Sentences Generator
And
Your saved sentences

No sentences have been saved yet

178 Sentences With "wall coverings"

How to use wall coverings in a sentence? Find typical usage patterns (collocations)/phrases/context for "wall coverings" and check conjugation/comparative form for "wall coverings". Mastering all the usages of "wall coverings" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

A number of rooms have coffered ceilings and fabric wall coverings.
It will drip from the black wall coverings inset with gold paisley.
The master suite, embellished with silk velvet upholstery wall coverings, encompasses the sixth floor.
Some buildings are moving away from art altogether, preferring decorative or textured wall coverings.
A number of entryways are decorated with Baccarat crystal chandeliers and glittering chain mail wall coverings.
The tiny chapel, a centerpiece of the inn, has hand-painted wall coverings and stained-glass windows.
The penthouse suite features three plush bedrooms, a drop-down television, ocean views and handmade parchment wall coverings.
In antiquities, jewels ranged from ancient to new, and fabulous antique objects including furniture and wall coverings were on display.
There were encrusted mantle pieces, delicate plasterwork and stippled floral wall coverings spread across its more than 333,000 square feet.
All of the rooms are filled with colorful pop art and wall coverings, giving the property a cozy and unique feel.
Pops of color are the new normal in this house, with pink lacquered floors, blue patterned wall coverings and bright dining chairs.
Since no architectural plans existed, her team had to remove all the wall coverings to discover the full extent of the damage.
Both of these emit light when excited by electricity, so wall coverings printed with such materials could be used to illuminate rooms.
Designed by Julia Luke, these vinyl wall coverings appear throughout the exhibition, largely taking the place of lengthy expository text — to great effect.
Lemp also likes to use detailed wall coverings to differentiate kitchen areas, which can be challenging since real tile isn't great for RVs.
Chilean officials also confirmed some remains of the plane were found, including some of the wheels and some of the cloth interior wall coverings.
Dutch embossed leather wall coverings marketed in Japan, it turns out, made a fine material for Jinbaori, vest-like surcoats worn by nobles and samurai.
Woven Image, a company that recycles plastic bottles into acoustic wall coverings, now makes its EchoPanel and Mura offerings in acid colors and lively patterns.
Mr. Thenaers is aware that a buyer could paint over his handiwork, remove wall coverings and even convert the single apartment back into two smaller ones.
House of Hackney, an English design studio founded in 2011 and now opening a Manhattan branch, channels a Victorian look in its textiles and wall coverings.
Tapiau found joy in repairing the parquet floors and black-and-white cabochon, in re-sourcing ornate wall coverings and repainting rooms in their original hues.
It connects to a second formal dining room, which has printed linen wall coverings and a fireplace of Vermont green marble flanked by ornate wood relief sculptures.
Winchester integrated the latest decorative innovations of her time into the estate, with elaborate Victorian patterns and embossed wall coverings, all perfectly preserved in the house, Boehme said.
Ms. Banks said she spent almost as much on the extensive renovations and décor, which incorporate rich fabrics, textured wall coverings, exotic wood details and ornate light fixtures.
Old paint, fiberboard, and wall coverings were decaying before my eyes and little of the building's internal structure remained, other than the stairwell and the long defunct elevator shaft.
They used a mostly muted palette in the finishes and textured wall coverings, with bursts of color in the artwork and accessories, outfitting the spacious rooms with modern Italian furnishings.
The show's objects range from a doll's linen tunic to wall coverings with scenes of feasts and haloed deities, and reunites some weavings that had been separated on the market decades ago.
For instance, Enigma, one of four collections of eye-catching acoustical wall coverings produced by Arte in Belgium, includes facet-like geometrics in vibrant hues and more subtle designs that resemble traditional millwork.
He created mural-size decorative wall coverings from ceramic tiles; wall reliefs carved in wood and stone; and immense wool tapestries, one of which takes up an entire wall in this exhibition's main gallery.
"We're seeing such a resurgence of maximalism, and I think that rattan is just a great neutral to kind of balance out some of the bolder wall coverings we're starting to see," says Blakeney.
They can be found in shampoos, conditioners, body sprays, hair sprays, perfumes, colognes, soap, nail polish, shower curtains, medical tubing, IV bags, vinyl flooring and wall coverings, food packaging and coatings on time-release pharmaceuticals.
With its original hand-painted canvas wall coverings depicting the goddess Athena, displays of African masks, Picasso lithographs, Giacometti plaster lamps and Brassaï prints, it's a fascinating footnote to his vast body of photographic work.
On the left is the more feminine room, with red-striped silk wall coverings framed by white-painted carved wood panels; the working gas fireplace (one of six in the home) and ceiling have gilded details.
Boxes of sketches and swatches from Joann Nelsen, a textile and wall coverings designer on Staten Island, who died in 2013 at age 76, have been rescued as a donation to the library of the New York School of Interior Design.
The Los Angeles-based designer Michael Berman, known for his restrained modernism, has transformed the bungalows with a Malibu beach house meets "modern surfer" feel, with natural, midcentury modern wood furniture; geometric wall coverings; and pops of bright, beachy color.
An application has been belatedly filed to cover three major installations made without approval: the bar and the wall coverings of woven cotton, wool and silver threads in the lounge and the reception desk in the lobby off East 52nd Street.
But, of course, they also had to embrace an inherent tension in their philosophies: The labor of making their creations was so intense (Fortuny had over 100 workers in his palatial studio) that only the wealthy could afford Morris's wall coverings or even the simplest Fortuny gown.
Beyond the favorite food feature, the house that Kargman, 42, shares with her husband, Harry, and their three kids also has an Oscar de la Renta bed — "that was the one big furniture splurge" — quirky wall coverings and a collection of artwork that was 16 years in the making.
I was also taken by Stingel's exquisite oil-and-enamel paintings, which mimic damask wall-coverings, and by Kelley's two framed expanses of what I assume is inexpensive white pile carpet: both were spray-painted with a hue not so far from the cochineal red of Vo's carpet.
That's why we're loving this Brooklyn apartment belonging to Jennifer Sagum, VP of Global Advertising & Media at Marc Jacobs, which was furnished with the help of interior designer Jennifer Chused of Chused & Co. Sagum's patterned wall coverings are enviable in and of themselves, but our favorite part is how she and Chused have chosen to pair them with prints that provide the perfect subtle contrast.
The Michelin-starred Dining Room (that, naturally, showcases British classics like Eggs Drumkilbo, an egg, prawn and lobster dish favored by the late Queen Mother) was designed by interiors heavyweight David Linley, nephew of Queen Elizabeth II. The grand rooms and lobby were recently refurbished by the country's top artisans to inject a rich, undeniably feels-like-London charm; bespoke furnishings by the respected manufacturer Manborne, Fromental's exquisite hand-gilded wallpaper, as well as colorful Gainsborough Silk wall coverings and curtains.
Foulard fabric is also used in home décor wall coverings.
Its multilayered wall coverings consist of a metallic green color decorated with paintings and golden ornaments.
The patterns and colour of the original wallpaper were revealed underneath subsequent layers of wall coverings.
Historians write that flocking can be traced back to circa 1000 B.C.E., when the Chinese used resin glue to bond natural fibers to fabrics. Fiber dust was strewn onto adhesive coated surfaces to produce flocked wall coverings in Germany during the Middle Ages. In France, flocked wall coverings became popular during the reign of Louis XIV of France.
In 2012, the mall underwent a $10 million renovation, which was completed in November 2012. The renovation included new flooring, ceilings, wall coverings and energy efficient lighting.
The Frick Papers include receipts for "furniture and interior woodwork, fabrics and wall coverings, decorative painting."Henry Clay Frick Papers, Series IV: Receipts, File 1.18 from The Frick Collection.
One example was a Jongsarat, a handmade garment used for weddings and special occasions. It typically includes a hint of silver and gold. It can be used for wall coverings.
Silk's attractive lustre and drape makes it suitable for many furnishing applications. It is used for upholstery, wall coverings, window treatments (if blended with another fiber), rugs, bedding and wall hangings.
Hubbard was unsure whether electricity would become standard, so he installed lights that operated on both gas and electrical power. The three fireplaces on the first floor use a combination of Georgian, Spanish and Italian marbles as well as Brazilian onyx. The library featured cotton wall coverings, and the parlor featured silk damask wall coverings imported from Paris. The grand staircase is made of oak, and was part of the 1888 expansion replacing an iron spiral staircase.
