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14 Sentences With "walks the earth"

How to use walks the earth in a sentence? Find typical usage patterns (collocations)/phrases/context for "walks the earth" and check conjugation/comparative form for "walks the earth". Mastering all the usages of "walks the earth" from sentence examples published by news publications.

Melmoth walks the earth, a lonely and cursed woman, bearing witness to human suffering.
That he literally no longer walks the Earth is a near-impossible concept for his former teammates to digest.
His character in that movie, an economics geek named Peter Brand, is an introvert who walks the earth as if he's about to be pantsed.
Bob Baffert says American Pharoah, the horse that won the Triple Crown, is getting more action than just about any person or animal that walks the earth!
Like Caine in the 1970s television series "Kung Fu," Hong walks the earth with a strange passivity, the surrealism of his surroundings sometimes arresting yet too often static.
Colby Rasmus, a former top prospect who now walks the earth to grow mangy beards and hit majestic blasts, dug out a Danny Salazar fastball in the second.
President Obama took a moment at a rally this week to sniff his hand to prove that he is not really a demon from hell who reeks of sulfur and walks the Earth swarmed by flies.
The song describes how the child's spirit now walks the earth in search of peace in the nuclear age. The two traditional folk songs included on the album, "John Riley" and "Wild Mountain Thyme", were both introduced to the band by McGuinn, who had learned them via recordings made by Joan Baez and Pete Seeger respectively. Writing for the AllMusic website, critic Richie Unterberger regarded both "John Riley" and "Wild Mountain Thyme" as "immaculate folk rock", praising the arrangements.
Shakuntala incites jealousy in the women and love in the men around her, charming humans and animals alike in the forests of Kerala. "Gaja Gamini" is also Mona Lisa during the Renaissance, the object of painter Leonardo da Vinci's obsession. Finally, Monika, the most confusing sector of the film, is supposed to represent the woman of the New Millennium. Kamdev, the God of Love (Inder Kumar), walks the earth throughout history, attempting to win the love of "Gaja Gamini".
Wynter Chelsea introduces two families that have been fighting supernatural beings for generations. Depicted as The Wynter Chelsea Legacy, they are the greatest human threat to the evil that walks the earth. Amanda Chelsea belongs to the new generation of fighters and is consequently the only female to ever be born in the legacy. She is shielded from the battles at a young age, therefore growing up with little knowledge of the outside forces that her family faces.
Another painting of the Divine Mercy was made by Adolf Hyła as a votive offering. In painting the picture, Hyła expressed his gratitude for the survival of his family during World War II. Hyła was given the descriptions from Faustina's diary by the nuns at the convent and a small copy of the first painting. Hyła's image is somewhat different from Kazimirowski's, as the former figured Jesus as a "Divine Physician" who walks the earth and heals people. He has Jesus approaching the viewer, instead of merely standing.
Nyarlathotep differs from the other beings in a number of ways. Most of them are exiled to stars, like Yog-Sothoth and Hastur, or sleeping and dreaming like Cthulhu; Nyarlathotep, however, is active and frequently walks the Earth in the guise of a human being, usually a tall, slim, joyous man. He has "a thousand" other forms, most of these reputed to be maddeningly horrific. Most of the Outer Gods have their own cults serving them; Nyarlathotep seems to serve these cults and take care of the deities' affairs in their absence.
The conversions ended in 1913 with the building of historicized annexes. The conversion was partially undone in 1954, and the Schwabentor was provided with a simpler tented roof, which was similar to the original one, and a bell turret with an onion dome. The keystone of the inner arch shows a Romanesque depiction of the "Boy with Thorn", an antique figurine, which is interpreted in a Christian way here, meaning that man walks the earth with the thorn of the Original sin within him. Whoever passes through the gate should be reminded of it.
"Landlady" is a tribute to Ali from Bono for supporting him during the group's early days and for being his motivation to return home. On "The Blackout", the band combine distorted guitars with a bassy, danceable groove, a result that The Telegraph said recalled the "audacious cyberpunk energy of Achtung Baby". Ruminating on the state of democracy as well as Bono's mortality, the lyrics mention natural disasters and extinction events in lines such as "Dinosaur wonders why it still walks the earth / A meteor promises it's not gonna hurt". "Love Is Bigger Than Anything in Its Way", described as "grandiose" by USA Today and an "anthem" by Mojo, features Andrew Taggart of the Chainsmokers on keyboards.

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