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Five other smaller verdures of various sizes cost £11-4s. Ten fine verdures were bought from John Stewart; three with 'beasts' cost £4-10s each, seven with no beasts cost £4 each (the 'beasts' may have been unicorns). Four other verdures bought for beds were in quality, 'nocht sa gude', and cost only 40 shillings each.Accounts of the Lord High Treasurer of Scotland, vol. 2 (Edinburgh, 1900), pp.
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126-7, 143-5. These lists have marginal notes describing the later locations of the tapestries. Mary Queen of Scots added to the royal collection by confiscating 45 tapestries belonging to the Earl of Huntly at Huntly Castle in October 1562. These included one set of large leaf verdures and other set with leaves and birds.
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The first entrepreneur, Louis Hinard, a native of Beauvais who had already established workshops in Paris, produced unambitious floral and foliate tapestries called verdures and landscape tapestries, which are known through chance notations in royal accounts. He was arrested for his debts in 1684, and the workshops were refounded more successfully under Philippe Behagle, a merchant tapestry- manufacturer from Oudenarde, who had also worked in the traditional tapestry- weaving city of Tournai. Behagle's first successes were a suite of Conquests of the KingThe cartoons were by the battle painter Jean-Baptiste Martin (Weigert 1962:125). which complemented a contemporaneous Gobelins suite showing episodes in the Life of the King, without directly competing with them.
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Scarlett O'Phelan, Passeurs, mediadores culturales y agentes de la primera globalización en el Mundo Ibérico, siglos XVI-XIX: actas del Congreso Internacional Las Cuatro Partes del Mundo; Solange Alberro Instituto Francés de Estudios Andinos, IFEA, 2005, p. 881A Brussels Allegorical Tapestry of Earth, after a design by Lodewijk van Schoor, attributed to the workshop of Jan Frans van der Hecke late 17th century at Sotheby's Before 1700 van Schoor designed various sets of tapestries including Verdures with Small Figures Depicting the Story of Dido and Aeneas, the Story of Narcissus and Echo, a set of Hunts and the Story of Jacob.Koenraad Brosens, A contextual study of Brussels tapestry, 1670-1770: the dye works and tapestry workshop of Urbanus Leyniers (1674-1747), Paleis der Academiën, 2004, P. 93 His designs of the Four Continents inspired a series on the similar theme designed by the Italian artist Giovanni Camillo Sagrestani for the tapestry workshop in Florence. These series designed by van Schoor could be ordered in various quantities and sizes and adapted to particular preferences and specifications of the patrons.
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