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184 Sentences With "weep for"

How to use weep for in a sentence? Find typical usage patterns (collocations)/phrases/context for "weep for" and check conjugation/comparative form for "weep for". Mastering all the usages of "weep for" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

It's enough to make a grown man weep for joy.
Now, and for eternity, our guitars weep for you, Prince.
You weep for the awkwardness and you curse the ventriloquist.
"I weep for you, Amina," the former friend replied coldly.
Please pray for us as we weep for this loss.
" Her kicker: "I weep for the fabric of my state.
I weep for my city; it is committing urban suicide.
But don't weep for Lee Sedol in his defeat, or for humanity.
It's enough -- enough to go to cemeteries, enough to weep for oceans.
I can't weep for somebody making a lot out of their past.
Of course that was his fault, so who can really weep for him.
The bottom line is no one should weep for the destruction of the filibuster.
I said to him, 'No, I came to weep for the dead like everyone else.
That means it's also time to curl up in a ball and weep for mankind.
Celebrities spend their Oscar night cooped up in a theater without any snacks (weep for them).
Jody, our hearts weep for your loss -- and we will not rest until you have justice.
While we weep for our country, Kardashian found great amusement in the prank, tweeting his favorite clips.
"If I find a stranded whale my natural reaction would be to weep for the animal," another replied.
Find a private and sacred place to weep for those whose dark skin marked them for sub-personhood.
Fans cheer for them during thrilling stunt scenes and weep for them when their characters lose a pinnacle fight.
The man she married, when she finally did marry, would stand outside of her church and weep for the sight of her.
Generosity floods me, as clear and calm as well water—and gratitude, too, to God, who has let me weep for her.
Ara had hoped for a democracy where individuals could speak freely of their murdered ancestors, or at least freely weep for them.
Hughes to marry him – it's something we didn't even know we wanted until it made us weep for a good 15 minutes. 2.
Ms. Kim said that when she met Koichiro, she felt an immediate kinship after having listened to his mother weep for her children.
I see people who mourn for the five officers we lost but also weep for the families of Alton Sterling and Philando Castile.
I see people who mourn for the five officers we lost, but also weep for the families of Alton Sterling and Philando Castile.
"The abomination of process & justice in the OK House of Reps makes me weep for democracy," Oklahoma Representative Cory Williams tweeted after the vote.
Yet these are steeped in a luminous wonder that makes you want to weep for what you take for granted in your daily existence.
"I see people who mourn for the five officers we lost but also weep for the families of Alton Sterling and Philando Castile," he said.
I weep for the cats that have been unwillingly shaven, stranded on telephone poles, forced to take acid, or castrated by the state of Israel.
Look at this Sharper Image VR headset and weep for a time when it was the coolest place in the mall, selling the gadgets of our dreams.
We weep when Samwell Tarly finally sees the Citadel library, but we also weep for Sansa as she gets overlooked and Jon Snow is declared King in the North.
He shared both the actual parts that make you want to weep for all of humanity and the ridiculous, morbid hilarity that can be found in the cruelest of jokes.
Looking at the current political situation causes Fisher to "weep for my country," the ex-central bank official said last week in a speech to the Urban Land Institute's fall conference.
Supporting a gun control measure is definitely out of the ordinary — even it is a play to look less like an evil villain as families and friends weep for the fallen.
Markos Moulitsas of Daily Kos is here to explain why these elderly people deserve to lose their health insurance: Don't weep for these coal miners, now abandoned by their GOP patrons.
" As the Vatican unveiled its own giant spruce, he sounded downright depressed: "We should ask for the grace to weep for this world, which does not recognise the path to peace.
I am on the front lines of the cause now, and I don't imagine I will find myself venturing homeward for quite some time… Do not weep for me, my sweet Abigail!
Looking back at years of math and physics notes with the enlightened lens of tau, I weep for my former self and the accumulated hours of needless conversions and complications introduced by pi.
Mostly, though, what's interesting about it is that it lacks the conviction, the spark, which turns truly wonderful animated creations — Disney's Pinocchio, Hayao Miyazaki's Ponyo — into characters you laugh with and weep for.
Listen to the sound of the destruction of worlds and weep, for it is the same fate that will one day befall us all—if we're lucky and the seas don't claim us first.
You may wonder why that matters, why a sensible, professional in her 40s might weep for an imaginary character, who some people view as the sullied creation of a now infamous celebrity accused of preying on dozens of women.
Some might weep for the exclusivity and hierarchy of publishing, but I am unconvinced that Johannes Gutenberg — whose invention made more stories available to more people at a lower cost and spurred cultural and economic revolutions — would be one of them.
We were five in our family, then three, and now we are just two, and even as I weep for our little sister I thank God that it is Christina in the coffin and not Gertrude, the sister I can't live without.
It's hard to weep for a JP Morgan executive, but we're not just talking bankers: Britain's service-heavy economy makes it heavily exposed outside the EU, and there's little hope in concluding a simple deal on trade in services at any speed.
But as we take in this latest awful story, and as we weep for that poor family -- the innocent women, children and babies who were slaughtered in cold blood as they traversed a dangerous place -- our compassion must not be passport-specific.
Test out her pens, take a mint or lozenge from the candy bowl, spin around in her swivel chair, poke around in her Post-it notes where she has left breadcrumbs of an ongoing legal battle with her estranged husband, and weep (for yourself, for her).
Read this tale of Digital Stalinism and weep for the fall of Western Civilization:I, I may have been the first person in history completely banned from Tinder because my picture, my picture of myself, in my dress blues uniform was reported for being offensive and promoting violence!
DVDs and live streams make an experience that was once available to only a few accessible to many, a phenomenon that would have made my preteen self, who used to obsessively play cassettes of original cast recordings of shows I would never see, weep for joy.
And I full-on weep for 2007, arguably the last year we would ever witness a celebrity stream-of-consciousness blogging on a website they run themselves, using loads of ellipsis and brackets and quotation marks that absolutely don't need to be there but nevertheless reveal just a little bit of personality.
You can weep for the state of the written word — and let's face it, a whole lot of content isn't even written these days; I mean, why expend energy composing actual sentences when you can just live stream a melon being slow-ploded by rubber bands, or you can build technology to automate the writing process to churn out even more #content?
But when appetizers alone can fill you up, why bother gambling on the main course, it will only distract you from what you have come to rely on as fact relies on its verifiability—in silence and so totally you could almost weep for it, the way they do in Italy at the end of an opera, an era, or even the idea of anything familiar dying: a tradition; a truth; an olive tree fallen to fungus whose narrow leaves made with wind a conversation we had found to be rejuvenative to listen to, whose fruit and oil expressed therefrom we couldn't get enough of, whose shade could reform, and whose earliest ancestor Athena's constant hand did unveil in Attica as the greatest gift to humankind.
Willow Weep for Me is a posthumous jazz album recorded by guitarist Wes Montgomery in 1965 and released in 1969. It reached number 12 on the Billboard Jazz album chart in 1969. At the Grammy Awards of 1970 Willow Weep for Me won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
The Irish Times gave a four-star rating to the track "Willow Weep for Me" by The Kills, calling it a "surprisingly stripped-back version".Butler, Eoin (July 31, 2009). "Singles: The Kills: Willow Weep for Me", The Irish Times, p. 15. NME also recommended The Kills track, but called the ones by Maroon 5 and The Kooks "dubious homages".
Streisand also recorded "Willow Weep for Me" and "Spring Can Really Hang You Up The Most" during these sessions. Both songs were not included in Simply Streisand. "Willow Weep For Me" was released in the fall of 2012. This was Streisand's first straight album — meaning songs in English, and without a TV special tie-in — since September 1964, when Columbia Records released People.
Ah, I weep for you, placid hours that disappeared from the scene of my life more rapidly and fugaciously than lightning that shines on the dark road of the traveler.
Ah, I weep for you, placid hours that disappeared from the scene of my life more rapidly and fugaciously than the lightning that shines on the dark road of the traveler.
