133 Sentences With "wild men" | Random Sentence Generator

The wild men of Brexit continue to drive the debate.

Persuade someone to read "The Last Wild Men of Borneo" in 50 words or less.

In "The Last Wild Men of Borneo," Carl Hoffman, himself an adventurer-journalist, tells their stories.

Lots of cultures have stories of wild men living in the wilderness, giant and hairy and not quite human.

What I've found is with these families they have these wild men and women who are also educated and responsible.

"Wild men who caught and sang the sun in flight / And learn too late they grieved it on its way / Do not go gentle into that good night," he said.

Gironcoli (21977-220) cut a curious figure among the artists of his generation — namely, the wild men of the Vienna Actionists, whose pagan, blood-soaked performances acted out the rage of sons against the depravity of their fathers.

The one-room show with around 70 manuscripts, sculptures, and other objects is mostly drawn from the Morgan's collections, with some loans like a beautiful 1440 tapestry from the Museum of Fine Arts, Boston, with hairy "wild men" fighting Moors, both stereotyped as dangerous oddities.

The artist known as the Master of the Playing Cards, who was active in the Upper Rhineland from 1425 to 1450, turned out engraved cards with a profusion of suits that included stags, birds of prey, bears, lions, wild men and flowers: roses, cyclamen and pinks.

Many traditional Tibetan myths are based on its unique landscape being located atop a plateau and amongst many mountains. Some of these notable myths include ‘Wild Men of the Tibetan Steppes’, which tells the tale of groups of hairy wild men that were said to be living on the peaks of Tibet amongst the snow and mythical white lions. They were said to be hairy naked savages by some, and the Mongolians referred to them as wild men or bamburshe. Others have said that the footprints of these supposed wild men were actually from bears.

Giants, dwarves, and wild men once lived around the Karersee. One day, the wild men found a chest full of gold coins, to which they paid no particular attention. An old man then came and demanded that they give him back the chest. The wild men had taken a few coins out of the chest and refused to given them back, so the old man said that the time would come when the Glacier Man would come and look for them all.

The story goes that this maiden was once a princess. She and all her followers wanted to hurry to the aid of the wild men for the last and greatest battle against the Dirlingers. But as she came to a mountain ridge and saw the terrible defeat of the wild men, she was so shocked that she turned into stone.

Civilized people regarded wild men as beings of the wilderness, the antithesis of civilization.Yamamoto, pp. 150–151. Other characteristics developed or transmuted in different contexts. From the earliest times, our sources associated wild men with hairiness; by the 12th century they were almost invariably described as having a coat of hair covering their entire bodies except for their hands, feet, faces above their long beards, and the breasts and chins of the females.

Some Sindarin (and Noldorin) nouns form the plural with an ending (usually -in), e.g. Drû, pl. Drúin "wild men, Woses, Púkel-Men". Others form the plural through vowel change, e.g.

5) Charles M. Russell, Meat for Wild Men (1924) -- a bronze sculpture that evokes the "grand turmoil" resulting as a band of mounted hunters descends upon a herd of grazing buffalo.

Chambers (1996 ed.), 183–185 Wild men depicted in the borders of a late 14th-century book of hours Veenstra explains that it was believed that by dressing as wild men, villagers ritualistically "conjured demons by imitating them"—although at that period penitentials forbade a belief in wild men or an imitation of them, such as the costumed dance at Isabeau's event. In folkloric rituals the "burning did not happen literally but in effigie", he writes, "contrary to the Bal des Ardents where the seasonal fertility rite had watered down to courtly entertainment, but where burning had been promoted to a dreadful reality." A 15th-century chronicle describes the Bal des Ardents as una corea procurance demone ("a dance to ward off the devil").

Wild men, or wodewoses, depicted by Albrecht Dürer (1499) Veenstra writes in Magic and Divination at the Courts of Burgundy and France that the Bal des Ardents reveals the tension between Christian beliefs and the latent paganism that existed in 14th-century society. According to him, the event "laid bare a great cultural struggle with the past but also became an ominous foreshadowing of the future." Wild men or savages—usually depicted carrying staves or clubs, living beyond the bounds of civilization without shelter or fire, lacking feelings and souls—were then a metaphor for man without God.Centerwell (1997), 27–28 Common superstition held that long-haired wild men, known as lutins, who danced to firelight either to conjure demons or as part of fertility rituals, lived in mountainous areas such as the Pyrenees.

Bernheimer, p. 17. Pontus and his train disguised as wild men at the wedding of Genelet and Sidonia. Illustration of a manuscript of a German version of Pontus and Sidonia (CPG 142, fol. 122r, c. 1475).

The wild men had many fearless warriors, but they nonetheless lost the battle. A few years later, the sole survivor among the wild men, the Glacier Man, searched for his allies, but in vain. But as fate would have it, the Dirlingers didn’t enjoy their victory for long. At first, the rich Dirlingers ones promised the poor ones the best land. But the rich broke their promise, and so one of the poor Dirlingers journeyed to the “Witch’s Cauldron” to call upon the Devil for help in spreading the Plague.

The stranger and Sara then depart for the Glade, but are ambushed by a pack of urs and wild men. The stranger disables many of the urs using sleep pills and knowledge of the native fauna. After fighting the wild men and the remaining urs, the stranger, Sara, and their companions worry that they won't be able to escape Urrish retribution, as the Urs can travel faster than they. Shortly thereafter, the sound of hooves signals the arrival of women riding horses (thought to be extinct on Jijo) in the company of friendly Urs.

The Wild Men of Paris, Architectural Record, May 1910. The Wild Men of Paris was partly humorous but partly serious. Burgess wrote of Matisse's 1907 painting Blue Nude (Souvenir de Biskra) in humorist fashion: > There were no limits to the audacity and the ugliness of the canvasses. > Still-life sketches of round, round apples and yellow, yellow oranges, on > square, square tables, seen in impossible perspective; landscapes of > squirming trees, with blobs of virgin color gone wrong, fierce greens and > coruscating yellows, violent purples, sickening reds and shuddering blues.

Sammlung Ludwig – Artefakt und Naturwunder-Schongauer-Wilder Mann80410 The Metropolitan Museum of Art possesses in its collection four heraldic shield prints which feature the wild men. These prints depict wild men presenting the viewer the coat of arms of the print's patrons. Each image is confined within an approximately 78 mm circular composition which is not new to Schongauer's oeuvre. In Wild Man Holding a Shield with a Hare and a Shield with a Moor's Head, the wild man holds two parallel shields, which seem to project from the groin of the central figure.

"A" Squadron was called in to assist the Allies to break the Siege and word was spread that wild men from India had been brought, who eat wood and they'd take the walls apart stone by stone. The fortress commander sent out spies early morning to see these wild men for themselves and found our ferocious Sikhs with their hair and beards open, brushing their teeth with Neem ka Datun and washing their faces. Such was the fear generated, that when "A" Squadron approached the Fort on their horses, they found it abandoned.

In 1938, she published A Woman Among Wild Men, an account of Mary Kingsley. This was later published in 1950 as a Puffin Story Book under the title A Woman Among Savages.See List of early Puffin Story Books under PS 63.

The term wood-woses or simply Woses is used by J. R. R. Tolkien to describe a fictional race of wild men, who are also termed Drúedain, in his books on Middle-earth. According to Tolkien's legendarium, other men, including the Rohirrim, mistook the Drúedain for goblins or other wood-creatures and referred to them as Púkel-men (Goblin-men). He allows the fictional possibility that his Drúedain were the "actual" origin of the wild men of later traditional folklore. British poet Ted Hughes used the form wodwo as the title of a poem and a 1967 volume of his collected works.

Both performers had microcephaly and stopped performing in 1867 after they were married to each other. ;1860–1905: Hiram and Barney Davis were presented as the “wild men” from Borneo. Both brothers were mentally disabled. They stopped performing in 1905 after Hiram's death.

Elendil reigned as High King of both kingdoms, but committed the rule of Gondor jointly to Isildur and Anárion. The power of the kingdoms in exile was greatly diminished from that of Númenor, "yet very great it seemed to the wild men of Middle-earth".

