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92 Sentences With "weeping for"

How to use weeping for in a sentence? Find typical usage patterns (collocations)/phrases/context for "weeping for" and check conjugation/comparative form for "weeping for". Mastering all the usages of "weeping for" from sentence examples published by news publications.

We're already weeping for all those brave souls who dare to venture on their own.
She pulled out her phone and recorded a message, weeping for much of the video.
"God is weeping for us," protest organizer Ringo Lee called out to the crowd, referring to the downpour.
He remembered his mother weeping for the sister who had gone to Pakistan and whom she would never see again.
"I beg you my dear Nadia do not spend your life weeping for what has past," his final letter read.
We live in a place where mothers are weeping for their dead children just hours after crying tears of joy at a wedding.
Back in the cabin I drank the vodka, listening to Leonard Cohen's Songs of Love and Hate, weeping for the poor man's memory.
Of course, guilting the producer to "think of my poor 10-year-old son...weeping for his beloved Hazelnut" didn't hurt his case, either.
And for you people out there weeping for the loss of several dozen gallons of delicious beer: know that they use the non-alcoholic variety.
The eyes of many others are weeping for the babies who will die and the women who will join other women and come to regret aborting their children.
Television news showed delegates to the annual session of the National People's Congress (NPC), China's ersatz legislature, weeping for joy when Mr Xi's re-election as president was announced.
Tasha: Yup, it was kind of a cheap shot, played for shock, and so was Littlefinger's abrupt and keening cowardice, throwing himself on his knees and weeping for his life.
" Listen to the intricate but also distinctly unconventional counterpoint — Billings had no formal musical training — toward the middle of the hymn, when the voices repeat the phrase "Weeping for Boston.
You must all count backward from a hundred and ten to five as quickly as possible while thinking of your own fate and weeping for those who have gone before you.
"Weeping for other people's pain does not only mean sharing in their sufferings, but also and above all realizing that our own actions are a cause of injustice and inequality," Pope Francis wrote.
In Five Years had me weeping for the last part of a coast-to-coast flight, prompting the flight attendant to hand me a drink because, she said, it looked like I needed one.
Weeping for Anna Karenina and being terrified by Hannibal Lecter, entering the heart of darkness with Mistah Kurtz, having Holden Caulfield ring you up — some things should happen on soft pages, not cold metal.
President Obama began the final year of his term with a concerted push for gun control, weeping for the 20 first-graders killed at an elementary school in 63 as he announced new executive actions.
Steve Jobs is too busy either hanging with the tech angels in future heaven to notice, or caught in a circle of hell where the fires are fueled by Galaxy Note 7s, weeping for his sweet iPod.
It wasn't until he began to find himself weeping for no discernible reason that he finally sought help—and began a journey that would ultimately take him to places he did not think it possible to reach.
Both had struggled at first, Chris leaving work a few times, Jiayu hiding in the ladies' room and weeping for two days in a row, but they carried on with a steadiness that appeared stoic to the world.
The song is old, its precise origins hard to trace, but it refers to Jeremiah 20183:22, in which the prophet is delivering a message from God mourning the hard-heartedness of the people and weeping for their exile from their homes.
The years since the financial crisis have not been particularly kind to Goldman Sachs's moneymaking machine – not that anyone is weeping for the company or the people who work there — despite an improving economy and record numbers of corporate financings and mergers and acquisitions.
"Weeping for other people's pain does not only mean sharing in their sufferings, but also and above all realizing that our own actions are a cause of injustice and inequality," he said in the text of a message read for him by a top Vatican cardinal.
This is the sound you looking back on those youthful hijinks as an old man and weeping for hours on end, wishing life was still that simple, praying for another chance to drink VK and Carling round the back of a cornershop on a Saturday night.
Adds Bedell Smith, whose latest book, Prince Charles: The Passions and Paradoxes of an Improbable Life, is out in April: "He died on 9/11, and at the memorial service at St. Paul's, Elizabeth was probably weeping for Porchie as much as the losses sustained on 9/11."
