They want to destroy the very image of God upon the planet.
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And yet that very image is what charms some recent pearl fans.
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The very image of women doing things now strikes even women readers as unliterary.
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Lincoln Place was the very image of old Brooklyn promoted by real estate agents.
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And it was that very image that set the tone for what was to come.
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The old ticket office of St. Pancras station was the very image of Victorian splendor.
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Of course, the host pulled up that very image, eliciting an "Oh, no," from the actress.
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"They invented the very image of the modern rock star," our writer says of the Stones.
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Jocelyn was tall, blond, muscular, with a firm jawline, the very image of the Übermensch Nazi.
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The retrospective makes it clear that the band invented the very image of the modern rock star.
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Newly relocated next to a retired blast furnace, it seems the very image of a post-industrial start-up.
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Diadji Diop's sculpture, "Dans le bonheur" (2009), plays on the expression "swimming in happiness," or the very image of happiness.
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Because Shchukin represented the very image of the bourgeois class enemy, his name was removed from the labels on the walls.
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That very image became the artwork for her recent single "In Common," and, Keys says, it's the most beautiful she's ever felt.
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But it's actually making fun of that very image, poking fun at people who act fake or put on a show — including Eilish herself.
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With his high collar, ruffled cravat and black waistcoat, Samuel Fales, 1775-193, is the very image of the upstanding 19th-century New England gentleman.
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From a very young age, I lived with a special kind of trepidation, one tied up in the very image my country created for itself.
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It's very image-focused, it's all about crafting an image around yourself, avoiding scandal, and it's kind of the nature of Washington and Washington reporters.
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Although David Bowie generally got credit for being rock's ultimate chameleon, the Stones went one further: They invented the very image of the modern rock star.
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He made his reputation as the very image of the big, bold, tenor-sax man, blaring rattling solos from the depths of his 6-foot-633 frame.
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"The very image of the hearty eater in the 19th century, the image of the bourgeois, of the successful person, is someone who has a belly," explains Rambourg.
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Because I believe that all people are made in the very image of God, I serve everyone who enters my shop and treat them with dignity and respect.
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The very image of this man as our president has provided continuous inspiration and affirmation of America's goodness to me, my family and friends throughout the highs and lows of his tenure.
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I want to live in a world with a single regulated and enforced mirror type — and it just so happens there's one very image-focused man with the power to make it happen.
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Let's cut to the video: at 3:20 below, you can take a look at Elsa's iconic blue gown and see that it looks like the very image from which Middleton's was surely cut.
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"For coincidental reasons as much as knowing reasons, we've seen a rebirth of a very image-forward mode of communication," said James Leo Cahill, a professor of cinema studies at the University of Toronto.
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In spite of a recent setback — an I.P.O. she was handling went bad — she is the very image of success, with a beautiful apartment, a handsome lover (James Purefoy) and the respect of her colleagues.
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The poster for the 22015th edition features Claudia Cardinale — a star of "The Leopard," which won the festival's top prize in 19460 — twirling in a skirt, her hair blowing in the wind, the very image of vitality.
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The Trump obsession proves many of us wrong who thought the focus on the individual in politics had reached its heights when Democrats and even many moderates were almost worshiping the very image of President Barack Obama.
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The critic Roland Barthes touched upon this subject in his seminal study Writing Degree Zero — though his conclusion, that "revolution must of necessity borrow, from what it wants to destroy, the very image of what it wants to posses," remains decidedly pessimistic.
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Their victims are not only coyotes but the very image of rural America, tarnished by widespread photos of beefy, middle-aged men in camouflage, with guns in hand and dead animals no one is ever going to eat piled up in the backs of pickups.
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But precisely because a lot of people would be interested in embarrassing material about the president's sex life — and because Trump, a very image-conscious person, could be very worried about that interest — the existence of embarrassing secrets could well be a national security crisis for the country.
