I don't want ads built into the user interface, ever. Period.Â
|
|
It's not like a job that you find in the want ads.
|
|
The want ads in Metropolis and Gotham just got way more interesting.
|
|
Except a funny thing happened on the way to the want ads.
|
|
And we refuse (mostly) to pay but we don't really want ads anyway.
|
|
Eckert will scour want ads for a job that will give them benefits.
|
|
We certainly do not want ads that require us to actively speak to them.
|
|
Sources include Chinese art, Vuillard, want ads, the Bayeux tapestries, folk art and kitsch.
|
|
I don't want ads in my OS. I don't want to talk to Cortana about my feelings.
|
|
Previous studies have shown that most smart speaker owners don't want ads on their speakers at all.
|
|
CBS All-Access usually costs $5.99 or $9.99 per month, depending on whether you want ads or not.
|
|
Within settings, you can get very specific about ad settings and decide how targeted you want ads to be.
|
|
But there are want ads out there for other driving services, and they aren't the same sort of sure bet.
|
|
Graduated from school, started looking for jobs in the want ads, which is where you looked at the time. Yep.
|
|
"You can go on Craigslist every day and see five to seven new want ads" for skilled machinists, Mr. Koszewski said.
|
|
Some want ads to be relevant to themselves, so they block generalized ads — and some fear targeting, and so only want generalized ads!
|
|
He sometimes obtained inventory from the Manhattan dealers Augustus and Rose de Forest, who sought "family portraits over 70 years old" via newspaper want ads.
|
|
Together, they took aim at want ads in The New York Times that were segregated by sex, thus blocking women from jobs that consistently paid more.
|
|
While traveling around the country raising money for the school, Mr. Coleman collected want ads from local newspapers and, as part of his secret plan, applied for work.
|
|
Barbara Love, the lesbian activist, remembered a protest 50 years ago when she, Ms. Millett and others demonstrated against The New York Times and its gender-segregated want ads.
|
|
More than a dozen men arrived at the farm with the promise of love via newspaper want-ads, only to be murdered, butchered, and robbed of their life savings.
|
|
That campaign began in 1954, ran through the 1970s and was revived in 1999, just before the World Wide Web knocked the props out from under classified want ads.
|
|
If so, now is precisely your chance to give Microsoft some valuable feedback — maybe how you don't want ads in a program that you (presumably) already bought and paid for?
|
|
Mr. Zuckerberg made an intriguing comment that suggested Facebook could, in theory, offer a paid version, presumably to users who do not want ads or to share certain data with Facebook.
|
|
He is desperate to hire caregivers at Mother's Garden, a 22-room nursing home where there is a waiting list of 2800 would-be residents and want ads almost never attract job applicants.
|
|
The Equal Employment Opportunity Commission acknowledged NOW's contention in 1968 that separate want ads for men and women violated the Civil Rights Act's Title VII, which prohibits discrimination on the basis of sex.
|
|
Walls are plastered with fliers and want ads, and many of the women have signs taped to their backs advertising rare models they're willing to part with, along with a phone or room number.
|
|
In the original run of Twin Peaks, they're clues planted in the want ads; in Twin Peaks: The Return, they play a role in the grisly accidental hit-and-run committed by Richard Horne.
|
|
Dennis Hof, unfortunately, won't be able to serve the people of Nevada -- 'cause he's dead and all -- so the Silver State's running good old-fashioned want ads to find a replacement ... TMZ has learned.
|
|
Perhaps there's enough water under the bridge at this point, but it feels similarly tone-deaf as the "Give the People What They Want" ads the company ran when it announced its new safety check system.
|
|
"Many people are okay paying for one or two subscriptions that they use a lot, but they want ads to subsidize the rest," David Pickles, co-founder and CTO of programmatic ad tech company The Trade Desk, told Recode.
|
|
But the real question is whether this thing is worth the $280 they're charging for it — $30 more than the Kindle Oasis (though only $10 more if you don't want ads) and an even bigger jump over the Aura One.
|
|
While both the résumé and the curriculum vitae existed before then and were frequently asked for in want ads as early as the late 1940s in some professional fields, something appears to have changed in their role starting in the late 1970s and early 1980s—around the time when many service-oriented fields first gained prominence—in which the résumé, particularly in North America, turned into a de facto requirement when applying for most new jobs.
