129 Sentences With "vaudeville theater" | Random Sentence Generator

Its British premiere is at the Vaudeville Theater through June 11.

There's a $32 million renovation of the Rialto Theater, a 1920s-era vaudeville theater with more than 850 seats.

A young girl moves to New York in 1940 to work as a costume designer at a seedy vaudeville theater.

The second-oldest symphony in the country, the St. Louis Symphony Orchestra plays in Powell Symphony Hall, an ornate 217106158 vaudeville theater.

Dramatic skill turns out to be the very topic of German writer Daniel Kehlmann's "The Mentor," which has arrived at the Vaudeville Theater through Sept.

Number of events Around 100, in eight spaces, including a former vaudeville theater, a renovated Depression-era movie palace, a disused church and a nature center.

The answer can be discovered at the Vaudeville Theater here, where Kathy Burke's production of Oscar Wilde's "Lady Windermere's Fan" barreled into view on Monday night.

The site's first theater, built in a neo-Renaissance style popular in the Gilded Age, opened in 1908 as the Marathon, a vaudeville theater with 600 seats.

Next Stop 10 Photos View Slide Show ' For nearly a century, the Baronet Theater in Asbury Park, N.J., was a popular venue for vaudeville theater and blockbuster films.

The artist Allan Kaprow was organizing Happenings, a loose term for absurd performances that could range from women licking jam off a car to riffs on vaudeville theater.

Since meeting at drama school in London, they have been building their reputation — including a stint on Broadway — and their latest, "Magic Goes Wrong," is now at the Vaudeville Theater.

Harry Houdini and Fred Astaire both performed in the city, and the comedy team of George Burns and Gracie Allen met at a Union City vaudeville theater in the early 1920s.

Yet when that exchange occurs in Dominic Dromgoole's eye-opening revival of Wilde's "A Woman of No Importance," at the Vaudeville Theater here, it has a resonance that transcends its perfectly appointed cleverness.

Fortunately, they landed on their feet in a former vaudeville theater in Highland Park, and threw a star-studded grand opening earlier this month with actors Colin Hanks and David Arquette, and musician Joanna Newsom.

KEENE, N.H. — Resting his lanky frame on a makeup chair backstage at an old vaudeville theater, Andrew Yang's then-campaign manager kept his bloodshot eyes fixed on his phone while the candidate fired up the crowd.

Since it was originally a theater, the Bob Baker team didn't have to completely overhaul the interior, though its various iterations — from vaudeville theater to an organ showroom to, most recently, a Korean Church — have all left their marks.

Like most theaters, Everyman — which has its own repertory company and relocated in 2013 to a converted vaudeville theater in downtown Baltimore's arts district after an $18 million capital campaign — seeks sponsorship for its productions, typically to the tune of $10,000.

Once upon a time, not all that long ago, just a century and some change, Brighton Beach was the premier destination for wealthy New Yorkers, boasting a massive luxury resort, a racetrack, a bathing pavilion, a vaudeville theater and a music hall.

The title in question is "A Woman of No Importance," the comparatively little-seen Oscar Wilde comedy from 1893 that has introduced a four-show season of the Irish playwright's work at the Vaudeville Theater, under the curatorial eye of Dominic Dromgoole, who has also directed this opening production.

Sunday afternoons he took his horn, and me as page turner, to a vaudeville theater in Pawtucket, where he played in a stage band for sundry down-home acts who opened for a Hollywood feature film that we in the band watched backward from the far side of the screen.

In the generations after General Washington's visit, the site accommodated a gambling den run by a bare-knuckle boxer; a popular German beer hall; a Yiddish vaudeville theater; a newspaper printer for the Chinese-American Press; a carnival supply shop; dim sum restaurants; and most recently, a Popeyes Chicken & Biscuits and a Duane Reade.

Genesta died while performing when he became trapped in a barrel of water during his "escape artist" act at vaudeville theater in Frankfort, Kentucky.

The building was constructed for Frank Lauerman to serve as both a vaudeville theater and a retail store. It was later transformed into a movie theater.

The TV Dinner Hour is an American sketch comedy written by Richard O’Donnell, directed by Amy McKenzie, and performed by the New Age Vaudeville theater company in Chicago.

