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474 Sentences With "visual effect"

How to use visual effect in a sentence? Find typical usage patterns (collocations)/phrases/context for "visual effect" and check conjugation/comparative form for "visual effect". Mastering all the usages of "visual effect" from sentence examples published by news publications.

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A visual effect makes it clear which version you're using.
It's a striking visual effect in a visually impressive show.
Are people going to care when a visual effect dies?
It's a stunning visual effect, and the sentence fragments — e.g.
Should be quite a visual effect during the main program. pic.twitter.
There are some other cool effects, like this 'vortex' visual effect.
Dior was striving for a visual effect, not a sociological one.
The visual effect of seeing an actual flying Iron Man was epic.
Can you guess which unexpected part of the above image is a visual effect?
" He added, "My viewpoint is: It's not a visual effect anymore, if it's just moviemaking.
The visual effect is of a collage or landscape, but it's slippery and decaying too.
It's harder to use than regular Twitter, without much benefit beyond a neat visual effect.
To get the visual effect director Taylor Hackford wanted, there was no margin for error.
It's only there for the visual effect and to reach the ridiculously high price point.
That's no coincidence — it's the Apple Watch's OLED screen that makes this visual effect possible.
But I think it will have less immediate and less, kind of visual effect, right?
Hang your two paper collages side-by-side and critique the visual effect of each.
The result is an impressive visual effect that might stand out from all the Boomerangs on Instagram.
There's also an option to shoot in hyperlapse, or slow motion, to get a neat visual effect.
It's definitely a neat visual effect that caught the attention of many at The Verge's midtown office.
Those last two changes may well have been introduced for their visual effect as much as anything.
Outside of the main characters in the scene (and the bartender), everyone else is a visual effect.
Ortega added bobby pins into the look (yes, they were totally visible!) for a fun, unexpected visual effect.
Other auto makers have built trust with consumers, and earned the right to use visual effect stand-ins.
Another visual effect allows someone in a picture to "become a laser cat with super powers," Spilman said.
Though the visual effect of a wraparound screen is dazzling, actually using it proves to be a mess.
Shedding feathers across the otherwise black stage creates a stunning visual effect, and alludes to how fake this image is.
The Interpreter noted the pyrotechnic demonstrations are mostly for show—with dynamite added to the seized boats for visual effect.
In Matisse/Diebenkorn, a different kind of ink bottle-scale mismatch between actual fact and visual effect surfaced for me.
Also key is the visual effect when something is "lost": it completely disappears, with a blank white space in its place.
We've received feedback from a small number of users saying that at times they notice a subtle visual effect when scrolling.
Putting one color over the other creates a trippy visual effect that makes the dots look like they're vibrating and floating.
Past, meet present: a Vietnamese developer has successfully built an emulator that gives 2D NES games a new, 3D visual effect.
Megan Geckler and her team created it by hand weaving flagging tape, carefully placing it to create a dizzying visual effect.
The colors were gaudy, the arrangement of figures too crowded, the visual effect like the first nauseous signs of a migraine.
The visual effect is very trippy and a little weird to watch, but I imagine it'll make for a cool premise.
The visual effect is gleaming, obscuring, ephemeral, occasionally beautiful, and kinetic, in keeping with the ceaselessly streaming digital milieus that surround us.
Most interesting of all, however, is the visual effect that makes the whole thing look rather like a comic book by Moebius.
Or they can order tiered cakes using any of the company's standard cake-and-filling combinations — often to achieve a visual effect.
Stamaty had previously produced several children's books in his crowded, panoramic style, predating "Where's Waldo?" and often with the same visual effect.
The intensity of the visual effect of the hoods, along with the circumstances of being in an active combat zone, all galvanized me.
If you stare at some elements in the environment, you'll get a slight zoom or other visual effect, like an important object gleaming.
She writes that she was thankful for the visual effect because no one could tell she was crying as she walked the runway.
The result is an incredible, immersive visual effect that would make you want to use your phone even more (as if that's possible).
These actresses deserve credit for championing their guests' causes, and any critique of their visual effect doesn't imply a critique of their motives.
So rather than the Moon changing direction, it's the changing vantage point of SDO as it orbits Earth that caused the visual effect.
" Besides, he said, the visual effect of the turbines would have been minimal, appearing merely "as a tiny sailing mast off the horizon.
" Hudson adds, "It's a combination of the technology getting better, but it can also be more cost effective to do a visual effect.
Koch, who is not new to snapping great photographs of space, decreased the exposure on her camera to capture the peculiar visual effect.
In this movie, that very nearly becomes literal; in one scene, a ballet performance gets interrupted by intruding assassins, to great visual effect.
The most current example is the finale, which aired on Monday [April 11], and the last visual effect got dropped in [Wednesday, April 6].
And the visual effect of these colored postcards make me feel like I might understand where the best Japanese anime movies have their roots.
If you've ever played lightsabers with your flashlight on a camping trip, you've created the same visual effect—but on a much smaller scale.
Appropriate to the focus on Rodin's process, the installation seeks to recreate the visual effect of Rodin's studio, which was amply recorded in photographs.
It was hard to do a high-quality match-move of a handheld camera, so very often, visual effect shots couldn't be from handheld plates.
From the looks of the video, strategically-placed highlights and darker tones can create the visual effect of onscreen wrinkles, without the use of prosthetics.
And how the architect specifically decided to place a window that looks onto the stairwell there, which in itself creates a very striking visual effect.
Also, the visual effect of his wife screaming impotently at him from an armchair in a vast void is not, to be blunt, very good.
It's a picture of a sweet, dull life, and the visual effect is of panning from room to room, unable to move backward and change direction.
When selecting the winners, judges will look at neighbor participation, creativity and visual effect, soil and tree stewardship, horticultural maintenance and plant variety, among other criteria.
And with that Sapphire Blue handset, an eye-catching X pattern on the device's back panel adds a glimmering visual effect that's both mesmerising and memorable.
But when I try to understand the mysterious visual effect of "The Cotton Pickers," I don't restrict my reading to those images that are obviously related to it.
The visual effect described by Mr. Jones is the result of motion compensation video compression, which would have been readily ascertainable at the time Mr. Jones made his claims.
Apple — or any other phone manufacturer, for that matter — would be keen to try something like this for their own phone software, as it's a very cool visual effect.
Instead, awkward close-ups on Conrad's eyes or Myfanwy's hands are used to demonstrate that they're using powers, which have no visual effect until the people they're attacking keel over.
There was one thought I didn't finish when discussing the Moviola — and this is a modern-day visual effect because it couldn't be shot — which is when the film burns.
Apple figured out how to shove miniaturized components into an ever-shrinking metal body without relying on the the Air's tapered visual effect, which gives the new MacBook a different silhouette.
But doctors who study human ejaculate for fertility purposes and porn stars tasked with creating the biggest loads possible for visual effect have tons of insights on the dynamics of cum.
To be able to walk around a set or a CG film that you're working on, or a visual effect film, get notes, tagging things with a virtual camera, framing stuff up.
This means that the ability to match (either automatically or manually) a song or image (or visual effect) to the moment, is far greater than just selecting a track from a playlist.
If a director wants a particular visual effect, even if it's never been done in animation before, it's up to the fabricators and artists to figure out how to make it happen.
The Academy Awards nominated the best of the best for the visual effect category this year, but in the end there could be only one winner, and it was Disney's The Jungle Book.
Plus, the game's mix of 2D and 3D animation and its use of a tilt shift-style visual effect makes it one of the more aesthetically interesting RPGs to grace a Nintendo handheld.
He thought the visual effect looked similar to his very first episode, Warp Speed with Steel Wool—the same sort of circular motion as the flaming, rotating steel wool, with sparks flying outward.
It'd be nice to have some visual effect filter options, sort of like what you'd get from Instagram, but for the target market, Waylens has probably locked down all the real must-have features.
Adding to the visual effect is the fact that the eclipse occurred at a time when the moon reached a point in its orbit putting it close to Earth, an alignment called a supermoon.
But the accompanying taramasalata, a classic Greek dip made with fish roe, was remarkably bland, and seemed, like too many things at Simon & the Whale, chosen primarily for its visual effect: it's millennial pink.
It hangs from the ceiling like a monolith and, at a distance, has the visual effect of sempiternity: a morass of rainbow tubing emerges from the darkness, endless not like a tunnel, but like a portal.
If Jonathan Glazer's Under the Skin astonished people with human bodies turning into floating, meatless rubber sacks, then computational artist Albert Omoss popularized the visual effect with his falling squishy bodies piling on top of each other.
This started as a 15x15 weekday puzzle, where I set out to find some grid-spanning themers to create a visual effect — the original theme set was PEANUT BUTTER CUP, MARSHMALLOW PEEP, CADBURY CREME EGG and PEPPERMINT STICK.
Harington intimated that he can't yet ditch his distinctive Jon Snow hair and beard until he gets the go-ahead from production in case reshoots are required to accommodate a visual effect or something of a similar nature.
The visual effect landed somewhere between a Dril Tweet and a Scientology-orientation video, but the message was resounding and clear: This is history being made, and it's, as Joe Biden would put it, a big fucking deal.
The problem for me is if you don't first shoot something with the camera on which to base the shot, the visual effect is going to stick out if the film you're making has a realistic style or patina.
So tweakable is the 13-year-old game that the Intel Atom CPU powering the Intel Compute Stick barely breaks a sweat, and with almost every visual effect removed, is capable of running it at more than 160 frames per second.
This involves two distinct behaviors: the aforementioned train-rattling, and "train-shivering":Not only does this produce a telltale rattle, but it has a unique visual effect: the background feathers appear to shimmer while the eyespots barely move at all.
This overall visual effect was achieved by virtue of his latent Neo-Platonic sensibility, which shunned any form of decorative disguise and privileged the sleek, cool assurance with which good-looking and expensive materials are used to enrich the surfaces.
Yes, there were earlier attempts at this visual effect in 1998's Lost in Space (see below) and Buffalo '66, but 1999's The Matrix is the film that used cutting-edge camera work and visual effects to best pull it off.
To ensure his CG headshot was as artificial as possible, Fabre told Gizmodo that he modeled it by hand using 3D software, instead of digitizing his head using a laser scanner—a time-saving technique used by video game and visual effect studios.
The research could help streamline everything from the creation of visual-effect laden Hollywood blockbusters, to multi-million dollar video game franchises, making it easier and cheaper to create convincing computer-generated characters to either fool audiences, or just make an experience more immersive.
Iconem's Syrian Heritage project is ongoing, but in its current, public form it relies more on the visual effect of its 3D models and lacks the information necessary to fully understand not just the history of the sites but also the project's process and intentions.
I liked the visual effect but that meant going back in the editing [process] and select images that were standing out, not as much as for their singular value (composition, subject, feel, etc.) but for the ability to convey collectively the "a day in Rome" experience.
Advertise on Hyperallergic with Nectar Ads One of the first things you might notice when you approach one of Alma Thomas' paintings in her current exhibition at the Studio Museum in Harlem is that the gauzy petals of acrylic paint almost lift off the canvas to create a feathery visual effect.
While a $5,600 shearling Balenciaga variant that Kim Kardashian West was photographed wearing atop a hot pink sports bra and sweatpants on Valentine's Day last year may not have been a line-for-line reproduction, it had the visual effect of being an unusually stark example of imitation as the sincerest form of flattery.
This is because landscape character can be affected without a noticeable visual effect.
Zhang is exploring reception theory in mass media, collective crowd action, and visual effect.
Today hedges are laid to maintain habitat, promote traditional skills and because of the pleasing visual effect of a laid hedge.
Since the enemies from the previous few circles stay on screen, the level design additionally serves to create a hypnotizing visual effect.
Every night during Burning Man, thousands of people on their bikes and art cars, illuminated sculptures and stages create a unique visual effect.
The Gate of Horn appears in the 2013 film Inside Llewyn Davis; its exterior as a visual effect with a set construction interior.
In order to create a visual effect reminiscent of old whaling prints, a black and white print was superimposed on a color print.
Accessed 7 January 2008. The visual effect of a shell stitch border may be enhanced by working a single or half double crochet in a contrasting color into the base row and over the shells. When the entire fabric consists of shell stitches the visual effect may be enhanced by alternating two or three different colors; one for each row.
It received 10 nominations at the 5th Africa Movie Academy Awards and eventually scooped the awards for Best Visual Effect and Best Supporting Actor.
This is the basis for bias knitting, and can be used for visual effect, similar to the direction of a brush-stroke in oil painting.
The complementary visual effect of the reredos, combined with the extensive collection of stained glass around the building in an identical artistic style, is outstanding.
Transmission towers and their overhead power lines are often considered to be a form of visual pollution. Methods to reduce the visual effect include undergrounding.
Due to the visual effect of its proximity to Highcliff, another very thin and tall building, the two together are often referred to as "The Chopsticks".
The over-mined Klingon moon of Praxis (after which the effect was named) explodes and throws a ring-like shock wave through space, precipitating the events of the film. The same visual effect is seen in the background of the cover of the 1992 comic book Supreme #1. The same visual effect appears in the 1993 comedy film Coneheads when Beldar ignites a bottle rocket at a school sporting event.
A clown bicycle or clown bike is a bicycle designed for comedic visual effect or stunt riding, typically by circus clowns. It is sometimes called a circus bike.
Its name is derived from a visual effect, sheen or schiller (adularescence), caused by light diffraction within a micro-structure consisting of regular exsolution layers (lamellae) of different alkali feldspars (orthoclase and sodium-rich plagioclase).
This allowed freedom of upper body movement, however it can cause discomfort if not fitted properly to the lower body. The queue line featured projectors and screens as well as an original soundtrack. Work to repair visual effect Tesla coils and the g-force fan at the top of the stairs were meant to happen, but this was scrapped as they focused on getting the trains ready back from their refurbishment and unfortunately, the replacement visual effect never came after the ride's closure in 2018.
In a 2011 interview, Szirtes described the visual effect of individual tercets of poems in Reel by comparing them with "a film clip that contains its own brief narrative, each episode part of a broad theme".
Buzz Image Group were hired to create 75 visual effect shots, including computer-generated clouds, landscapes and sheep. For the film's theatrical poster, Schamus took inspiration from James Cameron's Titanic, which depicts two star-crossed lovers.
It is filled with water to create an interesting visual effect and to cool down the temperature of the shopping area and the public space for various events known as "Milky Way Square" below in the summer.
The only visual effect is the huge field where she is seen walking. For it, a little field was built and painted all around her. And there was a little green screen, when she walks towards the city.
Modern poems may be composed and printed in hentaigana for visual effect. However, most Japanese people are unable to read hentaigana nowadays, only recognizing a few from their common use in shop signs, or figuring them out from context.
The light source is radiating from the bottom left corner, illuminating the outer petals of the sunflower. This gives the visual effect of the sunflower "shining" on Anthony van Dyck's face in approval, a common interpretation of the sunflower.
AnimaxFYB Studios is an animation multimedia company founded by Francis Yushua Brown. The company tells African story in an animation point of view. They specialize in visual effect as well 2D and 3D Animation. They have produced award winning animations.
The visual effect of the tools used to create Cybermen were reused from the Doctor Who episode "The Age of Steel", while the UFO footage when the Torchwood team return from the drinks was a tin foil-covered frisbee on a fishing line.
The beacon may be an omnidirectional flashing xenon strobe, or it may be an aerobeacon rotating at a constant speed which produces the visual effect of flashes at regular intervals. Flashes may be of one, two, or three alternating colors (described below).
Screenshot of preset displaying custom wave per- frame code along with the resulting visual effect. A current `.milk` file is composed of four major different kinds of scriptable equations. These include `per_frame` and `per_pixel` equations, as well as custom shapes and custom waves.
However, slower vehicles can overtake the terminator at higher latitudes, and it is possible to walk faster than the terminator at the poles, near to the equinoxes. The visual effect is that of seeing the sun rise in the west, or set in the east.
Rising Moon is a 2005 Nigerian drama film directed by Andy Nwakalor and starring Onyeka Onwenu. The film received 12 nominations and won 6 awards at the African Movie Academy Awards in 2006, including the awards for Best Picture, Best Visual Effect and Best Editing.
This contrast between the light and dark creates a sharper image. (Compare unsharp masking in digital processing). This mechanism also creates the Mach band visual effect. Visual lateral inhibition is the process in which photoreceptor cells aid the brain in perceiving contrast within an image.
Although, PID usually has no visual effect on the module, different photovoltaic module analysis techniques are available for detection and analysis. First, the power degradation can become visible in IV curves. infrared thermography and luminescence imaging techniques like electroluminescence and photoluminescence are also able to detect PID.
They crafted gadgets, such as Tony Stark's transparent LG smartphone, and created the backdrops for the Stark Expo as well as the computer screen interfaces on the touch-screen coffee table and the holographic lab environment. In total, 11 visual effect studios worked on the film.
Musical effect and visual effect are scored separately, then added together to produce the corps' overall effect score. Finally, the effect, music, and visual scores are added together and any penalties are deducted from this total. The resulting number is the corps' final score for that event.
Computer-generated imagery (CGI) was used as the main visual effect for the Gelth. "The Unquiet Dead" was seen by 8.86 million viewers in the United Kingdom on first broadcast. It attracted generally positive reception, although some reviewers criticised some plot points and lack of moral dilemma.
The opening sequence has an intentionally distorted visual effect. The de-anamorphic visuals are a subtle "tribute" to the Chinese martial arts films (notably the films by Shaw Brothers) that often had their wide-screen opening sequences compressed to the 1.33:1 format of TV screens for VHS release.
The image would proclaim the wholesome effect of chocolate milk and became inseparable from the Droste brand. The illustration reappears on the cocoa package held by the nurse, inducing a recursive visual effect known today as the Droste effect. The effect was named after Droste for this illustration.Törnqvist, Egil.
The Kuna Gold was named 2013 Idaho DIII 4A 1st place champion winning captions for outstanding visual, effect, music, percussion, and 2nd sweepstakes. The band also placed 2nd in the AA division and 13th overall at the 2013 Bands of America US Western Regional Championships in St. George, UT.
Annual Review of Phytopathology 8, 231-257. Some white rotting can also be caused by an effect similar to pigmentation, in which the white hyphae of a fungus, such as Trametes versicolor (Fr.) Pil., is so concentrated in an area that a visual effect is created.Blanchette, R.A. (1984).
A style line is a seam in a garment made primarily for the purpose of its visual effect, rather than for the purpose of shaping of structuring the garment. By contrast, a dart or pleat by itself would not be considered a style line because although each can be used to produce a pleasing visual effect, their main purpose is to shape the garment by taking in ease or adding fullness respectively. Clearly though, there can be some ambiguity as when a dart is made as part of a seam which continues beyond the dart point. If the seam beyond the dart is straight, that is, not affecting the garment's fit, it would be considered a style line.
Slash wore a top hat, a signature look of his. The top hat he wore was sequined. The show's sizable group of dancers wore LED costumes which could be illuminated various colors. Some in the media likened the visual effect of the illuminated dancers to the visuals of the Tron franchise.
Example of Mach bands at the ends of gradients where the derivative of the luminance is discontinuous 1\. Actual luminance profile 2\. Perceived luminance profile Mach bands can also appear where the derivative of discontinuity appears, a visual effect common when intensities are linearly interpolated such as in Gouraud shading.
" Del Toro considers the film's digital water its most exciting visual effect: "The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I'd say 'Get out of the wave [on this frame].
A total lunar eclipse took place on 15 June 2011. It was the first of two such eclipses in 2011. The second occurred on December 10, 2011. While the visual effect of a total eclipse is variable, the Moon may have been stained a deep orange or red colour at maximum eclipse.
Aykroyd presented the award alone, and stated from the lectern: "My partner would have loved to have been here tonight to present this award, since he was a bit of a Visual Effect himself." In 2015, John Belushi was ranked by Rolling Stone as the greatest SNL cast member of all time.
"ColourBlind: Machine Imagination, Closed Eye Hallucination and the Ganzfeld Effect."2010. Web. 3 Dec. 2013. . It has been most studied with vision by staring at an undifferentiated and uniform field of colour. The visual effect is described as the loss of vision as the brain cuts off the unchanging signal from the eyes.
Arnold Gillespie, the film's special effects director, employed several visual-effect techniques. Developing the tornado scene was especially costly. Gillespie used muslin cloth to make the tornado flexible after a previous attempt with rubber failed. He hung the 35 feet of muslin from a steel gantry and connected the bottom to a rod.
There is also a greater diversity of fabrics being used in addition to the usual silk or cotton, including chiffon, georgette, crepe and nylon. Full saris are sometimes woven so that the fabric, when worn, changes color or pattern at the hip, in order to give the visual effect of a langa voni.
Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints.Jones, Mark Wilson. Origins of Classical Architecture: Temples, Orders and Gifts to the Gods in Ancient Greece.
Typically the batter is either white or yellow to allow for a better visual effect. The cake generally consists of flour, butter, baking powder, salt, sugar, vegetable oil, eggs, vanilla extract, milk, and rainbow colored sprinkles. The cake normally has a frosting made of butter, salt, powdered sugar, vanilla extract, and milk.Food Network.
West Building The west side has a façade. VIP seats, television crew equipment, press and most box seats are in the west building. The glass has been designed with a curvature intended to simulate the visual effect of a ball hitting the net. Special, seamless, beams have been developed to support the structure.