The elegant doctor who saw me assured me that I would stop weeping for no apparent reason very soon, and that all I had to do to hasten my recovery was commit to "brain rest" — essentially no reading, writing, screens or strenuous thinking until I could sustain focus without a headache or other symptoms of injury.
More drink is generally taken at this point, and what is strange is that the old men in the village—who, though men, have no defense—will often now grab at the bottles themselves, drinking deeply and weeping, for you need courage not only to commit bloody chaos but also to sit by and watch it happen.
"It was one of those things where I'd be weeping for, well I don't want to give away what happens in the courtroom, but there were some really emotional moments, and I literally would just stand up, drop my pants and walk off the set with my mic like dragging behind me," he told PEOPLE, laughing, ahead of Tuesday's premiere.
"We must never allow the culture of prosperity to deaden us, to make us incapable of 'feeling compassion at the outcry of the poor, weeping for other people's pain, and sensing the need to help them, as though all this were someone else's responsibility and not our own,'" Pope Francis wrote in the letter, quoting from a previous papal letter.
"We must never allow the culture of prosperity to deaden us, to make us incapable of feeling compassion at the outcry of the poor, weeping for other people's pain, and sensing the need to help them, as though all this were someone else's responsibility and not our own," he said in the message read by Cardinal Peter Turkson of Ghana, the Vatican's justice minister.
Now that Putin has successfully helped Trump into the White House and convinced the new American president that he didn't actually interfere in the 2016 presidential election, and even agreed to form a new super-awesome "impenetrable Cyber Security unit" with the U.S., maybe he, like Alexander the Great weeping for more worlds to conquer, will at last take up Wittes on his offer.
While Columbia had often been depicted as emotionally flat — smiling benignantly or weeping for a fallen hero — the prospect of war and the beginning of hostilities infused her with fire in defense of the Union.
In , the prophet Ezekiel, shown here in this illustration from 1866 by Gustave Doré, witnesses women mourning the death of Tammuz outside the Second Temple. : So He brought me to the door of the north gate of the Lord’s house; : and to my dismay, :: women were sitting there weeping for Tammuz. (NKJV) "Weeping for Tammuz": an "ancient ritual of Sumerian origin," "counterpart of Sumerian Dumuzi, the fertility-god associated with shepherding and vegetation". The weeping is to commemorate the death of seasonal fertility, and the cult stresses for the mourning aspect of it.
After the crowd leaves, Tigrana enters, crying. She is upset that no one will see her weeping for Edgar. Frank and the monk ask her to denounce Edgar, but she resists until they offer her jewels. The crowd returns.
The film opens with Pavalakkodi (Nayanthara) in the hospital, and her father Vairakannu (Thambi Ramaiah) weeping for her misfortune. Later, the scene cuts to the present. Pavalakkodi and Vairakannu live in a small house. Vairakannu is a single hardworking father who brought up Pavalakkodi, his only daughter.
There are no known cultivars. For Meehan's misnamed Ulmus fulva pendula (1889) see Ulmus americana 'Beebe's Weeping'; for Späth's misnamed Ulmus fulva (Michx.) pendula Hort. (1890) see Ulmus americana 'Pendula'. The hybrid U. rubra × U. pumila cultivar 'Lincoln' is occasionally listed as Ulmus rubra 'Lincoln' in error.
Lamenting and weeping for the (mazloom) wronged and offering condolences to his family, thus, will serve as one of the good deeds done by the mourners of Husayn (azadaar e Husayn) and will be helpful in saving them from being condemned to hell fire on the day of judgment.
The New Zealand Ministry for Culture and Heritage gives a translation of "Stream of Weeping" for Mangatangi. The Mangatangi Hall on Kaiaua Road was opened in 1940 and extended in 1960. It contains the Mangatangi-Miranda roll of honour for local people who fought in the Second World War.
He lived in Paris and London, and moved to Madrid 1951, where he resumed painting. He also worked in cinema and theatre with personalities such as Luís Buñuel or Carlos Saura. With Saura he acted in Weeping for a bandit. 1963 playing an English painter who portrayed , played by Paco Rabal.
