On the other hand, it lacks dexterity in verbal expression.
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She is a woman of tremendous sensitivity and limited verbal expression.
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LONDON — UK Foreign Secretary Boris Johnson has a bit of reputation for his, er, shall we say unique choices in verbal expression.
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All I can say is that when you push past my lack of verbal expression is that Bekah M. clearly blows me away.
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How do you give voice to your pain, let it breathe properly, when your grief runs up against the limits of verbal expression?
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Plants can't move, nor are they capable of verbal expression, so they've had to evolve other ways of responding to (and warning others of) their unfavorable conditions.
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" – Charles Murray, AEI's W.H. Brady Scholar (2005) "Females who are gifted in math are often just as gifted in verbal expression, and that gives them career prospects that the gifted men don't have.
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Writing and verbal expression is a breeze this weekend, as lovely Venus in Capricorn gently connects with dreamy Neptune late Saturday night into Sunday morning, allowing you to get creative with affectionate poetry and prose.
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This ambiguity is not an inherent flaw in the system but instead highlights the limits of verbal expression and the importance of context in trying to apply language often written long ago in very different times.
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Inspired by poetry, particularly by their contemporaries of the Beat generation, Gechtoff, Kelly, and their peers viewed painting as the visual component of literature, engaging distant figuration, swirling motifs, and representations of verbal expression in their paintings.
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At testimony meetings, which are often held by Mormon churches on the first Sunday of every month, worshipers are encouraged to give "verbal expression of what he or she knows to be true concerning the divinity of Jesus Christ, the restoration of the fulness of his gospel in our time, and the blessings that come from living its principles," according to the Encyclopedia of Mormonism.
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Based on such results, some scientists believe that non-verbal leakage and detection may have clinical value in evaluating and treating pain, especially in the absence of verbal expression.
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Beyond the verbal expression, Peck's aesthetic is shaped by his professional experience: his future is clean and polished, well-organized and brightly displayed. His world is very much like a department store.
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Judgment is the mental operation by which we predicate something of a subject. Were you to think, "That sunset is beautiful" or "Baseball is the all-American sport" is to make a judgment. The verbal expression of judgment is the statement (or proposition).
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Apprehension is the mental operation by which an idea is formed in the mind. If you were to think of a sunset or a baseball, the action of forming that picture in your mind is apprehension. The verbal expression of apprehension is called a term.
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Inference (or reasoning) is the mental operation by which we draw conclusions from other information. If you were to think, "I like to look at that sunset, because I enjoy beautiful things, and that sunset is beautiful" you would be reasoning. The verbal expression of reasoning is the logical argument.
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Being able to detect pain expressed through non-verbal expression and leakage could help provide information in the clinical setting that cannot always be expressed clearly verbally or in any other manner. In one study, participants were able to accurately discriminate another person's levels of pain in electric shock scenarios based on non-verbal expression alone, so it seems as though such expressions could potentially be used to form a sensitive and accurate pain index that does not solely rely on verbal information. In a similar study involving deliverance of electric shocks and pain expression and evaluation, the author found that there are measurable, topographic changes that occur in the face when someone is experiencing pain. Such measurable responses can give insight into a person's levels of pain in a strictly non-verbal manner.
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The four aspects of communication are auditory comprehension, verbal expression, reading and writing, and functional communication. The difficulties of people with aphasia can range from occasional trouble finding words, to losing the ability to speak, read, or write; intelligence, however, is unaffected. Expressive language and receptive language can both be affected as well. Aphasia also affects visual language such as sign language.
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The technology extends verbal expression to visual arrangement and brings into play physical manipulation of 'meaning objects'. The haptic component of physical contact and action is a primary distinguishing feature of LVT. LVT's three components are logo, visual, and thinking. The first entails the articulation of discrete units of meaning in words and icons while the second involves the identification and manipulation of patterns and connections.
