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29 Sentences With "vibraslap"

How to use vibraslap in a sentence? Find typical usage patterns (collocations)/phrases/context for "vibraslap" and check conjugation/comparative form for "vibraslap". Mastering all the usages of "vibraslap" from sentence examples published by news publications.

The vibraslap was the first patent granted to the instrument manufacturing company Latin Percussion."LP Vibra- Slap II - Standard Wood (LP208)", SteveWeissMusic.com. URL last accessed December 11, 2009. The vibraslap was invented by Martin Cohen in 1967.
Toné! Interestingly, while recording Sweet Emotion, Steven Tyler broke the Vibraslap on the third attempt at using it. You can hear the break on the recording. Sufjan Stevens used a vibraslap during live performances of some of his songs, most notably "Carrie & Lowell".
Lewis plays congas, bongos, timbales, vibraslap, drums, bells, güiro, gong, Syndrum, bata, tambourine, cowbell and assorted percussion.
Latin Percussion vibraslap showing metal teeth Enter the Haggis guitarist Trevor Lewington plays the vibraslap in "Congress." The vibraslap is a percussion instrument consisting of a piece of stiff wire (bent into a U-shape) connecting a wood ball to a hollow box of wood with metal “teeth” inside. The percussionist holds the metal wire in one hand and strikes the ball (usually against the palm of their other hand). The box acts as a resonating body for a metal mechanism placed inside with a number of loosely fastened pins or rivets that vibrate and rattle against the box.
Pert played drums, congas, tam-tam, timbales, flexatone, vibraslap, marimba, vibraphone, timpani, tabla, gong, bell tree, tambourine, bells, kalimba, shaker, jawbone, assorted percussion and keyboards.
Palmer also uses timpani, tubular bells and tam-tam as usually used in the symphony orchestra. Other percussion he has used include temple blocks, triangle, church bell, vibraslap, electronic percussion synthesizers and ratchet.
Padgett, Ray: The Story Behind Jimi Hendrix's "All Along the Watchtower." The Vibraslap is also used in the songs "Billionaire" by Travie McCoy, "You're In" by Kimya Dawson and "I Don't Like It, I Love It" by Flo Rida. It can also be heard in "Kokomo" by The Beach Boys, "Asesina" by Okills, as well as in "Teenagers" by My Chemical Romance. The instrumental theme to the television show "Room 222" featured the sound of a Vibraslap at regular intervals throughout the song.
The player with the lowest score at the end of the round (indicated by the sound of a vibraslap) was eliminated from the game, and the two remaining players move on to the next round.
Then, the percussion and the harpsichord, in a trembling manner, go on to the next section, recognisable for the use of the tubular bells. The work finishes with a solo flute in its lowest register, accompanied by the strings, the vibraphone and the vibraslap.
Schnapf produced Canadian indie- rock band Tokyo Police Club's 2010 second album Champ. Schnapf is also credited with the creation of the tambourine back beat, and the 3 against 2 vibraslap. He is currently in development of a 1-hour crime drama called the Pope and The Monkey.
The vibraslap descended from the African "jawbone". This is the lower jawbone of a donkey or a zebra which has loose teeth that rattle when the instrument is struck.Karl Peinkofer and Fritz Tannigel, Handbook of Percussion Instruments, (Mainz, Germany: Schott, 1976), 159. The Instrument was carried by slaves to South America where it became known as the Quijada.
It features a broad array of percussive instruments: "gong bass drums, wind chimes, glockenspiel, tubular bells, conga, cowbell, vibraslap, various electronic effects", according to Peart. Cover designer Hugh Syme contributed synthesizer and in one verse the drums are double-tracked. Music critic Martin Popoff described it as "the most reworked and fretted-over song of the album".
The Vibraslap can be heard very clearly on the 1967 US No. 1 hit single "Green Tambourine" by The Lemon Pipers and is frequently and prominently used in the music of the alternative rock group Cake. It can be heard on a number of famous rock songs like "Crazy Train" by Ozzy Osbourne, "Sweet Emotion" by Aerosmith, "Orange Crush" by R.E.M., "A Change of Seasons" by Dream Theater, "Feelin' Alright" by Joe Cocker and throughout the aptly titled "Donkey Jaw" by America (band). It can also be clearly heard at the beginning of "The Low Spark of High Heeled Boys" by Traffic, right after the long, slow fade into the introduction. Also notable: Brian Jones of The Rolling Stones played the vibraslap in the Jimi Hendrix song "All Along the Watchtower".