Weeping for a Bandit () is a 1964 Spanish drama film directed by Carlos Saura. It was Saura's first film in color. It was co-produced with France and Italy, and starred Italian Lea Massari and French-Italian Lino Ventura. Thanks to his friendship with Saura, filmmaker Luis Buñuel has a small role.
On the ship home, Ramiro falls asleep with his head on his wife's lap, only to be awakened by her sobbing. She explains that she is weeping for Abencadão. An enraged Ramiro ties a millstone around her neck and thrusts her overboard, drowning her. Back at court, Ramiro has Ortiga baptized and marries her.
The director later reflected, "When it happened, this has never happened to me, but I actually cried that weekend a lot. I don't want to sound like a puny soul, but I really was devastated. I was weeping for the movie." The project collapsed on a Friday, and del Toro signed to direct Pacific Rim the following Monday.
It portrays the body of Christ wrapped in his shroud and being anointed. Mary Magdalene is at his feet, as the Virgin Mary holds him in her arms, weeping for his death watched over by Saint John. Four other grieving figures are present; they may be Saint Anne, the mother of the Virgin, and women who followed Christ.
Francis James Child, The English and Scottish Popular Ballads, v 2, p 234-6, Dover Publications, New York 1965 Ween plays a version featuring a woman weeping for a dead man, on their 1997 album The Mollusk entitled "Cold Blows the Wind". The liner notes of the album misattributes the song as a traditional Chinese spiritual.
Vance died at Darent Valley Hospital in Dartford, Kent in the early hours of 6 March 2005, three days after suffering a stroke at his home.DJ Tommy Vance dies at Daily Telegraph. Retrieved 27 February 2015 He said of death, "When you're gone, you're gone, I don't want anybody weeping for me." Vance is survived by his ex-wife, their son and daughter.
La Llorona (The Weeping Woman), replaced Las Lechugeras. This mural depicts environmental struggles involving women around the world. The mural takes its title from the widespread Mexican myth of a woman who allegedly drowned her children and spends the rest of her life weeping for them. La Llorona mural illustrates stories of women in Bolivia, India, and the Mexico–United States border together.
Orthodox Christians do not consider death to be an end, but a beginning. However, sorrow at the separation from a loved one is natural to the human condition. In Orthodox theology, Jesus' weeping for his friend Lazarus is understood as a manifestation of the fullness of his humanity (). But Christians are taught not to grieve "even as others which have no hope" ().
Venus Weeping for Adonis is a c.1625 oil on canvas painting by the French painter Nicolas Poussin. Painted after his relocation to Italy it is now part of the collection of the Musée des Beaux-Arts de Caen. The painting depicts the goddess Venus mourning the death of her mortal lover Adonis after he was gored by a boar whilst hunting.
Weeping for her brother, the fire goddess rushes to the mountains. Before the departure, she says that the death will not be strong enough to take the life of his brother. Soma tries to persuade his people who has been immensely benefited by the gift of fire to go with him to see Ginipathi. But all of them refuse to do so.
There are up to three pasos in each procession. The pasos dedicated to Jesus use figures of wood, wax, and wire to depict scenes from the Passion, and are usually covered in gold. The pasos dedicated to the Virgin Mary are usually covered in silver, and depict Mary weeping for her Son and sometimes holding Him in her arms.Dykes, Daniel.
The heroine—Margery May or Margaret—is raped by Prince Heathen, sometimes after he has tried to woo her. Sometimes he tells her he has massacred her family; in all variants, he imprisons her until she bears a child. She has a son and weeps. She tells Prince Heathen she is not weeping for him but because she has nothing to wrap the baby in.
While performing in a school play, Bantsuma froze on stage, unable to recite his lines. Embarrassed, he ran off and stayed in his room, weeping for 10 days. It is said that during this time, he vowed to become someone who would be admired by all. After the death of his mother, his father's business soon went bankrupt and Bantsuma was unable to continue his education.
