It may also be written as Shaahinrokh or Avestan Saeenrokh. (E.g., Iranian city of Shaahindezh or Saeendezh and also city of Sannadazh). This has been converted to saeem-rokh, then seem-rokh, seem-rogh and vulgarised as see-morgh. Seemorgh is also known in mystics’ ideas as the king of birds or God.
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Severe laryngitis, coupled with persistent drug abuse during this period, permanently altered Faithfull's voice, leaving it cracked and lower in pitch. While the new sound was praised as "whisky soaked" by some critics, journalist John Jones, of the Sunday Times, wrote that she had "permanently vulgarised her voice". In 1975 she released the country- influenced record Dreamin' My Dreams (a.k.a. Faithless), which reached No.1 on the Irish Albums Chart.
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Other activities and initiatives can be found on the website. The Council disseminates the CSR and sustainability-centred research of the faculty from its member schools through the following: \- Bi- weekly vulgarised research articles via the Community Blog \- A quarterly issue of Global Voice magazine \- 3-5 booklets on specialised CSR-related themes via its printing arm CoBS Publishing \- Condensed research capsules ("Research Pods") with practical insights for practitioners (launch planned in May 2020).
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"Spencer, Charles."Sister Act at the London Palladium, review",The Telegraph, June 3, 2009 While Michael Billington of The Guardian thought Alan Menken's music "has a pounding effectiveness," he rated the musical only two out of five stars, calling it "noisily aggressive" and "a show that feels less like a personally driven work of art than a commercial exploitation of an existing franchise." He continued, "What was originally a fairytale fantasy . . . makes little sense in its new, vulgarised incarnation.
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Historically, the Tubanese used tuak as a strategic weapon against the colonial invaders, who were unable to fight when inebriated. Its non-alcoholic variety named Legen is drunk by women and children. Tuak and a kind of gin named arak are also served at traditional dance parties known as Tayuban or Sindiran, at which heavily made-up and padded female entertainers called Waranggono sing satirical songs and dance with paying males till the break of dawn, accompanied by a small gamelan orchestra. The dance movements are a vulgarised version of the Central Javanese palatial dance style known as Srimpi.
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While many such local dialects have evolved in cosmopolitan cities around the world, Bombay Hindi is widely known throughout India, as a result of its frequent use in Bollywood movies. Initially, this dialect was used to represent crooks and uncouth characters as, to quote film critic Shoma A. Chatterji, "Indian films have the unique quality of different characters speaking different varieties of Hindi according to their social status, their caste, communal identity, education, profession, financial status, etc. [...] The villain's goons, speak in a special vulgarised, Bambaiya Hindi concocted specifically to typify such screen characters in Hindi cinema.".See 'The Language Detail' in Shoma A. Chatterji's paper, The Culturespecific Use of Sound in India Cinema, presented in 1999.
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Traces of inhabitants in the Levico area can be dated back to the Iron Age, though the first organised settlement springs up during the Roman era. The etymology of the name "Levico" is still debated. The major theories make Levico derive from Celtic terms such as leoug, leak or lewa, signifying "border post/boundary marker", or from the barbaric gentilic Letta, from which came Levi vicus then contracted into Levicus, or from the Latin (praedium) Livicune ("Livius' farm", then vulgarised into Lievigo and Levigo) or Laevus vicus, "village left [of the river]". The Latin interpretations are the ones most agreed with, given the abundance of Latin terms in the topography of the municipality (such as Furo, from forum).
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Among their Florentine circle could be counted the sculptor Adolf von Hildebrand, the writer Isolde Kurz, the English architect and antiquary Herbert Horne, the Dutch Germanist André Jolles and his wife Mathilde Wolff- Mönckeberg, and the Belgian art historian Jacques Mesnil. The most famous Renaissance specialist of the time, the American Bernard Berenson, was likewise in Florence at this period. Warburg, for his part, renounced all sentimental aestheticism, and in his writings criticised a vulgarised idealisation of an individualism that had been imputed to the Renaissance in the work of Jacob Burckhardt. During his years in Florence Warburg investigated the living conditions and business transactions of Renaissance artists and their patrons as well as, more specifically, the economic situation in the Florence of the early Renaissance and the problems of the transition from the Middle Ages to the early Renaissance.
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Considered highly offensive by many at the time, the sketches primarily took the form of bizarre, sometime drunken streams of consciousness led by Cook, with interjections from Moore. Memorable moments from the records include Clive claiming that the worst job he ever had was retrieving lobsters from Jayne Mansfield's arsehole, Derek claiming his worst job was cleaning up Winston Churchill's bogeys (leading the pair to conclude that the Titanic was one such bogey), Clive claiming that he was sexually aroused by the sight of a deceased Pope lying in state, and a horse- racing 'commentary' featuring horses named after sexual organs or their vulgarised derivatives. Though the recordings were far too crude for a mainstream audience, Derek and Clive bootleg recordings circulated. They were mostly unscripted dialogues incorporating copious swearing – including frequent use of the word "cunt".
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