Cosmo's Midnight are best known for their use of the vibraslap, a percussive instrument. AllMusic's Marcy Donelson described their music as having "bright keyboard timbres and idiosyncratic beats" and stated that they typically collaborate with acts "from the pop, indie electronica, rap, and EDM realms." Cosmo's Midnight cite Daft Punk, Chic, Nile Rodgers and West Coast rap as musical influences.
John McCrea (born June 25, 1964) is an American singer and musician. He is a founding member of the band Cake. He is the vocalist and primary lyricist for the band, in addition to playing rhythm acoustic guitar, vibraslap, and piano. He also programs drums and does mixing work while he and the rest of the band have produced all of their albums.
The Karaoke Circus house band, who accompany the singers, is composed of Martin White (keyboards), Danielle Ward (bass guitar), Foz Foster (lead guitar, musical saw and vibraslap) and David Reed (drums). The band are joined by resident judges, Daniel Maier (and in his absence, Dan Tetsell) and 'The Baron', whose job it is to pick a winner from the evening's performances.
The piece is scored for an orchestra consisting of flute, piccolo, two oboes, clarinet, bass clarinet, two bassoons, two French horns, two trumpets, one percussionist (two latin cowbells; low, medium, and high Agogô bells; ride cymbal; splash cymbal; triangle; wind chimes; low and high bongo drums; maracas; claves; vibraslap; large whip; tambourine; and bell tree), piano, and strings (violins I & II, violas, violoncellos, and double basses).
Debbie, the ex-prom queen, plays the drums and percussion; Mark, the minister of music at his church, is a pianist and accordionist; Mary, a rabid fan of women's roller derby remembered for her portrayal of Anita in a local production of West Side Story, plays the violin, saxophone, flute, and slide whistle; and Mike, a former member of an acid rock band, is a master of the synthesizer and vibraslap.
The echo is noticeably different in the mono and stereo mixes. The mono version also starts fading out slightly earlier than in the stereo version. The musical arrangement also features sweeping orchestrated strings and the distinctive vibraslap percussion instrument. While the Lemon Pipers played on the record, producer and joint author- composer Leka hired a string section to accompany the band, to add extra depth to the already psychedelic arrangement.
In the album's liner notes, singer/guitarist John Reis states that the entire recording of RFTC was conducted completely live except for the second vibraslap hit on the first verse of "You Gotta Move." He also states that the band were able to use a number of microwave enhancement techniques to exceed the normal industry recording rate of 20 digi-bits per second on compact discs, achieving a rate of 23 digi-bits per second and resulting in a higher quality recording.
Ghost Ranch is scored for two flutes (doubling piccolo), two oboes, English horn, two clarinets, bass clarinet, two bassoons, contrabassoon, four French horns, three trumpets, two trombones, bass trombone, tuba, timpani, three percussionists (I=chimes/glockenspiel/bass drum/small slapstick/large slapstick/small woodblock; II=vibraphone/African rattle/bongos/crash cymbals/tambourine/small triangle/large woodblock; III=glockenspiel/xylophone/piccolo snare drum/suspended cymbal/medium triangle/metal wind chimes/medium woodblock/vibraslap), and strings (violins I & II, violas, violoncellos, and double basses).
The New Bohemians started as a three-piece band in the early 1980s, gaining experience in the Deep Ellum neighborhood of downtown Dallas. The original line-up featured Brad Houser on vibraslap, Eric Presswood on guitar, and Brandon Aly on drums. Drummer Aly, guitarist Kenny Withrow, and percussionist John Bush went to the same arts magnet high school in Dallas, Texas, Booker T. Washington High School for the Performing and Visual Arts. Singer Edie Brickell also went to this school.