Tails are used for some single-line kite designs to keep the kite's nose pointing into the wind. Spinners and spinsocks can be attached to the flying line for visual effect. There are rotating wind socks which spin like a turbine. On large display kites these tails, spinners and spinsocks can be long or more.
Morris was the founding chair of the Visual Effect Society, and served in that role for two terms. He received the Visual Effects Society's board of directors Award in 2006, a Lifetime Membership in 2007, and their Founders Award in 2010 and was made a VES Fellow in 2016.."VES Honors" , Visual Effects Society.
Visual effect supervisor Joe Bauer said that the VFX team worked on more than "10,000 shots of visual effects" throughout all eight seasons. More than 300 artists worked on the show's visual effects team. The show won eight Creative Arts Emmy Awards for visual effects, winning for Outstanding Special Visual Effects in seven consecutive seasons.
The video is about a nuclear power plant meltdown. The music video depicts Midge Ure driving home after discovering that a nuclear explosion is imminent. The video ends with the power plant exploding, and the image of a home movie of Ure, his wife (played by Diana Weston) and their child, with the visual effect of a melting film.
A stub of the western section, between County School and Foulsham remained open for goods until 31 October 1964, being busiest in the sugar beet season. Visual effect of original double track restored near Wymondham Abbey. The 1955 Modernisation Plan resulted in the line's last steam passenger services. The final regular steam journey ran on 17 September 1955.
Built in 1923, the bridge is one of the first built in the county by the Luten Bridge Company, which used an innovative technique involving metal rings (polished for visual effect on this bridge) that reduced the amount of material required for the structure. The bridge was listed on the National Register of Historic Places in 2008.
Simulated texture involves drawing the visual effect of texture without actually adding it. For instance, a texture may be cooked to look like something other than paint on a curved surface. An example is Cataract 3, painted in 1967 by Bridget Riley, which creates the illusion of ripples in the paper through the repetition of lines.
On 28 October 2018, version 1.88 was released. It features a significantly revamped graphics and lighting system. Modern lighting techniques have been deployed, applying physically accurate and energy conserving models for specular reflections on both ships and planets. Visual effect entities can now utilize transparency while the planet atmospheres have received an eye-catching makeover as well.
The guild recognises people working in the Australian production design industry. Members of the guild nominate work they completed in the previous year, the nominations are judged by the members en masse. The guild offers awards for best production design, best visual effect and a members' choice award. The 2018 awards included over 20 categories and winners.
The humpback grouper is a medium-sized fish which grows up to . Its particular body shape makes this grouper quite impossible to mix up with other fishes. Its body is compressed laterally and is relatively high. This stocky and strange visual effect is accented by its concave profile and its elongated snout which gives it a humpbacked appearance.
His work has also been influenced by the work of the American abstract artist Donald Judd. McElheny has also expressed interest in glassblowing as part of an oral tradition handed down generation to generation. He has used the infinity mirror visual effect in his explorations of apparently infinite space. His work also sometimes deals with issues of museological displays.
New York : Oxford University Press, 2001. A shadow appears to descend the west balustrade of the northern stairway. The visual effect is of a serpent descending the stairway, with its head at the base in light. Additionally the western face points to sunset around 25 May, traditionally the date of transition from the dry to the rainy season.
Brick work Bricks are laid with a mortar joint bonding them. The profile of the mortar can be varied depending on exposure or to create a specific visual effect. The most common profiles are flush (rag joint), bucket handle, weather struck, weather struck and cut and recessed. The bonding pattern describes the alignment of the bricks.
Thirteen Cats on the Gabled Roof (2002) is a film directed by Ali Abdolali Zadeh, it is written by Ali Abdolali Zadeh, Farzaneh Shabani, Majid Farazmand and produced by Yousef Samadzadeh. The film was associated with proper visual effect processing as it won the award of Fajr International Film Festival (FIFF) in the 22nd round of the festival.
On July 13 and 14, filming took place at Holkham Pines in North Norfolk. Shooting was completed that month. The visual effect team was made up of many of Garland's collaborators from his previous film, Ex Machina, including VFX Supervisor Andrew Whitehurst, lead VFX house Double Negative and Milk VFX, plus special makeup effects by Tristan Versluis.
Early advertising was in club colors and often incorporated into the run- through's message. After 2000, approximately, advertising logos often appeared in their own color. If different from the club colors, this detracts from the visual effect of the banner. Inspirational, or anti-opposition, messages were replaced by advertising slogans, creating an insipid feel to the banner.
While the most noticeable visual effect was John's entrance through the Rift, The Mill also made inconspicuous visual effects, such as extending the number of crates at the docks. The visual effect used for the Rift was redesigned for the second series, due to a decision among the visual effects team at The Mill that separate manifestations of the Rift appear different — in this case, orange and gold was used to make the Rift appear "warmer and more magical". The Mill also made three different types of holograms. The projection from Jack's wriststrap device was coloured blue to match earlier appearances, John's wriststrap projected a flashier, full colour image due to specifications in the script, and the golden hue in the projection of John's ex-lover was based on the prop.
The sequel, named Bikini Karate Babes 2: Warriors of Elysia was released in North America on June 21, 2011. The graphics were upgraded from 8-bit to 24-bit images.Warriors of Elysia on game- debate Travis Riggs was the creative director and music director for the project. The game has been developed for various mobile devices with improved soundtrack, animation, and visual effect.
In film trailers, live-action scenes were taken from Das Boot (1981), The Hunt for Red October (1990), Crimson Tide (1995), and U-571 (2000). The crew built a larger-than-life replica of David Hasselhoff for visual effect. Baywatch and Knight Rider actor David Hasselhoff made a cameo in the live-action scenes, offering SpongeBob and Patrick a ride to Bikini Bottom.
Even amongst today's most educated Japanese people, only a few can successfully decipher it. Although it is unknown how well the Japanese people of that era could read, many believe that they, too, would have had a very difficult time. One reason given for using a writing style so difficult to read is that legibility would have taken away from the visual effect.
However, this work was criticized for its acoustical problems, visual effect and seating comfort. In 1989, the theatre was renamed as "Staatstheater". The Kleines Haus (small hall), with a capacity of 500 seats, was built in 1997 by Klaus Möbius and inaugurated on 17 November 1997. Kleines Haus (small hall) The most recent renovation and refurbishing occurred in 1998-2001.
Afterward, White and a team of visual effect artists created the setting. "If you watch just the offline edit of this video, it's just green. It's just Taylor walking around a giant green screen. And to think that every single thing in that video was created is amazing, 'cause a lot of people worked really hard on it", White said.
A shell intended to produce a loud report rather than a visual effect. Salute shells usually contain flash powder, producing a quick flash followed by a very loud report. Titanium may be added to the flash powder mix to produce a cloud of bright sparks around the flash. Salutes are commonly used in large quantities during finales to create intense noise and brightness.
A train in the splashdown element. Diamondback is the first hyper coaster to feature a splashdown. Scoops positioned at the back sides of the last car on each train send water soaring at heights of as the train passes. Splashdowns generally do not cause riders to get wet; they are used for a visual effect as well as to slow the train down.
In recent years, advertisements have been increasingly influenced by SMS language. The longer the message in the advertisement, the less the impression it will leave. Hence, short messages that are more catchy, cost and space-saving are more commonly used. The visual effect elicited by SMS language also lends a feeling of novelty that helps to make the advertisement more memorable.
Jean reunited with Prada to create prints for its Resort 2018 collection. He described the visual effect as a "tangle of floral elements occasionally populated and overrun by rabbits." Prada brought the collection to Shanghai as part of the brand's unveiling of Rong Zhai, a 20th-century mansion it restored, and exclusive looks were debuted in vivid reds, yellows, and blues.
The stakes and binders used in hedgelaying when properly used provide strength and stability to the hedge. Binders are not applied simply for visual effect, but in competitive hedgelaying, the appearance of the binders is often one criterion for scoring the work. Traditionally the hedgelayer's tool was a billhook, supplemented with an axe. Nowadays professional hedgelayers often use a chainsaw on larger pleachers.
Duvier del Dago Fernandez’ installations usually start with small drawings on semi-transparent nylon. Then, without the use of any computer or 3-D program, he translates them into spatial objects. He creates a spatial 'connect the dots' system, using cotton thread and a series of hooks on wooden panels. This creates a visual effect that makes his creations look like holograms.
Kuukua's first film titled Artist, Act of Love won an award at the worldwide women's films festival for best visual effect. She is the co-founder of Skate Gal Club. Kuukua believes in gender equity which has pushed her to protest a lot on the streets of Accra. She collaborated with UNFPA Ghana to hold a healing session for young women who are survivors of sexual assault.
The plasma effect is a computer-based visual effect animated in real-time. It uses cycles of changing colours warped in various ways to give an illusion of liquid, organic movement. A still screenshot of a typical plasma effect. Animated color cycling feature as in Fractint Plasma was the name of a VGA graphics demo created by Bret Mulvey in 1988 and released on CompuServe.
Retrieved January 22, 2011. From the side road on the Mkalles (Beirut) highway, the store gives the impression of being a small boutique while it is actually a large retail store with 7 levels of showroom. This visual effect is because the store is built on the edge of a hill. Interior architects and interior design consultants assist customers while they browse the store.
Some targets were filled with colored powder to indicate a hit and add a visual effect. For the shooters who liked live game sport, targets were filled with feathers. Bogardus took up glass ball and clay pigeon shooting in 1868, and went on to win many championships. He was known as one of the most successful trap shooters in the early years of the sport.
Siberian Division, Russian Academy of Sciences. The roundness of the ring is underlined by a tributary of the Lomami river.E. Martellato; G. Cremonese; M. Massironi; and G. Monegato (2010). Omeonga (Wembo-Nyama): Isale Hydrocode Simulations, Nördlingen Ries Crater Workshop A similar visual effect can be seen with Manicouagan crater in central Quebec, Canada, where a ring of water surrounds the central René-Levasseur Island.
She originally wanted to change the band name to "Bow Beast", as she enjoyed the " interesting visual effect in [her] mind". The band eventually settled on the name BEAST. BEAST recorded its debut album, Smoke Swig Swear, over four days in September 2012 at Sound and Motion Studios in Cape Town. It was self-released as a free download to widespread local critical acclaim.
For café bombón, the condensed milk is added to the espresso. For visual effect, a glass is used, and the condensed milk is added slowly to sink underneath the coffee and create two separate bands of contrasting colour – though these layers are customarily stirred together before consumption. Some establishments merely serve an espresso with a sachet of condensed milk for patrons to make themselves.
Below no image is formed, and above any image rapidly fades. Another side effect, initially a curiosity, is that electrons will stick to the phosphor in lit up areas. As the light emission fades, these electrons are likewise released back into the tube. The charge is generally far too small to have a visual effect, and was generally ignored in the case of displays.
The success of a product may lie in its advertising via print and electronic media. Teaching is given in computing, use of multimedia applications, multimedia programming, animation, web page designing, illustration, graphics, photography and film making. Students become visual effect designers, layout artists and animators among others. Alumni from the branch have gained placement with companies like NDTV, Aaj Tak, STAR News, and Genpact.
The building has little exterior ornamentation. The tall, narrow windows are the most distinctive element of the exterior. Their slightly recessed window frames emphasize the verticality of the windows and the building as a whole, as do the stepped recesses on either side of the main entry doors. The current windows are not original, but the visual effect is consistent with the original appearance.
Principal photography on the film began on 5 January 2016 in seven sound stages dedicated to the film at the Cité du cinéma, in Saint- Denis, north of Paris. In total, there are 2,734 visual effect shots. The humanoid race the Pearl were completely synthetic creations by Weta Digital, which generated the characters from performances by actors with motion-capture equipment for their face and bodies.
The sequences where Atlantis takes off from the bottom of the ocean were stock footage from "Rising", with the shield and beam added on. Another reason to keep the scenes was because the writers liked the scene to be reused. Another visual effect was used to switch Keller's flag patch from Canadian to American, since the decision to have Keller an American character was made after filming.
They were also named the Grand Champions of this competition, winning high Music and General Effect. They scored a 96.575, their 2nd highest score to date. This was the first year the marching band did not earn high Visual Effect at any of their competitions since 2006. In 2018, the RHHS Marching Band was chosen to represent Georgia in the 2019 San Antonio Fiesta Flambeau Parade.
Over time, she embraced this glossy visual effect, and began using mirrors and polished stones to surface her artworks. In 1972, Saint Phalle shot footage for her surreal horror film Daddy, about a deeply troubled father-daughter love-hate relationship. The filming was done in a rented castle near Grasse in southeastern France in association with filmmaker Peter Whitehead. In November, the film was shown in London.
These strips continue over the dome, and frame the entry way on the opposite side. The metal meshing gives the fiberglass an interesting visual effect of texture, within being able to feel it. The sculpture sits on a square concrete base at a 45 degree angle. Once inside the sculpture, there is a rubber mat on the base to allow viewers to move within the space safely.
Böhm worked with Arri Media in Munich, Germany where the film was mixed in the Dolby Atmos format. The film was color-timed by Florian "Utsi" Martin, and film editor Peter Boyle served as creative consultant in the editing process. The film comprises roughly 350 visual effect shots, for which Böhm utilized his background as a post-production supervisor and visual effects artist in his native Germany.
Dave Schilling, writing for The Guardian, panned the show by describing it as "painfully dull" and "astoundingly depressing". Bethonie Butler of The Washington Post noted its similarities to other shows featuring the Kardashian family, and said: "Aside from a comic book-esque visual effect that was used to transition scenes [...], Rob & Chyna is very much like the show that made the Kardashian family a household name".
Meisler (1999), pp. 84–85 The director of photography, Joel Ransom, had to spend longer than usual lighting each scene because of the grayscale. The stormy skies in the episode, added to emulate the atmosphere of old Frankenstein movies, were a visual effect. Carter also used a wide-angle camera lens throughout the episode, which forced the actors to act directly to the camera, rather than to each other.
In classical architecture, proportions were set by the radii of columns. Proportion is a central principle of architectural theory and an important connection between mathematics and art. It is the visual effect of the relationships of the various objects and spaces that make up a structure to one another and to the whole. These relationships are often governed by multiples of a standard unit of length known as a "module".
The serving platter is often held above table level by a stand, and sometimes can contain multiple, elaborate tiers. This is both for visual effect, and because the shellfish are often served in the shell, or on the half shell, which causes them to take up a large area while containing only a bite or two of meat. It can alternatively be served on a bed of seaweed (vraic).
The five-passenger cabin included California walnut and leather trim, power-adjustable seats, and soft-touch controls. A back-lit electro- luminescent gauge cluster featured a holographic visual effect, with indicator lights projected onto the instrument panel. The memory system stored the driver's seat, side mirror, steering wheel, and seat belt positions. Available luxury options included a Nakamichi premium sound system and an integrated cellular telephone with hands-free capabilities.
Several visual effect companies were used to provide CGI for the numerous animals and the climactic flood scene. The main plot is a modern-day retelling of Noah's Ark. By the time the film had completed production, it had become the most expensive comedy film ever (this record was later overtaken by Men in Black 3). In October 2007, the film was released on DVD and HD DVD.
Pulfrich in 1889 Carl P. Pulfrich (September 24, 1858 in Burscheid, Rhine Province - August 12, 1927 in Baltic Sea, drowned when his canoe capsized) was a German physicist, noted for advancements in optics made as a researcher for the Carl Zeiss company in Jena around 1880, and for documenting the Pulfrich effect, a psycho-optical phenomenon that can be used to create a type of 3-D visual effect.
The Merchant Square Footbridge (also known as The Fan Bridge) is a moveable pedestrian bridge spanning a canal in Paddington, London. It is architecturally and mechanically unique, being composed of five side-by side sections of varying lengths, with offset pivots to accommodate the varying lengths. When opened, the segments are brought to varying angles of elevation. The visual effect when opened has been likened to that of a Japanese fan.
Visual scores are divided into a color guard caption score and a performance score and reflect the level of movement execution by corps members. The totals in these two categories are similarly added together for a corps' overall visual score. Effect scores reflect the overall impact of the show, both musically and visually. Both musical effect and visual effect scores are made up of a repertoire score and a show score.
Marching bands in general and especially marching drum lines emphasize uniformity. To achieve absolute uniformity, every member of the drumline must play with proper stick heights. A stick height is an approximate measurement of how high the bead of the stick comes off the drum head on any given note. Regularly used heights range from 3" to 12", with 1" and 15" being used mostly for visual effect.
For most of her career, Benson worked for the L.A. effects group. The L.A. effects group was founded in 1983 by a group of prominent visual effect specialists working in Hollywood. Many of Benson's more prominent credits come from her time at the L.A. effects group. She joined the group between 1983 and 1984, working on the groups first film Creature, tied on as a visual effects producer.
Visual effects took nine months to make, until 9 October 2002, when the film was finished. Industrial Light & Magic, Mill Film, The Moving Picture Company (MPC), Cinesite and Framestore CFC handled the approximately 950 visual effect shots in the film. Jim Mitchell and Nick Davis served as visual effects supervisors. They were in charge of creating the CG characters Dobby the House Elf, the Basilisk, and the Cornish pixies, among others.
"Wetwired" is the twenty-third episode of the third season and the 72nd episode overall of the science fiction television series The X-Files. The episode first aired in the United States on May 10, 1996, on Fox. It was written by the show's visual effect designer Mat Beck, and directed by Rob Bowman. The episode earned a Nielsen rating of 9.7 and was viewed by 14.48 million people.
The turn of the century: Maurice Maeterlinck and the inner action of HamletDierkes-Thrun, Petra. Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression pp 60–61. and specifically Maeterlinck's La Princesse Maleine, 'with its use of colour, sound, dance, visual description and visual effect'. Wilde often referred to the play in musical terms and believed that recurring phrases 'bind it together like a piece of music with recurring motifs.
The "firing" of the cap inside the cartridge of commonly available modelguns today produces the visual effect of sparks/smoke, audible effect of bang sound and blowback action for automatic models. After firing, these cartridges can be reusable upon cleaning and refilling the cap. Modelgun cartridges are in general not compatible among different manufacturers or different models. Different manufacturers have their own cartridge design and nomenclature as well as the parts count/description.
This only works, however, on a darker set, as otherwise the projection will get washed out. On occasion, the Stargate itself is also completely swapped out for a computer generated model, usually in cases where it is being moved, or is depicted in space. Series producer Robert C. Cooper explained that it often costs a lot to erect a Stargate on location, and so in some cases offworld gates are also entirely a visual effect.
The Auburn University Marching Band performed on January 15, 2007 at the Alabama Governor's Inaugural Parade in Montgomery and in 2008 in the St. Patrick's Day Parades in Limerick and Dublin, Ireland. The Tiger Eyes are the "visual ensemble" of the Auburn University Marching Band. The Tiger Eyes are composed of three distinct lines—flags, majorettes, and dancers—that feature complementary choreography. The three lines work for one common visual effect as one ensemble.
The term Hearts and Arrows is used to describe the visual effect achieved in a round brilliant cut diamond with perfect symmetry and angles that exhibit a crisp and complete pattern of Hearts & Arrows. When viewed under a special magnifying viewer, a complete and precise visual pattern of 8 hearts is seen while looking down through the pavilion, and 8 arrows can be seen when viewing the stone in the table up position.
A total lunar eclipse will take place on July 7, 2047. It will last 1 hour and 41 minutes and will plunge the full Moon into deep darkness, as it passes right through the centre of the Earth's umbral shadow. While the visual effect of a total eclipse is variable, the Moon may be stained a deep orange or red colour at maximum eclipse. This will be a great spectacle for everyone who sees it.
The episode is set in 2050 and has a "mid-century" feel based on 1950. It uses point-of-view shots to show the characters' memories. The sex scene between Liam and Ffion was originally conceived as the characters having sex while watching an earlier sexual encounter on the bedroom television. Due to logistical difficulties, the characters instead watch the footage replayed in their pupils, which have the visual effect of being "milked out".
The visual effect, being striking, would reach the viewer easily.Anthony Rhodes, Propaganda: The art of persuasion: World War II, p22 1976, Chelsea House Publishers, New York Posters were also, unlike other forms of propaganda, difficult to avoid.Anthony Rhodes, Propaganda: The art of persuasion: World War II, p24 1976, Chelsea House Publishers, New York Imagery frequently drew on heroic realism. Nazi youth and the SS were depicted monumentally, with lighting posed to produce grandeur.
Directed by Ninian Doff and presented by RizLab, the video garnered attention for its use of an optical illusion/split-screen visual effect. Later a video for the "Rhymin' Slang (JJ Tron Remix)" would be released, as an extension of the JJ DOOM/RizLab project. The album artwork for Key to the Kuffs was designed by American artist/graff artist, Steve "ESPO" Powers. Powers would also later direct the music video for JJ DOOM's "Bookhead".
The code was successfully cracked by Robert Xiao in late July 2012. There is no encryption algorithm present in the Agrippa binary; consequently, the visual encryption effect that displays when the poem has finished is a ruse. The visual effect is the result of running the decrypted ciphertext (in memory) through the re-purposed bit-scrambling decryption algorithm, and then abandoning the text in memory. Only the fake genetic code is written back to disk.
In 1809, appalled by their mauling at the hands of Austrian uhlans, Napoleon ordered that they be given armour. The carabinier's refusal to copy the less elite cuirassiers resulted in them being given special armor, with their helmets and cuirasses being sheathed in bronze for added visual effect. But this did not prevent them from being defeated by Russian cuirassiers at Borodino in 1812, and panicking before Hungarian hussars at Leipzig the following year.