In 1971 the current owner bought the entire complex. The main building was restored and converted in 2002, during the course of which 19th century wallpaper was found behind the wall coverings.
The original Lodge Room, with its cherry wood paneling, anaglypta wall coverings, and other details has been restored and preserved and remains in use, now as a namesake 500 capacity music venue, Lodge Room.
The Emperor's Fountain on the grounds being name in honor of the czar, who visited the house. Stamped leather wall coverings are also due to the sixth duke and include his portrait in the design.
Mr. Frank preserved the house in its totality — equipment, furniture, fixtures, even original textiles and wall coverings. It’s all intact. It’s a very exquisite balance of architectural proportions, textures and colorations with machine- age aesthetics.
Aestheticism can be found in the wall coverings, painted ceilings, fireplaces, stained and etched glass and carved into the woodwork. Annandale House is one of the few surviving examples of homes decorated in this style in Canada.
The yarns are bulkier than rotor yarns. The DREF II yarns are used in many applications. Blankets for the home application range, hotels and military uses etc. DREF fancy yarns used for the interior decoration, wall coverings, draperies and filler yarn.
Design projects included: Pineapple Dance Studios and Parrish of Newcastle. He co-founded the design consultancy Fantasy Finishes in 1985, specialising in paint finishes, murals and design-to-order wall-coverings. Clients included Monsoon, Anokhi, Oasis Trading and Vaux Breweries.
In 2017, he was named one of Elle's "10 Designers to Watch" during New York Fashion Week. In addition to fashion design, Franco creates his own textiles. He is currently developing a line for home interiors, that includes wall coverings, rugs, and furniture.
Slatwall (also known as slotwall) is a building material used in shopfitting for wall coverings or display fixtures. It consists of panels, usually 4 ft. by 8 ft., made with horizontal grooves that are configured to accept a variety of merchandising accessories.
Antonio Pigafetta visited Brunei during his travels and observed how the clothes were made. One example was a Jongsarat, a handmade garment used for weddings and special occasions. It typically includes a hint of silver and gold. It can be used for wall coverings.
Olefin can be used by itself or in blends for indoor and outdoor carpets, carpet tiles, and carpet backing. The fiber can also be used in upholstery, draperies, wall coverings, slipcovers, and floor coverings. It is often used in basements due to its quick-drying and mold-resistant properties.
Silk wall coverings are used in a majority of the rooms instead of wallpaper. Beautiful hand painted stencils adorn many ceilings. Hand-painted murals of scenes of Italy also adorn walls and windows. The house also has a fine art collection, part of the museum's collection, displayed throughout the house.
Phthalates are plasticizers providing durability and flexibility to plastics such as polyvinyl chloride. High molecular weight phthalates are used in flooring, wall coverings and medical device such as intravenous bags and tubing. Low molecular weight phthalates are found in perfumes, lotions, cosmetics, varnishes, lacquers and coatings including timed releases in pharmaceuticals.
In the Najd province of Saudi Arabia, wall coverings include stars shapes and other geometric designs carved into the wall covering itself. Courtyards and upper pillared porticoes are principal features of the best Nadjdi architecture, in addition to the fine incised plaster wood (jiss) and painted window shutters, which decorate the reception rooms.
Earthen plasters are less toxic and energy intensive than many other wall coverings, which makes them appealing to the environmentally conscious. Earthen plasters are also easily repaired and inexpensive. They resist water penetration but are permeable to water vapor. However, earthen plasters are often more labor- intensive than other forms of wall covering.
Three mural paintings were adorning the auditorium ceiling. These represented the Temple of Love, Love Accused Before Jove, and Repose and Laughter. In the foyer and aisles were carpets of green, two shades darker than the wall coverings and draperies. A feature of the Bronx Opera House was the diffused lighting arrangements.
Designers Guild collections offer a range of luxury furnishing fabrics and wall coverings including Designers Guild Kids and ‘Essentials’; a library of plain fabrics, for both domestic and contract sectors. The range of products as well as furnishing fabrics and wall coverings includes furniture, bed and bath, "home fragrance" and accessories. In addition to the Designers Guild collections the company designs and manufactures under license William Yeoward Fabrics and Paper and is also the European and Middle East distributor for Ralph Lauren Fabric and Wallpaper. In 2011, Designers Guild launched a further license for the luxury brand Christian Lacroix. In September 2008 Designers Guild launched under license from the ‘Royal Collection’ a division of the Royal household, the Royal Collection Fabrics and Wallpapers.
The exterior of the Lustron house and garage are covered with porcelain enameled steel panels, including the shingles, gutters, downspouts, gable ends and exterior wall coverings. The exterior panels are square. The steel exterior doors are likewise finished in the same manner with glass panel inserts. The stationary and casement windows are aluminum framed.
Designers Guild is an international home and lifestyle company with a flagship store and showrooms on the Kings Road and Marylebone High Street in London, and offices in London, Paris and Munich. Designers Guild designs and wholesales furnishing fabric, wall coverings, upholstery and bed and bath collections throughout Europe, and in over 40 countries worldwide.
The reception pavilion received a complete overhaul. Its exterior metal façade of bronzed aluminum was removed and replaced with beige limestone. The glass curtain wall received new mechanical louvers. The interior wall coverings of dark wood paneling and bronzed aluminum were replaced with a cream-colored travertine wainscoting topped by a band of polished stone.
Above all, the accouterment of the piano nobile was modernized. Nevertheless, the Planetary Room and the entire cycle of ceiling paintings remained almost unchanged. Thus, the works limited themselves to wall decorations, stoves and pieces of furniture. In keeping with the taste of the times, three East Asian cabinets were introduced and the state rooms received new wall coverings.
Stewart is known for her installation work that often examines themes such as architecture, volume and space. In February 2013, Stewart was the Artist in Residence at Ganna Walska Lotusland in Montecito, California. While there, her exhibition Swarm showcased architectural wall coverings made entirely from bees wax. She used the medium once more in 2014's Vanitas.
Decoration includes Corinthian columns, iron railings and extensive gold leaf detailing. Corinthian columns also flank the proscenium arch over the stage. Gold leaf detail is all over the domed ceiling and entrance arches, in contrast to the black and silver damask wall coverings. The side loges are trimmed with iron grilles in the arches and heavy velvet drapes.
On 1 March 1999 it opened as the Schlosshotel Wolfsbrunn. Between 1997 and its reopening as a hotel, the refurbishment and renovation work carried out included the renovation of the facade paintwork. For this, the Zschorlau paint firm of used high-grade silicone exterior paint. Stübner also did the stucco restoration and wall coverings in the restaurant area.
Kravet Inc. is a home fashion brand that distributes fabrics, furniture, wall coverings, trimmings, carpets and accessories. The Kravet design studio is based in NYC, with warehouses and offices in Bethpage, Long Island and Anderson, South Carolina. The company has more than 40 showrooms in the U.S. and Canada and maintains offices and a distribution warehouse in Poole, United Kingdom.
The glass curtain wall received new mechanical louvers. The interior wall coverings of dark wood paneling and bronzed aluminum were replaced with a cream-colored travertine wainscoting topped by a band of polished stone. Fabric covered the walls above the bandk, and white wooden grills were used to help break up the space. A new terrazzo floor in pastel colors was also installed.
The Las Vegas Car Museum is inside the multi-story Dal Toro restaurant, and features displays of automobiles from automakers including Bugatti, Spyker, Saleen, and Koenigsegg. The showroom is decorated with marble and tile flooring, leather wall coverings, and artwork. The space was originally a Lamborghini Las Vegas dealership. The restaurant stopped using the automaker's trademark after a lawsuit was filed.
Some patterns were different from others. The 1989 left entrance wall lettering was simply placed on top of the new wall coverings. The yellow and black pattern around the entrance door remained the same. The ceiling and flooring remained the same, but the roof was now solid white, and the border to the roof was now red, white, and blue.
The White House was completely gutted and rebuilt from 1950 to 1952 during the Harry S. Truman administration. When it came time to redecorate the Blue Room, Truman's designers selected for wall coverings a deep blue silk, which contained a pattern of gold urns draped with flowers. The addition of the Truman Balcony provided shade to the oval portico outside the Blue Room.