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In mathematics, the tilde operator (Unicode U+223C), sometimes called "twiddle", is often used to denote an equivalence relation between two objects. Thus "" means " is equivalent to ". It is a weaker statement than stating that equals . The expression "" is sometimes read aloud as " twiddles ", perhaps as an analogue to the verbal expression of "".. The tilde can indicate approximate equality in a variety of ways.
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Locrine shares a complex inter-relationship with another anonymous play of its era, Selimus, first published in 1594. The commonalities between the two plays involve parallels of plot elements and shared verbal expression and prosodic structure.Maxwell, pp. 52–63. The majority of scholars who have considered the problem judge the author of Selimus to have borrowed from Locrine – though a minority has favored the opposite conclusion.
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'Primary orality' refers to thought and its verbal expression within cultures "totally untouched by any knowledge of writing or print." All sound is inherently powerful. If a hunter kills a lion he can see it, touch it, feel it and smell it. But if he hears a lion he must act, fast, because the sound of the lion signals its presence and its power.
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Memory capacity involves the state of maturity and plasticity of the brain and can impair memory performance especially in terms of interference. The development of brain function has a great influence on memory capacity which is responsible for the performance of memory. This includes verbal expression, object recognition, etc. In children, memory capacity, source monitoring, and language development are limited because their brains are not yet mature.
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She also covered Marc Almond's song "Death's Diary", in Greek titled "Astrapes kai Vrontes" (Lightnings and Thunders). She is often criticized because of her low education and her comic manner of verbal expression. Angela Dimitriou's biggest hit and signature song is "Fotia Sta Savvatovrada" ("Fire on Saturday Nights") produced by Sony Music A&R; manager Yannis Doulamis. Her CD single Ah Patrida Mou went gold.
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Robinson tells Questor that he cannot see anything, to which the android replies, "I wish that I could not." This is notably his first verbal expression of emotion, Questor's first visual expression of emotion had occurred when his timer had been made safe; he had then regarded Robinson with a smile. The plane is then destroyed, killing Darrow. Questor and Robinson begin their mission together.
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Georges, Robert A.; Dundes, Alan. "Towards a Structural Definition of the Riddle", Journal of American Folklore, 76(300) (1963), 111–18 , . Reprinted in Alan Dundes, Analytic Essays in Folklore (The Hague: Mouton, 1975), pp. 95–102. Georges and Dundes suggested that "a riddle is a traditional verbal expression which contains one or more descriptive elements, a pair of which may be in opposition; the referent of the elements is to be guessed".
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M'rizek follows a classical music education (tar, darbuka) then his instrument of choice became the mandole. He learns the great texts of folk poetry and works different types of songs starting with the hawzi first before getting to chaâbi. M'rizek had "artistic qualities such as clarity of verbal expression and innate sense of rhythm". He becomes the star of the casbah in 1929 and participates in festivals in Dellys, Cherchell and the M'zab.
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Dialogue in the Dark was launched in Frankfurt in 1988. Since then, numerous Dialogue in the Dark exhibitions and business workshops have evolved worldwide and are established independently through a social franchise-system. More than 7 million visitors and participants have taken part. In 1997 Dialogue in Silence was created as complimentary experience in total silence where participants discover a repertoire of non-verbal expression with the help of hearing impaired guides and trainers.
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Many Japanese particles fill the role of prepositions in English, but they are unlike prepositions in many ways. Japanese does not have equivalents of prepositions like "on" or "about", and often uses particles along with verbs and nouns to modify another word where English might use prepositions. For example, ue is a noun meaning "top/up"; and ni tsuite is a fixed verbal expression meaning "concerning": : :Tēburu-no -ue-ni aru. :Table-OF top/up-AT exists.
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One way to resolve this paradox is to redefine what is an analysis. In explaining the paradox, a potential analysis is assumed to be a relation between concepts rather than the verbal expressions used to illustrate them. If the verbal expression is part of the analysis, then we shouldn't expect complete intersubstitutivity even in cases of correct analyses. However, this response seems to move the notion of analysis into mere linguistic definition, rather than doing interesting work with concepts.
