58 Sentences With "way of acting" | Random Sentence Generator

But the North Koreans have a way of acting out when they feel ignored.

"They use it as a way of acting out or gaining attention," he says.

This is, as I see it, God's primary way of acting in the world: through our human emotions.

It becomes a way of acting against social and cultural expectations — the act of infringing upon taboos becomes the source of need.

In the wake of a disaster, he found that the Privacy Act stood in his way of acting on behalf of his constituents.

" • "Yet through all of this, former employees of the company have told me, Holmes had a bizarre way of acting like nothing was wrong.

"I'm a minority owner in my own name, which is a familiar way of acting in the fashion business, but is most unusual in our game," Mr. Dixon said.

It's important to remember that women and GNC musicians playing throughout the '90s and early 2000s often had to adjust their appearance, music and way of acting in order to survive.

Final delightful topping to all of this: Christine just started her hacking tutorial website as her way of acting in the spirit of International Women's Day, which was exactly a week ago.

It's more about how important childhood is in the way we grow up and we end up being, how much of an effect it has on our personalities in a way of acting in life.

Cunanan is also sometimes just bitchy and hearing him say things like "when I found you" makes me uncomfortable, because Cunanan has this manipulative way of acting like he "made" people, and that they owe him big time.

"This is a playful way of acting out my anticipated relationships rather than just internalizing them," the 28-year-old explains from her studio in Dalston, East London, which resembles the backstage of a theater thanks to piles of props, costumes and scenery.

At the end of the last book of the series, however, Rilla matures into a good, accomplished young woman and loses her childish immature way of acting and thinking.

This way of acting is referred to as a cold to hot empathy gap where someone with cold empathy does not realize the full effect of their actions on others.

They learn to walk by repeatedly moving and balancing, judging the efficiency with which these means achieve their instrumental goal. When they master this new way-of-acting, they experience great satisfaction, but satisfaction is never their end-in-view.

Somalis are now majority Muslims. However, with more connection to outsiders recently there has been emarging non-islamic faiths. Though the somali people pride themself in Islam; a religion of peace. They have long way of acting on this peaceful & diverse religion.

She was described as dignified and with a great feeling for her costume, which was designed by the actors themselves. However, when the "new style" of acting was introduced onto the stage in 1808, her way of acting then became unfashionable.Lisbet Jørgensen.

She was finally to be one of the most well known actors in Gothenburg, where she was active in 1870–90. Rylander was popular within comedies. Her most noted roles were Fadette in Syrsan and Opportune in Fregattkaptenen. Her way of acting was described as warm and jolly.

Stratford in The New York Times O'Brien is the founder and director of the New World Shakespeare Lab, a New York City group which experiments with rehearsal techniques and seeks to find a more spontaneous way of acting Shakespeare. He lives in New York, NY with his wife, Jane, and his two children, Leo and Jenne.

The majority of the trapped people completely change their normal way of acting and attempt to make amends for the things they regret having done. Billy asks Poppy for her forgiveness and professes his love for her. The two brokers, who have been lifelong enemies, shake hands. An ex- minister converts a crooked politician who had destroyed his home.

Wattier was the student of Marten Corver and is remembered as an example of the new natural way of acting, which became fashionable during her time at the stage. She was described as a natural talent, expressive and with s beautiful voice. In 1800, she was the highest-paid actor in the Netherlands. In 1806, Louis Bonaparte invited her to perform in Paris.

In a metaphorical sense, the French language also uses the expression to typify any privileged view of an observer (such as in "he had the eye of the prince when he was covering Iraq's war"), or also in a way of acting so as to please the privileged observer (such as in "he tried to conquer the eye of the prince in his report").

An internal audit was held and the parents sued the doctor. In October 2011, the competent judge found her guilty of negligent treatment. She received a suspended sentence of ten months in prison with a two-year probation. The court established that the correct way of acting would have been to immediately transfer the boy to the endocrinology department of the University Medical Centre in Ljubljana.

Semenova became a student in the Saint Petersburg Theatre School in 1790 where she was instructed by Ivan Dmitrevsky and debuted at the stage in 1797. She eventually became the leading interpreter of plays of William Shakespeare, Jean Racine, Friedrich Schiller and Vladislav Ozerov. She was coached by director Prince Alexander Shakhovskoy and the poet Nikolay Gnedich. Semenova was admired for her beauty, deep voice and passionate way of acting.