The TVs were turned on and out of sync with each other - the theme of "Sobredosis de TV" (TV Overdose). The TVs, together with a large amount of smoke, created an unusual but captivating visual effect. On 26 January 1985 Soda played the Rock in Bali festival in Argentine port city of Mar del Plata. On 17 March they played the Festival Chateau Rock '85 at the Estadio Olímpico Chateau Carreras in Córdoba Province.
The human body can briefly survive exposure to the hard vacuum of space unprotected, despite contrary depictions in some popular science fiction. Human skin does not need to be protected from vacuum and is gas-tight by itself. Human flesh expands to about twice its size in such conditions, giving the visual effect of a body builder rather than an overfilled balloon. This can be counteracted through mechanical counter-pressure from a suitably designed garment.
The beauty of this design that stands up elegantly in the space like a sculpture is the visual effect produced by light and shadow. The sharp and geometric facets of the panel seem to soften and merge gradually through the mild variation of light, shadows and reflections from the surfaces, revealing and communicating the optical properties of aluminium. With the basic element repeated in a series the continuity of the form is retained.
The visual effect generally presents the viewer with two shape interpretations, each of which is consistent with the retinal image, but only one of which can be maintained at a given moment. This is because the bounding contour will be seen as belonging to the figure shape, which appears interposed against a formless background. If the latter region is interpreted instead as the figure, then the same bounding contour will be seen as belonging to it.
Many individuals and communities living near the proposed route expressed concerns about the visual effect of the line, possible health effects, and the devaluation of their properties. A particular point of concern was that the proposed transmission towers were to be up to in height. The Electricity Commission under Hemmingway also organized meetings during this time for information dissemination about its processes, and to gather feedback from the public. These were much better received than the Transpower meetings.
Framestore also created the film's opening sequence. Despite appearing as a single shot, it ultimately was composed of 11 different visual effect shots. Gunn provided reference video for Baby Groot's dancing in the sequence. Framestore animation supervisor Arslan Elver noted that the majority of the opening sequence includes CGI and digital doubles, with three moments (Quill falling on the ground near Baby Groot, Gamora talking to Baby Groot, and Drax rolling behind Baby Groot) consisting of actual photography.
For the Hoff, we got pretty close, but it is not quite as detailed as for Kurt." Additional work by Weta included the inside of Ego's planet, known as the Planet Hollow, which was inspired by the fractal art of Hal Tenny, who Gunn hired to help design Ego's environment. Gunn added that there are "over a trillion polygons on Ego's planet," calling it "the biggest visual effect of all time. There's nothing even close to it.
The roof lantern surmounting the dome, also designed by Brunelleschi, was not begun until 1446, after his death. It was completed in 1467. He had also planned for a two-story external gallery and cornice to be built at the top of the drum where a strip of unclad masonry can be seen today. Although a portion of it was constructed on the southeast side beginning in 1508, work stopped after the visual effect was criticized by Michelangelo.
The glowplug is a pencil-shaped piece of metal with a heating element at the tip. This heating element, when electrified, heats due to its electrical resistance and begins to emit light in the visible spectrum, hence the term glowplug. The visual effect is similar to the heating element in a toaster. The fuel injector spray pattern then impinges directly upon the hot tip of the glow plug during the injection of fuel at top dead center.
Throughout the episode, the production crew used split dioptres in certain scenes, a camera technique where two separate camera angles are at the same focus on screen. The episode also includes shots of the hound, which was produced by visual effects. Although the series used computer-generated imagery (CGI) in the past, it was the first time a visual effect was made on a large scale. However, there was no guide for the cast to interact with.
300px An infinity edge pool (also named negative edge or vanishing edge pool) is a swimming pool which produces a visual effect of water extending to the horizon, vanishing, or extending to "infinity". Often, the water appears to fall into an ocean, lake, bay, or other similar body of water. The illusion is most effective whenever there is a significant change in elevation, though having a natural body of water on the horizon is not a limiting factor.
One became the upgraded Jerry Mahoney that is seen primarily throughout Winchell's television career. The television versions of Jerry and Knucklehead also featured Winchell's innovation of actors slipping their hands into the sleeves of the dummies, giving the visual effect of gesturing with their hands while "conversing" with each other. He modified two other copies to create Knucklehead Smiff. The original Marshall Jerry Mahoney and one copy of Knucklehead Smiff are in storage at the Smithsonian Institution.
Such multiple body parts represent the divine omnipresence and immanence (ability to be in many places at once and simultaneously exist in all places at once), and thereby the ability to influence many things at once. The specific meanings attributed to the multiple body parts of an image are symbolic, not literal in context.Srinivasan, p. 325. In such depictions, the visual effect of an array of multiple arms is to create a kinetic energy showing that ability.
Theatres were also constructed to be able to hold a large number of people. One of the main uses of costume during the Elizabethan era was to make up for the lack of scenery, set, and props on stage. It created a visual effect for the audience, and it was an integral part of the overall performance. Since the main visual appeal on stage were the costumes, they were often bright in colour and visually entrancing.
Sometimes a shadow can be used to create a visual effect. Areas of the blue screen or green screen with a shadow on them can be replaced with a darker version of the desired background video image, making it look like the person is casting a shadow on them. Any spill of the chroma key colour will make the result look unnatural. A difference in the focal length of the lenses used can affect the success of chroma key.
Grassed areas are delineated by formal paths, mulched garden beds, hedges and several regular lines of trees. These significant mature trees include poincianas (Delonix regia), weeping figs (Ficus benjamina), white figs (Ficus virens), Canary Island date palms (Phoenix canariensis), Queen palms (Syagrus romanzoffiana) and wine palms (Butia capitata). The overall visual effect is a well developed formal tropical landscape character. Sandstone park signage walls have been erected on each of the Wickham and Ann Street frontages.
Accessed October 12, 2012. While celebrating the 50th anniversary of the school during the 2012 season with their "We Are Spartans" show, the band captured the USBands NJ State and National titles. At States, the band took all special awards (Music, Visual, Effect, Color Guard and Percussion) and had a score of 97.375. At National, IHS came out first over 15 band, taking home the Best Music special award and scored a 96.587, narrowly winning the title by .
Each walkway is responsible for supporting the other - the two halves are displaced, giving the visual effect of a bridge that does not meet. Wallpaper magazine said the bridge "appears at first glimpse to be impossible." The balustrade is made from a clear, fractal pattern crafted in coloured blue, pink, green and yellow glass. The bridge is named for the ill- fated affair between Pedro, the Crown Prince of Portugal, and the Queen's lady-in-waiting, Inês de Castro.
The Bell Tower contains a replica of the original Olympic Bell instead. Inside the Olympic Stadium, “Führerloge” on the Honorary Stand was decreased in height by a meter to eliminate the visual effect it historically possessed, and to assist in “‘’de-nazi-fying’’” the stadium. August 24, 1963 Hertha BSC played their first match at the Olympic Stadium, moving to the venue after joining the Bundesliga. The match was a 1-1 tie against FC Nürnberg.
The Charles Seney House, also known as the Van Heel Residence, is a historic building located in Mason City, Iowa, United States. This house is attributed to local architect Einar Broaten and built by Sivert Rivedal, a native of Norway. It utilizes the Mason City variant of the Prairie School style to stucco over corbelled masonry to form the wall panels for visual effect. with The two-story house, completed in 1913, is capped with a hip roof.
Several publications compared the game's plot to that of the 1979 film Alien. Simon Forrester of Your Sinclair jokingly referred to Space Gun as the "unofficial game" of the film. Zero magazine gave particular praise to the sections where humans mutate into aliens as they run towards the player. Your Sinclair reviewer Jon Pillar and Chris Buffa of GameDaily said that Space Gun contains graphic violence, citing the visual effect of entrails and blood splashed against the screen.
Montfort and Bogost commented that players were disappointed with the flickering visual effect, which made the ghosts difficult to track and tired the players' eyes. The two further said that the effect diminishes the ghosts' personalities present in the arcade version. Chris Kohler of Wired commented that the game was poorly received upon its release and in contemporary times because of the poor quality. However, he further described the game as an impressive technical achievement given its console's limitations.
Glide step is a form of movement used by marching bands to minimize upper body movement, enabling musicians to play their instruments and march without air- stream interruptions. Standardizing the style of marching also serves to add to the visual effect of a marching band. Sometimes special shoes are worn with a curved heel that facilitates rolling the foot. Glide stepping is used by many high school marching bands, college marching bands, and by many Drum Corps.
He later realised that Dickens' journey in the episode mirrored that of Ebenezer Scrooge. In one scene, Gatiss wanted the knocker on a door behind Dickens to briefly show the Gelth's face in reference to A Christmas Carol, but this visual effect was not done. The episode originally began in the TARDIS, as Gatiss wanted the first glimpse of 1860 to be through Rose's eyes. While this changed, Gatiss still wanted to show how great travelling in time is.
The temple is similar in plan to the famous Chennakesava Temple at Belur. The temple has a typical stellate (star-shaped) plan with the sanctum, vestibule and open hall (navaranga or just mantapa) mounted on a platform called jagati. These features are, according to historian Suryanath Kamath, standard to Hoysala architecture. The platform serves a dual purpose: improves visual effect as well as provides a path for ritual Circumambulation (Parikrama or Pradakshina) around the temple for devotees.
When the time came for the filming of the movie's climax, the primary supports of the coaster were fitted with explosive charges. At the signal of the director, one of the wooden trains, filled with mannequins, was sent for its "last" ride down the aged track. The charges were set off, blowing the large wooden posts to smithereens, while at the same time, huge, fiery gasoline explosions were set off for visual effect. The coaster refused to budge.
They were woven by Jack Lenor Larsen. At Kahn's request, the panels span the full color spectrum and yet were constructed entirely from one red, one blue, and one yellow yarn, with the remaining shades created with blends of those three yarns. The panels were designed not only for visual effect but also to correct a problem of sound reverberating from the concrete walls. The primary building materials of the interior are concrete block, poured concrete and wood.
This entrance area is flanked by four partly fluted decorative pilasters, which incorporate neo-classical details and small Ionic capitals and is capped by a modest concrete cornice. The pattern of decorative pilasters extends upwards to the cornice and capped by ionic capitals. It does not extend to the top of the parapet. On either side of the main Sturt Street entrance more modest pilasters extend from the plinth level through to the parapet giving a uniform visual effect.
The photos in the graphic also give an idea of what the visual effect looks like to the pilot, at various distances. While the distances given are exact, the laser's brightness is in fact falling off slowly and so effects diminish continuously with increasing distance. Also, the weaker effects are part of any stronger effect. Even if a laser does not cause eye damage at 25 feet, it can still cause flash blindness, glare and a distraction.
The wood is left unpainted for visual effect. Wood from Prunus wilsonii was used to carve the Shakyamuni (Shaka Nyorai) (木造釈迦如来立像; mokuzō shaka nyorai ryūzō), a copy of the lost Udayana Buddha by the Chinese sculptors (and brothers) Zhāng Yánjiǎo and Zhāng Yánxí. It was brought to Japan from China in 986 by the monk Chōnen (奝然). The sculpture stands tall and is a National Treasure of Japan.
Costumes of the Elizabethan Era One of the main uses of costume during the Elizabethan era was to make up for the lack of scenery, set, and props on stage. It created a visual effect for the audience, and it was an integral part of the overall performance. Since the main visual appeal on stage were the costumes, they were often bright in colour and visually entrancing. Colours symbolized social hierarchy, and costumes were made to reflect that.
Howe and Walker, however, criticised the use of CSO (colour- separation overlay) effects for a number of shots involving the K1 Robot, as did Robert Cope. Mark Braxton of Radio Times praised the introduction of Baker and Marter, as well as the K1 concept. However, he felt that the villains were stereotypical and wrote that Robot "boasts perhaps the show's worst visual effect ever". IGN reviewer Arnold Blumburg gave the story a rating of 7 out of 10, attributing its success to Baker.
A season pass is available and includes The Abyssal Forge (a story-driven installment taking place in the Shadow Lands), The Demon Lord Belial (another story-driven installment taking place on Earth) and The Maker Armor and Scythe Set. Argul's Tomb is another story-driven pack not included in the season pass. The Angel of Death Pack includes new enhanced weapons and armor along with a new visual effect for Dust. The Deadly Despair pack offers a speed boost to Death's horse Despair.
The commercially available toy consists of a heavy, thick chrome- plated steel disk and a rigid, slightly concave, mirrored base. Included holographic magnetic stickers can be attached to the disk, to enhance the visual effect of wobbling. These attachments are strictly decorative and may reduce the capacity to see and understand what processes are truly at work. The disk, when spun on a flat surface, exhibits a spinning/rolling motion, slowly progressing through different rates and types of motion before coming to rest.
These two pieces of art were later placed in the collection of modern art of the Louvre. She achieved her greatest success by working with cold glass, by monumental, sculptural drawing-derived forms, while her contemporaries, Lalique, Marinot and his circle made their art in glass-works and treated glass as one block. Her invention was a unique use of intaglio engraving, cutting, and the artistic use of the sand-blasting technique. She was able to create outstanding visual effect with their combination.
For example, a performer might intentionally juggle some rings with the broad side to the audience and some others with the edge to the audience. As with balls and clubs, the most basic patterns of ring juggling are the cascade and fountain. In these patterns, the left and right hands alternate throwing rings at approximately the same height. Some ball and club tricks can also be performed with rings, but their unique shape and spinning abilities result in a different visual effect.
In the basic slip stitch the stitch is passed from the left needle to the right needle without being knitted. The yarn may be passed invisibly behind the slipped stitch (wyib="with yarn in back") or in front of the slipped stitch (wyif="with yarn in front"), where it produces a small horizontal "bar". The wyif slipped stitch is less common, although several knitting patterns use it to produce a visual effect like woven cloth. Alternatively, the yarn can be "tucked", i.e.
Between the 16th and 24th floors, the exterior exhibits vertical white brick columns that are separated by windows on each floor. This visual effect is made possible by the presence of aluminum spandrels between the columns of windows on each floor. There are abstract reliefs on the 20th through 22nd- floor spandrels, while the 24th floor contains decorative pineapples. Above the third setback, consisting of the 24th through 27th floors, the facade contains horizontal bands and zigzagged gray-and-black brick motifs.
BOA Grand National Championships is the annual competition between over 100 of America's top high school level marching bands. The bands compete in their own local, state and regional competitions to participate in this event, though there are no prerequisites for participating in Grand Nationals. Participation is based on a first-come, first-served basis. The awards include a ceremony for the top twelve bands and separate awards for the bands who specialized in visual effect, musical effect and overall general effect.
In addition to their temporary nature, uli are also spontaneous in creation and design. The focus of these designs is not on a larger meaning or message, but instead on the visual effect produced by the design as a whole. Though the designs are often created to commemorate a ritual or are placed on shrines, they are generally not believed to be sacred. The characteristics vary depending on whether designs are being placed on a wall or on the body.
He often painted series of repetitive images to replicate the serial change of visual effect in nature. The theme of a 2007 25-part series of paintings is zensur or censorship, and the artist applies the concept of blocking or erasing something thematically or formally.Katya Kazakina (October 1, 2007), German Artists' Big Bearded Hikers, Poetic Palaces: Chelsea Art Bloomberg. Retina is a 2010 series of six oil paintings that deal with the optical perception of the world of objects and their abstraction.
In the past, the run-off tubes flowed through swan-neck valves into a wort collection grant. While visually appealing, this system led to a lot of oxygen uptake. Such a system has mostly been replaced either by a central wort-collection vessel or the arrangement of outlet ports into concentric zones, with each zone having a ring-shaped collection pipe. Brewhouses in plain public view, particularly those in brewpubs, often maintain the swan- neck valves and grant for their visual effect.
In general, mirroring the surrounding structures combined with the vegetation and the sky creates a visual effect that expands the enclosed space of a garden. Given the water's direct connection to paradise, its illusionary effects contribute to a visitor's spiritual experience. Another use of water was to provide kinetic motion and sound to the stillness of a walled garden, enlivening the imposing atmosphere. Fountains, called salsabil fountains for "the fountain in the paradise" in Arabic, are prevalent in medieval Islamic palaces and residences.
In many ways the design is a caricature rather than an example > of the classic midwestern barn. It stands out among the vast stock of early > twentieth century farm outbuildings in Louisiana because it was styled for > visual effect. Unlike virtually all other examples in the state, its design > was not wholly functional, and it did not represent the cheapest, most > expeditious solution to the problem of providing for a barn. Rather, it > represented an architectural folly built for dramatic picturesque effect.
The game included three e-Reader-compatible cards, but not the e-Reader device itself. When scanned, the cards upload new templates for the player to paint and for Smeargle to critique. The game uses the visual effect of applying pre-rendered video footage to a polygon, specifically the game's pre-recorded shows on the television. IGN writer Anoop Gantayat praised this effect's implementation, although he did note some minor graphical issues visible in the transition from distanced to full-screen viewing.
1 brought various fixes to the X-Kairos, with Ubisoft noting various issues, including times when some of the pellets won't explode, a bug where pellets aren't displayed properly when shot between two reinforced walls, and a Lingering visual effect after detonation. Unfortunately for players, the update failed to fix the issue concerning pellets not exploding when detonated. In the patch notes of Update 2.1.3, Ubisoft stated that they planned to fix the bug by the second season of the following year.
The Cybermen costumes were identical to those used in Attack of the Cybermen (1985). When Colin Baker took over as the Doctor, he was provided with a redesigned version of his Sixth Doctor costume by the production crew. The new version incorporated shades of purple and blue, colours which could not have been used on TV due to interference with blue screen effects. The production used a large screen that displayed visual effect sequences and also incorporated lasers into the action.
Around 70 to 80 percent of post-production was centered around the special effects and CGI. Youhug stated: "This should be an unprecedented investment in a domestic drama, we also hope to achieve good visual effect as much as possible." Guo Jingming acts as the artistic and visual director for the production. Other notable players in production include Dong Cheng Guang as art director, A Ju for make-up guidance, Zhong Jiani as costume and prop designer, and Ma Yucheng as choreographer.
The C.F. Franke House is a historic building located in Mason City, Iowa, United States. Built in 1916, the exterior of the two-story structure is covered with stucco. It utilizes the Mason City variant of the Prairie School style to stucco over corbelled masonry to form the wall panels for visual effect. with Although the eaves on the second story were cut back almost flush with the walls, the house maintains its horizontal emphasis, including the grouping of the casement windows.
Leterrier hired Rhythm and Hues to provide the CGI, rather than Industrial Light & Magic (ILM) who created the visual effects for Ang Lee's Hulk. Visual effect company, Image Engine, spent over a year working on a shot where Banner's gamma- irradiated blood falls through three factory floors into a bottle. Overall 700 effects shots were created. Motion capture aided in placing and timing of movements, but overall key frame animation by Rhythm and Hues provided the necessary "finesse [and] superhero quality".
As befits their industrial image, Battery 9 often uses unorthodox instruments on-stage as well as for recording samples. Examples include road signs, oil drums and other pieces of scrap metal. The blade from a bulldozer was included for a time, but it was abandoned because of the hassle involved in transporting it to the venues. DIY electric implements like drills, angle-grinders and jackhammers are also used, with some more for the visual effect than the musical merit of including it.
A less intrusive table in Auckland, New Zealand, which sacrifices some height and visual effect for integration into a high-quality road finish area. Note that part of the traffic calming effect is reached here via rough cobble stones. A speed table (or flat top hump or raised pedestrian crossing) is designed as a long speed hump with a flat section in the middle. Speed tables are generally long enough for the entire wheelbase of a passenger car to rest on top.
Cloudy agent could provide the desired opacity of natural juice. Clouding agents or cloudifiers are a type of food additive used to make beverages such as fruit juices to look more cloudy, and thus more natural-looking and visually appealing, typically by creating an emulsion of oil droplets. Natural fruit juices are often opalescent, due to protein, oil or pectin particles from plant cell fragments. To mimic this visual effect in low-juice content soft drinks, a clouding agent is added.
In particular, his dreamscapes resist interpretation despite the ubiquity of repeated pictorial symbols; through repetition they become both familiar and meaningless, manifestations of a rich and colourful imagination that can be understood not through intellect but through intuition. As the artist himself proclaimed: ‘For me a picture is a surface covered with representations of things (objects, animals, human beings) in a certain order in which logic and illustration have no importance. The visual effect of the composition is what is paramount’.Susan Compton.
The Canadian version of the program used the same opening credits and "Pop Goes the Weasel" theme as the US version, the Jack-in-the-box logo, and other elements such as the Do-Bee character and the Magic Mirror (including the psychedelic visual effect that went along with it). When the US franchise changed the title to Romper Room and Friends, the Canadian series followed suit. When the Canadian version ended production in 1992, it was the last version in production anywhere.
The style is much longer than the perianth, and is initially trapped by the upper perianth parts. These are gradually released over a period of days, either from top to bottom or from bottom to top. When the styles and perianth parts are different colours, the visual effect is of a colour change sweeping along the spike. This can be most spectacular in B. prionotes (acorn banksia) and related species, as the white inflorescence in bud becomes a brilliant orange.
Like most other developed countries, South Korea's film industry has had a great influence on the public. As films can affect the public with their great popularity and their vivid audio-visual effect, it has such influence that alarms the government to place strict regulations which the films must follow in order to be viewed by the public. This control on the film industry and filmmakers resulted in film censorship. The censorship often changed depends on the government's attitude toward the social structure and films.