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Verbal expression was limited as she had difficulties with diction and syntax, but she had the phenomenal ability to spell, read, and write. Common with the other children, she was repetitious and obsessive over the order and placement of objects and phrasing. Barbara was very timid and afraid of things that would change, like the wind and large animals. Upon request, she would shake hands and greet others by limply offering her hand, demonstrating a lack of affective contact.
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The process can sometimes, hopefully frequently, lead to significant cognitive and emotion breakthroughs. These effects are likely due to the sheer versatility of the comic book medium, as they allow for the simultaneous expression of body image, verbal expression, physical action, and emotion. Therapists often encourage patients to develop characters first, as this first step situates the patient in relation to their environment, past and present. Most often, the characters of comic book therapy novels imitate those within the author's own life, developing an autobiography of sorts.
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Diane Publishing. . pg 1–5 For example, in order to show that Muhammad was the anti-Christ, it was asserted that Muhammad died not in the year 632 but in the year 666 – the number of the beast – in another variation on the theme the number "666" was also used to represent the period of time Muslims would hold sway of the land. A verbal expression of Christian contempt for Islam was expressed in turning his name from Muhammad to Mahound, the "devil incarnate"., p.
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Dialogue in Silence is an exhibition about non-verbal communication, where participants discover a repertoire of expression possibilities with the help of deaf and hearing impaired guides and trainers. Participants enter an area of complete silence, wearing noise-cancelling headsets, and experience an environment that helps them discover openness, empathy and an enhanced power of concentration. Throughout the entire exhibition tour, a reversal of roles is created: hearing visitors lose their usual routines of articulating themselves and discover a new repertoire of non-verbal expression. They experience a different openness and empathy towards "the other".
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Judaism teaches that the purpose of the Torah is to teach us how to act correctly. God's existence is a given in Judaism, and not something that most authorities see as a matter of required belief. Although some authorities see the Torah as commanding Jews to believe in God, Jews see belief in God as a necessary, but not sufficient, condition for a Jewish life. The quintessential verbal expression of Judaism is the Shema Yisrael, the statement that the God of the Bible is their God, and that this God is unique and one.
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In an Interview with Circa Art Magazine in 2008 she states: "I think forming gangs, mafias, collectives, networks, bands of people is a way to survive in the hostile capitalist system and then eventually a way to become a pressure group, in order to transform these particular conditions." Writing and text based pieces play an important role in Claire Fontaine's work. She distributes texts in her exhibitions and she uses different registers in her writing such as poetry, critical theory, essays and manifestos. The artist criticises the hierarchy between visual and verbal expression.
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Eastern doors of the Baskerville Hall on the campus of the City College of New York, and HSMSE HSMSE is a highly selective, public, college prep high school, and is one of nine specialized high schools in New York City. Admission is via the Specialized High Schools Admissions Test. The school's mission is "to challenge talented students to expand their intellect by developing the habits of inquiry, written and verbal expression, and critical thinking." Instructionally supported by the City College of New York, the school mainly focuses on an intensive STEM curriculum, while also emphasizing civic responsibility and the value of knowledge.
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Though the Topics, as a whole, does not deal directly with the "forms of syllogism",These are discussed elsewhere, as in the Prior Analytics. clearly Aristotle contemplates the use of topics as places from which dialectical syllogisms (i.e. arguments from the commonly held , éndoxa) may be derived. This is evidenced by the fact that the introduction to the Topics contains and relies upon his definition of reasoning (, syllogismós): a verbal expression (, lógos) in which, certain things having been laid down, other things necessarily follow from these..Topics 100a25-27 Dialectical reasoning is thereafter divided by Aristotle into inductive and deductive parts.
