637 Sentences With "vertical lines" | Random Sentence Generator

Each of the vertical lines is horizontally connected to three of its neighboring vertical lines through elastic lines.

They've become vertical lines, primed to travel — but where?

Typically Deco are the curved balconies and strong vertical lines.

But in straight horizontal and vertical lines, you end up with a sawtooth pattern.

Nothing about the placement of the diagonal and vertical lines of paint seemed crucial.

Divide that line into thirds, with two vertical lines that end at the tip.

A moment later, they're all arrayed in vertical lines, moving with no less energy.

A keen marathon runner, Mr. Bernard seems to be drawn entirely in vertical lines.

The vertical lines represent the median score of each party's respective judicial appointees over time.

To delete the downloaded media, tap the three vertical lines to access the menu. 7.

Yet, daubs of black and pastel colors forming vertical lines faintly evidence the underlying grid.

At the top of the screen, tap the three vertical lines to access the settings menu.

The effect is amorphous and a bit wobbly, like entering a space with no vertical lines.

The future president used vertical lines and a jagged roof to illustrate its famous stepped facade.

Certain allusive shapes reappear: a bearish hump; repeated curlicues; double curves terminating in horizontal or vertical lines.

TB: In New York, I made paintings with sprouts, meaning vertical lines with bulbs at the end.

Cross those two vertical lines with a second horizontal line slightly above the tip of the nail.

In this case, Vollmer asked her participants to match a set of vertical lines on a computer screen.

The whole outfit featured strong vertical lines except for the tie, which had a floral pattern in autumn colors.

This is located in the bottom-left corner of your phone screen, and is represented by three vertical lines.

The green and black crosshatched wallpaper serves as a backdrop and contrasts with the vertical lines on Rosa's shirt.

There are ellipses, snaking vertical lines, swaths of scumbling, veils, and smudges, solidly painted shapes, and thin, watery drips.

Black vertical lines indicate the estimated yield of each device, while the blue bars show the estimated range given uncertainty.

In particular, he said vertical lines will be big because they look great in photos and "flatter any body type."

While I wish it had more vertical lines of resolution, Samsung really spared no expense at making it a beautiful screen.

The last step would be to carve the distinctive vertical lines on the towers' surface and epoxy the new stone in.

To that end, the installation consists of 96 vertical lines that are connected to 192 motors at its top and bottom.

Across every one of the 15 paintings that fill this recently expanded gallery marches a brigade of evenly spaced vertical lines.

Tap the icon resembling three vertical lines, located in the upper-left corner of the screen, to open the menu. 3.

The scribbled black and vertical lines depicting its mane could be read as scars, though that might be pushing it too far.

The left lens of Hillary's glasses appeared hazy and a close-up of her black frames revealed a sticker with vertical lines.

"The pictures showed vertical lines which look like doorways, and they're oriented toward the right — characteristic of a queen's tomb," he said.

In the city's Fort neighborhood, the New India Assurance, built in 1936, has strong vertical lines, flanked by two classical-style figures.

Trading the manual vertical lines for something more high-tech, such as an automated system, is still a ways away, Webber said.

Lightroom for iOS is getting a geometry tab for straightening horizontal and vertical lines and a left-hand editing mode on the iPad.

Plus, as I approach my 40s, I'm not just interested in fullness — I want to keep vertical lines around my lips at bay.

The players compete for territory by placing black and white stones on intersections of a board of 19 horizontal and 19 vertical lines.

The most body-hugging version of the sweater is the ribbed knit; the mini vertical lines outline your curves like a topographical map.

He used only primary colors and black, white and gray, only painted squares and rectangles, and only employed straight horizontal or vertical lines.

Fisheries use traps and pots on the bottom of the ocean with vertical lines attached to buoys so they can pull them up.

The design, featuring the 'B' symbol crossed by two vertical lines that represents both blockchain and the bitcoin currency, was chosen by popular demand.

Players disperse the ghosts by drawing the symbol hovering over their heads: a V and inverted V, horizontal and vertical lines, and lightning bolts.

Two players, Black and White, take turns placing stones on the intersections of a board consisting of 2100 vertical lines and 222 horizontal ones.

Per Spire BREAKING A SWEAT 80A: This clue is intended to look like two vertical lines of "P-U-B" running side by side.

On Baseball BOSTON — White vertical lines frame the first column of out-of-town scores on the famous left-field wall at Fenway Park.

In several small areas, it has completely deteriorated, so she's trying to recreate the original grain, which features fine, vertical lines running across the surface.

And the face is scored by vertical lines, sun-dried, exactly what a mountain would look like—yes, he can see now, no lady here .

This exercise helps to smooth out wrinkles on your upper eyelids, lift your eyebrows and smooth out the vertical lines between the brows. 1. Smile.

His poster for Bullitt (1968) has Steve McQueen leaning rakishly against mondo-cool vertical lines, the image of modernity and the meanness that follows it.

In one area you might use more angular shapes to cast different silhouettes, in another area we'll use more heavy shapes, larger buildings, more vertical lines.

The two lieutenants and, behind them, one quartet face front; the others remain in two vertical lines (quartets left and right) that withdraw to the sides.

PAL isn't a worse standard than NTSC, exactly — it runs at a slower refresh rate but has a higher resolution, with 576 vertical lines to NTSC's 480.

First, make sure Google Maps knows your work address by tapping the icon that looks like three vertical lines in the top left corner of the screen.

We felt like a way to do that was to keep things low — keep things as clean as possible — so that you get these vertical lines going.

If you've noticed more pronounced vertical lines around your lips or that your lipstick bleeds more easily than it used to, we have an easy and save solution.

To find the new features on Facebook, tap the button with three vertical lines — also known as the hamburger menu — in the bottom-right corner of the app.

The piece was a tribute to a drawing by the Dutch artist Piet Mondrian, who, like Mr. Morellet, used horizontal and vertical lines to represent the calm sea.

Tap the three vertical lines at the bottom right of the screen to get to the app switcher, find the Fitbit app, and swipe it up to close.

The tines of the pitchfork almost but not quite line up with the vertical lines of the house, as well as the vertical edge of the farmer's jacket.

Touted as the world's first cryptocurrency landmark, the intentionally rusty, off-kilter ring features the iconic bitcoin logo (a lowercase "b" intersected by two vertical lines) at its center.

And the orange evokes the punch of the song title, while also referencing the lettering in the "Audition" poster and the vertical lines of the "City of Stars" poster.

Scientists generate pairs of entangled photons, each with one of two polarization states—imagine that, viewed from a certain angle, both photons are either small vertical lines or horizontal lines.

To do that, tap the Menu icon (three vertical lines), scroll down and select App Settings, look for the Downloads heading, then use the toggle to turn Smart Downloads off.

"Actually at first I saw them as being inspired by the vertical lines I would see at the beginning of old cinema (pre digital) in the movie theater," Mann says.

Incised vertical lines are visible along the left edges of the minarets in the photograph — likely (as pointed out by the museum label) guidelines for the production of a print.

The first version of the meme, according to Know Your Meme, superimposed the phrase "Secure the bag and spoil your mum" over a blocky 22019 created from underscores and vertical lines.

In his 113 project for Artforum, bold black lines delineate diagonal, horizontal, and vertical lines within four distinct squares that make up one larger square centered on the cover of the magazine.

On the facing page is the 1971 explanation of the color breakdown — yellow vertical lines, black horizontal, red left to right, and blue right to left — followed by grids of color combinations.

As for video, the EOS RP is equally proficient though it still suffers a bit from rolling shutter even during relatively slow pans, which can make otherwise straight vertical lines appear bent.

When you move to the walls with your roller, start near the ceiling and work down and diagonally, instead of "straight, straight, straight" — you don't want vertical lines in your finished work.

I made a straight line vertically down the outer third of each nails and repeated the step on the opposite side to create two vertical lines downward, approximately the same distance apart. 3.

In at least one drawing, "Untitled" (1975), which is covered with a dense black ground, she scratches back into the paper, making vertical lines marked by dots reminiscent of beaded embroidery and scarification.

A plastic surgeon uses these same tools to sculpt multiple layers of a patient's abdominal fat to accentuate the natural abdominal muscle lines—typically six for men, and three vertical lines for women.

Indeed, according to the principles of his Neo-Plasticism, Piet Mondrian strictly employed only primary colors (thus "pure," unmixed) regulated by grids of horizontal and vertical lines, though these were never symmetrical compositions.

Moving like chess pieces across a board, one dancer moves entirely on pointe in horizontal and vertical lines on the outskirts of the grid as the others follow their own logic in the middle.

The organization recommends the reduction in vertical lines for fixed-gear fisheries, enacting seasonal speed restrictions, modifying fishing gear to reduce the likelihood of entanglements and implementing fisheries closures when right whales are present.

In the next, any semblance of order has disappeared: a borderless white field covered in staccato vertical lines of red and blue; gray, ghostly tree branches reach upwards from the splotchy base, towards the deluge.

However, if it doesn't, check to see if there may be something muffling the watch's mic, which is located on the left side of the watch towards the top and looks like two vertical lines.

Her most famous tennis outfit, a sleek white dress with two vertical lines of pink piping and a hot-pink cashmere cardigan with her initials embroidered in script, is on display in the Wimbledon museum.

Spaced evenly across the surface are a series of vertical lines made with evenly grained graphite, suggesting columns that fade in and out of the colorful shapes at the top and the bottom of the canvas.

Rule of thirds everything The rule of thirds is an compositional principle in photography that divides an image using two horizontal lines and two vertical lines, then positions the elements of the image according to those guidelines.

With its thin band of red sky along the painting's top edge, and its profusion of short and long scratched vertical lines just below it, I felt as if I were looking at a state of quiet turbulence.

To the right of the iMessage text box, press and hold the small microphone icon (or, if you're using iOS 13, the icon that looks like a series of vertical lines) and begin recording your voice message. 4.

Surrounded heavily by a solid black background and vertical lines, the images are stark and dramatic, successfully giving the impression of how startling it is to hear the voice of a dead loved one emanating artificially into a dark garage.

And of course, there's the dead giveaway to anyone trained in catching FaceTune offenses: The conspicuous curves in the vertical lines of the fence behind me, betraying the fact that I had committed the cardinal sin of falsely narrowing my body.

Evertz's two recent paintings are done in her signature vertical lines and bands of color interwoven with vertical clusters of gradated gray bands, which taper in a calculated way from the painting's bottom edge to its top, and vice versa.

There are U-shapes running from the ceiling to the floor and back; a red L that travels down the wall and extends perpendicularly across the floor; and vertical lines interacting with the corners of the room or glowing in primary colors.

Ryan Lo gave his cyber-pop models pearl collars, while Jour/né teamed ruffled Bardot tops and loose trousers with layered pearl belts and Huishan Zhang presented what we predict will be the new racing stripe: vertical lines of pearls running down the front of trousers.

So seeing a stock chart that has a lot of vertical lines, whether it's a big jump or a falling off a cliff, is always pretty fun because it shows just how volatile these companies are and how vulnerable they are to momentum swings in their business.

It's also important to realize that, since the points on the graph don't follow any smooth line, there is probably a fair amount of "noise" in the data (for instance, the vertical lines extending from the data points show what statisticians call the standard error of the points).

At one point in the "Gounod" finale, Balanchine lines his corps de ballet in six vertical lines (each five deep) and quickly shows an energetic impulse passing symmetrically outward from the center, so that lines 3 and 4 transfer it to lines 2 and 5, and then to 2007 and 6. Boom!

It was exactly as Grant Wood had depicted it, his brush strokes capturing every last intricate detail of "the world's second most famous White House" — the front porch and its carved posts, the screen door, the vertical lines of its board and batten siding, the roof shingles, and, of course, the churchy window.

Mostly the action moves fluidly, suggesting alliances and factions as the group moves from trios to pairs to groups, splitting into mirror-image circles, reassembling in vertical lines as Mr. McGregor responds to the escalating drama of Mr. Salonen's score (brilliantly performed by the Royal Opera House orchestra, conducted on Saturday by the composer).

There is more: Oberhuber's enamel-on-wood-panel pictures consisting of simple mathematical calculations; assorted sculptures made of found and painted cardboard and other materials; an oil-on-canvas composition of bold, drippy, vertical lines, "Hommage à Willi Baumeister" ("Homage to Willi Baumeister," 1989), which honors a German modern artist who died in 1955; some mural-size, mixed-media-on-canvas, geometric abstractions, which Oberhuber showed in 1972 at the Venice Biennale (where, with Hans Hollein, he represented Austria); and a poster titled "Wir tragen diese Mode nicht, Österreichs Kleid, Waldheims Kleid" ("We Do Not Wear This Fashion, Austria's Clothes, Waldheim's Clothes").

In addition, while the sharp also always has two perfectly vertical lines, the number sign (#) may or may not contain perfectly vertical lines (according to typeface and writing style).

Chattering teeth are represented by vertical lines, and snores are drawn as vertical lines with arrows pointing in opposite directions. Globokar also includes written instructions about the position of the performer’s body throughout the piece.

A combination of vertical lines with diagonal lines running from dexter chief to sinister base represents brown; blood red is represented by vertical lines combined with diagonal lines running from sinister chief to dexter base; earth-colour by horizontal and vertical lines combined with diagonal lines running from dexter chief to sinister base; iron-grey by diagonal lines running in each direction (the same as sanguine in Petra Sancta's system); water-colour by broken horizontal lines; flesh-colour by broken vertical lines; ashen-grey by a combination of broken horizontal and broken diagonal lines; orange by broken vertical lines interspersed with dots; and the colour of nature by zig-zag lines running from dexter chief to sinister base.

Several alternative hypotheses relate specifically to the dollar sign drawn with two vertical lines. A dollar sign with two vertical lines could have started off as a monogram of "USA" used on money bags issued by the United States Mint. The letters U and S superimposed resemble the historical double-stroke dollar sign 19px. The bottom of the U disappears into the bottom curve of the S, leaving two vertical lines.

It transmitted 24 vertical lines of resolution at a rate of 20 frames per second.

Looking up from the base of the stairs, the vertical lines of the church's architecture stand out.

Scenes are divided from each other by vertical lines. The papyrus is now preserved at the British Museum.

Dare House sports an emphasis on vertical lines and a distinct design of a 'sunburst jaali' for ventilation.

It is a classic example of the Gothic style of Normandy in its use of long, straight, vertical lines.

The bloom's petals are pale pink to nearly white, with dark purple vertical lines on the two upper petals.

In reality, those vertical lines of red checks are made up of the negative-space from Lu's greater outlines.

Such interpolation would treat diagonal lines differently from horizontal and vertical lines, which is like a weak form of aliasing.

The majority of Firrell's works include some form of ancillary visual motif. Most common are vertical lines, either scrolling from left to right, or presented as static fields in "agitated motion". Vertical lines are used to back, or underscore text, or to reveal and obscure text. Customarily the lines have been presented as white light.

The Shona karimba song, Kana ndoda, written out in kalimba tablature. The tablature reads from bottom up. The shaded vertical lines in the tablature represent the shorter upper course of tines, while the white vertical lines represent the longer lower course of tines. This is one of many traditional karimba songs which Tracey wrote down.

It consists of vertical lines with horizontal lines connecting two adjacent vertical lines scattered randomly along their length; the horizontal lines are called "legs". The number of vertical lines equals the number of people playing, and at the bottom of each line there is an item - a thing that will be paired with a player. The general rule for playing this game is: choose a line on the top, and follow this line downwards. When a horizontal line is encountered, follow it to get to another vertical line and continue downwards.

The nearly-vertical lines near the right edge of the screen show the path of fishing lures falling to the bottom.

A position with a potential (vertical lines) crossing the threshold (horizontal line at 0.5) is predicted glycosylated. Glycosylation sites of PRR32.

Ancient inscribed and cuneiform scripts such as Anatolian hieroglyphs frequently used short vertical lines to separate words, as did Linear B. In manuscripts, vertical lines were more commonly used for larger breaks, equivalent to the Latin comma and period. This was the case for Biblical Hebrew (the paseq) and continues with many Indic scripts today (the danda).

Hourglass corsets evolved to emphasize the vertical lines of the body, and attempted to slim the torso above the waist as well.

Parasymphyseal fractures are defined as mandibular fractures that involve a region bounded bilaterally by vertical lines just distal to the canine tooth.

As illustrated, a common way to draw the shape begins with two sets of three parallel, vertical lines, one above the other.

This game is for both boys and girls. It is generally played by two teams and involves drawing as many vertical lines as possible.

For example, if a set of vertical lines is presented to one eye, and a set of horizontal lines to the same region of the retina of the other, sometimes the vertical lines are seen with no trace of the horizontal lines, and sometimes the horizontal lines are seen with no trace of the vertical lines. At transitions, brief, unstable composites of the two images may be seen. For example, the vertical lines may appear one at a time to obscure the horizontal lines from the left or from the right, like a traveling wave, switching slowly one image for the other. Binocular rivalry occurs between any stimuli that differ sufficiently, including simple stimuli like lines of different orientation and complex stimuli like different alphabetic letters or different pictures such as of a face and of a house.

This demonstrates the superiority of sCMOS over CCD with regards to read out noise and dynamic, without smear (the vertical lines in the CCD image).

Rembrandt, Belshazzar's Feast, 1635, (National Gallery, London). The message is written in vertical lines starting at the top right corner, with "upharsin" taking two lines.

Though with vertical lines and stripes in certain broader tree trunks. Small branches thick, greyish brown with rusty hairs towards the end. Shoots with dense woolly hairs.

TVL is defined as the maximum number of alternating light and dark vertical lines that can be resolved per picture height. A resolution of 400 TVL means that 200 distinct dark vertical lines and 200 distinct white vertical lines can be counted over a horizontal span equal to the height of the picture. For example, on monitor with 400 TVL, 200 vertical dark lines can be counted over width on monitor (Note that the of monitor height is used rather than the of whole monitor width). TVL is an inherent quality of a camera or monitor and should not be confused with the horizontal scanning lines of broadcast television systems, which e.g.

This mode of operation does not incur a CPU or DMA toll on the computer. It is useful for displaying alternate colored borders and vertical lines separating screen regions.

They also have blue vertical lines that go around their eyes and gills. This species is also found in the aquarium trade and has been reared in the aquarium.

A planar subdivision divided into slabs. The simplest and earliest data structure to achieve O(log n) time was discovered by Dobkin and Lipton in 1976. It is based on subdividing S using vertical lines that pass through each vertex in S. The region between two consecutive vertical lines is called a slab. Notice that each slab is divided by non-intersecting line segments that completely cross the slab from left to right.

89 The basic plane is, in general, rectangular or square. Therefore, it is composed of horizontal and vertical lines which delimit it and define it as an autonomous entity which supports the painting, communicating its affective tonality. This tonality is determined by the relative importance of horizontal and vertical lines: the horizontals giving a calm, cold tonality to the basic plane while the verticals impart a calm, warm tonality.Kandinsky, Point et ligne sur plan, éd.

The chapels next to the Angel Choir were built in the Perpendicular style, with an emphasis on strong vertical lines, which survive today in the window tracery and wall panelling.

A 3×3 board is used. Three horizontal lines form the three rows. Three vertical lines form the three columns. Two diagonal lines connect the two opposite corners of the board.

Black and shiny, of an appealing oblong or spherical shape. With vertical lines and wrinkles. 18 mm long and 15 mm deep. The aril has a unique, tangy and pleasant scent.

The community is a mixture of residential and commercial properties. Des Sources and St-Jean Boulevards are its main commercial arteries, and are represented by the two vertical lines in the city's official logo. The three circles in the logo, from left to right, respectively represent the St-Jean Sector, the Westpark Sector and the Sunnybrooke Sector. The three circles and two vertical lines in the logo represent the city's geography and artfully spell out "ddo".

The center point is a cross-type, which detects horizontal and vertical lines, while the outer four detect vertical lines only. Metering modes include a 16-zone evaluative, center-weighted average, partial, selectable spot, and fine central spot metering mode. Film speeds can be set from ISO 6-6400 either manually or automatically by DX codes on the film canisters. The camera allows variable Program autoexposure, as well as aperture-priority and shutter- priority automatic exposure and manual exposure.

A notebook with ruled paper Ruled paper (or lined paper) is writing paper printed with lines as a guide for handwriting. The lines often are printed with fine width and in light colour and such paper is sometimes called feint- ruled paper. Additional vertical lines may provide margins or act as tab stops or create a grid for plotting data; for example, graph paper (squared paper or grid paper) is divided into squares by horizontal and vertical lines.

A 3 x 3 board is used. Three horizontal lines form the three rows. Three vertical lines form the three columns. Two diagonal lines connect the two opposite corners of the board.

The symbol appears in the following form: Horizontal line at bottom, vertical lines extend up at both ends. The Square at the middle of the horizontal line is about half as tall as the vertical lines. Another vertical line rises from the top center of the square, giving an overall appearance that is close to a trident. This form is the one usually seen in modern times, often drawn on walls and fences as protest against the Soviet occupation of Lithuania.

These four differ wildly in shape, but all have bluish vertical lines on a white body with yellow behind, and black on back and caudal peduncle in addition to the typical eyestripe of Chaetodon. The Blue-cheeked Butterflyfish (C. semilarvatus) seems to be a far more basal lineage of Rabdophorus relative to them, but it also has the tell-tale blue vertical lines. (2007): Molecular phylogenetics of the butterflyfishes (Chaetodontidae): Taxonomy and biogeography of a global coral reef fish family. Mol. Phylogenet. Evol.

These four differ wildly in shape, but all have bluish vertical lines on a white body with yellow behind, and black on back and caudal peduncle in addition to the typical eyestripe of Chaetodon. The blue-cheeked butterflyfish (C. semilarvatus) seems to be a far more basal lineage of Rabdophorus relative to them, but it also has the tell- tale blue vertical lines. (2007): Molecular phylogenetics of the butterflyfishes (Chaetodontidae): Taxonomy and biogeography of a global coral reef fish family. Mol. Phylogenet. Evol.

Its gill cover has a black spot, and the dorsal (top), anal (back/bottom), and caudal (tail) fins are black-mottled. Its dorsal fin stands upright with 10 spines and the tail fin is somewhat rounded. The body coloration is mostly a shiny silver with yellow spots. The Black- banded sunfish gets its name from the six black vertical lines on each side, starting with the first line running through its eye and five more vertical lines back to the tail fin.

Hajduk's crest consists of the Croatian checkerboard with 25 red and white checkers bordered by a circle of blue ribbon, with two white vertical lines on each side. The words Hajduk and Split are written above and below the checkerboard respectively. The symbolism of the white vertical lines is still under discussion, with theories such as being a symbol of the four founders, the equals sign or quotation marks. The modern crest is almost identical to the one created in 1911.

Its length is up to . It is mostly yellow, with thin slate blue vertical lines on the sides and a slate blue cheek patch in lieu of the usual black eyestripe of most Chaetodon.

On the front of the thorax, one of the most important vertical lines is the midsternal line, the middle line of the sternum. It can be interpreted as a component of the median plane.

Within the spot, two red vertical lines are drawn from the left and right inner edges, and the area between these lines is painted red while the rest of the circle is painted white.

A 3×3 board is used for the first version. Three horizontal lines form the three rows. Three vertical lines form the three columns. Two diagonal lines connect the two opposite corners of the board.

Cloth of green gingham in check pattern chess-board escutcheon chequy gules and argent A check (also checker, Brit: chequer) is a pattern of modified stripes consisting of crossed horizontal and vertical lines forming squares.

The target's masts are especially useful for rangefinding, so Kerr proposed disrupting these with white bands. Taking up the zebra example, Kerr proposed that the vertical lines of ships' masts be disrupted with irregular white bands.

Larger pitches up to λ/NA can have both horizontal and vertical lines accommodated by quadrupole or QUASAR illumination, but diagonally spaced features and elbow features are degraded.E. Hendrickx et al., Proc. SPIE 6924, 69240L (2008).

A medium to large tree growing to 30 metres tall and a trunk diameter of 75 cm. The trunk is grey, with vertical lines and cracks. Flanged at the base of larger trees. Leaves opposite, not toothed.

Scherk's first surface is asymptotic to two infinite families of parallel planes, orthogonal to each other, that meet near z = 0 in a checkerboard pattern of bridging arches. It contains an infinite number of straight vertical lines.

After evoking the spirits with the iroke Ifá, the babalowo then throws the opele; each of the eight half-nuts will land concave up or concave down, heads or tails. A single line represents "heads" while two vertical lines symbolize "tails" – this process is recorded in the iyerosun powder, as it is done with the palm nuts. Thus, this binary system of one and two vertical lines gives rise to 256 different odu, each associated with a spirit and certain archetypal situation. Some odu are affirmative, and others are negative.

Presently, a single high chair for the President is kept here under a 2-ton chandelier hanging from a height of 33 m by a 23 m long rope. The flooring of the hall is made of chocolate-coloured Italian marble. The columns in Durbar Hall are made in Delhi Order which combines vertical lines with the motif of a bell. The vertical lines from the column were also used in the frieze around the room, which could not have been done with one of the traditional Greek orders of columns.

The trunk is cylindrical or occasionally flanged. Grey or brown bark with a corky layer. The trunk has vertical lines of corky pustules. Leaves are opposite, simple, entire wavy margins, smooth, lanceolate, pointed, gradually tapering to the base.

If horizontal rather than vertical lines are used, it is barry-bendy; and similarly, when reversed, barry-bendy sinister. A field which seems to be composed of a number of triangular pieces is barry bendy and bendy sinister.

The amount of resolvable detail in the horizontal direction in a picture. It is usually expressed as the number of distinct vertical lines, alternately black and white, which can be seen in a distance equal to picture height.

Vertical asymptotes are vertical lines (perpendicular to the x-axis) near which the function grows without bound. Oblique asymptotes are diagonal lines such that the difference between the curve and the line approaches 0 as x tends to +∞ or −∞.

The summits of the whorls are appressed. The whorls are marked by almost vertical lines of growth and numerous closely spaced, wavy, microscopic, spiral striations. The suture is well marked. The periphery of the body whorl is well rounded.

Atteva rawlinsi is a moth of the Attevidae family. It is endemic to the Dominican Republic. It is similar to Atteva gemmata, but is considerably larger, with the blackish areas occupied by numerous small, white dots, not forming vertical lines.

The pages are ruled into four horizontal lines.Yang, p.140 Glyphs are written from left to right and top to bottom. Vertical lines are used to section off elements of the text (see image above), equivalent to sentences or paragraphs.

The tree grows to 40 metres tall and 90 cm in trunk width, though usually much smaller. The trunk is mostly cylindrical and somewhat buttressed at the base. The bark is thin, greyish brown and smooth, with pustular vertical lines.

This style of design is typified by clean horizontal and vertical lines. Compared to other designs there is a distinct absence of ornamentation. While Scandinavian design is easy to identify, it is much more about the materials than the design.

The triforium is separated from the arcade by a single horizontal string course that runs unbroken the length of the nave. There are no vertical lines linking the three stages, as the shafts supporting the vault rise above the triforium.

To reflect the change in sponsor the home kit was changed to an all-white body with black vertical lines nearer the bottom. The away kit was the same as the home but blue, whilst the 188bet logo was white.

Vertical and Diagonal Planes (ca. 1913–14), for example, employs the same rectilinear shapes and a similar color scheme as The Cathedral. In both of these works, the vertical lines created a sense of stability, while the diagonal lines created tension.

Track pattern. The Track pattern featured vertical lines with small, irregular marks present throughout. All four color combinations made it to phase two of testing, with a modified woodland pattern and modified urban pattern making it through phases three and four.

A proper Moribana design uses a flat, shallow container, sometimes referred to as suiban, which allows for the spreading of floral and line materials sideways and away from the earlier classic vertical lines of the rikka, seika and even nageirebana.

