's southeast. Edna Stoliker, the first owner, was also resident here; early tenants included a teamster, hosemaker, policeman, and railroad conductor.

The Anthony Zemaitis Three-Decker is located east of downtown Worcester, on the north side of Dartmouth Street in the city's Bloomingdale neighborhood. It is a three-story wood frame structure, with a hip roof and exterior finished in a combination of wooden clapboards and shingling. The main facade is asymmetrical, with a full-height polygonal window bay on the right, and a stack of three porches on the left, supported by square posts and topped by a gable. It has bands of decorative shingling between the levels and brackets in the extended eaves.

The Dr. Frank T. Simpson House is located in Hartford's north-side Clay-Arsenal neighborhood, on the south side of Keney Terrace, about 1/2 block east of Keney Park. It is a 2-1/2 story wood frame structure, with a cross- gabled roof configuration and stuccoed exterior. The ground floor of the front facade is defined by a projecting gable entry on the left, and a less projecting gabled window bay aligned under the main gable. Both gables have decorative brackets, and the window gable and main gable are half-timbered.

129 High Street is located northwest of downtown Reading, on the northeast side of High Street between Dudley and Mount Vernon Streets. It is a 2-1/2 story wood-frame structure, with a front-facing gabled roof and mostly clapboarded exterior. Smaller gabled sections project to each side, that on the left side rectangular in shape, the one on the right above a two-story polygonal window bay. The dominant features of the front facade are a central second-floor balcony, and single-story semicircular projections with conical roofs at the outer bays.

The planned tunnel was shortened in 1910 to , with a width of and a height of , with stairways to connect the tunnel with Pine and California streets. The bore was narrowed slightly in 1912, with a total planned width of and a height of . Construction involved lowering Stockton Street near where it passes into the tunnel from the south, evidence for which can still be seen at the building of 417 Stockton Street (Mystic Hotel), where the basement became the ground floor and the former front door is now a visibly marked window bay on the second floor.

The former Sandown Depot is located on the north side of the village center of Sandown, just off Main Street between Depot Road and the former railroad right-of-way now occupied by the Rockingham Recreational Trail. It is a single-story wood frame structure, measuring about . Its exterior is finished in wooden clapboards, and it is covered by a broad low-pitch hip roof, whose eaves extend well beyond the structure and are supported by large knee brackets. The track side of the building has a projecting window bay near the center, next to which a semaphore mast rises through the roof.

While this house sits geographically in the McClellan Heights neighborhood, architecturally it fits more properly in the neighboring Village of East Davenport. East Davenport was an industrial town that began in the 1850s and was annexed into the city of Davenport by the time the decade ended. The house follows a popular Vernacular style of architecture from the mid to late 19th-century Davenport known as the McClelland style. It shows influences from other architectural styles as well, such as the bracketed eaves and the polygonal window bay on the east side that suggests the Italianate style.

The Matthey house is located a block away from Hilda's parents and even closer to her three brothers. It architecturally embraces a transitional style that combines the Georgian Revival and Colonial Revival styles with elements of the Queen Anne style. with The Georgian Revival features include the rectangular form, a high hipped roof, a Palladian window in the dormer, a symmetrical front with the entrance on the right and a columned porch. On the east side of house is a projecting window bay and a tower on the southeast corner of the house that are reminiscent of the Queen Anne style.

The central Hixon Block houses the main building entrance on the ground floor, and has a two-bay copper-clad window bay on the second and third floors, flanked by sash windows. The top two floors have six bays of sash windows; the floors are set apart by bands of brick corbelling. The rightmost Albion Block houses two storefronts (most recently operating as a single unit) with central recessed entrances flanked by display windows. The second floor has three banks of three windows, each topped by a transom, with a cornice separating the second and third floors.

The 1910 extension to the Bathurst Street facade adding an additional window bay matches the 1895 facade and brickwork, and is unobtrusively identified by a minimal vertical joint through brickwork. The roof has had a number of structures built since 1910 to provide servants accommodation, a lift motor room with lift overrun, a small flat, as well as a spa. Earlier structures sit behind the parapet and are sympathetically assembled to match the original 1894/1895 building in both materials and style. Smaller structures on the roof built in 1981 provide an enclosure for a spa and other facilities.