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Herbert Weir Smyth, A Greek Grammar for Colleges § 1973 :(3) When the infinitival subject is co-referential either with the object of the main verb or some other argument constructed in a higher syntactic level, eg. a dative of interest with an impersonal verb or verbal expression, then it is usually omitted within the infinitival clause, and any predicate adjective or participle etc. stands in whichsoever case the main verb's argument stands.Herbert Weir Smyth, A Greek Grammar for Colleges § 937 But it is not unusual at all that an accusative be present or—more usually—understood by a predicate adjective, participle etc.
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People who are perceived as a representative of Mong Kok culture always have similar characteristics on their verbal expression and written language. There are several types of features on their use of language, especially the choice of words: Unique Terms Mong Kok Culture has a select, unique vocabulary of words that those foreign to the culture may not necessarily understand. Example: the labeling of men who always ingratiate women as “gourmet”. Usage of abbreviations Notable examples of abbreviations common in their 'language' include calling “Fa Yuen Street” as “Fa Street”, and “Argyle Centre” as “M Centre”.
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Wayne Swan, Barack Obama and Julia Gillard toast at a dinner at Parliament House in 2011 A toast is a ritual in which a drink is taken as an expression of honor or goodwill. The term may be applied to the person or thing so honored, the drink taken, or the verbal expression accompanying the drink. Thus, a person could be "the toast of the evening", for whom someone "proposes a toast" to congratulate and for whom a third person "toasts" in agreement. The ritual forms the basis of the literary and performance genre, of which Mark Twain's "To the Babies" is a well-known example.
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The Last Supper by Leonardo da Vinci, 1498, depicts Jesus and the apostles sitting at a long table. This kind of table was unknown at the time and place of the Last Supper. An anachronism (from the Greek , 'against' and , 'time') is a chronological inconsistency in some arrangement, especially a juxtaposition of persons, events, objects, or customs from different periods. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material, a plant or animal, a custom, or anything else associated with a particular period that is placed outside its proper temporal domain.
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Phaedrus, quoting the prophecy of Ammon (Thamus) : "[Writing] will produce forgetfulness in the minds of those who learn to use it, because they will not practice their memory. [..] You have invented an elixir not of memory, but of reminding; and you offer your pupils the appearance of wisdom, not true wisdom.." (trans. H.N. Fowler; Line 275) ‘Residual orality’ refers to thought and its verbal expression in cultures that have been exposed to writing and print, but have not fully ‘interiorized’ (in McLuhan's term) the use of these technologies in their daily lives. As a culture interiorizes the technologies of literacy, the ‘oral residue’ diminishes.
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These four abilities are operationalized as degrees of awareness, tolerance, emotional (nonverbal) expression, and conceptual (verbal) expression of each of the following eleven affect categories: The Affect Consciousness Interview (ACI) (Monsen et al., 2008), a semi-structured interview, is used to evaluate an individual's affect consciousness. The ACI evaluates the individual's awareness, tolerance, emotional expression, and conceptual expression of each of the affect categories are evaluated using a nine-point Affect Consciousness Scale (ACS); the most current version contains eleven affect categories. The AC-construct and its psychotherapeutic implications were first proposed and described by Norwegian Psychology Professor Jon Monsen and his associates in the early eighties.
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One possible explanation as to why the Framers did not address this issue in the Bill of Rights is because the primary forms for both political debate and protest in their time were verbal expression and published word, and they may have been unaware of the possibility of future people using non-verbal expression.Epstein, Lee and Walker, Thomas G. (1998) "Constitutional Law for a Changing America: rights, liberties, and justice" 3rd ed. pp. 258-280 Washington D.C.: Congressional Quarterly Inc. Symbolic speech is distinguished from pure speech, which is the communication of ideas through spoken or written words or through conduct limited in form to that necessary to convey the idea.
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Jerzy Grotowski was among a small group of actors and directors, including Peter Brook and Roy Hart, who sought to explore new forms of theatrical expression without employing the spoken word.Roose-Evans, J. (1989) Experimental Theatre: From Stanislavski to Peter Brook, 4th edn. London: Routledge. In the programme notes to the production of one of Grotowski's performances called Akropolis, of which the premiere was in October 1962, one of the performers stated: > The means of verbal expression have been considerably enlarged because all > means of vocal expression are used, starting from the confused babbling of > the very small child and including the most sophisticated oratorical > recitation.