With the help of his student section, dubbed the "Wild Men," Riley wanted to crack the Merrimack goalie, Gilles Moffet, as their defensive depth had taken an early season hit. Their first meeting came right before Thanksgiving, and a theme of turkeys became prevalent in the Wild Men's antics toward Merrimack. The leader of the Wild Men went as far as to send super-imposed pictures of a turkey attached to the Merrimack Goalie to his dorm room. Even Coach Riley had a troll up his sleeve and sent the Wild Men's leader up to New Hampshire to purchase a turkey and tie it up in front of the Merrimack goal.

Cave family at a meal, illustration by unknown artist for The Cave Boy of the Age of Stone (1907) Caveman-like heraldic "wild men" were found in European and African iconography for hundreds of years. During the Middle Ages, these creatures were generally depicted in art and literature as bearded and covered in hair, and often wielding clubs and dwelling in caves. While wild men were always depicted as living outside of civilization, there was an ongoing debate as to whether they were human or animal. In Sir Arthur Conan Doyle's The Lost World (1912), ape-men are depicted in a fight with modern humans.

"Tal-Elmar" is set in the Second Age and tells of the Númenórean colonization of Middle-earth from the point of view of the Wild Men. The title character and protagonist, one of the ancient inhabitants of the lands of Gondor, is partly descended from Númenórean settlers.

Wild men support coats of arms in the side panels of a portrait by Albrecht Dürer, 1499 (Alte Pinakothek, Munich). The wild man (also wildman, or "wildman of the woods") is a mythical figure that appears in the artwork and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to Silvanus, the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man.

Sir Ywain assisted a lion against a serpent, and was thereafter accompanied by it, becoming the Knight of the Lion. Other knights-errant have been assisted by wild men of the woods, as in Valentine and Orson, or, like Guillaume de Palerme, by wolves that were, in fact, enchanted princes.

Four of the wild men perished: Charles de Poitiers, son of the Count of Valentinois; Huguet de Guisay; Yvain de Foix; and the Count of Joigny. Another – Jean, son of the Lord of Nantouillet – saved himself by jumping into a dishwater tub.Froissart's Chronicles, ed. T. Johnes, II (1855), p. 550.

She also wears a crown of vines. Then, compared to the other wild men, the wild woman is noticeably disproportionate. Finally, each print is visually strong enough to stand alone as individual scenes, but when lined up it seems as if they were stamped out of a continuous scene with a circular die.

Veddas are also mentioned in Robert Knox's history of his captivity by the King of Kandy in the 17th century. Knox described them as "wild men", but also said there was a "tamer sort", and that the latter sometimes served in the king's army.Knox, Robert [1681] (1981). A Historical Relation of Ceylon.

The re-painting of the two heads on the far right of Les Demoiselles fueled speculation that it was an indication of the split between Picasso and Olivier. Although they later reunited for a period, the relationship ended in 1912.Richardson 1991, 47, 228 A photograph of the Les Demoiselles was first published in an article by Gelett Burgess entitled "The Wild Men of Paris, Matisse, Picasso and Les Fauves", The Architectural Record, May 1910.Gelett Burgess, "The Wild Men of Paris, Matisse, Picasso and Les Fauves", The Architectural Record, May 1910 Les Demoiselles would not be exhibited until 1916, and not widely recognized as a revolutionary achievement until the early 1920s, when André Breton (1896–1966) published the work.

Rowman & Littlefield Publishers, Inc, 2006. the Khazars were a Central Asian people with a long association with Judaism. A Georgian tradition, echoed in a chronicle, also identifies the Khazars with Gog and Magog, stating they are "wild men with hideous faces and the manners of wild beasts, eaters of blood."Schultze (1905), p. 23.

Many consider his best work to be Down Among the Wild Men, an account of his studies among the Aborigines of Australia, a people he greatly admired, and indeed found to be superior to the decadent white man of the Western world. This book was one time a Book of the Month Club selection.

The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others.

These include many well known and obscure saints as well as wild men, animals, St George in armour spearing a dog-like dragon, and some depictions that are difficult to identify. They may be the finest wood carvings in Devon. The nearby almshouses built of red sandstone were founded in 1620 by William Bourchin.

The rush was described by a digger as "the most animated sight of those stirring times that I ever witnessed". The settlement arose nearby, and the Shamrock Hotel, an establishment reportedly frequented by "wild men" was subsequently built on the Vaughan Road. A Catholic church was consecrated in 1865, the building existing until 1956 when it was demolished.

The wild woman of the allegory is described as naked and covered only by her long blonde hair and a floral garland. In fact, Claude was led into the lists by a fleet of "wild" men and women. It is possible that the festivities were held to celebrate the duke's subjugation of rebellious Ghent and the destruction of the Grand Privilege of Ghent.

The Rohirrim had bypassed Sauron's lookouts thanks to the Wild Men (the Drúedain), who led them through the hidden Stonewain Valley of their Drúadan Forest.The Return of the King, book 5, ch. 5 "The Ride of the Rohirrim" Charging the ranks of Mordor, the Rohirrim split into two groups. The left group, including the van, broke the Witch-king's right wing.

Henri le Fauconnier, 1908, Ploumanac'h, Museum Kranenburgh, Bergen, Holland Jean Metzinger, c.1908, Baigneuses (Bathers). Dimensions and location unknown. Illustrated in Gelett Burgess, The Wild Men of Paris, The Architectural Record, Document 3, May 1910, New York Signac becomes president of the 24th Salon des Indépendants. At the exhibition of 1908, held 20 March through 2 May, a painting by Braque strikes Apollinaire by its originality.

3, "The Muster of Rohan".Unfinished Tales, "The Drúedain", p. 384. This includes the Old English word pūcel "goblin, troll", which survives in Shakespeare's Puck in A Midsummer Night's Dream, and in two forms in Kipling's Puck of Pook's Hill. In Westron, the Common Tongue of western Middle-earth, the Drúedain were called the Wild Men, or the [Wood-]Woses:The Return of the King, Book 5, ch.

Barentz flagship Gulden Windthunde nearly collided with that of the Vice Admiral. Linschoten on the latter. 6 August 1595 The following year they sailed again in a new expedition of six ships, loaded with merchant wares that they hoped to trade with China.ULT 2009, web The party came across Samoyed "wild men" but eventually had to turn back when discovering the Kara Sea to be frozen.

But the Glacier Man himself was never to be seen, and after nothing had happened for many years, they all continued to live in peace. A few years later, the Dirlingers came and settled in the mouths of the Locher Valley. Disputes were constantly breaking out between the Dirlingers and the wild men. But when the Dirlingers demanded the Grunschaft Meadow for themselves, this led to the last and greatest conflict.

A gallery, in which an organ has since been installed, extends over all three aisles in the transept. The nave is separated from the aisles by cylindrical masonry pillars (not monolithic columns), whose capitals are fine works of high Romanesque sculpture. Their arrangement indicates forethought, as capitals with botanical decoration alternate with those with figural decoration. The figures include wild men, lions, eagles, and crocodiles, and may have Christological significance.

The book details strange but apparently "true" encounters with a variety of monsters. The book is divided into eight sections; ranging from wild-men, to bigfoot/sasquatch, through to sea creatures (including Loch Ness Monster), vampires and werewolves. Each section opens with an introduction into that particular set of monsters/creatures. Accounts and brief details then follow of supposed encounters, and each account then ends with a fact file.

He had a special interest in social history, biography and politics, and research for these works sometimes took him overseas. His book Wild Men of Sydney, exposing corruption in colonial Sydney, was published in 1958. As an editor he published many great Australian writers, including Lennie Lower. He made a brief return to journalism after Rupert Murdoch persuaded him to become editor of The Sunday Mirror in Sydney in 1960.

