"There's a kind of vocality that comes along with period tonguings, which he was very adept with," Professor Plank said.
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"I do wonder, in this post–Lena Dunham moment of girl vocality and girl identity, what that's going to look like for the next generation of horror films," says Brinkema.
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"In reaction to a sharpening sense of white nationalist identity across America and Europe, there is a growing consciousness of the importance of visibility and vocality for people of color, particularly black people," Ms. Miles said.
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The Vixen, a native of the South Side of Chicago, the United States' most racially segregated city, was largely known for her protest art and political vocality — her drag show, Black Girl Magic, was born from a desire to make visible the talent and elasticity of black drag queens.
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Vocality or special vocal effects are vocal or vocally inspired devices including guttural effects, interpolated vocality, falsetto, blue notes, Afro- melismas, lyric improvisation, and vocal rhythmization. All of the listed devices are attributes of African vocality and are used to emotionalize vocal and instrumental performances in African American vernacular music.(Stewart 1998, p.5-8) Guttural effects include screams, shouts, moans, and groans.
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She has recently begun to compile a Vocality Manual for Lizard/Ricord Publishing.
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Shouts may be intoned or nonintoned (definite in pitch/sung or indefinite in pitch/spoken). Interpolated vocality is the addition of new vocal sounds or texts (interpolated verbalism) to a song while lyric variation is derived from or embellishes existing lyrics.
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From 1946-1956, he studied with Russian vocality professor Vladimir Shushlin. After graduation, he worked in the music department of Jinling Women's College where he met his wife, Qiu wang, an outstanding piano player. He was also a director of the vocality department of Shanghai Conservatory, the fourth committeeman of the music association of china and the committeeman of the political consultative conference of Shanghai. In 1951, professor Wen staged the first vocal solo concert in Beijing, Tianjing and Nanjing with piano professor Jialu Li. In 1956, Professor Wen participated in the first national music festival week, representing Shanghai.
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As well as bringing harmonic and rhythmic features from western and sub-Saharan Africa to meet European musical instrumentation, it was the historical condition of chattel slavery forced upon black Americans within American society that contributed the conditions which would define their music. Many of the characteristic musical forms that define African-American music have historical precedents. These earlier forms include: field hollers, beat boxing, work song , spoken word, rapping, scatting, call and response, vocality (or special vocal effect: guttural effects, interpolated vocality, falsetto, melisma, vocal rhythmization), improvisation, blue notes, polyrhythms (syncopation, concrescence, tension, improvisation, percussion, swung note), texture (antiphony, homophony, polyphony, heterophony) and harmony (vernacular progressions; complex, multi-part harmony, as in spirituals, Doo Wop, and barbershop music).Stewart 1998, pp. 5–15.
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The 2017 competition was held on 11 and 13 October. For the third year running, it was held at the MGM Grand Las Vegas. SpinOff, Vocality and Milli Blink quartet qualified and were to compete as contestants number 10, 27, and 38 but withdrew from the competition before it began. Therefore subsequent contestants competed in those places but retain their original contestant numbers.
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Shimmer, East Coast Style, Capri, Firefly and Whole Lotta Harmony quartets qualified and were to compete in position number 17, 31, 40, 43 and 48 respectively but all withdrew from the competition before it began. Therefore Sassy competed 17th but are officially listed as contestant number 18, Touché are officially listed as contestant number 32, Vocality as 41, Hi-Jinx as 44 and Dream as 49.
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Edgar has been acknowledged for having good leadership skills; he has been described as a player who organizes the other members of his defensive line through his vocality. Dale Mitchell, Edgar's coach for the Canada Under-20 team, has labelled Edgar as a player who rises to the occasion against top competition, stabilizes the defence, and also has the ability to stretch opposing teams' defences.
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A live performance was also done on the French X Factor during the finale of the second season. Carolina Frost for the Huffington Post said that Mars at the 2012 Brit Awards "took his poptastic song Just the Way You Are, and gave it a fresh jazzy arrangement." While Tweeter David Quantick summed up his opinion, asking if "someone came as a spare Osmond". Others praised Mars' vocality and confidence with his soulful rendition.