The Mary Church Terrell House stands in Washington's LeDroit Park neighborhood, southeast of Howard University, on the south side of T Street between 3rd and 4th Streets. It is a 2-1/2 story brick half-house, set on a nearly full-height raised basement. The front facade has a single bay, consisting of a polygonal window bay at the basement and first level, and a large segmented-arch window on the second floor. A smaller window is located in the half-gable above, with half of a round window set in a bed of Victorian shingles at the peak.

The main door is panelled, with leaded glass sidelights and an etched fanlight featuring gum leaves, a swallow and a dragonfly. A similarly lit doorway is located at the opposite end of the hall. On the right of the hallway are separate drawing and dining rooms, the former incorporating a window bay with Doric fluted columns and pilasters on either side, and the latter a set of cedar folding doors which can be folded back to create one large area incorporating the hallway. On the left of the hall are the master bed, dressing and sitting rooms.

This 1-1/2 story wood frame house was built c. 1800, and exhibits a distinctive combination of Federal and Queen Anne styling. While its basic form is that of a Federal- style Cape, it was altered in the late 19th century, adding a shed-roof dormer with an eyebrow section, a porch with turned posts, and a projecting window bay. In the mid-19th century the house belonged to William Hallett, a ship's captain, and around the turn of the 20th century by Dr. Charles Harris, a noted local physician and author of Hyannis Sea Captains.

The eponymous restaurant goes through a re-design, with the previous light décor being changed to a darker terracotta and the whole bar area being moved from being adjacent to the kitchen doors to the right-hand window bay. In episode 2 of the 5th series, "Ugly Customers," Crabbe goes to examine the home of the foreman of the jury. He visits a small country house which is the 'Pump Room' at Winkfield Plain, near Windsor, in Berkshire. In episode 4, the school featured was the Masonic Senior School (later the International University) in Bushey, Herts.

The first floor features a central double arch sash window framed by pilasters supporting a pediment, with a decorative relief and quoining to either side and a balustrade and laurelled plinth above on which the AMP statue originally stood. The street awning has paired cast iron columns, a central sign with the words MAGNETIC HOUSE, and an arched cast iron valance to either side. The two end sections have a timber framed glass shop window bay with recessed door. The first floor has a double sash window surmounted by a decorative pediment and a cornice to the roofline.

The main entrance bay is a conversion of an original window bay, associated with the reorientation of the interior in the 1960s which included a steel-framed awning, concrete ramps and aluminium-framed doors. All ground floor windows were supported on recessed spandrels originally, giving the impression of full-height windows. One of the upstairs windows, facing south toward Seymour Street, has been left blind. The original double-storey north elevation of the main building is fronted by a single- storey, double-fronted bay; the present form, dating from the 1920s, replaced the original arcaded loggia.

The Martone House is a historic house at 705 Malvern Avenue in Hot Springs, Arkansas. It is a 2-1/2 story wood frame structure, with a hip roof, clapboard siding, and a stone foundation. It has Queen Anne Victorian styling, with a gabled projecting window bay, rounded turret projecting at one corner, and a wraparound porch. It was built in 1907 for Thomas and Nina (Cascoldt) Doherty, and is notable as one of Hot Springs' first motel properties, as it was where the Dohertys not only let rooms in the house, but also built cabins to the rear of the property to house more visitors.

The Clark Perry House is located in the village of Machias, a short way west of the main downtown area, on the north side of Court Street (United States Route 1A), between Broadway and Cooper Street. It is a typical New England connected house, with a main block that has ells connecting it to a carriage barn at the rear. It is a wood frame structure, 2-1/2 stories in height, with a clipped-gable roof, clapboard siding, and granite foundation. The main facade faces south, and is two bays wide, with a single-story polygonal window bay on the right, and the main entrance on the left.