Originally, the word bar came from the vertical lines drawn through the staff to mark off metrical units and not the bar-like (i.e., rectangular) dimensions of a typical measure of music. In British English, these vertical lines are called bar, too, but often the term bar line is used in order to make the distinction clear. A double bar line (or double bar) can consist of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement.

There are four horizontal water lines (also "fire lines"), two vertical lines (left and right outside lines) and one perpendicular line in the middle of vertical lines. Each square box has a measurement of 6 meters by 6 meters. The team can win based on the highest score of one player who reached the farthest distance. Scoring is two points per line for each of the four lines going away from home-base and three points per line for each of the four lines coming back toward home-base, plus five additional points for reaching home-base.

In 1930, it moved over to 2.1-2.2 MHz and broadcast at 48 lines only, still at 15 frames per second. In 1934, the station switched back to 60 vertical lines only, running at 20 frames per second until it shut down.

224 though there are also other horizontal and vertical lines making various groups distinct.horizontal ones are mostly territorial: family, municipio, region, province etc, while vertical are mostly functional, like gremios, asociaciones, parties etc., Garcia Canales 1977, p. 46, García Canales 2015, p.

This projection has prominent use in panoramic photography where it is usually called "cylindrical projection". It can present a full 360° panorama and preserves vertical lines. Unlike other cylindrical projections, it gives correct perspective for tall objects, an important trait for architectural scenes.

Most conspicuously, identically sized horizontal and vertical lines on the EUV mask are printed at different sizes on the wafer. 2-bar CD difference vs. focus. The difference between the widths of two adjacent horizontal lines varies as a function of focus.

The trunk is straight and round in cross section, usually buttressed. The bark is grey or brown and usually fairly smooth. Vertical lines of pustules are often seen. Leaves are alternate, obovate or oblong, 6 to 12 cm long, with a round tip.

The arched openings and hip roofs are striking. The vertical lines of the building are emphasised by lesenes in the corners. It is built in the style of Friedrichsdorf station. There was originally another extension and a goods hall on the north side.

Red vertical lines indicate menses overlap or meet. In this example, cycles gradually converge and A and B may "experience" synchrony for five months. Both Wilson and Arden and Dye pointed out that menstrual synchrony can occur by chance when there is menstrual cycle variability.

A sequence diagram shows, as parallel vertical lines (lifelines), different processes or objects that live simultaneously, and, as horizontal arrows, the messages exchanged between them, in the order in which they occur. This allows the specification of simple runtime scenarios in a graphical manner.

The parallel lines may mean money in the future, either given or taken away. The vertical lines are meant as guided roads to take. The horizontal lines may mean what the fate will be. There is another type of acultomancy and that is called acutomancy.

They are marked by exceedingly fine, almost vertical lines of growth and microscopic spiral striations. The sutures are strongly impressed. The periphery and the rather long base of the body whorl are well rounded, marked like the spire. The aperture is very large, regularly ovate.

The surrounding cliffs are layered with red sandstone and grey shale. A feature of the beach is the Three Chimneys, three vertical lines of hard silurian sandstone and mudstone. There used to be four chimneys, but the fourth crumbled in a severe storm of 1954.

A study at the University of Kentucky aimed to determine whether pigeons could recall their previous actions with regard to certain hues presented either with or without food. The first phase of the experiment involved training the pigeons to peck in response to one stimulus (vertical lines) and refrain from pecking for at least four seconds in response to another stimulus (horizontal lines). The presented stimuli were then followed by both a red and green key. Pecking the green key following a pecking stimulus (vertical lines) resulted in a food reward, as did pecking the red stimulus following a non-pecking stimulus (horizontal lines).

Such boards often also have three horizontal lines intersecting the vertical lines in order to illustrate that the lines are still in practice divided into three parallel rows. Some boards feature only a central horizontal line crossing the connected vertical lines, but the game is still played as if there were three rows of short lines. A special type of sáhkku board is the so-called Návuotna board which has three rows of squares (ruvttat, lanjat) instead of lines. The central line/square of the middle row, sometimes referred to as "the Castle", is indicated by a sáhkku-symbol ("X"), sun symbol, or other ornament.

Like rays of light, this sculpture rises with vertical lines that fan upwards and outwards. Water passes over the top edges and glides down the sculpture's surfaces. With its brushed finish, Ray of Light emits a shimmering light that is magnified by its multiple articulated surfaces.

The interior of the dome is painted with 14th- century-era decorations. During the 1969 burning, the paintings were assumed to be irreparably lost, but were completely reconstructed using the trateggio technique, a method that uses fine vertical lines to distinguish reconstructed areas from original ones.

The mountain marara is a bush or small tree to 8 metres tall, and 25 cm in diameter. The bark is thin and fairly smooth, dark brown in colour. With reddish brown bumps in vertical lines. Small branches are thin, green towards the ends with soft hairs.

The porch plaster is split with horizontal and vertical lines, creating a framework. The porch's corners are visibly projecting forward. The triforium of the neighboring axis (2, 3, 5, 6) are mullions with window sills sloping toward the outside. The deteriorated mullions were covered with wooden panels.

Shorter note values attach a stem to the notehead, and possibly beams or flags. The longer double whole note can be written with vertical lines surrounding it, two attached noteheads, or a rectangular notehead.Gerou, Tom & Lusk, Linda: Essential Dictionary of Music Notation. Alfred Music, 1996, p. 210.

The building was to have a total of fifty two terraces. Battery Tower was to be constructed entirely of brick and steel. The bricks would be in four shades of buff and two in red. They would be arranged in vertical lines to produce a captivating effect.

Adult males measure and adult females, based on a single specimen, about in snout–vent length. The tympanum is small but distinct; supratympanic fold is present. The canthus rostralis is distinct. The palpebral venation consists of oblique to near-vertical lines, with only few horizontal interconnections.

Manuscript page EWMN is written, not drawn. Movements are written on a horizontally ruled notation page (resembling a spreadsheet) which represents the body. Vertical lines divide the page into columns, denoting units of time. The symbols for movements are written in order, from left to right.

Similar moiré effect beacons can be used to guide mariners to the centre point of an oncoming bridge; when the vessel is aligned with the centreline, vertical lines are visible. Inogon lights are deployed at airports to help pilots on the ground keep to the centreline of taxiways.

The number six is denoted by four horizontal lines, one on top of the other, next to two vertical lines to the right. Since these are primarily the only numbers used in the book in reference to the six sacred stones, not much information is available regarding other numbers.

Symphyotrichum firmum can reach heights of up to . It forms large colonies with long, creeping rhizomes. The stem is hairless or it may have stiff, short hairs, often formed in vertical lines. It is sometimes dark red or purple at the nodes (where the leaf connects to the stem).

After beginning his private practice in 1928, Dellit's first major project was Kyle House in Macquarie Place, Sydney. The building, notable for its strong vertical lines and dominating ground floor arch, is considered among the earliest examples of Sydney commercial architecture embracing the Inter-War Art Deco style.

The Barrington Tops marara is a bush or small tree to 8 metres (25 ft) tall, and 25 cm (10 in) in diameter. Often seen with a multi stemmed and cylindrical shaped trunk. The bark is fairly smooth, fawn or brown in colour. With raised bumps in vertical lines.

The volume was printed using the xylographic technique, printing each page of text from one hand carved woodblock. Vertical lines long the inner margins of some pages were made by the inked edge of the block, and the grain of the wood appears as striations throughout the printed areas.

When vertical lines in the object being photographed meet exactly in the combined image, the object is in focus. A normal composition viewfinder is also provided. Later the viewfinder and rangefinder were combined. Many rangefinder cameras had interchangeable lenses, each lens requiring its own range- and viewfinder linkages.

The Ulam spiral is constructed by writing the positive integers in a spiral arrangement on a square lattice: Numbers from 1 to 49 placed in spiral order and then marking the prime numbers: Small Ulam spiral In the figure, primes appear to concentrate along certain diagonal lines. In the 200×200 Ulam spiral shown above, diagonal lines are clearly visible, confirming that the pattern continues. Horizontal and vertical lines with a high density of primes, while less prominent, are also evident. Most often, the number spiral is started with the number 1 at the center, but it is possible to start with any number, and the same concentration of primes along diagonal, horizontal, and vertical lines is observed.

Gules is represented by vertical lines, azure by horizontal lines, and sable by a combination of horizontal and vertical lines. Diagonal lines running from dexter chief to sinister base represent vert, while purpure is the reverse, represented by diagonal lines running from sinister chief to dexter base. Sanguine is represented by diagonal lines running in each direction, while tenné is represented by a combination of horizontal lines and diagonal lines running from sinister chief to dexter base. Nine additional hatchings, published by Marcus Vulson de la Colombière in 1639, were intended to represent other colours, although none of them correspond with regular heraldic tinctures, and they have never been used in British armory.

As an example, consider assigning roles in a play to actors. # To start with, the two sets are enumerated horizontally across a board. The actors' names would go on top, and the roles on the bottom. Then, vertical lines are drawn connecting each actor with the role directly below it.

A shrub or small tree to 6 metres tall with a stem diameter of 5 cm. An attractive plant with pinkish red new growth in springtime and colourful fruit in the autumn. The trunk is crooked, and not buttressed. With dark grey or black bark, marked with vertical lines and cracks.

On the north side the king wears the red crown. On the south wall of the main central chamber scenes in sunk relief can be seen. On the right is a scene of the scepter of Amun with four vertical lines and more inscriptions. Inside the sanctuary stand two statues.

The five whorls of the teleoconch are broadly, tabulatedly shouldered at the summit, and moderately rounded. They are marked by almost vertical lines of growth and numerous exceedingly fine spiral striations. The sutures are rendered very conspicuous by the tabulated shoulder. The periphery of the body whorl is well rounded.

Paper with Seyès ruling In order to foster handwriting discipline, a type of ruling known as Seyès ruling is used on paper in schools. Heavy vertical lines are spaced 8 mm (appx. 5/16 in) apart, beginning 16 mm (appx. 5/8 in) from the left-hand edge of the page.

The sutures are well impressed. The periphery is short, the base of the body whorl is well rounded, the latter narrowly umbilicated. The entire surface of the spire and the base is marked by numerous vertical lines of growth and exceedingly fine, closely spaced, wavy spiral striations. The aperture is ovate.

The spiral sculpture is marked by vertical lines of growth and numerous, exceedingly fine, wavy, spiral striations. The sutures are deeply impressed and not strongly contracted (as in O. aleutica). The periphery of the body whorl is rounded. The base of the shell is strongly inflated and marked like the spire.

The periphery and the base of the body whorl are somewhat inflated and strongly rounded. The entire surface of the spire and the base are marked by numerous vertical lines of growth and exceedingly fine microscopic, closely spaced, spiral striations. The ovate aperture is very large. The posterior angle is obtuse.

The Gamate seems, however, to have had two different types of LCD screen used throughout its lifespan. The easiest way to tell which type one has is by turning the Gamate on without a game in - the "bad" one displays vertical lines while the "good" one displays a slightly corrupted checkerboard pattern.

The wavy lines indicate water; the use of vertical lines represents both the south to north direction of the river, and also the Niagara Falls. The compass shows direction, and thus represents national and international reach, both for the river (as part of the Saint Lawrence/Great Lakes transportation system) and for heraldry.

The shape of the shield is rectangular, with its upper corners protruding and lower rectangular, the center of its base ends with a point, and positioned in such a way, that drawing a horizontal line joining two vertical lines of the rectangle from where the lower angles begin results in a perfect square.

The tree bark on the plate of this poem is created using vertical lines, this is different than the tree bark on plates from "Songs of Innocence" because the tree bark is drawn in horizontal strokes on them.[Blake, William. Songs of Innocence and of Experience. Vol. 2. Princeton University Press, 1994.

The John S. Whitman House is constructed as three long and narrow rectangular blocks, stacked atop of the other. The overall look is strongly horizontal, balanced with vertical lines from the embossed chimney, a patio window and bay windows on one side. The entrance is within a small, recessed door near the garage.

The Wei army routed enemy soldiers by deploying troops into over ten columns that changed between feilong "flying dragons", tengshe "ascending snakes", and yuli "beautiful fishes" (alluding to Shijing 170). Third, Tengshe "flying dragon" has a specialized meaning in Xiangshu "Chinese physiognomy", referring to "vertical lines rising from corners of the mouth".

Cryptocarya meissneriana is a small tree, reaching 10 metres in height and with a trunk diameter of 25 cm. The bark is brown, mostly smooth with vertical lines of bumps. Leaves alternate, simple, narrow, with a prominent tip. Not particularly thick as the common name might suggest, 5 to 9 cm long.

Brown (1996), pp. 136–7. The north, entrance front on the higher ground is two-storey, in an E-plan with the facades displaying predominantly horizontal lines. The south, garden front is taller, less symmetrical, and with emphatic vertical lines. The west end of the south front is dominated by chimney stacks.

The sutures are strongly impressed. The periphery and base of the body whorl is somewhat inflated, well rounded, the latter very frequently narrowly umbilicated. The entire surface of the spire and base is marked by vertical lines of growth and numerous exceedingly fine, spiral striations. The aperture is ovate, somewhat effuse anteriorly.

On the 4x4x4 board, there are 76 winning lines. On each of the four 4x4 boards, or horizontal planes, there are four columns, four rows, and two diagonals, accounting for 40 lines. There are 16 vertical lines, each ascending from a cell on the bottom board through the corresponding cells on the other boards. There are eight vertically-oriented planes parallel to the sides of the boards, each of these adding two more diagonals (the horizontal and vertical lines of these planes have already been counted). Finally, there are two vertically-oriented planes that include the diagonal lines of the 4x4 boards, and each of these contributes two more diagonal lines—each of these including two corners and two internal cells.

Vedic chantings use 4 tones – Udatta उदात्त(middle tone), Anudaatta अनुदात्त (lower tone), Svarita स्वरित (higher tone) and Deergha Svarita दीर्घस्वरित (High tone extended). These are usually marked with intuitive svara marks – an underline for lower tone, a small vertical line above the letter for a higher tone and two vertical lines for Deergha Svarita.

Beau's lines are horizontal, going across the nail, and should not be confused with vertical ridges going from the bottom (cuticle) of the nail out to the fingertip. These vertical lines are usually a natural consequence of aging and are harmless.Google Answers: Vertical Ridges, citing several different studies and experts. Accessed April 7, 2009.

The style was High Victorian eclectic, with the symmetry and vertical lines drawn from Gothic Revival style, the rustic foundation and round arches from Romanesque Revival style, and the pilasters perhaps from Greek Revival. The architect is unknown. This 1891 building cost $8000. Inside, two rows of pews faced the altar at the south end.

These show for each resident trait value r all mutant trait values m for which S_r(m) is positive. Note that S_r(m) is zero at the diagonal m=r. In PIPs the fitness landscapes as experienced by a rare mutant correspond to the vertical lines where the resident trait value r is constant.

Untitled by Hélio Oiticica in 1956 This artwork is gouache on cardboard and is 409mm x 409mm. This artwork is relevant to Grupo Frente because it reflects the different colors, lines, and shapes. There are both horizontal and vertical lines, as well as, multiple rectangles and squares. Many of their artworks portray these shapes.

An image filled with strong vertical lines tends to have the appearance of height and grandeur. Tightly angled convergent lines give a dynamic, lively, and active effect to the image. Firmly turned, almost diagonal lines produce tension in the picture. The viewpoint of visual art is fundamental because every different perspective views different angled lines.

A further use of this corrugated metal was in combination with the window wall treatment of the two entrances to the building. The sloping form of the northern walls of the service cores were a departure from the horizontal/vertical lines of the building, giving dynamic lines to the composition of the building forms.

Spectrogram of dolphin vocalizations. Whistles, whines, and clicks are visible as upside down V's, horizontal striations, and vertical lines, respectively. Dolphins are capable of making a broad range of sounds using nasal airsacs located just below the blowhole. Roughly three categories of sounds can be identified: frequency modulated whistles, burst-pulsed sounds and clicks.

Letters in this script have long vertical lines with broad spacing. The name, meaning "third," is in reference to the x-height, which is one-third of the 'alif. #Reqa is a handwriting style derived from Naskh and thuluth, first appeared in the 10th century. The shape is simple with short strokes and small flourishes.

The second dorsal is clear with two rows of laterally lined orange spots. The caudal fin is clear and has two-three vertical lines of orange spots. The anal fin has a green base and then clear at the end. The breeding male has bright orange-red spots and breeding tubercles present on the scales.

For clock 4, the initiator is ready, but the target is not. On clock 5, both are ready, and a data transfer takes place (as indicated by the vertical lines). For clock 6, the target is ready to transfer, but the initiator is not. On clock 7, the initiator becomes ready, and data is transferred.

The periphery and the base of the body whorl are well rounded, the latter narrowly umbilicated. The entire surface of the spire and the base are marked by vertical lines of growth and numerous very fine, closely spaced, spiral lirations. The aperture is large, oval and slightly effuse anteriorly. The posterior angle is obtuse.

They are vivid blue to dark grey in colour along their backs and flanks and fade to a silvery blue-grey on the belly. Spanish mackerel have scores of narrow, vertical lines down their sides. Spanish mackerel are the largest of all Australian mackerels, growing to about 200 cm and up to 70 kg.

The periphery of the body whorl is angulated. The base of the shell is slightly rounded, sloping abruptly from the periphery to the umbilical area. The sutures are slightly impressed. The entire surface of the base and the spire is marked by numerous almost vertical lines of growth and many well-incised spiral striations.

The hollowed concave back of the figure is incised with vertical lines recalling a backbone. The female figure to the right is in a similar seated pose. It has a similar flattened face with pierced eyehole but no prominent jawline. There are incised eyelashes around the hole on the left side of the face.

In some sections of the work, the temporal processes within the sonoristic system become complex, with multiple entrances in several instrumental parts. To clarify his intentions, these sections are divided into seconds, with vertical lines in the score marking off each second. In Polymorphia, this occurs from rehearsals 11–24, 33–37, and 57–59.

Oxford: Oxford University Press. . Although Wynne's invention was based on earlier puzzle forms, such as the word diamond, he introduced a number of innovations (e.g. the use of horizontal and vertical lines to create boxes for solvers to enter letters). He subsequently pioneered the use of black squares in a symmetrical arrangement to separate words in rows and columns.

T & G building in Geelong The T & G Building is a distinctive building in Geelong, Victoria, Australia. It is located on the corner of Moorabool and Ryrie Streets. The building's style is a blend of Art Deco and Classicism. Both of these styles can be noted in the buildings geometric grooves, vertical lines and stepped form.

The building featured a tall vertical sign, a patterned terrazzo floor, gilded pillars, and acoustical tiles in geometric patterns. It had a seating capacity of just under 1000. Much of the interior features are influenced by the Zig- Zag Moderne and Streamline Moderne styles. The exterior is built of smooth Kasota limestone with vertical lines that transition to horizontal.

It will always be found in the "one's place" of the product. For the other digits, the two adjacent bone numbers separated by vertical lines are added up. In this example, there are four digits, since there are four groups of bone values separated by lines. The product's digits go in the same order as they are calculated.

A Ghost Leg transforms an input sequence into an output sequence with the same number of elements with (possibly) different order. Thus, it can be regarded a permutation of n symbols, where n is the number of vertical lines in the Ghost Leg.,Ho 2012, p.31 hence it can be represented by the corresponding permutation matrix.

When the Liberty Tower was completed, an unnamed critic in Architecture magazine lauded the use of the Gothic style for the facade's vertical lines. They also praised 90 West Street and the Liberty Tower for the use of "a high sloping roof to complete the structure", saying that "this is a more desirable termination than a plain flat deck".

Kresge again hired Kahn to design a larger headquarters, this time located on Second at Cass Park, spacious enough to provide office facilities for 1,200 Kresge employees. The resulting building, completed in 1927, P. 128. is unique for its horizontal massing as opposed to the vertical lines of the more common skyscraper, and won awards for its outstanding architecture.

Johann Anton André makes use of a right triangle to express a triad, and a square, for a seventh chord, the inversions being indicated by one, two, or three small vertical lines across their base, and the classification into major, minor, diminished, or augmented by the numbers 1, 2, 3, or 4, placed in the centre.

Angara-AkshateThe Madhva Sampradaya mark two vertical lines with Gopichandana representing Krishna's 'lotus feet'.Vedic Encyclopedia - see Tilak section In between a vertical black line is made from the daily coal of the dhupa (incense). In this sampradaya,worship is done to Narayana or Krishna daily. The coal left after offering incense is used to mark the black line.

A small tree with a dark dense crown of leaves, up to 15 metres tall and with a trunk diameter of 25 cm. The trunk is irregular, sometimes fluted and buttressed and multi stemmed. Dark coloured bark, tough to touch with wrinkles, bumps and vertical lines. Small branches dark green to black, leaf buds with soft hairs.

A graphite lined stamp is a postage stamp on which vertical lines of electro- conductive graphite are printed on the reverse. Graphite lined stamps were used in the United Kingdom from 1957 to 1960 as an experiment in the automation of mail sorting."Great Britain" in Commonwealth & British Empire Stamps 1840-1970, Stanley Gibbons, 2008, page GB17.

His attitude toward art was that it had become pretty things for the rich and he despised the rich. Jack's work was totemic in nature. He used vertical lines to establish height, and then expanded the sculpture horizontally above the viewer. He used cubic planes to define form and break them up the establish a visual rhythm.

The remainder of the egg's surface is divided by five vertical lines, studded with diamonds and connected with one another by gold garlands inlaid with rose and ruby flowers. The dividing line between the upper and lower sections of the egg also have golden leaves, rubies and diamonds, together with two triangular diamonds with Alexandra's initials, AF.

A medium to large tree.Wingham Brush Nature Reserve Pamphlet, National Parks & Wildlife Service of New South Wales 2008 The cylindrical trunk is brown or creamy with vertical lines of raised pustules. The trunk features scales with round depressions, colloquially known as "bollies", similar to the related Bollygum, Litsea reticulata. The tree's base is flanged in larger specimens.

The Hollerith punched cards used for the 1890 U.S. census were blank. Following that, cards commonly had printing such that the row and column position of a hole could be easily seen. Printing could include having fields named and marked by vertical lines, logos, and more. "General purpose" layouts (see, for example, the IBM 5081 below) were also available.

Acradenia euodiiformis is a tree that typically grows to a height of with stems up to in diameter. The trunk is usually irregular in shape, rarely cylindrical, sometimes with several stems. The bark is creamy, usually smooth, somewhat corky with vertical lines of pustules. The outer surface of live bark is in patterns of red and cream.

Beginning in 1974 the halftime show of the last home football game of the year is ended with On Wisconsin Finale. While playing a maestoso version of On Wisconsin, the band forms vertical lines. At once, lines expand into the letters On Wis and the band marches towards the audience, ending the performance in a knee bow.

Parts of the note heads are on the middle line may point either up or down. Generally, those whose heads are lower than this line point up while those whose heads are higher point down. In musical notation, stems are the, "thin, vertical lines that are directly connected to the [note] head." Stems may point up or down.

The painting contains only diagonal lines. The lack of horizontal and vertical lines throughout the painting along with the deep colors, create tension. This tension further highlights the chaos and violence of the animal's lives. These diagonals are emphasized in three primary ways: composition order, diagonal posture of the animals, and “the animal’s position in conformity with the diagonals.

Occasionally, single-issue (or narrow-focus) parties have arisen, and these are shown at the extreme top. Vertical lines indicate general elections. Although these are generally held every four years, the resulting coalition governments do not always finish their term without a government crisis, which is often followed by fresh elections. Hence the frequent periods shorter than four years.

It can be generalised even further by playing on an arbitrary incidence structure, where rows are lines and cells are points. Tic-tac-toe is the game given by the incidence structure shown to the right, consisting of nine points, three horizontal lines, three vertical lines, and two diagonal lines, each line consisting of at least three points.

In heraldry, sable () is the tincture black, and belongs to the class of dark tinctures, called "colours". In engravings and line drawings, it is sometimes depicted as a region of crossed horizontal and vertical lines, or else marked with sa. as an abbreviation. The name derives from the black fur of the sable, a species of marten.

In front of Bogwang Hall there are three pagodas, two three-storied, and one five-storied. The smaller three- storied pagoda measures 4.1 meters, while the larger measures 4.4. The five storied pagoda is 5.5 meters. The pagodas are plainly carved in sandstone, with upturned eaves surmounting square segments decorated only with raised vertical lines on the corners.

Evertz's paintings consist of vertical lines, for which she uses all colors of the color circle. In her latest compositions she turns to the color grey and its effects on surrounding colors. Occasionally, she also uses metallic colors, as these can reflect the light and set additional color impulses. She often repeats certain color constellations within an artwork.

Sketchpad could accept constraints and specified relationships among segments and arcs, including the diameter of arcs. It could draw both horizontal and vertical lines and combine them into figures and shapes. Figures could be copied, moved, rotated, or resized, retaining their basic properties. Sketchpad also had the first window-drawing program and clipping algorithm, which allowed zooming.

Typical Bayer sensor arrays have RGB photosites in a repeated 2 by 2 pattern. When it overlaps with a regular pattern that is being captured, a new interference pattern can occur that does not exist in real life. In contrast, X-Trans sensors have a more randomised pattern of RGB photosites than conventional Bayer array sensors, reducing the likelihood of interference and removing a need for a low-pass filter that lowers image resolution. See Patent PCT/JP2011/067419 Conventional Bayer sensors can also produce false colour as they do not have R and B photosites in some horizontal and vertical lines, Fujifilm claims that X-Trans sensors on the other hand have an improved colour reproduction due to all horizontal and vertical lines containing at least one R, G and B pixels.

W1WX is Boston's second television station (the first being W1XAY). This station started up in April 1929, and was owned by Shortwave and Television Laboratory, Inc., (which was founded on December 5, 1928 by A.M. "Vic" Morgan, Hollis Baird, and Butler Perry). The station started off broadcasting on 2.12 MHz, alternating between 48 and 60 vertical lines and 15 frames per second.

Highly embellished Gothic style necklaces from England reflected the crenelations, vertical lines and high relief of the cathedrals. Empress Eugénie popularised bare décolletage with multiple necklaces on the throat, shoulders, and bosom. There was also an interest in antiquity; mosaic jewellery and Roman and Greek necklaces were reproduced. Machine-made jewellery and electroplating allowed for an influx of inexpensive imitation necklaces.

The bullhead minnow is cylindrical and small in size, with an average length of 5.7 cm and a maximum length of 9.2 cm. The males of the species are dark in color, brown, olive, or tan, with two light colored vertical lines down their side, while the females are plain in comparison. The snout is rounded, and no teeth are present.”Bullhead Minnow”.

The result is considered "an early example of the perpendicular style".Stokstad, p.77. John of Gaunt's great hall, showing the vertical lines characteristic of the perpendicular style The most significant of Gaunt's buildings is his great hall. The great hall replaced an earlier sequence of great halls on the same site, and was strongly influenced by Edward III's design at Windsor Castle.

The orbit of Camillo is highly inclined. Vertical lines show the distance above and below the ecliptic every 30 days. Camillo orbits the Sun at a distance of 0.99–1.8 AU once every 20 months (614 days; semi-major axis of 1.41 AU). Its orbit has an eccentricity of 0.30 and an inclination of 56° with respect to the ecliptic.

The horse motif was the first image to be engraved. Later, vertical lines are overlain across the body and in front of the horse. The overall effect creates an impression of a palisade, fence or even falling spears. If this is the case, we might be seeing a scene in which horses are guided by a wooden structure—maybe for hunting purposes.

In heraldry, gules () is the tincture with the colour red. It is one of the class of five dark tinctures called "colours", the others being azure (blue), sable (black), vert (green) and purpure (purple). In engraving, it is sometimes depicted by hatching of vertical lines. In tricking—abbreviations written in areas to indicate their tinctures—it is marked with gu..