Blaisse often incorporates a broad range of textiles into her projects, designing with curtains, carpets, wall coverings and other flexible objects. These objects create a dialogue between interior and exterior, often creating porous facades. She has for some projects employed transparent textiles, creating an "Invisible Presence"; this is a feature design element of the Glass Pavilion at the Toledo Museum of Art.Blaisse 2014, pp. 406-15.
The oldest portion of this 2-1/2 story timber frame house was built c. 1695 by Daniel Brooks. Its interior has retained many of its early 18th century features, including exposed beams, wide pine floorboards, and unbaked bricks used as insulation between inner and outer wall coverings. Eleazar Brooks, a descendant, was a prominent local politician at the time of the American Revolution.
Engineered marbles are most commonly used as flooring for large commercial projects, but unlike terazzo are not cast on site. Engineered quartz is widely used in the developed world for counter tops, window sills, and floor and wall coverings. The vast majority of engineered stone companies are located in Greater China, India, and its birthplace in Italy. One form invented in the early 1980s is Bretonstone.
The house followed an asymmetrical plan, with two storeys plus a basement containing a swimming pool. A central two-storey hall gave access to the principal rooms, with the main reception rooms being on the first floor. The decor included wall coverings in silk and woodblock floors. As the hall was considered to be unsympathetic to its setting, it was later decided to change its exterior.
They have a larger sash with a single pane of glass and are topped with a smaller upper sash. The exterior of the house is covered in stucco. The texture on the lower half of the wall is rough, while the top is smoother. The interior features leather embossed wall coverings in the front entrance, a grand central staircase, mahogany paneling, stained glass, and six fireplaces.
Création Baumann is a Swiss textile enterprise with headquarters in Langenthal (canton Berne). It has nine subsidiaries across Europe, Asia and the USA und 40 agencies worldwide. The independent family enterprise designs, manufactures and distributes textiles worldwide for interior furnishing, for both the contract sector and residential furnishing. Its hallmark is contemporary fabrics for curtains, upholstery and wall coverings as well as systems and adhesive textiles.
Fibre cement is a particularly robust and weather-resistant building material that is suitable for all types of exterior and interior wall coverings as well as roofing. The combination of polyvinyl alcohol (PVA) fibres with cellulose fibres and cement creates a lightweight, yet durable, non-combustible building material. Fibre cement panels, panels and panels create durable and resilient structures that meet the requirements for cost-effective construction, durability and low maintenance.
Some of the wall coverings and upholstery are also original. The hallways exhibit original stenciling in the Arts and Crafts style as well as wood carving. Wall and ceiling coverings are made of wool, silk, filled burlap, and gold leaf. The doors throughout the home are made of two kinds of wood, with oak on the hallway side and the variety of wood used in the room on the other side.
As on the 624/634 the luggage compartment behind the cab, together with its loading doors, was omitted. The 1st class compartments were given pink wall coverings, blue tables and blue, adjustable individual seats with red head cushions. The last 914's to be modernised were each given two closed vacuum toilet systems, of which one is fitted for the disable. Later the remaining 914's were retrofitted with them.
See also: The five-bay west (front) facade has an ornate Victorian porch along its entire first story. On the south elevation is a projecting bay window and the remains of a porte-cochere. A central hall with pressed-metal ceilings, lincrusta wall coverings and flat- paneled wainscoting opens up from the entrance vestibule. A finely crafted staircase goes up from the side, its landing lit by a stained glass window.
Sheltered by the arched portico, the museum's front wall consisted of a two-story curtain of glass windows with bronze mullions. Johnson identified Florence's Loggia dei Lanzi and Munich's Felderrnhalle as precedents for the "boxes with fronts" style portico. The main entrance lead directly into a two-story hall adorned with the same type of shellstone used on the exterior, teak wall coverings, and a floor of pink and gray granite.
CMN conducted the restoration of the interior spaces and decor (floors, wall coverings, paintwork, furniture), in order to recreate, as closely as possible, the condition of the building in the 1930s . CMN has also restored the gardens (replantation of trees, restoration of the water features and the original alleys) and the illumination of the park and the villa. The villa opened to the public on 13 June 2015.
As a result of all the above, the château was completely unfurnished during this period. All furniture, wall coverings, eating implements and so forth were brought specifically for each hunting trip, a major logistical exercise. It is for this reason that much furniture from the era was built to be disassembled to facilitate transportation. After Francis died of a heart attack in 1547, the château was not used for almost a century.
The university received approval from the regents to buy a six-bedroom mansion in northern Baltimore for $850,000. The university subsequently spent $860,000 on renovations, but $360,000 more had been allocated to complete renovations and provide furnishings for the public spaces of the university home as well. Perkins claimed Towson officials were unaware of flaws in the home when the university bought it. Workers subsequently found deteriorating wall coverings, unabated lead paint and asbestos.
The ornamental work on the ceiling and box fronts and columns was old gold. The ornamental plaster work had been treated with an ivory tint, stenciled to harmonized with the wall coverings which were of silk damask. The body of the silk damask wall decorations was of a light green pattern harmonizing in color. Draperies of the same character in heavy velvet, treated with gold, with ornate center wreath medallions, constituted the box decorations.
The large meeting or deliberation room on the third floor was by the interior designer T. Nieuwenhuis. Its interior fittings are made of dark tropical woods such as mahogany, ebony and coromandel. During a renovation in 1972 the stained-glass windows were shortened, original wall coverings were redone in a lighter shade and the original wall lamps, ceiling and chandelier removed. The original chandelier, executed in openwork brass, was replaced in 1974.
Jerome Bourne (a Pentecostal preacher) on October 3, 1979. The Bourne's redecorated the house in a style that pleased them. They added blown popcorn ceiling spray over the original smooth plaster ceilings, colorful wall-coverings and a few 1950's style chandeliers that were not in keeping with the architectural spirit of the house. They upgraded some of the original post and cable wiring and carpeted the walls in portions of the 3rd Floor.
The wall can also be undivided; then it is commonly wood paneled, a revival of an Elizabethan form, and sometimes plastered. Wallpapering began as an imitation of materials, but evolved through William Morris and the Arts and Crafts Movement to become a variety of flat patterns commonly of naturalist motifs. Wallpapering expanded its motif range, and also into the use of leather and relief papers. Alternatives to wallpaper were material wall coverings such as cottons, silk and matting.
Rainthorpe Hall is a Grade I listed Elizabethan country mansion near Tasburgh in Norfolk, England, about south of Norwich. It is notable for its medieval stonework, wood carvings, rare 17th-century leather wall-coverings and 19th- century Victorian mirrors. The hall's grounds extend to 18.7 acres. There is evidence that the Hall dates back to the 15th century or earlier in some form and that most of the original structure was destroyed by a fire around 1500.
He resigned from Technograph in 1957. Among his projects as a freelancer, were films to heat "floor and wall coverings" and food, for example, fish fingers. The wallpaper idea was viable, but interest waned after the advent of cheaper energy resources with the discovery of natural gas in the North Sea. Eisler invented many other practical applications of heating technology, such as the pizza warmer and rear window defroster, but was not so successful in their commercialization.
A large porch with mosaic tile floors encircles the front and north sides of the home. At the rear of the building, an observatory tower provides a view of the Detroit River and beyond. An arched brick carriage port was originally attached at the north side of the building, but this was removed several years ago. Glass chandeliers, cherrywood and silver fixtures, mahogany paneling and trim, and tapestried wall coverings were blended together throughout the home.
The acoustic technology was developed especially for the theater and is similar to that of a recording studio. Walls are covered with acoustic dampening panels and the wall coverings, made of offset wood panels with open joints guaranteed an acoustic experience that was unique at that time. The waved ceiling also optimally reflects sounds to the seating area. In the 1980s, Kino International was one of the first cinemas in the GDR equipped with Dolby Stereo.
Adjacent to the West Gallery was the office of Henry Frick, which faced the courtyard. The British decorator Charles Allom of White, Allom & Co. was selected to furnish the rooms on the ground floor. The manufacturer A. H. Davenport and Company provided furniture and interior woodwork, fabrics, wall coverings and decorative paintings. With the exception of the Fragonard Room, the house remained essentially unchanged from the time of its construction until 1931, the year Adelaide Frick died.