The Moses Webster House stands on the east side of Vinalhaven's downtown area, at the northeast corner of Atlantic Avenue and Frog Hollow Road. It is a large 2-1/2 story wood frame structure, with a mansard roof, clapboarded walls, and a granite foundation. Its front facade is six bays wide, with a projecting two-bay section on the left side, capped by a three-story mansarded tower. The leftmost bay has a two-story polygonal window bay with a gabled top and bracketed cornices, while a single-story porch extends across the right four bays and wraps around to the right side.

The Elvira Drew Three-Decker is located in a densely built residential area west of downtown Worcester, on the west side of Abbott Street near its southern end. It is a three-story wood frame structure, with a gabled roof and exterior now finished in modern siding. The front facade has a projecting window bay on the left, and a three-story porch stack on the right, whose porches extend beyond the left bay. When the house was listed on the National Register of Historic Places in 1990, exterior Colonial Revival details were highlighted, including brackets in the eaves and porch columns that were Tuscan columns.

The Euclid Avenue–Montrose Street Historic District encompasses a well- preserved cluster of Colonial Revival triple decker housing units occupying a dramatic hillside location on Euclid Avenue and Montrose Street in Worcester, Massachusetts. It includes all triple deckers on those two streets between Vernon Street and Perry Avenue, and exclude other forms of housing in the area. Of the 40 triple deckers in the district, 27 have gambrel roofs, and most of these have an asymmetrical facade with porches on the first two levels, and a recessed porch area in the gambrel section of the facade. These porches are usually flanked on one side by a two-story projecting window bay.

The Colonel Asa Platt House stands in a predominantly suburban residential area northeast of the town center of Orange, at the southwest corner of Tyler City Road and Racebrook Road (Connecticut Route 114). It is a 2-1/2 story wood frame structure, with a gabled roof, two interior chimneys, and a clapboarded exterior. The main facade is four bays wide, with an irregular arrangement consisting of two closely spaced windows bays on the left half, a single window bay on the right, and the main entrance set off-center between these groupings. It is framed by sidelights, pilasters, and a half-round transom window, and is sheltered by a gabled portico supported by chamfered square posts.

Above these at the centre of the complex is the original mail room area, roofed by a hipped form with central ridge lantern and weatherboard cladding to the sides. In plan form, the post office has three main sections which relate to the original design for a post and telegraph office, land office and sub-treasury. While the loggia provides the principal formal address, the northeast side provides ramped access to the retail shop via an altered window bay and to the 1960s stairwell. The southern side of the building provides for a separate access to the building for staff and to the original stairwell, as well as a private letter box room and tea room.

The Czechoslovak Classroom The Czechoslovak Classroom combines elements of a Slovak farmhouse, country church, and the Charles University in Prague while detailing men who contributed to Czechoslovak culture. The motto of the classroom, and of the former Czechoslovak government in exile, is proclaimed by the inscription of "Pravda Vítězí" which translates to "Truth Will Prevail" and surrounds a bronze relief portrait of the first President and founder of Czechoslovakia Tomáš Garrigue Masaryk. In a wrought-iron case near the window bay, a letter penned by the hand of Masaryk to students at the University of Pittsburgh recalls John Amos Comenius' belief that "education is the workshop of humanity". All woodwork, except the furniture, is made of larch wood which grows to great heights in the Carpathian Mountains.

The Cotton-Smith House is a 2-1/2 story wood frame structure, set on a granite and brick foundation on a sloping lot in a residential area near Fairfield's town center. It has a truncated hip roof with slate shingles, and several large gable projections. The front (west-facing) facade has two sections: the left side has a round-arch three-part window with a pair of sash windows above, and the right, which projects slight, rises to a full-height gable, has a polygonal window bay topped by a hip roof with a small gable, a pair of sash windows above, and smaller windows in the gable. The gable is decorated with wooden panels that have intricate sawn details.

A watermill required a reliable steady supply of water; while this could be a river that ran at the same velocity throughout the year or a leat running from a river that provided a constant head, but more often a millpond would be built with sluices to regulate the head. A typical Arkwright type mill was wide internally, which provided space for two 48 spindle frames, while being narrow enough to support the wooden floor beams without the need of a central pillar. The pairs of frames would be placed one per window bay as natural light was the means of illumination. An overhead shaft running the length of the building turned wooded drums at floor level, which by means of leather belts powered the frames.