Søren Kierkegaard called her an interpreter of femininity. She was one of the strongest speakers in favour of a realistic way of acting at the theatre. She was married in 1823 to the Norwegian violinist Frederik Thorkildsen Wexschall, (separated in 1831) and in 1834 to the actor Peder Nielsen and had one daughter. The fact that she divorced her second spouse in order to marry another was considered scandalous.

Her best remembered part was the title role of Mérope by Voltaire in the 1777–78 season after her marriage, where according to the papers, she "was given lively approval" by the audience. Other roles was Corinna in Acis and Galathea by Händel, and Euridyce in Oprpheus by Glück. She was described as unanimously admired, with a "noble" and versatile way of acting. She married the cashier Gustaf Wigert in 1776.

August Strindberg admired her natural way of acting while Fritz von Dardel called her a beautiful but talentless adventurer who was given a place at the royal theatre because of her affair with the monarch. From 1874, she toured the country with her own theatre company, where among others Albert Ranft had his debut. She retired from the stage after her marriage to a factory owner Bosse in Copenhagen.

Gunn Wållgren (born Gunnel Margaret Haraldsdotter Wållgren ; 16 November 1913 - 4 June 1983) was a Swedish actress. Considered one of Sweden's finest and also to date most appreciated actresses, Wållgren was famous for her fragile and sensual way of acting, her warm and rich inner soulfulness, and her never failing ability of presenting an absolute presence and naturalness on stage. Her Chekhov and Ibsen character interpretations, in particular, are considered to be unsurpassed.

She encouraged Knut in his interest for the theatre, and after his graduation in 1848, they convinced his father about his preference. In 1851, he joined the troupe of Pierre Deland, where he married his colleague Betty Deland. He was employed at the theatre Mindre teatern in Stockholm in 1861, and in the Royal Dramatic Theatre in 1863. He was regarded as having a natural way of acting and was referred to as a genius in comedy.

Asad's work critiqued the notion that there were universal characteristics of ritual to be found in all cases. Catherine Bell has extended this idea by shifting attention from ritual as a category, to the processes of "ritualization" by which ritual is created as a cultural form in a society. Ritualization is "a way of acting that is designed and orchestrated to distinguish and privilege what is being done in comparison to other, usually more quotidian, activities".

Suzuki has articulated his theories in a number of books. A collection of his writings in English, The Way of Acting, is published by Theatre Communications Group (US). He has taught his system of actor training in schools and theatres throughout the world, including The Juilliard School in New York and the Moscow Art Theatre. The Cambridge University Press published The Theatre of Suzuki Tadashi as part of their Directors in Perspective series, featuring leading theatre directors of the 20th century.

Notably, the Speed Buster closely resembles the Ferrari Testarossa featured in the original OutRun. Each car has its own set of a driver and passenger character, and have their own unique ending vignette if the player makes it to a goal. Each character set also has their own way of acting when their car crashes (Flying through the air, bouncing like balls, running after the car, etc.), but unlike their OutRun counterparts, they always land right back in the car and keep going without stopping.

Augusta Schrumpf did not belong to a particular genre, but performed all sorts of parts, from tragedy to vaudeville. She was described as natural, warm and sensitive in her way of acting. In 1837, when the theatre was re-opened under the new name Christiania Theatre, she played Hildur in Kung Sverres ungdom by A. Munchin the inauguration performance. Among her roles were Fenella in La muette de Portici by Daniel Auber (1843), where she received much praise, and Angela in Le domino noir by Auber.

When Wood turned 18-years-old in the summer of 1901, he and a companion began a year-long trek across the United States, ultimately arriving in Los Angeles where Wood embarked on a successful career as a real estate broker. By 1906, the then-primitive film industry in Southern California enticed Wood to gain entrée into the nascent industry by way of acting, adopting the screen name "Chad Applegate." He carefully concealed his (then regarded) ill-reputed avocation from real estate associates.and clients.

She was accepted as a student at the theatre, where she was given Johanne Rosing as her mentor. She debuted in the title role of Dyveke by on the Royal Danish Theatre in Copenhagen in 1821, and made a great success. She was described as versatile, with a fine singing voice, vivid, and recommended for her natural, sensitive and poetic way of acting, her best interpretation were repressed but strong emotion. Initially much used for the leading roles of heroine, she eventually performed all sorts of parts.