As it is, however, he will make him his heir. Heurodis is brought to the castle and all the people weep for joy that their king and queen are alive and well.
The material consists of outtakes and other rarities recorded during the 1990s, when Horne was actively recording for Blue Note Records. Pianist Herbie Hancock accompanies Horne on "Chelsea Bridge" and "Willow Weep for Me".
Helen plays accordion on most of the recordings. She sings lead on "Willow Won't You Weep for Me". A partial family collaboration with Chet Atkins titled "Under the Hickory Nut Tree" features Helen's singing.
Tears and laughter at any hour Rest on love in so many ways In the evening I weep for sorrows And why you can awake In the morning with laughter, I must ask you, o heart.
Ann Ronell (née Rosenblatt; December 25, 1905 — December 25, 1993) was an American composer and lyricist. She was best known for the standards "Willow Weep for Me" (1932) and "Who's Afraid of the Big Bad Wolf" (1933).
Side 1: #"Tahiti" #"Lillie" #"Criss-Cross" #"Willow Weep for Me" Side 2: #"What's New?" #"Bags' Groove" #"On the Scene" #"Eronel" Tracks A3, A4, B4 recorded July 23, 1951. Tracks A1-A2, B1-B3 recorded April 7, 1952.
Calcutta: The Asiatic Society. Aatika composed an elegy for him. I vow that mine eye will not cease to weep for thee and my skin will be covered with dust. She refused several suitors in the following months.
Recorded on Oct 1, 1957. ;Side two #"Prelude to a Kiss" — 4:44 (Duke Ellington) Soloist is Johnny Hodges on alto saxophone. Recorded on October 1, 1957. #"Willow Weep for Me" — 4:15 (Ann Ronell) Soloist is Shorty Baker on trumpet.
Iacet Eteocles, Polinices cecitit et Iocasta extincta est. O luctuosa proelia infausta natis Oedipi! (GB Ob Ten 1464 ff. 3v-5) (Weep for the living, for the city full of mysteries is laid waste; the Theban city sits in sadness.
Amy, Paul (9 September 2016) Read it and weep for Fifteen Young Men from Mornington, Mornington Peninsula Leader. Retrieved 17 April 2019.Webb, Carolyn (30 August 2016) Forgotten story of the day 14 footballers drowned off Mornington, The Age. Retrieved 17 April 2019.
Kroll, p. 42 It reads, in partial English translation: You used to love my Cypress Rafter Terrace, But now you dote upon her Bright Yang Palace. I know my place, take leave of your palanquin. Hold in my feelings, weep for a cast-off fan.
A year later, the filmmaker tackled a traumatic topic with her documentary Koliba (2009). The film focuses on the scandalous way Koliba, the Slovak national film studios, were privatized and stolen away.Miloš Krekovič commented, “It was our national treasure, say those who weep for it.
When mention is made of "saying Kaddish", this unambiguously denotes the rituals of mourning. A line from the poem, "No more to say and nothing to weep for", was later used as the title of a 1997 Channel 4 documentary on Ginsberg released shortly after his death.
Both registered-church and house church leaders, including Samuel Lamb and Allen Yuan, have criticized Xu and his movement for unorthodox teaching, such as the expectation that new converts weep for three days to bring about forgiveness for their sins. He was set free in 2000.
Meri Nana-Ama Danquah (born 13 September 1967) is a Ghanaian-American writer, editor, journalist and public speaker, whose name at birth was Mildred Mary Nana-Ama Boakyewaa Brobby. She is best known for her 1998 memoir Willow Weep for Me: A Black Woman’s Journey Through Depression.
If anyone speaks against him or refuses to > cry, then he will remain with Hel.Byock (2005:68). Later in the chapter, after the female jötunn Þökk refuses to weep for the dead Baldr, she responds in verse, ending with "let Hel hold what she has."Byock (2005:69).
After Montgomery's death, Verve used recordings from the sessions that produced Smokin' at the Half Note and hired arranger Claus Ogerman to write string and brass arrangements for "Willow Weep for Me", "Portrait of Jennie," "Oh! You Crazy Moon," and "Misty." Subsequent reissues erased the new backing arrangements.
O lamentable battles, unfavourable to the sons of Oedipus! (2) Alas, let us weep for the dead! Eteocles lies dead, Polynices is fallen and Jocasta is dead. O lamentable battles, unfavourable to the sons of Oedipus!) The play for which the chorus was intended has not been identified.
Side 1: #Lillie #Tahiti #What's New? #Bags' Groove #On the Scene #Willow, Weep for Me Side 2: #Criss Cross #Eronel #Misterioso (Alternate Master) #Evidence #Lillie (Alternate Master) #Four in One (Alternate Master) Tracks A1-A5, B5 are from an April 7, 1952 session which does not feature Thelonious Monk.
The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music.
She encourages Jephthah to fulfill his vow (v. 36) but asks for two months to weep for her virginity (v. 38). After this period of time Jephthah fulfilled his vow and offered his daughter. The majority opinion among commentators is that Jephthah killed his daughter as an act of human sacrifice.
The poet weeps for John Keats who is dead and who will be long mourned. He calls on Urania to mourn for Keats who died in Rome (sts. 1–VII). The poet summons the subject matter of Keats' poetry to weep for him. It comes and mourns at his bidding (sts. VIII–XV).
While he was receiving military training he also happened to be playing a Nazi officer in a play called Weep for the Spring, about life in Nazi Germany under Adolf Hitler. As a territorial soldier Fox was amongst the first to be called up in 1939 upon the declaration of war with Germany.
Nic Jones) 3:43 #"Captain Glen" (Trad. Arr. Nic Jones) 4:17 #"Billy Don't You Weep For Me" (Trad. Arr. Nic Jones) 4:54 #"Fare Thee Well My Dearest Dear" (Trad. Arr. Nic Jones) 5:04 #"Plains Of Boyle" (Trad. Arr. Nic Jones) 3:13 #"Icarus" (Anne Lister) 4:22 #"Rufford Park Poachers" (Trad. Arr.
In Greek mythology, Penthus was the personification of grief. When Zeus began passing out domains to the various gods, Penthus was not there. As such, Penthus received the one domain no one wanted: grief and sadness. It is believed that he likes to torment the same individuals; he favors those who weep for the dead.
She begins to cry, but is suddenly shot from under the floor. Ronnie has made a system under the floor and could hear Cora and shoot at her. Vinnie begins to weep for the now dead Cora but Balenger stops him, insisting that Ronnie can hear them from underneath. In the confusion, Tod disappears.
"Willow Weep for Me" is a popular song composed in 1932 by Ann Ronell, who also wrote the lyrics. The song form is AABA, written in 4/4 time,Zimmers, Tighe, E. (2009). Tin Pan Alley Girl: A Biography of Ann Ronell. McFarland. pp. 19-22. although occasionally adapted for 3/4 waltz time.
Side 'A' #"What Now My Love" (Bécaud, Delanoë, Sigman) – 11:55 #"Stella by Starlight" (Young, Washington) – 10:35 Side 'B' #"Willow Weep for Me" (Ronell) – 6:20 #"Straight, No Chaser" (Monk) – 10:16 #"Meditation" (Jobim, Mendonça) – 7:50 Same track order on re-issue except the positions of "Meditation" and "What Now My Love" are reversed.
You > don't know that I love you, Llorona, because you don't know I weep (for > you). If because I love you, you want, Llorona, That you want me to die. If > because I love you, you want, Llorona, That you want me to die. Let your > will be done, Llorona, let me die so someone else lives.
After a few more games, Peter plays a counting-out game between the family members and shoots Georgie while Paul makes sandwiches in the kitchen. After this, both intruders leave. Georg and Anna weep for their loss, but eventually resolve to survive. Anna flees the house while Georg, with a broken leg, tries to repair the malfunctioning phone.
Surviving for two winters, and forced to sleep on the ground, Eisen hoped a Russian officer would escort her to visit her husband's grave. Cursing her, the officer told Eisen her husband was "lucky" to have someone weep for him. No one would cry for her. The officer asked why it was "important to visit graves".