Textiles used in a domestic environment - interior decoration and furniture, carpeting, protection against the sun, cushion materials, fireproofing, pillows, floor and wall coverings, textile reinforced structures/fittings. In the contract market such as for large area buildings, ships, caravans, busses, ... fire retardant materials are used. Fire retardant properties are obtained either through the use of inherent fire retardant fibres such as modacryl or through the application of a coating with fire retardant additives (bromide of phosphorus compounds).
In 1957 she stated: > "Soft furnishings should be regarded as a unit of total interior design. > Simplicity in design is therefore most necessary for the purpose of relating > them to other units like wall coverings, furniture, etc." In 1997, the National Gallery of Australia celebrated International Women's Day with the exhibition "Women Hold Up Half The Sky", celebrating the diversity of work produced by Australian women artists over the previous 150 years. Works included fabrics by Burke and paintings by Margaret Preston.
Rooms and a chapel in the east wing were completed, and according to tradition, a banquet was held in 1463 in a heated hall. A chancellery was built in the south wing (along Hofgasse). In the Rumer Gate, Sigismund added a room with large windows and a winding staircase where he installed a living room with wall coverings and a large bed. The Harnaschhaus (Armoury) was also added at this time (the present-day Stiftskeller) where suits of armour were produced and stored.
Plumbing and electrical conduit can be placed inside the forms and poured into place, though settling problems could cause pipes to break, creating costly repairs. For this reason, plumbing and conduit as well as electrical cables are usually embedded directly into the foam before the wall coverings are applied. A hot knife or electric chainsaw is commonly used to create openings in the foam to lay piping and cabling. electrical cables are inserted into the ICF using a Cable Punch.
Tarkett S.A., known until 2008 as Sommer-Allibert S.A., is a French multinational corporation specialising in the production of floor and wall coverings. Headquartered in La Défense, near Paris, the present company was formed in October 1997 by the merging of two others: French Sommer-Allibert and German Tarkett AG. These companies were in turn formed by the combination of various smaller companies in Sweden, Germany and France. The name Tarkett came from a product developed by a Swedish predecessor.
In the area known as the home of a significant family for seven generations, the cottage has high social significance. The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales. It has high significance for the details of vernacular building in various forms of wooden construction, detailing and wall coverings. The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales.
The station building was extensively renovated in 1971. The two station tunnels and the exits to the platforms were given wall coverings with tiles and mosaic. The former Mitropa-Keller bar was given new interiors in a style that was then contemporary and reopened as the Saxonia-Keller station restaurant. The supervisory building built in 1980 The platform facilities experienced minor changes in the 1980s. A supervisory building was built between tracks 5 and 6 and taken into operation on 1 June 1980.
Sandberg also replaced the museum's heavy, rather uninviting doors with a glass entrance. In 1934, Baard turned the loggia above the museum's main entrance into an exhibition space and had several galleries repainted in light colors. When Röell took over in 1936, he installed light wall coverings inside some of the galleries and had new doorways put in on the upper-floor galleries. Then, in 1938, Röell had the polychrome staircase whitewashed and replaced the yellow glass in the skylight with lime-washed glass.
Utilizing materials that can withhold 24-hour health care facilities, such as linoleum, scrubbable cotton wall coverings, recycled carpeting, low toxic adhesive, and more. Furthermore, incorporating sustainability can begin before the construction process begins. Purchasing items from sustainable local businesses, analyzing the longevity of a product, taking part in recycling by purchasing recycled materials, and more should be taken into consideration. Supporting local, sustainable businesses is the first step, as this not only increases the demand for sustainable products, but also reduces unsustainable methods.
Wistariahurst Museum today provides a view into the lives and tastes of the two generations of the Skinner family that lived in it. The museum features original leather wall coverings, columns, elaborate woodwork and an interesting tale of how two generations perceived and used the house very differently. The museum's permanent collection includes decorative arts; paintings and prints, textiles, and a rich manuscript collection of family and local papers. The museum offers a variety of programs and events, including workshops, concerts, lectures, and demonstrations.
This courtroom was finished modestly with wall coverings, smooth painted plaster, and stained wood mouldings and furnishings. A construction alternate for the courtroom was designed and shown on the bid drawings, but not built. That design was built at the federal courthouse in Pendleton, Oregon, a very similar building that was constructed concurrently. Office areas on the upper two levels typically were finished with wood floors, moulded wood base, chair rail and casings, three panel wood doors, and smooth painted plaster walls and ceilings.
The roof is a flared bell-cast mansard roof with asphalt shingles, with dormers topped by segmented-arch gables and framed by decorative woodwork. A two-story ell extends to the rear of the house. The interior of the house, which follows a central hall plan, contains a mix of Second Empire and Craftsman styling. The former is represented by thick doors and high-profile trim around doorways and windows, while the latter includes embossed leather wall coverings, art glass windows, and decorative mahogany woodwork.
This marriage may have caused him to convert to Catholicism. As an innkeeper and art dealer, Vermeer painted dozens of paintings in which specific attributes can be noted. These attributes include the use of yellow and blue tones, the depiction of women, the use of wall coverings (maps, artworks, etc.), depiction of domestic tools, heavy drapery, light angles from the left, as well as prominent and telling facial expressions, and narrative-like objects. These touches allowed Vermeer to idealize his depiction of Dutch women and their values.
Pahlmann also collaborated on the Four Seasons Restaurant in Manhattan with architect Philip Johnson and was the innovator behind the idea of changing the décor according to the seasons. At the time of its completion in 1959, the Four Seasons Restaurant was said to be the costliest restaurant ever constructed. In addition to their work in interior decoration, William Pahlmann Associates were also involved in industrial design. The firm designed furniture, upholstery fabric, wall coverings, tile, and other decorative accessories for use in the home.
The walls between the central room and the adjoining chambers are decorated with brightly coloured, silken wall coverings painted with floral patterns, at the time a desired and valuable wall textile known as "Pekings". As may be seen here, Frederick the Great preferred to use for the interiors of his buildings only the highest quality materials manufactured by Prussian silk factories. Small fragments of this wall covering were used as a model for the reconstruction of the original during a restoration of 1990-1993\.
Sir Harry's Bar is one of the principal bars of the hotel, situated just off the main lobby. It is named after British Sir Harry Johnston (1858–1927). In the 1970s the bar was renovated in a "plush African safari" design to honor Johnston, a notable explorer of Africa, with "zebra-striped wall coverings and carpeting, with bent-cane furnishings". It has since been redecorated back to a more conservative design, with walnut paneling and leather banquettes, and featured a by ebony bar as of the early 1990s.
The wide variety of ester chemistries that are in production include sebacates, adipates, terephthalates, dibenzoates, gluterates, phthalates, azelates, and other specialty blends. This broad product line provides an array of performance benefits required for the many elastomer applications such as tubing and hose products, flooring, wall-coverings, seals and gaskets, belts, wire and cable, and print rolls. Low to high polarity esters provide utility in a wide range of elastomers including nitrile, polychloroprene, EPDM, chlorinated polyethylene, and epichlorohydrin. Plasticizer-elastomer interaction is governed by many factors such as solubility parameter, molecular weight, and chemical structure.
'"" (), a joint work intended for private use At the very centre of the facade, Cauchie drew the words "" (). The house was designed, from the very beginning, as a joint work intended for private use. Cauchie did the drawings for the house but worked together with his wife to design and decorate their home-workshop. Cauchie and his wife filled the house with their multiple works of art (paintings, wall coverings, furniture, etc.) The Cauchie House is a good example of the application of the principle of "total art" in architecture.
Because of this restriction, the normal radio studio practice of deadening echoes by the use of wall coverings was unavailable. The solution for radio pickup was to suspend a large horn 40 feet (12 meters) above the orchestra, with the horn located above the quieter string instruments and away from the louder drums and basses."Broadcasting Service of 1920 Compared With Concerts Now", San Francisco Chronicle, June 18, 1922, page F7. Daily matinee concerts given at the theater by Herman Heller's orchestra were the main source of programming.
Throughout the 1990s Guild focused her attention on expanding the range as Designers Guild grew in the UK and overseas. The flagship store and showroom are situated on the Kings Road, London and include a showroom devoted entirely to fabrics, wall coverings, furniture and paint. In 1985 DG turnover was £3.0m and in 2010 it had grown to over £50mTricia Guild's top tips for inside your home – Telegraph with over 250 staff and offices and showrooms in London, Paris, Munich, Milan and New York. – Guild was appointed an OBE for services to interior design.
