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13 Sentences With "wailing over"

How to use wailing over in a sentence? Find typical usage patterns (collocations)/phrases/context for "wailing over" and check conjugation/comparative form for "wailing over". Mastering all the usages of "wailing over" from sentence examples published by news publications.

Democrats wailing over the plight of the remaining children are conveniently ignoring the facts.
The song is purposefully baroque, with Palmer and Power's voices wailing over an insistent piano.
But this in no way prevented Trump's supporters from screaming and wailing over Kathy Griffin's "beheaded Trump" photoshoot.
When you think about James Corden's voice coming wailing over a supermarket intercom system, desperately calling you by name.
One minute he'd be keening beside you; the next, he'd be gone and so would your wallet, intensifying the weeping and wailing over fresh loss.
During my roughly three months spent in Honduras in 2018, I photographed mothers waiting at the morgue for the bodies of murdered sons and daughters, police keeping watch over corpses left lying on streets after shootouts and families wailing over the coffins of loved ones.
I think its greatness has something to do with the fact that it pooh-poohs traditional song structure and opens at the exact moment a song should peak, but I can very much see Carly Rae Jepsen wailing over these beautifully programmed drums and it going straight to the top of the charts.
It does and they begin to leave the cemetery together, but the doctor (and the viewers) are in for one last shock: Ann is shot and killed by a mob sniper who slips away, leaving behind a grieving Stevens wailing over her dead body.
195 "Pagan Poetry" is a "harp-splashed" song that concerns unrequited love. The track builds slowly, "with Björk wailing over swelling keyboard crescendos," until, at the four-minute mark, "all the music drops away, leaving Björk utterly exposed" as she sings "I love him, I love him/I love him, I love him/I love him, I love him". The song also features "a flotilla of music boxes with an Asian-teahouse touch." The instrumental interlude "Frosti" has been described as a "metallic tundra".
Elias Leight, also from Billboard, described the song's production as a mix of hip-hop, pop and dance beats, going on to describe how the track boldly shifts in genres throughout its duration, and that the track could be aimed at a man, or her former labels. Consequence of Sounds Dusty Henry noted that Banks "spends most of the time showing off her singing chops by wailing over booming, dance club beats". Banks describes the track as genre-specific, citing pop-crossover and UK garage. On the song's lyrical content, she explained, "It's about the journey, the breakup is a part of it, but it's really about the journey".
Anne Fuller sees in it "that ancient Near East belief that the living as well as the dead form a single community."Fuller, 1968, p. 86. Salim Tamari places Thursday of the Dead three days before Easter Sunday (coinciding with Holy Thursday) and the day after Job's Wednesday (Arabic: Arba'at Ayyub), a quasi-religious mawsim (or seasonal festival) for Muslim peasants involving rituals at the sea. In letters Lieutenant General Sir Charles Warren wrote while in Palestine in 1901, he said the day took place "in Spring, about the Greek Easter," and marked the culmination of seven consecutive Thursdays of wailing over the dead.
Mark Schultz for Creative Loafing commented that the director "doesn't cut us any slack during Amy's death scene, drawing out the shots of Andrea wailing over her dying little sister as long as possible before pulling back to show the shock of the other survivors and, finally, the full extent of the carnage". In "Wildfire", Andrea shoots her deceased sister Amy after she slowly resurrected into a walker. Greg Nicotero, the special effect director for The Walking Dead, made Bell wear contact lenses that were less harsh in appearance, as he wanted an emotional connection to resonate between the characters. Bell admitted that she was perplexed on how to approach the scene.
Torquemada was reputedly of converso ancestry, and the confessor of Isabella, Espina, being previously a Rabin. Whatever the truth of this story, there were no signs of relaxation shown by the court, and the Jews of Spain made preparations for exile. In some cases, as at Vitoria, they took steps to prevent the desecration of the graves of their kindred by presenting the cemetery, called the Judumendi, to the municipality — a precaution not unjustified, as the Jewish cemetery of Seville was later ravaged by the people. The members of the Jewish community of Segovia passed the last three days of their stay in the city in the Jewish cemetery, fasting and wailing over being parted from their beloved dead.

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