She came with the stylist La Roche who was very, very welcomely invited.
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Her latest, Quiet Signs, is as much of a leap forward as something this welcomely patient can be.
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But he tells this story with an insightful self-awareness and self-deprecation that's welcomely (and sometimes uncomfortably) honest, incredibly funny, and strangely beautiful.
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If you're a fan, and have always been intertwined with the story of SoCal's most infamous three-piece band, then the group's new record Revolution Radio could be a welcomely triumphant listen.
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Recorded in Paris, the album features, among many others, classically trained Iranian musicians the Khoshravesh brothers and electronic musicians Dunk Murphy and Deasy who welcomely disrupt these intimate songs with searing bursts of noise.
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Los Angeles Times. Part I, p. 27. Richard L. Coe of The Washington Post declared it "a fine example of a Disney Fiction Film, well photographed and welcomely wholesome."Coe, Richard L. (November 26, 1959).
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Joe Brown of The Washington Post described Tripplehorn's performance as the increasingly suspicious, resenting and brooding Abby as "...a welcomely elegant and alert presence." Todd McCarthy of Variety says that the film role expands upon the character in the book with "an added mission that creates some extra suspense and pathos". He described her performance glowingly: "At times uncannily resembling Genevieve Bujold, Tripplehorn gets to do a bit more than hold down the home front and express doubt and fury at her husband's long hours." Owen Gleiberman of Entertainment Weekly notes that Abby "has worldlier intuitions than he [Mitch] does", while Empire's Matt Mueller describes her as Mitch's "more intuitive, earthy wife".
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" Writing for Nest HQ, Cassie Sheets wrote that the song set the tone for the album, describing it as a resemblance to that of an "eerie, supernatural Victorian era with parallels to the minds of Stevenson or Shelley, known for Dr Jekyll and Mr Hyde and Frankenstein, respectively." Lindsey Oh of Dancing Astronaut wrote that "Hex" blended the two artists' styles to "effortlessly from the spooky build-up to the heavy and welcomely abrasive drop they mesmerize listeners and transport them to a place of bass, lasers and head-banging." Cassie Sheets of Nest HQ wrote that the song is a "fast-track lane to the depths of hell, with enough force to shatter the frozen, ice lake and let loose all of the sinful creatures which lurk below." Billboard's William Selviz called the song "industrial and eerie, exactly what Rezz fans have come to know and love from their space mom queen", writing that it "creeps under the skin and lives in your brain for weeks.
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" Robert Copsey of Digital Spy awarded the song four stars out of five, commending the single title and describing it as "[a]n orchestral R&B; ballad packed with Mariah-isms ('Go to Mimi on your contacts... press delete') and no major hook [that']s never going to set the charts alight, but something tells us Carey is more than aware of this." Copsey also praised her for "adopt[ing] a welcomely serene approach and stripped it back to the core basics of her earlier work: old-school soul that culminates in a stunning finale that only Mariah knows how." Both Jeff Benjamin of Fuse and Carolyn Menyes of Music Times complimented Carey's vocals, with Benjamin noting that the song has "a full-out showcase of Mariah's legendary vocals," while Menyes noted that her vocals " are high up in the mix, allowing her one-of-a-kind voice to penetrate the listener's ear." Alexa Camp of Slant Magazine noted that during the song "she shows off her less-fêted lower range throughout and takes it to church in the song's final minute.
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