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The new President Bannon, in other words, is President Kushner—and he got there, in part, by cleverly playing the media manipulation game, casting himself as the very image of competence and sanity while reportedly leaking less than flattering details about many of his competitors, like former President Bannon.
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"It's interesting to see Instagram and Snapchat ranking as the worst for mental health and wellbeing - both platforms are very image-focused and it appears they may be driving feelings of inadequacy and anxiety in young people," said Shirley Cramer, chief executive of RSPH, who conducted the #StatusOfMind report in collaboration with the Young Health Movement (YHM).
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" Dr. Ourian's website tells patients in search of breast augmentation or reduction, "The painful truth is that our society is very image conscious and somewhat shallow and imposes its notions of what we find attractive on each and every one of us... As human beings we simply are not able to effectively ignore the physical appearances of the men and women that we meet.
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This poster was designed to epitomize the very image of beauty, simplicity, and femininity. The poster intentionally emphasizes red, white and blue with black accent strokes and a pop of yellow.
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The turnaround in the infrastructure of the village, especially telephone and road connectivity, coupled with the availability of electricity, have changed the very image of an Indian village. This is in turn resulting in a higher family income and living standards.
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The woman shows him a birthmark on the child in the shape of a dragonfly. As he embraces his daughter he realizes what his wife was trying to tell him. The film ends with Joe playing with his daughter, who is now a toddler, having the same wavy blonde hair and who is the very image of his wife.
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Hawthorne helped recover the corpse, which he described as "a spectacle of such perfect horror ... She was the very image of death-agony".Schreiner, 116–117 The incident later inspired a scene in his novel The Blithedale Romance. The Hawthornes had three children. Their first was daughter Una, born March 3, 1844; her name was a reference to The Faerie Queene, to the displeasure of family members.
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Cambridge, MA: MIT Press. to refer to the embodiment of meaning in enactments or material experiences to further develop the concepts of Mead's Loop and the GP. A material carrier enhances the symbolization's representational power. The concept implies that the gesture, "the actual motion of the gesture itself", is a dimension of meaning. This enhancement is possible if the gesture "is" the very image; not an "expression" or "representation" of it, but "it".
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The bland frontage of the blocks, described in Nikolaus Pevsner's architectural guides as "the very image of faceless bureaucracy", was much criticised and local people nicknamed them as "the three ugly sisters". The northernmost tower undergoing demolition, January 30, 2003. Michael Heseltine announced on 6 February 1992 that he proposed to knock the building down. In 1996 an architectural competition was held for a mixed-use replacement but did not produce a clear outcome.
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Despite the lack of support from patricians and the Senate, Brosius' term as governor bring him much fame and success through a combination of the player's aid and his own decisiveness. Elisaveta: The beautiful and charming wife of Vipsanius, the treasurer of the Roman Senate. She also hosts the "Whisper of Egeria" gladiatorial events in her husband's absence. Although she appears to the very image of a perfect Roman noblewoman, Elisaveta is restless and craves excitement at heart.
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On the first anniversary of his marriage, Hawthorne and his neighbor, poet Ellery Channing, searched the neighboring Concord River for the body of Martha Hunt, a local woman who drowned. Hawthorne wrote of the incident, "I never saw or imagined a spectacle of such perfect horror... She was the very image of death-agony."Schreiner, Samuel A., Jr. The Concord Quarter: Alcott, Emerson, Hawthorne, Thoreau, and the Friendship that Freed the American Mind. Hoboken, NJ: John Wiley & Sons, Inc.
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It is from this centre that equilibrium and harmony emanate, equilibrium of the vital organs which becomes harmony between the person and the environment. As sovereign of the centre, the Yellow Emperor is the very image of the concentration or re-centering of the self. By self-control, taking charge of his own body one becomes powerful without. The centre is also the vital point in the microcosm by means of which the internal universe viewed as an altar is created.