Although Coon spent some time planning the logistics, in the end neither materialised. Coon believed that cryptid "Wild Men" were relict populations of Pleistocene apes and that, if their existence could be proved scientifically, they would lend support to his theory of the separate origins of human races. Cultural historian Colin Dickey has argued that the search for Sasquatch and Yeti are inextricably linked to racism: "For an anthropologist like Coon, invested in finding some sort of scientific basis to justify his racism, Wild Men lore offered a compelling narrative, a chance to prove a scientific basis for his white supremacy." It has also been speculated that the Yeti expeditions that Coon was involved with were cover for American espionage in Nepal and Tibet, since both he and Slick had links to US intelligence agencies, and Byrne was allegedly involved in the extraction of the 14th Dalai Lama from Tibet by the CIA in 1959.

In January of that year Chen Yun published an article calling for increased Soviet aid, perhaps a signal to Moscow that the wild men were no longer in control of the economy. In March he published a subdued but general critique of the Leap, especially its reliance on the mass movement. Economic growth, he asserted, is not simply a matter of speed. It requires attention to safe working conditions and quality engineering.

These ancient wild men are naked and sometimes covered with hair, though importantly the texts generally localize them in some faraway land, distinguishing them from the medieval wild man who was thought to exist just at the boundaries of civilization. The first historian to describe such beings, Herodotus (c. 484 BC – c. 425 BC), places them in western Libya alongside the headless men with eyes in their chest and dog-faced creatures.

He is by no means stupid, and he "refuses to be patronized." Susan Pesznecker describes the "Wodwoses", including Tolkien's, as a variant of the medieval Green man, which she calls "a Pagan symbol of fertility and rebirth". The medievalist and Tolkien scholar Verlyn Flieger comments that the Wild Man "is infantile. Ghân-Buri-Ghân talks like a Hollywood Tarzan" using short broken phrases like "Wild Men live here before Stone-houses" and "kill orc-folk".

Rice and coconuts are the two staples of the district, and steamers trading round the island call regularly at the port. The lagoon is famous for its "singing fish," supposed to be shell-fish which give forth musical notes. The district has a remnant of Veddahs or wild men of the wood. Prior to the Sri Lankan civil war, there were large-scale shrimp farms as well as fish and rice processing activities.

Argent, a star of sixteen points gules. Two banners gules, a star of sixteen points argent, crossed in saltier behind the shield surmounted by a coronet of prince and supported by two wild men proper, under the mantel and ducal coronet of a Peer of France (the mantle azur lined with ermine and fringed with gold). Motto: PRO DEO, PRO REGE. Crest: An oak sinople issuant from a French Baron's coronet proper.

The town coat of arms is described as Or a Wild Man holding over his shoulder a Club Vert.Flags of the World accessed 29 October 2009 The Wild man motif comes from the seal of the League of the Ten Jurisdictions as well as from Klosters and has been part of the municipality's coat of arms since the 16th Century. The figure is always shown with a club over his shoulder, to prevent confusion with other Wild Men.

Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas, Spanning 50,000 Years (chap. 9, esp. 171-173) (2006) This practice, she claims, survived in Germany, Belgium and the Netherlands after the adoption of Christianity and became associated with Saint Nicholas as a result of the process of Christianization. This claim is doubtful as there are no records of stocking filling practices related to Odin until there is a merging of St. Nicholas with Odin.

Many of her family members were travellers, an uncle Charles Cumming-Bruce married the grand- daughter of the Nile explorer James Bruce of Kinnaird. Her brother Alexander had been Canada while another, Roualeyn had been Africa where he had been famous as a big-game hunter. Another brother John was a planter in Ceylon while William was a soldier in India. William wrote about his hunting in "Wild Men and Wild Beasts" (1871) dedicated to Col.

He struggled to reconcile the pressures of business with the demands of virtue and shared his struggles with the Lord and with his friends. At the same time most of his friends considered him to be one of the most virtuous people they knew. He spent time warning and guiding others away from sin and towards virtue. He was not afraid to walk into a group of wild men and gently lead them back towards virtue.

Rourke's family become refugees after a gang of looters attack their farm. Searching for a NASA astronaut who knows about a mysterious "Eden Project", Rourke enters Soviet-occupied Athens, Georgia, and is captured. Varakov has a job for him: Rourke is to kill Karamatzov, who has beaten Natalia on suspicion of adultery with Rourke. A National Guard officer joins forces with a cult of wild-men to infiltrate a remaining missile silo and use the missiles to destroy Chicago.

Fraser Vol I, p. 329 Archibald's conquest of Galloway was depicted on his seal, which depicts two "wild men" holding up his arms. In 1378 Alexander Ramsay of Dalhousie, a nephew of Archibald Douglas, took Berwick by surprise with 50 men, and was immediately besieged by the town's governor Thomas de Musgrave. Douglas and Lord Lyndsay of the Byres massed a relief army at Haddington, little more than 500 in number, but marched anyway hoping to collect more men on the way.

Robert Holden recounts several stories that support this from the nineteenth century, including this European account from 1842: Another story about the name, collected from an Aboriginal source, suggests that the creature is a part of the Dreamtime. On the other hand, Jonathan Swift's yahoos from Gulliver's Travels, and European traditions of hairy wild men, are also cited as a possible source.. Furthermore, great public excitement was aroused in Britain in the early 1800s with the first arrivals of captive orangutan for display.

Burlingham was back in the United States by 1921. Later that year he began releasing bi-monthly through Truart Film Corporation installments of a series of 26 one-reel "Burlingham Adventures" produced from his most recent travels, beginning with The Wild Men of Borneo, The Lure of the South Seas, The Island of Surprise, A Borneo Venice, and Monkey Land Up the Barito River."Burlingham Adventures", advertisement, Motion Picture News (New York, N.Y.), August 27, 1921, p. 1018. Internet Archive.

Other names in indigenous American languages include ' in Mohawk, and ', or "lost dove", in Choctaw. The Seneca people called the pigeon ', meaning "big bread", as it was a source of food for their tribes. Chief Simon Pokagon of the Potawatomi stated that his people called the pigeon ', and that the Europeans did not adopt native names for the bird, as it reminded them of their domesticated pigeons, instead calling them "wild" pigeons, as they called the native peoples "wild" men.

Some of their major shows includes; Support for Madonna on her MDNA tour (Telenor Arena, Oslo, Norway) Roseland Ballroom (w/Thomas Gold), Size Matters (Governors Island, NY, NY and Fontainebleau, Miami FL,) Club Life (w/Tiesto, Oslo Spektrum, Oslo, Norway) As of the summer 2014, Carl decided to leave CLMD to focus on his solo career. Martin Danielle is now continuing CLMD as a project and brand. Their release "Wild Men" feat. Sirena is the last release as a duo.

Lions are associated with Hecate in early artwork from Asia Minor, as well as later coins and literature, including the Chaldean Oracles. The frog, which was also the symbol of the similarly-named Egyptian goddess Heqet, has also become sacred to Hecate in modern pagan literature, possibly due in part to its ability to cross between two elements.Varner, Gary R. (2007). Creatures in the Mist: Little People, Wild Men and Spirit Beings Around the World: A Study in Comparative Mythology, p. 135.

Its massive tower of flint and local stone was reduced in height in 1910, after ivy had made part of it unsafe, and the bells were hung lower. Inside the church is a rood screen carved with dragons, wild men, and flying hearts, but the carving may be modern or restored. The chancel arch, like some walls, is decorated with paintings, but not the screen. There is an octagonal Purbeck stone font, which stands on pillars and on a substantial two-tier octagonal base.

""Malawi News Online, 19 October 1996" Though she nearly died, Chikhwaza survived the attack and went back to South Africa to recuperate but returned to Malawi 18 months later. Standing with an HIV/AIDS-infected baby, she felt the call to start an orphanage and she and Lewis founded Kondandani Children's Village in 1998.'Annie Terpstra, mem in Malawi' - "Annie's life is no longer safe. She is surrounded by fifty wild men and women with knives and axes, she thinks that her end has come.