The second floor is used for the offices of the senior staff of the Region of Venice. The restored rooms represent the living space of the typical Venetian lord, with painted ceilings, terrazzo floors, damask upholstery, fireplaces, mirrors, wardrobes and balconies over the canal. The Sala cuoi (Leather room) takes its name from the wall coverings, which are made of leather squares molded into three-dimensional patterns and then glued to the wall. The wall covering, coated with gold dust, served to insulate and also to display the wealth of the family.
The chief of the restoration, Feodor Oleinik, was insistent that all the restoration be faithful to the original work: "Pay attention and do not use later details", he demanded. "Only the original variant, only that done by Cameron, Brenna, Vornykhin, or Rossi." Old techniques of artisans of the 18th century, such as painting false marble and gilding furniture, had to be relearned and applied. A silk workshop was opened in Moscow to recreate the original woven fabrics for wall coverings and upholstery, copying the texture, color and thread counts of the originals.
Inside, the temple is decorated with delicate brush paintings, intricate wooden molding, silk wall coverings, gold leaf, dome chandeliers, and white lacquer furniture inlaid with mother of pearl. After the temple was dedicated, a subway system was built in conjunction with the 1988 Summer Olympics in Seoul. The system included a line that ended right at the base of the hill upon which the temple was built, making the temple even more accessible for LDS Church members. The temple is located near what is today Sinchon Station on the Seoul Subway Line 2.
In 1972 Allibert, a company established in 1913 which had developed into plastic products for the automotive and housing industries, and Sommer, a company established in 1880 which specialised in floor and wall coverings, were merged to form Sommer-Allibert. The merging was designed by then-Allibert CEO Bernard Deconinck, which became the leader of Sommer- Allibert. The Nanterre-based company was expanded on the next years, mostly through the acquisition of smaller rivals. The group's automotive business, while a core revenue generator, was mainly centred on France.
Among the most numerous and most important houses in the district are those executed in the Shingle style. This prevalence reflects both the prosperity of the town and the presence of architects and clients acquainted with this fashionable trend. A variety of houses in Montford are in the Colonial Revival style, which became popular in the first few decades of the twentieth century. The earliest examples of this style have an informal quality, and are identified chiefly through the use of the gambrel roof and shingle wall coverings.
The inner bark, which in older stems is living tissue, includes the innermost layer of the periderm. The outer bark on older stems includes the dead tissue on the surface of the stems, along with parts of the outermost periderm and all the tissues on the outer side of the periderm. The outer bark on trees which lies external to the living periderm is also called the rhytidome. Products derived from bark include: bark shingle siding and wall coverings, spices and other flavorings, tanbark for tannin, resin, latex, medicines, poisons, various hallucinogenic chemicals and cork.
The Last Judgement His brother Cornelis designed a palace for him in Antwerp with a façade of blue limestone and with luxurious decorations such as gilded leather wall-coverings in the bedroom.Frans Floris in Karel van Mander, Het Schilderboeck, 1604 The façade itself was designed by Frans. His design program for the façade was intended to illustrate the high status of artists in society. He painted the façade with seven personifications symbolizing the qualities and skills of an artist: Accuracy (Diligentia), Practice (Usus), Labor (Labor), Diligence (Industria), Experience (Experientia), Praise (Lauda) and Architecture (Architectura).
Once it was complete, it boasts 8 stadium-seated theaters, an upgraded 20,000 watt sound system, much larger movie screens, a digital projection system, new wall coverings and carpets. Another feature to the theater is 2 VIP sections known as "The Screening Room" it features a bar and restaurant capable of seating 50 people off of the VIP theater and luxury leather seats. This section is only open to patrons 21 and older. The theater also has its own IMAX like experience, the screens measure about 35 feet wide and 40 feet high.
Following declining audience numbers, the Gaumont Haymarket was closed on 10 June 1959, with Robert Taylor in The Hangman being the last film. A second gutting then took place, creating a single-level, basement cinema with 600 seats and office space created above. Access to the cinema was from the southern corner of the building, leading to a small foyer and then stairs down to the screen. The cinema was spaciously raked and distinctively decorated in an alternating series of gold and tan wall stripped wall coverings and had a 'honeycomb' ceiling of circular holes.
Thorpe was interested in textile manufacture for both industrial and home use. She designed fabrics for use in coats, drapery, rugs, and wall coverings as well as a special fabric for use with speakers which would not distort the transmission of sound. She participated as a technical advisor, along with Jack Lenor Larsen and Russel Wright, to the International Cooperation Administration. She was interested in varied dyeing techniques and conducted in-depth research on new types of materials, such as the natural protein fiber Vicara and corn fiber to determine its adaptability for both design and manufacture.
Kirei Board is an engineered panel product of the company Kirei USA, constructed from the left-over, post-harvest stalks of the sorghum plant. Its manufacture is more involved than that of particle board, as the stalks are first woven tightly and then heat-pressed with an adhesive. Designed to be strong, lightweight, environmentally friendly and sustainable, Kirei Board is intended for wall coverings, cabinetry, furniture, flooring and other decorative and finished products. The word kirei (JP 奇麗/きれい;IPA [ki 'rei]) is a Japanese adjective possessing a range of meanings: beautiful, clean, pure and truthful.
This covered the entire floor surface, and met a rubber curbing along the sides of the hallways which was placed over the wall coverings to protect from foot marks. Otherwise, the walls were sheeted with a veneer of selected Australian timbers; different timbers were used in the first and second class carriages, to match the colours of the seats. Toilets in each carriage had Terrazzo flooring applied, finely ground, then polished. A different type of chair was custom-designed for use in the Parlor and Dining cars, each one handcrafted "with due regard to comfort and durability".
Stout is a founding partner and creative director of 2x4 where she leads a wide range of projects including extensive retail and packaging design initiatives, large- scale identity, exhibition and environmental graphics as well as way finding programs. 2x4 is a New York City-based design studio founded in 1994 with satellite studios in Beijing. The studio works as a cultural sector, where they develop brand strategy and design systems for clients worldwide. As lead creative director of 2x4 she has had the opportunity to work with Knoll, Maharam, Blick and Flavor Paper to developing textiles and wall coverings.
Over the next two years, Burch and Gibbs completely refurnished all the rooms, adding new furniture and Belgian carpets, re-papered or added painted frescoes to the ceilings, and installed new furniture in the hallways. On the east side was the now-famous Red Parlor, a gentleman's lounge fitted with rich red and gold draperies, fabric wall coverings, and upholstered furniture. The restaurant, called "cheerful and sunny" by the Washington Post, fronted onto 14th Street NW, was lit with crystal chandeliers, and could seat up to 225 people. It was completely remodeled by Burch and Gibbs.
Aerial view of the John O. Pastore Federal Building A product of the New Deal- era Works Progress Administration (WPA), the three-story Pastore Federal Building is an example of Stripped Classical architectural style, with Art Deco elements. The Stripped Classical style features classical design tenets, such as symmetry and historical references in ornamentation, but is simple in its execution. Art Deco is noted for low-relief geometrical designs, accents in terra cotta and glass, and exterior wall coverings such as concrete, smooth-faced stone, and metal. The building's exterior materials are red brick and limestone, with a granite base.
Nitrocellulose X-ray film ignition was the cause of the Cleveland Clinic fire of 1929 in Cleveland, Ohio, which claimed the lives of 123 people during the fire and of a number who were rescued but died several days later due to inhalation of toxic smoke. Decayed nitrate film. EYE Film Institute Netherlands The use of nitrocellulose film for motion pictures led to the requirement for fireproof projection rooms with wall coverings made of asbestos. A training film for projectionists included footage of a controlled ignition of a reel of nitrate film, which continued to burn when fully submerged in water.
Work started on returning the ground floor rooms to their original condition. The 230m² dining room with its original windows and rehabilitated wall coverings and light fittings is described as one of the most precious Jugenstil (Art Nouveau) interiors in Switzerland. In 2010 the bar came back into operation with its original "seating booths", along with the cinema room. Work has also progressed reinstating and restoring the bedrooms: those on the first, second and third floors now have modern en suite bathrooms, though less expensive rooms on the fourth floor with access to shared shower and wc facilities are still available.