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" The first thing she sees when she wakes is the transformed Bottom, and she immediately falls in love with him. She even commands her fairy minions to serve and wait upon him. Later, Oberon finally releases Titania from her enchantment. After being confronted with the reality that her romantic interlude with the transformed Bottom was not just a dream, she is disgusted with the very image of him and also seems very suspicious of how "these things came to pass.
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The historians P. J. Cain and A. G. Hopkins have emphasized that the British empire at "the mid- nineteenth century represented the extension abroad of the institutions and principles entrenched at home". Upper Canada, created in the very "image and transcript" of the British constitution is but one example. Like that of the United Kingdom, the constitution of Upper Canada was established on the mixed monarchy model. Mixed monarchy is a form of government that integrates elements of democracy, aristocracy, and monarchy.
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Jabbar meets his niece, Neelima Bahkshi (this role is also played by Sonali Bendre), and is shocked to find her the very image of Sabina. He finds out that Neelima is having an affair with a young man, but Neelima, out of fear, denies this. She is indeed having an affair with young Sameer Roshan (Akshaye Khanna), and both are in love with each other. When they find out what happened to her aunt, they decide to run away from Bombay and Jabbar.
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The Jewish people in the Temple offer magnificent songs of praise to God. Athalia enters and is alarmed to see in "Eliakim" the very image of the child who stabbed her in her dream. She interrogates the boy and when he tells her he is an orphan she offers to adopt him, but he rejects with revulsion the idea of such close association with an idolator such as she. Athalia is enraged and departs, vowing that she will have the child regardless.
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By that time, Beato's photographs had come to represent the very image of Burma to the rest of the world, which it would remain for decades to come. As his curios business developed, with branches in Rangoon, Mandalay but also in Colombo and London, he also acquired the Photographic Art Gallery in Mandalay in 1903, another photographic studio. In his old age, Beato had become an important business party in Colonial Burma, involved in many enterprises from electric works to life insurance and mining.
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Maura (Sally Hawkins) is a down on her luck single mother who's facing eviction from her house, which lead her to the rash decision to marry an illegal immigrant, Wilson, in exchange of €9,000. Maura's daughter Molly believes that her mother truly loves Wilson and that she's getting a new father. Meanwhile, Freddie (Tom Riley), a nice guy with OCD-esque habits, is remarrying the selfish and very image-conscious Sophie after a recent divorce. The receptions for both weddings are being held in the same hotel.
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The doors of Demos's house open to reveal impressive changes in Demos's appearance – he is now the very image of glorious 'violet-crowned' Athens, as once commemorated in a song by Pindar. Agoracritus presents his transformed master with a "well-hung" boy and with the Peacetreaties – two girls that Cleon had been keeping locked up in order to prolong the war. Demos invites Agoracritus to a banquet at the town hall and the entire cast exits in good cheer – all except Cleon, who is required to sell sausages at the city gate as punishment for his crimes.
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In this type of icon, Jesus Christ is depicted as an old white-haired man. The basis of this iconography is consubstantiality - the doctrine that Jesus and the Father are one. This very image of God the Father is used in New Testament Trinity icons; until the Great Synod of Moscow in 1667 it was a matter of theological debate whether the Ancient of Days from the Book of Daniel was Christ or God the Father. In the Western churches the Ancient of Days remains the basis and justification for depictions of God the Father, as made clear by, for example, a pronouncement by Pope Benedict XIV in 1745.
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"Pavel, p.211-212, 214 He notes: "one may document the nature of the man who created this painting style with his famous Self-portrait he exhibited [in 1925], where the protruding anatomy of his face, the unibrow, the one eye open and scanning, evoke in truth the very image of an ancestor from the mountains."Pavel, p.211 Sion's polemic with urban life was becoming explicit. As historian Anca Gogîltan writes, one of his Peisaje ("Landscapes"), dating ca. 1922, has "the delicate figure of a peasant woman showing up on the edge of a city, dominated by the modern city as a densely packed background, seemingly a screen of geometric shapes.