Aetas as illustrated in Carta Hydrographica y Chorographica de las Yslas Filipinas, 1734. The caption in Spanish describes them as "wild men of the mountains".An artist's illustration of Aetas in 1885. The Aeta people in the Philippines are often grouped with other Negritos, such as the Semang on the Malay Peninsula, and sometimes grouped with Australo-Melanesians, which includes groups such as the natives of Australia; Papuans; and the Melanesians of the Solomon Islands, Vanuatu, Fiji, and the French overseas special collectivity of New Caledonia.

Varner, Gary R. Creatures in the mist: little people, wild men and spirit beings around the world : a study in comparative mythology in Algora Publishing 2007, pp. 114–15. The earliest known report of a black dog was in France in AD 856, when one was said to materialise in a church even though the doors were shut. The church grew dark as it padded up and down the aisle, as if looking for someone. The dog then vanished as suddenly as it had appeared.

This article was published a year after Gelett Burgess' The Wild Men of Paris,Gelett Burgess, "The Wild Men of Paris: Matisse, Picasso, and Les Fauves", Architectural Record, May 1910 and two years prior to the Armory Show, which introduced astonished Americans, accustomed to realistic art, to the experimental styles of the European avant garde, including Fauvism, Cubism, and Futurism. The 1911 New York Times article portrayed works by Picasso, Matisse, Derain, Metzinger and others dated before 1909; not exhibited at the 1911 Salon. The article was titled The "Cubists" Dominate Paris' Fall Salon and subtitled Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition – What Its Followers Attempt to Do."Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition – What Its Followers Attempt to Do". The New York Times, October 8, 1911 (High-resolution PDF) The "Cubists" Dominate Paris' Fall Salon, The New York Times, October 8, 1911 (High-resolution PDF) > Among all the paintings on exhibition at the Paris Fall Salon none is > attracting so much attention as the extraordinary productions of the so- > called "Cubist" school.

They looked like flayed Martians, like pathological > charts—hideous old women, patched with gruesome hues, lopsided, with arms > like the arms of a Swastika, sprawling on vivid backgrounds, or frozen > stiffly upright, glaring through misshapen eyes, with noses or fingers > missing. They defied anatomy, physiology, almost geometry itself!Gelett > Burgess, Wild Men of Paris, The Architectural Record, May 1910 Henri Matisse, 1907, Blue Nude (Souvenir de Biskra), oil on canvas. 92 x 140 cm, Baltimore Museum of Art Matisse's Blue Nude (Souvenir de Biskra) appeared at the 1907 Indépendants, entitled Tableau no. III.

Poe may have based the story on the Bal des Ardents at the court of Charles VI of France in January 1393. At the suggestion of a Norman squire, the king and five others dressed as Wild Men in highly flammable costumes made with pitch and flax. Four of the men died in the fire, and only Charles and the fifth man were saved. Citing Barbara Tuchman as his source, Jack Morgan, of the University of Missouri–Rolla, author of The Biology of Horror, discusses the incident as a possible inspiration for "Hop-Frog".

Lake Osceola c. 1906 The Winter Park area's first human residents were migrant Muscogee people who had earlier intermingled with the Choctaw and other indigenous people. In a process of ethnogenesis, the Native Americans formed a new culture which they called "Seminole", a derivative of the Mvskoke' (a Creek language) word simano-li, an adaptation of the Spanish cimarrón which means "wild" (in their case, "wild men"), or "runaway" [men]. The site was first inhabited by Europeans in 1858, when David Mizell Jr. bought an homestead between Lakes Virginia, Mizell, and Berry.

Dugald Buchanan was a teacher and an evangelist, preaching at large open air meetings, which upwards of 500 people attended. He showed great courage as he persuaded the 'wild men' of Rannoch to give up their lawlessness and savage ways. He and his wife taught them new trades and crafts. They worked with James Small, formerly an Ensign in Lord Loudoun’s Regiment, who had been appointed by the Commissioners for the Forfeited Estates to run the Rannoch estates which had been seized from the clan chieftains who had supported the Jacobites.

He became prominent in Paris beginning in 1907 for being among the first champions of Pablo Picasso, and especially his painting Les Demoiselles d'Avignon. Before 1910 Picasso was already being recognized as one of the important leaders of Modern art alongside Henri Matisse, who had been the undisputed leader of Fauvism and who was more than ten years older than he, and his contemporaries the Fauvist André Derain and the former Fauvist and fellow Cubist, Georges Braque."The Wild Men of Paris". The Architectural Record, July 2002 (PDF).

The strength of the cavalry successfully routes the attacking army in two charges. The attack of the wild men of the south is an unruly advance force of the eminent attack by the MacNyalls, Sons of Condran, and Sons of Garn. Athol decides that Merlyn, Arthur, Donuil and their company must return to Briton to avoid this attack and ensure Arthur's safety. ;The Saxon Shore: The party of Merlyn returns to Camulod without Donuil, who returns to Eire in order to stave off the events of one of Merlyn's dreams.

Frank Gelett Burgess (January 30, 1866 – September 18, 1951) was an artist, art critic, poet, author and humorist. An important figure in the San Francisco Bay Area literary renaissance of the 1890s, particularly through his iconoclastic little magazine, The Lark, he is best known as a writer of nonsense verse, such as "The Purple Cow", and for introducing French modern art to the United States in an essay titled "The Wild Men of Paris". He was the author of the popular Goops books, and he coined the term blurb.

Barentsz reached the west coast of Novaya Zemlya and followed it northward, before being forced to turn back in the face of large icebergs. The following year, Prince Maurice of Orange named him chief pilot of a new expedition of six ships, loaded with merchant wares that the Dutch hoped to trade with China.ULT 2009, web The party came across Samoyed "wild men" but eventually turned back upon discovering the Kara Sea frozen. In 1596, the States-General offered a high reward for anybody who successfully navigated the Northeast Passage.

Rustic Period (), lit.The Age of Wild Men, is a South Korean television series aired from July 29, 2002 to September 30, 2003 on SBS. It focused on the life of historical figure Kim Du-han, a former mob leader turned politician, and the tumultuous modern history of Korea from the Japanese occupation to Park Chung-hee regime. The show aired on SBS on Mondays to Tuesdays at 22:00 for 124 episodes beginning July 29, 2002, and still remains as one of the highest- rated television shows in Korean broadcast history.

In January 1877 they were performing at the New American Museum located in Manhattan. In June 1880 at the time of the federal census, they were touring with William C. Coup's circus and were enumerated under their assumed identities. By 1882 Waino and Plutanor became involved with P. T. Barnum and his traveling exhibitions. With Barnum's fabled promotional skill, the careers of the Wild Men of Borneo took off and over the course of the next 25 years, the pair earned approximately $200,000, which was an enormous sum in that era, equivalent to $6,000,000 today.

He began working as a piano teacher in Marrickville in 1911. By this time, Agnew was already writing "strikingly original works" which abandoned "the limitations of key and tonal relationship".Australian Dictionary of Biography Online. The first piece of his music to be published was Australian Forest Pieces for Piano in 1913; however, his music did not receive much public attention until the internationally renowned pianist Benno Moiseiwitsch gave a recital of his works Deirdre's Lament and Dance of the Wild Men at a Sydney Town Hall matinee.

The Bal des Ardents, miniature of 1450–80 showing the dancers' costumes on fire On 29 January 1393, a masked ball, which later became known as the Bal des Ardents ("Ball of the Burning Men"), had been organized by Isabeau of Bavaria to celebrate the wedding of one of her ladies-in-waiting at the Hôtel Saint-Pol. At the suggestion of Huguet de Guisay, the king and four other lordsFroissart's Chronicles, ed. T. Johnes, II (1855), p. 550 dressed up as wild men and they were dancing around.

In spite of such intrusions, the mountain range remained the home of distant gods or hostile wild men (maero). As such, it was a special place to be respected but avoided.Maclean (1994), pages 68 and 78 In the 1870s a large portion of the ranges was sold to the New Zealand Government by a coalition of the Iwi in possession of the surrounding region. Specifically excluded from this "Tararua Block" purchase was an area of 1,000 acres reserved to protect the sacred lake Hapuakorari, the exact location of which remained uncertain.