Side 1: #"Lillie" #"Tahiti" #"What's New?" #"Bags' Groove" #"On the Scene" #"Willow Weep for Me" Side 2: #"Criss Cross" #"Eronel" #"Misterioso" (alternate master) #"Evidence" #"Lillie" (alternate master) #"Four in One" (alternate master) Tracks B3, B4 recorded July 2, 1948. Tracks A6, B1, B2, B6 recorded July 23, 1951. Tracks A1-A5, B5 recorded April 7, 1952.
However, Meng Chang died a few days after arriving at Kaifeng. Empress Dowager Li did not weep for him, but instead poured wine on the ground, stating: She stopped eating, and died several days later. Emperor Taizu was saddened by her death, and had both Meng Chang and her buried at Luoyang in a grand ceremony.
Sonu and Mili also get shocked and weep for Raju. They immediately decide to go to Hyderabad to visit her. Their flight tickets were booked by Shyam and he also offers to help them if any need arises. They reach Hyderabad along with Abbas and go to the hospital and seeing her condition in ICU they feel very sad.
She takes him seriously, she listens to him and learns an important lesson, as well as the true meaning behind a riddle. Sir Simon de Canterville says that she must weep for him, for he has no tears; she must pray for him, for he has no faith; and then she must accompany him to the angel of death and beg for death upon Sir Simon. She does weep for him and pray for him, and she disappears with Sir Simon through the wainscoting and goes with him to the Garden of Death and bids the ghost farewell. Then she reappears at midnight, through a panel in the wall, carrying jewels and news that Sir Simon has passed on to the next world and no longer resides in the house.
Ibn Ziyad was livid with rage. He retorted: “Ibn Ziyad (Ubaydallah) said, “May God make your eyes weep, for by God, if it were not for the fact that you are an old man, who has become silly and your mind has left you, I would cut off your head”. So, Zaid Bin Arqam stood up and left the court.
Cowboys and horses were a favourite subject of Cameron's—Alberta Cowboy Country Magazine has called him "a cowboy at heart but a cartoonist by profession"—and after his death his family published four volumes of his cowboy cartoons: What I Saw at the Stampede, Let the Chaps Fall Where They May, Weep for The Cowboy, and Pack Horse in the Rockies.
The over-riding theme is one of despair. Mourners are implored to "weep for Adonais—he is dead!" In Stanza 9 the "flocks" of the deceased appear, representing his dreams and inspirations. In Stanza 13, the personifications of the thoughts, emotions, attitudes, and skills of the deceased appear. In Stanza 22, Urania is awakened by the grief of Misery and the poet.
When he fails to answer, the Kalevide crushes his head with his club and proceeds to weep for his crime. Canto VI - The Kalevide and the swordsmiths :The Kalevide visits Ilmarinen (Ilmarine in Estonian), the famous Finnish blacksmith, and asks him to create a sword. He presents various swords. He tests them by striking them against the cliff walls of the smithy, itself.
LP side one # "Once Around" – 5:24 # "Willow Weep for Me" (Ann Ronell, arr. Bob Brookmeyer) – 5:34 # "Balanced Scales = Justice" (Tom McIntosh) – 4:58 # "Three in One" – 5:45 LP side two # "Mean What You Say" – 5:26 # "Don't Ever Leave Me" – 4:33 # "A B C Blues" (Brookmeyer)– 12:53 All songs by Thad Jones except as noted.
Whoever weepeth should weep for thee today ... For Allah's Messenger may my mother and maternal aunt be sacrificed, my paternal uncle, my maternal uncle and even mine own soul ... May Allah's peace be in greeting to thee, and may thou enter the Garden of Aden with joy.Muhammad ibn Saad. Kitab al-Tabaqat al-Kabir. Translated by Haq, S. M. (1972).
In summer 407, Empress Fu died. Murong Xi mourned her so much that he ordered that a magnificent tomb be built for her. The officials were all forced to weep for Empress Fu, with those who could not shed tears punished severely, so they put chili peppers in their mouths to stimulate tear production. Eventually, Murong Xi accompanied Empress Fu's funeral procession out of Longcheng.
Reuniting with Andru, Kanigher co-created the "Rose & The Thorn" back up feature in Superman's Girl Friend, Lois Lane #105 (October 1970).McAvennie "1970s" in Dolan, p. 141 "The second feature uncovered the roots of Rose Forrest/Thorn's identity, as told by writer Robert Kanigher and artist Ross Andru." Kanigher wrote two stories for Marvel Comics: "Weep for a Lost Nightmare" in Iron Man #44 (Jan.
Before they can plan accordingly, her son arrives with attendants and other lords, accusing Mortimer of murder. Mortimer denies this, but eventually is arrested and taken away. He tells Isabella not to weep for him, and the queen begs her son to show Mortimer mercy, but he refuses. Edward III then orders Mortimer's death and his mother's imprisonment, and the play ends with him taking the throne.
Jones also skilfully used selective string damping to achieve other percussive effects such as on "Billy Don't Weep For Me" (on From the Devil to a Stranger). A feature of his later, mature guitar style is the introduction of subtle counterpoint lines that complement the lead vocals. This can be heard on such songs as "Miles Weatherhill", "The Golden Glove", "Courting is a Pleasure".Mike Raven.
Disc 1: # "Second Race" – 9:30 # "Willow Weep for Me" (Ronell) – 8:45 # "ABC Blues" (Brookmeyer)– 20:05 # "Sixty First and Richard" – 11:25 Disc 2: # "Body and Soul" (Heyman, Sour, Eyton and Green) – 7:10 # "Don't Get Sassy" – 10:25 # "Child Is Born" – 9:45 # "Fingers" – 14:10 # "Intimacy of the Blues" (Strayhorn) – 16:25 All songs composed by Thad Jones except as noted.
In the poem, Astrid Lindgren writes that if she were God, she would weep over the human beings, about their cruelty, despair, fear, torment, etc. In particular, she would weep for the children, since she never wanted things to be for them like they are now. She would cry floods of tears in which all her poor humans could drown, because then it would finally be quiet.
The rivalry between the brothers was ended by Charles Joseph's premature death from smallpox, two weeks before his sixteenth birthday. While his mother was sitting by his bed in tears, Charles Joseph told her: > You should not weep for me, dear mother, for had I lived, I would have > brought you many more tears!Mahan, 270. Charles Joseph is buried in the Imperial Crypt in Vienna.
Among them are albums like "Willow Weep for Me", "Witchcraft", "Take Five", "Cast Your Fate to the Wind", "GB", "Live in Concert", "The Electrifying George Benson", "The Most Exciting New Guitarist on the Jazz Scene", "California Dreamin'", "Lil Darlin'", "Masquerade", "The Masquerade Is Over", "Live at Casa Caribe", "All Blues", "Blue Bossa", "After Hours", "Golden Legends Live", "Jazz After Hours with George Benson" and many others.
Reprinted New York: Hermon Press, 1970. . The Gemara deduced from the use of the verb "came" in the account of "And Abraham came to mourn for Sarah and to weep for her," that Abraham delayed Sarah's funeral until he could travel to where her body lay. The Gemara further taught that Sarah would have been pleased that Abraham delayed her funeral so that he could eulogize her.
Kullervo asks his family who will weep for his death but none say they will. He sets off for battle. On his way to battle several messengers come to inform him of tragedy at his home, but he does not stop and carries on to Untamola. When he arrives he lays waste to Untamo's entire tribe and destroys all of the buildings, leaving nothing standing.
The hill's name can be translated as "Silla City Mountain." According to legend, the last king of Silla, King Gyeongsun, dwelt nearby after he gave up his throne to Taejo of Goryeo. Unable to return to Silla, King Gyeongsun would walk to the top of Dorasan and weep for his home in Gyeongju. Due to this historical significance, "Dorasan" was chosen as the name of the train station.
The name Old Book is the name given to a popular patient at the hospital. The well-liked Old Book worked as a gravedigger during his time at Peoria State Hospital. It is said that following burial services for deceased patients he would lean against an old elm tree and weep for the dead.Old Book and the Crying Tree, Historic Peoria, Cooperative Project: Bradley University and A5.com.