He also ordered that the admission to the seminary was to be decided by the Church only without any interference by the Senate. Durazzo also conducted mercantile business in addition to his ecclesiastic work. Another important reason of his conflict with the ancient aristocracy of the town was his subtle pro-France attitude which he shared with Pope Urban VIII, who made him cardinal, and with the Barberini family. Between June 1640 and November 1642 he was appointed Legate in Bologna which he ruled with his usual authoritative way of acting.

Identical triplets Jai, Lava, and Kusa are being taken care of by their maternal uncle. Jai, who is fond for his brothers, always gets beaten by his maternal uncle, who shows partiality to only Lava and Kusa due to Jai's battarism. They have different personalities and seek a humble life by stage drama performances. The maternal uncle allowed only Lava and Kusa to act in drama performance, while Jai is not allowed due to his stammering disability, although Jai has a talent in speech delivery and also in way of acting.

He started his career as a child actor at the National Theatre of Szeged, and wanted to study liberal arts, but eventually changed his mind and was admitted to the Academy of Drama and Film in Budapest. After his graduation in 1981, he joined the National Theatre of Pécs. In 1985 he signed on to the Gergely Csiky Theatre of Kaposvár, which was a leading Hungarian theatre of the time. Kulka considers these years to have a huge impact on his way of acting, and benefitted much from this experience later in his career.

The true opposition is not to be sought between some material > conformity to the physiological processes of nature and some artificial > intervention. For it is natural to man to use his skill in order to put > under human control what is given by physical nature. The opposition is > really to be sought between one way of acting which is contraceptive and > opposed to a prudent and generous fruitfulness, and another way which is, in > an ordered relationship to responsible fruitfulness and which has a concern > for education and all the essential, human and Christian values.

By 1858, Westerdahl was considered an example of the outdated old recitative way of acting. When she wished to play one of her old heroine parts, she was told: "Madam is too old!" At this point, she was described as overweight, a drunk and with a frivolous mouth, but talented in comedy, and she was recommended by August Bournonville as an example of good instinct and fantasy in contrast to mere education. Fanny Westerdahl formally retired with a pension in 1862, but was active as a guest actor for several years afterwards.

Such a way of acting on the part of the Syrians seemed very normal, but the unexpected act was the change in their destination from Great Britain towards the Syrian capital. A scientific medical team representing the British Royal Family began communications and dialogues with a group of Syrian physicians in Damascus in search for the cupping operation for the treatment of the hereditary disease, hemophilia. The disease confirmed its recovery in a number of sick people in Syria by means of cupping operationsAzzaman newspaper, Printed in Baghdad, London and Beirut, Editor in Chief Saad Albazzaz, No. 1004, 27 Aug 2001”.

The Rabbi Martin Katzenstein Award was established in 1979 by the Harvard Divinity School Alumni/ae Association "to honor among its graduates one who exhibits a passionate and helpful interest in the lives of other people, an informed and realistic faithfulness, an embodiment of the idea that love is not so much a way of feeling as a way of acting, and a reliable sense of humor." Harvard Divinity School Website It is named for Rabbi Martin Katzenstein, ThM '58, who was Acting Dean of Students when he died in 1970 and was passionately involved with the school for many years.

And he taught me "cat's cradle" with a string. We > walked together hand in hand, silent frequently, but at other moments > talking of our surroundings, and he called me habitually "my pet," or "my > big pet," which made me very proud. I was not at all afraid of him, for he > had a charming, gentle way of acting always, and though his face was > generally grave, now and then a sudden gleam lighted up the eyes and made > them seem to smile in answer to my chatter. In 1889, President Benjamin Harrison appointed Julia's father as United States minister to Austria-Hungary.

When she married Westerlund in 1827, Lempke reportedly agreed to a divorce only with the condition that he was given an employment in the troupe for life, a condition which he was granted. After touring in Sweden, she spent her career touring in most cities in Finland. She is described as a beauty with a warm and intelligent way of acting. Among her parts were the title role of Johanna af Montfaucon by Kotzebue, Ophelia in "Hamlet", Emma von Falkenstein in "Korsfararne" (Crusaders) by Kotzebue and Siri Brahe in Siri Brahe och Johan Gyllenstierna by Gustav III of Sweden.