|
|
Hogan, Ed. [ "Want Ads"]. Allmusic. Retrieved December 28, 2006. The initial version of the song, titled "Stick Up," eventually was recorded and released as the group's follow up to "Want Ads." It peaked at #11 on the pop charts in August and #1 on the R&B; charts in September.
|
|
The song is featured in the 2007 film Because I Said So. 2016 saw Want Ads sampled on The Avalanches' track Because I'm Me from the album Wildflower.
|
|
As their number grew, however, want ads claimed their own section of the newspaper and took on greater importance. In 1905, approximately 65 want ads appeared daily and by 1910, there were about 100. This increased to perhaps 200 in 1920. Readers had come to rely on them to such an extent that the News bragged these little ads had become as much a public utility as the electric or telephone companies.
|
|
"Want Ads" is a song that was a million-selling #1 pop and R&B; hit recorded by female group, Honey Cone for their third album Sweet Replies and also appears on their fourth album Soulful Tapestry. The song on the Detroit-based Hot Wax label was written by Greg Perry, General Norman Johnson and Barney Perkins. It was produced by staff producer, Greg Perry, and features a young Ray Parker, Jr. ("Ghostbusters") on rhythm guitar. "Want Ads" was released as the first single from Soulful Tapestry in the United States in the spring of 1971 (see 1971 in music).
|
|
Retrieved December 28, 2006. With the catchy opening line of "Wanted, young man, single and free," "Want Ads" was born. The idea for the song started when studio engineer Barney Perkins, while looking through the classified section of a newspaper, suggested that someone write a song about want ads. Perry, as producer and songwriter for the project, felt that the idea might work. The duo brought in Johnson, leader of Chairmen of the Board, to contribute to the writing, after co-writing "Somebody's Been Sleeping (In My Bed)" (a #8 hit) with Perry for the Hot Wax group, 100 Proof (Aged in Soul).
|
|
"Want Ads" debuted on the Billboard Hot 100 at #79 on April 10, 1971. Within nine weeks on the chart, "Want Ads" was at the #1 position for the week starting June 12. The song also remained #1 on the R&B; singles chart for three non- consecutive weeks for the week starting May 29, 1971 and after being bumped for one week by Aretha Franklin's rendition of Simon and Garfunkel's "Bridge over Troubled Water", the song re-positioned at #1 for two more weeks starting June 12 through June 19. Billboard ranked it as the No. 13 song for 1971.
|
|
Prior to her tenure with The Supremes, Payne was the lead singer for the group Glass House. Other members included Ty Hunter (later with The Originals), Pearl Jones, and Larry Mitchell. The group signed with Invictus Records, formed by longtime Motown songwriters Eddie and Brian Holland, and Lamont Dozier, in 1969, among other popular acts of the early 1970s, including Freda Payne (who had a #1 hit in 1970 with "Band Of Gold"), and Honey Cone, who had a #1 hit with "Want Ads". In an ironic twist of fate, "Want Ads" was originally recorded by Glass House with Scherrie on lead vocals.
|
|
"Stick-Up" is the 1971 follow up single to Honey Cone's #1 pop and R&B; hit "Want Ads". The song hit #1 on the R&B; charts for two weeks and reached #11 on the Hot 100, remaining there for three weeks.
|
|
Alumni Spotlight: The Candidate. Taft Bulletin. The Taft School. Summer 2004. p.5Navarro, Mireya, (2003-5-6), Smile, You're on Candidate Camera: With an Insider's Eye, a Film Skewers Harlem Politics, The New York TimesFor Defeated Incumbents, Shock and an Interest in Want Ads.
|
|
Vivisick formed when Yuki and Sunao met and began placing "want ads" in record stores and magazines in search of other band members. Despite early difficulties finding permanent members, they have since established a stable lineup. They released their first album, Respect and Hate, in 2008.
|
|
Initially, Perry and Johnson had written a song for a female singer called "Stick-Up", but the two decided that the song was not substantial enough so they re-wrote it with a change in chord progressions and new lyrics.Bronson, Fred. "Want Ads". Super Seventies. 1988.