External: The 1882 station building is a fine example of the design adopted by John Whitton for stations at significant locations along the western, southern and northern railway lines during the first decades of NSW railway construction and is an example of the Victorian Italianate style. The design is based on a simple pavilion with a pitched gable roof. The principal design features, such as chimneys, windows and doors are arranged symmetrically in the classical manner, reinforced by the use of stone cornices, quoins, architraves and base course in an otherwise brick masonry building. The main façade features a pronounced breakfront with a pedimented stone window bay with large-section, sandstone architraves and finely worked sandstone dentils under the cornice of the pediment.

The Arthur Provost Three-Decker is located southeast of downtown Worcester, on the south side of Thorne Street in the city's Franklin Plantation neighborhood. It is a three-story structure, built out of red brick and covered by a hip roof. Windows and doors are set in segmented-arch openings, and there is a polygonal window bay on the left side of the front facade. The right side originally had a stack of wooden porches with elaborate Queen Anne styling, including turned posts, spindled balusters, and bracketed eaves; the porches have subsequently been entirely removed, and the upper-floor doorways filled by wood framing and windows, while the ground-floor entrance is now fronted by an open porch with iron railing.

The Ai J. White Duplex stands just west of the main downtown area of Newport, on the south side of Main Street roughly midway between 3rd Street and Governor Drive. It is a 2-1/2 story wood frame structure, with a cross-gabled roof and an exterior clad in a combination of wooden clapboards and decorative cut shingles. Its front facade is roughly in three bays, with the right bay consisting of a two-story projecting polygonal window bay, and the left bay consisting of an angled rectangular bay with a picture window on the ground floor and a pair of sash windows on the second. The center bay has a single sash window on the ground floor, and none on the second.

Its design is thought to have been inspired by the staircase of the Château de Châteaudun, which it resembles from the outside, though its internal structure is very different. Azay-le-Rideau's staircase rises in straight flights rather than in a spiral, as was more usual at this time, and is the oldest surviving staircase of this kind in France. The staircase has three floors, each with a double bay window forming a mezzanine which looks out over the courtyard. The entryway, which resembles a Roman triumphal arch, is decorated with the initials of Gilles Berthelot and his wife, while the pediments overhanging each window bay are carved with the salamander and ermine of Francis I and his wife, Claude of France, in honour to the monarch of the time.

Exterior: Emu Plains station building is a Victorian Gothic Revival style building combining the station office and Station Master's residence upstairs. Constructed of face brick with stone detailing the building presents two-storey to the platforms and three-storey to the street. Distinctive features include a steep parapeted gabled slate roof along width with front & rear transverse parapeted gable at the centre over the upper floor of the residence, two medieval-style chimneys to ground floor wings, stone parapet and gable capping, stone label mould throughout, fretted motif to front & rear gable ends with decorative round gable vent to front, and a pitched corrugated metal verandah supported on decorative cast iron columns along the platform facade. A faceted window bay to the basement and ground floor levels with slate pitched roof and moulded top dominates the eastern end of the building.

The continuation of the central corridor to the rear bedrooms and living rooms is then itself offset to give useful privacy to this area of the residence - with a cast iron column used to provide the necessary roof support in the line of the corridor wall. The rooms at the rear (east) of the building, though generally within the original envelope, are (as noted in the exterior) both simpler in character and more altered. Throughout the residence much of the original fabric, fitout and finishes survive, these including plastered walls with moulded timber picture rails and plaster vents, decorative pressed metal ceilings and cornices, panelled timber doors (many with glazed fanlights) and timber floors (mostly carpeted). Features of particular interest include the built-in linen cupboard (in the rear cross hall), the original timber mantle-pieces in the main bedroom and Minister's study, the simple timber frieze (with cut out leaf-motifs) to the rear cross hall (so typical of the Federation bungalow) and the window bay to the main living room.