His brother appealed to him by writing that their mother was weeping for him. CMS arranged a farewell meeting for him that was attended by more than 2,000 people. Rhenius's journey to India was eventful: he experienced a fire aboard the ship and it was almost wrecked near Maldives. They reached safely Madras, only to learn that Dr John, under whose aegis they had planned to work as missionaries, was dead.
Under the French Civil Code, a man under the age of 25 required parental consent to marry, and Armand had only been 24. Armand goes to Naples, but says to Diana that if anything should happen to leave her "husbandless", he is "not worth weeping for." Diana loves Armand passionately. She has been worried about whether Armand loves her and feels that this statement means that he does.
She found it more difficult than ever to conceal her dislike of Swedish "rocks and mountains, the freezing air, and all the rest of it". During the rest of her life she preserved the memory of her husband, weeping for hours and even days on end. When the regency council tried to separate Christina from her mother, Maria Eleonora wept and protested so bitterly that nothing was done.
Upon coming to Hel's gate, Hermóðr dismounted, tightened Sleipnir's girth, mounted again, and spurred Sleipnir so that Sleipnir leapt entirely over the gate. So at last Hermóðr came to Hel's hall and saw Baldr seated in the most honorable seat. Hermóðr begged Hel to release Baldr, citing the great weeping for Baldr among the Æsir. Thereupon Hel announced that Baldr would only be released if all things, dead and alive, wept for him.
Surrendering himself to Eleanor's family for punishment, Sir Simon was locked in the cell to starve and cursed by a witch, who condemned him to haunt the house by night and lament the death of his wife by day. Sir Simon can only rest if he is redeemed and allowed to pass on. Sir Simon reveals that Ginny has already fulfilled part of the prophecy by weeping for him. Next, she must pray for him.
Soviet losses were heavy as the 6th, 9th and 57th armies (approximately 18–20 divisions) comprising a large portion of the Southwestern Front, were all destroyed and Bagramyan was removed from his post on 28 June by STAVKA. According to Khrushchev, Bagramyan was so devastated from the immense loss of men that after the operation was called off, "he burst into tears. His nerves cracked...He was weeping for our army."Taubman, William.
All of Väinämöinen's audience begin weeping for the music, and soon Väinämöinen himself weeps. His giant tears fall and flow to the water where they become magnificent blue pearls, more wonderful then anything on earth. Väinämöinen summons a worthy collector for his tear-drops. He calls to a raven, but the bird is unable to gather them; he calls to a duck who is able to gather the pearls and present them to Väinämöinen.
In grief, Abel took her body to the Vatican where she was buried. Abel remained at her side, weeping for her, for 900 years. At the start of the story, the Methuselah, still a major political and military force, continue to wage war on the "Terrans", as they call the human inhabitants of Earth. The Roman Catholic Church is a major military power determined to protect humans from the Methuselah, with its seat of power based in the Vatican.
His style used a canonized system of practice and refinement known as nusaḥ hat'filla. Roitman's earlier compositions reflected the sad fate of his people, while his later work emphasized a more dramatic and prophetic idiom. He made records while at Leningrad and Vilna, most of which remained unknown to the United States until archival releases in the 1970s. His only published composition during his lifetime was "Rachel Mevakkah Al Baneha" [Rachel Weeping for Her Children], which he wrote in Odessa.
Breandán Ó Buachalla warns against putting too much stock in literal interpretation of the poems, especially regarding his final poem, written on his deathbed. His most remembered poem, to the ridiculously-named Valentine Browne, refers famously to Seana-rosc ag dian-ghol – an old grey eye weeping for the lost world, trodden down by taisteal na ndiabhal n-iasachta – the incoming of the foreign devils, the English invaders whose scorched-earth tactics had cleared the land using famine and rapine.
The Lamentation of Christ (also known as the Lamentation over the Dead Christ, or the Dead Christ and other variants) is a painting of about 1480 by the Italian Renaissance artist Andrea Mantegna. While the dating of the piece is debated, it was completed between 1475 and 1501, probably in the early 1480s. It portrays the body of Christ supine on a marble slab. He is watched over by the Virgin Mary and Saint John and St. Mary Magdalene weeping for his death.