1220 The superhumeral, worn throughout the history of Byzantium, was the imperial decorative collar, often forming part of the loros. It was copied by at least women of the upper class. It was of cloth of gold or similar material, then studded with gems and heavily embroidered. The decoration was generally divided into compartments by vertical lines on the collar.

The gradual accumulation of air in a concentric reducer could result in a large bubble that could eventually cause the pump to stall or cause cavitation when drawn into the pump. Horizontal gas reducers are always eccentric, bottom flat, which allows condensed water or oil to drain at low points. Reducers in vertical lines are generally concentric unless the layout dictates otherwise.

The intersection of the horizontal and vertical stripes, , are squares that in the limit converge to the invariant set (this set is an intersection of a Cantor set of vertical lines with a Cantor set of horizontal lines). The structure of this set can be better understood by introducing a system of labels for all the intersections--a symbolic dynamics.

The pot is in the form of a barrel. The lip is straight, broken, and has two pairs of holes at the edge for hanging. Its surface is black, sealed, polished, and split into four sectors which are intermittently decorated with red okra and lit white paint triangles. The sectors are separated from each other by a pair of vertical lines resembling waves.

Mongolian is a Unicode block containing characters for dialects of Mongolian, Manchu, and Sibe languages. It is traditionally written in vertical lines , although the Unicode code charts cite the characters rotated to horizontal orientation as this is the orientation of glyphs in a font that supports layout in vertical orientation. The block has dozens of variation sequences defined for standardized variants.

The male has red on the face and abdomen, while the thorax is dark and marked with two yellow spots on every side. The female is yellowish-brown. Every side of the thorax is marked with a pair of yellowish white stripes, and the top of the abdomen is marked with horizontal and vertical lines, giving it a "plaid" appearance.

For the foundry "5nm" node, the minimum metal pitch for horizontal lines is taken to be around 32 nm,L. Liebmann et al. Proc. SPIE 10148, 101480F (2017). for which dipole- like illumination is preferred, but the minimum metal pitch for vertical lines (parallel to the gates) is taken to be around 40 nm, for which quasar-like illumination is preferred.

Traditional scoring system in Brus In addition to the bonuses for chancing and smacking, the team that wins the most tricks in each deal scores a point. Two points are scored for winning the first 5 tricks i.e. winning 5–0. To keep score, players draw a so-called 'comb', a horizontal line with vertical lines drawn across it at right angles.

Signal sampling representation. The continuous signal is represented with a green colored line while the discrete samples are indicated by the blue vertical lines. In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave (a continuous signal) to a sequence of samples (a discrete-time signal).

Mission Design is characterized by straight, thick horizontal and vertical lines and flat panels. The most common material used in Mission furniture is oak. For early mission cabinetmakers, the material of choice was white oak, which they often darkened through a process known as "fuming". Hardware is often visible on the outside of the pieces and made of black iron.

By illuminating the scene with a specially designed light pattern, structured light, depth can be determined using only a single image of the reflected light. The structured light can be in the form of horizontal and vertical lines, points or checker board patterns. A light stage is basically a generic structured light range imaging device originally created for the job of reflectance capture.

Different features require different illuminations. Different features in the same layout (as indicated by different colors) could require different illuminations, and hence, different exposures. While horizontal and vertical lines may be addressed with a common quadrupole illumination (blue), 45-degree orientations would suffer, as they require an entirely different quadrupole illumination (red). Consequently, to include all these cases would require separate exposures.

The summit of the succeeding turns falls very much anterior to the angulated periphery and gives to the whorls a decided overhanging appearance. The base of the shell is well rounded. The entire surface of the spire and the base are marked by numerous, almost vertical lines of growth and many exceedingly fine spiral striations. The aperture is broadly ovate.

Decoration is either incised (using millet stalks, bamboo, or shells) or painted on. Lids, or funiko, aren't incised, only painted. Biiki are comb-like tools made to create incised parallel lines. All incised decorations are called marembo or mapambo, but there are specific names for other patterns such as huku na huku (zig-zag,) mistari (vertical lines,) and ukumbuo (horizontal lines).

The projectors cover the tracked area with structured patterns called a binary m-sequence that resemble barcodes. The series of bars encodes a series of an assortment of vertical lines of varying thicknesses, without repeating any combination of seven adjacent line types anywhere in the projected image. The sensors read the bars to assess motion. The initial implementation offers sub-millimeter accuracy.

GE was the parent company of both RCA and NBC, and technical research was done at the Schenectady plant. The station originally broadcast on the frequencies of 2.0 to 2.1 MHz. In 1929, W2XBS upgraded its transmitter and broadcast facilities to handle transmissions of sixty vertical lines at twenty frames per second, on the frequencies of 2.75 to 2.85 MHz.

The term "normal cylindrical projection" is used to refer to any projection in which meridians are mapped to equally spaced vertical lines and circles of latitude are mapped to horizontal lines (or, mutatis mutandis, more generally, radial lines from a fixed point are mapped to equally spaced parallel lines and concentric circles around it are mapped to perpendicular lines). The mapping of meridians to vertical lines can be visualized by imagining a cylinder (of which the axis coincides with the Earth's axis of rotation) wrapped around the Earth and then projecting onto the cylinder, and subsequently unfolding the cylinder. By the geometry of their construction, cylindrical projections stretch distances east-west. The amount of stretch is the same at any chosen latitude on all cylindrical projections, and is given by the secant of the latitude as a multiple of the equator's scale.

Busk + Hertzog's designs have been described as "clean" and "minimalist", yet sculptural, incorporating horizontal and vertical lines and geometric shapes. Their designs combine bold colors with clear indications of their Danish design heritage. Busk + Hertzog develop their design ideas from physical research into furniture, and from examining shapes and lines in nature. They also visit locations where their furniture is in use in order to receive inspiration.

Regions of abdomen Regions shown on left in side-by-side comparison with quadrants. Nine regions of the abdomen can be marked using two horizontal and two vertical dividing lines. The vertical lines are the mid-clavicular lines taken from the mid-point of each clavicle. The upper horizontal line is the subcostal line taken from the inferior parts of the lowest costal cartilages.

The LegCo Complex demonstrates a strong emphasis on the vertical lines and features as the integrative design element. The interior design theme of the LegCo Complex integrates both elements of solemnity and prudence, and of openness and empathy, as symbolically represented by "square" (which denotes restraints) and "round" (which denotes changes) shapes used strategically in the interior design of the various lobby halls and conference rooms.

Andromeda Galaxy – in high-energy X-ray and ultraviolet light (released 5 January 2016). This light curve of Her X-1 shows long term and medium term variability. Each pair of vertical lines delineate the eclipse of the compact object behind its companion star. In this case, the companion is a two solar-mass star with a radius of nearly four times that of our Sun.

These alternated between a centre-left "Roman/Red" coalition of PvdA, KVP, ARP and CHU and a centre-right coalition of VVD, KVP, ARP and CHU. left wing parties are on the bottom, the Christian democratic parties in the center, with the right wing parties closer to the top. Occasionally one issue parties have arisen that are shown at the extreme top. Vertical lines indicate general elections.

Other pots use biodegradable twine, that disintegrates within less than a week Whales become entangled in crabbing gear. They get entangled in the vertical lines between crab traps on the ocean floor and the surface buoys. For example, as of 2014 there was an increasing number of entanglements off the coasts of the United States. Management measures have been implemented by NOAA National Marine Fisheries Service.

Raine, 123 The work is dominated by vertical lines, formed both from the trees and from the two arms of the angel. Two inner lines converge on Christ's palms, evoking the nails driven through him during his crucifixion. The Agony in the Garden was bequeathed by Blake collector Graham Robertson to the National Trust in 1948. It was acquired by the Tate Gallery the following year.

The difficulty level controls, as stated earlier, the possible formations to build. An easier difficulty level will accept any adjoining formation of same-colored blocks, while a harder difficulty level will only accept straight horizontal or vertical lines. A higher difficulty level will also control the number of different available colors for blocks and the number of Poro-porous that are on the playing field at start.

A shrub or small tree, though it occasionally can reach a height of 20 metres and a trunk diameter of 40 cm. The trunk is usually crooked with more than one main stem. The bark is thin; grey or fawn in colour, and is fairly smooth with some vertical lines. Leaves alternate, toothed, ovate to lanceolate with a pointed tip; 8 to 20 cm long.

Pokémon Puzzle League features the same gameplay as in Panel de Pon. The objective is to clear blocks from the playfield by arranging them in horizontal or vertical lines of three or more blocks. A continuous stream of new blocks pushes up from the bottom of the playfield, causing the entire playfield to rise continuously. If the blocks reach the top of the playfield, the player loses.

Trend lines are shown separately for each hemisphere (regressions with local polynomial fitting). The solid black line represents the linear fit to richness, and the dashed black line indicates the slope expected from metabolic theory (−0.32). The map inset visualizes richness deviations from the linear fit. The relative area of three different thermal regimes (separated by thin vertical lines) is given at the bottom of the figure.

Tom Pryce's helmet design was, in comparison to later drivers', simple and restrained. His helmet was plain white all over until 1970. At that year's race at Castle Combe, his father asked Pryce to make his helmet stand out more so that he could easily identify him in a pack of cars. Pryce added five black vertical lines to his helmet, placed just above his visor.

This has led to research to see if training such operative skills can improve long-term memory. The results by Liben et al. were inconclusive due to the test design. The initial presentation of the stimulus itself improved recall performance months later, possibly because presenting the stick array led children to pay more attention to vertical lines in their environment after leaving the testing room.

The sutures are strongly marked. The periphery of the body whorl is marked by a low raised cord, which renders it decidedly angulated. The base of the shell is short, well rounded, somewhat pinched in at the umbilical area. The entire surface of the spire and the base is marked by almost vertical lines of growth and numerous very fine, well incised, spiral striations.

Tanks periodically spawn from different locations on the edge of the screen and drive towards the player. The tanks always travel along horizontal or vertical lines, unlike the freely moving jeep. Tank turrets move to track the player, allowing them to shoot in any direction. Tanks normally take two hits to kill, and the player can have only two rockets on the screen at a time.

This nudibranch has a blue background to the dorsum, becoming darker at the margin. It has a pattern of four longitudinal black lines on the dorsum separating three ridges with tall yellow-capped tubercles surrounded by pale blue. At the edge of the mantle there are vertical lines of smaller tubercles with darker centres with broken black lines between them. The rhinophores are yellow.

Piwr, Pyowr, or Pyur (uppercase: Փ, lowercase: փ) is the 35th letter of the Armenian alphabet. It represents the aspirated voiceless bilabial stop (/pʰ/). Its capital form is homoglyphic to the Cyrillic letter Ef, the Greek letter Phi, and the symbol for the voiceless bilabial fricative. The lowercase form is the letter Tyun with two additional vertical lines jutting on the top and the bottom.

In general, she created the images by altering the form of lines. In the case of Nadar the details appear to cluster or cling to the rhythmical vertical lines creating convincingly attractive abstract shapes. In the later 1970s she wove small 7" or 8" lustrous silk portraits framed by dark brown raw silk borders. During the decade, she wove at least 13 portraits, many as private commissions.

The player can make ramp lines to have Ivy walk up or down, make vertical lines to reverse her direction, or pull the vines and slingshot Ivy in a given direction. Ultimately, the player must lead Ivy away from obstacles such as spikes or rats and to the end goal. The game features several different modes. The main game is where levels are simply played in order.

This use of an artist's work as a bedspread also exemplified the Wiener Werkstätte's belief in art being incorporated into all areas of life. Flögl used abstract shapes and geometric lines, as was characteristic of her work, to produce columns of bright butterflies separated by colourful vertical lines. Flögl was partial to butterflies. In 1929, Swiss- German company, Salubra manufactured a wallpaper collection designed by Flögl.

This light curve of Her X-1 shows long term and medium term variability. Each pair of vertical lines delineate the eclipse of the compact object behind its companion star. In this case, the companion is a 2 Solar-mass star with a radius of nearly 4 times that of our Sun. This eclipse shows us the orbital period of the system, 1.7 days.

When used in scrolls, repeated rolling and unrolling causes the strips to come apart again, typically along vertical lines. This effect can be seen in many ancient papyrus documents. Paper contrasts with papyrus in that the plant material is broken down through maceration or disintegration before the paper is pressed. This produces a much more even surface, and no natural weak direction in the material which falls apart over time.

During his training period, he specialised as sculptor, designer and draftsman.Jacobs, P.M.J. Beeldend Nederland: biografisch handboek {2}, Tilburg: P.M.J. Jacobs, 1993, pp. 401-2 Goossen’s work can be defined as non-figurative, geometric and abstract, with a focus on people and their relationship with the industrial world. As a result, the pieces display always intricate plays of horizontal and vertical lines, which create spatial tissues where the light penetrates.

Like a hologram, a discrete correlograph can recognize displaced patterns and store information in a parallel and non-local way so it usually will not be destroyed by localized damage. They then expanded the model beyond the correlograph to an associative net where the points become parallel lines arranged in a grid. Horizontal lines represent axons of input neurons while vertical lines represent output neurons. Each intersection represents a modifiable synapse.

Marionette lines are long vertical lines that laterally circumscribe the chin.Fabio Meneghini, Clinical Facial Analysis: Elements, Principles, Techniques They are important landmarks for the general impression of the face. Marionette lines are an ideal target for Botox treatment, often in addition to injectable fillers.Mauricio De Maio, Botulinum Toxin in Aesthetic Medicine Marionette lines appear with advancing age and some people never get them, depending on facial structure and anatomy.

There are 3 horizontal lines, 3 vertical lines and 2 diagonal lines. The board is empty to begin the game, and players take turns placing their pieces on empty intersections. Once all pieces are placed (assuming there is no winner by then), play proceeds with each player moving one of their pieces per turn. A piece may move to any vacant point on the board, not just an adjacent one.

The line across the top reads "I love" in Russian. The two vertical lines of text below resemble Japanese kanji but do not actually mean anything. The right side of the cover art contains a block of purple text which is the word 'Grimes' repeated in a grid pattern. In the top right, there are the first two lines of the poem "But Listen, I Am Warning You" by Anna Akhmatova.

Instead, only a silhouette of the couple was included.Lomberg, Jon, "Pictures of Earth" in However, the record does contain "Diagram of vertebrate evolution", by Jon Lomberg, with drawings of an anatomically correct naked male and naked female, showing external organs. The pulsar map and hydrogen molecule diagram are shared in common with the Pioneer plaque. The 115 images are encoded in analogue form and composed of 512 vertical lines.

The tusk, okike, held in the left hand, is used as a trumpet, odu. It alludes to the elephant, a widespread symbol for power and leadership. A stool and tusk, though not a staff, were often carried for persons of high title by a young boy or a girl. Most of the elaborate ikenga bear the ichi scarification pattern, consisting of parallel vertical lines on the forehead and temples.

The serekh of Double Falcon is unique in its layout and composition. Firstly, it is the only serekh topped by two Horus falcons, facing each other. Secondly, the serekh does not have a name compartment, being filled by the vertical lines which usually represent the niched facade of a palace. The serekh also lacks the horizontal line that delimits the palace facade from the name of the ruler above.

Britannic is a sans-serif typeface family that was sold in metal type by Stephenson Blake. It is a "modulated" or stressed sans-serif design, in which the vertical lines are clearly thicker than the horizontals. The Klingspor Museum reports that it was originally created by the Wagner & Schmidt foundry of Leipzig, Germany. In design it is intended for headings, advertisements and signs rather than continuous body text.

The western jumping blenny has a body which is slightly compressed and has a steep snout and a naked head, with no scales. The body is coloured greyish to greenish-grey paler underneath. It is marked with dark vertical lines on the head, lines of small dark spots on the dorsal, caudal and pectoral fins and there are irregular blotches along the flanks. It grows to a maximum standard length of .

The game uses a standard sáhkku board, i.e. an elongated board upon which is drawn three rows of fifteen sárgát (short, vertical lines - singular sárggis), on which the pieces may stand. The middle sárggis on the middle row is "the Castle" (Šloahtta), marked by a sun symbol or other symbol. On each side of the Castle, five sárgát away, are two sárgát marked by an X (sáhkku symbol) or other symbol.

Designed by Adrian D. Smith of Skidmore, Owings & Merrill, the Franklin Center is one of the most famous and recognized buildings in Chicago. The building's form features setbacks at the 15th, 30th and 45th floors. Designed in the postmodern architectural style, it is a granite-clad steel-framed building resting on pile foundations. The structure is characterized by strong vertical lines, spiked roof pinnacles, granite cladding and setbacks.

Cylindrical projection, where the stitched image shows a 360° horizontal field of view and a limited vertical field of view. Panoramas in this projection are meant to be viewed as though the image is wrapped into a cylinder and viewed from within. When viewed on a 2D plane, horizontal lines appear curved while vertical lines remain straight. Vertical distortion increases rapidly when nearing the top of the panosphere.

Sampling and quantization of a signal (red) for 4-bit LPCM In the diagram, a sine wave (red curve) is sampled and quantized for PCM. The sine wave is sampled at regular intervals, shown as vertical lines. For each sample, one of the available values (on the y-axis) is chosen. The PCM process is commonly implemented on a single integrated circuit called an analog-to- digital converter (ADC).

Partway through the series' short run, the main game payouts were adjusted. Instead of receiving $250 for winning a game, the winning team's total was determined by the line they made when completing a lingo. Horizontal and vertical lines paid off at $500, while diagonal lines paid $1,000. If the team was able to complete two lines with one draw—referred to as a "double Lingo"—the team won $2,000.

Wundt illusion The Wundt illusion is an optical illusion that was first described by the German psychologist Wilhelm Wundt in the 19th century. The two red vertical lines are both straight, but they may look as if they are bowed inwards to some observers. The distortion is induced by the crooked lines on the background, as in the Orbison illusion. The Hering illusion produces a similar, but inverted effect.

The Column of Trajan depicts one event: the Dacian Wars. This continuous narrative can be broken down into a series of events. These events flow from one scene to another without any physical indicators such as vertical lines. Because of how the narrative is read, from standing in front of the column, it seems to ebb right to left and then left to right which is common in continuous narratives.

The beauty of Philadelphia is that its lots were 20 to 25 feet, which allowed for a door and two windows. It's a falsehood to put a big building behind them. But it's preferable to demolition." The Philadelphia Inquirer architecture critic Inga Saffron was critical of the parking garage on the lower floors, saying it "detracts from [The St. James's] crisp, vertical lines and bumps clumsily against the historic buildings.

The band performs a drill called Marching LEHIGH after every halftime show, followed by a standstill performance of Lehigh's alma mater. It was first performed on September 24, 1954 at an away game against the University of Virginia.The Epitome 79 (1955). The maneuver consists of twelve vertical lines of marchers moving towards the end zone, then countermarching in the other direction to spell out "LEHIGH" on the field.

This implies that a good decision-maker needs to be properly biased in most real-world situations; this is the most critical and relevant insight from signal detection theory on classification and decision making. Figure 2. The higher section of the figure illustrates the assumptions of signal-detection theory in a binary decision task. The three vertical lines represent three decision criteria the agent and the decision-maker may adopt.

By measuring the rate of motion of the test signal the offset between frequencies can be determined. Vertical lines have been drawn through the points where each sine signal passes through zero. The bottom of the figure shows bars whose width represents the phase difference between the signals. In this case the phase difference is increasing, indicating that the test signal is lower in frequency than the reference.

Marruecos (English: Morocco) is one of the few landscapes Murray painted. It is also the painting she used as a cover for the first volume of Sixteen Years of an Artist's Life in Morocco, Spain, and the Canary Islands. It depicts a Moroccan landscape, with the horizon delimited by a row of buildings. It consists mainly of horizontal lines, only breaking with the vertical lines of palm trees on the hill.

The Dutch angle, also known as Dutch tilt, is a head tilt to one side, is a type of camera shot where the camera is set at an angle on its roll axis so that the shot is composed with vertical lines at an angle to the side of the frame, or so that the horizon line of the shot is not parallel with the bottom of the camera frame.

Fodor was designed for the covers of the magazine published by Museum Fodor in Amsterdam. The main text on the covers were set with an electric typewriter, and the monospaced typeface that it used created strong horizontal and vertical lines. Crouwel made these visible by using a regular pattern of pink dots on an orange background. He then used this grid to draw the letters fodor and a set of numbers.

Vertical lines of the columns rise nearly 100 feet (33 m) to the glass roof and create a spacious domed interior. In 2001, the Hyatt corporation redeveloped the Arcade into Cleveland's first Hyatt Regency hotel. The Hyatt Regency occupies the two towers and the top three floors of the atrium area. The two lower floors of the atrium area remain open to the public with retail merchants and a food court.

The four remaining leaves make up the actual map, with Jerusalem located close to the centre; two depict the Orient and the remaining two Europe and North and West Africa. The map is around in size. It shows illustrations of many cities—Christian cities with a cross, other cities with a dome—and with each city's political allegiance indicated by a flag. Wavy blue vertical lines are used to symbolise oceans.

An example of blackboard bold letters Blackboard bold is a typeface style that is often used for certain symbols in mathematical texts, in which certain lines of the symbol (usually vertical or near-vertical lines) are doubled. The symbols usually denote number sets. One way of producing blackboard bold is to double-strike a character with a small offset on a typewriter. Thus they are also referred to as double struck.

Arithmetic zeta functions generalise the Riemann and Dedekind zeta functions as well as the zeta functions of varieties over finite fields to every arithmetic scheme or a scheme of finite type over integers. The arithmetic zeta function of a regular connected equidimensional arithmetic scheme of Kronecker dimension n can be factorized into the product of appropriately defined L-factors and an auxiliary factor . Assuming a functional equation and meromorphic continuation, the generalized Riemann hypothesis for the L-factor states that its zeros inside the critical strip \Re(s)\in (0,n) lie on the central line. Correspondingly, the generalized Riemann hypothesis for the arithmetic zeta function of a regular connected equidimensional arithmetic scheme states that its zeros inside the critical strip lie on vertical lines \Re(s)=1/2,3/2,\dots,n-1/2 and its poles inside the critical strip lie on vertical lines \Re(s)=1, 2, \dots,n-1.

Bodoni, an example of a modern serif Didone, or modern, serif typefaces, which first emerged in the late 18th century, are characterized by extreme contrast between thick and thin lines. These typefaces have a vertical stress and thin serifs with a constant width, with minimal bracketing (constant width). Serifs tend to be very thin, and vertical lines very heavy. Didone fonts are often considered to be less readable than transitional or old-style serif typefaces.

The aim of the game is to remove all tiles from the board. Only two matching tiles can be removed at a time. Two tiles can be removed if they can be connected by up to three horizontal or vertical lines which pass only through empty spaces. The game is over if future moves are not possible and tiles are left on the board, or the player successfully removes all the tiles.

Macrognathus fasciatus is a species of spiny eel found in the Manimala River and first described in 2014. Macrognathus fasciatus differs from its relative species by the presence of 28–30 dorsal spines, 26–27 vertical lateral lines on the body, 8–9 whitish yellow round spots present in a row in between every two vertical lines and first dorsal spine originate at the level or a little behind the end of pectoral fin.

The Boston Post May 4, 1928 W1XAY was one of the first television stations in the world, being founded on June 14, 1928. It was called as "WLEX" from its sister radio station, in Lexington, Massachusetts, United States (near Boston), the current day WVEI in Worcester. The television station broadcast on a wavelength of 85.7 meters (3.5 MHz), with 48 vertical lines of resolution, and 18 frames per second. It shut down in March 1930.

The classical or traditional Mongolian script, also known as the Hudum Mongol bichig, was the first writing system created specifically for the Mongolian language, and was the most widespread until the introduction of Cyrillic in 1946. It is traditionally written in vertical lines . Derived from the Old Uyghur alphabet, Mongolian is a true alphabet, with separate letters for consonants and vowels. The Mongolian script has been adapted to write languages such as Oirat and Manchu.

Oak Park Landmark Nomination Form, pg. 6. The art glass, which is one of Wright's earliest completely original designs of the type, features three vertical lines with simple colored borders. When compared with the art glass on the Isidore Heller House, designed the same year, the Furbeck glass is uninteresting and may represent the start of Wright's glass border art work.Heinz, Thomas A. Frank Lloyd Wright's Stained Glass & Lightscreens, (Google Books), Gibbs Smith, 2005, pg.

The church was kept under the maintenance by the order of Clerics Regular of the Mother of God, that had been founded in Lucca.Guida metodica di Roma e suoi contorni, by Giuseppe Melchiorri, Rome (1836); page 326. Rainaldi's facade has a complex stacking of two levels of travertine Corinthian (below) and composite columns, detached from the facade, and emphasizing a strong vertical lines. The original design included statues which were however never executed.

Their strong vertical lines carried on into > corner turrets set before pyramidal spires. John Pearson died in November 1897, two weeks before Webber presented fresh plans to the cathedral chapter. In 1898, Frank Loughborough Pearson (John Pearson's son and partner) was entrusted to carry out his father's design. In 1899, the cathedral chapter approved Pearson's revised plans only to be forced to reconsider the entire cathedral when the state government bought the original intended site.

Various proofs of the lower bound can be found in . To see that this is tight in general, one can consider the case of a stretching out a very long and thin rectangle. Any opaque forest for this shape must be at least as long as the rectangle, or else there is a hole through which vertical lines can pass through. As the rectangle becomes longer and thinner, this value approaches p/2.

Working up from bottom to top, this process is repeated six more times until the complete odu is constructed and written on the board. If sacred palm nuts are used, sixteen nuts are held in one hand by the babalawo. With the other hand, he snatches as many as he can out of his palm. If there is one remaining, he draws two vertical lines into the iyerosun powder on the board.

The slightly curved, near vertical, lines on the main part of the map are the (constant rotational) corrected speed lines. They are a measure of rotor blade tip Mach number. Note on the illustration that the speed lines are not distributed linearly with flow. This is because this particular compressor is fitted with variable stators, which open progressively as speed increases, causing an exaggerated increase in flow in the medium to high speed region.

The Half-and-half wrasse is a medium-sized fish that can reach a maximum length of 50 cm. Its body is high, relatively flattened, its head is large and its terminal mouth has thick lips. Its body coloration varies according to age. Juvenile wrasse have a greenish yellow background color with yellow vertical lines, a broad white diagonal band just behind the operculum, an orange caudal fin and a greenish gray front.

Originally there were two huge boulders; one sitting a top of a small hill and another boulder bisecting the road towards Sithafalmandi and Mylargadda. The first boulder has completely disappeared which was behind the current Hanuman Temple and replaced by dwellings. The second boulder was where the current Lord Kalyana Venkateswara temple stands. Both these boulders had huge three vertical lines or Namalu (Telugu) and boulders are called Gundu (Telugu); hence the name Namalagundu.

Spherical projection or equirectangular projection — which is strictly speaking another cylindrical projection — where the stitched image shows a 360° horizontal by 180° vertical field of view i.e. the whole sphere. Panoramas in this projection are meant to be viewed as though the image is wrapped into a sphere and viewed from within. When viewed on a 2D plane, horizontal lines appear curved as in a cylindrical projection, while vertical lines remain vertical.

The dorsal and anal fins are semitransparent with a black dot in front of it. Typically it has a pattern of four white spots on the body, between the dorsal and anal fins; three white vertical lines in the long caudal peduncle and a black, submarginal, in each margin of the caudal fin dot. Aulostomus strigosus Tenerife, Canary Islands It reaches a maximum length of 75 cm.Fritzsche, R.A., (1990). Aulostomidae. p. 653.

San Francisco: Cadence Books. . Japanese designer Masayuki Ito, following Julesz, created a single image stereogram in 1970 and Swiss painter Alfons Schilling created a handmade single-image stereogram in 1974, after creating more than one viewer and meeting with Julesz.Weibel (2005), p. 125. Having experience with stereo imaging in holography, lenticular photography, and vectography, he developed a random-dot method based on closely spaced vertical lines in parallax.Sakana, Itsuo (1994). Stereogram, pp. 75–76.

