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20 Sentences With "walk a thin line"

How to use walk a thin line in a sentence? Find typical usage patterns (collocations)/phrases/context for "walk a thin line" and check conjugation/comparative form for "walk a thin line". Mastering all the usages of "walk a thin line" from sentence examples published by news publications.

Famously, Kiarostami's movies walk a thin line between fiction and reality.
Redford is trying to walk a thin line with his comments this afternoon.
In hockey, officials walk a thin line about which bone-jarring hits to allow, and which to penalize.
Mr. Martin tried to walk a thin line of presenting Turner's sports and entertainment networks as important but not too important.
Wearables like these walk a thin line between innocuous pseudoscience (10,000 steps a day!) and potentially dangerous marketing claims of being "medical grade" devices.
Women, in other words, are required to walk a thin line when they speak in public, a no-room-for-error performance never expected of men.
Facebook has to walk a thin line between making its app safe for a wide range of ages as well as advertisers, and avoiding censorship of hotly debated topics.
Ventura Pons's stagy drama "Virus of Fear" tries to walk a thin line about its volatile subject — child sexual abuse — as it weighs a man's possible innocence against a mob's rage.
The CBO's estimate of the plan's effect on the number of uninsured Americans could influence whether Republican senators support it, as GOP leaders walk a thin line in trying to win the votes needed to pass their plan.
The senator "is going to have to walk a thin line between the populism of Bernie Sanders and the pro-worker credibility of Joe Biden in order to find a path to the nomination," Democratic political consultant Evan Thies told CNBC.
He also produced and played guitar and autoharp on Shankar's Shankar Family & Friends, the label's other inaugural release. Other artists signed by Dark Horse include Attitudes, Henry McCullough, Jiva and Stairsteps. Harrison collaborated with Tom Scott on Scott's 1975 album New York Connection, and in 1981 he played guitar on "Walk a Thin Line", from Mick Fleetwood's The Visitor.: "Walk a Thin Line"; : New York Connection.
Along with "Angel" and title track, "Walk a Thin Line" was one of the later songs written and recorded for "Tusk". The song was inspired by a Charlie Watts drum fill on "Sway", off the Rolling Stones album Sticky Fingers. This drum fill caught Buckingham's interest, and he intended to feature the fill on one of his on Tusk songs. Buckingham ultimately selected "Walk a Thin Line" as it shared a similar tempo with "Sway".
"Walk a Thin Line" is a song by British-American rock band Fleetwood Mac, released in 1979. Composed and sung by guitarist Lindsey Buckingham, it was one of the nine songs he wrote for the Tusk album.
Peter Green sang lead vocals and played lead guitar on "Rattlesnake Shake", and was credited as Peter Greenbaum. George Harrison appeared on "Walk a Thin Line". The album has been re-released several times, most recently with a US CD release by Wounded Bird Records on October 18, 2011.
"Walk a Thin Line" was one of the cover songs on Mick Fleetwood's 1981 debut solo album, The Visitor. This rendition was reinterpreted with African influences, and included an African group called Adjo, who contributed percussion and vocals on the track. "...as a percussion player, during these recordings, I was, as we say in England, ‘like a pig in shit.’" said Fleetwood.
In terms of the legislation it promoted, Norquay's ministry may be described as interventionist but not particularly ambitious. Like many other Canadian politicians in the 19th century, Norquay devoted much of his attention to railway development. As a result, he was compelled to walk a thin line between local and federal alliances; eventually, his inability to successfully navigate this course led to his downfall. During the 1880s, many entrepreneurs in Manitoba tried to develop local rail lines to reduce transportation costs.
The Visitor is an album by Mick Fleetwood, released by RCA Records in 1981. All the songs were recorded in Accra, Ghana between January and February 1981 at the "Ghana Film Industries, Inc. Studio" and produced by Richard Dashut, and were later mixed in various studios in England. Two of the tracks were covers of Fleetwood Mac songs: "Rattlesnake Shake" was originally recorded for the 1969 album Then Play On, and "Walk a Thin Line" first appeared on the 1979 album Tusk.
The "military press-rolls" Mick Fleetwood recorded were multi-tracked, and were later blended in with another drum track Fleetwood recorded. Buckingham also recorded some backing vocals in a push-up position while singing into a microphone taped to the floor for a more "aggressive" vocal timbre. Rolling Stone applauded the use of the "dreamy" multilayered backing vocals to emulate strings instead of using more conventional pop embellishments. They also singled out "Walk a Thin Line" as one of Buckingham's more commercial tracks on the record.
Aside from this her only writing contribution was "Dreamin' the Dream". The album also featured a rare lead vocal from drummer/band leader Mick Fleetwood on the seven-minute spoken piece "These Strange Times", produced by Duran Duran producer John Jones and written with Beach Boys co- writer Ray Kennedy. The spoken-word piece paid tribute to Peter Green and openly alluded to his songs "Man of the World" and "The Green Manalishi". The third verse also alluded to Stevie Nicks' "Dreams" and Lindsey Buckingham's "Walk a Thin Line".
Jung at the One Fine Day concert in Hong Kong One Fine Day received generally favorable reviews from music critics. Pop music critic Kim Young-dae of Ize magazine stated that the lead single was "not fundamentally different from his previous works" with CNBLUE, but the other album tracks "attest to the fact that Jung Yong-hwa's songwriting capability has stepped up to a standard". He noted that Jung "organically amplifies the momentum" of his songs "without an obvious structural mechanism shows definite signs of growth". However, he also felt that Jung still faced shortcomings in his compositions, describing that the refrains to his songs "walk a thin line between the familiar and the predictable".

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