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Five general classes of behaviors have been identified: # Social support: attempts at comforting, expressing unconditional support, showing empathy and understanding # Physical gestures: non-verbal comfort or consolation, such as hugging, kissing, or touching # Concrete actions: talking about or attempting to do something outside of the emotional situation (i.e. distraction) # De-dramatization: putting the situation in perspective, telling the person that it happens to other people, that it is not so bad, etc. # Questioning: asking more information or clarifying things about the experience These responses could vary depending on the magnitude of the emotional episode heard. Subjects who listened to highly emotional experiences exhibited less verbal expression, attempted less de-dramatization, and much more nonverbal comforting.
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Prior to publication, Dancing the Dream was hailed by the publishers as a book that would "take us deep into [Jackson's] heart and soul", as well as "an inspirational and passionate volume of unparalleled humanity". \- \- In his only interview to promote Dancing the Dream, Jackson described the book as being "just a verbal expression of what I usually express through my music and my dance." After his death on June 25, 2009, the British company Transworld reissued the book the following month on July 27, 2009. A representative for Doubleday (Marly Rusoff) revealed in March 1993 that the company shipped 133,000 copies of the book, and took around 80,000 returns and 3000 reorders.
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Microinterventions such as a verbal expression of "I don't want to hear that talk" and physical movements of disapproval are ways to confront microaggressions. Microinterventions aren't used to attack others about their biases, but instead they are used to allow the space for an educational dialogue. Educating a perpetrator on their biases can open up a discussion about how the intention of a comment or action can have a damaging impact. For example, phrases such as "I know you meant that joke to be funny, but that stereotype really hurt me" can educate a person on the difference between what was intended and how it is harmful to a person of color.
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The Bezanozano cultivate rice in terraced, irrigated paddies and prefer not to cut down virgin forest, as they contain vazimba tombs and other natural sites favored by spirits and are the home of the fady-protected indri lemurs. The neighboring Betsimisaraka, however, tend to seek out new forest to cut down for fresh pasture and planting, and consider uncultivated land as unclaimed. This difference of perspective has led the Betsimisaraka to encroach on land that the Bezanozano believe belongs to them, producing some tension among bordering communities. Indirect speech, discretion, tact and avoidance of conflict mark verbal expression and social interactions among the Bezanozano, similar to the highland Merina but in contrast with the Betsimisaraka of the east coast.
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The musical style of Tedua approaches essentially to the drill. From this point of view, the critics haven't been unanimous regarding the style of Tedua, expressing sometimes satisfaction, sometimes disapproval of the artistic innovation of the rapper. Drill sounds, however, respond to the flow of consciousness that underlies the music of Tedua, which is always a verbal expression of thoughts and experiences of life. Tedua has often claimed to have been stylistically inspired by the Italian rapper Dargen D'Amico, from whom he inherited the vision of music as a stream of consciousness: not surprisingly, in the Mowgli disc is contained a piece, Acqua (malpensandoti), whose refrain is a resumption of D'Amico's Malpensandoti.
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He also commanded the Jewish people to love one another; that is, Jews are to imitate God's love for people. These commandments are but two of a large corpus of commandments and laws that constitute this covenant, which is the substance of Judaism. Thus, although there is an esoteric tradition in Judaism (Kabbalah), Rabbinic scholar Max Kadushin has characterized normative Judaism as "normal mysticism", because it involves everyday personal experiences of God through ways or modes that are common to all Jews. This is played out through the observance of the Halakha (Jewish law) and given verbal expression in the Birkat Ha-Mizvot, the short blessings that are spoken every time a positive commandment is to be fulfilled.