Only with this mark may the world know that Christians are indeed Christians and that Jesus was sent by the Father. The work is then ended with a short poem called Lament by Evangeline Paterson (p. 205): ::Weep, weep for those ::Who do the work of the Lord ::With a high look ::And a proud heart. ::Their voice is lifted up ::In the streets, and their cry is heard.
The King's body is carried to the Plaça de la Vila where a satiric eulogy is delivered while the townspeople eat salty grilled sardines with bread and wine, suggesting the symbolic cannibalism of the communion ritual. Finally, amid rockets and explosions, the King's body is burned in a massive pyre. "Ploranyeres" weep for the death of His Majesty and the loss of pleasure. Donkeys of Solsona, hung in the tower bell.
Upon Frigg's entreaties, delivered through the messenger Hermod, Hel promised to release Baldr from the underworld if all objects alive and dead would weep for him. And all did, except a giantess, Thokk, who refused to mourn the slain god. And thus Baldr had to remain in the underworld, not to emerge until after Ragnarok, when he and his brother Hod would be reconciled and rule the new Earth together with Thor's sons.
In some places bolotnitsa was considered to be more like a spirit that had no connections with the human race. Bolotnitsa was portrayed as a beautiful young girl with pale-white skin and goose legs instead of normal legs. To hide them, bolotnitsa would sit on a giant water lily, putting her legs under her. She would lure people into the swamp with a weep for a help, pretending that she is drowning.
As Consort Dowager Wang was facing death, she wept and stated, "My son was put into this position by the Khitan. What crime did he have to deserve death? Why not allow him to live, such that each year, at Cold Food Festival, he could sacrifice a bowl of wheat grains to the tomb of Emperor Mingzong?" It was said that whoever heard of what she said were touched to weep for her fate.
As Consort Dowager Wang was facing death, she wept and stated, "My son was put into this position by the Khitan. What crime did he have to deserve death? Why not allow him to live, such that each year, at Cold Food Festival, he could sacrifice a bowl of wheat grains to the tomb of Emperor Mingzong?" It was said that whoever heard of what she said were touched to weep for their fate.
During the sessions Cale cut two cover versions, "Willow Weep for Me" and "God Only Knows", which went unreleased. Another unused track, "Mary Lou", was released on the compilation album Guts. The album features a cover of "Pablo Picasso" originally by the Modern Lovers, a song which Cale had produced for the band's debut album. Cale re-recorded "I Keep a Close Watch" in 1982 for his album Music for a New Society.
Rowan London employs various vocal styles including operatic, shrieking, death growls and melodramatic tenor and baritone singing, and the music often features choirs. Occasionally the lead guitarist Samantha Escarbe plays faster tremolo riffs typical of extreme metal, such as on "Drink the Midnight Hymn" from the debut album. Sometimes there are longer, mellow and emotional guitar solos such as on "Weep for Me". A great deal of variety can be found in their music.
Yesterday's Gone is the debut studio album by English duo Chad & Jeremy. It was released in the United States in July 1964. The album contains three of their American hits: "A Summer Song", "Willow Weep for Me", and the title song, "Yesterday's Gone." The song "The Truth Often Hurts the Heart" was prominently featured in a January 1965 episode of the television program The Patty Duke Show, but was inexplicably never issued as a single.
Hitzig on , ; Movers, Phonizier, 1.196. T. K. Cheyne pointed out that the Septuagint reads simply Rimmon, and argues that this may be a corruption of Migdon (Megiddo), in itself a corruption of Tammuz-Adon. He would render the verse, "In that day there shall be a great mourning in Jerusalem, as the mourning of the women who weep for Tammuz-Adon" (Adon means "lord").T. K. Cheyne (1903), Encyclopædia Biblica IV "Rimmon".
In 1932, she produced the two more songs that gained her notoriety, "Rain on the Roof" and "Willow Weep for Me," the latter of which she dedicated to George Gershwin. In 1933, Ronell moved to Hollywood. There, she cowrote Disney's first hit song, "Who's Afraid of the Big Bad Wolf?" with Frank Churchill for the cartoon Three Little Pigs (1933). She was notable for being one of the only composers at the time to handle both music and lyrics.
She is paired with Quilaztli and was considered a protectress of the Chalmeca people and patroness of the city of Culhuacan. She helped Quetzalcoatl create the current race of humanity by grinding up bones from the previous ages, and mixing it with his blood. She is also the mother of Mixcoatl, whom she abandoned at a crossroads. Tradition says that she often returns there to weep for her lost son, only to find a sacrificial knife.
He kisses her and then leaves the cell, prompting Juliet to angrily threaten to kill herself with a knife. His final appearance in the play is in the cemetery where Juliet is "laid to rest" in the Capulet family tomb. Believing her to be dead, Count Paris has come to mourn her death in solitude and privacy and sends his manservant away. He professes his love to Juliet, saying he will nightly weep for her (Act V, Scene III).
In 1937, after the Spanish Civil War broke out, Delza created two anti-fascist works, We Weep for Spain and We March for Spain. She also performed in a "Dances for Spain" concert at the Adelphi Theatre that year, alongside fellow modern dancers Sokolow and Helen Tamiris. In 1948, Delza accompanied her husband, A. Cook Glassgold, to Shanghai. There, Glassgold worked for the American Jewish Joint Distribution Committee, coordinating post-war relief for Jewish refugees in the Shanghai Ghetto.
79 AD) and Isidore of Seville's Etymologies. Isidore asserts that the crocodile is named for its saffron colour (Latin croceus, 'saffron'), and that it is often twenty cubits () long. He further claimed that the crocodile may be killed by fish with serrated crests sawing into its soft underbelly, and that the male and female take turns guarding the eggs. Crocodiles have been reputed to weep for their victims since the 9th century Bibliotheca by Photios I of Constantinople.
61 Anaxarchus is said to have praised Pyrrho's "indifference and sang- froid."Diogenes Laërtius, Lives, ix. 63 Anaxarchus is said to have possessed "fortitude and contentment in life," which earned him the epithet eudaimonikos ("fortunate"), which may imply that he held the end of life to be eudaimonia. Plutarch reports that he told Alexander the Great that there were an infinite number of worlds, leading Alexander to weep, for he had not yet conquered even one.
Hermóðr arrives in Hel's hall, finds his brother Baldr there, and stays the night. The next morning, Hermóðr begs Hel to allow Baldr to ride home with him, and tells her about the great weeping the Æsir have done upon Baldr's death.Faulkes (1995:49–50). Hel says the love people have for Baldr that Hermóðr has claimed must be tested, stating: > If all things in the world, alive or dead, weep for him, then he will be > allowed to return to the Æsir.
Writing for Allmusic, music critic Richard Grinell called the original release "... prime, mature Wes Montgomery stretching out in full, with unbelievable confidence in his ear and technique at all times, experimenting now and then with mild electronic effects devices. The sound is oddly dim and shallow on the LP, which is surprising since the Smokln' album sounded so good." At the Grammy Awards of 1970 Willow Weep for Me won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
Her play Weep for the Virgins was produced by the Group Theatre in 1935, directed by Cheryl Crawford. It was about three working-class sisters dreaming of a better life, and its setting was based on her own experiences working in a California fish cannery. The New York Times called the production "humid and amorphous," and it ran for only nine performances. Come to the Dance, a comedy originally titled Happy Ending, was produced in Miami in 1959 at the Coconut Grove Playhouse.
His death is described in the story Cath Gabhra (The Battle of Gabhra), which pits the increasingly corrupt Fianna against the Army of the High King of Ireland, Cairbre Lifechair. Cairbre, aided by defected Fianna warriors loyal to Goll mac Morna, receives his death blow from Oscar, but mortally wounds him with his steel chains as his final act. Oscar's death causes Fionn to weep for the only time in his life, and serves as the final blow to the Fianna's strength.