|
|
The evil Chicago gangster Slade is on the loose. Lt. Mason and Ann Rogers are both vying to catch the criminal. The gang has come up with a scheme of contacting each other involving want ads and dogs as code names. It also involves leaving money at a hotel for a "Mary Jordan".
|
|
That Tuesday night, many residents around East Ninth Street were alarmed and called into the Gazette and News that they believed more murders had been committed because they heard sirens. The sirens turned out to be sound effects from a carnival. Guard dogs became a hot commodity in local want-ads. Terrified wives refused to go out after dark.
|
|
Classified advertisements in a newspaper. Classified advertising is a form of advertising which is particularly common in newspapers, online and other periodicals which may be sold or distributed free of charge. Classified advertisements are much cheaper than larger display advertisements used by businesses, although display advertising is more widespread. They were also commonly called "want" ads, starting in 1763.
|
|
A larger contributor to the difference is that flipping through the want-ads in a newspaper (or on the internet) gets people classified as unemployed in Canada, but not in the United States. A rise in the use of these passive job search methods in Canada is important as an explanation for the methodology bump of +1% for the Canadian figures.
|
|
The film was issued several times as it was > re-edited. In 1964, Conner had a show at the Batman Gallery in San Francisco > that lasted just three days, with Conner never leaving the gallery. The show > was announced only via a small notice in the want ads of the Los Angeles > Times. Part of the exhibition is documented in Conner's film Vivian.
|
|
The name of the album was based on and inspired by Carole King's Pop/Rock break-through 1971 album Tapestry. The album contained the group's three highest charting singles including; the funky soul upbeat number "Want Ads" - In the vein of The Jackson 5's "I Want You Back," this single became the group's highest charting single and biggest single of their career hitting number one in June, 1971; "Stick-Up" - a similar follow up to "Want Ads," the song peaked at number eleven in the US in August, 1971; and "One Monkey Don't Stop No Show (Pt. 1)" - a Latin flavoured slam at a lover gone cold with similar chord progressions akin to The Isley Brothers' 1962 hit "Twist & Shout", a number fifteen hit in November, 1971. Lyrically, the material was quietly instrumental in developing the message of female empowerment through song.
|
|
"Sunshine" was written by Kara DioGuardi, Lukas Burton, Zukhan Bey, Norman Johnson, Gregory Perry, Ricki-Lee Coulter and Jarrad Rogers. It was co-produced by Rogers and Burton. In an interview with The Age, Coulter said "Sunshine" is a "happy and in love song" with a motown feel. "Sunshine" contains elements of the 1971 song "Want Ads" by American R&B; girl group Honey Cone.
|
|
Sellers could post an asking price or request offers; buyers, in turn, could purchase an item at its asking price or make an offer. Users could also post "want ads" at no charge and barter. All transactions were recorded and could be viewed by other users. iOffer competed with other similar negotiated e-commerce websites, as well as online auction sites such as eBay.
|
|
Hawkins was briefly a member of the 1970s R&B;/soul vocal group Honey Cone. The group recorded the R&B; hit "Want Ads" which made its way back into the gospel genre by being sampled on Mary Mary's 2005 hit "Heaven". Hawkins also briefly sang with Andrae Crouch and The Disciples, singing lead on their 1970 release "Christian People." Hawkins is both famous and infamous for her mainstream success as a gospel artist.
|
|
The year's final soul number one was "Family Affair" by Sly and the Family Stone, which reached number one in the issue of Billboard dated December 4 and stayed there for the remainder of the year. It was one of three of 1971's number ones to also top the all-genre Hot 100 chart, along with "Just My Imagination (Running Away with Me)" by the Temptations and Honey Cone's "Want Ads".
|
|
Instead, much like newspaper want-ads, sellers rely on the buyers' good faith to make payment, and buyers rely on the sellers' good faith to actually deliver the goods intact. To encourage fidelity, Gmarket maintains, rates, and publicly displays the post- transaction feedback from all users, whether they buy or sell. The buyer is encouraged to examine the sellers' feedback profile before bidding to rate their trustworthiness. Sellers with high ratings generally have more bids and garner higher bids.