On December 4, 1980, a fire broke out at the Stouffer's Inn of Westchester, a newly built hotel and conference center in Purchase, New York, killing 26 people. The fire started in the two-level conference center of the hotel, adjacent to the four-story, 365-room hotel tower. It spread rapidly because of a lack of sufficient sprinklers and the use of highly flammable carpeting and wall coverings; New York had no statewide fire code at the time. Together with the MGM Grand fire, the Stouffer's Inn fire led to the adoption of stricter fire codes on the state and national levels.
The renovations included improvements to the ticket and concession stands, and repairs to the Theatre's lighting system, roof, ceiling, and bathroom. It would also allow the RTC to buy new curtains and wall coverings, and to restore the building's exterior. That March, the town began applying for $300,000 to $500,000 in state grants to restore buildings on Main Street. The agency responsible for distributing the grants reported that the Theatre may be eligible for up to $250,000 in state funding to "help establish or expand [it] as a cultural or business anchor that is key to local revitalization efforts".
It was not until the mid-nineteenth century that many patterns were created and artificially associated with Scottish clans, families, or institutions who were (or wished to be seen as) associated in some way with a Scottish heritage. The Victorians' penchant for ordered taxonomy and the new chemical dyes then available meant that the idea of specific patterns of bright colours, or "dress" tartans, could be created and applied to a faux-nostalgic view of Scottish history. Today tartan is no longer limited to textiles, but is used on mediums such as paper, plastics, packaging, and wall coverings.
It is not unusual to find early styles and techniques used in later buildings, but it is unusual in the cases of door and shutter hinges. As such, the elaborate carpentry, wall coverings and door construction were consistent with an early 19th century building, but then they made another crucial discovery. Critical parts of the building structure were put together using machine-made wire nails. Elements such as the timber wall slabs were housed with a simple cut in their tops and then fixed to the structure using two wire nails with their bottoms secured in a shallow trench slot, without any bottom bearing-plate.
As early as 1918, she was being called "one of the best designers of modern textiles," while by 1950 she was considered one of America's leading wallpaper designers, known for experimenting with different methods for transfer and layering of images. In the 1950s, she was one of a handful of artists selected by the aluminum manufacturer Alcoa to experiment with the use of aluminum for wall coverings. Cover by Ilonka Karasz, The Masses, December 1915. Karasz did textile work throughout her career for manufacturers in the United States, including Mallinson, Schumacher, Lesher-Whitman, Dupont-Rayon, Schwarzenbach and Huber, Cheney, Susquehanna Silk Mills, Standard Textile, and Belding Brothers.
Gypsum waste can be turned into recycled gypsum by processing the gypsum waste in such a way that the contaminants are removed and the paper facing of the plasterboard is separated from the gypsum core through mechanical processes including grinding and sieving in specialised equipment. Gypsum waste such as gypsum blocks and plaster do not require the removal of paper, as they are not made with paper from the beginning. It is typical for the gypsum recyclers to accept up to 3 per cent of contamination from other materials. The professional recyclers are capable of handling gypsum waste with nails and screws, wall coverings etc.
Thus, although the basic structure is based on an early Renaissance style, the decoration of the façade, however, is accentuated by the wall coverings ceramics, rooted in Hungarian soil and using the motifs of Hungarian folk art. (Lechner was progressive on this issue because the ceramics are rather durable, riched in color and washable than the gypsum castings. The building has four lesenes (narrow and flat vertical wall strip for partitioning the wall), its avant-corps in the main facade is highlighted, roughly rectangle. The statue of the founder of the House, the prince Árpád was placed in the middle of its central rizal.
Accordingly, the units operate all Cambrian Line services between Mid Wales and Birmingham, as well as supplementing the Class 175 Coradia units on other long-distance routes. In 2009, Arriva also proposed using the fleet to provide a direct service between and London, although this proposal was later rejected by the Office of Rail Regulation. A complete refurbishment programme to provide the Class 158s with full 'as new' interiors took place between December 2010 and October 2012. Funded by the Welsh Assembly Government at a cost of £7.5m, work completed included interior and exterior repainting, along with replacement of seating, wall coverings, carpets, lighting, luggage racks and toilet fittings.
According to Cooke de Herrera, the Maharishi obtained many "special items" from a nearby village so that the Beatles' rooms would have mirrors, wall-to-wall carpeting, wall coverings, foam mattresses and bedspreads. She wrote that, compared to the other students' bungalows, the Beatles' cottages "looked like a palace". In Cynthia Lennon's description, her and her husband's bedroom contained a four-poster bed, a dressing table, two chairs and an electric heater. Meditation domes at the International Academy of Meditation (pictured in 2006, long after the ashram's closure) Evans recalled there were around 40 staff, including cooks, cleaners, a joiner, and a full printing department.
VIP room ("The Roxy Suite") The interior contains a "majestic" grand foyer, the large and lavishly decorated main auditorium, and a series of stairs and elevators that lead to levels of mezzanines. Designed by Edward Durell Stone, the interior of the theater with its austere Art Deco lines represented a break with the traditional ornate rococo ornament associated with movie palaces at the time. Donald Deskey coordinated the interior design process, as well as designed some of the wallpaper, furniture, and other decor in the Music Hall. Deskey's geometric Art Deco designs incorporate glass, aluminum, chrome, and leather in the ornament for the theater's wall coverings, carpet, light fixtures, and furniture.
The third-floor women's restroom contains the Panther Mural by Henry Billings, which is accompanied by Deskey's abstract wall coverings in the women's lounge. The women's lounge on the second mezzanine houses Yasuo Kuniyoshi's oil painting of "larger-than-life botanical designs" along the entire wall, which had originally been commissioned by Georgia O'Keeffe before she suffered a nervous breakdown and left the mural incomplete. Deskey created a wall covering for the men's lounge on the second mezzanine, containing masculine icons and nicotine motifs. He also designed the first-mezzanine women's lounge, a room full of mirrors with a blue-and- white carpet and frosted low-intensity lights.
BD also produces Boutique Design New York (BDNY), a hospitality interiors show that runs concurrently with the International Hotel, Motel + Restaurant Show at the Javits Center in New York. Over 750 exhibitors representing high-end, unique and innovative design products—including furniture, lighting, wall coverings, fabric, seating, accessories, artwork, carpet and flooring, materials, bath and spa – are presented in small-scale displays, creating an intimate, boutique-style shopping environment. The event also includes education sessions, presented by BD and its sister publication Hospitality Style; design forums; special show floor exhibits; and the presentation of the annual Boutique Design Awards. Each spring, Boutique Design names a list of up-and-coming hospitality interior designers known as The Boutique 18.
The 1st class compartment was largely the same as that on the 624/634. And whilst the interiors looked very smart, the colours were very much contemporary and were no longer up to date by the mid-1990s. During the course of the modernisation programme the 614's were given the first double-decker coaches delivered to the old Federal states and the y-coaches of well-known design with beige wall coverings and light green fabric-covered individual seats, some arranged facing each other, others all facing in the same direction. One unique feature is the folding table at every seat, some of which are now missing as a result of vandalism.
Having trained in architecture in pre-war Vienna by 1956 Reich set to work on his own house. Drawing on Bauhaus ideas of functionality and movement the house was used as both laboratory and show-room where textiles, furniture, floor and wall coverings, paint-work and lighting were thoroughly tested and shown from a practical as well as an aesthetic point of view. The 1950s house confronts experimental glass with timber, innovative concrete, steel and atomic structures, indoor gardens and sliding doors. It also has one of Britain's most famous free standing mosaic fireplaces of the 1950s dubbed the ‘flaming onion,’ cabins for his children's bedrooms and refrigerated filing cabinets for the kitchen (inspired by the Frankfurt Kitchen).
Whistler let his imagination run wild, however: "Well, you know, I just painted on. I went on—without design or sketch—putting in every touch with such freedom ... And the harmony in blue and gold developing, you know, I forgot everything in my joy of it." He completely painted over 16th-century Cordoba leather wall coverings first brought to Britain by Catherine of Aragon that Leyland had paid £1,000 for. Having acquired the centerpiece of the room, Whistler's painting of The Princess from the Land of Porcelain, American industrialist and aesthete Charles Lang Freer purchased the entire room in 1904 from Leyland's heirs, including Leyland's daughter and her husband, the British artist Val Prinsep.