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For many years he maintained enough vision to see, in his own words, "the tree-boughs waving in the wind, the pageant of sunset in the west, and the glimmer of a fire upon the hearth;" and this dim, imperfect perception may have been more stimulating to his imagination than either perfect sight or total blindness. He indulged, like Hartley Coleridge, in a consecutive series of imaginary adventures and in the reveries called up by music. His skills in verbal expression and melody were soon manifested in poems of remarkable merit for his years, and displaying a power of delineating the aspects of nature which, his affliction considered, seemed almost incomprehensible. These efforts met full recognition from the brilliant literary circle then gathered around his father.
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Takéo, Cambodia, confronts writing. Modern scholarship has shown that orality is a complex and tenacious social phenomenon. Orality is thought and verbal expression in societies where the technologies of literacy (especially writing and print) are unfamiliar to most of the population. The study of orality is closely allied to the study of oral tradition. The term “orality” has been used in a variety of ways, often to describe, in a generalised fashion, the structures of consciousness found in cultures that do not employ, or employ minimally, the technologies of writing. Walter J. Ong’s work was foundational for the study of orality, and reminds us that despite the striking success and subsequent power of written language, the vast majority of languages are never written, and the basic orality of language is permanent.
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Although the case was officially closed after Fuchs had been sentenced, and although the "Bajuvarian Liberation Army" was determined to never have existed as a terrorist organization in the meaning of the term, doubts remained whether Fuchs had actually committed his actions without any support or tacit knowledge from sympathizers. A thorough search of the two rooms in his parents' house where Fuchs had lived revealed more IEDs but no traces of the equipment which he would have needed to produce and handle the unstable explosives (including mercury fulminate and nitroglycerol) contained in his IEDs. Most of Fuchs' "confession letters" exhibited an aptitude at verbal expression for which he was not known. Some had referred to internal affairs in police procedures that were not accessible to the general public.
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Caricature of Uncle Sam making the "OK" gesture in a cartoon for the 1900 Paris Exposition By the early 19th century in the United States, the gesture was affiliated with the letters "O" (formed by the circle) and "K" (derived from the extended fingers). While it is not known exactly how the OK gesture and the corresponding verbal expression coalesced, the English professor Allen Walker Read dates the expression's rise in usage to an 1839 humor piece in the Boston Morning Post describing the expression "o.k." as meaning "all correct", suggesting comically misspelled initials, at a time when acronyms for misspelled words were in vogue. Several other broadsheets in Boston, New York and Philadelphia ran with the expression in their own columns, some with misspellings of "all correct" such as oll korrect, bringing the phrase into the vernacular of American English.
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The divine visions of Gopaler Ma, which are similar in nature to visions and ecstasies of the mystics around the world,ecstasies of mystics irrespective of their religious affiliations, have been explained by Swami Chetanananda in the following manner in his account of Gopaler Ma in his book, They Lived with God:Life Stories of Some Devotees of Sri Ramakrishna, Vedanta Society of St. Louis, 1989. The book summarizes that the rational explanation for such divine visions are that there are finer states of consciousness, which are breached when the mind is pure and tranquil. With the degree of purity achieved by Gopaler Ma through her spiritual practices, she could enter into that realm of super consciousness available only to the mystics around the world. According to Swami Chetanananda, in this realm of mystical experience, verbal expression, mental cognition, and intellectual reasoning do not function.
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Starting from the idea of the "Global Page", an ideal place where writing is enriched by expressions and graphical signs, Carrega defines "symbiotic writing" as a form of writing that visualizes not only an interaction, but a symbiosis between verbal and graphical signs. In Tool, Carrega lists the six conceptual categories of graphical and verbal expression that freely combine in the space of the white page: phonetic element, prepositional element, lettering, graphics, shape, color. Carrega's work finds original combinations between words, the writing medium and the contamination with other con altri materials from which emerge innovative experiments such as: transparent papers, poemobiles, arronsignite papers, stone-cakes, sbrinciate, verbal permutators, etc. Since 1967 symbiotic writing is called “New Writing”, necessary "to extend the field of action to research spaces that have become more and more vast", but this new definition will become active only in 1974.