He does all of these things and the maiden is restored, more beautiful than ever and dressed in magnificent robes and jewels. Now, although to the Prince only hours had passed in fulfilling his mission, actually 10 days had gone by and the King and Queen were at church, weeping for their dead son. The Prince and maiden arrive and are married on the spot. In their happiness, the Prince forgets his promise to the Wizard, to free the two maidens.
There is, however, a minority opinion that Jephthah's daughter spent the rest of her life in seclusion. This is based on considerations such as weeping for her virginity would make no sense if she were about to die (although it would be sensible in light of the Biblical commandment to "be fruitful and multiply", which she would now no longer be able to fulfill). Commentators holding to the minority view include David Kimhi, Keil and Delitzsch, James B. Jordan, and Jehovah's Witnesses.
Firstly, Satyadas makes a Brahmin to perform the ritual, who is weeping for the death of their daughter and she becomes alive. Afterward, a poor woodcutter becomes wealthy and a couple, Sadhu Shetty (Ramana Reddy) and his wife Leelavathi (Chayadevi) were blessed with a baby girl after performing this ritual. Time passes, Satyadas (again N. T. Rama Rao) grows up along with his propaganda and makes an Ashram. Ratnavalli (Krishna Kumari), daughter of Sivakeshava learns regarding Satyadas's propaganda, visits his Ashram and tries to destroy his ritual.
Jackson and Lee return to the city, and Lee is confronted by an angry citizen whose house has been destroyed by Union artillery. Jackson spends the rest of the winter at a local plantation, Moss Neck Manor, where he develops a friendship with a young girl who lives there. Later, Jackson discovers the child has died from scarlet fever and he begins to cry. Jackson’s adjutant asks why he weeps for this child but not for the thousands of dead soldiers, and Dr. Hunter McGuire states that Jackson is weeping for everyone.
The feminine imagery continues with Rachel weeping for her children (verse 15), symbolizing Israel's grief over its losses, which is immediately answered by the future restoration (verses 16–17) as the nation's turning back to God is met by God's turning towards them (verses 18–19) and God's compassion (verse 20). The closing appeal reminds the people of God's continuous call for his people to faithfulness (verses 21–22), and the security from God for the worshipping community (verses 23–25). Verse 26 indicates that the whole vision was given to Jeremiah in a dream.
Just as she catches up with Vilaya, the sable trips the badger with her cloak, hoping to throw her off. This proves to be her undoing, as Ambrevina falls right on top of the Sable Quean; the force causes the poison phial necklace to break, the shards piercing Vilaya and slaying her. Weeping for Flandor, Ambrevina returns to Redwall. Diggs, who has completely forgotten who he is and now believes himself to be a colonel in the Long Patrol, wanders away from the Abbey, but returns in company with Mumzy and the freed captives.
On the right, three women are weeping—one in the back and two up closer. The woman dressed in the white is a Horatius weeping for both her Curiatii fiancé and her brother; the one dressed in brown is a Curiatius who weeps for her Horatii husband and her brother. The background woman in black holds two children—one of whom is the child of a Horatius male and his Curiatii wife. The younger daughter hides her face in her nanny's dress as the son refuses to have his eyes shielded.
When Muhammad died in 632, Aatika composed an elegy for him. His camels have been lonely since evening; he used to ride them and he was their adornment. I have been weeping for the Chief since evening, and tears are flowing in succession. Thy wives are still lying in swoons because of grief that grows greater moment by moment; they turned pale like a javelin that becomes useless and changes its colour; they are remedying chronic sorrow, but the pain reacts on the heart; they beat their fine faces with their palms, for that is what happens at times like this.
One painting from this series, Fatigued Ten Horses Converse with Nothing (1965), which depicts a group of white horses weeping for the martyr, became very influential. The art critic and artist, Shakir Hassan Al Said said that it was a "catalyst for young artists to seek new visions of metaphysical and sometimes metaphysical dimensions."Al-Dulaimi, A.I., "Iraqi Plastic Recollection Kazem Haidar", Azzaman, 14 January, 2017, Online: (translated from Arabic) He was also a writer and a poet with various publications including Al-Takhtit wal Elwan [Sketching and Colours] which became a standard text book at Academy of Fine Arts.