The top or soundboard should be cedar or spruce (preferably spruce) if possible, cut in one piece. The top plays a major role in the sound because it resonates and strengthens and prolongs the vibration of the strings. Another factor that affects the quality of the sound is the varnish and the method of its application. The best varnish is a natural one made of shellac, which is applied by hand in many layers in the traditional way, for both acoustic and visual effect.
Other large appliances appeared later in the same space. For visual effect they were "miked" by the sound crew, just as a real amplifier would be. Rush's crew loaded the dryers with specially- designed Rush-themed T-shirts, different from the shirts on sale to the general public. At the close of each show, Lee and Lifeson tossed these T-shirts into the audience. The dryers can be seen while watching the Rush in Rio DVD, the R40 DVD, and the R30: 30th Anniversary World Tour DVD.
The stormy skies in the episode, added to emulate the atmosphere of old Frankenstein movies, were a visual effect. Carter also used a wide-angle camera lens throughout the episode, which forced the actors to act directly to the camera, rather than to each other. According to Carter, it also enabled him to give scenes in the episode a more surreal staging than was usual for the show. The makeup for the character of The Great Mutato was designed and created by special effects supervisor Tony Lindala.
Nucleation in a champagne glass helps form the wine's bubbles; too much surface area allows carbonation to fizzle out quickly. More bubbles create greater texture in the taster's mouth, and a flute's deep bowl allows for greater visual effect of bubbles rising to the top. The flute's narrow cross- section also minimizes the oxygen-to-wine ratio, which enhances both the wine's aroma and taste. While most commonly used for sparkling wines, flutes are also used for certain beers, especially fruit beers and Belgian lambics and gueuzes.
Lion#cite ref-105 Domestic male cats also have variable attitudes towards their family members, for example, older male siblings tend not to go near younger or new siblings and may even show hostility toward them. Hissing is also a vocalization associated with either offensive or defensive aggression. They are usually accompanied by a postural display intended to have a visual effect on the perceived threat. Cats hiss when they are startled, scared, angry, or in pain, and also to scare off intruders into their territory.
Tesserae were made in blocks or "cakes" and then cut into cubes, which are relatively large in the case of gold backgrounds. Gold backgrounds were laid over earth red or yellow ochre backgrounds which enhanced their visual effect. Most colours of tesserae seem to have been made locally to the mosaic, but there is some discussion as to whether this was true for gold glass ones. In the 11th century the relatively new Christian centre of Kiev seems to have used gold tesserae made in Constantinople.
The growl, snarl, and hiss are all vocalisations associated with either offensive or defensive aggression. They are usually accompanied by a postural display intended to have a visual effect on the perceived threat. The communication may be directed at cats as well as other species – the puffed-up hissing and spitting display of a cat toward an approaching dog is a well- known behavior. Cats hiss when they are startled, scared, angry, or in pain, and also to scare off intruders into their territory.
A short straight connects McPhillamy to the next corner. Skyline is a sharply descending right hand corner which signifies the beginning of the descent from the top of the circuit. The corner acquired the name from the visual effect of looking upwards at the corner from below, such is the sharpness of that initial plunge. During the 1970 Hardie-Ferodo 500, 1969 co-winner Tony Roberts lost control of his Ford XW Falcon GTHO and launched over Skyline backwards before tumbling down the hillside.
Indios, Indias and caboclos (indigenous people): have a mission to locate and arrest Pai Francisco. In the presentation of the bumba meu boi of Maranhão, they provide a beautiful visual effect due to the beauty of their clothes and the choreography they perform. Some groups, especially the sotaque de matraca have the royal caboclo, or caboclo de pena (feather), which is the greatest outfit of bumba meu boi. Caboclos de fita are pessoas with hats with colorful ribbon and they blend into the cowboys during a party.
Hybrids is an eco-responsible CG animated short film directed in 2017 by 5 French 3D artists during their studies at MoPA, animation school in France. The short received numerous accolades by the CGI & VFX industry. for its outstanding achievement in the Visual effect and CGI work quality, and has won awards in festivals including the COLCOA, the Visual Effects Society, and the Sitges Film Festival where it received the Oscar Qualifying prize for the Academy Award for Best Animated Short Film at the 91st Academy Awards.
The Blue Band performs their variation of the "Big Ten March style" during every gameday performance. In order to high-step march, Blue Band marchers must raise their thigh to be parallel with, extend their calf to be perpendicular to, and point the toe directly at the ground. This style, in contrast to typical drum-corps style marching, gives the band a very visual effect. Because the band performs this high-step, it enables them to perform certain moves that could not be done by low stepping.
At the 2009 Razzie Awards, the film was nominated for Worst Prequel, Remake, Rip-off or Sequel, but lost the award to Indiana Jones and the Kingdom of the Crystal Skull. The film was nominated in the category of "Best Single Visual Effect of the Year" at the 7th Visual Effects Society Awards but lost to The Curious Case of Benjamin Button. The film was also nominated for Best Science Fiction Film at the Saturn Awards and Jaden Smith won Best Performance by a Younger Actor.
It is further enhanced because not only the surface of the type get inked, but also the bevels around it, which also contributes to the visual effect of the printed typeface, as can be readily seen with a magnifying glass.Js. Hermans, ' that's printed... ' but how? , 1961 Intergrafia-series number 17, Edecea Publishing House, Horn The bead edge and bright centre in print suggest a calligraphic typeface. And with letterpress there is a much wider choice of suitable, often more expensive, paper types that can be printed.
Menu blinking is user-interface affordance included in all versions of Mac OS. It is a visual effect which makes the selection rectangle blink on and off, indicating to the user which menu option was selected. Only in Classic Mac OSes there have been preferences for Menu Blinking where you can control how many times the selection rectangle blinks. However, in Mac OS X there are no preference panes to control Menu Blinking and throughout Mac OS X the selection rectangle only blinks once on click.
It won four Academy Awards, including for "Best Visual Effects" for popularizing the bullet time visual effect. The Matrix came to be a major influence for action movies and has appeared in several "greatest science fiction films" lists. In 2012, the film was selected for preservation in the National Film Registry by the Library of Congress for being "culturally, historically, and aesthetically significant." After its success, the Wachowskis directed two sequels back-to-back, The Matrix Reloaded and The Matrix Revolutions, both released in 2003.
Virtual reality headsets have significantly higher requirements for latency--the time it takes from a change in input to have a visual effect--than ordinary video games. If the system is too sluggish to react to head movement, then it can cause the user to experience virtual reality sickness, a kind of motion sickness. According to a Valve engineer, the ideal latency would be 7-15 milliseconds. The graphics processing unit (GPU) also needs to be powerful enough to render the required amount of frames.
A model of Canberra with the Parliamentary Triangle shown by the green lasers The National Triangle, which is referred to as the Parliamentary Triangle, is the ceremonial precinct of Canberra, containing some of Australia's most significant buildings. The National Triangle is formed by Commonwealth, Kings and Constitution Avenues. Buildings within the National Triangle have been located and designed intentionally for visual effect, and those of national significance are popular tourist attractions. The National Triangle was a significant feature of Walter Burley Griffin's Plan for Canberra.
The rooms that were featured in the episode were the main rooms for the power plant that The X-Files design team redecorated; the crew later called the set the "war room". Most of the decoration and interior scene was done by the visual effect crew; the only visible part seen in real life was a large sump pump. Bill Roe, the cinematographer for the episode, spent "four or five days lighting [the] set" for filming. Kim Manners called his work "a great job".
For the large number of visual effects used in the series, HBO hired British-based BlueBolt and Irish-based Screen Scene for season one. Most of the environment builds were done as 2.5D projections, giving viewers perspective while keeping the programming from being overwhelming. In 2011, the season one finale, "Fire and Blood", was nominated for a Primetime Emmy Award for Outstanding Special Visual Effects. The visual effects crew consisted of both on-set VFX supervisors and concept artists along with visual effect editors in post-production.
When a band is not moving, the members may mark time, or march in place. The step used usually resembles the step that is used for marching forward, though mixing a high step mark time with a roll step march (or vice versa) produces an interesting visual effect. For a typical mark time, the foot is raised to the ankle bone of the opposite leg. The toe should not come off the ground and the knee should not come out much past the still-straight leg.
The events of the next four issues take place in the time period between the A Nightmare on Elm Street 5: The Dream Child and Freddy's Dead: The Final Nightmare films. The second series, Freddy's Dead: The Final Nightmare, was an adaptation of the film of the same name. The third issue of the series was published in both normal and 3-D formats. The 3-D issue was published in order to recreate the last ten minutes of the film which also used the visual effect.
The reserve is a triangular island located at the intersection of Eagle, Elizabeth and Creek Streets. The site, consisting of a partially paved and landscaped area, is dominated by the huge fig trees that provide a striking visual effect in the business precinct of the Eagle Street area. The reserve is planted with three fig trees, two White Figs (Ficus virens) and one Banyan Fig (Ficus benghalensis). The branches of the Banyan Figs are supported with prop roots that develop from the aerial roots that are produced to gather moisture from the atmosphere.
Fire performance typically involves equipment or other objects made with one or more wicks which are designed to sustain a large enough flame to create a visual effect. Fire performance includes skills based on juggling, baton twirling, poi spinning, and other forms of object manipulation. It also includes skills such as fire breathing, fire eating, and body burning; sometimes called fakir skills. Fire performance has various styles of performance including fire dancing; the use of fire as a finale in an otherwise non-fire performance; and the use of fire skills as 'dangerous' stunts.
His first preliminary sketches were made while at the Slade School of Art, and he continued to refine and re-work the images over the next 50 years. Hamilton felt his re-working of the illustrations in many different media had produced a visual effect analogous to Joyce's verbal techniques. The Ulysses illustrations were subsequently exhibited at the Irish Museum of Modern Art (in Dublin) and the Museum Boijmans van Beuningen (in Rotterdam). The British Museum exhibition coincided with both the 80th anniversary of the publication of Joyce's novel, and Richard Hamilton's 80th birthday.
As matter is only transmitted through a stargate once the whole object has passed the event horizon, a person or object could be retrieved from the event horizon before entering completely, as the stargate would automatically reintegrate the traveler. Original wormhole travel from the Stargate movie and SG-1 seasons 1-8. Passage through a Stargate's wormhole is depicted as a visual effect of shooting through a tunnel in space, although this is just a visual aid as travelers are not conscious during the trip. The average travel time between Stargates is 3.2 seconds.
The earliest form of colorization introduced limited color into a black-and-white film using dyes, as a visual effect. The earliest Edison films, most notably the Annabelle Serpentine Dance series, were also the earliest examples of colorization, done by painting aniline dyes onto the emulsion. Around 1905, Pathé introduced Pathéchrome, a stencil process that required cutting one or more stencils for each film frame with the aid of a reducing pantograph. In 1916, the Handschiegl Color Process was invented for Cecil B. DeMille's film Joan the Woman (1917).
An official lyric video of the song was released on her YouTube page on May 7, 2015. The official video was directed by Aaron A and was released on her YouTube page on May 26, 2015. The video uses the inspiration of how Cara wrote the song by having her at a party and being the only one moving while the party is frozen in time, while she's next to crowds of girls and guys drinking beer and gossiping. The visual effect of the frozen partygoers predated the viral Internet phenomenon Mannequin Challenge.
The bridge was built to break the toll monopoly enjoyed by the neighboring Camelback Bridge (now the Market Street Bridge). The Walnut Street Bridge was closed to motor vehicles and converted to a pedestrian and bikeway link to City Island after the 1972 Hurricane Agnes flood. The eastern span of the bridge is outlined in lights which, along with the City Island facilities, create a dynamic visual effect at night. The span is one of the longest pedestrian bridges in the world and was listed on the National Register of Historic Places in 1972.
View across the courtyard The most striking feature is the bugnato of the exterior walls: it consists of some 8,500 white (with pink veins) marble blocks carved to represent diamonds, hence its name. The positioning of the diamonds varies in order to maximize the light reflected off the building, creating quite the visual effect. The palace is also well known for its candelabra and the phytomorphic corner motifs. Inside, it has a typical Renaissance courtyard with a cloister and a marble well; the latter is a characteristic typical of gardens in Ferrara.
The arrangement of shades on the sweater can have a significant visual effect, due to the principle of chiaroscuro; dark shades tend to recede and be smaller, whereas light shades advance and seem larger. For example, vertical stripes with a light color in the middle and dark colors on the sides have a slimming effect. Psychologically, bright colors tend to be associated with straightforward, innocent or extroverted personalities, whereas darker shades are associated with more thoughtful, experienced and introverted personalities. The "temperature" of a color also affects its perceived depth.
The east or west window of a large cathedral might have seven lights in three tiers, with elaborate tracery. In medieval times the cartoon was drawn directly on the surface of a whitewashed table, which was then used as a pattern for cutting, painting and assembling the window. The cartoon is then divided into a patchwork, providing a template for each small glass piece. The exact position of the lead which holds the glass in place is also noted, as it is part of the calculated visual effect.
Karen Goulekas is a visual effects artist. Goulekas jointly won two Emmy Awards for her work covering the 1992 Summer Olympics. She has jointly won the BAFTA Award for Best Special Visual Effects twice, for The Fifth Element in 1998 and The Day After Tomorrow in 2005. She jointly won the Saturn Award for Best Special Effects in 1998 for the film Godzilla, and jointly won the Best Single Visual Effect of the Year at the 3rd annual Visual Effects Society Awards for the tidal wave in The Day After Tomorrow.
Sheena Duggal serves as visual effect supervisor, returning in the same capacity from the Agent Carter One-Shot, with the visual effects for the series created by Industrial Light & Magic (ILM), Base FX, and later DNeg TV. Duggal worked closest with ILM, who coordinated with Base and DNeg to ensure a "seamless workflow". The majority of the series' visual effects work focuses on set extensions to depict the period setting, as well as the more fantastical aspects such as Howard Stark's inventions, or Zero Matter and Jason Wilkes' intangibility in the second season.
Sometimes the body undulates during the head movements, sometimes the undulations exist without head motion altogether. Several of these movements are not for visual effect but for producing a distinct sound to attract the female. If the male has gained interest, the female will move closer into the nest site and the male will bite her on the cheek, side, tail, or pectoral fin; the male may even take the female's head into his mouth. If the female is able to lay eggs, she will always enter the nest after being bitten.
The Albertoni Spinola Palace, with entrances in Campitelli square n. 2, Capizzuchi square and vicolo Capizzuchi is located in the 10th District (Rione Campitelli). It was projected and executed by Giacomo Della Porta and Girolamo Rainaldi around the end of 16th century and the first years of 17th century. The building is protected by Italian Government and the distinctive feature of Palace consist in two buildings connected to each other but perfectly integrated that have generated the visual effect of the perspective on the Church of Santa Maria in Campitelli.
He carefully selects suitable surfaces to hold his art. He has written: "Good quality pastels used on a good cement or stone surface can give an effect second to none – better than on paper". Once the artwork is completed, Beever takes multiple photographs to document and preserve his work, often posing himself or other people within the scene to reinforce the visual effect. When he plans to use a wide-angle lens to take a picture from a closer distance, his drawing must be carefully predistorted to compensate for the lens distortion.
This is an exaggerated example of a 3D object's geometrically being reduced using a level of detail technique. LOD0 is the highest detail version of the object and each subsequent LOD reduces the quality of the object. A change without intermediate steps from LOD1 to LOD2 will be obvious to the viewer. In 3D computer graphics, popping refers to an undesirable visual effect that occurs when the transition of a 3D object to a different pre-calculated level of detail (LOD) is abrupt and obvious to the viewer.
Estádio Municipal de Aveiro Stadium has an ambitious design that combines a simple and endearing shape with a liveliness of colours of every kind throughout the entire stadium. Therefore, the stadium conveys a sensation of jolliness that has a positive effect on the celebration of sports events. It was the intuition of architect Tomás Taveira to introduce intense tonality colours to the exterior of the stadium and to subsequently give a feeling of motion and a spectacular visual effect. Therefore, the stadium resembles a big toy for children with lots a coloured parts gathered together.
The film was nominated for Best Action Movie at the 2009 Critics' Choice Awards. The Visual Effects Society nominated it for Best Single Visual Effect of the Year (the valley destruction), Best Outstanding Matte Paintings, Best Models and Miniatures, and Best Created Environment in a Feature Motion Picture (the inside of the temple). The film ranks 453rd on Empires 2008 list of the 500 greatest movies of all time. It was nominated at the Saturn Awards for Best Science Fiction Film, Best Director, Best Actor, Best Supporting Actor, Best Costumes and Best Special Effects.
"Rejoined" was one of several appearances in the Star Trek franchise for Susanna Thompson. Visual effect supervisors Gary Hutzel and Glenn Neufeld were busy completing post-production work on the opening episode of the fourth season, "The Way of the Warrior". In their place, visual effects coordinator David Takemura led on the visual effects work on both "Rejoined" and "The Visitor". For this episode, his two main tasks were the creation of the artificial wormhole and the sequence where Dax uses a forcefield as a walkway to reach a trapped Kahn.
Kenneth "Ken" Ralston (born 1954) is an American visual effects artist, currently the Visual Effect Supervisor and Creative Head at Sony Pictures Imageworks. Ralston began his career at the seminal commercial animation and visual effects company, Cascade Pictures in Hollywood, where he worked on over 150 advertising campaigns in the early 1970s. In 1976, he was hired at Industrial Light & Magic by Dennis Muren to help George Lucas create the effects for Star Wars., StarWars.com He remained in ILM for 20 years before joining Sony Pictures Imageworks as president.
The second stories of all the buildings along Main Street are shorter than the first stories, and the third stories are even shorter than the second, and the top windows of the castle are much smaller than standard. The resulting visual effect is that the buildings appear to be larger and taller than they really are. Main Street is considered the "opening credits" for the Magic Kingdom. Visitors pass under the train station (the opening curtain), and then view the opening credits on the upper stories of the main street buildings.
The entrance drive with flanking shrubberies and central carriage loop (in actual fact an oval) of a mid 19th Century large suburban villa are well planted and complement a fine contemporary house. A winding drive leads from an impressive iron and sandstone entrance gateway, to an irregularly shaped carriage loop consisting of a roughly triangular shrubbery and an oval flower garden. The drive and loop are asymmetrically planned, curved for maximum length, screening and visual effect. The carriageway turns around a tear drop shaped garden that is landscaped with modern plantings of shrubs and roses.
The pearl cockatiels' gene does not have any visual effect on the colour pigments in the bird but instead, it affects the distribution of the colours that are already present. It actually decreases the spread of the grey family of pigments (melanin) and increases the spread of the yellow pigments (lutein or psittacine). Individual feathers over most of a Pearled bird will have more of the yellow family of pigments visible giving them a scalloped pattern. It is especially interesting to note that males do not retain the pearled colouring.
The low-lying damp ground can produce a visual effect known as a Fata Morgana. This optical phenomenon occurs because rays of light are strongly bent when they pass through air layers of different temperatures in a steep thermal inversion where an atmospheric duct has formed. The Italian name Fata Morgana is derived from the name of Morgan le Fay, who was alternatively known as Morgane, Morgain, Morgana and other variants. Morgan le Fay was described as a powerful sorceress and antagonist of King Arthur and Queen Guinevere in the Arthurian legend.
This is in contrast to most Mississippi River paddlewheelers in operation today that have a "free wheeling" paddlewheel at the stern of the boat for visual effect, but have traditional screw-type engines hidden for their real means of propulsion. The boat is divided into two levels, the upper deck and the lower deck. The upper deck is covered by a canopy and is open at the sides so that guest can enjoy the scenic view and feel of the breeze. The lower deck consists of a galley, dining room, bar area and heads.
Nolan designed Dent's scarred appearance in the film as one of the least disturbing, explaining, "When we looked at less extreme versions of it, they were too real and more horrifying. When you look at a film like Pirates of the Caribbean—something like that, there's something about a very fanciful, very detailed visual effect, that I think is more powerful and less repulsive." Framestore created 120 computer-generated shots of Dent's visage. Nolan felt using make-up would look unrealistic, as it adds to the face, unlike real burn victims.
Mountain summits were marked by vertical rods, their heights exaggerated five times relative to the horizontal scale to increase the visual effect. This was a standard traditionally adopted for British military terrain maps. The topography was then finished off by manually sculpting the landforms according to the contours shown on the Bartholomew maps. After the last visit of the Polish cartographers in 1977, hotel employees and members of the Tomasik family continued to work on the map intermittently over two more summers before it was completed in 1979.
The Marina Bay Sands SkyPark Infinity Pool in Singapore, viewed from the poolside The Infinity Pool at Kerry Hotel Hong Kong An infinity pool or infinity edge pool is a reflecting or swimming pool where the water flows over one or more edges, producing a visual effect of water with no boundary. Such pools are often designed so that the edge appears to merge with a larger body of water such as the ocean, or with the sky. They are often seen at resorts, estates, and in other luxurious places.
Large flower cracker set off at night Small flower cracker Chinese firecracker roll Firecrackers set off in Sibu, Malaysia, to celebrate Chinese New Year A firecracker (cracker, noise maker, banger,) is a small explosive device primarily designed to produce a large amount of noise, especially in the form of a loud bang, usually for celebration or entertainment; any visual effect is incidental to this goal. They have fuses, and are wrapped in a heavy paper casing to contain the explosive compound. Firecrackers, along with fireworks, originated in China.