Pagoda Palace was a movie theater in San Francisco's North Beach neighborhood on Columbus Avenue opposite Washington Square. It operated as a vaudeville theater and movie house before being torn down in 2013.

An Evening With Elmore & Gwendolyn Putts, The Neighbors Next Door is an American play, a farce written by Richard O’Donnell, directed by Amy McKenzie, and performed by the New Age Vaudeville theater company in Chicago.

Keith Memorial Theatre, Boston (built 1928) Keith's advertising wagon, ca.1894 Benjamin Franklin Keith (January 26, 1846 - March 26, 1914) was an American vaudeville theater owner, highly influential in the evolution of variety theater into vaudeville.

The Warfield Theatre, colloquially referred to as The Warfield, is a 2,300-seat music venue located in San Francisco, California. It was built as a vaudeville theater and opened as the Loews Warfield on May 13, 1922.

The Liberty Theater is a historic vaudeville theater and cinema in Astoria, Oregon, United States. The whole commercial building of which the theater is the major occupant is also known as the Astor Building, especially in the context of historic preservation.

The Sigmond Opera House (shown here c. 1913), originally a vaudeville theater and later a cinema, stood at 70 South Main Street. It burned on January 31, 1924.Miguel Bermudez and Donald Giordano, Freeport Fire Department :: History, Freeport Fire Department.

This was followed by the RKO Roxy's opening two days later. Roxy originally intended to use the Music Hall as a vaudeville theater, but the opening of the Music Hall was widely regarded as a flop, and both theaters ended up being used for films and performing arts. Radio City's Roxy Theatre had to be renamed the Center Theatre in May 1933 after a lawsuit by William Fox, who owned the original Roxy Theatre on 50th Street. The failure of the vaudeville theater ended up ruining Roxy's enterprise, and he was forced to resign from the center's management in January 1934.

The Brahmins were the foremost authors and audiences of high culture, despite being a minority. Emerging Irish, Jewish, and Italian cultures made little to no impact on the elite. To please a different audience, the first vaudeville theater opened on February 28, 1883, in Boston.

Theaters in Union City featured vaudeville and burlesque and acts including Fred Astaire and Harry Houdini.Fernandez, 2010, p. 15. It was at a vaudeville theater in Union City that comedian George Burns would meet his longtime partner and wife, Gracie Allen."Grace Allen Biography".

The concert saloon was an American adaptation of the English music hall, and a precursor of variety and vaudeville theater. As in the music hall, alcohol was served. The entertainment at the saloon was to hold the imbiber's attention, so they would imbibe more.

Thereafter the academy building was used for some time as fire department headquarters. Today the building houses the village offices and includes the 1891 Fredonia Opera House, a former vaudeville theater that fell into disrepair in the 1970s while being operated as a movie house.

Cerf managed it until his death. His son Rudolf Cerf was also a Berlin theater owner and manager, inheriting the theater concession from his father. On October 12, 1852 he opened the Neues Königstädtisches Theater. In 1855 he also opened the Königstädtisches Vaudeville-Theater.

Pesach "Peishachke" Burstein (April 15, 1896 – April 6, 1986) was a Polish- born American comedian, singer, coupletist, and director of Yiddish vaudeville/theater. He was honored with the Itzik Manger Prize in 1986. His wife Lillian Lux, and son Mike Burstyn are also actors.

Notable examples of these "brew and view" theaters include the Bagdad Theater and Pub, a former vaudeville theater built in 1927 by Universal Studios; Cinema 21; and the Laurelhurst Theater, in operation since 1923. Portland hosts the world's longest-running H. P. Lovecraft Film Festival at the Hollywood Theatre.

King's hand-book of Boston. 1889; p. 250 One of the oldest continuously operating theaters in the United States, it was built in 1852 and was the original home of the Boston Symphony Orchestra. The hall closed in 1900 and was converted into a vaudeville theater named the Orpheum Theatre.

Liberty Hall also runs a video rental next door. The Granada Theater was originally built in 1928 as a vaudeville theater. It was renovated in 1934 as a movie theater until closing in 1989. It was renovated again in 1993 and opened as a venue for comedy acts and live music.

She was cast in the role of Pompey in Measure for Measure for the autumn billing at the Donmar. She appeared in the cast of Emilia (a play about Emilia Bassano) in the West End (2019),Emilia on the Vaudeville Theater website in The Vote, and in 9 to 5 again in 2020.