Eriksen has been called as a witness for the defence and will appear before the court later in the trial. When asked by prosecutor Inga Bejer Engh why he had broken into tears the opening day, Breivik responded that he had been weeping for Norway and his perception of its deconstruction: "I thought, 'My country and my ethnic group are dying.'" Breivik also claims he does acknowledge the pain he has caused to people and families in Norway but did not apologise at that time.Anders Behring Breivik: my tears were for Norway 17 April 2012, The Daily Telegraph.
A leather jacket-clad overweight and middle-aged greaser who provides Stu with information on underworld activities and is regularly visited by the denizens of Delta City, including generals and monsignors, for advice on a vast variety of subjects. Gus McDougal - Officer of the Delta City Police Department and ex-husband of the Minx. McDougal bemoans the changing face of Delta City's downtown core, and when we first see him he is weeping for the loss of "42 Varieties", a donut shop which has been bulldozed to make room for a McDonald's. Mayor Clump - Delta City's mayor has a grey, undefined face.
The British version of the two-disc DVD contains two additional deleted scenes. In the first, Jesus meets the women of Jerusalem (at the eighth station of the cross) and falls to the ground as the women wail around him, and Simon of Cyrene attempts to hold up the cross and help up Jesus simultaneously. Afterwards, while both are holding up the cross, Jesus says to the women weeping for him, "Do not weep for me, but for yourselves and for your children". In the second, Pilate washes his hands, turns to Caiaphas, and says: "Look you to it" (i.e.
There, Bigend, Stella and Nora's uncle Andrei, and the latter's security employees are waiting for her. Over dinner with Cayce, the Russians reveal that they have been spying on her since she posted to a discussion forum speculating that the clips may be controlled by the Russian Mafia. They had let her track the footage to expose any security breaches in their distribution network. The Russians surrender all the information they had collected on her father’s disappearance and the book ends with Cayce coming to terms with his absence; "she was weeping for her century, although whether the one past or the one present she doesn't know".
This rule is to confirm that the woman is not pregnant with the deceased's child prior to remarrying. However, in case of emergencies such as visiting a doctor because of a health emergency, the widow can interact with non-mahram. Grief at the death of a beloved person and weeping for the dead is normal and acceptable.Sahih Muslim Volume 2, Book 23, Number 391 Sunni Islam expects expression of grief to remain dignified, prohibiting loud wailing (bewailing refers to mourning in a loud voice), shrieking, beating the chest and cheeks, tearing hair or clothes, breaking objects, scratching faces or speaking phrases that make a Muslim lose faith.
87 Moneypenny's undercover policewoman's cap disguises the hair Maxwell had already dyed in preparation for another part. Maxwell stayed on as Moneypenny when her former classmate Roger Moore assumed the role of 007 in Live and Let Die (1973). She reprised her character, weeping for the death of Bond, in a short scene with Lee in the French comedy Bons baisers de Hong Kong (1975). During the filming of A View to a Kill (1985), her final appearance as Moneypenny, producer Cubby Broccoli pointed out to her that they were the only cast or crew members from Dr. No who had not yet left the series.
At the feet of Ruth, sits the matriarch Rachel, kneeling on the ground sobbing, as is expressed in the biblical verse "A voice is heard in Ramah, mourning, and great weeping, Rachel weeping for her children and refusing to be comforted because they are no more... Restrain your voice from weeping and your eyes from tears, for your work will be rewarded...They will return from the land of the enemy" (Jeremiah 31:15-16) Ruth and Rachel represent independence and monarchy on one hand, and the exile and enslavement on the other. The connection between the two women reflects the history of the Jewish people, where both are interlinked.
He seems to have known her for he greets her with Gude day, Bessie and uses the Catholic greeting Sancta Maria. When she tells him of her troubles he replies in a priest-like fashion first asking "Why must tho make such dole and weeping for any earthly thing?",Scott, Page 92 adding that she must have angered God by questioning him and his advice was to make amends to the Almighty.Scott, Page 92 He had expressed an opinion that the Reformation was not goodScott, Page 94 and when he tries unsuccessfully to draw her away from Christianity he oddly adds a comment about the faith she took at the font-stone.