This phenomenon is called the "pink tax." However, attractiveness varies by society; in ancient China foot binding was practiced by confining young girls' feet in tightly bound shoes to prevent the feet from growing to normal size causing the women to have an attractive "lotus gait". In England, women used to wear corsets that severely constricted their breathing in order to achieve a visual effect of an exaggeratedly low waist-to-hip ratio. People make judgments of physical attractiveness based on what they see, but also on what they know about the person.
Luis Ruiz-Noguez believes that the most likely explanation for the visual effect of the Bélmez images is Jordán's suggestion of the use of an oxidizing chemical agent. For example, nitric, sulfuric, muriatic, acetic acid, and others, could be used to obtain such an effect. Another explanation might be the use of agents sensitive to light (which was not mentioned in either Jordán's or Perera's repertoire of forgery hypotheses): silver nitrate which, when subjected to ultraviolet sunlight, darkens.Tort, Cesar in Journal of the Society for Psychical Research (op.
The filming of the boxing scenes with director, Scorsese (center left, with beard) and the director of photography, Michael Chapman (center right, with white shirt). According to the production mixer, Michael Evje, the film began shooting at the Los Angeles Olympic Auditorium on April 16, 1979. Grips hung huge curtains of black duvetyne on all four sides of the ring area to contain the artificial smoke used extensively for visual effect. On May 7, the production moved to the Culver City Studio, Stage 3, and filmed there until the middle of June.
Electrical impulses travel through the conductive layer and produce light at the emissive layer. This is different from LCDs in that OLEDs produce their own light, which produces a markedly different visual effect with a see- through display. The narrow gap between the pixels of the screen as well as the clear cathodes within allow the screens to be transparent. These types of screen have been notoriously difficult and expensive to produce in the past, but are now becoming more common as the method of manufacturing them is advancing.
On the Canary Islands a variety named "Café Proprio" or "Largo Condensada" is served using the same amount of condensed milk but a "café largo" or espresso lungo. For café bombón, the condensed milk is added to the espresso. For visual effect, a glass is used, and the condensed milk is added slowly to sink underneath the coffee and create two separate bands of contrasting colour – though these layers are customarily stirred together before consumption. Some establishments merely serve an espresso with a sachet of condensed milk for patrons to make themselves.
With the 1975 And Mother Will Forgive Me Petrov went on to implement the animation style he called photographics influenced by hyperrealism. The film won a prize at the 7th Tampere Film Festival in 1977. His next science fiction film Polygon (1977) was two years in production. All characters were drawn and animated after famous Western movie actors such as Jean Gabin, Paul Newman and Mel Ferrer, and the visual effect created through the use of multilayered celluloid, moving virtual camera, the use of light and color came close to the modern-day CGI.
Tenor drums in their modern form are a relatively new addition to the pipe band. While pipe bands of yesteryear would often include tenor drummers, they would usually be "swinging tenors", players who would swing their sticks for elaborate visual effect but who would rarely play. Today's tenor drummers play pitched drums, and careful thought is given as to which pitches to use and at which times. The pitches help provide melodic or harmonic accompaniment to the bagpipes; creating a more dynamic flow between the drum corps and the pipe corps.
The advertisement begins with three young men standing outside a fruit shop or cornershop. One of them takes a sip out of a can of Tango he is holding. The voice-over of "commentators" Ralph and Tony (voiced by Hugh Dennis and Ray Wilkins) appear. Ralph says "oh, I think we could use a video replay here" and the footage of the man drinking the Tango is "rewound" (with the visual effect of a tape recorded being rewound on screen) to some ten seconds before he drinks the Tango, for a "replay".
Haze causes issues in the area of terrestrial photography, where the penetration of large amounts of dense atmosphere may be necessary to image distant subjects. This results in the visual effect of a loss of contrast in the subject, due to the effect of light scattering through the haze particles. For these reasons, sunrise and sunset colors appear subdued on hazy days, and stars may be obscured at night. In some cases, attenuation by haze is so great that, toward sunset, the sun disappears altogether before reaching the horizon.
The human body can briefly survive the hard vacuum of space unprotected, despite contrary depictions in some popular science fiction. Human flesh expands to about twice its size in such conditions, giving the visual effect of a body builder rather than an overfilled balloon. Consciousness is retained for up to 15 seconds as the effects of oxygen starvation set in. No snap freeze effect occurs because all heat must be lost through thermal radiation or the evaporation of liquids, and the blood does not boil because it remains pressurized within the body.
Similarly, uniforms may feature additional components which highlight movement of the upper body, such as the "wings" worn by the University of Minnesota's marching band to highlight flanking movements on the field. Competitive bands, however, many times opt for matching uniforms, especially pants and shoes (usually white or black) to hide the visual effect of members who are out of step as seen from a distance. Occasionally, a band forgoes traditional uniforms in favor of costumes that fit the theme of its field show. The costumes may or may not be uniform throughout the band.
Skip-link chain is typically arranged with the long plates also the wide-spaced outer plates, which mimics the visual effect of block chain. Since sprocket teeth run on rollers, they cannot be usefully wider than the width of the narrow-spaced links, so the tooth can be no wider than with a symmetrical chain. Thus, skip-link chain spreads wear over half the number of teeth and has worse sprocket durability than a symmetrical roller chain. Chain wear is dominated by wear between pins and bushings, and this is the same as a modern roller chain.
He said floor coverings over the grass were to blame for a visual effect that made the audience look smaller, and stated they had never been used before despite the fact that they had been used in 2013 for the preceding second inauguration of Barack Obama. He also used incorrect figures to claim that Metro ridership was higher during Trump's inauguration than during Obama's inauguration, when in fact it was lower than during either of Obama's inaugurations. Spicer took no questions after his statement. Later, Spicer defended his previous statements by saying "sometimes we can disagree with the facts".
Promotional items are also used in politics to promote candidates and causes. Promotional items as a tool for non-commercial organizations, such as schools and charities are often used as a part of fund raising and awareness-raising campaigns. A prominent example was the livestrong wristband, used to promote cancer awareness and raise funds to support cancer survivorship programs and research. Unusual water bottle-like promotional item showcased by Micro Focus at their exhibitor booth during a 2017 conference Using promotional merchandise in Guerrilla Marketing involves branding in such a way as to create a specific visual effect, attracting more attention.
Sinologist and translator A. C. Graham cautions against over-emphasizing this visual effect, which he says can "...act on the imagination like blobs in the Rorschach test. It is rather difficult to estimate this effect since a habitual reader of Chinese is hardly conscious of it without deliberately analysing his reactions....Certainly one can give too much weight to the visual aspect of Chinese writing. Poems in China, as elsewhere, are firstly patterns of sound...."Graham 1977, p. 17 However, Graham is in no way suggesting that the Chinese poet is unaware of the background considerations stemming from character construction.
The han is built in brick and stone, which alternate in layers on its outer walls for a visual effect. Like most typical caravanserais, it has a rectangular floor plan and consists of a large central courtyard (measuring 45.9 by 37.5 metres) around which runs a two-story gallery which gives access to small vaulted rooms that ring the complex. The ground floor contained 50 rooms and the upper floor had 54 rooms. At the center of the courtyard is a small octagonal stone mosque or prayer room (mescit) elevated above the ground on 8 pillars and reached by a marble staircase.
113 and 116 In Mike Leigh's 1999 film Topsy-Turvy, Barker was played by Sam Kelly. According to theatre historian Thomas S. Hischak, "In a day when directors of musical [theatre] were little more than traffic managers on stage, Barker had very definite ideas about the movement of actors and the importance of creating an overall visual effect. His work in New York influenced the next generation of American directors and led to a more cohesive staging of musicals." He died in Kensington at the age of 69 and left all of his estate valued at £73 to his widow, Regine.
The Nanxi Tulou cluster () is the name applied to a section of the Nanxi ("South Creek") Valley in Hukeng Town (Yongding County), which for a distance of several kilometers is almost continuously built up with tulous. For its striking visual effect, the area is referred to by some authors as the "Tulou Great Wall" ().A photo of the valley, captioned "土楼长城" ("Tulou Great Wall") can be seen in . The photo shows the section of the valley starting from around (Shijia village, 实佳村), and stretching toward the north-northwest for several kilometers.
The album's cover showed the group positioned against a black background in a pose visually reminiscent of the Beatles' With the Beatles album (Peter Criss stated that this was the visual effect the band was looking for). Gene Simmons has since stated that Meet the Beatles! was a big inspiration to him. Three of the four band members applied their own makeup for the album cover photo, as they usually did, but Criss' "Catman" makeup was applied by a professional, whose work came out looking quite a bit different from the look Criss had established, and to which he would return immediately afterward.
In 1998 and 1999, the L-S marching band won the US Cavalcade of Bands (CBA) Yankee class Open division. Cavalcade of Bands In 2010, the marching band won the US Scholastic Band Association (USSBA) Pennsylvania State Band Championship Competition at Hershey Park Stadium with their show "Arabian Nights". In 2012, the Pioneer Marching Band received second place out of four bands, winning high auxiliary, high percussion, high visual effect, and high overall effect at the US Bands Championship in West Chester. A week later, they won sixth place out of 15 at the Cavalcade State Championships at Hersheypark Stadium in Hershey.
These are typically created by small sounding rockets launched a few seconds before the firing, leaving smoke trails. The purpose of these trails is to record the passing of the now invisible shock wave, which causes an obvious visual effect on the smoke by compressing the air into a lens. This is not necessarily related to the rope trick effect in any physical way, but it is possible to confuse the two in some photographs. In the photograph of the Tumbler-Snapper test (at the top of this article), the smoke trails are faintly visible in the lower-right corner.
It was completed by Michelozzo di Bartolommeo and Bernardo Rossellino in 1467. Brunelleschi had planned for a two-story external gallery and cornice to be built at the top of the drum where a strip of unclad masonry can be seen today. Although a portion of it was constructed on the southeast side beginning in 1508, work stopped after the visual effect was criticized by Michelangelo. At the conclusion of the Council of Florence on June 6, 1439, the ceremony of union between the Catholic and Orthodox churches took place beneath the dome of Florence Cathedral.
It was also uncomfortable for her, but the producers noted she remained stoic throughout filming. The fight scene between Lisa and Myfanwy was difficult to shoot, as the actress had to interact with a visual effect creature that would not be added until post- production. The producers added a plastic green beak stuck on the end of a stick to be used as a guide. The scene where the team go up on the invisible lift was made by making the platform stationary, but the camera below it would descend, giving the illusion the platform is ascending.
In 1928 the name was changed to "national arts" (; ') when the National Martial Arts Academy was established in Nanjing. The term reverted to wǔshù under the People's Republic of China during the early 1950s. As forms have grown in complexity and quantity over the years, and many forms alone could be practiced for a lifetime, modern styles of Chinese martial arts have developed that concentrate solely on forms, and do not practice application at all. These styles are primarily aimed at exhibition and competition, and often include more acrobatic jumps and movements added for enhanced visual effect compared to the traditional styles.
The dynamic pattern shows then the changes that, if they are analyzed along time, represent the activity of the illuminated material. The visual effect is that of a boiling liquid or the image in a TV set far from tuning. It can be analyzed by means of several mathematical and statistical tools and provide numeric or visual information on its magnitude, the not well defined idea of activity. Because the number of scattering centers is very high the collective phenomenon is hard to interpret and their individual contributions to the final result can not be inferred.
The Casey Claw is a rudimental snare drum technique that is used as an impressive visual effect for a very short phrase of music. It is not intended to be used as a regular drumming technique, and it has mainly been used in drum and bugle corps. The technique gives the impression that one stick is spinning very quickly while at the same time a rapid succession of notes is being played on the drum. It was originally developed by Mark Casey in 1993, a former marching member and drum sergeant of The Cavaliers of Rosemont, Illinois.
In securing the previous stitch in a wale, the next stitch can pass through the previous loop from either below or above. If the former, the stitch is denoted as a 'knit stitch' or a 'plain stitch;' if the latter, as a 'purl stitch'. The two stitches are related in that a knit stitch seen from one side of the fabric appears as a purl stitch on the other side. The two types of stitches have a different visual effect; the knit stitches look like 'V's stacked vertically, whereas the purl stitches look like a wavy horizontal line across the fabric.
Unlike the Decorated Gothic tracery at St Paul's, the Perpendicular Gothic tracery is repetitious in its form. The visual effect of the church is one of harmony and elegance of proportion. Because of the Evangelical nature of this church, there is no figurative decoration, but the east window by James Powell and Sons of Whitefriars, "variegated with flowers and interspersed with texts", cost £200 and is one of the finest non-pictorial windows in Sydney. St. Andrew's Cathedral 1837-68, is a very tall building for its width, appearing a cathedral rather than a large parish church.
In pyrotechnics a salute is a device primarily designed to make a loud report (bang), rather than have a visual effect, although most salutes will also have a very bright flash. They most commonly consist of a 70:30 mixture of potassium perchlorate and dark aluminium powder and may have titanium added for a cloud of sparks (titanium salute). Extract of page 83 The salute may be fired on the ground (ground salute) or launched from a mortar as a shell (aerial salute). Due to the nature of the effect, large salutes are some of the more hazardous fireworks.
Lace knitting consists of making patterns and pictures using holes in the knit fabric, rather than with the stitches themselves. The large and many holes in lacy knitting makes it extremely elastic; for example, some Shetland "wedding-ring" shawls are so fine that they may be drawn through a wedding ring. By combining increases and decreases, it is possible to make the direction of a wale slant away from vertical, even in weft knitting. This is the basis for bias knitting, and can be used for visual effect, similar to the direction of a brush-stroke in oil painting.
The entire atrium is made evident on the façade where a large cutaway reveals the piazza to the public. Student circulation is made visible and from inside, Peter Cooper Park and the Foundation Building become the focus. The exterior façade is made up of a stainless steel curtain wall that wraps the entire building and was used by Morphosis earlier in their design of Caltrans District 7 Headquarters. This custom facade by Zahner is densely perforated except in certain rectangular areas, so that the visual effect is a series of rectangles shapes scattered across the surface of the facade.
Not. . The most obvious feature of these vans are their extremely long noses, the huge low-slope windshield, and the set-back front seats. The combination of the three created a very distinctive visual effect from the outside that caused them almost instantly to be dubbed 'Dustbusters'. The effect from the front seats was also disconcerting, as there was a ledge in front of the dashboard that seemed to go on for eternity, creating the feeling of sitting in the second row of more typical minivan. It would have made a nice platform for a bed if these were autonomous.
Millais creates a dramatic visual effect by vivid contrasts of colours, setting the deep blue of the curtain against the yellow dress and the white columns. The minimising of the narrative aspect of the scene is also in line with the Aestheticist approach of the artists he is imitating and challenging. Esther is depicted adjusting pearls in her hair, as she prepares to place her crown on her head. This gesture is derived from paintings by Titian, whose techniques of colouring Millais imitates, along with the modelling of the face and the characteristic "Titian blonde" hair.
When the diameter of the circle lens is described as 16mm or 18mm, it is only the provided visual effect of the circle lens. The difference between the two types of lenses is that circle lenses are tinted not only in areas that cover the iris of the eye, but also prominently in the extra-wide outer rim of the lens. The result is the appearance of a bigger, wider iris with a limbal ring, creating an illusion of large eyes. Saturday, April 25, 2020 The optical zone in the middle is transparent and it is large enough to provide clear vision.
The speckles are niye, or individual martensite grains surrounded by pearlite, providing a very tough boundary between the harder and softer metals. (A few larger, isolated niye are visible away from the hamon as well.) In swordsmithing, (from Japanese, literally "blade pattern") is a visual effect created on the blade by the hardening process. The hamon is the outline of the hardened zone (yakiba) which contains the cutting edge (ha). Blades made in this manner are known as differentially hardened, with a harder cutting edge than spine (mune) (for example: spine 40 HRC vs edge 58 HRC).
For example, the works of Hayao Miyazaki are known for having realistically proportioned eyes, as well as realistic hair colors on their characters. Anime and manga artists often draw from a defined set of facial expressions to depict particular emotions Hair in anime is often unnaturally lively and colorful or uniquely styled. The movement of hair in anime is exaggerated and "hair action" is used to emphasize the action and emotions of characters for added visual effect. Poitras traces hairstyle color to cover illustrations on manga, where eye-catching artwork and colorful tones are attractive for children's manga.
Tannic acid is used in the conservation of ferrous (iron based) metal objects to passivate and inhibit corrosion. Tannic acid reacts with the corrosion products to form a more stable compound, thus preventing further corrosion from taking place. After treatment the tannic acid residue is generally left on the object so that if moisture reaches the surface the tannic acid will be rehydrated and prevent or slow any corrosion. Tannic acid treatment for conservation is very effective and widely used but it does have a significant visual effect on the object, turning the corrosion products black and any exposed metal dark blue.
Lead iodide prepared from cold solutions of and salts usually consists of many small hexagonal platelets, giving the yellow precipitate a silky appearance. Larger crystals can be obtained by exploiting the fact that solubility of lead iodide in water (like those of lead chloride and lead bromide) increases dramatically with temperature. The compound is colorless when dissolved in hot water, but crystallizes on cooling as thin but visibly larger bright yellow flakes, that settle slowly through the liquid — a visual effect often described as "golden rain". Larger crystals can be obtained by autoclaving the with water under pressure at 200 °C.
After the piece had reached the top 10, Williams asked an experimental filmmaker named Dan McLaughlin to adjust a student video montage that he had created of classical art works using Beethoven's 5th Symphony and edit it in time to "Classical Gas", using the visual effect now known as kinestasis. The work, 3000 Years of Art, premiered in 1968 on an episode of the Smothers Brothers Comedy Hour. The song peaked at number two for two weeks in August that year, behind "Hello, I Love You" by The Doors. On the US Easy Listening chart, it went to number one for three weeks.
Temporal posterization is the visual effect of reducing the number of frames of video, while not reducing the total time it takes the video to play. This compares to regular posterization, where the number of individual color variations is reduced, while the overall range of colors is not. The motion effect is similar to the effect of a flashing strobe light but without the contrast of bright and dark. Unlike a pulldown, the unused frames are simply discarded, and it is intended to be apparent (longer than the persistence of vision that video and motion pictures normally depend on).
The statues and sphinxes are in roughly the same place they were during filming. In 2012, archaeologists uncovered the head of one of the prop sphinxes; a 2014 recovery effort showed the body of that sphinx to have deteriorated significantly, but a second better-preserved sphinx was discovered and excavated. The parting of the Red Sea scene was shot in Seal Beach, California. The visual effect of keeping the walls of water apart while the Israelites walked through was accomplished with a slab of Jell-O that was sliced in two and filmed close up as it jiggled.
Additionally, although Mardji was trained to tuck her trunk into her mouth to conceal it while wearing the bantha costume, her trunk would also occasionally fall out of the costume and become visible during shooting. Mardji's trainer fed her apples as a reward between scenes to help keep her focused and help overcome the challenges from the costume. Lucas said filming with an elephant was more frustrating than using a visual effect because he felt it limited the environment in which he could place the creature. Nevertheless, Mardji was largely good-natured throughout the shoot, and the footage was captured without major incident.
The plans to dig Port Everglades were drawn and approved in 1926 due to the shutdown of Miami's harbor, but it was many years until the port was put into use. As part of the promotion for the sale of the then named "Lauderdale Isles-Lauderdale Shores," Morang erected massive twin columns based on two pedestals as a gateway to his development. The pedestals were set approximately apart and the columns extended skyward some forty feet. They were aligned on either side of a long canal giving maximum visual effect to someone standing on East Las Olas Boulevard and looking due north.
Bangor. One of three adjacent terraces each of eight houses along this road A bookend terrace is a short row of terraced houses, where the two end houses of the terrace are larger than the others. This gives the visual effect of bookends. Bookend terraces in Britain first appeared in the late-Georgian period, as the combination of neo-classical architecture and the newly built terraces in the expanding cities. Typical terraces were identical throughout, but high-status developments, where space and budget permitted, might have a central protrusion to their facade or even a portico added as a feature.
The cameras' positions and exposures were previsualized using a 3D simulation. Instead of firing the cameras simultaneously, the visual effect team fired the cameras fractions of a second after each other, so that each camera could capture the action as it progressed, creating a super slow-motion effect. When the frames were put together, the resulting slow-motion effects reached a frame frequency of 12,000 per second, as opposed to the normal 24 frames per second of film. Standard movie cameras were placed at the ends of the array to pick up the normal speed action before and after.
Rotoscoping is often used in the preparation of garbage mattes for other matte-pulling processes. Rotoscoping has also been used to create a special visual effect (such as a glow, for example) that is guided by the matte or rotoscoped line. A classic use of traditional rotoscoping was in the original three Star Wars movies, where the production used it to create the glowing lightsaber effect with a matte based on sticks held by the actors. To achieve this, effects technicians traced a line over each frame with the prop, then enlarged each line and added the glow.
Cape Point is often mistakenly claimed to be the place where the cold Benguela Current of the Atlantic Ocean and the warm Agulhas Current of the Indian Ocean collide. In fact, the meeting point fluctuates along the southern and southwestern Cape coast, usually occurring between Cape Agulhas and Cape Point. The two intermingling currents help to create the micro-climate of Cape Town and its environs. Contrary to popular mythology, the meeting point of the currents produces no obvious visual effect; there is no "line in the ocean" where the sea changes colour or looks different in some way.