Many aspects of the graphic novel are inspired by Ferris's childhood. Ferris was obsessed with monsters as a child, eagerly looking forward to Creature Features on Saturday nights, which had monsters she would weep for. Ferris had scoliosis, and to get attention on the playground, she told ghost and horror stories. The protagonist Karen's portrayal as a werewolf reflects how Ferris saw herself as a child—observing the oppressive social role her beautiful mother, as well as other humans, had to play.
The expression comes from an ancient anecdote that crocodiles weep for the victims they are eating. A collection of proverbs attributed to Plutarch suggests that the phrase "crocodile tears" was well known in antiquity: comparing the crocodile's behaviour to people who desire or cause the death of someone, but then publicly lament for them.Arnaud Zucker (ed), Physiologos: le bestiaire des bestiaires, Jérôme Millon, 2004, p.300. The story is given a Christian gloss in the Bibliotheca by early medieval theologian Photios.
I literally weep for joy at what God has > done and the future we have as Southern Baptists because of the victory that > has been won. In 1999, Pressler authored A Hill on Which to Die: One Southern Baptist's Journey, which examines his view of the convention resurgence. In 2002, Pressler was nominated without opposition to the position of the SBC first vice-president. He served alongside president Jack Graham of the large Prestonwood Baptist Church in Plano in North Texas.
During this latter period, Taylor's recordings with Whiteman included Willow Weep for Me (Victor 24187). This was the second recording ever of this future jazz standard by Ann Ronell and became a hit. She was also the vocalist on one of Whiteman's hottest 1930's recordings, "In The Dim Dim Dawning" (Victor 24189). Both songs were re-recorded 8 days later and were included in the rare 33 1/3 long play transcription (L-16017) along with "Take Me In Your Arms", sung by Jack Fulton.
Aedon accidentally killed Itylus "in her madness" and was stricken with grief and guilt. In pity, the gods turned her into a nightingale, which cries with sadness every night. In an explanatory scholium on this passage, an anonymous scholiast, echoed by Eustathius, explains that Aedon attempted to kill the son of her sister-in-law and rival, Niobe, but accidentally killed her own son instead: thus, the gods changed her into a nightingale to weep for eternity. The setting of the episode is Thebes.
When he has gone Juliet threatens to kill herself if the Friar cannot help her avoid this impending marriage. Paris's final appearance in the play is in the cemetery where Juliet, who has taken something to put her in a deathlike state, has been laid to rest in the Capulet family tomb. Believing her to be dead, Paris has come to mourn her in solitude and privacy and sends his manservant away. He professes his love to Juliet, saying he will nightly weep for her.
Being Myself is a 1998 studio album by Lena Horne, and was the final original studio album released during her lifetime. It came out shortly before she turned 81. Horne initially began work on the album in 1995; however, the project was left unfinished and Horne entered the studio in 1997 to record the songs presented in this album. Horne recorded three tracks for the original version of this album: "Black Is," "Chelsea Bridge" and "Willow Weep for Me." These tracks were later issued on the Blue Note compilation album Seasons of a Life.
However, to do this, Daimon had to regain his Darksoul and once again become the "Son of Satan". Daimon was re-imbued with his essence, but upon witnessing Daimon's "true face" of evil, Patsy went insane. Daimon kept her away from prying eyes in his estate at Fire Lake, where she spent most days asleep or babbling seemingly randomly. She would remain there until one day she regained enough sanity to weep for having brought back such evil into the world, and committed suicide with the aid of a being known as Deathurge.
Arent was elected to the Utah House of Representatives in 1996 where she has served as Democratic Whip and Assistant Democratic Whip. In 2002, because of legislative redistricting, she would have had to run against another incumbent Democratic representative to remain in her House seat. Rather than run for a fourth term in the House, Arent successfully ran to represent District 4 in the State Senate."Paul Rolly: Weep for the Disenfranchised," The Salt Lake Tribune, January 22, 2011 She served in the Utah Senate from 2003 through 2006.Rep.
After dreaming of how powerful Esteban must have been they decide to make him clothes because no one owns anything large enough to fit him. The pants they make are too small and the buttons on the shirt burst. The women then think about how he must have had to stoop to enter doorways and how he must have felt uncomfortable in the small homes. The women feel pity and sympathy for the man, who they silently compare to their own husbands, and they begin to weep for him.
There are no prominent or ancient rhetoricians who explicitly discussed the use of paradeigmata, but it can be seen clearly in various examples of literature. Homer's The Iliad (24.601-619) – Achilles is trying to encourage Priam to eat rather than continue to weep for his dead son Hector. He brings up Niobe, a woman that had lost twelve children but still found the strength to eat. He is trying to counsel Priam to do what he should by using Niobe as a paradeigma, an example to guide behaviour.
He told Sarah that Abraham had taken him to a mountain, built an altar, placed wood upon it, tied him down on it, and took a knife to slaughter him, and had God not told him not to lay a hand on him, Abraham would have slaughtered him. And as soon as he finished speaking, Sarah's soul departed. Thus the Midrash deduced from the words "Abraham came to mourn for Sarah, and to weep for her" in that Abraham came directly from Mount Moriah and the binding of Isaac.Midrash Tanhuma Vayeira 23.
Disc 1: # "Samba Con Get Chu" (Brookmeyer) – 13:05 # "Quietude" – 7:36 # "Cecilia Is Love" (Foster) – 6:28 # "I Love You" (Porter) – 5:55 # "And I Love You So" (McLean) – 7:31 # "That's Freedom" (H. Jones) – 9:04 # "The Second Race" – 10:31 # "Willow Weep for Me" – 9:19 Disc 2: # "Sixty First and Richard" – 12:00 # "Body and Soul" – 7:32 # "Don't Get Sassy" – 11:07 # "Child Is Born" – 10:17 # "Fingers" – 15:38 # "Intimacy of the Blues" (Strayhorn) – 18:31 All songs composed by Thad Jones except as noted.
Benitez, p. 88 Sessions at Spirit of Ranachan lasted until 27 July, during which the band taped and added overdubs to "Arrow Through Me", "Again and Again and Again", "To You", "Winter Rose", "Old Siam, Sir" and "Spin It On". Basic tracks were also completed for "Cage", a song that remained in the proposed running order for the album until early in 1979, "Crawl of the Wild", "Weep for Love", "Ballroom Dancing" and "Maisie". These last three compositions would all appear on solo albums by members of Wings between 1980 and 1982.
In 1933, Whiteman had a No. 2 hit on the Billboard charts with Ann Ronell's "Willow Weep for Me". In 1942, Whiteman began recording for Capitol Records, co-founded by songwriters Buddy DeSylva and Johnny Mercer and music store owner Glenn Wallichs. Whiteman and His Orchestra's recordings of "I Found a New Baby" and "The General Jumped at Dawn" was the label's first single release. Another notable Capitol record he made is the 1942 "Trav'lin Light" featuring Billie Holiday (billed as "Lady Day", due to her being under contract with another label).
On the third night Dana, the Mother, relieves Paul's pain by showing him that he was not to blame for Rachel's death and Paul is at last able to weep for Rachel. His tears break the drought. Nursed (grudgingly) back to health by Jaelle, High Priestess of Dana, Paul recovers and is named Pwyll Twiceborn, Lord of the Summer Tree. By now it is evident to all concerned that significant events are afoot, and when Mount Rangat explodes in a dramatic hand of fire reaching across the sky, there can be no doubt.
They became World Artists' most bankable act; Stuart said: "After that, the record company goes, 'Gee whiz, we've got a goldmine here, so let's start churning out those ballads, boys!'" The next single was a cover version of an Ann Ronell standard "Willow Weep for Me", which reached No. 15 on the US Hot 100 and No. 1 on the Easy Listening chart. All three hits were included on their 1964 debut album, Yesterday's Gone, which spent 39 weeks on the Billboard 200 and eventually peaked at No. 22.