One of the Beatles' friends, Alexis "Magic Alex" Mardas, an electronics engineer and inventor, was summoned to Rishikesh in the hope of providing the ashram with a high-power radio transmitter to broadcast the Maharishi's message. The bungalows allotted to the Beatles were equipped with electric heaters, running water, toilets, and English-style furniture. According to Nancy Cooke de Herrera, an American devotee who was assigned to look after the Western celebrities, the Maharishi obtained many "special items" from a nearby village so that the Beatles' rooms would have mirrors, wall-to-wall carpeting, wall coverings, foam mattresses and bedspreads. Ringo Starr later compared the ashram to "a kind of spiritual Butlins", a low-cost British holiday camp.
Linen uses range across bed and bath fabrics (tablecloths, bath towels, dish towels, bed sheets); home and commercial furnishing items (wallpaper/wall coverings, upholstery, window treatments); apparel items (suits, dresses, skirts, shirts); and industrial products (luggage, canvases, sewing thread). It was once the preferred yarn for handsewing the uppers of moccasin-style shoes (loafers), but has been replaced by synthetics. A linen handkerchief, pressed and folded to display the corners, was a standard decoration of a well-dressed man's suit during most of the first part of the 20th century. Currently researchers are working on a cotton/flax blend to create new yarns which will improve the feel of denim during hot and humid weather.
Auditorium fit-outs were typical of the time with grey coloured Soundfold pleated wall coverings over acoustic absorption, but also featured art deco proscenium details and orange/gold coloured tabs. The main foyer is on the ground floor, with a large bar area on the 1st floor. A series of escalators enable access to all levels, with Screens 1-4 accessed from the basement, 5 from the ground floor, 6 and 7 from the 2nd floor, and 8 and 9 from the 4th floor. JBL cinema speakers were used throughout the complex, with the two main auditoria, Screens 5 and 7, being THX certified and featuring JBL 4675 screen speakers, 4645 subwoofers and 8330 surround speakers.
Other products developed from sisal fibre include spa products, cat scratching posts, lumbar support belts, rugs, slippers, cloths, and disc buffers. Sisal wall covering meets the abrasion and tearing resistance standards of the American Society for Testing and Materials and of the National Fire Protection Association.Sisal Floor and Wall Coverings - URL retrieved June 25, 2006 Weaving a door mat in Uganda As extraction of fibre uses only a small percentage of the plant, some attempts to improve economic viability have focused on utilizing the waste material for production of biogas, for stockfeed, or the extraction of pharmaceutical materials. Sisal is a valuable forage for honey bees because of its long flowering period.
Historians have recognized Acorn Hall for its authentic mid-Victorian era furnishings, primarily pieces from the Schermerhorn and Crane-Hone families, supplemented with significant objects from other prominent Morris County families of the 19th century. Carpeting, wall coverings, and decorative paint techniques remain as they were in the nineteenth century. Acorn Hall also offers an exhibit gallery with changing exhibits highlighting various aspects of Morris County history and Victorian culture. In addition to the National Register of Historic Places, Acorn Hall is on the New Jersey State Register, and is part of the NJ Women's History Trail, in recognition of the importance of the Crane and Hone women in both preservation and the women's suffrage movement.
When the station opened in 1954, the wall coverings were glossy yellow Vitrolite tiles with red lettering and trim, and the station name on the walls was in the TTC's unique Toronto Subway Font. During renovations in the 1980s, the yellow Vitrolite tiles were replaced with brown ceramic tiles and vinyl siding, and the station font was changed to Univers. The 2011–2015 station expansion replaced these tiles and panels with white tiles and black trim, and the font used to render the station name was returned to its original Toronto Subway typeface. As part of the second platform project, a glass wall was built to block off the southern side of the old platform, since it now only serves the University line.
The presidential suite is located in the center of the hotel with a balcony over the porch. A detached structure added in early 2000 was named the Masco Cottage. Additionally, seven suites are named for and designed by seven former First Ladies of the United States. These are the Jacqueline Kennedy Suite (with carpet that includes the gold presidential eagle on a navy blue background and walls painted gold), Lady Bird Johnson Suite (yellow damask-covered walls with blue and gold wildflowers), Betty Ford Suite (green with cream and a dash of red), Rosalynn Carter Suite (with a sample of china designed for the Carter White House and wall coverings in Georgia peach), Nancy Reagan Suite (with signature red walls and Mrs.
In addition to serving as wall coverings and blankets for noblemen and commoners alike, traditional Ryas were also used in marriage ceremonies throughout Scandinavia, throughout the Middle Ages. Ryas woven for such occasions are very distinct pieces, often featuring the initials of the bride and the groom, the date of the wedding ceremony, a set of double hearts, and symbols and signs that represented the groom’s and the bride’s families. Wedding Ryas were extremely important, and perhaps represent the most distinct development in Scandinavian rug-making. Even as the Scandinavian rug-making tradition matured from the 1500s through the 1800s, more traditionally Oriental themes were incorporated into the finest Scandinavian rugs, with the Tree of Life motif featuring most prominently.
The White House was closed in 1976, to be fully restored to its wartime appearance. The restoration project was completed in 1988, and reopened for public tours in June 1988. The White House featured extensive reproduction wall coverings and draperies, as well as significant numbers of original White House furnishings from the Civil War period. Notable past and present exhibitions include: The Confederate Years: Battles, Leaders, and Soldiers, 1861–1865; Women in Mourning; Before Freedom Came: African-American Life in the Antebellum South; Embattled Emblem: The Army of Northern Virginia Battle Flag, 1861 – Present; A Woman's War: Southern Women, Civil War, and the Confederate Legacy; R. E. Lee: The Exhibition; The Confederate Navy; and Virginia and the Confederacy: A Quadricentennial Perspective.
Corticeira Amorim S.G.P.S., S.A., is a Portuguese subholding company belonging to the Amorim Group and claims to have been the world leader in the cork industry for over 130 years, with operations in hundreds of countries all over the world. Corticeira Amorim is responsible for the management of 70 companies engaged in the cork manufacture, research, development, promotion and sale of products and new solutions for the cork industry. António Rios de Amorim is the company’s Chairman and CEO. Organized in five Business Units – Raw- Materials, Cork Stoppers, Floor & Wall Coverings, Composite Cork and Insulation Cork – Corticeira Amorim sells an array of products largely to such industries as the aeronautical, construction and wine-producing industries; a result of the investment made in R&D.
The house's siting, thin plan, and light-filled rooms emphasize the lake and Whiteface Mountain vistas (including a view upon entering the front door) and allow circulation; sea- influenced details, such as blue cloth wall coverings and playroom bunk nooks that flank French doors opening to the shore, further aconnection to place. Mill Valley Hillside Residence (California, 2013) entailed the transformation of a derelict assemblage of structures on a small, sloped lot (originally an 1880s YWCA bunkhouse) into a larger, modern family cottage.Celia Barbour, "HOUSE TOUR: An Abandoned Summer Camp Becomes an Eclectic Family Home," Elle Decor, March 9, 2016. Accessed November 15, 2019.Michelle Slatalla, "Garden Visit: Landscaping a Live-In Summer Camp," Gardenista, December 27, 2016. Accessed November 15, 2019.
Aprilia Moto 6.5 In 1983, then-French President François Mitterrand, on the recommendation of his Minister of Culture, Jack Lang, chose Starck to refurbish the president's private apartments at the Élysée. The following year he designed the Café Costes.Philippe Starck pulled off his first feat with his interior for the Parisian nightclub and restaurant Les Bains-Douches, followed by Café Costes, "Psychoanalysis of the Starck Object", Le Monde, 27 January 1994 Starck's output expanded to include furniture, decoration, architecture, street furniture, industry (wind turbines, photo booths), bathroom fittings, kitchens, floor and wall coverings, lighting, domestic appliances, office equipment such as staplers, utensils, tableware, clothing, accessories, toys, glassware, graphic design and publishing, food, and vehicles for land, sea, air and space.
The new buildings include a student center named after former University President Edward A. Trabant, the Charles C. Allen Jr. Laboratory, MBNA America Hall (now Alfred Lerner Hall), Gore Hall, and the Louise and David Roselle Center For the Arts, which was named in his wife and his honor. The renovations and new constructions were a part of a general campus beautification project that included brick walkways, ivy wall coverings, and the planting of new trees. As he had at Virginia Tech and University of Kentucky, Roselle also made student access to technology a top priority. Not long after the beginning of his tenure as president, every class room, residence hall room, and office was wired to the campus' computer network.