Illustrated in Gelett Burgess, The Wild Men of Paris, The Architectural Record, Document 3, May 1910, New York > As for Picasso... the tradition he came from had prepared him better than > ours for a problem to do with structure. And Berthe Weil was right when she > treated those who compared him/confused him with, a Steinlen or a Lautrec as > idiots. He had already rejected them in their own century, a century we had > no intention of prolonging. Whether or not the Universe was endowed with > another dimension, art was going to move into a different field.

In the early eleventh-century Waldere he is an enemy of giants, and in later Middle High German texts he also fights against dwarfs, and wild men. Even more notable is the fact that multiple texts record Dietrich breathing fire. It is possible that this tradition comes from ecclesiastical criticism of the Arian Theodoric, whose soul, Gregory the Great reports, was dropped into Mount Etna as punishment for his persecution of orthodox Christians. Another notable tradition, first reported in the world chronicle of Otto of Freising (1143-1146), is that Theodoric rode to hell on an infernal horse while still alive.

The first indirect reference to the Blemmyes occurs in Herodotus, Histories, where he calls them the akephaloi ( "without a head"). The headless akephaloi, the dog-headed cynocephali, "and the wild men and women, besides many other creatures not fabulous" dwelled in the eastern edge of ancient Libya, according to Herodotus's Libyan sources. Mela was the first to name the "Blemyae" of Africa as being headless with their face buried in their chest. In a similar vein, Pliny the Elder in the Natural History reports the Blemmyae tribe of North Africa as "[having] no heads, their mouths and eyes being seated in their breasts".

Leading up to 1910, one year before the scandalous group exhibiting that brought "Cubism" to the attention of the general public, Burgess wrote an influential article titled, The Wild Men of Paris. This illustrated text introduced Proto-Cubist art in the United States for the first time. It included the first reproduction of Pablo Picasso's Les Demoiselles d'Avignon. Written after his visit to the 1910 Salon des Indépendants—the well-established anti-establishment art exhibition in Paris—the article drew from interviews with Henri Matisse, Pablo Picasso, Georges Braque, André Derain, Othon Friesz, Jean Metzinger, Auguste Herbin and Béla Czóbel.

Anne H. van Buren, Sheila Edmunds: Playing Cards and Manuscripts: Some Widely Disseminated Fifteenth Century Model Sheets, In: The Art Bulletin 56. March 1974, p.12-30, The cards have typical suits for Northern European cards of the period: flowers, birds, deer, beasts of prey and wild men – so five suits in total. Each symbol (or "pip") on a card is different, so the quantity and difficulty of the engraving is far greater than found in a modern set of cards (and, equally, rapid play must have been very difficult as there are no numbers depicted on the cards).

Samuel W. Gumpertz (1868–1952) was an American showman who played a part in the building of Coney Island's Dreamland. p. 58 Gompertz traveled the world in search of indigenous people to perform in the popular ethnographic sideshows of the day, including Filipinos who were exhibited in an "Igorot Village", long-necked women from Burma and people from Borneo who performed as "wild men of Borneo". In the novel Home by Daniel Martin Eckhart, Samuel W. Gumpertz features as the manager of Dreamland during the day before opening day May 27, 1911 and the fire that destroyed the park.

The Gizmo was first used on 10cc's instrumental "Gizmo My Way", a song arranged as a type of laid back beach music, where it appears as a slide guitar effect and sustained background effect. "Gizmo My Way" was the B-side to "The Wall Street Shuffle", and appeared on 10cc's second album, Sheet Music (1974), which included more uses of The Gizmo, most notably on the track "Old Wild Men". Its presence is heard throughout most of the track as a unique shimmering background guitar effect. The Gizmo was also used on the Sheet Music track "Baron Samedi".

The Drúedain are a fictional race of Men, living in the Drúadan Forest, in the Middle-earth legendarium created by J. R. R. Tolkien. They were counted among the Edain who made their way into Beleriand in the First Age, and were friendly to the Elves. In The Lord of the Rings, they assist the Riders of Rohan to avoid ambush on the way to the Battle of the Pelennor Fields. The Drúedain are based on the mythological woodwoses, the wild men of the woods of Britain and Europe; the Riders of Rohan indeed call them woses.

He travelled extensively in Benguet, Bontoc, Isabela, and Nueva Viscaya, and reviewed early attempts to catalogue the indigenous peoples in The Non-Christian Tribes of Northern Luzon; he collects "Calauas, Catanganes, Dadayags, Iraya, Kalibugan, Nabayuganes,and Yogades" into a single group of non-Christian "Kalingas" (an Ibanag term for 'wild men' - not the present ethnic group) with whom the lowland ("Christian") Gaddang are identified. When the U.S. took the Philippines from the Spanish in 1899, they instituted what President McKinley promised would be a "benign assimilation". Governance by the U.S. military energetically promoted physical improvements, many of which remain relevant today.

Savages appearing as Supporters on the Royal coat of arms of Denmark. The woodwoses (vildmænd – the Danish word means "wild men", but the monarchy's official webpage use the term "savages") can be traced back to the early reign of the Oldenburg dynasty (Seal of Christian I (1449)). Similar supporters were used in the former arms of Prussia. In English, the phrase Noble Savage first appeared in poet John Dryden's heroic play, The Conquest of Granada (1672): > I am as free as nature first made man, Ere the base laws of servitude began, > When wild in woods the noble savage ran.

The Armory Show and the Untold Story of Modern Art in America, Penn State Press, 2011 Metzinger had already been interviewed, circa 1908, by Gelett Burgess for his Wild Men of Paris article, published in The Architectural Record, May 1910 (New York).Gelett Burgess, Wild Men of Paris, The Architectural Record, May 1910 (New York), documents p. 3 In 1915 (8 March - 3 April) Metzinger exhibited at the Third Exhibition of Contemporary French Art—Carstairs (Carroll) Gallery, New York—with Pach, Gleizes, Picasso, de la Fresnaye, Van Gogh, Gauguin, Derain, Duchamp, Duchamp-Villon and Villon.Third Exhibition of Contemporary French Art, Carstairs (Carroll) Gallery, New York, 8 March - 3 April, 1915. Metzinger exhibited five works: At the Velodrome (33), A Cyclist (34), Woman Smoking (35), Landscape (36), Head of a Young Girl (37), The Yellow Plume (38) Metzinger would soon exhibit six works in New York at the Montross Gallery, 550 Fifth Avenue (4–22 April 1916) with Gleizes, Picabia, Duchamp, and Jean Crotti.The Solomon R. Guggenheim Foundation, Jean MetzingerAmerican Archives of American Art, Montross Gallery exhibition, New York, Jean Crotti papers, 1913-1973, bulk 1913-1961Montross Gallery exhibition catalogue, New York In 1917 Metzinger exhibited at the People's Art Guild (founded in 1915 to disseminate art to the masses) in New York, with Pach, Picabia, Picasso, Derain and Joseph Stella.

" Alan Scherstuhl of The Village Voice criticized the film for hewing "so closely to template that it's easy to imagine that paperclip from Microsoft Word popping up on Condon's desktop one day to say, 'It looks like you're directing a techno-thriller. Would you like help?'" Owen Gleiberman of Entertainment Weekly praised the film, describing it as "a vintage journalism thriller, a nihilistic newspaper drama for the dark digital age." Peter Bradshaw of The Guardian gave a positive review, noting that the film "sticks to the ancient movie tradition of depicting journalists as untamed, quasi-bohemian wild men, showing up late, gruff and unshaven in the office.

The event undermined confidence in Charles's capacity to rule; Parisians considered it proof of courtly decadence and threatened to rebel against the more powerful members of the nobility. The public's outrage forced the king and his brother Orléans, whom a contemporary chronicler accused of attempted regicide and sorcery, to offer penance for the event. Charles's wife, Isabeau of Bavaria, held the ball to honor the remarriage of a lady-in-waiting. Scholars believe the dance performed at the ball had elements of traditional charivari, with the dancers disguised as wild men, mythical beings often associated with demonology, that were commonly represented in medieval Europe and documented in revels of Tudor England.