The round building is seven stories high. Five vertical lines divide the building both visually and functionally into sections and also serve as continuous passages that provide access from outside to the central courtyard and to the different stories. The ground floor has common facilities: a café, auditorium, study and computer rooms, workshops, laundry, music and meeting rooms, and bicycle parking. The apartments are located on the other stories, 12 in each segment.

A more modern approach to word recognition has been based on recent research on neuron functioning. The visual aspects of a word, such as horizontal and vertical lines or curves, are thought to activate word-recognizing receptors. From those receptors, neural signals are sent to either excite or inhibit connections to other words in a person's memory. The words with characters that match the visual representation of the observed word receive excitatory signals.

The Extended Drawing Test is a computerized graphonomic assessment for arm and hand function. The EDT measures the ability of the subject to draw vertical lines, with both the left and right hands. To compare performance between gross arm movements and fine finger control, the subjects draw lines holding either the tablet's pen (held by the fingers) or a mouse (held by the whole hand). The latter movements do not include finger movements.

Women were not allowed to see drawings of Baiame nor approach Baiame sites—which are often male initiation sites (boras). In rock paintings Baiame is often depicted as a human figure with a large head-dress or hairstyle, with lines of footsteps nearby. He is always painted in front view; Daramulum is drawn in profile. Baiame is often shown with internal decorations such as waistbands, vertical lines running down the body, bands and dots.

Hans-Christoph Steiner's score for Solitude, created using Pure Data's data structures.This notation may be, like music on traditional staves, a time-pitch graph system. Earle Brown's December 1952 consists purely of horizontal and vertical lines varying in width, spread out over the page; it is a landmark piece in the history of graphic notation of music. The role of the performer is to interpret the score visually and translate the graphical information to music.

Among the most mysterious of the carvings are images of geometric symbols, found predominantly among the oldest carvings of the area. Some of these are circular objects, some of which are surrounded by fringes, others show intricate patterns of horizontal and vertical lines. While some of these objects have been explained as tools or similar objects (the line patterns, for example, are sometimes explained as fishing nets), most of these symbols remain unexplained.

Svatopluk Pitra was born 9 March 1923 in the small village of Štěnec (now part of Jenišovice). His childhood was spent in a former mill with his mother's parents. In 1929 he moved to Poděbrady along with his mother and older brother Bohumil, where he started attending elementary school. Even many years later he could still remember his first school assignment: drawing six rows of vertical lines that gradually transformed into ones.

Because of wear, over 400 different plates were used to print the Penny Red. Two different basic watermarks were used for the paper, small crown, (on the early issues) and large crown, introduced on 15 May 1855. The first stamps printed on the large crown watermarked paper showed two small vertical lines in the central portion of the crown. Later printings showed a revised watermark on which these central lines are not present.

The vertical lines are not barlines in the conventional sense, but simply indicate the middle of the staff length. A cross indicates the moment when sound stops; diamond-shaped notes are depressed but not sounded. The notation of the piece is proportional: Cage standardized the horizontal distance between notes with the same rhythmic value. A quarter note is equal to two and a half centimeters (almost exactly one inch) in the score.

Prior to the Edo period, handwriting was often calligraphic and written materials often made use of scrolls, which would have made the guidelines printed on genkō yōshi a hindrance, although paper was sometimes printed with vertical lines designed to keep columns of vertical writing straight. Genkō yōshi came into common use in the middle of the Meiji period with the rising importance of newspapers and magazines, and the attendant need to count characters precisely.

The result was two stacked fans positioned 36 mils (~2 degrees) apart vertically. When a round was fired it would penetrate the two beams in turn. Returns from both were sent to the same B-scope display, causing two blips to appear. When the first appeared, the operator would turn two hand wheels to move a horizontal and vertical lines on the display, the strobes, so they lay on top of the blip.

The colours and figures are confined to the central section of the painting where their diagonal and open stances create a strong sense of movement. The top and bottom sections of the painting are dominated by layered horizontal and vertical lines, in the floor tiles in the lower section and the architectural features in the top, that give the painting depth. Tiepolo's masterful use of foreshortening in the figures accentuates this depth.

Examples included drawing a bridge to cross a river, using an axe to chop down a tree, or creating a cage to trap a dangerous lion. Another use of the interactive screen was to decode messages. An image would be displayed, showing only the vertical lines of the letters of the secret message. Viewers would then quickly trace onto their magic screen, and a second image would display the horizontal lines, completing the text.

The five post-nuclear whorls are slightly rounded, somewhat constricted at the summit. They are marked by almost vertical lines of growth and very regular, closely spaced, wavy, spiral striations; of the latter about 25 occur between the sutures and the third whorl. The periphery of the body whorl is decidedly inflated and strongly rounded. The base of the shell is moderately long, well rounded, with a narrow umbilicus, marked like the spire.

Costume texture and patterns can emphasize or minimize parts of a dancer's body. For example, vertical lines visually lengthen and thin the body, and horizontal lines shorten and widen it. Costume textures and patterns are created using shading, patching, tie-dyeing, and appliqué techniques such as drawing with a fabric pen or painting on the fabric, spraying the fabric, or stitching onto the fabric. Stencils are commonly used when drawing or spraying onto costume fabric.

In Pakistan and India, wildcats have pale sandy yellow coats, marked with small spots that tend to lie in vertical lines down the trunk and flanks. The wildcats of Central Asia have a more greyish-yellow or reddish background color, marked distinctly with small black or red-brown spots. The spots are sometimes fused into stripes, especially in the Central Asian regions east of the Tian Shan Mountains. The Asiatic wildcat weighs about .

Gurbani may be recited in the Sadh Sangat at any time, whether or not one is in the presence of Siri Guru Granth Sahib. A beautiful form of recitation in a group is to divide into groups of men and women with each reciting an alternate sutra. (A sutra is a complete line of poetry.) In the Gurmukhi each sutra is separated by two vertical lines (//). Gurbani should be recited rhythmically and meditatively.

B22 base. The filaments are visible as the four yellow vertical lines. An LED filament light bulb is an LED lamp which is designed to resemble a traditional incandescent light bulb with visible filaments for aesthetic and light distribution purposes, but with the high efficiency of light emitting diodes (LEDs). It produces its light using LED filaments, which are series- connected strings of diodes that resemble, in appearance, the filaments of incandescent light bulbs.

The Amsler grid, used since 1945, is a grid of horizontal and vertical lines used to monitor a person's central visual field. The grid was developed by Marc Amsler, a Swiss ophthalmologist. It is a diagnostic tool that aids in the detection of visual disturbances caused by changes in the retina, particularly the macula (e.g. macular degeneration, Epiretinal membrane), as well as the optic nerve and the visual pathway to the brain.

The purpose of the Hough transform is to address this problem by making it possible to perform groupings of edge points into object candidates by performing an explicit voting procedure over a set of parameterized image objects (Shapiro and Stockman, 304). The simplest case of Hough transform is detecting straight lines. In general, the straight line y = mx + b can be represented as a point (b, m) in the parameter space. However, vertical lines pose a problem.

"The fourteen "ziggurat"-styled support columns or buttresses, seven each along the north and south facades, with their incised vertical lines, are an excellent example of this Art Deco style." (includes 4 photographs from 2001) The school district built a new gymnasium in 1960, and this building was adapted for community use. In 1996 the school district donated the building and property to the city. It was listed on the National Register of Historic Places in 2001.

The flag of the province of North Brabant was adopted by the Provincial Council on January 21, 1959. In addition, the following description was used: "Rectangular, consisting of four horizontal stripes, divided into six adjacent surfaces of red and white and six vertical lines, divided into four adjacent sides of red and white." The flag of the Belgian province of Antwerp follows the same pattern but makes use of the colours red, white, blue and yellow.

Children typically attend preschool between the ages of 2 and 5. At this time, the child is capable of grasping objects using the static tripod grasp, which is the combined use of the index, thumb, and middle finger. A preschooler's motor skills are moderate, allowing the child to cut shapes out of paper, draw or trace over vertical lines with crayons, button their clothes, and pick up objects. A preferred hand dominates the majority of their activities.

If (X,\omega) is a translation surface there is a natural measured foliation on X. If it is obtained from a polygon it is just the image of vertical lines, and the measure of an arc is just the euclidean length of the horizontal segment homotopic to the arc. The foliation is also obtained by the level lines of the imaginary part of a (local) primitive for \omega and the measure is obtained by integrating the real part.

Seen from the front, the middle part of the building is taller, with the two sides spreading symmetrically; the design emphasizes vertical lines with simplicity and modernism. In addition, cornices, doors and windows, canopies and hallway are decorated with simplified traditional Chinese patterns. There are more than 3,400 seats in the hall, which is equipped with automatic voting systems and translation devices. The hall is fully air conditioned, a very modern feature at the time it was built.

Pottery included Halafian painted shards both pattern and plain burnished with incised decoration including horizontal or vertical lines with dots, waves, zig-zags and cross-hatched designs. some with an application of red wash. These finds were significant as they represented the most southerly Halaf type painted pottery yet found. Red, orange, brown and black burnished bowls and jars were found in upper levels, with lower levels showing more coarse shards smoothed by hand or with straw.

These carpets derived their names from the town of Sarab situated between Tabriz and Ardabil, There are the following versions of the Sarabi carpet: The center field covered with the vertical lines, which are decorated by blooming branches arranged one after another in am asymmetrical way. The center field with one gel. The carpets are beautiful and harmonious in color. The vegetal ornamental elements are woven almost in dotted lines, which to some extent resembles Karabakh carpets.

By lining up four or more blocks with the same color in certain formations the whole formation disappears. The available formations can be straight horizontal or vertical lines or simply just any adjoining formation, depending on the set difficulty level. What sets Hebereke's Popoitto apart from other similar games is that moving creatures, named Poro-porous, will float suspended in mid-air on the playing field. Sporadically, Poro-porous will move one space right, left, up or down.

In the first diagram, the two ends of the train are drawn as grey lines. Because the ends of the train are stationary with respect to the observer on the train, these lines are just vertical lines, showing their motion through time but not space. The flash of light is shown as the 45° red lines. The points at which the two light flashes hit the ends of the train are at the same level in the diagram.

The idea is to use vertical monotone chains, instead of using vertical lines to partition the subdivision. Converting this general idea to an actual efficient data structure is not a simple task. First, we need to be able to compute a monotone chain that divides the subdivision into two halves of similar sizes. Second, since some edges may be contained in several monotone chains, we need to be careful to guarantee that the storage space is O(n).

Returns caused the spot to be deflected downward (or upward on some models), drawing vertical lines on the tube. These lines were known as a "blip" (or "pip"). The X-axis input was connected to a sawtooth voltage generator known as a time base generator that swept the spot across the display, timed to match the pulse repetition frequency of the radar. This spread out the blips across the display according to the time they were received.

Janet's descendants called on Downing's friend Alexander Jackson Davis to expand and renovate the house into a more classically inspired villa over a period of 20 years. He used curved forms in the balustrades and wings to offset the strong vertical lines of the existing building. The arcaded pavilion makes the veranda common on many mid-19th century houses into a wing of its own. Textures were added to the surface in the abundant decorations, many using floral motifs.

The front elevation of the house is symmetrical, displaying a predominance of vertical lines such as windows or pilasters. The portal is crowned by an arch realised with sandstone segments. The original wooden door with a transom is towered by four vertical bars of stained glazing. The portal is flanked up by stuccoed busts of children, on the left - a girl, on the right - a boy, bringing back to mind the initial function of the edifice.

Templates are used for minimal modification of background elements and frequent modification (or swapping) of foreground content. Most desktop publishing software allows for grids in the form of a page filled with coloured lines or dots placed at a specified equal horizontal and vertical distance apart. Automatic margins and booklet spine (gutter) lines may be specified for global use throughout the document. Multiple additional horizontal and vertical lines may be placed at any point on the page.

Modern attempts to understand constructional apraxia have moved away from anatomical functions towards a cognitive neuropsychological approach. Both adults and children alike experience difficulty reproducing oblique lines. Some feel that these deficiencies may be attributed to planning since it is easier to plan horizontal and vertical lines than oblique lines. Research indicates that both adults and children are more able to draw squares than diamonds, although as children grow into adults they are more accurately able to depict diamonds.

Cymbals are usually notated with 'x' note heads, drums with normal elliptical note heads and auxiliary percussion with alternative note heads.Drum Notation - Drumbook.org Non-pitched percussion notation on a conventional staff once commonly employed the bass clef, but the neutral clef (or "percussion clef"), consisting of two parallel vertical lines, is usually preferred now. It is usual to label each instrument and technique the first time it is introduced, or to add an explanatory footnote, to clarify this.

The tower's original design had called for 16 columns on the base and a colonnade capped with a concrete parapet that would surround the tank. Other decorative elements that were removed before the tower was built include brackets at the cornice and astragal molding. As completed, the tank is exposed instead of hidden and its lapped joints continue the vertical lines of the columns on the base. An antenna caps the structure, which unites technology and traditionalism.

The exterior of this egg is pink-mauve enameled gold split into twelve sections. It measures 102 mm (4 in.) tall by 67 mm (2 5/8 in.) wide. Six vertical lines of rose-cut diamonds and three horizontal lines separate the enameled panels from one another. There is an emerald at each intersection of the lines separating the panels, and the egg is crowned with a medallion of radiating leaves around a cabochon star sapphire.

The infants were shown diagonal and horizontal or vertical lines to study astigmatism. He found that infant astigmatism, if given optical correction, does not show neural loss. Because many eye exams for children at that time were superficial until the child went to school, children would develop preventable vision disorders. He presented his findings and method for testing visual acuity in babies at a vision symposium sponsored by the National Research Council of the National Academy of Sciences.

Three-point perspective is often used for buildings seen from above (or below). In addition to the two vanishing points from before, one for each wall, there is now one for how the vertical lines of the walls recede. For an object seen from above, this third vanishing point is below the ground. For an object seen from below, as when the viewer looks up at a tall building, the third vanishing point is high in space.

After the wedding, the husband has to build a hut and live in his wife's village for a year or more, tilling their father-in-law's land. Divorce is accepted. The Berta practice scarification, usually three vertical lines on each cheek, which they consider to be symbols of God (each line is interpreted as the initial letter of Allah, the Arabic alif). Most Berta are mixed farmers also involved in livestock raising, trade, beekeeping, and coffee cultivation.

The 1991 sleeve of the CD artwork is a simple dark blue cover with two very distinct vertical lines running through it. One colour is lime green running through the middle and the other is white to the left of the green line. There is also two wider lighter blue lines either side of the white line. The band's name is seen in medium-sized letters, in its typical font, on the top right of the artwork.

One of his series called Fisicromias (Physiochromies) shows how coloured light is perceived and displaced through one's eyes. Another artist that participated in this style was Alejandro Otero. His series Colortions (Rhythmicolors) combine the same concepts of the perception of colour in the eye and participators' movement with the work, but gave greater attention to how the colours are controlled with vertical lines. Jesús Rafael Soto died in 2005 in Paris, and is buried in the Cimetière du Montparnasse.

High ceilings and large windows allowed light to still reach the depths of the house. Toronto architectural tastes in this era were dominated by the various Victorian Revival styles, especially Gothic Revival. The steep roofs and sharp vertical lines of the bay-and-gable imitated the Gothic style in a way that was affordable to middle class homeowners. For homeowners who wanted more ornamentation, the gables and large windows both provided areas that could be elaborately decorated.

Each part of the game of Nim requires the presence of two players, each taking a turn in turn. The Nimatron takes the role of one player and has four vertical lines of seven bulbs and a feature that allows you to decide how many lights you use during the game. The player can turn off one or more lights in any line, then the machine plays and so on. The last one to extinguish a light has won.

74, Llergo Bay 2016, pp. 175–182 \- and is not a set of individuals. These communities are described as joined in a multi-layer structureGil Robles distinguished between horizontal and vertical lines of division; the former are mostly territorial units, family, municipio, region, province etc, while the latter are mostly functional, like gremios, asociaciones, parties etc., García Canales 2015, pp. 26, 46 organized by teleological principles, hierarchic and constantly interfacing with each other.see references to “jerarquización teleológica”, Gambra 1949, p.

When new, the fourteen-story Art Deco building dominated the skyline of Chicago's far north side. The Skyscraper had few equals in size and style outside of Downtown Chicago (similarly designed buildings include the Palmolive Building, the Chicago Board of Trade Building, and the West Town Bank Building). Vertical lines of Indiana limestone created a visual illusion making the college appear to soar higher than its actual .Women and Leadership Archives (WLA). Mundelein College Record Collection. B.1..3g. 2006 Chicago Landmark Application.

A crossed cheque – the oblique or vertical lines in the centre form the crossing. Like most modern cheques in the UK, the cheque is pre-crossed as printed by the Bank. A crossed cheque is a cheque that has been marked specifying an instruction on the way it is to be redeemed. A common instruction is for the cheque to be deposited directly to an account with a bank and not to be immediately cashed by the holder over the bank counter.

The row in which this number is located is the only row needed to perform the remaining calculations and thus is usually isolated from the rest of the board for clarity. Second step of solving 425 x 6 The calculation could be started from either end. The values separated by vertical lines are added to form the products' digits. The last number found on that horizontal row of bones will never require addition, as it is always isolated by the last line.

The structure is composed of a two-story silver-clad base, a shaft made of a series of vertical lines composed of stone, and an upper panel framed horizontally but with the vertical motifs of the shaft. The whole, along with its various portions, are framed in black granite. The edifice possessed a gray, silver, and black color scheme. The silver hue is made up of aluminum metal parts, gray of the limestone mullions, and black of the granite frame.

With the use of horizontal and vertical lines he conveyed how it shows a smooth flow of each line, size, and shape of its canvas. He utilized a ruler and compass and began his art on a small format first which developed the proportions to transform it into a bigger artwork. Also, he used mathematical linear equations and spatial relationships as he called this the Golden Section. This method was used in ancient Greece which has held great value to artists.

Two different emboss filters are applied to the original photo. Image (a) is the result of a 5×5 filter with the +1 and -1 in the horizontal direction, which emphasizes vertical lines. Image (b) is the result of a 5×5 filter with the +1 and -1 in the vertical direction; it emphasizes horizontal lines. Since the entries of a given emboss filter matrix sum to zero, the output image has an almost completely black background, with only the edges visible.

Left: Due to large multilayer reflection angle differences, one side of the illumination pupil results in more reflected light. Right: Consequently, illumination from one side will be dominant. This results in an optical path difference between diffraction orders with respect to defocus, leading to a tendency for the pattern to shift. Most fundamentally, the behavior of light rays within the plane of reflection (affecting horizontal lines) is different from the behavior of light rays out of the plane of reflection (affecting vertical lines).

The building was developed by Cousins Properties and designed by the architectural firm Kevin Roche John Dinkeloo and Associates LLC. Designed in the Postmodern style reminiscent of Art Deco, it was built in only 14 months, one of the fastest construction schedules for any building. The Plaza's imposing presence is heightened by the dark color of its exterior. It soars into the sky with vertical lines that reinforce its height while also creating an abundance of revenue-generating corner offices.

The new Madrid Metro map (of 2007), designed by the RaRo Agency, took the idea of a simple diagram one step further by becoming one of the first produced for a major network to remove diagonal lines altogether; it is constituted just by horizontal and vertical lines only at right angles to each other. After many complaints over its disadvantages, the company reverted to the previous map in 2013. Transit maps are now increasingly digitized and can be shown in many forms online.

The cap is around 10 cm in diameter when fully expanded, and is various shades of brown or brown/grey, sometimes washing off to buff. Younger specimens have grey veil remnants often in quite large; flat patches, but these are usually removed later by the weather. The mature stem is usually fairly long, and has a bulbous base which is without a discernible volva, having just several flaky ring zones instead. It is marked above the ring with vertical lines.

Changizi said: > Evolution has seen to it that geometric drawings like this elicit in us > premonitions of the near future. The converging lines toward a vanishing > point (the spokes) are cues that trick our brains into thinking we are > moving forward—as we would in the real world, where the door frame (a pair > of vertical lines) seems to bow out as we move through it—and we try to > perceive what that world will look like in the next instant.

The blitter runs either from the start of the block to the end, known as "ascending" mode, or in reverse, "descending" mode. Blocks are "rectangular"; they have a "width" in multiples of 16 bits, a height measured in "lines", and a "stride" distance to move from the end of one line to the next. This allows the blitter to operate on any video resolution up to 1,024×1,024 pixels.The BLTSIZE register holds six bits for horizontal words and ten bits for vertical lines.

The Coleman A. Young Municipal Center in December 2015 The modernist International-style building was designed by the architectural firm of Harley, Ellington and Day. Construction began on the skyscraper in 1951 and was completed in 1954. It is 20 floors tall, and including the basement has 21 total floors. Three sides of the building's exterior are faced with white Vermont marble with black marble spandrel panels beneath the windows of the Courts Tower to emphasize the building's vertical lines.

" Ethan said, "The whole circle motif was built into the design of the movie, and that just made it seem more appropriate." Joel: "What grew out of that was the design element which drives the movie. The tension between vertical lines and circles; you have these tall buildings, then these circles everywhere which are echoed in the plot...in the structure of the movie itself. It starts with the end and circles back to the beginning, with a big flashback.

The front facade includes strong vertical and horizontal lines. The center of the facade is arranged into seven vertical sections, with the central bays projecting slightly farther than outer ones. Terra cotta tiles appear between windows, accentuating the vertical lines, and above and below, accentuating the horizontal. In addition to the Parducci tiles, other decorative elements include arches at the top of the stairwell windows, a small roof parapet, and checkerboard brick patterns in the middle section of the building.

Zippo lighter produced in September 1994 In mid-1955, Zippo started year coding its lighters by the use of dots. From 1966 until 1973 the year code was denoted by combinations of vertical lines. From 1974 until 1981 the coding comprised combinations of forward slashes. In 1979, the company inadvertently introduced an error into fabrication, with some lighters reading / on the left and // on the right instead of // on the left and / on the right, but corrected the problem within the year.

Apart from an occasional drawing of this kind, always quite schematic, the decoration of all Daunian vases is purely geometric. Squares, lozenges and triangles are the usual motives, arranged in panels of varying length and separated by vertical lines. Most of the decoration is placed on the upper half of the vase. In the school of Ruvo the fashion was to place a hanging trapezoidal figure on the lower half, but Canosa preferred horizontal bands or concentric circles on this otherwise empty field.

The ayam generally consists of mobu (모부, a crown) and deurim (드림) which are shaped like daenggi (댕기) or a big ribbon. The upper 4–5 cm part of the mobu is finely quilted, the vertical line of the front shorter than the back's. On the bottom edge, the front part is more curved than the back. In addition, the vertical lines of the front and back are a little curvy, so that, when wearing an ayam, it fits well to one's head.

The common bully (Gobiomorphus cotidianus), or toitoi (Māori), is a fish endemic to New Zealand, and is present throughout the country. There are three other bully species that can be confused with common bullies. There are few characteristics of the common bully that separate it from other species. Vertical lines present on the cheek are a good defining characteristic, along with the location of head pores and scale patterns on the head although these are hard to establish when seen in the wild.

When contact is made to the surface of the touchscreen, the two sheets are pressed together. On these two sheets there are horizontal and vertical lines that, when pushed together, register the precise location of the touch. Because the touchscreen senses input from contact with nearly any object (finger, stylus/pen, palm) resistive touchscreens are a type of "passive" technology. For example, during operation of a four-wire touchscreen, a uniform, unidirectional voltage gradient is applied to the first sheet.

At that time, Hockney did not do commissions and so he created an intimate painting for the couple. Vertical lines play a large role in the makeup of the piece. The blinds of the house and the brown lines are mimicked by the objects surrounding them such as the art pieces, the tree, and even the man. Beside the lines, as if to disrupt the piece and add depth, the ground beneath the house is paved with slanted lines and textured tiles.

There is an intimate courtyard featuring palms and a fountain linking the kitchen area and billiard room and which acts as the informal entrance to the main house. ;Perceptual Elements Prominent views out of the garden are to the hills to the north. The overall feeling in the garden, however, is one of enclosure with a focus on the strong design of the house and carriage loop. The vertical lines of the araucaria pines complement the height of the house.

DAEs assume smooth characteristics for individual components; for example, a diode can be modeled/represented in a MNA with DAEs via the Shockley equation, but one cannot use an apparently simpler (more ideal) model where the sharply exponential forward and breakdown conduction regions of the curve are just straight vertical lines. Circuit analysis (including MNA) with the latter kind of equations is actually more involved (than using DAEs) and is the topic of non-smooth dynamical systems (NSDS) analysis, which relies on the theory of differential inclusions.

Acronychia laevis is a shrub or small tree that typically grows to a height of . The trunk has fairly smooth, fawn bark with some vertical lines and wrinkles. The leaves are arranged in opposite pairs and are simple, elliptic to egg-shaped with the narrower end towards the base, long and wide on a petiole long. The leaves are shiny green on both sides with a blunt or rounded tip and have oil dots that may be seen using a lens and a bright light.

From National Historic Landmarks & National Register of Historic Places in Pennsylvania, Pennsylvania Historic Resource Survey Form, July 1986 Physical Description The George Washington School, rising three stories, and spanning almost the length of the block is constructed of brick and limestone. Designed in the Art Deco/Moderne style, the building is dominated by its vertical lines. Ribbon bands of windows punctuated by thin and thick brick piers further emphasize this verticality. The main entrance, an attenuated column, projects from the building roofline in skyscraper fashion.

Having text run in vertical lines is supported poorly or not at all by HTML and most word processors, although this is not an issue for modern Korean, as it is usually written horizontally. Until the second half of the 20th century, however, Korean was often written vertically. 15th century texts written in hangul had pitch marks to the left of syllables, which are included in Unicode, although most current fonts do not adequately support them, either. See the section on character encodings above for obsolete jamo.

The Nibarka tilak between the Shankh and ChakraIn Nimbarka Sampradaya, the tilak is made of Gopi-Chandana (the clay from Gopi Kunda lake in Dwarka, Gujarat), as described in the Vasudeva Upanishad. It starts at the bridge of the nose and continues as two vertical lines to the top of the forehead. This is said to represent the temple of God. Within these lines, between the eyebrows is a black dot, made from the slate found in Barsana, Uttar Pradesh, the sacred birthplace of Radha.

In the days of mechanical typewriters these were typed with the same key, which was also used for a double inverted comma. However the umlaut originated specifically as a pair of short vertical lines (not two dots) (see Sutterlin). Incidentally the two dots above the letter E in Albanian are described as a diaresis but do not fulfil the function of a diaresis. Describing these as homoglyphs is questionable as there are probably no languages in which the glyph can fulfil both these roles.

Moreover, for the foundry "7nm" node, the minimum metal pitch for horizontal lines is taken to be around 40 nm, for which quasar-like illumination is expected, while the minimum metal pitch for vertical lines can be taken to be around 50 nm, for which conventional or annular illumination is preferred. For the quasar illumination, the best focus position varies strongly as a function of pitch, particularly 36-40 nm vs. 48-60 nm, as well as over the 48-72 nm range.V. Phiipsen et al.

Still others pass through cell membranes and mediate long range signals to other cells in a multi-cellular organism. These molecules and their interactions comprise a gene regulatory network. A typical gene regulatory network looks something like this: Example of a regulatory network The nodes of this network can represent genes, proteins, mRNAs, protein/protein complexes or cellular processes. Nodes that are depicted as lying along vertical lines are associated with the cell/environment interfaces, while the others are free-floating and can diffuse.

North Atlantic right whale mother and calf Baleen whales, Mysticeti, are often taken in gill-nets and in fisheries that use vertical lines to mark traps and pots. Large cetaceans such as humpback and right whales may carry off gear after entanglement. This explains the large scars borne by whales along the U.S. Atlantic coast.Knowlton (2003) Analyses show that 50-70% of Gulf of Maine humpback whales, Megaptera novaeangliae, and North Atlantic right whale, Eubalaena glacialis, have been entangled at least once in their lifetime.