Duff and Jeff learn that Sonny has undergone plastic surgery. Knowing that he must be out of money, they have his sister watched at the vaudeville theater where she is the cashier. They also place an advertisement supposedly from Terry offering to help Dinkie. Sure enough, he approaches her for money at the theater and is spotted.

The Vaudeville Theater ambush was the ambush and murder on March 11, 1884 by Joe Foster and Jacob Coy of former lawmen Ben Thompson and King Fisher. It took place at the Jack Harris Vaudeville Saloon and Theater in San Antonio, Texas. The ambush was in revenge for Ben Thompson's shooting of Jack Harris two years earlier.

Toulouse Lautrec Berthe Bady was born in Lodelinsart, Belgium. She was educated at the Convent of the Sacred Heart of Dour, and then enrolled at the Brussels Conservatory in 1891, before joining the Vaudeville Theater in 1894. She accompanied Lugné-Poe in founding the Théâtre de l'Œuvre (Theatre of the Work). She was Henry Bataille's muse.

Ernie Adams (born Ernest Stephen Dumarais, June 18, 1885 - November 26, 1947), was an American actor and writer. Born in San Francisco, California to Leon D. Adams and Laurence G. Girard, he was also billed as Ernest S. Adams and Ernie S. Adams. He appeared in vaudeville, theater, and film. He started his career in musical comedy on Broadway.

They rented out the Majestic as meeting space, hosting a convention of Wisconsin fire chiefs in 1909. They also began showing their first "moving pictures" in 1908. Three years later, the Biederstaedts' fortunes had changed. Edward's "nervous" wife shot herself in the head on the eve of the opening of a competing vaudeville theater, the New Orpheum.

Bogart's is a music venue located in the Corryville neighborhood of Cincinnati, Ohio, near the University of Cincinnati, across Vine Street from Sudsy Malone's Rock 'n Roll Laundry & Bar. The venue opened as a vaudeville theater called the Nordland Plaza Nickelodeon in 1905. It operated until 1955 when it succumbed to the competition from television. It reopened in 1960 screening primarily German films.

Mars Theatre is a historic theatre building at Lafayette, Tippecanoe County, Indiana. It was built in 1921, and is a four-story, rectangular, Georgian Revival style brick building, with limestone ornamentation and terra cotta panels. It measures 69 feet, 4 inches, wide and 141 feet, 4 inches deep. It was originally built as a vaudeville theater and sat 1,205 patrons.

Instead, she completed a business course and worked as a stenographer on Wall Street at age 16. Her new social circle embraced vaudeville theater. Although she had no aspirations for a theater career, she was asked to replace an actress and entered the vaudeville Keith-Albee-Orpheum circuit with boyfriend (future Hollywood screen writer) Dan Jarrett.Frank Cullen, Florence Hackman, and Donald McNeilly.

Asakusa Engei Hall is another famous vaudeville theater in Tokyo which hosts rakugo events. Many artists contributed to the development of rakugo. Some were simply performers, but many also composed original works. Among the more famous rakugoka of the Tokugawa period were performers like Anrakuan Sakuden (1554–1642), the author of the Seisuishō (Laughter to Chase Away Sleep, 1628), a collection of more than 1,000 stories.

The Orpheum Theatre is a music venue located at 1 Hamilton Place in Boston, Massachusetts. One of the oldest theaters in the United States, it was built in 1852 and was originally known as the Boston Music Hall, the original home of the Boston Symphony Orchestra. The concert hall was converted for use as a vaudeville theater in 1900. It was renamed the Orpheum Theatre in 1906.

In the 1870s, a mansard roof was added. The rear auditorium was added in 1912, when the building was converted from a hotel to hotel and movie / vaudeville theater. The lobby was remodeled in the 1930s / 1940s in an Art Deco style; the auditorium has Italian Renaissance style detailing. The theater and hotel closed in 1976, and the building used for offices and shops.

Located at 257 Orange Avenue in Newark, the building was originally built for Victorian Theatre, a vaudeville theater. It was later known as Congress Theater. In 1958, Temple No. 25 was the first Nation of Islam mosque to open in Newark, New Jersey. Located on South Orange Avenue, its membership had a reputation of being more active and loyal than NOI members in other larger municipalities.