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He won the gold medal of the first national singing contest hosted by the Ministry of Culture at the same year. Subsequently, the national recording press of Soviet Russia published his vocal solo album while he won the silver medal of the international western classical singing test hosted by Moscow in 1957. Wen sang the theme song for the 1980 film Dadu River. After that, he frequently held solo concerts and vocality lessons across the world with his wife.
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Glitsos co-presented a seminar with extreme metal vocalist Cain Cressall (The Amenta, Malignant Monster) on the "limits of vocality". In 2013, Glitsos also presented a refereed paper at the International Association for the Study of Popular Music (Aus-NZ Branch) entitled "The ecology of 'sacred space': Indie music's exploration and construction of sacred space in the context of contemporary digital music". Since this time, she has published a stream of peer-review research on musicianship and cultural studies.
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Later that year, she was nominated once again for the ADISQ Gala and finally won her first Felix for artist of the year. Following her vocality on the subject, The Federation of Quebec Alzheimer's society named Ingrid St- Pierre their Spokesperson for the Alzheimer's movement. Ingrid is presently on tour for her third album Tokyo since January 2016. She also joined the Canadian celebrity dancing show Les Dieux de la danse with her long-time friend, singer and television host Joël Legendre.
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Sophocles, Aeschylos, Shakespeare, Molière, Marivaux, Chekhov e.a. were thus produced on an empty stage, with no machinery, scenery or technology. In Leporello’s ‘dogma’, the ‘organism of the performing collectif’ is the sole provider of meaning and emotion. The use of (often lyrical trained) vocality, the care for rhythm and physical presence and a highly orchestrated way of organizing the cast result in a form of essential, ‘pre-bourgeois’ theatre with elements of Greek tragedy, story- telling, commedia dell’arte, dance and opera.
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The strings are never pressed to the neck, giving a harmonic and unique sound. The most common and traditional version is single-stringed, while a much less- common version is the two-stringed found in Bosanska Krajina and in Lika. The varieties of the guslar music are based on cultural basis; the content of the stories of each ethnic group is different, as different epic poems are used to accompany the instrument. There is minor differing characteristics of vocality in the regions of Southeast Europe.
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In collaboration with musicians specialized in the Baroque repertoire, he has been carrying out a musical survey in order to perform the music written for the castrati. He is the founder of the instrumental and vocal ensemble Arcadia di Roma. Given his unusual voice, he is able to perform a wide melodramatic and chamber repertoire going far beyond the Baroque repertoire and including compositions specially written for his vocality. Maestro Roberto De Simone has invited him to sing some of his compositions for the "Mistero Napoletano" within the concert held at the Teatro di Corte of the Palazzo Reale, Naples, in 1997.
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Between 1984 and 1989, Balderi worked as assistant to many prominent conductors, such as C. Abbado, R. Chailly, C.M. Giulini, J. Levine, Z. Mehta, R. Muti, G. Patanè, W. Sawallisch, in important theatres such as the Teatro alla Scala and the Salzburg Festival. From 1992 to 1996, Marco Balderi conducted the choir of the Florence Opera House, which gave him the opportunity to collaborate with Z. Mehta and S. Bychkov in numerous productions. He also gained a deep knowledge of the opera vocality. He performed with such important singers as Pietro Ballo, Renato Bruson, José Cura, Mariella Devia, Ghena Dimitrova, Barbara Frittoli, Nicolai Gedda, Nicolai Ghiaurov, Giuseppe Giacomini, Nicola Martinucci, Mariana Nicolesco, Leo Nucci, Luciano Pavarotti, and Cesare Siepi.
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Stratos recorded many records, and toured festivals in Italy, France, Portugal, Switzerland, Netherlands, Cuba, and the United States with Area, as well as a solo artist and in collaboration with other artists. He worked with Mogol, Lucio Battisti, Gianni Sassi, Gianni Emilio Simonetti, Juan Hidalgo, Walter Marchetti, John Cage, Tran Quang Hai, Merce Cunningham, Jasper Johns, Andy Warhol, Grete Sultan, Paul Zukofsky, Nanni Balestrini, Claude Royet-Journoud, and Antonio Porta. He studied ethnomusicology, vocal extensions, Asian music chant, compared musicology, the problem of ethnic vocality, psychoanalysis, the relationship between spoken language and the psyche, the limits of the spoken language. He was able to reach 7,000 Hz, and to perform diplophony, triplophony, and also quadrophony.