The "tentacles" on its head may be comparable to those in the present-day hagfish, a jawless chordate. Although primitive, Pikaia shows the essential prerequisites for vertebrates. When alive, Pikaia was a compressed, leaf-shaped animal with an expanded tail fin; the flattened body is divided into pairs of segmented muscle blocks, seen as faint vertical lines. The muscles lie on either side of a flexible structure resembling a rod that runs from the tip of the head to the tip of the tail.

In later periods honorifics and prayers are also added to the name of the tughra holder and his father. The loops to the left of the tughra are called beyze, from Arabic meaning egg. Some interpretations of tughra design claim that the beyzes are supposed to symbolize the two seas the sultans held sway over: the outer larger loop signifying the Mediterranean and the inner, smaller loop signifying the Black Sea. The vertical lines on the top of the tughra are called tuğ, or flagstaff.

Over the years, the stirrup loop tended to get longer, exposing more of the white undersock, thus creating a look unique to baseball. However, by the 1980s many players were pulling the loop so high that only the white undersock and the loop itself showed – the rest of the game sock being hidden by their pants. Eventually, this reached a point where some players only wore vertical lines for stirrups. For many years teams had enforced rules so that uniforms were worn "uniformly", including team socks.

Examining Composition with Red Blue and Yellow, Mondrian's De Stijl practices are in full effect. The contrasting horizontal and vertical lines represent to Mondrian an active relationship in which he intended to mimic the rhythm and vibrations of life that transcends symbolic knowledge. The reduced colours of red blue and yellow and accentuated thick, black lines that cross over each other are similarly rendered. His depiction of inner reality (essence of life), is believed to be found through the interplay of contrasting pictorial elements.

Changde Apartment is designed according to the surrounding terrain, containing eight floors, with reinforced concrete structure. It covers a floor area of 580 square metres, a construction area of 2,663 square metres and is equipped with an elevator in an Art Deco style. The entire building is decorated with delicate partial ornamentations in a concave shape, and the wings turn backward. The east facade of the building features stretches of long ribbon-shaped balconies, with vertical lines in the middle forming a horizontal and vertical contrast.

The main body is a very dark metallic blue, changing to silver on the belly, which has about 20 vertical lines. Reported sizes in the literature have ranged as high as in length and in weight. The International Game Fish Association (IGFA) record for this species stands at for a fish caught in 1977 near San Benedicto Island in the Pacific waters of Mexico. In 2010, a 184-kg yellowfin was caught off the tip of Mexico's Baja Peninsula, long with a girth of .

The upper part of the shield, or "chief", symbolizes Congress, while the 13 vertical stripes, or "paleways", represent the states; consequently the entire escutcheon symbolizes the strength of the federal government through the unity of the states. The crossed arrows represent nonaggression, but imply readiness against attack. The laurel branches, taken from Greek tradition, symbolize victory. In heraldic engraving, vertical lines represent red, clear areas white and horizontal lines blue, thus the escutcheon is colored red, white and blue and is meant to evoke the American flag.

It uses minimal applied ornament, relying instead on brickwork, bands of windows, and stone coping to provide strong horizontal lines and bold vertical counterpoints.The central bay of the south facade of the Hartington City Hall and Auditorium is highly effective Prairie School architecture (the nearly hidden north facade is similar). The bulk of the wall surface is simple running bond brickwork, forming a uniform ground for the interplay of horizontal and vertical lines. The stone coping at the roofline forms the highest horizontal line.

Cormier's major work is the central building of the Université de Montréal (now known as the Roger Gaudry Building) on the north slope of Mount Royal. This huge example of the Art Deco style was built between World War I and the middle of World War II, and it has been kept in a nearly pristine shape over the decades. It is a composition of simple forms of planes and surfaces in successive relief, emphasizing vertical lines. The light buff vitrified brick has trimmings of Missisquoi marble.

Xiangqi is played on a board nine lines wide and ten lines long. As in the game Go (Wéiqí 圍棋/围棋), the pieces are placed on the intersections, which are known as points. The vertical lines are known as files (), and the horizontal lines are known as ranks (). Centred at the first to third and eighth to tenth ranks of the board are two zones, each three points by three points, demarcated by two diagonal lines connecting opposite corners and intersecting at the centre point.

Display resolution is the number of pixels of one row on a given screen. Before the year 2000 horizontal lines of resolution was the standard method of measurement for analog video. For example, a VHS VCR might be described as having 250 lines of resolution as measured across a circle circumscribed in the center of the screen (approximately 440 pixels edge-to-edge). With analog signals, the number of vertical lines and the frame rate are directly proportional to the bandwidth of the signal transmitted.

William Grant Broughton, Bishop of Sydney and Metropolitan; George Augustus Selwyn, Bishop of New Zealand; Francis Russell Nixon, Bishop of Tasmania; Augustus Short, Bishop of Adelaide; Charles Perry, Bishop of Melbourne and William Tyrell, Bishop of Newcastle. The pillars were so named. In 1868 the Duke of Edinburgh attended St Andrew's for an organ recital. With the repetition of forms and the strongly vertical lines characteristic of Perpendicular Gothic, Blacket succeeded in creating a building which, despite its small size, is nevertheless imposing and of harmonious proportions.

Robins, 114 The main discovery in the box is the papyri and the reed pens, which were probably used to write the texts. The text is written in hieratic, with a structure of horizontal and vertical lines. The papyri is mostly in fragments and conservation efforts have been used to save what remains. The papyri fragments were taken to the University College London, where Petrie and Percy Newberry unrolled some of the text onto glass, and used beeswax, in an attempt to hold the fragmentary pieces together.

Being one of the oldest settlements in the modern city of Chennai, George Town remains a classic example of a confluence of different architectural styles. The neighbourhood is known for several classic styles of buildings such as Indo-Saracenic, Neoclassical, Gothic, and Art Deco, apart from several traditional vernacular styles. Each building presents its uniqueness in its architectural character. Dare House in Parrys Corner, an Art Deco–style building, for instance, sports an emphasis on vertical lines and a distinct design of a 'sunburst jaali' for ventilation.

As characterized by the Andreaeopsida, Andreaea rupestris have small sporophytes which lack both an operculum and a seta. Instead of a seta, they have a pseudopodium derived from gametophytic tissue attached to the sporangium, extending from the perichaetium attached by a structure called the foot. Once fully mature, the sporangium will open along 4 vertical lines of dehiscence to release the spores inside. The sporangium is hygroscopic as it will dehisce in dry conditions to release spores from the gaps, and will close back up in moist conditions.

The points of intersection, for will be points of the ellipse between and . The labeling associates the lines of the pencil through with the lines of the pencil through projectively but not perspectively. The sought for conic is obtained by this construction since three points and and two tangents (the vertical lines at and ) uniquely determine the conic. If another diameter (and its conjugate diameter) are used instead of the major and minor axes of the ellipse, a parallelogram that is not a rectangle is used in the construction, giving the name of the method.

The building is roughly triangular, with two main façades and a semicircular chamfer at the corner where they meet, between Via Laietana and Carrer Argenteria in Barcelona. The building is articulated by the vertical lines of the doors and windows, interrupted discontinuously by the horizontals of the balconies. The most characteristic visual feature is the large circular structure in the style of a classical temple, atop the building at its apex. The building falls within the functionalist style that began to prevail at the time for administrative buildings.

From this perspective FOLIO was an inspired, yet logical connection to be made--especially for a Northeasterner who grew up playing and improvising jazz. December 1952 consists purely of horizontal and vertical lines varying in width, spread out over the page; it is a landmark piece in the history of graphic notation of music. The role of the performer is to interpret the score visually and translate the graphical information to music. In Brown's notes on the work he even suggests that one consider this 2D space as 3D and imagine moving through it.

When syncing music to picture, generally a leeway of 3–4 frames late or early allows the composer to be extremely accurate. Using a technique called Free Timing, a conductor will use either (a) a stopwatch or studio size stop clock, or (b) watch the film on a screen or video monitor while conducting the musicians to predetermined timings. These are represented visually by vertical lines (streamers) and bursts of light called punches. These are put on the film by the Music Editor at points specified by the composer.

On the other hand, a CAD drawing may have lines at any angle, there may be curved lines, and there may be several line weights (thick for objects and thin for dimension lines). Instead of (or in addition to) curves, the image may contain outlines filled with the same color. Adobe Streamline allows users to select a combination of line recognition (horizontal and vertical lines), centerline recognition, or outline recognition. Streamline also allows outline shapes that are small to be thrown out; the notion is such small shapes are noise.

Fresco in the First style, from Ercolano The First style, also referred to as structural, incrustation or masonry style, was most popular from 200 BC until 80 BC. It is characterized by the simulation of marble (marble veneering). The marble-like look was acquired by the use of stucco moldings, which caused portions of the wall to appear raised. . Other simulated elements (e.g. suspended alabaster discs in vertical lines, 'wooden' beams in yellow and 'pillars' and 'cornices' in white), and the use of vivid color, were considered signs of wealth.

The wedge formed by thermal contraction of the ground which opened a crack in winter. The crack filled with meltwater in the spring which then froze in the permafrost, causing the thin vertical lines of ice and sediment that form the wedge itself. An ice wedge is a crack in the ground formed by a narrow or thin piece of ice that measures up to 3–4 meters in length at ground level and extends downwards into the ground up to several meters. During the winter months, the water in the ground freezes and expands.

The Venetian curtain, also known as a profile or contour curtain, also has multiple vertical lines distributed across the length of the single panel of fabric (which is usually made with as much as 200% fullness and must be thin and soft so it gathers well). The curtain is opened by pulling on the lines. Unlike the Austrian, each line is independently operated, making it possible to control the shape and height of curtain openings. This type of curtain is typically the most difficult type to operate because of the many independent lines.

Gilbert adopted the Beaux-Arts style, using accented terracotta and glass to emphasis vertical lines, elegantly echoing the structural frame underneath and incorporating 15th and 16th century Flamboyant Gothic-styled features. It was capped by a gilded tower that blended into the sky behind it to produce an illusion of even greater height.; ; The building was illuminated with floodlights at night, topped with red and white flashing lights. It was famously dubbed the "Cathedral of Commerce", rather to Gilbert's displeasure as he had attempted to avoid copying ecclesiastical architecture.

Together with the 8 degrees that can usually be compensated by sensory means, this means that the normal human observer can achieve binocular image fusion in presence of cyclodisparity (also called orientation disparity in the case of a line image) of up to approximately 16 degrees. Larger cyclodisparity normally results in double vision. It has been shown that the tolerance of human stereopsis to cyclodisparity of lines (orientation disparity) is greater for vertical lines than for horizontal lines. The visually evoked cyclovergence relaxes once the cyclodisparity is reduced to zero.

The away kit was white with two navy blue vertical lines running the whole way down the side of the shirt, with the badge superimposed on top of them. The home kit has been the classic red white and blue kit, with plain blue shirt, plain white shorts and plain red socks. For the 2010 FA Cup Final, Portsmouth wore a change kit of white shirts, burgundy shorts and burgundy socks. For 2010–11, the away kit was a white shirt, with maroon shorts and socks (image below).

The arrangement of the objects, which are close together on a tilted table top, are influenced by Cézanne, whereas the understated colours and textures are reminiscent of Braque and Picasso. In 1934 Gillies attended an exhibition of Paul Klee's work and was impressed by the childlike qualities and imaginative use of colour that he saw. Klee's influence is clear in Gillies' 1934 work, The Harbour, which depicts the harbour at Anstruther. Gillies has created a grid-like composition, using bold blocks of contrasting colour emphasising the vertical lines of the buildings and the ships masts.

The façade of the Bogk house, with its buff brick columns framing leaded art glass windows, capped by decorative cast concrete under broad eaves and a low pitched hip roof suggests the influence of the Imperial Hotel in Japan, which was under construction at the time this house was built. The sophisticated balance of horizontal and vertical lines further reflects the strong Japanese influence. The understated entrance is located at the side of the house, opening onto the driveway. The first-floor interior is a fluid succession of rooms sprawling under a low-lying ceiling.

Additionally, he drew an anchor for stability, an arrow or compass to show purposeful direction, a spiral which is the sign of growth or change, a ladder or key that stands for a transitions from one time to another, and a clock that shows changes over time. The involvement of symbols give the horizontal and vertical lines a balance with harmony that includes earth-like elements. Moreover, he includes symbols that regard man, knowledge, science, and the city. This develops the universalism in his artworks and these were known as the "golden ration".

Left: the oldest part of the station building from 1841; right; additions from 1896. The listed entrance building is a long structure consisting of the central three-storey original building of 1841 with extensions on both sides. The oldest neo-classical part of the building is one of the oldest surviving station buildings in Brandenburg. It is a symmetrical structure consisting of a three-axis one- storey middle section and two two-storey side sections with five axes each (the axes representing the vertical lines through windows and doors).

The line segments are 16 pixels wide and the markers are always 16 high. The result are cross shapes, one in the lower left and another centered. As the markers are centered on 16-pixel boundaries and cannot be drawn outside the visible area, the first marker on the lower segment will appear above the line, creating an upside-down T shape rather than a cross. The last two commands, D and L, produce two horizontal lines at the bottom and center of the screen, and three vertical lines at the left, center and right.

Then draw the equilibrium line using the VLE data points of the lower boiling component, representing the equilibrium vapor phase compositions for each value of liquid phase composition. Also draw vertical lines from the horizontal axis up to the x = y line for the feed and for the desired compositions of the top distillate product and the corresponding bottoms product (shown in red in Figure 1). The next step is to draw the operating line for the rectifying section (the section above the feed inlet) of the distillation column, (shown in green in Figure 1).

Four restorable pots were found of which one has a design and the remaining three pots without design. The decorated pot has a carination at the middle of the body and an out-turned rim of about 15.6 centimeters diameter, 10.8 centimeters height and 17.2 centimeters maximum body width. A pronged tool was said to be used to carve decorations from the neck to the anterior portion of the body. In addition, two parallel vertical lines are added extending from the neck to the upper part of the body at 7 to 8 millimeter intervals.

The value of one US dollar in Venezuelan bolívares (VEF) on the black market through time, according to DolarToday.com. Blue vertical lines represent every time the currency has lost 90% of its value relative to the US dollar since the last one. This has happened four times since 2012, meaning that the currency is worth, as of December 2017, less than one ten-thousandth of what it was worth five years ago, since it has lost 99.99% of its value. The rate at which the value is lost (inflation) is rapidly accelerating.

He is always painted in front view; Turramūlan is drawn in profile. Baiame is often shown with internal decorations such as waistbands, vertical lines running down the body, bands and dots. In Gamilaraay star-lore myth it is recounted that Orion, known as Berriberri set out in pursuit of the Pleiades (Miai-miai) and cornered them in a mother-tree where they were transformed into yellow and white cockatoos. His attempts to capture them were blocked by Turramūlan, a one-eyed, one-legged legendary figure associated with the Pole star.

The game is played on a grid board and pieces are placed on the intersections and endpoints, whereas the other two games are played on a 8x8 square board and pieces are placed within the squares. The grid board is not a square or a rectangle. The grid board can be created by having four horizontal lines intersect five vertical lines. The grid board has 20 intersection points and 18 endpoints thus creating a grid board of 38 spaces which is smaller than the 64 squares (spaces) of Turkish draughts and Armenian draughts.

According to Cameron, he began his career as an artist in 1969. The artist's early works in the 1970s were "flat, unmodulated fields of color transversed by sketchy cartoon-like drawing". In the early 1980s Cameron's style developed into the "long horizontal and vertical lines of color punctuated by curves, squiggles and free hand geometry" that can be seen in his landscapes today. "The suggestion of trees or horizon is often roughly preserved but the real business of the paintings is the rhythm of line, mass, depth and color".

Chalk line tool. A chalk line or chalk box is a tool for marking long, straight lines on relatively flat surfaces, much farther than is practical by hand or with a straightedge. They may be used to lay out straight lines between two points, or vertical lines by using the weight of the line reel as a plumb line. It is an important tool in carpentry, the working of timber in a rough and unplaned state, as it does not require the timber to have a straight or squared edge formed onto it beforehand.

The jacket was further decorated with patterns sewn in bullion lace, often in a pattern matching that of the dolman worn beneath it. The front of the jacket was distinctive and typically featured several rows of parallel froggings and loops, and either three or five vertical lines of buttons. For officers of the British Hussars this frogging, regimentally differentiated, was generally of gold or silver bullion lace, to match either gold (gilt) or silver buttons. Other ranks had either yellow lace with brass buttons or white lace with 'white-metal' (nickel) buttons.

In modern notation, a breve is commonly represented in either of two ways: by a hollow oval note head, like a whole note, with one or two vertical lines on either side, as on the left of the image, or as the rectangular shape also found in older notation, shown in the middle of the image (; ). Because it lasts longer than a bar in most modern time signatures in common use, the breve is rarely encountered except in English music, where the half-note is often used as the beat unit .

The relations between y(φ) and properties of the projection, such as the transformation of angles and the variation in scale, follow from the geometry of corresponding small elements on the globe and map. The figure below shows a point P at latitude φ and longitude λ on the globe and a nearby point Q at latitude φ + δφ and longitude λ + δλ. The vertical lines PK and MQ are arcs of meridians of length Rδφ. The horizontal lines PM and KQ are arcs of parallels of length R(cos φ)δλ.

The tughra has a characteristic form, two loops on the left side, three vertical lines in the middle, stacked writing on the bottom and two extensions to the right. Each of these elements has a specific meaning, and together they make up the form that is easily recognizable as a tughra. Visual Elements of a Tughra The name of the sultan is written out in the bottom section, called a sere. Depending on the period, this name can be as simple as Orhan, son of Osman in the first tughra in 1326.

No provision exists for mixing text and graphics, except for the limited "hardware split screen" of the Apple II (four lines of text at the bottom of the screen). Vector-based shape tables can be used to draw objects in hires graphics, but are slow in comparison to routines that draw bitmaps directly. They also only support the defining of horizontal and vertical lines. Diagonals and curves are not supported, although shapes can be drawn rotated to various angles, so that lines ostensibly defined as horizontal or vertical will appear diagonal.

The TAE is a visual illusion where viewing lines in one direction, for an extended period of time, produces the perception of a tilt in the opposite direction to vertical lines subsequently viewed. This effect is proposed to occur due to lateral inhibition to orientation sensitive neurons in the occipital lobe. Lateral inhibition is where neurons that become activated to a particular orientation send inhibitory signals to their neighbouring neurons. The degree of orientation that each neuron becomes maximally excited to is referred to as the tuning bandwidth.

222x222px The "Cheung Kong" from CKGSB's name comes directly from the name of Li Ka Shing's Cheung Kong (Holdings). "Cheung Kong" in Cantonese (and "Chang Jiang" in Mandarin) is the name for China's longest river, the Yangtze River. The logo recalls the seal used by ancient Chinese scholars, and is an evocation of the school's grounding in Chinese heritage. The three vertical lines in the logo represent the ancient Chinese writing style, while the three horizontal ones indicate Western style writing, overall symbolizing the integration of Eastern and Western values and knowledge in the school.

When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective. Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective. Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer.

Increased luminance bandwidth produces a 60% improvement in (luminance) picture detail, or a horizontal resolution of 420 vertical lines per picture height – versus VHS's 240 lines. The often quoted horizontal resolution of "over 400" means S-VHS captures greater picture detail than even NTSC analog cable and broadcast TV, which is limited to about 330 television lines (TVL). In practice, when time shifting TV programs on S-VHS equipment, the improvement over VHS is quite noticeable. Yet, the trained eye can easily spot the difference between live television and a S-VHS recording of it.

According to Fabrizio Sinisi, similarly, the seated archer on the reverse is turned to the left. The Greek legend ΑΡΣΑΚΟΥ ΑΥΤΟΚΡΑΤΟΡΟΣ is inscribed in two vertical lines on the sides of the drachms, in similar fashion to Seleucid coins. Regardless of these features, Sinisi notes that Arsaces' coins are "immediately recognizable as issued by a non-Greek ruler". For instance, Arsaces wears the pointed soft cap on the obverse, similar to coins of the Achaemenid era, as does the archer on the reverse who is dressed in an Iranian riding costume.

Gamelan music is traditionally not notated and began as an oral tradition. In the 19th century, however, the kraton (palaces) of Yogyakarta and Surakarta developed distinct notations for transcribing the repertoire. These were not used to read the music, which was memorized, but to preserve pieces in the court records. The Yogyanese notation is a checkerboard notation, which uses six or seven vertical lines to represent notes of higher pitch in the balungan (melodic framework), and horizontal lines which represent the series of beats, read downward with time.

These wires are usually silver in color, but appear black when backlit by the image passing through the scope's optics. Wire reticles are by nature fairly simple, as they require lines that pass all the way across the reticle, and the shapes are limited to the variations in thickness allowed by flattening the wire; duplex crosshairs, and crosshairs with dots are possible, and multiple horizontal or vertical lines may be used. The advantage of wire crosshairs is that they are fairly tough and durable, and provide no obstruction to light passing through the scope.

The shoulder insignia varies based on the soldier's position, although it is always on a blue and red background (See Shoulder insignia below). Most military policemen also wear a blue and red aiguillette, which has two forms - vertical lines (for law enforcement and deserter trappers), horizontal lines (for security examinators) and mixed thread (investigations, intelligence and detection). Some wear a green aiguillette (indicates a commander, used by the prison sector and in the training base). The aiguillette is worn over the left shoulder, and attached to the left shirt pocket.

In an interview with ABC Changizi said, "Illusions occur when our brains attempt to perceive the future, and those perceptions don't match reality." For example, an illusion called the Hering illusion looks like bicycle spokes around a central point, with vertical lines on either side of this central, so-called vanishing point. The illusion tricks us into thinking we are looking at a perspective picture, and thus according to Changizi, switches on our future-seeing abilities. Since we aren't actually moving and the figure is static, we misperceive the straight lines as curved ones.

It is a simple layout with a predominance of vertical lines, closed at the top with a semicircle and at the bottom with a horizontal line. It is an Italian scene, given the presence of the pifferari and the use of "Rome" in the title of the work. It emphasises the nature of Rome as the hub of Catholicism, which is why the Christogram I.H.S. is drawn on the back wall. The work is undated, but it was reproduced in an edition of The Illustrated London News published on 26 March 1859.

Fireworks supports guides, horizontal or vertical lines that act like a real-world ruler to help drawing, content placement and image composition. A user may place one or more guides on the image at any time and use it as a visual aid. For instance a guide is useful when a piece of text must be placed in line with another graphical item. Additionally, the user may enable the snap feature of the Fireworks, which causes objects (pieces of image, text or layers) drag to the vicinity of a guide to snap to it.

Wright visited only periodically during construction, assigning his apprentice Robert Mosher as his permanent on-site representative. The final drawings were issued by Wright in March 1936 with work beginning on the bridge and main house in April. The strong horizontal and vertical lines are a distinctive feature of Fallingwater The construction was plagued by conflicts between Wright, Kaufmann, and the contractor. Uncomfortable with what he saw as Wright's insufficient experience using reinforced concrete, Kaufmann had the architect's daring cantilever design reviewed by a firm of consulting engineers.

This cast bronze gui is a lavishly decorated food bowl that was used during rituals for worshipping ancestors. This high based vessel has large handles shaped like tusked animal heads that have eaten birds, whose beaks are shown peeking out of their predators' mouths.Episode 23 - Chinese Zhou Ritual Vessel, Episode transcipt, BBC, retrieved 22 December 2014 Between the rim and the incised vertical lines is a narrow band decorated with an animal head and alternating roundels and quatrefoils. A similar band (without the animal heads) is engraved on the foot of the container.

The green, red, and blue, dotted lines represent values where cadence, walking speed, and step length are constrained, respectively. These lines can be formed by finding the tangent points that lines representative of several constant parameter values form with the constant COT contours. For example, the optimal COT's for constrained walking speeds (red) can be found by drawing vertical lines and noting where they form a tangent with a contour, as seen with point B in the diagram. A series of these intersections can then form the curve for optimal COT under constrained walking speed.

They are attached to the yard via the jackstays or "handrails" to which the sails are also fastened, tied on with many turns of thin line. The inner parts of the footrope are held up towards the yard by vertical lines called stirrups; one of these is visible in the picture on the right. Also visible is the flemish horse that the outermost sailor stands on; because this yard is quite small the flemish horse actually extends fairly close to the centre. Sailors get onto the footropes from the ratlines up the mast.

For many types of action shooting, a larger dot has traditionally been preferred; 7, 10, 15 or even 20 moa (2, 3, 4.5 or 6 mil) have been used; often these will be combined with horizontal and/or vertical lines to provide a level reference. Most sights have either active or passive adjustments for the reticle brightness, which help the shooter adapt to different lighting conditions. A very dim reticle will help prevent loss of night vision in low-light conditions, while a brighter reticle will display more clearly in full sunlight.

The De Stijl school proposed simplicity and abstraction, both in architecture and painting, by using only straight horizontal and vertical lines and rectangular forms. Furthermore, their formal vocabulary was limited to the primary colours, red, yellow, and blue and the three primary values, black, white and grey. De Stijl's principal members were painters Theo van Doesburg (1883–1931), Piet Mondrian (1872–1944), Vilmos Huszár (1884–1960), and Bart van der Leck (1876–1958) and architects Gerrit Rietveld (1888–1964), Robert van 't Hoff (1888–1979) and J.J.P. Oud (1890–1963).

Efforts have been made by commentators to identify Gabbatha either with the outer court of the Temple, which is known to have been paved, or with the meeting-place of the Great Sanhedrin, which was half within, half without that Temple's outer court, or again with the ridge at the back of the House of the Lord; but these efforts cannot be considered as successful. gateway of the eastern forum of Aelia Capitolina and original Roman pavement. The vertical lines show where the wall of the Convent of the Sisters of Zion currently extends. The horizontal line shows the modern street level.

Rockwell, an example of a more geometric slab serif Clarendon, an example of a less geometric slab serif Slab serif typefaces date to about 1817. Originally intended as attention-grabbing designs for posters, they have very thick serifs, which tend to be as thick as the vertical lines themselves. Slab serif fonts vary considerably: some such as Rockwell have a geometric design with minimal variation in stroke width—they are sometimes described as sans-serif fonts with added serifs. Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs.

Reverse- contrast 'Italian' type compared to the bold design Elephant. Both are very bold, but Elephant's thick lines are the verticals and the Italian's are the horizontals. A reverse-contrast type is a typeface in which the stress is reversed from the norm: instead of the vertical lines being the same width or thicker than horizontals, which is normal in Latin-alphabet printing, the horizontal lines are the thickest. Reverse-contrast types are rarely used for body text, and are particularly common in display applications such as headings and posters, in which their unusual structure may be particularly eye-catching.

From the reconquest of 848 to about 1036 (i.e. era of the Guiyi Circuit), Dunhuang was a multicultural entrepot that contained one of the largest ethnic Sogdian communities in China following the An Lushan Rebellion. The Sogdians were Sinified to some extent and were bilingual in Chinese and Sogdian, and wrote their documents in Chinese characters but written horizontally from left to right instead of the right to left vertical lines that Chinese was normally written at the time.Galambos, Imre (2015), "She Association Circulars from Dunhuang", in Antje Richter, A History of Chinese Letters and Epistolary Culture, Brill: Leiden, Boston, pp 853-77.

6 He is best known for his drawings and prints in which the entire surface of the paper is covered with monochromatic lines of varying thicknesses, and for his Stage Series. Topographic Landscape is an example of the former. The Stage Series consists of paintings with a single horizontal line and varying numbers of vertical lines that connect the horizontal line with the top or bottom edge of the painting. Unlike his monochromatic drawings and prints, a myriad of color combinations have kept the artist occupied with this series, which is both geometric and minimalist, for over forty years.