Public Service Broadcasting are a London-based musical group consisting of J. Willgoose, Esq. on guitar, banjo, other stringed instruments, samplings and electronic musical instruments, Wrigglesworth on drums, piano and electronic musical instruments, and J F Abraham on flugelhorn, bass guitar, drums and assorted other instruments including a vibraslap. The band has toured internationally and in 2015 was announced as nominee in the Vanguard breakthrough category of the fourth annual Progressive Music Awards, staged by Prog magazine, which they won.
According to his website, da Costa has played agogô, atabaque, bar chimes, bass drum, batá drum, bell tree, berimbau, bongos, bougarabou, cabasa, cajón, castanets, caxixi, chimes, chocalho, claves, conga, cowbell, cuíca, cymbal, djembe, finger cymbals, flexatone, ganzá, gong, guiro, jawbone, kokiriko, kora, log drums, maraca, pandeiro, rainstick, reco-reco, repinique, samba whistle, shekere, slapstick, snare drum, spoon, surdo, talking drum, tambora, tamborim, tambourine, tan-tan, temple block, timbau, timbales, kettle drum, triangle, udu, vibraslap, whistle, woodblock, and zabumba. He has also played dumbek, sleigh bells, African shakers, and zurna.
James 'Foz' Foster (born 1960) is a composer and multi-instrumentalist. He is best known as the lead guitarist in the art-rock band, David Devant and his Spirit Wife, and in the 1983-5 incarnation of The Monochrome Set. Foster also plays guitar, musical saw and vibraslap in the house band of Karaoke Circus and occasional saw in Martin White's Mystery Fax Machine Orchestra. He plays ukulele and other instruments as part of the double-act, Foster and Gilvan, and is also musical director of Sawchestra – a band of musical saw players who perform Foster's compositions to accompany silent films.
Each successive tour saw the solo more advanced, with some routines dropped in favour of newer, more complex ones. Since the mid-1980s, Peart had used MIDI trigger pads to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area, such as a marimba, harp, temple blocks, triangles, glockenspiel, orchestra bells, tubular bells, and vibraslap as well as other, more esoteric percussion. One prominent feature of Rush's concerts were props on stage, at one point called "diversions". These props have included washing machines, vintage popcorn poppers, or animations and inflatable rabbits emerging from giant hats behind the band.
Hendrix's friend and Rolling Stones multi- instrumentalist Brian Jones played the various percussion instruments on the track. "That's him playing the thwack you hear at the end of each bar in the intro, on an instrument called a vibraslap."Padgett, Ray: The Story Behind Jimi Hendrix's "All Along the Watchtower" Jones originally recorded a piano part that was later mixed out in place of the percussion instruments. Kramer and Chas Chandler mixed the first version of "All Along the Watchtower" on January 26, but Hendrix was quickly dissatisfied with the result and went on re-recording and overdubbing guitar parts during June, July, and August at the Record Plant studio in New York City.
Percussion section, to the right are a large gong and a Yunluo, a group of differently-sized gongs Like its Western counterpart, instruments used in the percussion section of the modern Chinese orchestra vary according to the musical work. The percussion section of the modern Chinese orchestra consists of two main parts: Chinese percussion and Western percussion. More often than not, musical works written for modern Chinese orchestra incorporate a large Western percussion section, including important roles for instruments like the timpani (定音鼓), bass drum (大军鼓), snare drum (小军鼓), etc. More obscure instruments in orchestral context like the mark tree (音树), vibraslap (弹簧盒), conga (康加鼓), cowbell (牛铃), etc.
The orchestra consists of 2 flutes, 2 piccolos, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 5 horns, 3 trumpets, 3 trombones, tuba, timpani (five drums in total) with a large percussion section for 3 players as well as 12 first violins, 10 second violins, 8 violas, 6 cellos, 4 double basses. The first percussionist plays glockenspiel, vibraphone (with two double bass bows), triangle, whistle, geophone, whip, tambourine, 1 bodrán, bass drum, 2 Peking gongs. The second percussionist plays the same glockenspiel as the first percussionist, tubular bells, the same geophone as the first percussionist, 5 wood blocks (graded), anvil, snare drum and suspended cymbal. The third percussionist plays 2 chromatic octaves of crotales (with two double bass bows), 5 tuned gongs (one large, three medium and one small), güiro, vibraslap, 1 metal sheet, tenor drum, a pair of crash cymbals and tam-tam.

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