Malgarini also took acting classes at the famed Young Actors Space in Los Angeles which earned him an agent and a manager. In 2002, Malgarini made his film debut in The United States of Leland (released in 2004), playing a six year old boy in flashback scenes. This was a rather challenging role for Malgarini, since it required him to weep for the first time on screen in a funeral scene. In 2003, he played the role of Harry Coleman in Disney's comedy hit Freaky Friday, starring Jamie Lee Curtis and Lindsay Lohan.
Later Tsume spends some time alone with Toboe's body and drops his tough facade to weep for his friend, even confessing the truth about his scar. After Earth's regeneration, Toboe is seen in a city in his human form holding an abandoned kitten. Hiroki Shimowada, who voices the character, felt that though Toboe was "young and inexperienced", he also acted as the go between for the other three, giving them a buffer or a bond as needed. He suggests that the other wolves keep him around because they view him as a kind son.
The aria begins with a long, c. 3 minutes, orchestral prelude. Élisabeth de Valois, a young French Princess whom the elderly King Philip II of Spain has married for political reasons, prays at the tomb of the former Emperor King Carlos V. She asks that he weep for her suffering and offer his tears to the Almighty on her behalf. She anticipates the arrival of her stepson and former fiancé Don Carlo, whom she has piously rejected after marrying his father the King in order to strengthen the alliance of their two nations.
The British version of the two-disc DVD contains two additional deleted scenes. In the first, Jesus meets the women of Jerusalem (at the eighth station of the cross) and falls to the ground as the women wail around him, and Simon of Cyrene attempts to hold up the cross and help up Jesus simultaneously. Afterwards, while both are holding up the cross, Jesus says to the women weeping for him, "Do not weep for me, but for yourselves and for your children". In the second, Pilate washes his hands, turns to Caiaphas, and says: "Look you to it" (i.e.
By 24 February 1969 it had been decided that Round the Horne could not continue without its star. As a result, the scripts for Series Five (which Horne had jokingly suggested should be subtitled 'The First All-Nude Radio Show') were hastily adapted into a new series for Kenneth Williams called Stop Messing About, which ran for two series but was widely judged a failure and discontinued in 1970. On the first day of recording the new show, Williams wrote in his diary that "I miss [Horne] dreadfully. I could weep for all that goodness gone from our atmosphere at the show".
The largest number of attacks comes from the Nile crocodile. Humans are the greatest threat to crocodilian populations through activities that include hunting and habitat destruction, but farming of crocodilians has greatly reduced unlawful trading in wild skins. Artistic and literary representations of crocodilians have appeared in human cultures around the world since at least Ancient Egypt. The earliest known mention of the story that crocodiles weep for their victims was in the 9th century; it was later spread by Sir John Mandeville in 1400 and then by William Shakespeare in the late 16th century and early 17th century.
Batten died, "after being but two days sick" on 5 October 1667. Pepys, despite their past bad relations, wrote that he was sorry for the death of a good neighbour. He did not attend the funeral, but took an interest in the quarrels between Lady Batten and her stepchildren over the size of her husband's estate; Lady Batten later complained that "she had been left a beggar." Pepys records his condolence call on the widow, noting that widows weep for their husbands, but soon leave off grieving, as is natural given the cares of the world.
The Billy Tipton Trio recorded two albums of jazz standards for Tops: Sweet Georgia Brown and Billy Tipton Plays Hi-Fi on Piano, both released early in 1957. Among the pieces performed were "Can't Help Lovin' Dat Man", "Willow Weep for Me", "What'll I Do", and "Don't Blame Me". In 1957, the albums sold 17,678 copies, a "respectable" sum for a small independent record label. In 1958, after the success of both albums, the Billy Tipton Trio was offered a position as house band at the Holiday Hotel casino in Reno, Nevada, as well as open for fellow musician Liberace.
Chad & Jeremy was an English musical duo consisting of Chad Stuart and Jeremy Clyde, which began working in 1962 and had its first hit song in the UK with "Yesterday's Gone". That song became a hit in the United States in the following year as part of the British Invasion. Unlike the rock-music sounds of their peers, Chad & Jeremy performed in a soft, folk-inflected style that is characterised by hushed and whispered vocals. The duo had a string of hits in the US, including "Willow Weep for Me", "Before and After", and their biggest hit, "A Summer Song".
Harrison published seventeen novels between 1934 and 1954 when he turned to writing detective fiction. He wrote pastiches of Conan Doyle's Sherlock Holmes and Poe's C. Auguste Dupin and was a noted Sherlock Holmes scholar. His most successful work, In the Footsteps of Sherlock Holmes, was published in 1958 and was followed by The London of Sherlock Holmes and The World of Sherlock Holmes. Harrison was awarded the Occident Prize for Weep for Lycidas (1934), was named Duke of Sant Estrella by the Kingdom of Redonda (1951), and was named Irregular Shilling by The Baker Street Irregulars of New York (1964).
These words in Act IV, i, in Rosalind's speech, "I will weep for nothing, like Diana in the fountain", may refer to an alabaster image of Diana which was set up in Cheapside in 1598. However, it should be remembered Diana is mentioned by Shakespeare in at least ten other plays, and is often depicted in myth and art as at her bath. Diana was a literary epithet for Queen Elizabeth I during her reign, along with Cynthia, Phoebe, Astraea, and the Virgin Mary. Certain anachronisms exist as well, such as the minor character Sir Oliver Martext's possible reference to the Marprelate Controversy which transpired between 1588 and 1589.
They were "Music in the Air" by Lou Rawls, and "Surfin' Safari" by The Beach Boys. Rowe told him, "you start today." Talmy joined Decca Records as an independent record producer (among the first in the U.K.) working with Decca's pop performers, such as Irish trio the Bachelors, leading to the release of the hit single "Charmaine". Once he struck out as an independent, Talmy also had success in the United States with his productions for Chad & Jeremy, including "A Summer Song" and "Willow Weep for Me" In 1963 Talmy met Robert Wace, the manager of a group called the Ravens who later changed their name to the Kinks.
After dropping out of the University of Maryland, she eventually moved to Los Angeles at the age of 20. Danquah gave birth to her daughter in 1991, and they lived with Danquah's then-boyfriend and the father of her daughter. After filing for a restraining order from her daughter's father on the basis of domestic violence, Danquah and her daughter moved back to Washington D.C. where her parents and sister still lived. While in D.C., Danquah recognized that she suffered from clinical depression, an illness that would become the basis for her memoir Willow Weep for Me: A Black Woman’s Journey Through Depression, which was published in 1998 to critical praise.
The book of Jubilees taught that it was ordained that the children of Israel should afflict themselves on the tenth day of the seventh month because that was the day that the news came to Jacob that made him weep for the loss of his son Joseph. His descendants thus made atonement for themselves with a young goat, for Joseph's brothers had slaughtered a kid and dipped the coat of Joseph in the blood, and sent it to Jacob on that day.Jubilees 34:12–20 (Land of Israel, 2nd century BCE), in, e.g., The Book of Jubilees or the Little Genesis, translated by Robert H. Charles (London: Black, 1902); reprinted in, e.g.
According to the reviewer Richard Brody, "Szwed traces the stories of two important relationships that are missing from the book—with Charles Laughton, in the 1930s, and with Tallulah Bankhead, in the late 1940s—and of one relationship that's sharply diminished in the book, her affair with Orson Welles around the time of Citizen Kane." To accompany her autobiography, Holiday released the LP Lady Sings the Blues in June 1956. The album featured four new tracks, "Lady Sings the Blues", "Too Marvelous for Words", "Willow Weep for Me", and "I Thought About You", and eight new recordings of her biggest hits to date. The re-recordings included "Trav'lin' Light" "Strange Fruit" and "God Bless the Child".
Tim Weatherald (born 31 July 1977) is a former Australian rules footballer with the Norwood Football Club and the Sturt Football Club of the SANFL. He played 253 games with the Sturt Football Club, but left in 2008 to join the Redlegs. He won the 2002 Magarey Medal,SANFL list of Magarey Medal winners jointly with his Sturt teammate Jade Sheedy, and that same year won the club's best and fairest and was a member of Sturt's 2002 premiership team.It was time for Tim to go He was part of the team celebrations that were cruelly cut short by the Bali bombingSturt players weep for teammate and wrote a book about his experiences.
