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4 Sentences With "whitenesses"

How to use whitenesses in a sentence? Find typical usage patterns (collocations)/phrases/context for "whitenesses" and check conjugation/comparative form for "whitenesses". Mastering all the usages of "whitenesses" from sentence examples published by news publications.

Into this sky which has more airplanes than other skies I look and see half a dozen small whitenesses passing like tired stars through the blue.
And so, I think what's also very clever about Dave Chappelle and the way that he thinks about race is that different whitenesses were implicated in the racism.
Also like Pierrot, he "discovers drunken landscapes" in absinthe (22: "Absinthe") and savors the "morbid and mournful charm"—"Like a bloody drop of spittle/From a consumptive's mouth"—of melancholy music (26: "Chopin Waltz"). Both are nostalgic for Pierrot's past, that "adorable snow" of yesteryear, when the zanni of the old comedies was a "lyre-bearer,/Healer of wounded spirits" (31: "Plea"). And both are staunch in their commitment to an anti- materialistic idealism, Giraud seeing in the whiteness of Pierrot—and of snow, swans, and lilies—a "scorn of unworthy things" and a "disgust for weak hearts" (40: "Sacred Whitenesses"). Art they hold in worshipful regard: Giraud's book, his "poem", is "a ray of moonlight stoppered up/In a beautiful flagon of Bohemian glass" (50: "Bohemian Crystal").
But, paradoxically, both, as artists, are self-estranged: ironically, the interior quest for "sacred whitenesses", for a purity of soul, is synonymous with the assumption of a falsehood, a mask—one of theatrically clownish extravagance that borders on madness and fatal excess. In 39: "The Alphabet", an apparent anomaly in the cycle, in which Giraud imagines himself as Harlequin,He does so apparently because Harlequin, in his multicolored costume, is traditionally regarded as chameleonic. not Pierrot, the poet recalls dreaming, as a child, of "a multicolored alphabet,/In which each letter was a mask", a dream that agitates his "foolish heart" today. It is a revealing confession: an admission that the agents of his creations as an artist, the alphabet, are ideally not agents of self-expression but of self-fabrication under the mask of an Other.

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