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His alleged exploits were reported in the newspapers and became the subject of several penny dreadfuls and plays performed in the cheap theatres that abounded at the time. The devil was even renamed "Spring-heeled Jack" in some Punch and Judy shows, as recounted by Henry Mayhew in his London Labour and the London Poor: But, even as his fame was growing, reports of Spring-heeled Jack's appearances became less frequent if more widespread. In 1843, however, a wave of sightings swept the country again. A report from Northamptonshire described him as "the very image of the Devil himself, with horns and eyes of flame", and in East Anglia reports of attacks on drivers of mail coaches became common.
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Tin Tan Germán Valdés or "Tin Tan" is also known as the pachuco for his numerous roles portraying this very image of a hip, modern and even transborder male. In fact, he was criticized for embracing the stereotype of the pachuco while others applauded the modernity of his comedy. The image of the pachuco is portrayed by Carlos Monsivais's, as explained by Javier Durán, "as a crucial cultural axis from which to examine issues related to Mexican identity and nationhood" (Durán 41). The zoot suit riots and the mistreatment as well as discrimination toward Latinos by the Los Angeles Police Department have left a stain and this is one reason why the image has become so iconic.
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The chief poet of the Elizabethan era, Edmund Spenser, was himself a promoter of Puritan views. He is best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the reign of Elizabeth I. In fact the Red Cross Knight, the chief hero of the poem is designed to be the very image and model of Puritan virtue, and Una his betrothed a figure of the church purified from sin and idolatry. The delicate balance, and conflict, between Anglicanism and Puritanism, could be readily seen in one of the primary architects of the Anglican settlement, John Jewel. Jewel can be seen in many ways as both Anglican and Puritan, much like William Perkins at the end of the Elizabethan era.
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Dr. Thomas D. Morrison The Upper Canada Central Political Union was organized in 1832–33 by Dr Thomas David Morrison while William Lyon Mackenzie was in England. Although inspired by British examples, the Upper Canada Central Political Union was more radical than most reform organizations of the period. The goals proposed by Dr. Thomas Morrison at the York election hustings in late 1832 mirrored those of the Metropolitan Political Union, and the Owenite National Union of the Working Classes. The Union’s objects began with the usual invocation of Upper Canada having been "singularly blessed with a Constitution the very image and transcript of that of Great Britain" but continued with a list of the ways in which that constitution had been abridged before concluding on a radical democratic note.
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What came of the agreement was the cover of his $338 airfare from Los Angeles, and the chance to perform. Arriving 6 days before the concert took place, Jeff Buckley sat in on a night of rehearsals, his presence described by Lucas as "the very image of the young Tim Buckley… same sensual, red-lipped mouth, same sensitive, haunted, blazing eyes". After watching Lucas rehearse and proclaiming his long-lived adoration of Lucas’ guitar style and the Captain Beefheart discography, Jeff Buckley eagerly asked to work on an arrangement for 'The King’s Chain', a track on Tim’s Sefronia album of 1973. The duo’s musical relationship began the following day, on April 21, 1991, when Buckley went to Lucas’ West Village apartment to rehearse. Accompanied by Lucas’ 1946 Gibson J-45 acoustic guitar, the pair jammed to an experimental, looped acoustic backdrop.
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Set in a futuristic England (circa 1995, as imagined in 1965), it follows the life of a teenage gang leader named Alex. In Alexander Cohen's analysis of Kubrick's film, he argues that the "ultra-violence" of the young protagonist, Alex, "...represents the breakdown of culture itself". In the film, gang members are "...[s]eeking idle de-contextualized violence as entertainment" as an escape from the emptiness of their dystopian society. When the protagonist murders a woman in her home, Cohen states that Kubrick presents a "[s]cene of aestheticized death" by setting the murder in a room filled with "...modern art which depict scenes of sexual intensity and bondage"; as such, the scene depicts a "...struggle between high-culture which has aestheticized violence and sex into a form of autonomous art, and the very image of post-modern mastery".