It is styled as an Adagio on 2 Hebrew Melodies for Cello and Orchestra with Harp and consists of a series of variations on two main themes of Jewish origin. The first theme, which also lends the piece its title, comes from the Kol Nidre declaration, which is recited during the evening service on Yom Kippur. In Bruch's setting of the melody, the cello imitates the rhapsodic voice of the cantor who chants the liturgy in the synagogue. The second subject of the piece is quoted from the middle section of Isaac Nathan's arrangement of "O Weep for Those that Wept on Babel's Stream", a lyric which was penned by Lord Byron in his collection Hebrew Melodies (which also includes the famous poem "She Walks in Beauty").
In 407, Murong Xi built a new palace for Empress Fu, Chenghua Palace (承華殿), using so much dirt in the project that dirt was described to become as expensive as grain. In summer 407, Empress Fu died. Murong Xi mourned her so much that he ordered that a magnificent tomb be built for her, and also forced his sister- in-law, Princess Zhang of Gaoyang (Murong Long's wife) to commit suicide so that she could be buried with Empress Fu. The officials were all forced to weep for Empress Fu, with those who could not shed tears punished severely, so they put chili peppers in their mouths to stimulate tear production. Eventually, Murong Xi accompanied Empress Fu's funeral procession out of Longcheng.
It became the title track of his album. The album also included three previously unreleased Laine compositions—"Send Me The Heart" (co-written by Paul McCartney), "I Would Only Smile", and "Weep for Love"—that had been recorded by different versions of Wings between 1972 and 1978 with Laine singing lead. In addition, it featured remakes of the Moody Blues' 1965 hit "Go Now", which Laine and Wings performed on tour, and a 1967 Laine composition, "Say You Don't Mind", that had become a top-20 UK hit in 1972 for Colin Blunstone. Two other songs featured the short-lived Denny Laine Band, which included fellow Wings member Steve Holley on drums, Andy Richards on keyboards and Laine's wife Jo Jo on backing vocals.
Ronell's work scoring films was influential in the field. Her score for The Story of G.I. Joe was the first drama to feature a theme song sung over the credits. She was also the first to produce a record from a film score, which she did with Ladies in Retirement. In 1942, Ronell became the first woman to write both the music and lyrics for a broadway show with Count Me In. "Willow Weep for Me," Ronell's most famous song, has been recorded by such notable artists as Billie Holiday, Cab Calloway, Louis Armstrong and Ella Fitzgerald, Barbra Streisand, Frank Sinatra, Nina Simone, Nancy Wilson, Dinah Washington, Ray Charles, Lena Horne, Julie London, Tony Bennett, Sarah Vaughan June Christy, and Chad & Jeremy, who's version became a top 20 single hit in 1965.
"The Ball", another old Italian poem, says that the wisest of men lose their heads over love, but love resists the sun and ice and all else. "Motettu de tristura" comes from SardiniaSalvatore Cambosu, Miele amaro, Firenze, Vallecchi, 1954, 176–177; Giulio Fara, L'anima della Sardegna: la musica tradizionale, Roma, Istituto delle Edizioni Accademiche, 1940, 58: in Giulio Angioni, L'usignolo triste, in Tutti dicono Sardegna, Cagliari-Sassari, EDeS, 1990, 116–119 and apostrophizes the nightingale: "How you resemble me as I weep for my lover... When they bury me, sing me this song." The next two songs are also found in Joseph Canteloube's Chants d'Auvergne and are in the Occitan language. "Malurous qu'o uno fenno" poses the eternal marital paradox: he with no spouse seeks one, and he with one wishes he had none.
The Sacrifice of Isaac (painting circa 1590–1610 by Caravaggio) A Midrash deduced from the words "Abraham came to mourn for Sarah, and to weep for her" in that Abraham came directly from Mount Moriah and the binding of Isaac. The Midrash told that at the very moment in that the angel of the Lord stayed Abraham from sacrificing Isaac, the Satan appeared to Sarah in the guise of Isaac. When Sarah saw him, she asked what Abraham had done to him. He told Sarah that Abraham had taken him to a mountain, built an altar, placed wood upon it, tied him down on it, and took a knife to slaughter him, and had God not told him not to lay a hand on him, Abraham would have slaughtered him.
Finally, Kullervo asks his mother if she'll weep for him, and she replies that she will, even if she knows him to be wrong. Kullervo hardens his heart and refuses to reconsider, and goes to war full of haughty pride, singing and playing his horn. Kullervo Sets Off for War, Akseli Gallen-Kallela, 1901 He becomes so obsessed with his revenge that even as he learns of the deaths of his family members during his journey, he doesn't even stop to honour their deaths, apart from weeping a little for his mother—yet he does not pause in his quest for revenge. He prays to the high god Ukko to get from him a magical broadsword, which he then uses to slay Untamo and his tribe, sparing no one, burning down his entire village.
Original LP # "I Want a Little Girl" (Murray Mencher, Billy Moll) - 7:03 # "Gee Baby, Ain't I Good to You" (Andy Razaf, Don Redman) - 5:20 # "Blue Riff" (Gene Harris) - 6:26 # "Since I Fell for You" (Buddy Johnson) - 8:46 # "Willow Weep for Me" (Ann Ronell) - 9:55 Bonus tracks on Blue Hour: The Complete Sessions CD 2: # "Blues in the Closet" (Pettiford) - 5:00 # "Just in Time" (Comden, Green, Styne) - 5:40 # "Gee Baby, Ain't I Good to You" [Alternate Take] - 5:33 # "Where or When" (Hart, Rodgers) - 7:00 # "Blue Hour" (Gene Harris) - 5:14 # "There Is No Greater Love" (Jones, Symes) - 8:24 # "Alone Together" (Dietz, Schwartz) - 4:40 # "Strike up the Band" (George Gershwin, Ira Gershwin) - 5:24 Recorded on December 16, 1960 (original LP & CD 2 tracks 1-3) and June 29, 1960 (CD 2 tracks 4-8).
The title changed to Pop-Standard Singles in the issue of Billboard dated May 1. With effect from the issue dated June 5, 1965, however, the magazine dropped the Pop-Standard listing and began compiling an Easy Listening top 40 wholly independently of the Hot 100, based on playlists submitted by easy listening radio stations and sales reports submitted by stores. At the time, Billboard promoted the revamped listing as a brand new chart, with each song in the June 5 issue shown as being in its first week on the chart, but the magazine now regards the charts before and after the methodology change as one unbroken lineage. On the first chart of 1965, the number one song was "The Wedding" by British singer Julie Rogers, which held the top spot for three weeks before being replaced by another British act, Chad & Jeremy, with their single "Willow Weep for Me".
Maupassant also uses the characters as a mouthpiece for his views on the futility of the war; the character's sadness on seeing Mont-Valérien shelling German soldiers reflects this, mourning the pointless loss of life in both countries, and that countless girlfriends, wives, mothers, and children in both France and Prussia will weep for the loss of their loved ones in a pointless war. Despite mourning the loss of Prussian soldiers, Maupassant maintains his stereotyping of German soldiers in this story. While Maupassant is careful to develop the individual characters of Morissot and Sauvage, he portrays the German soldiers who capture the two, and the soldiers in the restaurant, as faceless men who do not count as individual human beings, but simply as stereotyped representatives of the German race. The officer, like German officers in Maupassant's other works, is portrayed as a cold-hearted, unfeeling automaton.
The reaction of the audience in the reenactment of the Battle of Karbala’ episode is significant for the strengthening of distinct Shia identity and the weeping over the killing of Husayn ibn Ali and his follower is one of these reactions. There is close relation between the lamentation and weeping. According to the narration, Shia Imams had emphasized to weep for them, so it had transmitted to future generation. According to Shia tradition, the weeping and the flow of tears provides condolences to Imam Husayn's mother and his family, as the living relatives (mostly women and children) were not allowed to weep or lament over their martyred family which involved Imam Husayn's, his family (including his two sons, a six-month-old baby martyred by an arrow/spear to his neck and another 18 year who took a spear to his heart) and his companions.