|
|
Love Zone is the first solo debut album by R&B;/soul singer and backing vocalist Ullanda McCullough, released on Ocean/Ariola Records in 1979. It features the soul cover version of "Want Ads", originally done by the sweet and soulful female group of the '70s with 3 ladies, named, Edna Wright, Shellie Clark and Carolyn Willis, called, Honey Cone and "Stars", written by George McMahon and Leon Pendarvis, plus the whole album, was produced by Bernard Drayton, George McMahon and Leon Pendarvis.
|
|
After taking time off to have children, Mary Mary released their self-titled third album Mary Mary in July 2005. It became the duo's first album to enter the Top 10 on Billboard and was later certified Gold for selling in excess of 500,000 copies. The first single, "Heaven," contained a sample from seventies song "Want Ads" from soul trio the Honey Cone's. "Heaven" made history and broke chart records as it had an unprecedented nine-week run at number one on Billboard's Gospel Radio Chart.
|
|
He began to write in Moscow newspaper announcements' want ads. Three women immediately responded to the announcements - Irina Schelkunova, Natalya Delyagina and Yulia Trofimova, the youngest being the 18-year-old Natalya. As a child, she lived with her stepmother Galina, as her father had died when she was 13. After that, Galina kept Natalya in sexual slavery: she asked local men to help her with the housework, soldered her stepdaughter with alcohol and made her have sex with the men who provided the services.
|
|
They successfully campaigned for a 1967 Executive Order extending the same affirmative action granted to blacks to women, and for a 1968 EEOC decision ruling illegal sex-segregated help want ads, later upheld by the Supreme Court. NOW was vocal in support of the legalization of abortion, an issue that divided some feminists. Also divisive in the 1960s among women was the Equal Rights Amendment, which NOW fully endorsed; by the 1970s, women and labor unions opposed to ERA warmed up to it and began to support it fully. NOW also lobbied for national daycare.
|
|
Will invents the persona of Vulgar the Clown (after his friend Syd tells him that the entire idea is "vulgar") and solicits himself in the want-ads. Before long, he is hired to appear at a bachelor party being held at a nearby motel. When Will arrives for the party -- wearing stockings, garters, clown makeup, and a trench-coat -- he is attacked and brutally beaten by a middle-aged man, Ed, and his sons Gino and Frankie. The three men then proceed to gang rape Will, taking turns videotaping the attack.
|
|
He discovered the use of leftover pages and used them to announce the books and post them on church doors. This practice was termed "squis" or "pin up" posters, in approximately 1612, becoming the first form of print advertising in Europe. The term Siquis came from the Roman era when public notices were posted stating "if anybody...", which in Latin is "si quis". These printed announcements were followed by later public registers of wants called want ads and in some areas such as the first periodical in Paris advertising was termed "advices".
|
|
Tell finally confronts the man's ghost, who informs him that he was brutally killed by Jannings, Tell's boss, a drug addict who was heavily in debt to the dealer at the time. Jannings used the stolen cocaine to fund his rehabilitation and rise to executive management. This prompts Tell to quit his job, telling Jannings he is a "worthless bastard" before leaving. When he arrives home, he resolves to find other work, pulling out the want ads and reading them while doing his business on his own toilet.
|
|
Barbara Love, also known as Barbara J. Love, (born 1937) is an American feminist writer and the editor of Feminists who Changed America, 1963-1975. The Veteran Feminists of America said of Love, "If Second Wave activists were graded according to their contributions, Barbara Love would be in the top ten." Love is a lesbian activist, writer and editor. With the National Organization for Women, Love organized and participated in demonstrations, such as the demonstration against The New York Times which resulted in the integration of the want ads which helped support improvements towards equal pay for equal work.
|
|
Some software is licensed with a copy of the program source code supplied along with the executable code in which the license specifically authorizes changes to the supplied software. This is a common standard in business software packages. Hundreds of thousands of computer programmers in some nations have jobs because businesses want the purchased software tailored to the specific needs of the individual businesses. Most every major city has want ads in the newspaper where there are job openings for people to modify some company's computer systems, where the ad specifies what programming languages or operating systems the applicant needs to know.