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The very image of a "lifeline" suggested that Manchuria—which was rich in natural resources—was essential for Japan to recover from the Great Depression, which explains why the conquest was so popular at the time and later why the Japanese people were so completely hostile towards any suggestion of letting Manchuria go. At the time, censorship in Japan was nowhere near as stringent as it would later become, and the American historian Louise Young noted: "Had they wished, it would have been possible in 1931 and 1932 for journalists and editors to express anti-war sentiments". The popularity of the conquest meant that newspapers such as the Asahi Shimbun which initially opposed the war swiftly changed to supporting the war as the best way of improving sales. In 1935, Manchukuo bought the Chinese Eastern Railway from the Soviet Union.
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According to Homer (Odyssey iv: 355), the sandy island of Pharos situated off the coast of the Nile Delta was the home of Proteus, the oracular Old Man of the Sea and herdsman of the sea-beasts. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus' daughter Eidothea ("the very image of the Goddess"), that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree.
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Hibernia also was given excellent reviews from Michael Jackson, at the time the foremost expert on the brewing industry and the changes and trends taking place in America and how it was following in the footsteps of a similar evolution in Britain. The outcome justified the initial perspective of Healy that consumers would be willing to pay more for a better beer, under the premise that “we’re on our way into a brewery revolution. The groundswell has already started. We have an age category in this country (28 to 40) that’s very image conscious. If they’re going to drink beer, they want to drink the best beer possible, and if that means paying $2 a bottle, they’ll do it. That’s what I’m banking the future of this company on.”Wysocky, “Specialty Beers a Booming Trend,” 3 Sep.
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"... [T]he very image of the Abstract Expressionist painter was a white, heterosexual male, and that this movement, which perceived itself as a glyph of individual freedom, constricted the entry of women, African Americans, and homosexuals, regardless of the nature and quality of their work." While Women have had a history of being left out of the arts, it was Samuel Kootz's, a New York Gallery owner that helped determine what art was mainstream, pronouncement that there would be no women artists in his gallery. To this which Fine promptly said, "I know I was as good as anybody else in there," However, Perle Fine was not the only female artist that was affected by this statement, artists such as Fannie Hillsmith and Lee Krasner were also deeply affected. Despite Kootz's statement, Fine had been in many solo and group shows during the late 1940s.
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A late entry into the field, Killer Karl Krupp was among the most wildly over-the-top of them all: with eyes bulging, head shaved and a short black beard framing a leering grin, Krupp was the very image of a wildly cartoonish yet frightening wrestling villain. He accessorized for the part with monocle, riding crop, heavy black boots and black ring cape, and delivered ranting promos in an affected German accent rife with mangled pronunciations. Utilizing other familiar staples of the German heel gimmick, Krupp goose-stepped to the ring, threw stiff-arm salutes, and used an Iron Claw hold (the 'Eye Claw') as his finishing move. What was unknown to the public at the time was that Momberg hated the Nazis who had occupied his homeland, and he did the over-the-top gimmick as a way of mocking them, Hogan's Heroes-style.
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Upper Canada's constitution was said to be "the very image and transcript" of the British constitution, and based on the principle of "mixed monarchy" – a balance of monarchy, aristocracy and democracy. The Executive arm of government in the colony consisted of a lieutenant-governor, his executive council, and the Officers of the Crown (equivalent to the Officers of the Parliament of Canada): the Adjutant General of the Militia, the Attorney General, the Auditor General of Land Patents for Upper Canada, the Auditor General (only one appointment ever made), Crown Lands Office, Indian Office, Inspector General, Kings' Printer, Provincial Secretary & Registrar's Office, Receiver General of Upper Canada, Solicitor General, & Surveyor General. The Executive Council of Upper Canada had a similar function to the Cabinet in England but was not responsible to the Legislative Assembly. They held a consultative position, however, and did not serve in administrative offices as cabinet ministers do.
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