Modern statue of Cortés, Marina, and their son Martín, which was moved from a prominent place of display to an obscure one, due to protests Malinche's image has become a mythical archetype that Hispanic American artists have represented in various forms of art. Her figure permeates historical, cultural, and social dimensions of Hispanic American cultures. In modern times and in several genres, she is compared with the La Llorona (folklore story of the woman weeping for lost children), and the Mexican soldaderas (women who fought beside men during the Mexican Revolution)Salas for their brave actions. La Malinche's legacy is one of myth mixed with legend, and the opposing opinions of the Mexican people about the legendary woman.
With Shane Walsh (Jon Bernthal) and Otis (Pruitt Taylor Vince) missing for hours, Hershel Greene (Scott Wilson) informs Rick Grimes (Andrew Lincoln) and his wife Lori (Sarah Wayne Callies) that he must perform the surgery on their son Carl (Chandler Riggs) without the necessary equipment. Andrea (Laurie Holden) and Daryl Dixon (Norman Reedus) go out in search of Sophia Peletier (Madison Lintz), following her mother Carol (Melissa McBride) weeping for her loss. Daryl tells Andrea about his childhood, and expresses hope that they will successfully locate Sophia. They stumble upon an abandoned campsite, where a person had committed suicide by hanging themselves from a tree and now has become an undead walker.
In translation by Frank O'Connor it says: That my old bitter heart was pierced in this black doom, That foreign devils have made our land a tomb, That the sun that was Munster's glory has gone down Has made me a beggar before you, Valentine Brown That royal Cashel is bare of house and guest, That Brian's turreted home is the otter's nest, That the kings of the land have neither land nor crown Has made me a beggar before you, Valentine Brown. Garnish away in the west with its master banned, Hamburg the refuge of him who has lost his land, An old grey eye, weeping for lost renown, Have made me a beggar before you, Valentine Brown.
Young Girl Weeping for her Dead Bird by Jean-Baptiste Greuze In psychology, meaning-making is the process of how people construe, understand, or make sense of life events, relationships, and the self.: "Meaning-making, the process of how individuals make sense of knowledge, experience, relationships, and the self, must be considered in designing college curricular environments supportive of learning and development." : Through meaning-making, people are "retaining, reaffirming, revising, or replacing elements of their orienting system to develop more nuanced, complex and useful systems". The term is widely used in constructivist approaches to counseling psychology and psychotherapy,For example: ; ; ; ; ; ; ; ; ; especially during bereavement in which people attribute some sort of meaning to an experienced death or loss.
The song was written and composed by Rafael Artesero, who had already penned the Andorran Eurovision entries of 2005 and 2006 ("La mirada interior" and "Sense tu" respectively), as well as several Spanish national final entries. The author had originally submitted the song to RTVE in English as "Weeping for Joy", but the broadcaster asked him to translate it into Spanish. The composition was one of the three songs assigned to Lucía Pérez for the final of Destino Eurovisión. In the jury vote where she was left with "Que me quiten lo bailao" out of the three songs, she admitted it was not the song she preferred for not being the style she is used to performing.
He enjoyed enormous popularity -- he was attractive to women, admired by men, and a sympathetic personality to artists, especially those of the Generación del 27. When he died after a goring (cornada) in the Plaza of Manzanares, he was memorialized by Miguel Hernández, Rafael Alberti and other famous poets, but probably the best of these works is Federico García Lorca's Llanto por la muerte de Ignacio Sánchez Mejías ("Weeping for the Death of Ignacio Sánchez Mejías"),"The best- known poem of Federico García Lorca is 'Llanto por Ignacio Sánchez Mejías'", from article "Bullfighting" Encyclopædia Britannica Online for many the best Spanish elegy since the Coplas por la muerte de su padre ("Verses for the death of his father") by Jorge Manrique.