Tachiguishi-Retsuden is a documentary-style animation film created with an innovative technique named "Superlivemation". Oshii first experimented this flat 3D technique in his 2001 live-action feature Avalon as a visual effect for explosions in Ash's game, then he developed it, the following years, in both the MiniPato short films and PlayStation Portable game. Characters have a tiny body and an oversized head which makes them look funny. They are animated like paper dolls (ペープサート人形, papsart ningyou) and are evolving in a pictures based environment in the likes of the JibJab Brothers' (Gregg and Evan Spiridellis) musical comedy cartoons, e.g.
In order to enhance the visual effect, the seats present in the theater move in tune with the visual effects shown on the screen. In order to enhance the learning experience, the center also has a state-of-the-art library that has all the important books on all the dance forms taught here. A visit to this dance library would take the visitor to a totally different realm of experience. Unlike ordinary libraries that have tall shelves with wide drawers stacked with books, this library has pictures of different forms of dances attached to the walls.
In the closing seconds of the video Roger Taylor is depicted stripped to the waist, striking the tam tam in the manner of the trademark of the Rank Organisation's Gongman, familiar in the UK as the opening of all Rank film productions. All of the special effects were achieved during the recording, rather than editing. The visual effect of Mercury's face cascading away (during the echoed lines "Magnifico" and "Let me go") was accomplished by pointing the camera at a monitor, giving visual feedback, a glare analogous to audio feedback. The honeycomb illusion was created using a shaped lens.
Wise had initially wanted the actors to simply play up "the 'quality of [being] cold' in [the] sequence", but he quickly recognized that an additional visual effect was needed to more clearly emphasize the temperature drop. To overcome the unique issue of having to "photograph 'nothing'", Wise instructed the makeup department to apply a special makeup onto the actors. This makeup contained a compound that was usually invisible to the naked eye but that appeared under certain filters. When it came time to film, the actors walked onto the portion of the set that was supposed to represent the cold spot, and these filters were gradually drawn over the set's lights.
When activated (from the magic wand icon at the bottom of the screen, or by typing the pin's magic word), they displayed a visual effect, such as the character driving a car or turning into a snowman. Each effect had a duration of only a few seconds and had to be allowed to "recharge" for a minute or so before another use. If a player had two or more of the same kind of magic pin, they could be combined for a longer effect and shorter delay between uses. There were also single-use magic pins which disappeared after being used once (or after a specific "expiration date").
With rhythm being an important part of any dance, dance organs generally have many more percussion instruments than other types of mechanical organs. For visual effect in addition to the facade itself there are often complex lighting effects. Some instruments have further visual interest provided by displaying automatically operated accordions, visible percussion and occasionally dummy saxophones rigged so that they appear to be playing, but actually the sax sound is made by a rank of reed pipes within the pipework case. The pinnacle of the organ builder's craft was exemplified by organs such as the robot band of which seven were built by Decap of Antwerp in the early 1950s.
When first awakened during the Mugen Academy incident, a result of Sailor Moon's apparent demise, Saturn's first act was deeming Earth beyond salvation while fatally weakening Master Pharaoh 90 with her "Death Reborn Revolution." The kanji used with this maneuver translate to , with the intended pronunciation given in furigana.The visual effect of the attack looks like thousands of ribbons, making the name of the attack a pun on "Reborn" and "Ribbon", which sound very similar in Japanese. But when Sailor Moon remerges alive and unharmed, Saturn renounces her intent of destroying Earth and deliberately allows herself to be sealed away in Master Pharaoh 90's dimension while he is escaping.
The glazing produced an iridescent effect which reflected sunlight in a visually pleasing way, and also coped better than bricks with sea-spray and other weathering effects. The houses were originally built with bow windows, but after critics argued that this spoilt the visual effect of the concave curve of the crescent, they were replaced (except at numbers 12 and 14) by canted bay windows with three sides. A parapet, running above numbers 7–10, has the painted legend . When the painter of the lettering, a Mr Leggatt, leant back to check his work, he fell off his ladder and was fatally impaled on the metal railings below.
From the late 1980s, Treasure Island's old aircraft Hangar 2 (Building 2) and Hangar 3 (Building 3) served as sound stages for film-making and TV, e.g., The Matrix ("bullet time" visual effect), Rent, and The Pursuit of Happyness. Treasure Island was a film setting of the 1939 Charlie Chan at Treasure Island, 1988 Indiana Jones and the Last Crusade (Berlin airport scene), 1995 Copycat (private compound), 1997 Flubber, 1998 What Dreams May Come, 1998 Patch Adams, 1998 The Parent Trap and 1999 Bicentennial Man. An establishing shot of the 1954 The Caine Mutiny shows the main gate and Administration Bldg 1 to indicate the location of the fictitious court martial.
One of Chagall's major contributions to art has been his work with stained glass. This medium allowed him further to express his desire to create intense and fresh colors and had the added benefit of natural light and refraction interacting and constantly changing: everything from the position where the viewer stood to the weather outside would alter the visual effect (though this is not the case with his Hadassah windows). It was not until 1956, when he was nearly 70 years of age, that he designed windows for the church at Assy, his first major project. Then, from 1958 to 1960, he created windows for Metz Cathedral.
This special edition Huayra, called "La Monza Lisa" was built for well known car collector Kris Singh. It features tricolore racing stripes and side stripes inspired by the Zonda Revolucion, and a bright red interior with white stitching inspired by a Zonda F Roadster. At the customer's request, Pagani also reengineered the firewall behind the occupants to be finished in a mixture of matte and gloss fully exposed carbon fibre for visual effect as well as to pass more engine vibration through to the carbon fibre seats, per the customer's request. La Monza Lisa also features a one-off exhaust system and bespoke turbochargers built by Michael Kübler and Mercedes-AMG.
Exterior view of an architectural model Example of an ambient occlusion layer Achieving accurate computation of global illumination in real- time remains difficult. In real-time 3D graphics, the diffuse inter-reflection component of global illumination is sometimes approximated by an "ambient" term in the lighting equation, which is also called "ambient lighting" or "ambient color" in 3D software packages. Though this method of approximation (also known as a "cheat" because it's not really a global illumination method) is easy to perform computationally, when used alone it does not provide an adequately realistic effect. Ambient lighting is known to "flatten" shadows in 3D scenes, making the overall visual effect more bland.
Named Alderman A.E. Draper in preservation after the scrapyard owner who saved it, the loco is currently based at the Great Central Railway at Loughborough. 70013 Oliver Cromwell is now part of the National Collection and was restored to mainline running in 2008, being based on the Great Central Railway when not on the main line. 44871, owned by Ian Riley, is currently mainline operational and resides on the East Lancashire Railway. The only locomotive not preserved was LMS Black 5 no 44781, which was used for filming of the film The Virgin Soldiers at Bartlow, for which it was derailed and hung at an angle for visual effect.
A dragon's egg is a fireworks pyrotechnic star which first burns for a period for a visual effect then explodes with a loud report. Manufacture of this effect became controversial because of the toxic compounds once used, particularly lead tetroxide (Pb3O4). Nowadays, however, bismuth trioxide or bismuth subcarbonate are commonly used as more environmentally friendly substitutes for lead compounds to achieve the effect, and its occurrence in fireworks displays has since become much more common. Because of how heavy an individual bismuth atom is, a shell or cake containing mainly dragon's eggs (and therefore enriched in bismuth) is often noticeably heavier than a similar device containing other effects.
He writes that famous photographer Edward Curtis (spurred on by Hunt's photographs to make his own of the Nuu-chah-nulth) was interventionist in his work and added things for visual effect and interest, encouraging the romanticizing of a 'lost culture' typical of salvage ethnography. George Hunt himself, under disguise, posed as a member of the Nuu-chah-nulth to demonstrate his interpretation of certain ceremonies in 1910 for Curtis' camera. The photograph is not of George Hunt falsely acting out a Nuu-chah-nulth initiation at all, George is acting out a Kwakiutl ceremony on the East coast of Vancouver Island which he was familiar with.
Some sequences in which these moves are used seem to be references to various 8-bit and arcade games, and some wire-fu films. A large part of the game relies on a revised "barrier spell." All playable characters (and enemies on higher difficulty settings) have the barrier spell available, and at the cost of magic-over-time, it renders a character invincible. Properly timed use of the barrier spell allows a player to reflect projectiles and magic (in a visual effect reminiscent of Mischief Makers' Marina Liteyears throwing a laser or lightning bolt back at its source), or stun enemies who attack in melee.
Different stitches and stitch combinations affect the properties of knitted fabric. Individual stitches look differently; knit stitches look like "V"'s stacked vertically, whereas purl stitches look like a wavy horizontal line across the fabric. Patterns and pictures can be created using colors in knitted fabrics by using stitches as "pixels"; however, such pixels are usually rectangular, rather than square. Individual stitches, or rows of stitches, may be made taller by drawing more yarn into the new loop (an elongated stitch), which is the basis for uneven knitting: a row of tall stitches may alternate with one or more rows of short stitches for an interesting visual effect.
Ramin Djawadi is the composer of the Game of Thrones score. Ramin Djawadi began composing the music for the show after he had watched the first two episodes of the series that the showrunners David Benioff and D. B. Weiss sent him, and discussed the concepts of the show with them. According to Djawadi, the show creators wanted the main title theme to be about a journey as there are many locations and characters in the show and the narrative involves much traveling. After Djawadi was shown a preliminary animated Game of Thrones title sequence that the visual effect artists were still working on, he was inspired to write the piece.
Flower sticks have flower-shaped ends which slow down the movement of the baton and make learning some moves and tricks easier. Heavier and floppier ends allow for greater control by expanding the sweet spot with more weight and increasing the duration of the control phase of a stroke or lift due to the momentum and continued motion of the 'flop' or 'tassel' on the ends of the central baton. Fire devil sticks (also known as firesticks) typically have an aluminum core and have fuel-soaked wicks on the ends to allow them to be set on fire for visual effect. Both flower and non-flower versions of firesticks exist.
More specifically, they played a single note in one of many broken octaves as a musical translation of the visual effect of the glint of light on a gem or piece of jewelry. Consequently, TV and movie producers employed the method outlined above a little too often, especially in low budget TV cartoons. The 'B-' of the 'Bling' mimics the lower octave chime, while the '-ling’ similarly vocalizes the lighter and less percussive sound of the same note played an octave (or two) higher, struck just a millisecond later. Alternatively, they used (and still use) various types of hand bells to make the iconic sound.
The album's cover was, like several other Pink Floyd albums, designed by Storm Thorgerson and Aubrey Powell of Hipgnosis. It consists of a photograph of a man sitting in a tree which has been taken out of focus to the point of complete distortion. Hipgnosis viewed a number of stills from the film on a 35mm projector, and liked the visual effect when the slide jammed. Schroeder later said the band did not want to make the cover particularly good as The Dark Side of the Moon would have to compete with it, but Thorgerson insisted it was given proper consideration like any other Floyd album.
Double Exposure with hand colouring of a noble lady in 1910s China Composer Karlheinz Stockhausen, double exposure made using a film camera, 1980 Double exposure made using a film camera In photography and cinematography, multiple exposure is a technique in which the camera shutter is opened more than once to expose the film multiple times, usually to different images. The resulting image contains the subsequent image/s superimposed over the original. The technique is sometimes used as an artistic visual effect and can be used to create ghostly images or to add people and objects to a scene that were not originally there. It is frequently used in photographic hoaxes.
STEVE was not observed from October 2016 to February 2017, or from October 2017 to February 2018, leading NASA to believe that STEVE may only appear in certain seasons. A study published in March 2018 by Elizabeth A MacDonald and other co-authors in the peer-reviewed journal Science Advances suggested that STEVE accompanies a subauroral ion drift (SAID), a fast-moving stream of extremely hot particles. STEVE marks the first observed visual effect accompanying a SAID. In August 2018, researchers determined that the phenomenon's skyglow was not associated with particle precipitation (electrons or ions) and, as a result, could be generated in the ionosphere.
From August to October 1991, the production crew fitted the old Orlando City Hall building featured in the opening scene with carefully placed explosives to create the visual effect of a bomb explosion. Bill Frederick, then mayor of Orlando, Florida, was the policeman who sarcastically claps and said "Bravo!" to Murtaugh and Riggs after the explosion. The building was demolished so that it would collapse slightly forward (toward Orange Avenue), minimizing the chances of it damaging the new City Hall building, built directly behind it. The space was cleared out and became a plaza for the new City Hall, with a fountain and a monument.
In more primitive systems, the results of a display list can be simulated, though at the cost of CPU-intensive writes to certain display-mode, color-control, or other visual effect registers in the video device, rather than a series of rendering commands executed by the device. Thus, one must create the displayed image using some other rendering process, either before or while the CPU-driven display generation executes. In many cases, the image is also modified or re-rendered between frames. The image is then displayed in various ways, depending on the exact way in which the CPU-driven display code is implemented.
Technoprops' founder Glenn Derry would continue to run the company as vice president of visual effect reporting to John Kilkenny, VFX president. On October 30, 2017, Vanessa Morrison was named president of a new created 20th Century Fox division, Fox Family, reporting to the Chairman & CEO and Vice Chairman of 20th Century Fox. The family division would develop films that appeal to younger moviegoers and their parents both animated films and films with live action elements. Also, the division would oversee the studio's family animated television business, which produce based holiday television specials on existing film properties, and oversee feature film adaptation of its TV shows.
Two different projections of a stack of two cubes, illustrating oblique parallel projection foreshortening ("A") and perspective foreshortening ("B") Foreshortening is the visual effect or optical illusion that causes an object or distance to appear shorter than it actually is because it is angled toward the viewer. Additionally, an object is often not scaled evenly: a circle often appears as an ellipse and a square can appear as a trapezoid. Although foreshortening is an important element in art where visual perspective is being depicted, foreshortening occurs in other types of two-dimensional representations of three-dimensional scenes. Some other types where foreshortening can occur include oblique parallel projection drawings.
The plot wrapup was planned by the series' production team since the beginning of the season, partly because they were not certain at the time whether the series was going to be renewed for another season. The visual effect of Gus Fring's massive facial wounds took months to prepare, with assistance from Greg Nicotero and the special effects team from fellow AMC drama The Walking Dead. The effect was produced using elaborate makeup on Giancarlo Esposito's face, combined with computer-generated imagery that combined two separate shots. The episode's title "Face Off" was also meant to be a reference to Gus losing half of his face in the explosion.
The action sequence was shot using 120 cameras for employing the time slice photography technique, a visual effect known as "bullet time" and popularised by the American film The Matrix (1999), to achieve the frozen-time effect. Shankar had earlier toyed with the idea of time-slice and tried it while filming the song "Ale Ale" in his Boys. While the time-freeze sequence in Boys was achieved by the linking of 60–62 cameras to attain a 180° rotation, Anniyan employed 120–122 cameras for a 270° rotation. The scene where Anniyan addresses a huge gathering was shot in a stadium in Hyderabad.
Humpback Rock is a massive greenstone outcropping near the peak of Humpback Mountain in the Blue Ridge Mountains of Augusta County and Nelson County, Virginia, United States, with a summit elevation of . The rock formation is so named for the visual effect of a "hump" it creates on the western face of the mountain. Located six miles (10 km) south of the northern entrance to the Blue Ridge Parkway near Waynesboro, Virginia, Humpback Rock stands out from many other mountain summits in the Blue Ridge due to its exposed rocky summit, in contrast to the heavily vegetated peaks of surrounding mountains. The location features a well-maintained trail and visitor's center.
Details of the mosque's alt= The mosque today also contains a minbar (pulpit next to the mihrab) that is sometimes cited as the most beautiful and accomplished work of its kind in Cairo. Like most Mamluk minbars of the period it is made of wood and inlaid with ivory across a surface decorated with complex geometric star patterns. One detail that differs from other minbars of this type is that the geometric patterns have slightly curved lines instead of straight lines, subtly enhancing their visual effect. The minbar originally belonged to the Mosque of al-Ghamri which was built in 1451 in the Bab al-Shari'a area of Cairo.
"The whole inside was there and when they have all the gadgets you can pull on, that was all there but everything else was a green screen," said Dooley. Eleven visual effects companies (Hybride Technologies, CafeFX, The Orphanage, Post Logic, Hydraulx, Industrial Light & Magic, R!ot Pictures, Tippett Studio, Amalgamated Pixels and Intelligent Creatures and Rodriguez's Texas-based Troublemaker Digital) worked on the film in order to accomplish over 1,000 visual effect shots. Robert Rodriguez appears in the credits fourteen times, most notably as director, a producer, a screenwriter (along with Marcel Rodriguez), visual effects supervisor, director of photography, editor, a camera operator, and a composer and performer.
He worked with Panasonic and a few other companies to develop a camera capable of automatically adjusting light exposure at different film speeds. He wanted to try filming the creature at fast and slow speeds thinking this would create a more interesting visual effect, but they were unable to accomplish this at the time. For the rest of the set, Cundey created a contrast by lighting the interiors with warmer lights hung overhead in conical shades so that they could still control the lighting and have darkened areas on set. The outside was constantly bathed in a cold, blue light that Cundey had discovered being used on airport runways.
From 2002-2006, HAPPY was ranked in Creativity Magazine's Top 25 Directors. Farmer’s work with HAPPY won two categories in the 2008 MTV Video Music Awards for “Best Choreography” and “Best Art Direction” for Gnarls Barkley’s “Run”, even though the video was originally banned due to the use of a controversial visual effect. The video was based upon a fictitious dance show called City Vibin’ and featured Justin Timberlake performing dance moves from Farmer’s favorite 90s music videos. In 2003, their commercial for Wrigley's X-cite brand gum received more than 700 complaints, according to Britain's Independent Television Commission (ITC), the most the ITC had seen in its 13-year history.
The action sequence was shot using 120 cameras for employing the time slice photography technique, a visual effect known as "bullet time" and popularised by the American film The Matrix (1999), to achieve the frozen-time effect.[13] Shankar had earlier toyed with the idea of time-slice and tried it while filming the song "Ale Ale" in his Boys.[79] While the time-freeze sequence in Boys was achieved by the linking of 60–62 cameras to attain a 180° rotation, Anniyan employed 120–122 cameras for a 270° rotation. Impressed with the film's script, V. Srinivas Mohan became the visual effects supervisor in December 2007\.
The machines also have weapons which fire green energy bursts from both wingtips. These are identified as "skeleton beams" for the ghastly visual effect, in which an x-ray-like silhouette of the victim's skeleton becomes briefly visible as the body disintegrates. They are immediately hypothesized by Dr. Forrester as neutralizing mesons, "the atomic glue holding matter together", causing the target to vaporize, leaving a black stain on the ground (either remnants of the burned bodies or a scorching of the terrain where they were standing). The weapon appears deployed as a long- range surface weapon, as compared to the heat-ray which is used at closer range and against taller structures or overhead aircraft.
Gillespie chose to film virtually no onscreen blood as he did not want the film to be overly gratuitous in terms of violence. The scene in which Elsa has her throat slashed while standing against a glass door had originally been shot from behind without any blood appearing on the glass. However, producer Feig worried that the scene appeared "medically impossible," after which Gillespie re-shot it (post-principal photography) with a visual effect of blood spattering across the glass. Upon test screenings of the film, Gillespie and the producers decided that a death sequence needed to occur earlier in the film to establish a sense of legitimate danger for the main characters.
These tall trees have luxuriant branches and leaves, especially their upright posture, making them of higher ornamental value. Some colorful landscape tree species can be planted on both sides of rivers with tourism and sightseeing value to improve the aesthetic value of the place. The establishment of vegetation in the buffer zone can increase green land, improve forest coverage, beautify the environment and visual effect, improve people's living environment, enrich humanistic landscape, and enhance aesthetic value. By emphasizing the importance of the buffer zone, local residents can be encouraged to participate in the protection and management of the buffer zone, and set up checkpoints around the buffer zone to make it more secure and effective.
The many hedgerow trees in the vicinity of the mill were not planted by farmers for 'visual effect', they were crops and the wood was used for building and fencing. The miller needed beech or hornbeam wood for mill machinery, in particular the cogs on the drive wheels from the waterwheel. It is not generally appreciated how much the Ayrshire landscape has changed its character over the last few hundred years, for even in the 1760-70 Statistical Account it is stated that "there was no such thing to be seen as trees or hedges in the parish; all was naked and open". Water Betony or Green Figwort - the mill's rarest plant species.
The German Fallow is an autosomal recessive mutation. It has been suggested that the German Fallow and the Non-sex-linked Ino are mutations of the same gene, a+, and hence they are given symbols abz and a respectively, but evidence for this allelic series is scanty. In the absence of firm evidence, others prefer to assign the German Fallow mutation to its own locus, fg+ in the wild-type, with the symbol fg for the mutant allele. In its visual effect, the German Fallow mutation is recessive to its wild-type allele, so a bird possessing a single German Fallow allele (the heterozygote) is identical in appearance to the wild-type light green.
The series is famous for its 'special effects' (Supergran's ability to jump high and walk/run quickly) and low production standards. This was due mostly to the low budget and quick turnaround time needed to finish an episode. The most used 'special effect' was Supergran's ability to jump very high (or at least higher than normal) and was achieved using a trampoline and trick camera angles. Another well-used effect was 'Supergran walking/running quickly' which usually involved a stunt double walking away from the camera quickly with a 'trailing' visual effect emanating from the retreating figure, making it appear that she was walking/running so fast that her afterimage was momentarily being left behind.
