Editorial The majestic, though vulturous, California condor is once again soaring above the wilds.
|
|
I hated the color choices presented in the book etc … it showed how vulturous the death industry was.
|
|
Venturing out into the swampy environment means going toe-to-toe with werewolf-like beasts, vulturous birds, the undead, and cultists.
|
|
This is true across the political spectrum, and no politician or party is burdened by our vulturous lust for gaffes any more than the next.
|
|
The oil company brought in Gibson Dunn & Crutcher and conducted an ad blitz portraying itself as the victim of vulturous plaintiffs' lawyers, but it was all for naught.
|
|
And a vulturous frenzy of rising costs of living, low-wage jobs, government-aided corporate plunder, and real estate speculation have ensured that the economic "recovery" over the past decade has all but institutionalized this fear as a perpetual fact of everyday life for millions of people in the United States.
|
|
The Kowakian monkey-lizards are a vulturous sentient species from the planet Kowak. They are small, with beak-like mouths and large ears. When born monkey- lizards come out in a larval state. It is a well-known fact that monkey- lizards laugh, a lot.
|
|
The song, as performed, is approximately eight minutes long. The title was rumored to be "Death Is Not the End" as Hetfield repeatedly sings the line throughout the song. This song would appear again in multiple Fly on the Wall videos on the Mission: Metallica website, showing the band partway through the song's recording, as noted by the slower tempo and lack of lyrics. "The Other New Song", (which was later named "Vulturous") debuted on August 12, 2006 in Tokyo, and is much shorter, taking just below four minutes to perform.
|
|
Woman with a Raven at an Abyss (or Woman with a Raven on a Precipice; German: Die Frau mit dem Raben am Abgrund) is a c. 1803/04Wolf, 15The Metropolitan Museum of Art says "probably 1803" print by the German Romantic painter Caspar David Friedrich, made into a woodcut by his brother Christian Friedrich, a carpenter and furniture maker, around the same time. The images evokes themes of loss, abandonment, loneliness, the shortness of life, and death. To achieve this effect, Fredrick employs nightmarish imagery, including a gothic wood of barren trees whose branches appear as if the arms of the dead, a single vulturous raven, drawn in an almost childlike manner that recalls fairy tale illustrations.
|
|