|
|
The car, having made a U-turn out of sight, returns to view and stops ahead blocking Kogler's progress and Kogler gets in the car, slamming the passenger door twice. The car is driven by Walter Fakler, Kogler's probation counselor, who has come to fetch Kogler after the disaster at the metalworking job. Sullen and laconic, Kogler is quietly, resentfully defiant with the earnest, exasperated Fakler. Returning Kogler to prison, Fakler hands him a newspaper, and admonishes him to look through the want ads, warning Kogler that he will expect to meet with him on Monday.
|
|
Parker gained recognition during the late 1960s as a member of Bohannon's house band at the legendary 20 Grand nightclub. This Detroit hotspot often featured Tamla/Motown acts, one of which, the (Detroit) Spinners, was so impressed by the young guitarist's skills that they added him to their touring group. Through the Bohannon relationship at 16 he recorded and co-wrote his first songs with Marvin Gaye. Parker was also employed as a studio musician as a teenager for the emergent Holland-Dozier-Holland's Invictus/Hot Wax stable, and his choppy style was particularly prevalent on "Want Ads", a number one single for Honey Cone.
|
|
The Stooges are unemployed, and looking through the want-ads for work. As the trio sets the table, Curly brings a pail of soup from a meat bone; Larry remarks that Curly's soup smells like a dead horse, and Moe finds a large horseshoe in the pail. The duo becomes angry with Curly about the fact that they "sent him to the butcher shop for meat, not to the glue factory", so they kick him out. As Curly was about to leave, Moe stumbles upon a newspaper article stating that Curly's uncle, Bob O. Link (Al Thompson), has died and left his nephew, Curly Q. Link, a large inheritance.
|
|
Advertising agencies in German-speaking countries have such a need for skills in English that they want ads for new employees to contain plain English such as "Join us".Wetzlarer Neue Zeitung 26 August 2006 KFC Germany's recruitment slogan is "I Am for Real", and its website shows very heavy use of English coupled with nonstandard German. German commercials or, more often, written advertisements are likely to use many English terms: :'''' :'''' The verb "downloaden" is alleged to have been coined by Microsoft, as there is a native, common German word (""). Microsoft Windows Update uses the phrase "" ("Download the latest updates") instead of the standard "".
|
|
She co-founded and organized Women Against Pornography and worked with the New York Radical Feminists. Alexander served as board member for the National Association for Repeal of Abortion Laws, an advisory board member for the New York NOW chapter and was a member of the New York Newspaper Women's Club. Alexander was a notable figure in numerous events in the women's movement. She helped end the practice of gender-segregated want ads in The New York Times, was witness to the lesbian purge of the National Organization for Women, participated in 1977's National Women's Conference in Houston, and the UN's Fourth World Conference on Women in Beijing in 1995.
|
|
While the practice of skills-based hiring had existed for 20 years, the term itself originated in 2012 with the work of the Kellogg Foundation-funded New Options project in New Mexico. New Options developed the term in an attempt to distinguish between private employability testing and the rarer practice of having an employer set specific, independently verified, and publicly articulated goals for the skill expectations of job applicants. The public nature of the communication, usually in the form of want ads containing specific numeric skill scores, was intended to allow both school systems and individuals to more readily measure themselves against, and strive to meet, employer expectations.
|
|
Holland Dozier Holland's own studio was a converted movie theatre, The Town Theater on Grand River Avenue. The Hot Wax label, distributed by Buddah Records, was in full operation for about four years, racking up a series of successful records, such as million-sellers Honey Cone's "Want Ads" and the follow-up, "Stick Up" (the former was a number 1 hit in 1971 on the Billboard Hot 100 and both were number 1 hits on the Billboard R&B; Singles charts) and "One Monkey Don't Stop No Show". Other hits included 100 Proof (Aged In Soul)'s "Somebody's Been Sleeping" (the label's third gold record in 1970); "Westbound Number 9" by Flaming Ember; and "Rip Off" by Laura Lee.
|
|
To stop Creed from calling major clients and telling them the office is about to go out of business, Pam Halpert (Jenna Fischer) distracts him with activities such as having him try to find the differences between two copies of the same picture, and poses as various clients when Creed has Jordan Garfield (Cody Horn) contact them. Dwight Schrute (Rainn Wilson), still upset over being demoted by Jo, stops taking care of himself and openly looks through want ads in the office. His attitude changes when Robert disparages the position and the office to a sketchy, uncommitted interviewee (Ray Romano). Dwight becomes incensed that the position might go to someone who does not take it seriously.