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Scale, the spatial or temporal dimensions of a phenomenon, is central to seascape ecology and the topic permeates all applications of a seascape ecology approach from conceptual models through to design of sampling, analyses and interpretation of resultsSchneider DC (2001) The rise of the concept of scale in ecology: The concept of scale is evolving from verbal expression to quantitative expression. BioScience 51(7): 545–553.. Species and life-stage responses to patchiness and gradients in environmental structure are likely to be scale dependent, therefore, scale selection is an important task in any ecological study. Seascape ecology acknowledges that decisions made for scaling ecological studies influence our perspective and ultimately our understanding of ecological patterns and processesLevin SA (1992) The problem of pattern and scale in ecology. Ecology 73: 1943–1967.. Historically, marine scientists have played a significant role in communicating the importance of scale in ecologySchneider DC (2017) Chapter 4: Scale and scaling in seascape ecology. p89-117.
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A prochronism (from the Greek , "before", and , "time") is an impossible anachronism which occurs when an object or idea has not yet been invented when the situation takes place, and therefore could not have possibly existed at the time (e.g. The Last Supper by Leonardo da Vinci at the top of the article). A prochronism may be an object not yet developed, a verbal expression that had not yet been coined, a philosophy not yet formulated, a breed of animal not yet evolved (or perhaps engineered), or use of a technology that had not yet been created. The well-known stories of the One Thousand and One Nights contain a manifest anachronism: in the frame story, the tales are narrated to King Shahryār, presented as a member of the Persian Sassanid Dynasty, by his wife Scheherazade - yet many of the stories she tells relate to the historical Abbasid caliph Harun al-Rashid, his Grand Vizier, Jafar al-Barmaki, and his contemporary the famous poet Abu Nuwas, all of whom lived some 200 years after the fall of the Sassanids.
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A so-called dynamic infinitive may be governed by verbs of will or desire to do something ( or "to be willing, wish to", "pray, wish for", "pray against, imprecate curse to", "choose, prefer to", "to be about to, or: delay to", "urge, command to", "order to", "vote to", "allow to", "beg to" etc.), verbs of will or desire not to do anything ( "fear to", "be afraid to", "abstain from doing", "be ashamed to", "forbid to", "hinder, prevent" etc.) and verbs or verbal expressions denoting ability, fitness, necessity, capacity, etc. (, "be able to", , "know how to", "learn to", , "I am able to", "it is fair/right to", "it is necessary to", "it is time to" etc.). It can also be found after adjectives (and sometimes derived adverbs) of kindred meaning ( "skillful", "able", "able", "sufficient, capable" etc.). It stands as the object (direct or indirect) of such verbs or verbal expressions, or it serves as the subject if the verb/the verbal expression is used impersonally; it also defines the meaning of an adjective almost as an accusative of respect.
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The criteria of having narrative content through spoken language or text as part of the theatrical event is meant not to limit the range of what is already considered standard theatre (as there are examples in the works of Samuel Beckett in which the limits of verbal expression are tested), but to differentiate between that which is digital theatre and the currently more developed fields of digital dance9 and Art Technology.(10) This is necessary because of the mutability between art forms utilizing technology. It is also meant to suggest a wide range of works including dance theatre involving technology and spoken words such as Troika Ranch’s The Chemical Wedding of Christian Rosenkreutz (Troika Ranch, 2000), to the creation of original text-based works online by performers like the Plain Text Players or collaborations such as Art Grid’s Interplay: Hallucinations, to pre-scripted works such as the classics (A Midsummer Night’s Dream, The Tempest) staged with technology at the University of Kansas and the University of Georgia. The Participatory Virtual Theatre efforts at the Rochester Institute of Technology take a different approach by have live actors use motion capture to control avatars on a virtual stage.
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