Many of the techniques of digital image processing, or digital picture processing as it often was called, were developed in the 1960s, at Bell Laboratories, the Jet Propulsion Laboratory, Massachusetts Institute of Technology, University of Maryland, and a few other research facilities, with application to satellite imagery, wire-photo standards conversion, medical imaging, videophone, character recognition, and photograph enhancement.Azriel Rosenfeld, Picture Processing by Computer, New York: Academic Press, 1969 The purpose of early image processing was to improve the quality of the image. It was aimed for human beings to improve the visual effect of people. In image processing, the input is a low-quality image, and the output is an image with improved quality.
The bridge provides a gateway statement to Auckland for travellers on the motorway, clad in a golden-coloured mesh network reminiscent of Maori fishing nets or fish traps, and it is lit up at night to provide a similar visual effect. Previously, the Jacob's Ladder stairs had come all the way down to the motorway level on the southern side, and then connected on the eastern side via a footpath. The stairs now only extend down as far as the bridge's crossing height, with ramped pedestrian paths running west and east along the motorway's southern side. On the northern side, stairs and an elevator provide access down to the marina car park.
SuperTalk came with a source- level debugger well ahead of HyperCard, but the SuperTalk debugger is a modal window and does not let you set breakpoints by just clicking beside a line. A special `trace` command is used to enter the debugger, where one can then view the currently executing line of code, execute commands, evaluate expressions etc. Because of that, the SuperTalk debugger has to be explicitly turned on instead of being available right away when a script error occurs. The `visual effect` command is a little stricter in its syntax, but in exchange supports numerous additional transition effects, including QuickTime transitions and special plug-in modules (stored in data fork resources of type `TRAN`).
In the poem of Ibn Zamrak on the basin of the fountain, a further meaning is stated clearly: "The fountain is the Sultan, which smothers with his graces all his subjects and lands, as the water wets the gardens." Nowadays the flower garden has been replaced by a dry garden of pebbles, in order not to affect the foundation of the palace with the watering. In Nasrid times, the floor of the quartered planting beds was slightly lower than the general level, and the visual effect was like a tapestry of flowers, as the top of the plants were cut to the same level of the courtyard, and these were carefully chosen to cover a host of color nuances.
Postflight medical examination of Schirra disclosed nothing significant other than a degree of orthostatic hypotension caused by sitting inside the cramped capsule for hours.Results of the third U.S. manned orbital space flight, p. 52 Schirra's post-flight report noted the "fireflies" seen on the previous two missions, and emphasized the remarkable visual effect of the thick band of the atmosphere visible around the horizon.Results of the third U.S. manned orbital space flight, p. 53 However, he was unimpressed with the view of Earth from space; the amount of detail he could make out compared well with that from high-flying aircraft, and he told debriefers that it was "nothing new" compared to flight at .
The photogrammetric and image-based computer-generated background approaches in The Matrixs bullet time evolved into innovations unveiled in the sequels The Matrix Reloaded and The Matrix Revolutions. The method of using real photographs of buildings as texture for 3D models eventually led the visual effect team to digitize all data, such as scenes, characters' motions and expressions. It also led to the development of "Universal Capture", a process which samples and stores facial details and expressions at high resolution. With these highly detailed collected data, the team were able to create virtual cinematography in which characters, locations, and events can all be created digitally and viewed through virtual cameras, eliminating the restrictions of real cameras.
They featured an unusual roofline that followed the slope of the sedan's roof, then dipped down behind the rear seat area before leveling and continuing rearward. The design by Bill Reddig allowed the use of the same dies to produce door framing for sedans and station wagons, while the dip in the rear portion of the roof included a roof rack as standard equipment to reduce the visual effect of the wagon's lowered roofline. There was turmoil in the U.S. automobile market as the Ford-Chevy sales war broke out and the two largest domestic automakers cut prices to gain sales volume. This battle decimated the remaining independent automakers in their search for customers.
In knitting, a dip stitch is made by knitting into a stitch (or even the space between stitches) of an earlier row. The most common type of dip stitch is to knit into the row below, which may be used for visual effect or to increase the number of stitches (a lifted increase). Knitting into the row below and dropping the stitch above is a quick alternative to brioche knitting, which is normally done by knitting together a yarn over and a slip stitch. Longer dip stitches can be made for visual effects; they draw a narrow V-shaped pair of yarns from any earlier to any later point in the knitting.
The CESC Fountain of Joy which was inaugurated at the same site just before the Durga Pujas, is far more spectacular both in terms of technology and visual effect.” Fountain of Joy - Powered by CESC CESC Fountain of Joy Kolkata This musical fountain is unique and has 150 channels available for water and light effects – old fountain had 20 channels for water. The concept of three-tier fountain pool, with musical fountain in the upper pool surrounded by architectural and dynamic fountains in the intermediate and lower pools, is quite unique in this subcontinent. The CESC Fountain of Joy has a centre-fed circular water screen of 6 metre height and 18 metre width.
The fair scene in the story was filmed in Heidelberg in Melbourne, Australia at Heidelberg West Football Club's football ground. The school scenes were filmed at Spotswood Primary School. The talking-animal visual effects were done by various visual effect studios such as Rising Sun Pictures, Fuel International, Proof, Rhythm and Hues Studios (which also animated 1999's Stuart Little, another film based on an E. B. White book, as well as its 2002 sequel Stuart Little 2), Digital Pictures Iloura and Tippett Studio. The visual effects supervisor for the film was John Berton, who noted that a live-action version of Charlotte's Web has become much more practical in recent years due to advances in technology.
"Scotland the Brave", is used as the pregame entrance fanfare of the Blue Flame. The Pickens fight song is titled "When the Flame Goes Burning In", which is a variant of "When the Saints Go Marching In". When the team scores, the drumline plays a cadence called "Bananas" This cadence begins with rolls up and down the bass drums, interspersed with the student section and the rest of the band shouting "Go Blue Flame" This is followed by a solo played on the tenors, while the rest of the band adds visual effect. The drums twirl their sticks, the saxophones and bass clarinets twirls their neck straps, and the rest of the members dance.
Two years later, W64CW was signed on over UHF channel 64 on January 30, 2003 by Venture Technologies. It originally operated with 30 watts, and its transmitter was located at a site just west of downtown Port Jervis, at the triangle where New York, New Jersey, and Pennsylvania meet. The call sign was changed on January 12, 2007 to WASA- LP. The station had planned to carry Estrella TV in September 2008, but that network was picked up instead by a subchannel of WPIX. WASA had a problem: it appeared its signal would go off the air every few minutes and then turn back on, resulting in a tear-down pixelation visual effect.
According to Djawadi, the series creators wanted the main title theme that accompanies the Game of Thrones title sequence to be about a journey as there are many locations, characters in the series and involves much traveling. After Djawadi had seen the preliminary animated title sequence the visual effect artists were still working on, he was inspired to write the piece; which is inspired from a traditional Afghan Rubab melody. Djawadi said he intended to capture the overall impression of the series with the theme tune. The title theme is unusually long for a television series at nearly two minutes long, and cello was chosen as the main instrument for the music as he thought it has a "darker sound" that suited the series.
Patterns and pictures can be created in knitted fabrics by using knit and purl stitches as "pixels"; however, such pixels are usually rectangular, rather than square, depending on the gauge/tension of the knitting. Individual stitches, or rows of stitches, may be made taller by drawing more yarn into the new loop (an elongated stitch), which is the basis for uneven knitting: a row of tall stitches may alternate with one or more rows of short stitches for an interesting visual effect. Short and tall stitches may also alternate within a row, forming a fish-like oval pattern. In the simplest of hand- knitted fabrics, every row of stitches are all knit (or all purl); this creates a garter stitch fabric.
The second release was the British progressive rock band Curved Air's first album, Air Conditioning, a UK issue (1970). One commercially issued American picture disc is To Elvis: Love Still Burning, a collection of 11 Elvis Presley tribute songs by various artists, issued in May 1978. Both sides of the album (Fotoplay FSP-1001) picture Presley. On some picture discs, the images used were meant to create an optical illusion while the record was rotating on the turntable (as in the B side of Curved Air's Airconditioning), while others used the visual effect to add to the music — for example, the 1979 picture disc of Fischer-Z's The Worker featured a train which endlessly commuted around the turntable, reinforcing the song's message.
However, the eighth scene, the Siege of Compiègne, is notable for a more modern-looking visual effect: in that scene, actors move much closer to the camera, in the distance of a medium shot. This is the second example, among Méliès's extant films, of experiments with medium shots; the first had occurred the previous year in Bagarre entre journalistes, an installment of Méliès's series The Dreyfus Affair. An advertisement for the film claims that "almost 500 people" can be seen in the grand parade at Orléans, an effect created by having a moderately sized group of people cross the screen from left to right, go around the north side of the studio, and re-enter, repeating the cycle several times to simulate a much larger crowd.
One common way of building these within Chicago's laws was to build a square main block with a central service core, and then simply place a tower on the top; the more massive the main block, the taller the tower could be. The Trustees System Service Building and the Foreman State National Bank Building form good examples of this approach. Alternatively, the front of the main block could be recessed, as at the Chicago Civic Opera Building or the LaSalle-Wacker Building, sacrificing volume but producing the visual effect of two high wings flanking a very tall tower. The distinctive New York "setback" style was not adopted in Chicago, the only example of this style being the Palmolive Building on North Michigan Avenue.
It is so large that the visual effect is to create a link between the enormous dome which appears to float above it, and the congregation at floor level of the basilica. It is penetrated visually from every direction, and is visually linked to the Cathedra Petri in the apse behind it and to the four piers containing large statues that are at each diagonal. As part of the scheme for the central space of the church, Bernini had the huge piers, begun by Bramante and completed by Michelangelo, hollowed out into niches, and had staircases made inside them, leading to four balconies. There was much dismay from those who thought that the dome might fall, but it did not.
Physically based animation is now common in movies and video games, and many techniques were pioneered during the development of early special effects scenes and game engines. Star Trek II: The Wrath of Khan famously used particle systems in the Genesis explosion scene to create the visual effect of a flaming shockwave engulfing a planet. Despite being released before physics engines were a common feature in games, System Shock incorporated rigid body physics in its engine and was widely considered innovative for this feature and the novel sense of interaction it afforded players. Valve later developed Half-Life and used rigid body physics to create environmental puzzles for the player, such as obstacles that could not be reached without stacking boxes.
The music video for "Beyond the Dark Sun" shows Jari Mäenpää immersed in ice and frost The video begins with two shots of steel doors opening, revealing Mäenpää thrashing with his guitar in sharp silhouette against a single source of light, fog simulating the cold swirling around him. During the introduction portion of the song, the video cuts quickly between the contemporary band line-up, each member performing solely against a black backdrop: Mäenpää on guitar, Hahto performing on drums, Jukka Koskinen on five-string bass, and Oliver Fokin on rhythm guitar. The first visual effect is introduced with Mäenpää superimposed over the moon. The moon effect is revisited several times throughout the video, usually with varying backdrops that simulate galaxies, stars, and asteroids.
Although in the scene Fortuna appears alongside Jabba and several other characters inside a private booth, Wood was alone when his scenes were filmed, and his footage was digitally combined with footage of the other characters later in post-production. Wood interacted with a light stand during filming, which was later replaced by a visual effect creating Jabba. The moment when Wood woke up a sleeping Jabba at the end of the podrace was a joke conceived by the motion picture visual effects company Industrial Light & Magic during the making of the film, which George Lucas loved. Wood reprised the role of Fortuna in the Smuggler's Gambit radio drama, recorded live at Star Wars Celebration VI in Orlando in August 2012.
Upon death, the Promethean Knight dissolves from the point where it was last shot; this visual effect also occurs when certain enemies are killed by Promethean weapons. From a gameplay standpoint the design for the Prometheans also needed to fit in well with the sandbox so they would be suitable enemies to fight. A goal when designing their behavior was to make them highly adaptive from a tactical standpoint. For example, the Promethean Knight can phase in and out of space, allowing it to retreat or charge the player at any given moment; this changes the way that a player engages in a combat encounter. Holmes explained that one of the goals for Halo 4s campaign was to incorporate more human elements into the story.
Stacks of huge speaker cabinets and amplifiers are still used in concerts in some genres of music, especially heavy metal, but they tend to be used more for the visual effect than for sound reproduction. In some small to mid-size venues, such as bars and nightclubs, the PA system may not have the capacity to provide the bass sound for the venue, and the PA system may be used mainly for vocals. Bass players in bands that play at a variety of venues, including these types of small to mid-size venues, may need to be able to provide the bass sound for the venue, and so they will require a large combo amp or bass stack with this capability.
Retrieved August 20, 2011.Marc Weiszer, "Florida–Georgia tickets not going up", The Florida Times-Union (February 25, 2011). Retrieved August 20, 2011. Beginning in the late 1980s, fans from Florida and Georgia were assigned seats grouped in alternating sections of the stadium to minimize incidents, and the contrasting colors worn by the fans (red and black for Georgia, orange and blue for Florida) created a "beach ball" visual effect in the stands. More recently, the seating arrangement has split the stadium lengthwise and fans sit on the side corresponding to the sideline their team occupies. The teams take turns serving as the "home" team, with the "hosts" usually wearing their home uniforms and the visitors wearing white road jerseys.
A knot on a tree trunk As a tree grows, lower branches often die, and their bases may become overgrown and enclosed by subsequent layers of trunk wood, forming a type of imperfection known as a knot. The dead branch may not be attached to the trunk wood except at its base, and can drop out after the tree has been sawn into boards. Knots affect the technical properties of the wood, usually reducing the local strength and increasing the tendency for splitting along the wood grain, but may be exploited for visual effect. In a longitudinally sawn plank, a knot will appear as a roughly circular "solid" (usually darker) piece of wood around which the grain of the rest of the wood "flows" (parts and rejoins).
Sand drawings are associated with the Indian sand mandalas because of the geometry-driven shapes it delivers through the manipulation of sand. The work of making patterns in the sand with a rake is also evocative of the Karesansui practice in tradition Japan rock gardens, and of the large scale Nazca Lines in Peru. Since the traditional art of sand drawing is so precisely geometrical, academic research is being led to associate the (ethno-) mathematical patterns held in this art, and correlate it with modern mathematics to get a sense of the potential scientific knowledge carried by the builders of the civilizations practicing it. The ancient Greek mathematician studying geometry by drawing figures in the sand also leads to the idea that traditional Sandroings convey much more than a pleasing visual effect.
Squirting blood is used as a visual effect in anime, cartoons, comic books, film (mostly horror – particularly slasher – and action), literature, television series (mostly horror and drama), theaterUSING STAGE BLOOD, Russell Blackwood, Theatre Bay Area, retrieved 6 April 2010 and video games. Perhaps the earliest epic film to have explicit scenes of blood squirting, often filmed in slow motion, was Sam Peckinpah's The Wild Bunch (1969). It was rated R, then a new category, by the MPAA. The Monty Python sketch Sam Peckinpah's "Salad Days" (1972) involved an orgy of blood gushing, in a parody of Peckinpah's gore- filled directorial style. In Monty Python and the Holy Grail (1975), King Arthur must cut off all four limbs of the Black Knight to pass by in a forest, as the Knight bleeds on him.
At first Costakis had collected the Masters of the Dutch School of Landscape Painters but modernist works by Pablo Picasso and Henri Matisse soon became his main subject, then in 1946 he came across three paintings in a Moscow studio by Olga Rozanova . He described how, in the dark days after the war these brightly coloured paintings of the lost Avant-Garde: :"... were signals to me. I did not care what it was... but nobody knew what anything was in those days." (Chatwin, 1977) He was so struck by the powerful visual effect of the strong colour and bold geometric design which spoke directly to the senses, that he was determined to rediscover the Suprematist and Constructivist art which had been lost and forgotten in the attics, studios and basements of Moscow and Leningrad.
The first known criticism of the grid was put forward on the grounds of defence that became irrelevant following the prevalence of the cannon (1500s). Aristotle argued that the old maze-like street pattern which preceded the grid, made it difficult for invading troops to find their way in and out of the city, Alberti also expressed the same view 1500 years later and added the advantage of a superior visual effect of the organic pattern over the grid.Southworth, M. & Ben-Joseph, E. (2003) Streets and the Shaping of Towns and Cities (Washington DC: Island Press) p23 A second criticism was put forward most forcefully by Camillo Sitte on aesthetic grounds. He argued that grids lack variety and, consequently, are uninteresting and can become oppressive by their monotony.
When Peter is about to begin telling the story he says that it is about "love and loss, fathers and sons, and the foresight to retain international merchandising rights", a reference to the fact that 20th Century Fox gave those rights to Lucasfilm. During the text scrawl actress Angelina Jolie, her film Gia, and the television channel HBO are mentioned. One of the Star Destroyers displays a bumper sticker reading "Bush – Cheney" a reference to United States President George W. Bush and Dick Cheney's 2004 re-election campaign. When the Millennium Falcon enters hyperspace, the visual effect is replaced with the intro sequence from Doctor Who, using the version of that sequence from the Tom Baker era; and when the Millennium Falcon leaves hyperspace, it gets to the Asteroids.
The human body can briefly survive the hard vacuum of space unprotected, despite contrary depictions in much popular science fiction. Human flesh expands to about twice its size in such conditions, giving the visual effect of a body builder rather than an overfilled balloon. Consciousness is retained for up to 15 seconds as the effects of oxygen starvation set in. No snap freeze effect occurs because all heat must be lost through thermal radiation or the evaporation of liquids, and the blood does not boil because it remains pressurized within the body but when the veins explode, due to the flesh expanding to about twice its size, the blood, stomach contents, brain, heart, eyeballs and muscles will begin to boil until one's body explodes due to 0 pressure in space.
The second stories of all the buildings along Main Street are shorter than the first stories, and the third stories are even shorter than the second, and the top windows of the castle are much smaller than they appear. The resulting visual effect is that the buildings appear to be larger and taller than they really are. The park contains two additional tributes: the Partners statue of Walt Disney and Mickey Mouse in front of Cinderella Castle and the Sharing the Magic statue of Roy O. Disney sitting with Minnie Mouse in the Town Square section of Main Street, U.S.A. Both were sculpted by veteran Imagineer Blaine Gibson. In 2012, Disney replaced the shop in the Firehouse with a sign up for the Sorcerers of the Magic Kingdom game.
Matt Zoller Seitz similarly said that "[the] premise [of the original Flatliners], which could have opened the door to a visionary work of sci-fi horror, settled into a sort of gothic self-help drama groove, with the medical students realizing that the seemingly supernatural goings-on triggered by their experiments in 'flatlining' were manifestations of their past misdeeds. Director Niels Arden Oplev's remake ... sticks to that template, changing key details here and there while embracing a style that stirs every current horror movie visual cliche into a jagged paste." He also remarked that the obvious effort given by the entire cast could not overcome the contrived and clichéd scares and melodrama. Both Travers and Porter derided the visual effect of the afterlife scenes as cheap-looking and silly.
The filmmakers built a mosque near the station for atmosphere, rather than adding it as a visual effect. Bürresheim Castle, near Mayen, in the then-West German state of Rhineland-Palatinate, served as "Brunwald Castle" in Austria near the German border The exteriors of "Brunwald Castle" were filmed at Bürresheim Castle in West Germany. Filming for the castle interiors took place in the United Kingdom from June 5 to 10, 1988, at Elstree Studios in Borehamwood, England. On June 16 Lawrence Hall, London, was used as the interior of Berlin Tempelhof Airport. Filming returned to Elstree the next day to capture the motorcycle escape, continuing at the studio for interior scenes until July 18. One day was spent at North Weald Airfield on June 29 to film Indiana leaving for Venice.
The difference between a small and large Gaussian blur In image processing, a Gaussian blur (also known as Gaussian smoothing) is the result of blurring an image by a Gaussian function (named after mathematician and scientist Carl Friedrich Gauss). It is a widely used effect in graphics software, typically to reduce image noise and reduce detail. The visual effect of this blurring technique is a smooth blur resembling that of viewing the image through a translucent screen, distinctly different from the bokeh effect produced by an out-of-focus lens or the shadow of an object under usual illumination. Gaussian smoothing is also used as a pre-processing stage in computer vision algorithms in order to enhance image structures at different scales—see scale space representation and scale space implementation.
Several scenes in "Search and Rescue" were to feature Vega, however, the majority were cut from the final episode. The episode features an appearance by Rainbow Sun Francks as Lt. Aiden Ford, and is his first appearance since Season Two's episode "The Hive". During the production and writing process, "Search and Rescue" was said to have gone through fourteen different working titles, before finally settling on its final name. Producing the episode also proved expensive, and the visual effect sequence during the introduction where they zoom through space from M2S-445 to Michael was considered to be cut due to the high cost of such a sequence, though since Stargate Atlantis is in good terms with Mark Savela and the visual effects team, the sequence was still produced.
The Matrix is an example of the cyberpunk subgenre of science fiction. The Wachowskis' approach to action scenes was influenced by Japanese animation and martial arts films, and the film's use of fight choreographers and wire fu techniques from Hong Kong action cinema influenced subsequent Hollywood action film productions. The film popularized a visual effect known as "bullet time", in which the heightened perception of certain characters is represented by allowing the action within a shot to progress in slow-motion while the camera appears to move through the scene at normal speed, allowing the sped-up movements of certain characters to be perceived normally. While some critics have praised the film for its handling of difficult subjects, others have said the deeper themes are largely overshadowed by its action scenes.