Chain of command is the vertical lines of a command structure that is used for the purposes of overall responsibility and accountability in the achieving of stated goals and objectives through the use of orders one direction and reports of compliance in the other direction. Chain of command differs from horizontal lines in an organization which are basically the communication and coordinating lines of the organization. Chain of command (also referred to as 'scalar principle') states that a clear , unbroken chain of command should link every employee with someone at a higher level, all the way to the top of the organization.

The engraver uses a set of sharp-edged tools to cut away the uninked areas of the wood block in essence raising an inverse image of the original calligraphy above the background. While carving, the knife is held like a dagger in the right hand and guided by the middle finger of the left hand, drawing towards the cutter. The vertical lines are cut first, then the block is rotated 90 degrees and the horizontal lines cut. Four proof-readings are normally required – the transcript, the corrected transcript, first sample print from block and after any corrections have been made.

Picture lines 1, 2 and 3 are noted in binary numbers, and the duration of one of the "picture lines," about 8 milliseconds, is noted. The drawing immediately below shows how these lines are to be drawn vertically, with staggered "interlace" to give the correct picture rendition. Immediately below this is a drawing of an entire picture raster, showing that there are 512 (29) vertical lines in a complete picture. Immediately below this is a replica of the first picture on the record to permit the recipients to verify that they are decoding the signals correctly.

In the three-dimensional case, the situation is more complicated as now one has horizontal and vertical planes in addition to horizontal and vertical lines. Consider a point P and designate a direction through P as vertical. A plane which contains P and is normal to the designated direction is the horizontal plane at P. Any plane going through P, normal to the horizontal plane is a vertical plane at P. Through any point P, there is one and only one horizontal plane but a multiplicity of vertical planes. This is a new feature that emerges in three dimensions.

All non-terminal bonds are depicted as horizontal or vertical lines. The carbon chain is depicted vertically, with carbon atoms sometimes not shown and represented by the center of crossing lines (see figure below). The orientation of the carbon chain is so that the first carbon (C1) is at the top.Understanding Fischer Projection and Angular Line Representation Conversion Luis F. Moreno Journal of Chemical Education 2012 89 (1), 175-176 In an aldose, C1 is the carbon of the aldehyde group; in a ketose, C1 is the carbon closest to the ketone group, which is typically found at C2.

Centaur, based on 1470s Venetian printing. The narrowest part of the stroke is at top left/bottom right, so the axis is diagonal. Throughout the development of the modern Latin alphabet with an upper-case based on Roman square capitals and lower-case based on handwriting, it has been the norm for the vertical lines to generally be slightly thicker than the horizontals. Early 'roman' or 'antiqua' type followed this model, often placing the thinnest point of letters at an angle and downstrokes heavier than upstrokes, mimicking the writing of a right-handed writer holding a quill pen.

Starting in the eighteenth century, typefounders developed what are now called transitional and then Didone types. These typefaces had a far greater amount of stroke contrast than before, with the difference in stroke width much greater than in earlier types. These had more constructed letterforms, matching the steely calligraphy of the period, and daringly slender horizontals and serif details that could show off the increasingly high quality of paper and printing technology of the period. In addition, these typefaces had a strictly vertical stress: without exception, the vertical lines were thicker than the horizontals, creating a much more geometric and modular design.

Among the discussed possibilities were repainting the tower or covering the words with a large tarpaulin. With time running out to comply with the law, civil staff met for a brainstorming session at the Stringtown Restaurant with the late C.M. "Hop" Ewing (d.2006), then Mayor of Florence, who "sketched different ideas on a napkin". comment by Ewing's grand-daughter Lindsey Whalen October 8, 2008 Ewing ultimately devised the idea of removing the vertical lines at the sides of the M in MALL, adding a stem to make it a Y and adding an apostrophe; resulting in "Y'ALL".

PSV's first crest consisted of a light bulb and the words "Philips Sport" in a circular shape. Its next incarnation was a shield-shaped logo with red-and-white vertical lines, topped off with the letters "PSV". The third design of the crest proved to be a durable one; its oval shape, red-and-white horizontal lines and a flag with the PSV letters incorporated remains used until today. Only minor changes have occurred: the border color and addition of horseshoe-shaped figures, a circle around the three letters and the addition of two stars to commemorate winning twenty league titles.

The plan of the church is a Latin cross crowned by a dome. Mansart's plan envisioned towers flanking the nave and an elevated entrance, giving the impression of a castle rather than the façade of a traditional church. The two-story facade, with its double stages of twin columns supporting a pediment and flanking consoles, recalls church elevations from the first part of the 17th century, such as the Église des Feuillants, also designed by Mansart in 1623-24. More clear and sober than the Mannerists, Mansart's facade squares his façade with linked vertical lines using the columns and entablatures.

Illustration from Nicéron's 1638 La perspective curieuse two views of a tabula scalata oil painting from 1580 in the Scottish National Portrait Gallery Tabula scalata illustration in Le dve regole della prospettiva pratica (1583) Tabula scalata are pictures with two images divided into strips on different sides of a corrugated carrier. Each image can be viewed correctly from a certain angle. Most tabula scalata have the images in vertical lines so the picture seems to change from one image to another while walking past it. The top image on versions with horizontal strips could be seen via a mirror placed above the picture.

The third part of the pulse sequence, another slice selection (of the same slice) uses another shaped pulse to cause a 180° rotation of transverse nuclear magnetization within the slice. This transverse magnetisation refocuses to form a spin echo at a time TE. During the spin echo, a frequency-encoding (FE) or readout gradient is applied, making the resonant frequency of the nuclear magnetization vary with its location in the X direction. The signal is sampled nFE times by the ADC during this period, as represented by the vertical lines. Typically nFE of between 128 and 512 samples are taken.

The resulting pattern is equivalent to decimal 47, the / character. This mode would be enabled with the string . The I register was loaded using similar encoding, but the bits controlled the display of markers and the horizontal and vertical lines. As with A, the most significant bits were always 01, the least significant bit turned on or off horizontal lines, bit 1 the same for vertical, 2 and 3 whether or not to display markers on graph 0 or 1 respectively, and setting bit 5 would clear out all the data for the markers and lines.

The official logo of the games represents the water element that embodies the sporting event. The shining sun comes from the emblem of the Olympic Council of Asia (OCA) and represents its vital role in Asia's sport development and the spreading energy created by the solidarity of the OCA. The selection of the light and deep-blue effects represents the color of Balinese waters. The two vertical lines represent two pura (Balinese Hindu temple), an image of the gate to a Balinese house of worship which signifies the ultimate hospitality of the Bali society in honouring and welcoming people from all over Asia.

The Waldo–Hancock was also the first bridge to make use of the Vierendeel truss in its two towers, giving it an effect that Steinman called "artistic, emphasizing horizontal and vertical lines." This attractive and effective truss design was later used in a number of important bridges, including the Triborough Bridge and Golden Gate Bridge. The Waldo–Hancock Bridge was noted at the time for its economy of design and construction. It cost far less than had been appropriated by the State Highway Commission, which enabled the construction of a second bridge between Verona Island and Bucksport.

The body is similar to other ghost knifefishes, being laterally compressed with a long anal fin, a small caudal fin, and no dorsal or pelvic fins. There is a dorsal filament originating posterior to the midpoint of the body. The coloration is pinkish-white to translucent, with varying numbers of grayish-brown to black chromatophores on the upper sides of the body. The chromatophores are most concentrated at the dorsal midline, with the dorsal filament usually the darkest, and there are also thin, vertical lines of chromatophores on the connective tissue between the anal fin radial muscles.

A 5k stamp for local postage was introduced in 1863, and in the following year new common design, with the Coat of Arms in an oval, was introduced for the 1k, 3k, and 5k values. These were used to make up complicated rates for international mail, which had previously required cash payments at the post office. After 1866 the stamps were printed on paper watermarked with a pattern of wavy lines, "EZGB" in Cyrillic plus a set of more or less horizontal lines [13 for the height of the letters!] and vertical lines running through the letters and halfway.

This is a robust range for interpretation because the 50% central region is not affected by outliers or extreme values, and gives a less biased visualization of the curves' spread. The observation in the box indicates the median, or the most central observation which is also a robust statistic to measure centrality. The "whiskers" of the boxplot are the vertical lines of the plot extending from the box and indicating the maximum envelope of the dataset except the outliers. In contour boxplots, this is formed by considering the difference of the union and intersection formed by all non- outlying samples.

Men from CCC Camp S-88-Pa, based at nearby Lyman Run in Potter County, were also active in the park. In 1939, they built a structure at Cherry Springs which is "the largest and most unique of the CCC-built picnic pavilions" in the state, and is listed on the National Register of Historic Places. The pavilion overlooks PA Route 44 and is shaped like an H, with two partially enclosed structures (the vertical lines of the H) connected by a breezeway (the horizontal bar). The breezeway is a roof supported by eight log columns with log railings.

Howe argued against the vertical lines wanting to emphasize the office space inside the tower. Wilcox was adamant about showing off the building's height and in the end vertical piers were added, along with emphasizing the horizontal space inside using the spandrels. The piers protrude from the facade to not interfere with wall space and allow the maximum amount of floor space and flexible office arrangement. The t-shaped tower was designed in a way to allow in the maximum amount of light on the office floors and to emphasize the banking portion in the base.

The medal was suspended by a pink riband in width divided into three equal segments by two white vertical lines. On 15January 1955, the Padma Vibhushan was reclassified into three different awards; the Padma Vibhushan, the highest of the three, followed by the Padma Bhushan and the Padma Shri. The criteria includes "distinguished service of a high order in any field including service rendered by Government servants" but excluding those working with the Public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards but this was subsequently modified in the January 1955 statute.

Graeco-Iberian lead plaque from la Serreta (Alcoi), showing the Iberian form of sampi. Coin of king Kanishka, with the inscription ÞΑΟΝΑΝΟÞΑΟ ΚΑΝΗÞΚΙ ΚΟÞΑΝΟ ("King of Kings, Kanishka the Kushan"), using Bactrian "þ" for š. In the Greco–Iberian alphabet, used during the 4th century BC in eastern Spain to write the Iberian language (a language unrelated to Greek), sampi was adopted along with the rest of the Ionian Greek alphabet, as an alphabetic character to write a second sibilant sound distinct from sigma. It had the shape Ͳ, with three vertical lines of equal length.

Vaishnavas mark their foreheads with tilaka made up of Chandana, either as a daily ritual, or on special occasions. The different Vaishnava sampradayas each have their own distinctive style of tilaka, which depicts the siddhanta of their particular lineage. The general tilaka pattern is of a parabolic shape resembling the letter U or two or more connected vertical lines on and another optional line on the nose resembling the letter Y, which usually represents the foot of Vishnu and the centre vertical line symbolizing his manhood. Alternate interpretations suggest that the symbol is representation of male and female parts in union.britannica.

The lower lateral limit is the anterior crest of the ilium and Poupart's ligament, which runs from the anterior superior spine of the ilium to the spine of the pubis. These lower limits are marked by visible grooves. Just above the pubic spines on either side are the external abdominal rings, which are openings in the muscular wall of the abdomen through which the spermatic cord emerges in the male, and through which an inguinal hernia may rupture. One method by which the location of the abdominal contents can be appreciated is to draw three horizontal and two vertical lines.

Excited state with n=30, with the vertical lines indicating the turning points When is large, the eigenstates are localized into the classical allowed region, that is, the region in which a classical particle with energy can move. The eigenstates are peaked near the turning points: the points at the ends of the classically allowed region where the classical particle changes direction. This phenomenon can be verified through asymptotics of the Hermite polynomials, and also through the WKB approximation. The frequency of oscillation at is proportional to the momentum of a classical particle of energy and position .

High-definition video (HDTV Video or HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for high-definition, generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition. 480 scan lines is generally the minimum even though the majority of systems greatly exceed that. Images of standard resolution captured at rates faster than normal (60 frames/second North America, 50 fps Europe), by a high-speed camera may be considered high- definition in some contexts.

Goodman made a dramatic shift with his site-specific installation Subjects/Objects (1994), which fully realized the frontality of earlier work and broke with traditional in-the-round sculptural presentation. It consisted of forty-seven free-floating, hand-wrought bronze wall-objects in a modular arrangement that emphasized dynamic rhythms achieved through contrasts between horizontal and vertical lines, organic and geometric shapes, and activated negative space; critics likened the groupings of seemingly natural, ceremonial and utilitarian artifacts to a museum archaeological display or tools organized on a pegboard.Tolin, Roseanne. "Making it big," The Times (Indiana), June 8, 1997, p.

To cover the interior steel frame, Walker designed the facade with a grid of accented vertical piers, contrasting with horizontal spandrels. This emphasized the vertical lines of the building, and combined with the setbacks, created an appearance of cascades. A brick facade was used for 60 Hudson Street and for Walker's other communications buildings, since he preferred the material for its texture and its flexibility in color combinations. The ornamentation on the facade was made almost entirely of brick, concentrated around the base, as well as on the parapets on each setback (which were largely removed by the 1990s).

Vertical lines, running the entire length of the canvas are intersected by diagonal lines to form rectilinear shapes of various sizes. The diagonal lines run from the top left to the bottom right and from the top right to the bottom left of the painting. These rectilinear shapes are composed of blocks of black, white, and a range of blue, red, purple, gray, and brown color. The large black space between the two clusters of the shapes, and the arching of the top of the right cluster, brings to the viewer’s mind two stained glass windows illuminated by light in a dark cathedral.

The theme of the Pietà, so dear to the sculptor Michelangelo, is addressed in a highly emotional composition, as in the Crucifixion for Colonna. The dead Jesus is cradled between the grieving Mary's legs, who raises her arms to heaven as two angels also raise Christ's arms at right angles. Mary's gesture balances the forceful vertical lines of Jesus' body, which lies on a rock. Above the two stands a beam, the Cross, on which is inscribed, vertically, a quotation by Dante: Non vi si pensa quanto sangue costa – "There they don't think of how much blood it costs".

Nikon 24mm perspective control lens A tenet of architectural photography is the use of perspective control, with an emphasis on vertical lines that are non-converging (parallel). This is achieved by positioning the focal plane of the camera at so that it is perpendicular to the ground, regardless of the elevation of the camera eye. This result can be achieved by the use of view cameras, tilt/shift lenses, or post-processing. Traditionally, view cameras have been used for architectural photography as they allow for the lens to be tilted or shifted relative to the film plane.

In addition the transfer point for Greater Bridgeport Transit Authority buses, the departure point for the Bridgeport & Port Jefferson Ferry across Long Island Sound to Port Jefferson, New York, and both the Arena at Harbor Yard and the Ballpark at Harbor Yard are located adjacent to the station. Opened in 1975, the current station was designed by the local architectural firm of Antinozzi Associates. Unusually, the station spans the six lanes of Water Street, with the passenger waiting room located over the roadway. The simple concrete facades are scored with vertical lines or channels to create a textured surface.

In plan, these temples are eight-rayed stars and the argha-pattas of the lingas are also similar. These magnificent temples built of red sandstone and profusely carved are stated to have been constructed in the mid-9th century AD. The temples with rich texture and curved surfaces are noteworthy. Each of these temples stands by itself on a raised platform, and consists of a cell and an attached portico. The minute recesses and angularities produce a charming effect of light and shade and confer an appearance of greater height from the continued cluster of vertical lines than they really possess.

Cubiculum C Emblem of dancing swan on North Wall The black socle in this room is speckled with red and ochre to simulate marbling and is separated from the white main zone by an ochre stripe. The red-framed white main zone is divided by black vertical lines with red inner frames into panels with floating emblems of dancing swans and jumping goats. There is a window on the east wall that extends into the upper zone to provide supplemental lighting. There is a recently installed bed niche in the north wall where the gray signinum floor pavement had not yet been repaired.

Recto considered the school's desire to preserve the existing neoclassical architecture of the campus as well as to have a modern-looking structure in his design. As a result, the architectural style he adopted is a modern interpretation of neoclassical design. It retains the beautiful form and proportion of classical architecture but is executed in modern lines and using modern materials such as high-reflective glass curtain walls and high-tech equipment. According to Recto, the predominantly vertical lines in the green and white facade signify the pursuit of lofty aspirations while bright colors in the interiors portray youthfulness, vibrancy and dynamism.

Newman's mature work is characterized by areas of color pure and flat separated by thin vertical lines, or "zips" as Newman called them, exemplified by Vir Heroicus Sublimis in the collection of MoMA. Newman himself thought that he reached his fully mature style with the Onement series (from 1948) seen here.Barnett Newman The zips define the spatial structure of the painting while simultaneously dividing and uniting the composition. Although Newman's paintings appear to be purely abstract, and many of them were originally untitled, the names he later gave them hinted at specific subjects being addressed, often with a Jewish theme.

The Lee Plaza Hotel is a 15-story, "I" plan, steel and reinforced concrete structure, faced with orange glazed brick, with a steeply pitched roof originally covered in red tile (later replaced with copper, which has been since stripped). The first story of the building is forms a terra cotta clad base with molded Palladian windows, from which prominent brick piers rise to the roof, forming strong vertical lines. Decorative details are inset in the form of terra cotta belt courses, spandrel plaques, corbelled friezes and window surrounds. The interior contains 220 one to four room apartments.

The designs of the Lithuanian coins share a similar national side for all denominations, featuring the Vytis symbol and the name of the country, "Lietuva". The design was announced on 11 November 2004 following a public opinion poll conducted by the Bank of Lithuania. It was created by the sculptor Antanas Žukauskas. The only difference between the coins is that the one and two euro coins have vertical lines on the outer circle, the fifty, twenty and ten cent coins have horizontal lines on the outer circle, and the five, two and one cent coins have no lines on the outer circle.

Foundation may have extended as far as underground. Generally, multiple huts were built in a locality, placed apart depending on location. Tusks may have been used to make entrances, skins pulled over for roofing, and the interior sealed up by loess dug out of pits. Some architectural decisions seem to have been purely for aesthetics, best seen in the 4 Epi-Gravettian huts from Mezhyrich, Mezine, Ukraine, where jaws were stacked to create a chevron or zigzag pattern in 2 huts, and long bones were stacked to create horizontal or vertical lines in respectively 1 and 2 huts.

The ship designs, in particular, were regarded by Heyerdahl as similar and drawn with a simple sickle-shaped line, representing the base of the boat, with vertical lines on deck, illustrating crew or, perhaps, raised oars. Based on this and other published documentation, Heyerdahl proposed that Azerbaijan was the site of an ancient advanced civilisation. He believed that natives migrated north through waterways to present-day Scandinavia using ingeniously constructed vessels made of skins that could be folded like cloth. When voyagers travelled upstream, they conveniently folded their skin boats and transported them on pack animals.

In the third movie, The Crow: Salvation, Alex Corvis is executed in the electric chair, and his face is burned by the metal helmet which was worn over his head during the execution. He removes the burned skin following his resurrection, scarring his face around the eyes and lips, thus forming a pattern similar to the classical make-up. However, there are two vertical lines over each of his eyes and they cross with the horizontal lines on his mouth. In The Crow: Stairway to Heaven TV series, Eric's "make-up" appears automatically whenever he "changes" into The Crow.

His fingernails become black, while his face becomes white, with vertical lines over the eyes and short horizontal/diagonal lines extending from his lips, like a smile; they disappear when he becomes 'normal'. Even though not all the reborn wear make-up, they are still usually drawn in a certain style: their lips are usually distinctively black, skin around eyes is black, while the eyes are sometimes burning white. Generally the style of drawing reminds the pattern of the classical makeup. The resurrected souls in the Crow novels do not wear the traditional face paint/markings.

The type designer must consider the relationship of the space within a letter form (the counter) and the letter spacing between them. Designing type requires many accommodations for the quirks of human perception, "optical corrections" required to make shapes look right, in ways that diverge from what might seem mathematically right. For example, round shapes need to be slightly bigger than square ones to appear "the same" size ("overshoot"), and vertical lines need to be thicker than horizontal ones to appear the same thickness. For a character to be perceived as geometrically round, it must usually be slightly "squared" off (made slightly wider at the shoulders).

One of the many valuable lessons to be learned from a study of the Rindler chart is that there are in fact several distinct (but reasonable) notions of distance which can be used by the Rindler observers. Operational meaning of the radar distance between two Rindler observers (navy blue vertical lines). The Rindler horizon is shown at left (red vertical line). The world line of the radar pulse is also depicted, together with the (properly scaled) light cones at events A, B, C. The first is the one we have tacitly employed above: the induced Riemannian metric on the spatial hyperslices \scriptstyle t \;=\; t_0.

On the left margin is a rectangular space to facilitate passage over the bridge. Also part of this project was the erection of a cross, dedicated to the Senhor da Ponte (Our Lord of the Bridge) on the northern margin, but that did not survive to this day. The pavement is constituted from rectangular blocks, delimited by a paved walkway resting on corbels which allow the passage of pedestrians and by wrought iron guards paced by stone pillars. In the archway soffit there are various abbreviations, such as in the first arch (M, z, y, /, ///) and on the second arch various created from vertical lines.

Below this drawing is a side view of the record and stylus, with a binary number giving the time to play one side of the record—about an hour (more precisely, between 53 and 54 minutes). The information in the upper right-hand portion of the cover is designed to show how pictures are to be constructed from the recorded signals. The top drawing shows the typical signal that occurs at the start of a picture. The picture is made from this signal, which traces the picture as a series of vertical lines, similar to analog television (in which the picture is a series of horizontal lines).

Reverse-contrast "Italian" type in an 1828 specimen book by the George Bruce company of New York. Shown below it is a "fat face" design, a type also popular in early 19th century printing. Both typefaces are very bold, but the fat face's thick lines are the verticals as normal and the Italian's are the horizontals. A reverse-contrast letterform is a typeface or custom lettering in which the stress is reversed from the norm: instead of the vertical lines being the same width or thicker than horizontals, which is normal in Latin- alphabet writing and especially printing, the horizontal lines are the thickest.

A keyboard with the stave growing out of it A melody with the note stems pointing to the right, indicating that the right hand should be used A measure in three-time with bar lines and count lines The klavar notation distinguishes itself from conventional notation in several ways. The stave on which the notes are written is vertical so the music is read from top to bottom. Each note has its own individual position, low notes on the left and high notes on the right as on the piano. This stave consists of groups of two and three vertical lines corresponding to the black keys (notes) of the piano.

The region between two consecutive segments inside a slab corresponds to a unique face of S. Therefore, we reduce our point location problem to two simpler problems: # Given a subdivision of the plane into vertical slabs, determine which slab contains a given point. # Given a slab subdivided into regions by non-intersecting segments that completely cross the slab from left to right, determine which region contains a given point. The first problem can be solved by binary search on the x coordinate of the vertical lines in O(log n) time. The second problem can also be solved in O(log n) time by binary search.

This process does not add any vertices to the subdivision (therefore, the size remains O(n)), and can be performed in O(n log n) time by plane sweep (it can also be performed in linear time, using polygon triangulation). Therefore, there is no loss of generality, if we restrict our data structure to the case of monotone subdivisions, as we do in this section. The weakness of the slab decomposition is that the vertical lines create additional segments in the decomposition, making it difficult to achieve O(n) storage space. Edelsbrunner, Guibas, and Stolfi discovered an optimal data structure that only uses the edges in a monotone subdivision.

Its central gable and the oriels on the first and second floors drew out its vertical lines. To cover the additional costs of a building designed to enhance the cityscape, the owner received a subsidy of 15,000 marks from the city and a donation of 10,000 marks from Franz Schütte who had been successful in the oil-import business. On 6 October 1944, the interior of the building was destroyed by incendiary bombs but the ground floor and the façade with the oriels were left intact. After the war, the lower two storeys of the building were repaired but it was only in 1958 that restoration was completed.

The wings grew in length at shorter distances to indicate the target was closer, as does the aircraft's wings when seen visually. A "shoot now" range indicator is often supplied as well, typically consisting of two short vertical lines centered on either side of the middle of the display. To make an interception, the pilot guides his aircraft until the blip is centered, then approaches until the "wings" fill the area between the range markers. This display recreated a system commonly used on gunsights, where the pilot would dial in a target's wingspan and then fire when the wings filled the area inside a circle in their sight.

The raising and lowering of an Austrian drape The Austrian curtain or drape, also called a puff curtain, has multiple vertical lines (typically nylon) spaced evenly across the width of the fabric, which typically is a thin satin, charmeuse, or chiffon material that bunches well. Each line runs through a pulley at the top of the curtain and then horizontally to a common head block. The lines descend from the head block to a mechanical winch, which is used to raise the curtain. A winch is necessary to perform this function as the curtain would otherwise be too heavy for one person to raise.

Acting as a kind of template for gridded marks in black, white and occasionally brightly colored oil-paint-stick layered on top, are pages from Binion's 1970's handwritten phone books, passport ID and negatives of his birth certificate.Recovering Abstraction: McArthur Binion’s Intimate Grids Retrieved 2017-03-04 To fully experience this artist's work, the viewer/participant must get close to the piece of art. Underneath the horizontal and vertical lines of various hues a story is being told. Binion painstakingly combines his personal story with abstract shapes and patterns which are interesting to view as they draw you into the story of the artist.

Researchers who have been prominent in the field combine principles from perceptual psychology, evolutionary biology, neurological deficits, and functional brain anatomy in order to address the evolutionary meaning of beauty that may be the essence of art. It is felt that neuroscience is a very promising path for the search for the quantified evaluation of art. With the aim of discovering general rules about aesthetics, one approach is the observation of subjects viewing art and the exploration of the mechanics of vision. It is proposed that pleasing sensations are derived from the repeated activation of neurons due to primitive visual stimuli such as horizontal and vertical lines.

In addition they all have a DC input socket for optional external power-supply via a mains transformer. The Series 3's innovative clamshell design did have some problems: breakages of any of the four hinges; loss of function in the button bar between the two-halves of the clam; and deterioration of the cable linking the keyboard half to the screen, leading to a serious display problem with the appearance of vertical lines. Psion Series 3s have room for two flash-memory cards, which enabled backup of data. Psion, Acorn and third party software was available loaded onto such memory cards which were available as separate packs.

Some vertical lines around these features are emphasised, while her pupils are enlarged and her eyebrows slightly raised. In addition the contours of her face are highlighted in a manner that is slightly unnatural and abstract,Campbell, 15 and outside the usual spatial constraints of 15th-century human representation. This methodology was described by art historian Erwin Panofsky: "Rogier concentrated on certain salient features—salient both from a physiognomical and psychological point of view—which he expressed primarily by lines."Kemperdick, 22 Her high forehead and full mouth have been seen as suggestive of a nature at once intellectual, ascetic, and passionate, symbolic of "an unresolved conflict in her personality".

Her deep interest in printmaking and paper making has kept her close to all types of papers. For Sutil, paper acted not only as a surface for her work, but also as a structure that was part of her work. In 1986, Francisca Sutil began using oil pastels on her hand made paper, after two years she fully committed to painting with pigmented gesso but soon after, in the 90's, watercolor, Chinese ink and oils. Her series Space consisted of vertical lines on paper one after the other, the gesso did not have the correct consistency and did not work with this type of technique.

The refectory The refectory was the only dining room in the castle, and was built between 1926 and 1927. The choir stalls which line the walls are from the La Seu d'Urgell Cathedral in Catalonia and the silk flags hanging from the ceiling are Palio banners from Siena. Hearst originally intended a "vaulted Moorish ceiling" for the room but, finding nothing suitable, he and Morgan settled on the Italian Renaissance example, dating from around 1600, which Hearst purchased from a dealer in Rome in 1924. Victoria Kastner considered that the flat roof, with life-size carvings of saints, "strikes a discordant note of horizontality among the vertical lines of the room".