The death of four members of the nobility was sufficiently important to ensure that the event was recorded in contemporary chronicles, most notably by Froissart and the Monk of St Denis, and subsequently illustrated in a number of copies of illuminated manuscripts. While the two main chroniclers agree on essential points of the evening—the dancers were dressed as wild men, the King survived, one man fell into a vat, and four of the dancers died—there are discrepancies in the details. Froissart wrote that the dancers were chained together, which is not mentioned in the monk's account. Furthermore, the two chroniclers are at odds regarding the purpose of the dance.

Among these is a warrior maiden named Felismena (not truly a shepherd, but dressed as one for the time being), who rescues Sireno and his friends from an attack by wild men. The group of shepherds is persuaded to seek out the enchantress Felicia, who may have the power to solve their romantic dilemmas. In the fourth book they are welcomed by Felicia at her castle, and proceed to tour the wonders within (including the halls of Venus and Mars, and a performance by the legendary Orpheus). After they have rested, Felicia administers her magic potion, causing some of the shepherds to either forget or reroute their old desires.

Bernheimer, p. 86. After the appearance of the former Persian court physician Ctesias's book Indika (concerning India), which recorded Persian beliefs about the subcontinent, and the conquests of Alexander the Great, India became the primary home of fantastic creatures in the Western imagination, and wild men were frequently described as living there. Megasthenes, Seleucus I Nicator's ambassador to Chandragupta Maurya, wrote of two kinds of men to be found in India whom he explicitly describes as wild: first, a creature brought to court whose toes faced backwards; second, a tribe of forest people who had no mouths and who sustained themselves with smells.Bernheimer, p. 87.

Gordon-Cumming was promoted to the regimental rank of captain and the army rank of lieutenant-colonel on 28 July 1880. He went on to serve in Egypt, in the Anglo-Egyptian War (1882) and in the Sudan in the Mahdist War (1884–85), the last of which was with the Guards Camel Regiment in the Desert Column. He was promoted to regimental major on 23 May 1888. He also found time for independent adventure, hunting in the Rocky Mountains in the U.S. and in India, where he would stalk tigers on foot; in 1871 he published an account of his travels in India, Wild Men & Wild Beasts.

John Balliol and his queen. Hugh de Morville's line had died out in 1196 on the death of his grandson, William, and the estates passed to William's sister, Helen, whose husband was Lochlann, Lord of Galloway. The semi-independent Lords of Galloway were much wealthier than the de Morvilles but even they could not lavish large amounts on all their dependencies.For an understanding of the patronage of the lords of Galloway, see McDonald, Andrew, Scoto-Norse Kings and the Reformed Religious Orders: Patterns of Monastic Patronage in Twelfth-Century Galloway and Argyll, in: Albion 27, 1995; Brooke, Wild Men and Holy Places, 88–90, 104–106, 124–126, 140–149.

On arrival, Hannay has a run-in with Rasta Bey, an important Young Turk, and intercepts a telegram showing his trail has been detected. They travel by train, fending off an attempt to stop them by the angry Rasta Bey, and reach Constantinople with half a day to spare. They seek out the meeting place, and are attacked by Bey and an angry mob, but rescued by a band of mysterious, wild dancing men, whom they then antagonise. Next day they return to the rendezvous, an illicit dance-room, where they find the main entertainment is none other than the wild men of the previous day.

The debate about the meaning of these and other mask forms continues in Europe, where monsters, bears, wild men, harlequins, hobby horses, and other fanciful characters appear in carnivals throughout the continent. It is generally accepted that the masks, noise, colour and clamour are meant to drive away the forces of darkness and winter, and open the way for the spirits of light and the coming of spring.Masks:Their Meaning and Function Andreas Lommel pub. Ferndale Editions London 1970/Europe/Conclusion In Sardinia existed the tradition of Mamuthones e Issohadores of Mamoiada; Boes e Merdules of Ottana; Thurpos of Orotelli; S'Urtzu, Su 'Omadore and Sos Mamutzones of Samugheo.

The Bal des Ardents in a miniature from Froissart's Chronicles: Charles VI huddling under the Duchess of Berry's skirt at middle left, and burning dancers in the center The physician recommended a program of amusements. A member of the court suggested that Charles surprise Isabeau and the other ladies by joining a group of courtiers who would disguise themselves as wild men and invade the masquerade celebrating the remarriage of Isabeau's lady-in-waiting, Catherine de Fastaverin. This came to be known as the Bal des Ardents. Charles was almost killed and four of the dancers burned to death, when a spark from a torch brought by Orléans lit one of the dancer's costumes.

French etymological sources often derive it from a Latin word sylphus, glossed as "genius" (in the Latin sense, a type of spirit) and only known from inscriptions rather than literary Latin.E.g. The Deutsches Wörterbuch however indicates that this idea arises from a 19th- century misreading of the inscription in question. Similarly, the σίλφη etymology can be dismissed from the lack of an objective historical and thus semantic connection. The idea of an intentional portmanteau is also considered doubtful, though extensive evidence can be found that indicates that Paracelsus considered the various sylvan spirits and wild men of legend to be examples of sylphs, which he occasionally took to be earth elementals rather than air elementals.

Morton is bedecked as Master of Merry Disports, while Scrooby, vested as English priest, wears a chaplet of vine leaves on his head and a garland over one shoulder; he is Abbot of Misrule. Lackland enters behind them; he is May Lord; he wears white, with a rainbow scarf across his breast and a small dress sword at his side. Prence is his comic train-bearer, and he is attended by the Nine Worthies. Every form of traditional English reveller is present, including nymphs, satyrs, dwarfs, fauns, mummers, shepherds and shepherdesses, Morris dancers, sword dancers, green men, wild men, jugglers, tumblers, minstrels, archers, and mountebanks; there are even an ape, a hobby horse and a dancing bear.

During the time of The Lord of the Rings, Men in Middle-earth were located in many places, with the largest group of free men in the countries of Gondor and Rohan. When the island of Númenor fell, only the Faithful escaped and founded the twin kingdoms of Gondor and Arnor. The Faithful were known in Middle-earth as the Dúnedain, and as leaders of these kingdoms, they were able to lead the resistance to Sauron, and preserve the Men of the West as Free People. There were also free men at the village of Bree, at Esgaroth, in Drúadan Forest (home to "wild men" known as Drúedain or Woses), and in the icy regions of Forochel.

Tapestry from Alsace depicting two scenes from the poem (1480–90) Der Busant, also known as Der Bussard (both German names for the Common Buzzard), is a Middle High German verse narrative, containing 1074 lines of rhyming couplets. The story tells of a love affair between the Princess of France and the Prince of England, who elope but are separated after a buzzard steals one of the princess's rings. After more than a year of separation, with the prince having gone mad and living as a wild man, they are reunited. Known from a single fifteenth-century manuscript and three fragments, Der Busant emerged from a thematic tradition of wild men, thieving birds, and adventures of separated lovers.

In some village charivaris at harvest or planting time dancers dressed as wild men, to represent demons, were ceremonially captured and then an effigy of them was symbolically burnt to appease evil spirits. The church, however, considered these rituals pagan and demonic.Early medieval folk festivals in Germany and Switzerland included a ritual called the "Expulsion of Death", often performed on the fourth Sunday in Lent, also known as Todten-Sonntag ("Sunday of the Dead"). An effigy was "killed" by burning, with the fragments scattered on fields as a fertility ritual. As early as the 8th century in Saxony and Thuringen in Germany a ritual was performed in which a pfingstl—a leaf- and moss-clad villager representing a wild man—was ceremonially hunted and killed.

The Last Wild Men of Borneo is a dual biography of a Swiss national and self-styled wild-man, Bruno Manser; and Michael Palmieri, an American prototypical 1960s hippie who settled in Bali and became leading world exporter and expert of primitive art. It explores the theme of Western fascination with primitive cultures and the interplay between them. In Savage Harvest, Hoffman set out to untangle what happened to Michael Clark Rockefeller, the son of New York Governor Nelson Rockefeller, who vanished in 1961. Hoffman learned to speak Bahasa Indonesia and lived in a remote village amid 10,000 square miles of road-less swamp with the Asmat, a tribe of former headhunters and cannibals on the southwest coast of New Guinea.