After graduating from high school Mitsushima moved to Tokyo from Okinawa, he worked as an after-school childcare worker there, and became a production director for the film Be Sure to Share. After living in Tokyo for about two years, he took a chance to cycle around Japan for seven months from May to November 2009. Mitsushima traveled around the country from Hokkaido to Kagoshima Prefecture. On the street, he saw posters, signboards, and magazines of a film in which his older sister appeared and realized that his sister "impressed a lot of people" and he has "to work hard as well", and came to aim for the way of acting.

He owed his role to the way he performed his high office as well to his position of confidence with the Royal Family. In various affairs the royals faced, Beel's taciturn way of acting on behalf of the monarchy and his prudent pulling the strings behind the scene as Vice- President of the Dutch Council of State gave him the nickname 'The Sphinx'. The power he derived from both positions christened him "Viceroy of the Netherlands". The authority of Beel and his controlling influence in political circles became manifest when new cabinets had to be formed or cabinet crises had to be warded off.

Marquand’s Moto books are all generally about a clash of cultures between Asia and the West. In this novel, however, Nelson represents both the American and the Chinese way of thinking. Written in the first person from his point of view, Nelson admires the Chinese but is constantly reminded that he will never be part of their culture. Sometimes Nelson is praised by this Chinese friend Prince Tung for displaying the proper Chinese way of acting, and sometimes he is chastised for being too illogical, too Western. However, it was Eleanor Joyce’s highly illogical action of grabbing the bandit’s gun that ultimately saves their lives.

Her career lasted longer than most actors of her generation: most of her generation of actors retired after the 1809-10 season, while she remained until 1818. During her last years on the stage, she was criticized for being to melodramatic in her way of acting; she acted in accordance with the French school, which had by then became unfashionable. In 1818, she retired with a full pension. Maria Franck had, in parallel with her acting career, given lessons in declamation, and in 1819, the year following her retirement from the stage, she was engaged as the principal of the acting school Dramatens elevskola, a position she kept until 1823.

Pyramids in Giza In his visionary world, architecture instrumentalizes the continuous transformation of the human being as its user who becomes its creator, giving it meaning and content through their way of acting in space. All individuals, whether they have an architectural background or not, should become creators of this new world. A person devoid of architectural education is called upon to act as an architect and in parallel, the architect needs to act upon as a person with no architectural background. To this end, Woods saw a parallelism between the designer of a building and the creator of a pyramid who follows forms imposed by those who represent, express, dominate, and exploit others’ obedience to regulatory rules.

Whereas first-order disclosure involves an implicit, unconscious and largely passive relation to meaning, reflective disclosure is an explicit re-working of meaning and the terms used to make sense of ourselves and the world, through the "refocusing" or "de-centering" of our understanding. Reflective disclosure is thus a way of acting back upon conditions of intelligibility, in order to clarify or reshape our background understanding. Because of this, reflective disclosure also affects conditions of possibility by impacting on such basic questions as "what counts as a thing, what counts as true/false, and what it makes sense to do."Hubert Dreyfus, "Being and Power: Heidegger and Foucault," in International Journal of Philosophical Studies 4, 1 (March 1996): 4.

Perhaps most significantly, the Deland company inaugurated the Swedish Theatre in Helsinki, the Finnish national stage, upon its foundation in the 1860–61 season, and it was from among its members the first permanent staff of the Finnish national stage was hired. As an actor, Pierre Deland was described as well educated and versatile. He instructed his students in the more realistic way of acting and speaking which was at that time an innovation. Deland was considered best in comedy, though only "finer comedy", and preferred to stage so called French salon comedies, a popular genre of the time, and one in which he was well suited: according to critics, he was not suited for tragedy, nor for more burlesque forms of comedy.

Thus we become a victim, as it were, along with Christ to increase the glory of the eternal Father."Pope Pius XII enc, Mediator Dei, 102 Assuredly it is a wise and most laudable thing to return in spirit and affection to the sources of the sacred liturgy. For research in this field of study, by tracing it back to its origins, contributes valuable assistance towards a more thorough and careful investigation of the significance of feast-days, and of the meaning of the texts and sacred ceremonies employed on their occasion.Mediator Dei 62 Pius XII wrote that exaggerated reforms have harmful effects on spirituality: "This way of acting bids fair to revive the exaggerated and senseless antiquarianism to which the illegal Council of Pistoia gave rise.