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Vocality will be celebrated in works ranging from masterpieces by Monteverdi, Purcell, Handel (Agrippina) and Mozart (La Betulia liberata) to rarely heard or unpublished scores by Legrenzi (La divisione del mondo), Salieri (Tarare), Leo, and Porpora. After celebrating Telemann in 2017, the ensemble will be acting as François Couperin’s representative abroad when they take his music to the American continent for the 350th anniversary of the composer’s birth. "Couperin Year" will also be celebrated with recordings: Les Nations and the Concerts Royaux are to be released (in autumn and in December, respectively) on the Aparté label. The discography of Les Talens Lyriques comprises around forty titles on numerous labels: Erato, Fnac Music, Auvidis, Decca, Naïve, Ambroisie, Virgin Classics and now Aparté.
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In the meantime, Area recorded and released their second studio album, Caution Radiation Area. In 1975, Stratos was involved with compared musicology and studied the problems of ethnic vocality, the vocal methods in East Asian music, and—in particular—the overtone singing techniques. He gradually became more and more deeply involved in the mysterious world of vocal sounds, widening his immense work on the importance of the voice in the Asian and Middle Eastern civilizations. Also in 1975, Area released their third studio album, Crac!. In 1976, Stratos released his first studio album as a solo artist, Metrodora, which was the result of his vocal studies and research. Its title and the single lyric that was included were inspired by Metrodora, a Byzantine woman physician of the 6th century.
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Producer Brad Wright wanted all of the characters to get a last shot in the spotlight instead of focusing on only one character. Because of fan vocality about team episodes, Cooper decided to put the characters through several decades of life and see their relationships develop and evolve. The references in "Unending" to the events of season 2's "The Fifth Race", another Cooper-penned episode often named as a fan favorite, were intended, as were the callbacks to season 9's "The Ties That Bind" (the Daniel-Vala argument, see below) and season 10's "Line In The Sand" (the solution of using the Ori beam). The period aboard the ship was originally significantly less than fifty years, but the actors' last-stage makeup, which Cooper only saw minutes before filming, looked so old that Cooper was forced to increase the number of years in the script.
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Jacket2 publishes full length articles analyzing poets, poetry and poetics. Poets and critics such as Thom Donovan, Steve Bradbury, Ron Silliman, Erica Kaufman and dozens more have contributed articles to the magazine since its 2011 launch. Articles examine subjects as diverse as the role of the internet in new Chinese poetry (Steve Bradbury's "Have net, will travel, The new face of Chinese poetry"), the poet Hannah Weiner's later work (Marta L. Werner's "The landscape of Hannah Weiner's late work, The Book of Revelations"), and freedom and the "absence of political agenda" in contemporary Brazilian poetry (Farnoosh Fathi's "New Brazilian poets"New Brazilian Poets). Articles also appear as part of larger features, such as "Poetry in 1960, a Symposium," "Hannah Weiner's 'The Book of Revelations'", "New Brazilian Poets," "Pacific Poetries", and "Discourses on Vocality," where multiple writers focus on individual topics within the larger featured theme.
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His style offered a peculiar synthesis: if La Captive, particularly close to Bellini, is one of his most inspired pieces, others like Les Rossignols borrow much of their vocality from Rossini while Amour et Patrie resembles Méhul most, with a recitative close to Berlioz. When the "king-citizen" Louis-Philippe came into power, the nobility who had always patronised artistic institutions were forced back and were gradually replaced in the theatre by the wealthy bourgeoisie. After having obtained his certificate in December 1830, de Coussemaker became a trainee in Dowaai, where in 1832 he took up the thread of his studies in counterpoint, with Victor Lefebvre. As he wished to elevate the level of religious music, in imitation of Alexandre-Étienne Choron, initiator of the renewal of the mastership from 1807 on, de Coussemaker wrote a Mass as well as different motets a cappella: Kyrie, Sanctus, O Salutaris and Agnus dei.
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