At first, he was used to wear gold and gems on his clothes, having belts composed of gold and gems and elegantly jeweled purses, linens covered with red metal and golden sacs hemmed with gold and all of the most precious fabrics including all of silk. But all of this was but fleeting ostentation from the beginning and beneath he wore a hairshirt next to his flesh and, as he proceeded to perfection, he gave the ornaments for the needs of the poor. Then you would see him, whom you had once seen gleaming with the weight of the gold and gems that covered him, go covered in the vilest clothing with a rope for a belt." Besides Eligius's self-mortification, Dado recalled his propensity for weeping, "For he had the great grace of tears.
Luz also points out that in the massacre narrative, once again, a fulfilment quotation is given: Rachel, the ancestral mother of Israel, weeping for her dead children ()Ulrich Luz, Theology of the Gospel of Matthew, p. 28 Scholars who interpret Matthew as casting Jesus in the role of being a second Moses argue that, like Moses, the infant Jesus is saved from a murderous tyrant; and he flees the country of his birth until his persecutor is dead and it is safe to return as the savior of his people. In this view, the account in Matthew is based on an earlier narrative patterned on traditions about the birth of Moses. Moses's birth is announced to Pharaoh by Magi; the child is threatened and rescued; the male Israelite children are similarly put to death by an evil king.
Massacre of the Innocents from the late 10th-century Codex Egberti The Ordo Rachelis (Play of Rachel), Interfectio Puerorum (Murder of the Children), or Ludus Innocentium (Play of the Innocents) is a medieval dramatic tradition consisting in four plays and based on the Massacre of the Innocents, an event recorded in the Gospel of Matthew, and on the prophecy recorded in the Book of Jeremiah: "A voice was heard in Ramah, lamentation, and bitter weeping; Rahel weeping for her children refused to be comforted for her children, because they were not" (31:15, KJV). The prophecy, which Matthew believed to be fulfilled when Herod the Great ordered the slaughter of all boys under two in Bethlehem, looks backwards to Rachel, the matriarch of the Hebrews, and towards her lamentation over the death of her children, the Hebrew children, in the massacre. The Ordo Rachelis plays were probably performed as part of the liturgy for Innocents Day (28 December).
Freia—a combination of Freyja and the goddess Iðunn—from Richard Wagner's opera Der Ring des Nibelungen as illustrated (1910) by Arthur Rackham Into the modern period, Freyja was treated as a Scandinavian counterpart to the Roman Venus in, for example, Swedish literature, where the goddess may be associated with romantic love or, conversely, simply as a synonym for "lust and potency". In the 18th century, Swedish poet Carl Michael Bellman referred to Stockholm prostitutes in his Fredman's Epistles as "the children of Fröja". In the 19th century, Britt-Mari Näsström observes, Swedish Romanticism focused less on Freyja's erotic qualities and more on the image of "the pining goddess, weeping for her husband". Freyja is mentioned in the first stanza ("it is called old Denmark and it is Freja's hall") of the civil national anthem of Denmark, Der er et yndigt land, written by 19th century Danish poet Adam Gottlob Oehlenschläger in 1819. In addition, Oehlenschläger wrote a comedy entitled Freyjas alter (1818) and a poem Freais sal featuring the goddess.
He narrates how the penitent, "clothed in a hair-shirt and covered with ashes, appears before the assembly of the faithful craving absolution, how he prostrates himself before the priests and widows, seizes the hem of their garments, kisses their footprints, clasps them by the knees", how the bishop in the meantime, addresses the people, exhorting them by the recital of the parable of the lost sheep to be merciful and show pity to the poor penitent who asks for pardon. The bishop prayed for the penitents, and the bishop and priests imposed hands upon them as a sign of absolution and restoration into the communion of the Church. Elsewhere in his writings, Tertullian mentions doing penance in sack-cloth and ashes, of weeping for sins, and of asking the forgiveness of the faithful. St. Cyprian also writes of the different acts of penance, of the confession of sin, of the manner in which the public penance was performed, of the absolution given by the priest, and of the imposition of the hands of the bishop and priests through which the penitents regained their rights in the Church.

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