The current Mrs Groves has become pretty good at verbalising her emotions over the years.
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This was quite challenging for them as most of the class found it a problem verbalising such connections.
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When a man who cut his second-row teeth in the bearpit of Kingsholm starts verbalising the physicality of any match, it is clear something extraphysical could be afoot.
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When a man who cut his second-row teeth in the bearpit of Kingsholm starts verbalising the physicality of any match, it is clear something extraphysical could be afoot.
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Rolling Stone described the music as "loud and hard-edged, as purely physical as any metal band, but tempered with ... swaggering rowdiness". Ram magazine noted the band's writing had a newfound maturity, "verbalising adult fears and lingering adolescent yearnings". AllMusic's later review said many of the album tracks were hardly memorable and that the band's best strengths lay both in Amphlett's unique vocal delivery, and McEntee's bottom-heavy, grungy, guitar work.
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Know-how (or knowhow, or procedural knowledge) is a term for practical knowledge on how to accomplish something, as opposed to "know-what" (facts), "know-why" (science), or "know-who" (communication). It is also often referred to as street smarts (sometimes conceived as opposed to book smarts), and a person employing their street smarts as street wise. Know-how is often tacit knowledge, which means that it can be difficult to transfer to another person by means of writing it down or verbalising it. The opposite of tacit knowledge is explicit knowledge.
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AfterElton reviewers stated that the radio drama "delivers for Janto [a portmanteau used by the shipping fandom] fans"; David-Lloyd delivers a monologue as Ianto, verbalising his insecurities to a comatose Jack. When Jack awakens from his coma, he promises "You will never be just a blip in time, Ianto Jones." After his character was written out of the televised series, David-Lloyd still lends his voice 2011 audio drama series The Lost Files, tying into the televised fourth series, Torchwood: Miracle Day. Of these, "The House of the Dead" by James Goss focuses the most on Ianto.
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In the end, by gaining the support of his outer cabinet, Churchill outmanoeuvred Halifax and won Chamberlain over. Churchill believed that the only option was to fight on and his use of rhetoric hardened public opinion against a peaceful resolution and prepared the British people for a long war – Jenkins says Churchill's speeches were "an inspiration for the nation, and a catharsis for Churchill himself". Churchill succeeded as an orator despite being handicapped from childhood with a speech impediment. He had a lateral lisp and was unable to pronounce the letter s, verbalising it with a slur.
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Following the May 1967 announcement of the imminent axing of the highly popular Independent Television System children's programme The Magic Circle Club, made in Melbourne at the ATV0 studios in the suburb of Nunawading, the ABC immediately approached its producers with a proposal to immediately take over production of the show. This was very quickly thwarted when the 0-10 Network's then owner Reg Ansett refused to relinquish his network's rights to the show's name and premise, forcing Philipp and Howson to devise a lookalike. Adventure Island's creation was credited to both Philipp and Howson, although Liz Harris recalls Howson verbalising the show's entire premise and setting, as well as naming all the characters, during a short promotional aeroplane flight in mid-1967.
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There is an extensive and productive derivation system, including nominalising, verbalising, and adverbialising suffixes.All forms are given in forms so as to make morphology obvious, occasionally the forms given are not the surface forms The system of nominalisation allows for adverbs to be converted, for instance judume ‘black’ becomes judum-ato ‘that which is black’, eetö ‘here’ becomes eeto-no ‘that which is here’, etc.; it also has many varieties of verbal nominalisation: intransitivisation, participlisation, agentivisation (önöö ‘eat (meat)’ becomes t-önöö-nei ‘eater of meat’), deverbal nominalisation of action, instrumental (a’deuwü ‘talk’ gives w-a’deuwü-tojo ‘telephone’), and nominalisation of a participle. In terms of verbalisation, there is the benefactive ‘give N to someone, bring N to something’, such as a’deu ‘language, word’ becoming a’deu-tö ‘read, repeat’; its reverse, the privative (womü ‘clothes’ -> i-womü-ka ‘undress someone); a general verbalisation suffix -ma; -nö which can be used to make transitive verbs; -ta which can be used to make intransitive verbs such as vomit and speak; and the occasional suffixes -dö, -wü, and -’ñö.
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