Indoor trees were planted in the pavilion to add visual warmth, and the facility received a new terrazzo floor, new stone wainscoting, and new fabric wall coverings. To make registration more efficient, a new, central curved registration desk was built. A closed-circuit television system was added throughout the convention center, with monitors placed at the central registration desk. Displays about Cleveland area attractions and dining facilities were erected in the reception pavilion, and various airlines serving the local airport were allowed to have kiosks so that convention-goers could make flight reservations more easily. The total cost of Phase Two was $6 million ($ in dollars). The Public Auditorium renovations were complete by the end of July 1986, while the Great Hall work was just beginning.
He had changed his name from Hamilton to Baillie as a mark of respect. The mansion house is possibly the only remaining complete building designed by Robert Adam, as most of his other works were additions to existing buildings. The Adelphi Building, in London, was a speculative neoclassical terraced housing development by the Adam brothers but is now largely demolished, leaving Mellerstain House as an important record of Robert Adam's work. The interior is a masterpiece of delicate and colourful plasterwork, comprising a small sitting room (originally a breakfast room), a beautiful library (a double cube design), a music room (originally the dining room), the main drawing room, with original silk brocade wall coverings, a small drawing room (originally a bed chamber) and a small library (originally two dressing rooms).
Due to the extensive disrepair over time, detailed plans for the conservation and placement of the collection and for the reproduction of the original floor and wall coverings were developed by Dr. William Seale, a leading expert in the field, and Anne Horstman, who served as executive vice president of the Marshall Center during the restoration. Among the items are originals or reproductions of art given to the Marshalls, including a reproduction of View of Tinherir, painted by Sir Winston Churchill in Morocco in 1951 and given to the Marshalls in 1953. The original View of Tinherir was sold at auction by Marshall's granddaughter Kitty Winn in 2006 for £612,800 ($1.2 million), a record price for a Churchill painting at that time. Another reproduction is Evening, by Russian artist Vassily Baksheyev.
In 1872 the villa, which is in pure neo-classical style, was sold and since then it has formed the central nucleus of the Grand Hotel Villa Serbelloni which was opened in 1873. Its interior reflects the good taste loved by the wealthy nobility of the time: its walls and ceilings are adorned with frescoes and paintings of mythological scenes, gilded frames, festoons, temples, putti, flamingos, and Pompeian reds. The coffer ceilings are often frescoed with floral patterns in grey and pink tones. The guests are fascinated by the period wall coverings in French style, the antique Persian carpets, the crystal chandeliers from Murano, the Imperial furniture, and the neo-classical and Art Nouveau style; not to mention the marble staircases, the stucco work columns, and the splendid trompe l'oeil.
Moreover, arts organization with parallel or intersecting interests, such as the Surface Design Association, also provide support or inspiration to felters seeking community. Fashioning Felt, an international exhibition held at the Cooper-Hewitt Museum in New York City (March 6-September 7, 2009), was an important moment in the recognition of both the artistic and practical elements of modern felt. It provided new audiences with the opportunity to learn about the historical and contemporary techniques for the production of felt and information on the use of felt in art and industry. Art felters today represent a broad continuum of work—some of which is closely related to the production of practical items such as wall coverings, clothing, hats, and shoes to those who exploit the qualities of felt in the creation of purely abstract pieces of work.
Upcoming projects include a redesign of the gift shop, including new insulation, and writing specifications for mortar repairs outside of the building. Half of the money raised in the capital campaign was allocated for restoration of the exterior, cupola, and most public rooms of the house. Other restoration efforts include repairing the porch and stairs, masonry, and window and door shutter; conserving the stained glass; installing UV protection on windows; restoring the ground floor, attic, and cupola; lighting the 8,000-gallon water tank interior to illustrate the technological innovations of the house; conserving the collections of paintings and porcelain; and repairing the exterior grounds. Original furnishings and decorations in the downstairs rooms are also being researched in order to accurately restore the wall coverings, paint finishes, and furniture upholstery to their appearance during the Hay family's residency in the house.
The Church of the Company of Jesus, () was a Jesuit church located in downtown Santiago. The day of the fire was the celebration of the Feast of the Immaculate Conception, one of the most popular festivities of the religious calendar, and the temple was adorned with a profusion of candles and oil lamps and wall coverings. In the main altar, a large statue of the virgin Mary stood over a half-moon that in itself was a huge candelabra. That night, the fire started a few minutes before 7 PM,The New York Times, January 18, 1864 when an oil lamp at the top of the main altar ignited some of the veils that adorned the walls (some early accounts blamed a gas lamp, as people tried to make sense of the shocking tragedy amid old and new technology, but the church was not equipped with gas.
An All-Round Addition at historytoday.com Reichel, the sole male owner in over two hundred years, was responsible for substantial structural changes. These included the construction of a water tower and laundry room, the installation of a bathroom and central heating, the construction of upstairs bedrooms with dormer windows, the fitting of first-floor windows, a heavy pulley dumb-waiter and speaking tubes, the replacement of the original thatch with roof tiles and the addition of an external catwalk. Entrance to the Shell Gallery; this is now closed to the public Since taking ownership, conservation measures by The National Trust have included removal of all but one of the very large central heating radiators installed by Reichel, restoration of the wall coverings from a deep red to the original pale green and rigging of the delicate Shell Gallery on the uppermost storey of the house with a CCTV system to allow observation without risk of damage.
The building's fine silk brocaded curtains, chandeliers, cabinets in ebony and gold, and sculptures in alabaster and bronze were remarked upon by a European visitor in 1823, as were the colourful fabric wall coverings imported from England. During the reign of Ranavalona I, Crown Prince Rakoto (later King Radama II) occupied Tranovola as his personal residence. After the Queen's death, Radama continued to occupy rooms on the second storey of the building, using the smaller rooms on the ground floor as storage space. A British visitor in 1873 reported that the wooden floors of Tranovola were highly polished, while the walls were hung with French wallpaper and decorated with imported mirrors and oil paintings including a portrait of Queen Victoria given as a gift to Radama II. Just inside the front door sat a seven-pound Armstrong Gun in its carriage with numerous imported sofas, costly decorative objects and other items placed throughout the vast space.
Volker Müller and Karlheinz Stockhausen (standing), Karl O. Barkey and Hans-Alderich Billig (seated, left rear), Wolfgang Lüttgen, Günther Engels, Christoph Caskel (seated, right rear), Péter Eötvös, Dagmar von Biel, Gaby Rodens, Wolfgang Fromme, and Helga Hamm-Albrecht (front), during the Shiraz Arts Festival, September 1972, three weeks before the premiere of Alphabet für Liège Alphabet was created as a commission from the City of Liège on the initiative of Philippe Boesmans, for the Nuits de Septembre festival, and was premiered during a "Journée Karlheinz Stockhausen" on 23 September 1972. Stockhausen envisaged the work for performance in a labyrinth-like building. The venue chosen for the premiere consisted of fourteen still-empty areas, all leading off of a central corridor, in the basement level of the half-completed radio and television building in the Liège Palais des Congrès, before the wall coverings, doors, and office partitions had been installed. The bare concrete and breeze-block surfaces were whitewashed especially for the performance, and the rooms were all open to each other through open doors and windows.
Two years later, while the newly incorporated Kimberly & Clark was building a third mill in Appleton, the family moved in with the interior still largely bare plaster walls. Ultimately the first house in Neenah fitted with electricity (the Kimberly & Clark generator serving as the power source), the interior decoration was completed under Babcock's watchful eye in 1888, with the parlor carefully replicating decorations he and his wife had seen and admired at the Centennial Exhibition in 1876. At the time William Morris, Charles Eastlake, Henry Hudson Holly and other leaders of the Aesthetic Movement were encouraging the use of instructive narratives in fireplace tiles, advice which Babcock subtly extended to whole rooms through his choices not only of tiles but stained glass, wall coverings, and even the placement of selected paintings and objet d'art. Principal among the stories were those of the Etruscan goddess Pomona (mythology) and William Morris' "The Defence of Guenevere," both of which challenge the conventional roles and identities of men and women, and which taken together Babcock wove into a devotional to the love he and his wife Frances shared.

No results under this filter, show 178 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.