|
|
Hi-Living generates revenue from sellers, who pay both a fee based on the selling price of each item and a fee based on the starting price, and from advertising. In 2005 it was announced that Hi-Living would increase fees it charges to sellers, which caused such controversy among users that the CEO emailed all Hi-Living users with news that other fees would be decreased. Hi-Living does not handle goods, nor does it manage the buyer-seller payments, except through its subsidiary shopping mall credit. Instead, much like newspaper want-ads, sellers rely on the buyers' good faith to make payment, and buyers rely on the sellers' good faith to actually deliver the goods intact.
|
|
Born in Detroit, Michigan and a Cass Tech graduate, Sylvester Rivers began playing the piano at the age of seven and was recording professionally by the time he was a teenager. In the early days, he played for Holland- Dozier-Holland's Invictus Records and Hot Wax Records labels, which included such artists such as the Honey Cone, Freda Payne, The Chairmen of the Board, 100 Proof (Aged in Soul), and the 8th Day and played on hits such as the Honey Cone's million-selling Billboard Number 1 Pop and Number 1 R&B; single, "Want Ads."White, Adam; Bronson, Fred (1993) "The Billboard Book of Number One Rhythm & Blues Hits" p. 91, p.
|
|
The Italian band Timoria dedicated the song "Ferlinghetti Blues" (from the album El Topo Grand Hotel) to the poet, where Ferlinghetti recites one of his poems. Recordings of Ferlinghetti reading want ads, as featured on radio station KPFA in 1957, were recorded by Henry Jacobs and are featured on the Meat Beat Manifesto album 'At the Center'. Ferlinghetti gave Canadian punk band Propagandhi permission to use his painting The Unfinished Flag of the United States, which features a map of the world painted in the stars and stripes, as the cover of their 2001 release Today's Empires, Tomorrow's Ashes. Before this, the same painting was used for the cover of Michael Parenti's 1995 book, Against Empire, which was published by City Lights.
|
|
While looking through the newspaper want ads for another job, Harold is approached by Wormy (Jimmy Conlin), a local con artist, petty gambler, and racetrack tout, who asks Harold for some money so he can place a bet. Seeing the large amount of cash that Harold has, and hoping to get him drunk enough to acquire some of the cash, Wormy takes the depressed and unemployed Harold to a local bar for a drink. When Harold tells the bartender, Jake (Edgar Kennedy), that he has never had a drink in his life, the barkeep creates a potent cocktail he calls "The Diddlebock", one sip of which is enough to release Harold from all his inhibitions. The effects of the alcohol causes Harold to yowl uncontrollably.
|
|
Barbara helped to organize some of the group's demonstrations and participated in the demonstration against The New York Times, Colgate- Palmolive, and men-only restaurants and hotels. The demonstration against The New York Times called for integration of want ads for men and women. At that time there was a 25% discount for jobs filled by women, which is an equal pay for equal work issue. Friedan, reflecting the tenor of some other heterosexual members of NOW, stated initially that the presence of lesbians in the organization was damaging to their image. Barbara Love's public response was: "My life had gotten better since I’d joined NOW and even better when I joined the women forging the beginnings of lesbian liberation," which reflected her intention to have lesbianism accepted as a feminist issue within NOW.
|
|
Singing group Labelle, circa 1975 Entering the 1970s, The Supremes had continued success with top 10 hits "Up the Ladder to the Roof" and "Stoned Love" along with six other singles charting on Billboard's top 40. Only two other girl groups made top 10 chartings through 1974 with "Want Ads" by Honey Cone and "When Will I See You Again" by the Three Degrees (which had roots in the 1960s and in 1970, like the Chantels in 1958, began their top 40 pop career with "Maybe"). Patti LaBelle and the Bluebelles was a US 1960s girl group whose image Vicki Wickham, their manager, helped remake in the early 1970s, renaming the group Labelle and pushing them in the direction of glam rock. Labelle were the first girl group to eschew matching outfits and identical choreography, instead wearing extravagant spacesuits and feathered headdresses.
|
|