In a spin, the occupants of the airplane only feel reduced gravity during the entry phase and then experience normal gravity, except that the extreme nose-down attitude presses the occupants forward against their restraint harnesses. The rapid rotation, combined with the nose-down attitude, results in a visual effect called ground flow that can be disorienting. The recovery procedure from a spin requires using rudder to stop the rotation, then elevator to reduce angle of attack to stop the stall, then pulling out of the dive without exceeding the maximum permitted airspeed (VNE) or maximum G loading. The maximum G loading for a light airplane in the normal category is usually 3.8 G. For a light airplane in the acrobatic category it is usually at least 6 G.
A red rectangle casting a drop shadow over a wood-like background In graphic design and computer graphics, a drop shadow is a visual effect consisting of a drawing element which looks like the shadow of an object, giving the impression that the object is raised above the objects behind it. The drop shadow is often used for elements of a graphical user interface such as windows or menus, and for simple text. The text label for icons on desktops in many desktop environments has a drop shadow, as this effect effectively distinguishes the text from any colored background it may be in front of. A simple way of drawing a drop shadow of a rectangular object is to draw a gray or black area underneath and offset from the object.
The discovery of man-made synthetic dyes in the mid-19th century triggered a long decline in the large-scale market for natural dyes. Synthetic dyes, which could be quickly produced in large quantities, quickly superseded natural dyes for the commercial textile production enabled by the industrial revolution, and unlike natural dyes, were suitable for the synthetic fibres that followed. Artists of the Arts and Crafts Movement preferred the rich, complex colors of natural dyes, since many natural dye sources contain more than one type of dye compound, unlike synthetic dyes which tend to rely on a single type of dye compound, creating a flatter visual effect. This helped ensure that the old European techniques for dyeing and printing with natural dyestuffs were preserved for use by home and craft dyers.
The English Fallow is an autosomal mutation causing recessive changes to the form of the melanin pigment. There is no universally accepted genetic symbol for either the locus or mutant allele, so the simple symbol fe+ will be adopted here for the wild-type allele at this locus, and the symbol fe for the English Fallow mutant allele, in keeping with the most widely used name in budgerigar circles. In its visual effect, the English Fallow mutation is recessive to its wild-type allele, so a bird possessing a single English Fallow allele (the heterozygote, fe+/fe) is identical in appearance to the wild-type light green. That is, the presence of a single wild-type allele is sufficient to permit the full production and normal distribution of the black melanin pigment.
The Scottish Fallow is an autosomal mutation causing recessive changes to the form of the melanin pigment. There is no universally accepted genetic symbol for either the locus or mutant allele, so the simple symbol fs+ will be adopted here for the wild-type allele at this locus, and the symbol fs for the Scottish Fallow mutant allele, in keeping with the most widely used name in budgerigar circles. In its visual effect, the Scottish Fallow mutation is recessive to its wild-type allele, so a bird possessing a single Scottish Fallow allele (the heterozygote, fs+/fs) is identical in appearance to the wild-type light green. That is, the presence of a single wild-type allele is sufficient to permit the full production and normal distribution of the black melanin pigment.
All three large compositions show the banquet taking place in the open air or a loggia with a grand architectural setting but with the sky visible, and include a raised terrace closing off the back of the pictorial space. In the Palazzo Labia and Arkhangelskoye paintings (and the Paris and London modelli) there are steps in the foreground leading up to the dining table; although the Melbourne painting lacks these steps, the pattern of the marble floor gives a similar visual effect. Only the two or three main figures are seated, but various attendants stand around them. All the compositions show a clear debt to the grandly theatrical feast paintings of Paolo Veronese, nearly a century earlier, such as The Wedding at Cana (1563, Louvre) and The Feast in the House of Levi (1573, Accademia, Venice).
In reviewing Rosanne Cash's video What We Really Want in 1991, the Los Angeles Times wrote: "Photographer-director Russell has concocted a weird, two-dimensional world of paintings for Cash to step into, singing one of her latest songs of woe and miscommunication. It's a visual effect that's been tried in videos many times before, but never quite to this successfully surreal an effect." In the 1990s Russell garnered his second Grammy nomination for the video There's A Tear In My Beer with Hank Williams, Jr. Publication of his book Let It Bleed spawned the resurgence of Russell's still photography, beginning with an exhibition directly related to the book that premiered at Digital Domain in Los Angeles in 2005. The exhibition has since traveled to New York, London, Paris, Rotterdam, San Francisco, San Diego and Australia.
Aerial of UAlbany's Uptown Campus The Uptown Campus, the university's main campus, is located mostly in Albany, with a small portion (a dorm "quad" and the athletics complex) spilling into the McKownville neighborhood in the neighboring town of Guilderland (official address: 1400 Washington Avenue in Albany). Its visual effect has been described as "Dazzling one-of-a-kind" by architectural critic Thomas A. Gaines, who called it "a formal masterpiece" and "a study in classical romanticism."Gaines, Thomas A. The Campus as a Work of Art (Praeger, New York, 1991) Designed in 1961-1962 by noted American architect Edward Durell Stone and constructed from 1963–1964, the campus bears Stone's signature style that includes towers, domes, fountains, soaring colonnades, sweeping canopies, and other architectural features typical for the era. Stone's campus layout emphasizes residential quadrangles, also known as "quads," surrounding the academic buildings.
While this is theoretically possible, the wrap must exhibit intense strength—enough to hold the user's body weight for the entire leap—but be made of material loose enough to smoothly disengage once the swing is completed. Thus actual use in this fashion is highly impractical; it would require not only a precisely balanced whip relative to the user, but also to the overhead fixture, which would not only compromise the whip's efficacy for any other use or context but require exceptional contrivance of circumstance. Even granted all of this, the strain of such a swing will damage or break most leather whips. In live-action fiction, the visual effect is achieved by braiding the whip over a steel or kevlar support cable and anchoring the tip permanently to a support such as a crane or scaffolding.
After the death of Vignola in 1573, he continued the construction of Il Gesù, the mother church of the Jesuit order, and in 1584 modified its façade after his own designs. He also worked on the construction of Palazzo Albertoni Spinola by acting on the load- bearing structures and internal partitions creating, through the orthogonality of the entrance gallery and the entrance hall of the Palace, a unique prospective visual effect. From 1573 he was in charge of the ongoing construction of St. Peter's Basilica, and later, in collaboration with Domenico Fontana, completed Michelangelo's dome between 1588-1590. It's important to underline that Della Porta and Fontana were not mere performers of Michelangelo's drawings; in fact, they had the merit of the technical execution of a firm that sanctioned an important stage of technological advances at the end of the sixteenth century.
The tour collaborated with Australian creative production house the Squared Division which has worked with singers including Katy Perry, Ariana Grande, and Taylor Swift. Tsai described: "This time I hope to break all rules, and bring a crazy sense to everybody", adding that: "This time I want to bring the complete visual effect of my album to the stage, build an incredible 'Ugly Beauty' magic world, and present the classic songs of my 20-year career in a different way, hope my fans feel the diligently of my production team in this 'another dimension'." On November 19, 2019, Tsai flew to Los Angeles to have a 12-day rehearsal with sixteen newly selected dancers. On December 3, 2019, Tsai announced the Kaohsiung dates of the tour, and the tickets would go on sale on December 15, 2019.
Sequential turn signals on an Audi Sequential turn signals are a feature on some cars wherein the turn-signal function is provided by multiple lit elements that illuminate sequentially rather than simultaneously: the innermost lamp lights and remains illuminated, the next outermost lamp lights and remains illuminated, followed by the next outermost lamp and so on until the outermost lamp lights briefly, at which point all lamps extinguish together and, after a short pause, the cycle begins again. The visual effect is one of outward motion in the direction of the intended turn or lane change. They were factory fitted to 1965–1971-model Ford Thunderbirds, to 1967–1973 Mercury Cougars, to Shelby Mustangs between 1967 and 1970, to 1969 Imperials, to the Japanese-market 1971–1972 Nissan Cedric, and to Ford Mustangs since 2010. Two different systems were employed.
While its combat or tactical usage remains undocumented, the visual effect it produces is impressive and entertaining, similar to that of a short-ranged flamethrower or fireworks. Also undocumented, it has been claimed by enthusiasts that the rounds are often used as a distress signal, similar to a very short duration emergency flare gun, though some would argue a flare would be better suited for such. It may also be used as a less-than-lethal option for self-/home-defense, although the less-than-lethal aspect and safety are disputed, as the magnesium shards burn at approximately , which is more than enough to light a person, or house, on fire. Compared to most regular types of shotgun ammunition that is mass-produced, the pyrotechnic shell is somewhat expensive, and costs US$5–7 per shell, depending on caliber and load.
Habib Zargarpour has had almost two decades of experience in visual effect for film. He had worked as a graphic artist and fine arts illustrator since 1981, and began his career in visual effects for film in 1990 when he spent a few years working on digital effects for IMAX films in Los Angeles. He graduated with distinction in Industrial Design from the Art Center College of Design in Pasadena in 1992 and discovered his passion for design in film. He spent 9 years at Industrial Light & Magic (ILM) where he first joined the team of The Mask in 1993 as a Technical Director. Subsequent projects included the development of such effects as the particle tornadoes in Twister, the digital oceans and stormy seas in The Perfect Storm, Spawn’s cape, and the pod race simulations and crashes in Star Wars: Episode I – The Phantom Menace.
Example of the scan line effect deliberately applied to an image PAL video signal scan line. From the left: horizontal sync pulse, back porch with color burst, signal itself, front porch, sync pulse, back porch with color burst, video portion of the next scan line; different signals of multiple lines are laid over, showing shaded areas instead of a single curve A scan line (also scanline) is one line, or row, in a raster scanning pattern, such as a line of video on a cathode ray tube (CRT) display of a television set or computer monitor. On CRT screens the horizontal scan lines are visually discernible, even when viewed from a distance, as alternating colored lines and black lines, especially when a progressive scan signal with below maximum vertical resolution is displayed. This is sometimes used today as a visual effect in computer graphics.
In effect, this means that after the majority of tricks the boxes return to the home position (three or more boxes in a line, smallest ends together) and stop before the juggler starts the next trick. Most cigar box tricks are achieved by bouncing up and down (normally from the knees, keeping one's arms in the same place relative to one's body). The trick is started at the apex of the 'bounce' and the boxes are pinned in the home position on the downstroke, preferably at the same altitude at which they started. This leads to the visual effect of the boxes being connected by an invisible wire (in tricks where the boxes not involved in the trick are separate; see "take out" below) or it can appear as if the boxes are magnetic in some way (where two boxes remain 'stuck' together in the air; see "end round" below).
Painted directly onto the plaster of the ceilings, they also make use of gilding for visual effect. The natural history collections had originally shared a building with their parent institution the British Museum, but with the expansion of the British Empire there was a significant increase in both public and commercial interest in natural history, and in the number of specimens added to the museum's natural history collections. In 1860 it was agreed that a separate museum of natural history would be created in a large building, capable of displaying the largest specimens, such as whales. The superintendent of the natural history departments, Richard Owen, envisaged that visitors would enter a large central hall containing what he termed an "index collection" of representative exhibits, from which other galleries would radiate, and a smaller hall to the north would display the natural history of the British Isles.
Before the invention of pottery in Western Asia, during the Pre-Pottery Neolithic: jar in calcite alabaster, Syria, late 8th millennium BC. Around 8000 BC during the Pre-pottery Neolithic period, and before the invention of pottery, several early settlements became experts in crafting beautiful and highly sophisticated containers from stone, using materials such as alabaster or granite, and employing sand to shape and polish. Artisans used the veins in the material to maximum visual effect. Such objects have been found in abundance on the upper Euphrates river, in what is today eastern Syria, especially at the site of Bouqras. The earliest history of pottery production in the Fertile Crescent starts the Pottery Neolithic and can be divided into four periods, namely: the Hassuna period (7000–6500 BC), the Halaf period (6500–5500 BC), the Ubaid period (5500–4000 BC), and the Uruk period (4000–3100 BC).
One of the 65mm cameras used on the production was used in the filming of Stanley Kubrick's 2001: A Space Odyssey. The reason the filmmakers chose to shoot Jurassic World on film stock, in addition to Spielberg's and Schwartzman's personal preference for the format, was to match the visual aesthetic of the previous three film-shot Jurassic Park pictures, and because the film's exterior jungle scenes required a greater dynamic range of light than digital cameras could accommodate. Most of Jurassic World was made on 35mm film and large exteriors in Hawaii were shot using 65mm film, which was used for visual effect sequences and as location shots where the filmmakers wanted extra visual impact. The film is presented in a Univisium 2.00:1 aspect ratio, an intermediate ratio that falls between the two industry standard aspect ratios of 1.85:1 (flat) and 2.39:1 (scope).
His professional animation career started in 1997, when he was hired by DreamWorks Animation in Los Angeles to work as a traditional character animator on their first 2D animated feature The Prince of Egypt. He then spent 21 years as part of the character animation team working on both 2D and CG projects for the studio. Otto is particularly known for his work as the Head of Character Animation for the How to Train Your Dragon movie franchise and has been instrumental in developing the look of the characters, their personalities and the overall style of animation for the films, and was rewarded for his achievements with the VES Awards for 'Visual Effects Society Award for Outstanding Visual Effects in an Animated Featuree' in 2011 by the Visual Effect Society. Simon Otto designed a number of characters in the film including Toothless and Lightfury and did storyboarding work on the second and third films.
The camera is accessed in a similar manner by swiping from the right edge of the screen. Android also allows devices to be locked using a password, passcode, a pattern on a grid of 9 circles, fingerprint sensing, or with facial recognition. Android distributions by other manufacturers typically use different lock screen designs than what stock Android utilizes; some versions of HTC's Sense used a metallic ring dragged from the bottom of the screen to unlock the phone, and also allows users to launch apps by dragging their respective shortcut icon into the ring instead. On Samsung devices, the lock screen involves dragging in any direction from any location on the screen (with TouchWiz Nature devices, such as the Galaxy S III and S4, it was also accompanied by a visual effect such as a pond ripple or lens flare); similarly to HTC's lock screen, app shortcuts can be dragged up from the bottom of the screen to unlock directly into them.
Three frames form a morph from George W. Bush to Arnold Schwarzenegger showing the midpoint between the two extremes Although not always confined to shot transitions, a morph can be thought of as a dissolve combined with a visual effect. Rather than simply blending the colors together, a morph is able to gradually reshape an object to become another object, creating a much stronger connection than a simple dissolve can provide. One famous example of this can be found towards the end of the film Saving Private Ryan. The face of young private Ryan (played by actor Matt Damon) is slowly morphed back to an older private Ryan (played by Harrison Young), while at the same time the background is dissolved from a besieged city during World War 2, into a graveyard set in the modern day; there is no doubt in the audience's mind about the two men being one and the same.
That means that, beyond their historical value, they own an absolute and unconscious existence, innately associated to a concept, also in the unspoilt minds. Thoughtful Images—Fu Wenjun’s Abstract Photography Exhibition Pick at Random 2012 – The symbols of various cultures are juxtaposed, in order to create new meanings by making use of different art languages from different times and places. Totem 2012 – Through the use of the newest multimedia montage, the visual effect of this work is extreme. The multimedia artistic language makes the work's display and its transmission different from the medium itself, so the perceived relationship between the subjective viewer and the objective photography is changed. \---Luo Yiping, Curator of the Guangdong Museum of ArtChina Southwest Airlines, December 2012, pp. 105–106 Story of Expo Park 2013 – In 1900, the Eight-Nation Alliance (the United Kingdom, Russia, Germany, France, the United States, Japan, Italy and Austria) invaded China, leading to the tragedy that happened at the Summer Palace.
Art historian Griselda Pollock wrote that this "pattern of repeat and inversion evokes both a visual register of sound waves and images of pulse and flow as well as recalling the structure of biological life, the helix." Ultimately, Pollock situates this project as an intersection between the material as both virtual and indexical. The Ballad of Kastriot Rechepi then "evokes the photographic visual effect while yet bearing no image, and staging no sight again performs a constant Kelly move: to stage in a created art work a commentary on the modes of seeing and knowledge typical of our cultures and media, one face of our creation through the interface with these signifying systems as social subjects." As part of this work, Kelly commissioned the composer, Michael Nyman to create a score for the ballad that was performed by soprano Sarah Leonard and the Nyman Quartet at the opening of the exhibition at the Santa Monica Museum of Art.
In running text, word endings are not always at the end of hieroglyph blocks; when they are at the end, a simple transition to start the next block is a vertical separator, in this case the preposition, vertical n, (thus a space saver). Since the start of the next hieroglyphic block could also be started with a horizontal "n" at the bottom of the previous block, it should be thought that the vertical "n" is also chosen for a visual effect; in other words, it visually spreads out the running text of words, instead of piling horizontal prepositions in a more tight text. Visually it is also a hieroglyph that takes up more 'space'-(versus a straight-line type for the horizontal water ripple); so it may have a dual purpose of a less compact text, and a better segue-transition to the next words. The Red Crown hieroglyph is used 35 times in the Rosetta Stone; only 4 times is it used as a non-preposition.
To achieve the visual effect of wafers disappearing as Pac-Man eats them, the actual map of the maze was updated as the data was written into the Playfield registers, excluding those pellets that had been eaten. The 2600's Player-Missile graphics system (sprites) were used for the remaining objects, the one bit-wide Missiles were used to render the flashing power pills and the center of the vitamin. Pac-Man and ghost characters were implemented using the 2600's two Player objects, with one being used for Pac-Man and the other being used for all four ghosts, with the result that each ghost only appears once out of every four frames, which creates a flickering effect. This effect takes advantage of the slow phosphorescent fade of CRT monitors and the concept of persistence of vision, resulting in the image appearing to linger on screen longer, but the flickering remains noticeable, and makes each individual ghost's color nearly impossible to discern.
Each episode had an "opposites" segment, introduced by a visual effect of the screen flipping upside down, shifting left to fade to the next sketch, and then righting itself. Typically, right before this happened, one or more cast members would be interrupted by another cast member saying the opposite of what the monologue (or dialogue) was about, at which the cast would say, "It must be the introduction to the opposites", and then the inversion fade would happen. The sketches that followed were a tongue-in-cheek reversal of the show's subject and of daily life, often featuring children having authority over adults or adults encouraging children to behave badly (for example, eating sweets instead of vegetables, or wasting money on something frivolous rather than putting the money in the bank). Sometimes opposite sketches involved cast members not being hit with slime or water after saying the "trigger phrase" (see below section), as in Rekha's case in City Life (1987) or Chris' in Excess (1989).
Eventually, a recognizable revival came to the Walker firm with its move, in stages, from west London to the small town of Brandon, on the Suffolk/Norfolk border, where the organ building firm and a parts supply business ("P & S") occupied modern workshops. In the 1980s, under the leadership of Robert Pennells, his German (Klais)-trained son Andrew, B. Q. S. F. Buchanan and head voicer Michael Butler, a number of new and prestigious instruments were made, including town hall organs at Bolton in 1985 (after a fire four years before which destroyed a famous 1874 Gray & Davison instrument) and, leading a group of instruments for export, at Adelaide (1989); at Lancing College Chapel in 1986-7; and several years later at London's St Martin-in-the-Fields. The visual effect of a number of the new instruments benefited considerably from the case-designs of David Graebe. Later organs included a Cavaillé-Coll-inspired instrument, built in 1995 at Exeter College, Oxford.
Some scholars have argued that there were six scribes, yet most agree that the majority of the manuscript is in the hand of one man, who it is believed translated most of the literature. With this knowledge, when one looks at the photographs of the manuscript found on the website of the National Library of Scotland, it is easy to see the discrepancies in the actual handwriting of the scribes. Some is tight and regimented, attributed to Scribe 1, while some is more loosely written, as if the scribe did not make the correct adjustments for space and repeatedly ran out of room at the ends of the lines. While this has an entertaining visual effect when looking at the folios, or pages, its historical importance lies in the clues that it gives to the process of book production for private clients in a secular bookshop at an early period in the emergence of that industry.
Bullet time (also known as frozen moment, dead time, flow motion or time slice) is a visual effect or visual impression of detaching the time and space of a camera (or viewer) from those of its visible subject. It is a depth enhanced simulation of variable-speed action and performance found in films, broadcast advertisements, and realtime graphics within video games and other special media. It is characterized both by its extreme transformation of time (slow enough to show normally imperceptible and unfilmable events, such as flying bullets) and space (by way of the ability of the camera angle—the audience's point-of-view—to move around the scene at a normal speed while events are slowed). This is almost impossible with conventional slow motion, as the physical camera would have to move implausibly fast; the concept implies that only a "virtual camera", often illustrated within the confines of a computer-generated environment such as a virtual world or virtual reality, would be capable of "filming" bullet-time types of moments.
In the twentieth century, the palace became a landmark of Milan (and a symbol of the city's economic growth) because of the large neon advertising signs that were affixed to its façade, with an overall visual effect that has been compared to that of New York City's Broadway and Times SquarePiazza Duomo, con le insegne se ne va la nostra Broadway or London's Piccadilly Circus.Bertelli: riaccendete le insegne di Palazzo Carminati Advertising signs first appeared on the façade of the palace in the 1920s, but they were especially rich and colorful in the 1960s and 1970s. Besides being known to the Milanese, the façade of the palace became familiar to everyone in Italy through a number of appearances in films and television, including a spot for the Cynar liquor.Ah, the simple pleasures in life The signs were eventually removed by Milan's major Gabriele Albertini in 1999, as a consequence of a campaign aimed at promoting the plaza's "dignity",La sistemazione finale della piazza although this decision has since been frequently criticized.

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