Woman in a Green Hat shows a similar left lean, and verticals on her dress. The work is oppressively flat and rectangular. While it lacks pictorial depth, it is highly symmetrical, showing a near full-face and centered body view, with a number of playful deviations, including the lean of her head and torso and the thick vertical line in the background which is positioned slightly to the left.Fry, 68 As with much of Cézanne's mature work, it has many abstract forms, especially the vertical lines of her dress, which echo the diagonals of her hair and join the heavy line in the background on which her head seems to rest.

Following the collapse of the Unschooled Records label in 2007, Decomposure created his own Blank Squirrel Musics label and released Vertical Lines A, an ambitious multi-genre album made from the first eleven hours of a 23-hour timespan recorded on cassette. It featured heavily abstracted songwriting, complex unconventional time signatures, a bonus DVD full of special features and handmade album art bound together with string. It is expected that he will follow this album with Horizontal Lines B some time in the future. In 2008, the full-length Humidity Patient Guide, his second release for Blank Squirrel Musics, was made available as a free download on the record label's website.

Some of Scotland's most famous medieval fortifications include Castle Stalker and Stirling Castle. More recent, Jacobean era castles include Edinburgh Castle and Craigievar Castle. The arrival of the cannon made high-walled castles defensively impractical and obsolete, but the fortification genre evolved into a style in its own right; Scots Baronial Style architecture has an emphasis on turrets and strong vertical lines drawn from tower houses, and constitutes one of Scotland's "most distinctive contributions to British architecture". The new political stability, made possible by the Act of Union, allowed for renewed prosperity in Scotland, which led to a spate of new building, both public and private, during the 18th century.

One driving method is similar to that of core memory: the solenoids are connected in a simple matrix. Those solenoids at the crossing point of two powered wires are driven with enough current to flip their discs; those powered on only the vertical or horizontal line see only 1/2 of the required force (as flux is proportional to current, which in turn is proportional to the voltage). Those on unpowered lines also do not flip. Typically, the driving scheme works its way from top to bottom, powering each horizontal line "on" and then powering the needed vertical lines to set up that row.

The surrounding buildings were designed in order to symbolize the unity of the diverse functions of the Hong Kong government, which is why Guida Moseley Brown extensively used glass and vertical lines to signify the independence, openness and solemnity of the legislature. Considered as one of Hong Kong’s iconic tourist attraction, visitors and tourists are known to take guided tours to learn about its architecture and work of the legislature. Guida Moseley Brown Architects were also involved in the project to build the Chongqing Science and Technology Museum project in Jiangbeizui CBD, Chongqing, China, built 2006–09. The museum cost 567 million RMB to build.

' Gang members apparently were tattooed with the emblem consisting of a straight horizontal line and 5 joined vertical lines with members' first and family names starting with the letter T being the horizontal line on top of the name. Tri Minh Tran rose to leadership of the 5T gang by the age of 14 in 1989. Born in Vietnam in 1975, Tran arrived in Australia at the age of 7 as a refugee. By the age of 11, he had spent six months in a children's institution for carrying a sawn- off shotgun and in the next couple of years was suspected of the murder of two rival gang members.

Avant's Cities Service Station is designed in the Art Deco style; the building also features Moderne influences. The station was originally built with an office and a service bay; the original service bay was eventually converted to office space, and four additional service bays were added to the north end of the building. The concrete building features a flat roof with a zig-zag parapet rising to a peak at the center of the original office section's roof line. Stepped pilasters marked by vertical lines frame the central window below the parapet; additional pillars adjoin the office's door, which is located in the original bay.

The light hoods create a series of shadows on the exterior wall that are reminiscent of a row of columns, their vertical lines adding to the impression of height. The main entrance to the building is not visible to people passing by on the street. Light towers in each of the four corners of the sanctuary rise above the building's outer walls, making the shape of the sanctuary easy to visualize from outside. The impression that Kahn created of the sanctuary imbedded within the larger building is similar to the "box within a box" approach he used in several other buildings, notably the Phillips Exeter Academy Library.

The makeup is referred as "the mask of death" and "the trails of Gorgon's blood" in The Crow: Wild Justice comic book. In The Crow: Death and Rebirth, Jamie Osterberg's pale skin color and eye/mouth lines are not created by make-up, however, and his hair has turned completely white. In The Crow: Curare, Carrie's pale skin color is not accomplished by make-up, there is no horizontal line over the mouth, and the vertical lines over the eyes are shorter and thinner. According to O'Barr, Eric Draven is based on the face of Peter Murphy (of Bauhaus) and the body of Iggy Pop.

Diagonal, horizontal, and vertical lines in the number spiral correspond to polynomials of the form : f(n) = 4 n^2 + b n + c where b and c are integer constants. When b is even, the lines are diagonal, and either all numbers are odd, or all are even, depending on the value of c. It is therefore no surprise that all primes other than 2 lie in alternate diagonals of the Ulam spiral. Some polynomials, such as 4 n^2 + 8 n + 3, while producing only odd values, factorize over the integers (4 n^2 + 8 n + 3=(2n+1)(2n+3)) and are therefore never prime except possibly when one of the factors equals 1.

The M-type supergiants of h and χ Per became the prototypes of this class of stars, and the major source of data for their properties. Unlike most the usual relatively young star clusters including few supergiant stars, 18 were found in the Double Cluster of Perseus by 2007, which Robert F. Wing noted as the 60th anniversary of Bidelman's "important paper", saying Bidelman's 1947 two-dimensional classifications of the then-known supergiants in h and χ Per had "served as the benchmark" for later studies of the red supergiant stars. Vertical Lines of H-alpha and Balmer lines are shown using spectra from many dwarf stars. Weak Balmer lines show a star's atmosphere to be hydrogen-deficient.

Next comes the work of obscuring the carefully rendered image. From a distance the image appears soft, as though photographed through a mist. But as the viewer approaches the work, vertical lines can be seen, and on closer inspection a sort of horizontal weave emerges. One writer described the effect this creates on Van Pelt’s The Expulsion of Adam and Eve as, "so thick with paint and lines that it actually appears to have been applied to wood, not canvas.Art International, Winter 1999, "The Universal Language" by Jeremy Rosenberg In response to the observation that her work is abstract, Van Pelt has said, "It’s my way of merging the tradition of portraiture with contemporary abstraction. I’m interested in ambiguity.

Mondrian's painting "Composition No. 10" (1939–1942) clearly defines his radical but classical approach to the construction of horizontal and vertical lines, as Mondrian wrote, "constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm." Just as there are both two-dimensional and three-dimensional geometries, the abstract sculpture of the 20th century was of course no less affected than painting by geometricizing tendencies. Georges Vantongerloo and Max Bill, for example, are perhaps best known for their geometric sculpture, although both of them were also painters; and indeed, the ideals of geometric abstraction find nearly perfect expression in their titling (e.g., Vantongerloo's "Construction in the Sphere") and pronouncements (e.g.

This letter survives now only in Czech. Compare also for the digraph nn, with the tilde as a superscript . In blackletter handwriting as used in German manuscripts of the later Middle Ages, and also in many printed texts of the early modern period, the superscript still had a form that would be recognisable to us as an , but in manuscript writing, umlauted vowels could be indicated by two dots since the late medieval period. In the forms of handwriting that emerged in the early modern period (of which Sütterlin is the latest and best-known example) the letter was composed of two short vertical lines very close together, and the superscript looked like two tiny strokes.

The building is shaped roughly like the capital letter I, with the main facade emphasizing vertical lines, tall windows, and two tall dormers on either side of the bell tower. The facades were built of light gray Monson granite in rough-faced random ashlar masonry, with smooth-faced trim. The overall design reflects Richardson's evolution as a designer, showing development from the Brattle Square Church. In his 1972 treatise on Springfield history, Town Into City, Dr. Michael Frisch, professor of American Studies at University at Albany, described the structure as "the single most impressive building of the period [1840 to 1880], well symboliz[ing] Springfield's new importance in the life and economy of its region".

The eyebrows are shown with a strong arch to accentuate the vertical lines and the long nose that intersects with the horizontal lines of the halo to create a symbolic cross. Several studies have been conducted in an attempt to determine whether significant changes have been made during restorations to the appearance of the Christ Pantocrator mosaic, but there is general agreement that changes have not been significant. Christ is surrounded by sixteen Prophets at the base of the dome, between the windows that illuminate Christ as the dominant figure in the church. The prophets are wearing ancient garments and hold a parchment containing text proclaiming the glory of Christ or the Second Coming.

Because there was rain in the forecast for Super Bowl XLII, the roof was closed for the entire day's activities. During a February 6, 2007 ceremony with Arizona Governor Janet Napolitano, the NFL and the Arizona Super Bowl Host Committee unveiled the slogan "Who Wants It More?" along with its mascot "Spike the Super Ball" (an anthropomorphized football with sunglasses and sneakers) and a large "Super Bowl XLII Countdown Clock" at Phoenix Sky Harbor International Airport. The Super Bowl XLII logo was also unveiled. It features the shape of the state of Arizona in red and two horizontal white stripes in the middle to represent the vertical lines on University of Phoenix Stadium.

The value of one US dollar in Venezuelan Bolivares fuertes on the black market through time according to DolarToday.com. Blue vertical lines represent every time the currency has lost 90% of its value. This has happened four times since 2012, meaning that the currency is worth as of December 2017 almost 10,000 times less than in August 2012 since it has lost more than 99.99% of its value. The rate at which the value is lost (inflation) is accelerating. The first time the money took 2 years and 2 months to lose 90% of its value, the second time 1 year and 10 months, the third time 10 months and the fourth time only 4 months.

Inside the FNB stadium The outside of the stadium is designed to have the appearance of an African pot; the cladding on the outside is a mosaic of fire and earthen colours with a ring of lights running around the bottom of the structure, simulating fire underneath the pot. No spectator is seated more than 100 metres (330 ft) from the field, and there are no restricted views in the stadium. The stands in the FNB Stadium are articulated by ten black vertical lines; nine are aligned geographically with the nine other stadiums involved in the 2010 World Cup. Because 9 is considered to be an unlucky number in South African traditional culture, a tenth line was added.

The La Fayette type features very clean superstructures, as Courbet demonstrates At the time of their commissioning, the units of the La Fayette class were the state of the art in stealth for warships. The shape of the hull and the superstructures is devised for the optimal reduction of the radar signature, which has been reduced by 60 percent: a 3000-tonne La Fayette unit has the typical radar signature of a 1200 tonne ship. Stealth is achieved with inclined flanks, as few vertical lines as possible, and very clean lines and superstructures: stairs and mooring equipment are internal, and prominent structures are covered by clear surfaces. The superstructures are built using radar-absorbent synthetic materials.

The mackerel tabby pattern gives slender vertical, gently curving stripes on the sides of the body. These stripes may be continuous or broken into bars and short segments/spots, especially on the flanks and stomach. Three or five vertical lines in an 'M' shape almost always appear on the forehead, along with dark lines from the corners of the eyes, one or more crossing each cheek, and of course many stripes and lines at various angles on the neck and shoulder area, on the flanks, and around the legs and tail, marks which are more or less perpendicular to the length of the body part. Mackerel tabbies are also called 'fishbone tabbies,' probably doubly named after the mackerel fish.

In Piaget's theory of cognitive development, operative intelligence is the conceptual framework of a child's understanding of the world, and this framework changes as the child learns. Piaget and Inhelder (1973) proposed a link between operative intelligence and memory, specifically that a child's ability to accurately recall an event or an image corresponds with the child's operative level. Previous studies showed very little improvement in operative development with training. However, one study points to inadequacies in older test designs. A study was designed using an operative concept of “verticality”, referring to a child's ability to accurately represent true vertical lines, such as drawing a chimney perpendicular to a slanted roof or perpendicular to the ground.

This light curve of Her X-1 shows long term and medium term variability. Each pair of vertical lines delineate the eclipse of the compact object behind its companion star. In this case, the companion is a 2 Solar- mass star with a radius of nearly 4 times that of the Sun. This eclipse shows the 1.7-day orbital period of the system. The source exhibits complex time variability, pulsing with a period of 1.24 s due to the rotation of the neutron star, eclipsing every 1.70 days with the period of the binary orbit, and also varying with a 35-day period believed associated with the precession of the accretion disk.

In addition, these typefaces had a strictly vertical stress: without exception, the vertical lines were thicker than the horizontals, creating a much more geometric and modular design. A major development of the early nineteenth century was the arrival of the printed poster and increasing use of printing for publicity and advertising material. This presumably caused a desire to make eye-catching new types of letters available for printing. Typefaces clearly intended for poster use began to appear in London in the second half of the eighteenth century, introduced by the typefounders William Caslon II and Thomas Cottrell, although casting large metal type in sand for book titles was used for centuries before that.

In 2005, the building underwent an extensive $20 million renovation directed by Chicago architect Gunny Harboe, whose restoration work included Loop landmarks the Rookery Building and Reliance Building. The project included restoration of the main lobby to emphasize the design features of the art deco era, elevator modernization, façade renovation and cleaning, and the continued renovation of upper floor corridors and hallways. Though impractically small for modern use, mailboxes in the lobby were restored to their original condition to follow the theme of vertical lines found throughout the complex. An improved electrical infrastructure, with ten main feeds from seven different Commonwealth Edison electrical substations, was added in addition to redundant cooling systems and upgraded telecommunications capabilities.

At the end of the turn each coin that is completely within a "bed" (between two horizontal lines and within the bordering vertical lines) scores a point for that player in that bed. The points are scored with chalk marks in the squares at either end of the bed on the edge of the board, one player owning the right side, the other, the left. The aim is to get three chalk marks in each of the squares - three scores in each of the nine beds. However, once three scores have been made in a bed, any further scores in that bed will be given to the opponent instead, unless the opponent already has three scores in the bed.

The architects' main observation was the commonality of a protrusion or "beacon" arising from the top and middle of the main body of each elevation referenced. Thus it was decided such a feature would be the main design element of The Lexington, including a specific "lighting strategy" to "accentuate the presence of the beacon". The New York based modernist works of Mies van der Rohe, such as Lever House and the Seagram Building were also studied to determine the attributes needed for The Lexington to successfully echo the city's high-rises. Conclusions included the need for strong vertical lines in order to accentuate the elegance and slenderness of The Lexington, with a much weaker emphasis on horizontal elements.

Kaisersaal (Imperial hall) Built from 1838 to 1840, the entrance building consists of an elongated, approximately rectangular building (the central section is slightly set back from the building line) with two storeys and a tiled hip roof. The stone building has 13 window axes (vertical lines of windows) and two central doorways on the ground floor, which give access from the station forecourt via the waiting room to the main platform. Next to the station building and connected to it by a corridor, is the so-called Kaisersaal (imperial hall), where William I, the German Emperor, rested during his stay in Vienenburg on 15 August 1875. The hall can be rented today for celebrations.

The curvilinear patterns have been divided into rectangular panels by straight vertical lines and by horizontal lines at right angles to them which define the basal extremity of the ornamented area. The precise original width of only one such panel can now be ascertained (c. 0.9m wide and 0.75m high) but it may be estimated that four such panels of decoration once existed on the stone giving an original circumference of 3.6m. The smaller decorated fragment appears to represent a portion of the dome-shaped top of the original monolith and, in this regard, would have resembled that of the best known of the Irish aniconic stones, the stele from Turoe, Co. Galway (GA097-152----).

City Hall Plaza is the tallest New England building north of Cambridge, Massachusetts, followed closely by the all-black Brady Sullivan Plaza—shorter than City Hall Plaza by only a few feet—both of which are 20 stories high. Other prominent buildings in the Downtown skyline include Manchester's original "skyscraper," the New Hampshire headquarters of Citizens Bank located in the Amoskeag Bank building; Brady-Sullivan Tower, formerly known as New Hampshire Tower; the Carpenter Center; the Wall Street Tower; and Anthem Tower. Viewed from the west and from I-293, the vertical lines of these buildings are contrasted with the massive, horizontal Millyard below them along the banks of the Merrimack River.

The operator could control the gain to make the weaker spots disappear, and then estimate the location of the aircraft in the remaining set. They would then use a normal voice telephone link to an operator at the L1 station, who would manually enter the location into the main displays. To aid the conversion from X-Y to a map location, the display added additional vertical lines to divide the display into "sectors" which could then be looked up on a map. Due to the "stacked" vertical beams of the Type 85, height finding was still possible by examining which beams were receiving the jamming signal and which were clear of it.

In 1903 Ives patented the parallax stereogram, the first "no glasses" autostereoscopic 3-D display technology.U.S. Patent 725,567 "Parallax Stereogram and Process of Making Same", application filed 25 September 1902, patented 14 April 1903 A compound image consisting of fine interlaced vertical slivers of a stereoscopic pair of images was seen in 3-D when viewed through a slightly separated fine grid of correctly spaced alternating opaque and transparent vertical lines, now known as a parallax barrier. The grid allowed each eye to see only the slivers of the image intended for it. Ives first exhibited such an image in 1901, at which time he stated that the basic concept had occurred to him about sixteen years earlier while working with line screens for the halftone process.

The ornamental decoration is marked by images of large elements in the shape of big lozenges, paired horns, various stylized elements. There are “zillis” with a variety of compositions, which differed by peculiar vegetal ornamental patterns and overall rich colors. The key element in such compositions lies in the recurring alternation of colors along the horizontal pt vertical lines, which form an "energetic" rhythm. As to their technical and artistic qualities, “zillis” are rich in moving images of stylized birds, elaborated “butas” and other elements. “Zilli” were influenced by the tendency to fill in the space by various motifs, each being repeated in the field according to its individual layout, and the overall result resembles a fancy garden with a rich and fairy-tale flora.

From his exposure to modern architecture and architects, and an intense interest in modern painters, especially Piet Mondrian and Ben Nicholson, Brookes developed a method of using a grid as a means of imposing discipline on his designs. The purpose of the grid was to connect the vertical lines of a building with the horizontal lines of a garden by projecting the house module or grid on plan, and extending it beyond the house to create a pattern for the garden that would ultimately have a proportionate relationship to the structure it surrounded. In this way, the grid principle evolved into a methodology in which geometric curves and squares could be introduced to create simple flowing lines and defining spaces.

The Ulam spiral or prime spiral is a graphical depiction of the set of prime numbers, devised by mathematician Stanisław Ulam in 1963 and popularized in Martin Gardner's Mathematical Games column in Scientific American a short time later. It is constructed by writing the positive integers in a square spiral and specially marking the prime numbers. Ulam and Gardner emphasized the striking appearance in the spiral of prominent diagonal, horizontal, and vertical lines containing large numbers of primes. Both Ulam and Gardner noted that the existence of such prominent lines is not unexpected, as lines in the spiral correspond to quadratic polynomials, and certain such polynomials, such as Euler's prime- generating polynomial x2 − x + 41, are believed to produce a high density of prime numbers.

In 1918-19, Matus Z. described a Komikan board with a triangular board with two horizontal lines across its breadth, a single vertical line along its length, and two shorter vertical lines where the shorter horizontal line (the one closest to the Alquerque board) intersects with the triangle's two sides. Another board described in 1980 by J. Alcina Franch described a Taptana board with a heart-shaped triangular board with a curve line connecting to a little circle that touches the Alquerque board. This board was found at Chinchero, Peru near the capitol, Cuzco, scratched on a Pre-Hispanic wall. This board has been used as an argument that Komikan or Taptana is a Pre-Hispanic or Pre-Columbian indigenous game of South America.

Baboushka and the Three Kings retells a "Russian folktale about an old woman's endless search for the Christ child". In a retrospective essay about the Caldecott Medal-winning books from 1956 to 1965, Norma R. Fryatt wrote, "Children will find in it something unusual, perhaps too removed from their experience and the Christmas story as they know it, but certainly it is a book to which they should be introduced... Primitive colors, rigid vertical lines, stylized figures, an unusual typeface that satisfied both artist and designer, – this combination of graphic skills was an experiment and one which in the main succeeded." The 28-page book includes a song "Baboushka," verse by Edith M. Thomas and musical score by Mary Clement Sanks.

Rose (1883, p. 178-80) The circumference of this circle we divide into any number of equidistant divisions, as from 1 to 24. The pitch A B of the spiral or thread is then divided off also into 24 equidistant divisions, as marked on the left hand of the figure; vertical lines are then drawn from the points of division on the circle to the points correspondingly numbered on the lines dividing the pitch; and where line 1 on the circle intersects line 1 on the pitch is one point in the curve. Similarly, where point 2 on the circle intersects line 2 on the pitch is another point in the curve, and so on for the whole 24 divisions on the circle and on the pitch.

For the post-1967 awards, the, names are changed to "Shauryua Chakra" in Hindi above and "SHAURYA CHAKRA" below. Ribbon: Green colour ribbon divided into four equal parts by three orange vertical lines. Bar: If a recipient of the Chakra shall again perform such an act of gallantry as would have made him or her eligible to receive the Chakra, such further act of gallantry shall be recognised by a Bar to be attached to the riband by which the Chakra is suspended and, for every subsequent act of gallantry, an additional Bar shall be added and such Bar or Bars may also be awarded posthumously. For every such Bar, a replica of the Chakra in miniature shall be added to the riband when worn alone.

Wójcicki 1999, p. 38 monastery interior Original design of the church was also prepared by Kupiec and his new collaborator, Zygmunt Gawlik, in the late 1940s.Wójcicki 1999, p. 50 Unlike the down-to-earth monastery building it envisioned a large construction, which located on the hill was intended as a major city landmark. The temple was to be based on rectangular layout some 45 meters long and 25 meters width; the plan featured a hall church with central nave braced by two lower aisles, generously lit with vertically oriented windows running through all height of the walls. The front also emphasized vertical lines, reinforced by a slender, lighthouse-like tower framed in-between the church and the monastery; a two-pitched, gable roof was envisioned.

D.E. Smith, History of Mathematics, vol 2 Dover (1958) p. 318 There are three kinds of asymptotes: horizontal, vertical and oblique. For curves given by the graph of a function , horizontal asymptotes are horizontal lines that the graph of the function approaches as x tends to Vertical asymptotes are vertical lines near which the function grows without bound. An oblique asymptote has a slope that is non-zero but finite, such that the graph of the function approaches it as x tends to More generally, one curve is a curvilinear asymptote of another (as opposed to a linear asymptote) if the distance between the two curves tends to zero as they tend to infinity, although the term asymptote by itself is usually reserved for linear asymptotes.

The repeating 6 × 6 grid used in the x-trans sensor The Fujifilm X-Trans CMOS sensor used in the X-Pro1 (and other Fuji X-series cameras) is claimed to provide higher resolution than full-frame sensors, and also produce better colour reproduction. Anti-aliasing filters are used on standard Bayer Array Sensors to reduce moiré effect when shooting regular patterns - however they are known to slightly reduce resolution. The "X-Trans" CMOS sensor uses a different pattern of pixels in order to reduce moiré without the need for an AA filter. This same pattern ensures that all horizontal and vertical lines of pixels contain R, G and B pixels whereas Bayer array sensors do not have R and B in some lines.

Mig is in reference to the chart (the pattern of horizontal and vertical lines) of the board, and Mangs refers to the notion that the more charts are used on the board, the more pieces are needed to play the game, but some state that it means "many eyes". The game may also be known as Gundru (or Gun-dru). The game was popular among some Tibetan monks before the Chinese invasion of Tibet in 1950, and the uprising in 1959, and among aristocratic families. Tibetans in their diaspora have had to make use of whatever board was available be it a 19 x 19 Go board, or an 8 x 8 checkered board from draughts or checkers and orthodox chess.

Apple Keyboard II is the Macintosh Classic's standard keyboard. The Macintosh Classic is the final adaptation of Jerry Manock's and Terry Oyama's Macintosh 128K industrial design, bringing back some elements of the original while retaining little of the Snow White design language used in the Macintosh SE's design. The only remnant of the SE is the stripe across the front panel (bezel) for the floppy drive; the distinctive front bezel lines of the SE were not used on the Classic, and the vertical lines around its base are replaced by four horizontal vent lines, more reminiscent of the original design. Also, the curve of the front bezel was increased to the same radial curve as on the front of both the Macintosh LC and Macintosh IIsi.

This presented the range in an easily understandable fashion; the line looked like the wings of an aircraft, which naturally grow larger as the fighter approaches it. The U-shaped centring post was sized so the tips of the U were the same width as the range indication line when the target was at , which indicated that the pilot should throttle back and begin his final approach. Two vertical lines to the sides of the display, the goal posts, indicated that the target was ahead and it was time to look up to see it. Two smaller lines indicated a range of , at which point the pilot should have seen the target, or had to break away to avoid collision.

On the 7" and 12" versions (seen above) the same cover is used but the lime green vertical line is wider with a white line running through it and another vertical white dissects the sleeve slightly off centre on the dark blue cover. The 1993 art work of the mixes single incorporates the images of the previous single's artwork; the blue/green/white vertical lines from the original "How Can I Love You More?", the colourful circles on "Colour My Life", the square red blocks from "Excited" and the plain red flower on "Someday". It does this by using square photos of each of the band set up in the shape of a flower pattern with vertical colour lines in each picture.

Pictobalcis articulata is the largest eulimid occurring in its range, with a high turretellid-like polished shell patterned in wavy vertical lines of chestnut brown or dark red on a background of cream to dark red, up to 26mm in length.Cook, Steve De C., “New Zealand Coastal Marine Invertebrates Vol 1”, Canterbury University Press, NZ 2010, IBSN 978-1877257-60-5 Unlike other eulimids this species is coastal, from low intertidal down to 30 metres deep. The animal is ectoparasitic like other genera in the family, but due to its rarity it has not been studied and the host or hosts it depends on are not known. Empty shells are washed into tide pools or found inhabited by hermit crabs.

The better known Mindovsky House (present-day Embassy of New Zealand) was set right on the street corner, with the main entrance facing the spacious inner courtyard. Ponizovsky House was set back from Povarskaya street line, allowing a narrow strip of garden between the wall and sidewalk; its main entrance faces the corner of Povarskaya Street and Skatertny Lane. Period photographs show that the building had a flattened yet prominent dome above the main entrance and a smaller curvilinear gable above Povarskaya street facade; overall styling was reserved, with clear vertical lines of windows cut through a tiled wall. In 1914, when Kekushev was already inactive, Ponizovsky House was rebuilt to a neoclassical design, losing the dome and all original exterior finishes.

The dissociation starts at the 3-photon gap and proceeds to the 2ω limit (the lower blue arrow in Fig. 1). Since both the initial and the final energies of this process are fixed by the 1.55 eV photon energy, the KER is also constant producing the two vertical lines in Fig. 2. The lowest energy protons are produced by the bond hardening process, which also starts at the 3-photon gap but proceeds to the 1ω limit (the lower red trough in Fig. 1). Since the initial and the final energies are also fixed here, the KER should also be constant but clearly it is not, as the round shape of the central "crater" demonstrates it in Fig. 2.

In all feature films, except The Crow: Salvation, the protagonist wears make- up that cover their face. In the first movie Eric Draven copies the pattern from one of the masquerade that decorated his and Shelly's apartment, which consists of white paint placed over the face with black paint around eyes, black vertical lines over and under eyes, black paint on the lips and a black horizontal line across the mouth and cheeks, resembling a Glasgow smile. In The Crow: City of Angels Ashe's make-up was provided by Sarah and looks similar. Jimmy's make-up in The Crow: Wicked Prayer is similar as well, though there is no horizontal line over the mouth and the vertical eye lines are shorter and thinner.

Eaton was an early champion of planting trees with strong vertical lines like palms and cypresses to complement the dominant horizontal lines of sky, water, and shore along the California coast. Gustav Stickley, one of the American Arts and Crafts movement's most celebrated designers, praised Eaton's landscape work for its revolt "against the formality, the severe training and repression of Nature which constitute the first principles of the French and Italian systems of landscape gardening". Eaton and the eminent Italian émigré horticulturalist Francesco Franceschi jointly founded the Southern California Acclimatizing Association in 1893 to introduce new species from around the world to California. It was initially headquartered at Riso Rivo, which accounts in part for the diversity of tree species planted there.

