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12 Sentences With "wail for"

How to use wail for in a sentence? Find typical usage patterns (collocations)/phrases/context for "wail for" and check conjugation/comparative form for "wail for". Mastering all the usages of "wail for" from sentence examples published by news publications.

When a child's cherished toy breaks, you may her a lout anguished wail for quite a while.
But Iraqi pilgrims will also wail for the 110 people, all Shia, whom their government has killed during recent protests.
I wanted to salute the courage of Macron's statement but didn't want to trap myself playing the part of the decolonized subject who can only ever rehash his colonial memory and wail for an apology.
But Soundgarden vocalist Chris Cornell revealed a different side of his imperious wail for this stripped-down cover released last year that features his voice backed only by acoustic guitar and cello, and it's quite moving.
There is no solace. The entire world is “wrong.” The last line, “Wail, for the world’s wrong!”, provides a sense of hope and consolation.
The outdoor lahar warning sirens are tested at noon on the first Monday of every month. The sirens wail for approximately five minutes during the testing. During a real event, the sirens will continuously wail until the batteries die or they are destroyed.
The sardine is then set alight, to huge applause. After this, a huge firework display ensues. The event is known as the "Burial of the Sardine". Amongst the crowd at this event, "professional mourners" can be seen; these are invariably men in drag, who wail for comic effect.
110 n. 46; Liddell & Scott, s.v. Ἴακχος; Suda Ἴακχος (iota,16). For example see Euripides, The Trojan Women 1230: νεκρῶν ἴακχον, where ἴακχον is used to denote a threnody, a lament for the dead, thus Coleridge translates the line as "Wail for the dead"; Cyclops 68-71, where the song "Iacchos Iacchos" is sung to Aphrodite; Palamedes fr.
He also declares that all beings are created equal by the lord. At Tirupunkoor near Thillai Chidambaram a famous saivite temple, the region was devoid of rains for a long time. A local chola prince requested sundarar to address the problem, thereupon the saint put up a wail for justice saying that 12 of land be given to the temple if it rains by his service and upon completing the song to lord sivan rains lashed incessantly. After many such days, sundarar was summoned by the prince again to fix the problem of heavy rains.
Although perhaps not officially a part of the estate, Widow's Hill is adjacent to it. This is a dramatic cliff that overlooks the ocean; it was given the name because the widows of sailors who were lost at sea would gather there to wail for their dead husbands. Their ghosts haunted the hilltop and were known as "the Wailing Women." Josette famously leaped to her death there, and Jeb Hawkes also died from a fall there (as did, supposedly, Victoria Winters, after being driven mad by the Leviathans, but this was related second-hand and not actually shown on-screen).
Judd teamed up for the first time with choreographer Eddie Garcia, a collaboration that continues to this day, to choreograph the 2000 Tour for Jordan Knight. Judd choreographed numerous music videos including My Way for Usher, Jump, Jive, & Wail for the Brian Setzer Orchestra, If I Could Go for Angie Martinez and Tango for Julio Iglesias. He also directed the music video, Ain't It Funny-Remix, with Ja Rule. Judd then became creative director for Handprint Entertainment, overseeing a $5 million budget and delivering Jennifer Lopez's NBC concert special Let's Get Loud (DVD), which was filmed at the Roberto Clemente Coliseum in San Juan, Puerto Rico.
The Studio Theatre became an important venue for the production of Wilfred Watson's plays, beginning with Cockcrow and the Gulls (which he'd written in the mid-1950s) in March 1962. In the early 1960s Watson co-founded a jazz club, "Yardbird Suite" in Edmonton. During the same period he became acquainted with Marshall McLuhan and increasingly interested in McLuhan's theories, which resulted in the two men authoring a study, From Cliche to Archetype. The 1960s were Watson's most prolific period for playwriting. Trial of Corporal Adam was produced in 1963; Wail for Two Pedestals in 1964; a centennial play, O Holy Ghost, Dip Your Finger in the Blood of Canada, and Write, I LOVE YOU in 1967; and the satire Let's Murder Clytemnestra According to the Principles of Marshall Mcluhan in 1969.

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