"Wild Men" depicted on the facade of the Colegio de San Gregorio Church of San Pablo, adjacent to Colegio de San Gregorio. The Valladolid debate (1550–1551) was the first moral debate in European history to discuss the rights and treatment of an indigenous people by conquerors. Held in the Colegio de San Gregorio, in the Spanish city of Valladolid, it was a moral and theological debate about the conquest of the Americas, its justification for the conversion to Catholicism, and more specifically about the relations between the European settlers and the natives of the New World. It consisted of a number of opposing views about the way natives were to be integrated into Spanish society, their conversion to Catholicism, and their right.

Alfoldy (1974) 21 The evidence suggests that, as in the western Alps, the non-Celtic elements were either displaced or assimilated, while their native languages had virtually disappeared by the time of the Roman conquest.Alfoldy (1974) 24-5 Overall, it is likely that Gaulish Celtic was the lingua franca of the Alps until replaced by Latin during the centuries of Roman rule: Livy states that Hannibal's guides for his crossing of the western Alps in 218 BC, who were Gallic Boii from the lower Po valley, could understand the "wild men of the mountains" through which they passed even when the latter spoke among themselves.Livy XXI.29, 32 In addition, the ancient authors often refer to the people of the eastern Alps as Galli transalpini.e.g.

Leading up to 1910 Gelett Burgess interviewed and wrote about avant-garde artists and artworks in and around Paris. The result of Burgess' investigation, "The Wild Men of Paris", was published in the May 1910 issue of Architectural Record; after his visit to the 1910 Salon des Indépendants, the anti-establishment art exhibition in Paris one year before the scandalous group exhibition that brought Cubism to the attention of the general public. An important painting by Pablo Picasso, Les Demoiselles d'Avignon, was reproduced in this article; one of the first mentions of the founders of Cubism, Pablo Picasso, Georges Braque, and Jean Metzinger to appear in the American press. Other important works were reproduced by Henri Matisse, Auguste Herbin, and André Derain.

King Charles VI of France and five of his courtiers were dressed as wild men and chained together for a masquerade at the tragic Bal des Sauvages which occurred in Paris at the Hôtel Saint-Pol, 28 January 1393. They were "in costumes of linen cloth sewn onto their bodies and soaked in resinous wax or pitch to hold a covering of frazzled hemp, so that they appeared shaggy & hairy from head to foot".Barbara Tuchman;A Distant Mirror, 1978, Alfred A Knopf Ltd, p504 In the midst of the festivities, a stray spark from a torch set their flammable costumes ablaze, burning several courtiers to death; the king's own life was saved through quick action by his aunt, Joann, who covered him with her dress.

He visits Bedouin tribesman in the Syrian desert, Gurung mountain people in Nepal, the Veddhas or Wild Men in Sri Lanka, and even a rooftop beekeeper on the skyscrapers of Manhattan. Honey and Dust won the non fiction category of the DH Lawrence prize, and was nominated for the Jeremy Round first book award with the British Guild of Food Writers. His second book All Kinds of Magic was published by Bloomsbury in 2010, recounting a journey round India in search of mystical experience. Drawing comparisons to In Search of Sacred India by Paul Brunton this modern spiritual travelogue was praised by Tahir Shah, Justine Hardy and Isabel Losada and includes a visit to the Ramana Maharshi ashram in Tiruvanamalai, India.

Jean Metzinger, judging from an interview with Gelett Burgess in Architectural Record,Gelett Burgess, Wild Men of Paris, The Architectural Record, May 1910 appears to have abandoned his Divisionist style in favor of the faceting of form associated with analytic Cubism around 1908 or early 1909.Jean Metzinger in Retrospect, University of Iowa Museum of Art, Iowa City, J. Paul Getty Trust, University of Washington Press, pp. 9-23 A resident of Montmartre, Metzinger frequented the Bateau Lavoir at this time and exhibited with Georges Braque at the Berthe Weill gallery. By 1910, the robust form of early analytic Cubism of Picasso (Girl with a Mandolin, Fanny Tellier, 1910), Braque (Violin and Candlestick, 1910) and Metzinger (Nu à la cheminée, Nude, 1910) had become practically indistinguishable.

Hoffman has won five Lowell Thomas Awards from the Society of American Travel Writers Foundation and three North American Travel Journalism Awards. The Last Wild Men of Borneo was shortlisted in 2019 for an Edgar Award for Best Fact Crime Fiction and was a Banff Mountain Book Award finalist. Savage Harvest was a New York Times Editor's Choice, was included in Amazon Editors' Picks for the 100 Best Books of 2014, The Washington Post as one of its 50 notable non-fiction books of the year, it was among the Kirkus Reviews "Best Books" of 2014 and it was shortlisted for the 2015 Edgar Award in the "Best Fact Crime" category. The Lunatic Express was named one of the ten best books of 2010 by The Wall Street Journal.

In the final years of the 20th century and earliest of the 21st, the appearance of the Green Man proliferated in children's literature. Examples of such novels in which the Green Man is a central character are Bel Mooney's 1997 works The Green Man and Joining the Rainbow, Jane Gardam's 1998 The Green Man, and Geraldine McCaughrean's 1998 The Stones are Hatching. Within many of these depictions, the Green Man figure absorbs and supplants a variety of other wild men and gods, in particular those which are associated with a seasonal death and rebirth. The Rotherweird Trilogy by Andrew Caldecott draws heavily on the concept of the Green Man, embodied by the Gardener Hayman Salt who is transformed into the Green Man at the climax of the first book.

In other (presumably more modern) versions of the story, Knecht Ruprecht gives naughty children gifts such as lumps of coal, sticks, and stones, while well-behaving children receive sweets from Saint Nicholas. He also can be known to give naughty children a switch (stick) in their shoes instead of candy, fruit and nuts, in the German tradition. Ruprecht was a common name for the devil in GermanyPhyllis Siefker, Santa Claus, last of the wild men: the origins and evolution of Saint Nicholas, spanning 50,000 years (McFarland, 1997), 82. and Grimm states that "Robin fellow is the same home-sprite whom we in Germany call Knecht Ruprecht and exhibit to children at Christmas..." Knecht Ruprecht first appears in written sources in the 17th century, as a figure in a Nuremberg Christmas procession.

He protested his innocence saying he had "never killed a man but in self-defence: that he never took what was not his own, except a sheep from the hills, to give him and his food."The lakes of Scotland: a series of views from paintings By John Fleming, John WilsonThe Topographical, Statistical, and Historical Gazetteer of Scotland (1854) Buchanan Memorial in Kinloch Rannoch The soldiers struggled to cope with the lawlessness and aimed to bring peace to the area. Dugald Buchanan (1716–1768), a teacher and an evangelist, preaching at large open air meetings, which upwards of 500 people attended, showing great courage as he persuaded the "wild men" to give up their lawlessness and savage ways. He and his wife taught them new trades and crafts.

While Rourke's family fight with the resistance and the Soviets experiment with cryonic suspension, Rourke and Natalia fight the wild-men to save the city. Rourke finally finds his family in Tennessee, and takes them to his survival retreat. To save themselves from war-induced climate change (specifically, the ionization of the atmosphere due to unexplained side effects of the nuclear exchange), the KGB loot Eden Project cryonics research from the Johnson Space Center, while Rourke and Natalia fight through Soviet troops, feral dogs, and cannibals to discuss the coming 'end of the world' with Varakov in Chicago. Rourke and Natalia break into 'The Womb', a Soviet survival habitat in what used to be NORAD, to prevent the KGB from destroying the Eden Project shuttles on their return to Earth.