She was a director and leading lady at a Scandinavian experimental theater founded by Strindberg in Copenhagen in 1889, where she played the title role in Miss Julie and Mme X in The Stronger.Robinson (2009, xxii) She worked as an acting tutor in Helsinki from 1894; one of her students was Martha Hedman. Although critics generally commended her grace, her natural way of acting, and the intelligence of her interpretations, they also noted that her performances lacked energy and passion and that she had a weak voice. Strindberg wrote several plays for her that were designed to showcase her acting style—among these are counted Miss Julie and The Creditors (role of TeklaRobinson (2009, 170)—and she is considered to have succeeded best in these roles.

Mei Lanfang used to make suggestions to Baojiu in order to make the performance of Baojiu perfect when Baojiu was young. Once, after watching the play The Story Of Sue San (), in which Baojiu performed, he came to Baojiu and suggested that Baojiu change the way of acting the spoken parts. He mentioned that it was the most exciting time when the heroine, Sue San, got the Senior judge. For this reason, Baojiu should speak infectiously, he should speak faster and faster to create tension.Li Zhongming (李仲明), The Family of Mei Lanfang (梅兰芳家族) Page 96 Baojiu also got a chance to share the stage with some prestigious senior performers, such as Xiao Changhua (), Jiang Miaoxiang () and Yu Zhenfei ().

This alternative social explanation complicates the interpretation of neat causality between hormones and behavior. The way that parents communicate with their children are different based on children’s gender, parents are more willing to express their emotion and use emotional words more frequently toward girls than to boys. Also, when both children have encountered difficulty, girls are encouraged to solve problems based on focusing on internal emotion expression and adjustment while boys are encouraged to deal with external entity problems. For boys whose father discloses emotions more than the others, boys show a similar level of disclosing emotions with girls, and for the parent who is both emotional expressive, their son will view emotions disclosure as a normal practice rather than attributed it as a female way of acting.

M Christina Ruckman, urn:sbl:6972, Svenskt biografiskt lexikon (art av Ingeborg Nordin Hennel), hämtad 2018-06-08. She was appreciated for her passionate way of acting and her deep and powerful voice and compared to Adelaide Ristori in her style, and was mostly played tragic roles, where "her male voice, the grand figure, deep emotion and the grotesque gestures could display themselves freely," and the critic Wikström noted her performances to illustrate "an almost terrible, natural truth." She played an appreciated Lady Macbeth and Lucrezia Borgia, and was also popular within breeches roles, in which she was described as very handsome. Sara Torsslow and the star actress Charlotta Eriksson was seen as complementing each other extraordinarily well onstage, and one of their mutual scenes was once commented by Magnus Jacob Crusenstolpe that "the illusion is so complete, that one imagined oneself in reality" with the characters onstage.

The largest priestly society to fit this description is the Society of Saint Pius X (SSPX), which was founded in 1970, with the authorisation of the bishop of Lausanne, Geneva and Fribourg, by Archbishop Marcel Lefebvre. Members of this category view many of the post-Conciliar changes as doctrinally and pastorally unacceptable. They recognise the official Church hierarchy, while generally functioning independently of them and rejecting some decisions which they perceive as inconsistent with the Catholic faith, or ineffective in terms of catechesis and how the Catholic faith is passed down. This way of acting draws accusations of disloyalty and disobedience from many, including from members of the preceding groups that are recognised by the Holy See; on the other hand, the SSPX and groups like them consider their accusers guilty of blind obedience, which is not imposed by—and can be contrary to—the requirements of Catholic faith and morals.

Gehlen's core idea in Der Mensch is that humans have unique properties which distinguish them from all other species: world-openness (:de:Weltoffenheit), a concept originally coined by Max Scheler, which describes the ability of humans to adapt to various environments as contrasted with animals, which can only survive in environments which match their evolutionary specialisation. This world-openness gives us the ability to shape our environment according to our intentions, and it comprises a view of language as a way of acting (Gehlen was one of the first proponents of speech act theory), an excess of impulses and the ability of self-control. These properties allow us—in contrast to all other animals—to create our own (for example cultural) environments, though this is also at the risk of a certain self-destabilisation. Gehlen's philosophy has influenced many contemporary German thinkers in a range of disciplines, including Peter L. Berger, Thomas Luckmann and Niklas Luhmann in sociology, and Hans Blumenberg in philosophy.