" Kevin Liedel of Slant Magazine expressed that the album "is not so much a stylistic departure as it is a stark transformation of mood: Though still an expert dabbler in gravelly electro-pop, Li sounds positively dangerous now, her voice tormented, biting, and weapon-like, and her accompaniments following suit." Sean Fennessey of Spin stated that the album is "equal parts seething ice princess and lonely snowwoman, vacillating almost track by track between fury and despondence over a scotched relationship", adding that "[t]he dual objectives—weep for me, fear me—collide throughout, creating a dicey, but gripping album." In a review for Pitchfork, Stephen M. Deusner viewed Wounded Rhymes as "an album of stark, scintillating contrasts: between fantasy and reality, between the powerful and the vulnerable, between the brash and the quiet, between the rhythmic and the melodic." Amanda Petrusich of Entertainment Weekly commented, "While her 2008 breakout, Youth Novels, was quirky and coy, Wounded Rhymes is hungry, dark, dirty.
Sir James George Frazer, the anthropologist who is most directly responsible for promoting the concept of a "dying and rising god" archetype The late nineteenth-century Scottish anthropologist Sir James George Frazer wrote extensively about Tammuz in his monumental study of comparative religion The Golden Bough (the first edition of which was published in 1890) as well as in later works. Frazer claimed that Tammuz was just one example of the archetype of a "dying-and-rising god" found throughout all cultures. Frazer and others also saw Tammuz's Greek equivalent Adonis as a "dying-and-rising god". Origen discusses Adonis, whom he associates with Tammuz, in his Selecta in Ezechielem ( “Comments on Ezekiel”), noting that "they say that for a long time certain rites of initiation are conducted: first, that they weep for him, since he has died; second, that they rejoice for him because he has risen from the dead (apo nekrôn anastanti)" (cf. J.-P.
Temple's original title was Weep for Tomorrow, but this was changed before the play went into production.Anthony Aldgate, James C Robertson, Censorship in Theatre and Cinema, Edinburgh University Press 2005 In her stage directions, Temple offered the following description of the central figure, Mrs Voray: "She is about 40, and her black hair, lately 'permed', hangs in curls about her shoulders, making her look rather older than she wishes to appear. Her face is clumsily made-up. She is fond of glassy-looking satin blouses in crude colours ... A cigarette hangs from her lips."Joan Temple, No Room at the Inn, in Embassy Successes II 1945-1946: National Velvet, Skipper Next to God, No Room at the Inn, Sampson Low, Marston & Co 1946 Directed by Anthony Hawtrey, No Room at the Inn opened at the Embassy Theatre in Swiss Cottage, north London on 10 July 1945, with Freda Jackson, Ursula Howells, Joan Dowling and Ruth Dunning heading a cast of 14.
Jones developed an intricate, rhythmically complex fingerpicking and strumming guitar style. He started off playing in standard guitar tuning (EADGBE) but then gravitated towards a variety of open tunings after hearing the recordings of Martin Carthy, whom he acknowledges as an important influence. These included tunings such as the well-known DADGAD, but also variants of Bb,C and G major/minor/modal tunings heard on such tracks as for"Canada-I-O" (Bb F Bb F Bb C) and similarly but with a capo for "Billy Don't Weep For Me".These tunings are: G major (D G D G B D); G minor (D G D G Bb D); G modal (D G C G C D); C major (C G C G C E); C minor (C G C G C Eb); C modal (C G C G C D). Jones was also influenced by classical and flamenco guitar playing.
In 407, Murong Xi built a new palace for Empress Fu, Chenghua Palace (承華殿), using so much dirt in the project that dirt was described to become as expensive as grain. In summer 407, Empress Fu died. Murong Xi mourned her so much that he ordered that a magnificent tomb be built for her, and also forced his sister- in-law, Princess Zhang of Gaoyang (Murong Long's wife) to commit suicide so that she could be buried with Empress Fu. The officials were all forced to weep for Empress Fu, with those who could not shed tears punished severely, so they put chili peppers in their mouths to stimulate tear production. Eventually, Murong Xi accompanied Empress Fu's funeral procession out of Longcheng, and after he left, the soldiers in the city mutinied under the command of the general Feng Ba, and they made Murong Bao's adoptive son Murong Yun emperor (as Emperor Huiyi).
Morris House which served as the headquarters of both the American and the British Forces during the War and in which Gordon died Gordon's bedroom in the Morris House Gordon was the hero of the Asgill Affair: he remained at Asgill's side throughout his ordeal, never once leaving, unless on a mission to save his life. Not only did he offer to go to the gallows in Asgill's stead, saying: “I wish to God they would take me in your place; for I am an old worn out trunk of a tree, and have neither wife nor mother to weep for me. But even to that they will not consent; so all that I can undertake to do is, to accompany the unfortunate individual, whoever he may be, to the place of his martyrdom, and to give him every consolation and support while life remains, and to obey his wishes after it is taken away.” Having nobody to mourn his loss, was, of course, a lie - the most honourable of lies, overlooking that he had a mother, a brother and four sisters.
The third and longest extract, which is also the most historically interesting and the most beautiful, is seventeen verses from a lament on the death of "the son of Roger the Frank, lord of Sicily". Below are four verses: :The radiant moon has been extinguished and the world grown dark :and our support has tumbled from its grandeur and its nobility :Ah, just when he stood tall in his beauty and his majesty, :and when glories and nations felt proud of him :... :His war-tents and his palaces weep for him :and his sword and his lances lament him :And the whinnies of his horses turn, in their throats, :to nostalgia, though reins and halters restrain them. . . The son is not named, but the poem suggests that he had recently come of age at the time of his death, making Tancred (died 1138/40) or Alfonso (died 1144), who both died in their teens or early twenties, the most likely subjects. Beside these three extracts, ʿImād ad-Dīn also quotes some verses of Abū l‐Ṣalt Umayya that were sent to Abū l-Ḍawʾ.
Most videos enable users to leave comments, and these have attracted attention for the negative aspects of both their form and content. In 2006, Time praised Web 2.0 for enabling "community and collaboration on a scale never seen before", and added that YouTube "harnesses the stupidity of crowds as well as its wisdom. Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred". The Guardian in 2009 described users' comments on YouTube as: In September 2008, The Daily Telegraph commented that YouTube was "notorious" for "some of the most confrontational and ill-formed comment exchanges on the internet", and reported on YouTube Comment Snob, "a new piece of software that blocks rude and illiterate posts". The Huffington Post noted in April 2012 that finding comments on YouTube that appear "offensive, stupid and crass" to the "vast majority" of the people is hardly difficult. On November 6, 2013, Google implemented a comment system oriented on Google+ that required all YouTube users to use a Google+ account in order to comment on videos.
1951 Capitol Records 78 single by Les Paul and Mary Ford, 1451.1951 sheet music for the Les Paul and Mary Ford recording, Chappell, New York. The earliest recorded hit version was by Benny Goodman & His Orchestra, featuring vocalist Helen Forrest. It was recorded on February 7, 1940, and released by Columbia Records as catalog number 35391, with the flip side "Fable of the Rose". The Les Paul Trio recorded a version released as V-Disc 540B with a spoken introduction which was issued in November, 1945 by the U.S. War Department. In 1948, bandleader Stan Kenton enjoyed some success with his version of the tune. The recording, with a vocal by June Christy, was released by Capitol Records as catalog number 911 (with the flip side "Willow, Weep for Me") and 15117 (with the flip side "Interlude"). It reached the Billboard magazine Best Seller chart on July 9, 1948, its only week on the chart, at #27. A recording of the song by Les Paul and Mary Ford was made on January 4, 1951. The record was released on March 26 by Capitol Records as catalog number 1451, with the flip side "Walkin' and Whistlin' Blues", and spent 25 weeks (beginning on March 23, 1951) on the Billboard chart, 9 weeks at #1.

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