Barentz flagship Gulden Windthunde nearly collided with that of the Vice Admiral on the second voyage 6 August 1595 Crew of Willem Barentsz fighting a polar bear The following year, Prince Maurice of Orange was filled with "the most exaggerated hopes" on hearing of Barentsz' previous voyage, and named him chief pilot and conductor of a new expedition, which was accompanied by six ships loaded with merchant wares that the Dutch hoped to trade with China. Setting out on 2 June 1595, the voyage went between the Siberian coast and Vaygach Island. On 30 August, the party came across approximately 20 Samoyed "wild men" with whom they were able to speak, due to a crewmember speaking their language. 4 September saw a small crew sent to States Island to search for a type of crystal that had been noticed earlier.

Joan's wedding dress was made with more than 150 metres of rakematiz, a thick imported silk, but she also had a suit of red velvet; two sets of 24 buttons made of silver gilt and enamel; five corsets woven with gold patterns of stars, crescents and diamonds; and at least two elaborate built-in-corset dresses, also made of rakematiz, one in green and the other in dark brown. The green was embroidered all over with images of rose arbors, wild animals and wild men, while the brown had a base of powdered gold and displayed a pattern of circles, each enclosing a lion as a symbol of monarchy. Additional items in Joan's trousseau included beds and bed curtains, ceremonial garments, riding outfits, and everyday clothes. Information concerning these can be found in her wardrobe account of 1347.

According to Mikael Wood of the Los Angeles Times, classifying the genre of the song is difficult as it combines "tinny Euro- house synths, slowed-down funk drums and a boot-scooting bass line straight out of Nashville". The track has "tongue-in-cheek" lyrics, referring to a cowboy in the opening verse: "I just love a cowboy, I know it's bad, but I'm, like, can I just hang off the back of your horse and can you go a little faster?" The track's lyrics allude to smoking cannabis, and dating working- class men from Republican states, rather than urban men. In an interview with Zane Lowe at Beats 1, Gaga revealed that with "John Wayne" she explored her constant need to chase wild men, and how she keeps getting "bored of the same old John".

Moss and Barnes, 2012 Alongside contemporaries like The Angels and Midnight Oil, Cold Chisel was renowned as one of the most dynamic live acts of their day and from early in their career concerts routinely became sell-out events. But the band was also famous for its wild lifestyle, particularly the hard-drinking Barnes, who played his role as one of the wild men of Australian rock to the hilt, never seen on stage without at least one bottle of vodka and often so drunk he could barely stand upright. Despite this, by 1982 he was a devoted family man who refused to tour without his wife and daughter. All the other band members were also settled or married; Ian Moss had a long-term relationship with the actress, Megan Williams, (she even sang on Twentieth Century) whose own public persona could have hardly been more different.

Metzinger emphasizes the boundaries of colored areas in a fashion not dissimilar to the Synthetist style of Paul Sérusier or Paul Gauguin, structured in various planes as the facets of crystals: something that would present itself in the artists subsequent phase associated with Cubism. Metzinger explained his ideas to the American writer Gelett Burgess circa 1908-09: :"Instead of copying nature...we create a milieu of our own wherein our sentiment can work itself out through a juxtaposition of colors. It is hard to explain it, but it may perhaps be illustrated by analogy with literature and music... Music does not attempt to imitate nature's sounds, but it does interpret and embody emotions awakened by nature through a convention of its own, in a way to be aesthetically pleasing. In some such way, we, taking our hint from Nature, construct decoratively pleasing harmonies and symphonies of color expressive of our sentiment" (quoted in G. Burgess, "Wild Men of Paris," Architectural Record, May 1910, p. 413).

For example, Odoric of Pordenone said that the Yangtze river flows through the land of pygmies only three spans high and gave other fanciful tales, while Giovanni da Pian del Carpine spoke of "wild men, who do not speak at all and have no joints in their legs", monsters who looked like women but whose menfolk were dogs, and other equally fantastic accounts. Despite a few exaggerations and errors, Polo's accounts are relatively free of the descriptions of irrational marvels, and in many cases where present (mostly given in the first part before he reached China, such as mentions of Christian miracles), he made a clear distinction that they are what he had heard rather than what he had seen. It is also largely free of the gross errors in other accounts such as those given by the Moroccan traveler Ibn Battuta who had confused the Yellow River with the Grand Canal and other waterways, and believed that porcelain was made from coal. Many of the details in Polo's accounts have been verified.

Now she feels free again for once after being out of the country, and starts walking through the streets of Berlin, goes to dance alone in a club, gets drunk and is saved from being attacked by drunk wild men in the club by the hotel keeper who has a feeling for her ever since the first minute she arrived in the hotel. She battles Nazis, beats the life out of two low life city slickers masterfully who wanted to take her for a ride and show her a fake grave plot as the spot where Hitler's grave is supposed to be. At the police station she encounters similarities between all establishments on Earth where the police distrust her and set out a detective to watch every move she makes from this point on. The detective "Karlsson" who is commissioned to watch after everything she does from her second day of her arrival in the city is always on her tails until he finally is the witness to a most moving final moments between Atossa and Lars in the last scene of the film.

Greater royal arms since 1936 The royal coat of arms still used by the royal family is a blue shield with the white cross of Greece with the greater coat of arms of Denmark of 1819-1903 in the centre. This was consequently also the arms of Denmark when the Danish prince William accepted the Greek throne as King George I. As such this includes the three lions of the arms of Denmark proper, the two lions of Schleswig, the three crowns of the former Kalmar Union, the stockfish of Iceland, the ram of Faroe Islands, the polar bear of Greenland, the lion and hearts of the King of the Goths, the wyvern of the King of the Wends, the nettle leaf of Holstein, the swan with a crown of Stormarn, the knight on horseback of Dithmarschen, the horse head of Lauenburg, the two red bars of the House of Oldenburg and the yellow cross of Delmenhorst. The same shield is in the personal standard of the Kings of Greece. The shield is surmounted by two figures of Heracles, similar to the "wild men" of the Coat of arms of Denmark.

Dusii are among the supernatural influences and magical practices that threaten marriages, as noted by Hincmar in his 9th- century treatise De divortio Lotharii ("On Lothar's divorce"): "Certain women have even been found to have submitted to sleeping with Dusii in the form of men who were burning with love."Quaedam etiam faeminae a Dusis in specie virorum, quorum amore ardebant, concubitum pertulisse inventae sunt: De divortio, XV Interrogatio, MGH Concilia 4 Supplementum, 205, as cited by Filotas, Pagan Survivals, p. 305. In the same passage, Hincmar warns of sorceresses (sorciariae), witches (strigae), female vampires (lamiae), and magic in the form of "objects bewitched by spells, compounded from the bones of the dead, ashes and dead embers, hair taken from the head and pubic area of men and women, multicoloured little threads, various herbs, snails' shell and snake bits."Filotas, Pagan Survivals, p. 305. 19th-century Prussian coat of arms depicting woodland "wild men" The form Dusiolus, a diminutive, appears in a sermon with the beings aquatiquus (from aqua, "water") and Geniscus, possibly a form of the Roman Genius or the Gallic Genius Cucullatus whose hooded form suggested or represented a phallus.

Savage men detail The facade, plain facing and topped with a crest, stands out above all for its spectacular main facade, which by its stylistic features it sets regarding the workshop of Gil de Siloé, a Flemish origin artist, who was at that time in Burgos dealing with the royal sepulchers of the Miraflores Charterhouse and is known to have been commissioned to make the defunct altarpiece of the chapel, very in connection with which the sculptor had made in the Conception's chapel or of Bishop Acuña in the Cathedral of Burgos and has obvious similarities to the upper of the main facade of San Gregorio. Perhaps evoking the triumphal arches of the architectures at that time were developing in Central Europe, or perhaps the Islamic Madrasas, architects of this building applying an individually decorated of the Castilian late-Gothic (Isabelline), it has a complex symbolic significance in that mix contemporary figures, saints, allegories, wild men, abundant symbolic of power, etc. It has two bodies framed by two buttresses. The lower hosts a vain lintel decorated with fleur-de-lys, the founder's symbol repeated often enough, covered with three-centered arch in turn covered by another ogee trefoil.