Instead she looks directly at the viewer, creating an intimate relationship between sitter, viewer and artist,Campbell, 15 which art historian and research curator Lorne Campbell describes as "appealing and vibrant".Kemperdick, 22 The sitter has unusually bright, large and attractive blue eyes; their rendering may be considered outside of contemporary representation in that the artist did not reduce the size of the sitter's left eye to reflect the scale of her turn of head to the viewer's left. She is lit from a source above the canvas to the viewer's right, which sets up the falling light used to contrast the vivid white of her veil and flesh against the dark tones of her dress and volume of her head.Campbell, 53 The painting is composed through a mix of horizontal and vertical lines.

The grandmother cell hypothesis, is an extreme version of the idea of sparseness, and is not without critics. The opposite of the grandmother cell theory is the distributed representation theory, that states that a specific stimulus is coded by its unique pattern of activity over a large group of neurons widely distributed in the brain. The arguments against the sparseness include: #According to some theories, one would need thousands of cells for each face, as any given face must be recognised from many different angles - profile, 3/4 view, full frontal, from above, etc. #Rather than becoming more and more specific as visual processing proceeds from retina through the different visual centres of the brain, the image is partially dissected into basic features such as vertical lines, colour, speed, etc.

Although heroines are among the most difficult characters to animate, Davis' knowledge of the human body and anatomy "brought these iconic female characters to life and made them believable", according to The Walt Disney Family Museum. While other Sleeping Beauty animators struggled to adapt to artistic director Eyvind Earle's unprecedented preference for detailed backgrounds, Davis himself rather embraced this new style. Collaborating with character designer Tom Oreb on Aurora, Davis "crafted a leading lady of elegance", while Oreb drew vertical lines into the pleats of Briar Rose's skirt and incorporated two-dimensional swirls into her hair. With a dignified, angular shape that complemented Earle’s vertical and horizontal backgrounds, the princess was "more refined" than preceding Disney heroines, and thus required much more attention to detail than any animated character before her.

Atrium basin of House of Antiope, Marcianopolis Mosaic of the alt=An ancient mosaic depicting the gorgon Medusa in the centre of a round geometric shield inscribed into a square also decorated with geometric motifs Three of the mosaics are exhibited in situ and the remaining have been moved from their original locations in order to be conserved and restored. As a whole, the mosaics were laid out using the opus tessellatum (tiles aligned in horizontal or vertical lines) and opus vermiculatum (tiles aligned so as to draw an outline around the shapes) techniques. The tiles were made of marble, clay, limestone and coloured glass and include 16 colour varieties. Despite the rise of Christianity during the reign of Constantine, the mosaics in the House of Antiope are exclusively pagan in character.

Hypotrachelium on a Doric column in the Parthenon, Athens The hypotrachelium is the upper part or groove in the shaft of a Doric column, beneath the trachelium. The Greek form is hypotrakhelion. In classical architecture, it is the space between the annulet of the echinus and the upper bed of the shafts, including, according to C. R. Cockerell, the three grooves or sinkings found in some of the older examples, as in the temple of Neptune at Paestum and the temple of Aphaea at Aegina; there being only one groove in the Parthenon, the Theseum and later examples. In the temple of Ceres and the so-called Basilica at Paestum the hypotrachelium consists of a concave sinking carved with vertical lines suggestive of leaves, the tops of which project forward.

The rule of thirds is a composition guide that states that arranging the important features of an image on or near the horizontal and vertical lines that would divide the image into thirds horizontally and vertically is visually pleasing. The objective is to stop the subjects and areas of interest (such as the horizon) from bisecting the image, by placing them near one of the lines that would divide the image into three equal columns and rows, ideally near the intersection of those lines. Rule of thirds: Note how the horizon falls close to the bottom grid line, and how the dark areas are in the left third, the overexposed in the right third. The rule of thirds is thought to be a simplification of the golden ratio.

In this expanded plane, we define the polar of the point to be the line at infinity (and is the pole of the line at infinity), and the poles of the lines through are the points of infinity where, if a line has slope its pole is the infinite point associated to the parallel class of lines with slope . The pole of the -axis is the point of infinity of the vertical lines and the pole of the -axis is the point of infinity of the horizontal lines. The construction of a correlation based on inversion in a circle given above can be generalized by using inversion in a conic section (in the extended real plane). The correlations constructed in this manner are of order two, that is, polarities.

Raster passes are the most basic of all machining strategies for the finishing or semi-finishing of a part during computer-aided manufacturing (CAM). In raster passes machining the milling cutter moves along curves on the cutter location surface (CL surface) obtained by intersecting the CL surface with vertical, parallel planes. Many CAM systems implement this strategy by sampling cutter location points on these curves by calculating intersection points of the CL surface and as many vertical lines as needed to approximate the curve to the desired accuracy. There has never been a standardization of terminology used in the industry for the different machining strategies, so it is known by many different names, often with poor illustrations in the brochure because it's so basic, users are supposed to know already what it is.

A series of modernist villas for sometimes wealthy clients followed despite the Fuchs controversy. The Villa Henri Daniel (1927, demolished) on Strada Ceres returned to the almost unadorned flat facade, enlivened by a play of horizontal and vertical lines, while the Maria Lambru Villa (1928), on Popa Savu Street, was a simplified version of the Fuchs design. The Florica Chihăescu house on Șoseaua Kiseleff (1929) is surprisingly formal with a central porch below strip windows, and also marks collaboration with Milița Petrașcu from the 1924 exhibition who provided some statuary (now lost). The Villa Bordeanu (1930) on Labirint Street plays with symmetrical formality while the Villa Paul Iluta (1931, altered) employs bold rectangular volumes over three floors, as does the Paul Wexler Villa (1931), on Silvestru and Grigore Mora streets.

She was also influenced by indigenous painting (she owns works by indigenous artists Queenie McKenzie and Kitty Kantilla) and painter Fred Williams. McKenzie's influence can be seen in the serried, stacked segments of landscape that recede to the horizon line, and Kantilla's influence is clearly evident in the motif of parallel, slanting or vertical lines within these landscape segments. Coalescing all these influences and ideas together, Drysdale arrived at her signature style of intense colour and fine linework in the first Tanami series called Red Desert (Frankfurt, 2003), which was a great success. Her technique encompasses the selection of a suitable vessel, the adding the layers of glaze, then the careful linear incisions with a knife through a masking resist to inscribe the tracery that defines and shapes each work.

Each line of text is ruled, only as far as the inner vertical lines, and there are prick marks where the horizontal lines meet the verticals. The book begins with 19 lines on a page, but at folio 42 changes to 20 lines per page, requiring the re-ruling of some pages. This change was evidently a departure from the original plan, and may have been caused by a shortage of the very fine vellum, as two different sorts are used, though the change does not coincide exactly with the change in the number of lines.Brown (1969), 58–59; Battiscombe, 356 Four passages are marked in the margin, which correspond to those used as readings in Masses for the Dead in the Roman lectionary of the mid-7th century.

William Henry Deacy of the W. W. Leland Studios in New York City was subsequently chosen as the architect. At the annual meeting of the Alumni Association following commencement in May, two of his proposed designs were presented for consideration, "Design A," an stone and brick adaptation of a colonial church spire, and "Design B," a tower in "semi-Romanesque style with Gothic treatment of the vertical lines...it is military in character and recalls very strongly the beautiful towers at West Point." "Design B" was unanimously approved by the Alumni Association members. On November 9, 1920, Deacy visited the N.C. State campus and consulted with members of the Memorial Committee, by which time plans had been made to lay the tower foundation, with the cornerstone to be laid during the May 1922 commencement week.

Even the soft mauves, pinks, and greens contribute to this effect. Countering the strong horizontals are the drooping red tendrils of the bare pine branches, the vertical lines of the trees, and the curves of the hills ... [Thomson] achieves pure poetry in painting, by combining an intuitive feeling for nature with an almost classical control of technique."Quoted in Reid, p. 27 A year later, Jean Boggs proposed that Thomson was influenced by the European Symbolists: "against the dying light and sky the scraggly forms of The Jack Pine are most dramatic, its branches struggling to life but dominated by dark-green, tattered, bat-like forms as if the tree were a symbol – beautiful, oriental, but a symbol nevertheless of Thomson's wish for his own death on this spot.

The famous three towers of the Middle Ages: the Saint-Nicolas Church, the Belfry and the Saint Bavo Cathedral and the modernist Booktower. Constructed in concrete – an innovation in those days – using the then equally innovative technique of sliding shuttering, the tower was given the shape of a Greek cross to symbolize the connection between time and space, and merging heaven and earth. Twenty storeys above and four below ground level accommodate a line-up of some 46 kilometres of printed material, or over 3 million items. Supporting the vertical lines of the tower and the books on the shelves are the horizontal lines of the open books on the long tables of the magnificent reading-room, the rectangular courtyard that bathes in daylight, and the reading-room for manuscripts, safely shielded from daylight at the north side of the edifice.

Unfortunately, each of those pixels is far larger: each one has 50% more area than true 4K. Pixel shifting projectors project a pixel, shift it up to the right, by a half diameter, and project it again, with modified data, but that second pixel overlaps the first. In other words, pixel shifting cannot produce adjacent vertical lines of RGBRGB or other colors where each line is one pixel (1/3840th of the screen) wide. Adjacent red and green pixels would end up looking like yellow, with a fringe on one side of red, on the other of green - except that the next line of pixels overlaps as well, changing the color of that fringe. 4K UHD or 1080p pixel shifting cannot reveal the fine detail of a true 4K projector such as those Sony ships (business, education and home markets).

In the UK all cheques must now conform to an industry standard detailing layout and font ("Cheque and Credit Clearing Company (C&CCC;) Standard 3"), be printed on a specific weight of paper (CBS1), and contain explicitly defined security features. Since 1995, all cheque printers must be members of the Cheque Printer Accreditation Scheme (CPAS). The scheme is managed by the Cheque and Credit Clearing Company and requires that all cheques for use in the British clearing process are produced by accredited printers who have adopted stringent security standards. The rules concerning crossed cheques are set out in Section 1 of the Cheques Act 1992 and prevent cheques being cashed by or paid into the accounts of third parties. On a crossed cheque the words “account payee only” (or similar) are printed between two parallel vertical lines in the centre of the cheque.

Differential inclusions can be used to understand and suitably interpret discontinuous ordinary differential equations, such as arise for Coulomb friction in mechanical systems and ideal switches in power electronics. An important contribution has been made by A. F. Filippov, who studied regularizations of discontinuous equations. Further, the technique of regularization was used by N.N. Krasovskii in the theory of differential games. Differential inclusions are also found at the foundation of non-smooth dynamical systems (NSDS) analysis, which is used in the analog study of switching electrical circuits using idealized component equations (for example using idealized, straight vertical lines for the sharply exponential forward and breakdown conduction regions of a diode characteristic) and in the study of certain non-smooth mechanical system such as stick-slip oscillations in systems with dry friction or the dynamics of impact phenomena.

They appear unselfconscious, at ease in their environment, and—with the possible exception of the boy to the bottom right—are locked in a pensive and solitary reverie. Horizontal and vertical lines at the middle and far distance contrast with arched backs and the relaxed postures of the figures toward the front. These postures, angles of heads, directions of gaze, and positions of limbs are repeated among the figures, giving the group a rhythmic unity. Distinctively coloured forms in close proximity, such as the grouping of horse-chestnut colours of the clothes on the bank, and the grouping of oranges of the boys in the water, add to the stability of the work—an effect reinforced in the cluster of shadows to the left on the bank, and the un- verisimilar play of light around the bathing figures.

The iconic tower, Torre Bellesguard, juts out from a corner of a base, adding to the vertical alignment of the structure created by the straight, vertical lines in his design. Torre Bellesguard is perhaps what the building is most recognized for, displaying Gaudí's typical cross of four arms decorated with red and yellow mosaics to mimic the Catalan flag. At the base of the cross one can also see what appears to be a crown wrapped around the circumference, likely Gaudi's symbolic acknowledgment of the site's significance to the crown of Aragon. At the entrance of the house, one can find an inscription that reads, “Maria Purrisima sens pecat fou concebuda,” meaning “Purest Maria, conceived without sin.” Above the entrance door is a stunning stained glass window in the form of the 8-pointed star of Venus.

The Master's shading is mostly done using parallel vertical lines, and cross-hatching is rare.A History of Engraving and Etching, Arthur M. Hind,p 20-21, Houghton Mifflin Co. 1923 (in USA), reprinted Dover Publications, 1963 Master of the Playing Cards, A Poet Reading, 1430s, National Gallery of Art, Washington, D.C. Apart from comparisons with paintings, the start of his period of activity can only be dated to before 1446 by a dated print by his presumed pupil, referred to as the "Master of 1446". The fact that by then he already had a mature pupil suggests that the Master himself had been active for many years by that date. Prints done by the Master very rarely appear on the market, but on 20 September 2006 Christie's London auctioned a print titled Queen of Flowers for £243,200 (about $450,000).

The drawing has a loosely sketched background and shows, from left to right: an unidentified bishop saint with mitre and crosier making a blessing gesture; a narrow gap with a few wavy vertical lines suggesting a start at the outline of a further kneeling figure; a barefoot bearded figure in a rough robe identified as Saint John the Baptist; a seated Virgin holding on her lap the Christ Child who leans to the right, looking at a book; and holding the book, a kneeling beardless male identified as John the Evangelist. The drawing stops at the end of John's robe, at about the point on the London panel where Joseph's walking stick meets John and the Magdalene's robes. This suggests that the Magdalene panel was the first to be cut from the larger work. Head of a Female Saint (Saint Catherine?) (fragment). .

Person passed out on sidewalk - NYC - 2008 - shot using Dutch angle The Dutch angle, also known as Dutch tilt, canted angle, or oblique angle, is a type of camera shot which involves setting the camera at an angle on its roll axis so that the shot is composed with vertical lines at an angle to the side of the frame, or so that the horizon line of the shot is not parallel with the bottom of the camera frame. This produces a viewpoint akin to tilting one's head to the side. In cinematography, the Dutch angle is one of many cinematic techniques often used to portray psychological uneasiness or tension in the subject being filmed. The word "Dutch" in this context is a bastardisation of the word Deutsch, the German word for "German"; it is not related to the Dutch people or language.

Animator Andreas Deja decided to design Jafar in a way he was contrasting to the other characters, with many vertical lines against the curvy designs based on Al Hirschfeld. Jonathan Freeman, who composers Alan Menken and Howard Ashman met when he auditioned for Little Shop of Horrors and had previously invited Freeman to audition for both The Little Mermaid and Beauty and the Beast, said that the artwork was what got him truly interested in the role. He stated that "once I saw those heavy lidded eyes, that long narrow face, I knew that Jafar was going to be something really special." He was the first actor cast, and spent one year and nine months recording dialogue; he went months without any other actors to interact, and later interrupted theater tours to fly to Los Angeles and record newly written lines.

In 1998 ABC Television made available the "Frequently Asked Questions" document in regards to HDTV standard, chosen by the company, which was 720p. One of the questions, titled "Which scanning standard is best suited for future?" contained the following information: Besides subsampling that occurs during broadcast, many professional video recording formats do not deliver full horizontal resolution as well. For example, frame size of 1080-line HDCAM format is 1440x1080, frame size of 1080-line DVCPRO HD format is either 1440x1080 or 1280x1080 depending on scanning rate, frame size of 720-line DVCPRO HD format is 960x720. Horizontal downsampling is used in preference to vertical downsampling because vertical downsampling would break any interlacing, and also because Cathode Ray Tube (CRT) displays (which were still common when the HD formats were standardised) scan horizontal rows continuously, but vertical lines discretely, making changes to vertical resolution more visible on such displays.

Comparison of the measured length contraction of a cube versus its visual appearance. The view is from the front of the cube at a distance four times the length of the cube's sides, three-quarters of the way from bottom to top, as projected onto a vertical screen (so that the vertical lines of the cube may initially be parallel). Terrell's and Penrose's papers pointed out that although special relativity appeared to describe an "observed contraction" in moving objects, these interpreted "observations" were not to be confused with the theory's literal predictions for the visible appearance of a moving object. Thanks to the differential timelag effects in signals reaching the observer from the object's different parts, a receding object would appear contracted, an approaching object would appear elongated (even under special relativity) and the geometry of a passing object would appear skewed, as if rotated.

The company responded to the criticisms with an original grille design incorporating the rectangular parking lights placed vertically and between them, a set of three vertical lines (left, center, right), and a central horizontal line passing through them, behind this was a mesh grating half smaller in size as the original. In the interior, both cars were far more different. The VAM car had woodgrain overlays over the front dashboard surfaces instead of brushed aluminum, a digital tachometer, Hurst T-shaped shifter, VAM logo over the horn button, a "Rally" emblem over the glove box door, reclining front bucket seats with a round border pattern on the fabric plus inhouse side and door panels. In midyear, just like it happened with the grille, VAM replaced the round border pattern of with a horizontal-line design in one or two tones due to criticism and rejection from customers.

However, this is not a fatal criticism to the overall architecture, because is relatively easy to add a group of contextual demons to work along with the cognitive demons to account for these context effects. A demonstration of the global-to-local hypothesis: people see the A before the Hs Although the pandemonium architecture is built on the fact that it can account for the image constancy phenomena, some researchers have argued otherwise; and pointed out that the pandemonium architecture might share the same flaws from the template matching models. For example, the letter H is composed of 2 long vertical lines and a short horizontal line; but if we rotate the H 90 degrees in either direction, it is now composed of 2 long horizontal lines and a short vertical line. In order to recognize the rotated H as H, we would need a rotated H cognitive demon.

The only sound support is the option to `PRINT` an ASCII bell character to sound the system alert beep, and a `PEEK` command to click the speaker. The language is not fast enough to produce more than a baritone buzz from repeated clicks. Programs can, however, store a machine-language routine to be called to generate electronic musical tones spanning several octaves. Applesoft supports the Apple II low resolution (lores) graphics display, where 40 color "blocks" horizontally, and up to 48 blocks vertically, can be displayed in 16 colors, with commands to plot individual blocks and horizontal or vertical lines; as well as the hires mode, where six colors (a fixed subset of the lores palette of 16 colors) can be displayed in a resolution of 280 horizontally by 192 vertically (with some limitations on horizontal placement), with a command to draw points or any diagonal lines onscreen.

Nevertheless, in the Elizabethan the Gothic is never quite forgotten. Its vertical lines are always breaking through the horizontal of the invading classic; its reverend monsters look with special unkindness on the fantasticism of the new monsters that Cellini described as the promiscuous breed of animals and flowers; its ornaments insist upon their right before the Grecian; in architecture its gables still rise, although with a skyline gnawed out by the scrolls as worms gnaw out the sides of a leaf; and in furniture its cove surmounts the tops of those cabinets whose fronts are the facades of temples. The steadfast English mind clung to the old order of things, and relinquished with reluctance the last relics of a style that had been for centuries a part of its life. If it must have the egg and dart, it would keep the Tudor flower too.

According to DolarToday.com, the value of one US dollar in Venezuelan bolívares fuertes on the black market through time: blue and red vertical lines represent every time the currency has lost 90% of its value, which has happened seven times since 2012, meaning that the currency is worth (as of mid-February 2019) 30,000,000 times less than in August 2012, since it has lost more than 99.99999% of its value Inflation represented by the time it would take for money to lose 90% of its value (301-day rolling average, inverted logarithmic scale) The parallel exchange rate is what Venezuelans believe the Venezuelan currency is worth compared to the US$. In the first few years of Chávez's office, his newly created social programs required large payments in order to make the desired changes. On 5 February 2003, the government created CADIVI, a currency control board charged with handling foreign exchange procedures.

Despite their similarities, each Depression-era brick school building was individually designed by a DPW architect, which resulted in a wide range of styles and ornamental features being utilised within the overall set. These styles, which were derived from contemporary tastes and preferences, included: Arts and Crafts, typified by half-timbered gable-ends; Spanish Mission, with round-arched openings and decorative parapets; Art Deco, with monumental entrance, stylised and stepped decoration, and strong horizontal and vertical lines; and Neo-classical, with pilasters, columns and large triangular pediments. Over time, variations occurred in building size, aesthetic treatment, and climatic-responsive features.EHP analysis of Depression-era Brick Schools, based on contemporary photographs, QHR listed schools, Project Services Heritage Reports (2006) and original DPW building plans. The Chief Architect during this period was Andrew Baxter Leven (1885-1966), who was employed by the Queensland Government Works Department from 1910 to 1951, and was Chief Architect and Quantity Surveyor from 1933 to 1951.

The six storey, low-rise L-shaped St James Building frames the plaza on the southern and western edges. The public plaza is an expression of the plot ratio system, with open space provided in return for greater height. The St James Building façades area also defined by ribs, clad in the same polished re-constructed brown granite as the AMP Tower, but which angle both out and to one side at 45 degrees, ending as the supports for with arcades surrounding the plaza. The muscular form of the façade and the broad protruding colonnades of the St James Building share the same minimalistic, brutalistic sculptural language and qualities of the ribbing of the AMP Tower, while the abstract geometric patterns generated by the angled colonnades contrast against the straight vertical lines of tower, creating an interesting combination of complementing and juxtaposing structures whose features “dominate and give a dynamic life to the design”.

A combinatorial cube of dimension one is called a combinatorial line. For instance, in the game of tic-tac-toe, the nine cells of a tic-tac-toe board can be specified by strings of length two over the three-symbol alphabet {1,2,3} (the Cartesian coordinates of the cells), and the winning lines of three cells form combinatorial lines. Horizontal lines are obtained by fixing the y-coordinate (the second position of the length-two string) and letting the x-coordinate be chosen freely, and vertical lines are obtained by fixing the x-coordinate and letting the y-coordinate be chosen freely. The two diagonal lines of the tic-tac-toe board can be specified by a parameter word with two wildcard characters that are either constrained to be equal (for the main diagonal) or constrained to be related by a group action that swaps the 1 and 3 characters (for the antidiagonal).

An example of modern musical notation: Prelude, Op. 28, No. 7, by Frédéric Chopin Modern music notation is used by musicians of many different genres throughout the world. The staff acts as a framework upon which pitches are indicated by placing oval noteheads on the staff lines or between the lines. The pitch of the oval musical noteheads can be modified by accidentals. The duration (note length) is shown with different note values, which can be indicated by the notehead being a stemless hollow oval (a whole note or semibreve), a hollow rectangle or stemless hollow oval with one or two vertical lines on either side (double whole note or breve), a stemmed hollow oval (a half note or minim), or solid oval using stems to indicate quarter notes (crotchets) and stems with added flags or beams to indicate smaller subdivisions, and additional symbols such as dots and ties which lengthen the duration of a note.

Various other symbols to identify specific coins were also used such as the Thousand Character Classic, "furnace" and "series" numbers, as the Five Elements, astronomical symbols, the Eight Trigrams, the Ten Celestial Stems, the Twelve Terrestrial Branches, as well as a variety of characters with an unknown purpose. Mint marks were placed above the square hole on the reverse site, while furnace markings and other Chinese characters were placed below, special symbols such as dots, circles, crescents, horizontal lines, and vertical lines generally appeared either left or right of the square hole. With the notable exception of the coins produced by the Government Office of Pukhan Mountain Fortress which bears the character "Kyŏng" (/경) written in Running script, all Hanja characters on both sides of every Sangpyeong Tongbo cash coin are written in regular script. Though the character "" (통) only contains one dot which is a characteristic of Clerical script as Regular script versions usually have 2 dots.

Tibetan historian Nyima Gyaincain points out that based on the texts written on golden sheets, Dalai Lama was only a subordinate of the Emperor of China. However, despite such patronising attempts by Chinese officials and historians to symbolically show for the record that they held political influence over Tibet, the Tibetans themselves did not accept any such symbols imposed on them by the Chinese with this kind of motive. For example, concerning the above-mentioned 'golden seal', the Fifth Dalai Lama comments in Dukula, his autobiography, on leaving China after this courtesy visit to the emperor in 1653, that "the emperor made his men bring a golden seal for me that had three vertical lines in three parallel scripts: Chinese, Mongolian and Tibetan". He also criticised the words carved on this gift as being faultily translated into Tibetan, writing that "The Tibetan version of the inscription of the seal was translated by a Mongol translator but was not a good translation".

The value of one US dollar in Venezuelan bolívares (VEF) on the black market through time, according to DolarToday.com. Blue vertical lines represent every time the currency has lost 90% of its value relative to the US dollar since the last one. This has happened four times since 2012, meaning that the currency is worth, as of December 2017, less than one ten-thousandth of what it was worth five years ago, since it has lost 99.99% of its value. The rate at which the value is lost (inflation) is rapidly accelerating. The first time the money took two years and two months (an implied monthly inflation rate of 9.3%) to lose 90% of its value, the second time one year and 10 months (implied rate 11% m/m), the third time only 10 months (implied rate 26% m/m), and the fourth time a mere four months (implied rate 77% m/m).

The work is lost since at least the 17th century, known only through three surviving fragments and drawing of the full work in Stockholm's Nationalmuseum by a follower of van der Weyden.Campbell (1998), 398–400 The drawing is sometimes attributed to the Master of the Drapery Studies. The drawing has a loosely sketched background and shows, from left to right: an unidentified bishop saint with mitre and crosier making a blessing gesture; a narrow gap with a few wavy vertical lines suggesting a start at the outline of a further kneeling figure; a barefoot bearded figure in a rough robe identified as Saint John the Baptist; a seated Virgin holding on her lap the Christ-child who leans to the right, looking at a book; and holding the book, a kneeling beardless male identified as John the Evangelist. The drawing stops at the end of John's robe, at about the point on the London panel where Joseph's walking stick meets John and the Magdalen's robes.

Fischer notes that the long text of the 125-cm Santiago Staff is unlike other texts in that it appears to have punctuation: The 2,320-glyph text is divided by "103 vertical lines at odd intervals" which do not occur on any of the tablets. Fischer remarked that glyph identified as a possible patronymic marker by Butinov and Knorozov, is attached to the first glyph in each section of text, and that "almost all" sections contain a multiple of three glyphs, with the first bearing a 76 "suffix". Fischer identified glyph 76 as a phallus and the text of the Santiago Staff as a creation chant consisting of hundreds of repetitions of X–phallus Y Z, which he interpreted as X copulated with Y, there issued forth Z. His primary example was this one: :glyph sequence 606-76, 700, 8 about half-way through line 12 of the Santiago Staff. Fischer interpreted glyph 606 as "bird"+"hand", with the phallus attached as usual at its lower right; glyph 700 as "fish"; and glyph 8 as "sun".

Aside from the engine, the VAM Rambler American saw the same aesthetic features of its AMC counterpart, such as a partially redesigned grille design with four vertical lines and new tail lights with a flat internal side and a curved external one. Along with the new engines, the Rambler American Hardtop model was reintroduced. It featured luxury and sporty touches of the original model and was once again a low-volume limited edition. The cars came standard with the two-barrel version of the 232 engine coupled to a Borg-Warner "Flash-o-Matic" three-speed automatic transmission with floor shift. Other standards included a luxury steering wheel, individually adjustable and reclining front seats, high-trim upholstery, a center console with locking compartment, custom wheel covers, a full bright molding package (including 440H emblems), and an under- dash tissue holder. Despite incorporating the top-of-the-line engine plus the sportier and more luxurious focus of this version compared to its 1963 counterpart, several performance-minded and luxury items were still optional such as seat belts, power steering, power brakes, and a heater. The Mexican Rambler American for 1966 saw mostly the same cosmetic changes as its US counterparts in the form of more squared external lines, squared headlight bezels, and redesigned taillights.