The Capitol II Theater is located in the historic downtown district of Newton and has been in operation since April 1927; originally operating as a vaudeville theater. An image from the grandstand at Iowa Speedway. Newton is home to Iowa Speedway, a 7/8-mile racing track purchased by NASCAR in 2014. It is the only short track owned by NASCAR west of the Mississippi River.

The venue opened on January 19, 1926, as a vaudeville theater, then several years later converted to a movie house that closed in 1982.State Theatre, cinematreasures.org (accessed October 10, 2019) In 1984 the Theatre was donated to a group of arts-minded community members called the Eau Claire Regional Arts Council (ECRAC) to create a center for artistic expression. After a significant renovation it reopened the doors in 1986.

Women performing music: the emergence of American women as classical instrumentalists and conductors. Jefferson, NC: McFarland. p. 97 She and Emerson Whithorne had one son, Cedric Whithorne, born in September 1908 after the couple returned from visiting Whithorne's native United States. They did so at least once prior to their divorce, traveling to Cleveland, OH where Leginska make her unofficial American debut in Cleveland's Hippodrome, a vaudeville theater.

The theater is notable for its contributions to Bound Brook and remains the only surviving vaudeville theater in Somerset County. It was added to the National Register of Historic Places in 2014. The theater has suffered flood damage, and no longer puts on its own productions, although it does rent out its space. The theater now has a total of 630 seats, less than half of its original capacity.

Heckling was a major part of the vaudeville theater. Sometimes it was incorporated into the play. Milton Berle's weekly TV variety series in the 1960s featured a heckler named Sidney Spritzer (German/Yiddish for 'squirter') played by Borscht Belt comic Irving Benson. In the 1970s and 1980s, The Muppet Show, which was also built around a vaudeville theme, featured two hecklers, Statler & Waldorf (two old men named after famous hotels).

Brown was born in Syracuse, New York, to a father who managed a vaudeville theater and a mother who worked as a pianist. He attended the Hartford Art School and the Rhode Island School of Design. Following his parents into show business, he performed as youth in a song-and-dance act with his sister and younger brother, starting around 1927. They worked together into the early 1930s.

A skirt dance is a form of dance popular in Europe and America, particularly in burlesque and vaudeville theater of the 1890s, in which women dancers would manipulate long, layered skirts with their arms to create a motion of flowing fabric, often in a darkened theater with colored light projectors highlighting the patterns of their skirts. Skirts used in skirt dances reportedly were constructed from over 100 yards of fabric.

Mayfair Music Hall The Mayfair Music Hall was an English music hall-styled vaudeville theater devised and created by entrepreneur Milt Larsen, located in Santa Monica, California. This theater was designed by architect Henry C. Hollwedel, and built in 1913 as the Santa Monica Opera House. Shortly afterward, it was renamed the Majestic Theater and featured silent movies and split week vaudeville acts. The theater was remodeled after sound was introduced in the late twenties.

Sampson, p. 1373. Anderson started in show business as part of an all African-American revue at age 14; he had previously won an amateur contest at a vaudeville theater in San Francisco. Anderson joined the cast of Struttin' Along in 1923 and was part of Steppin' High both as a dancer and as one of the "Three Black Aces" with his brother, Cornelius, in 1924. He later worked in vaudeville with Cornelius.

Vaudeville Theater, Buffalo, NY Vaudeville in the 1920s was one of the largest forms of entertainment and was a rival to legitimate theatre. Vaudeville is a genre of theatre that encompassed a variety of entertainments and each act was unrelated to one another. Performers in Vaudeville specialized in one skill and repeated these skills at performances. Vaudeville was known for being more condensed in attempts to reaching out to the American middle class.

The Jack Harris Vaudeville Saloon and Theater, circa 1880 The Sporting District contained numerous entertainment venues. The Vaudeville Theater and Saloon was one of the first and most prominent. Another famous venue was Fannie Porter's Sporting House, which was actually located a block outside the borders of the district as defined by the city. Apart from being a well-established brothel, the home became a hideout for the gang of famed outlaw Butch Cassidy.

In 1920 the Selwyn brothers bought the Bryant Theater, between 42nd and 43rd streets, a vaudeville theater with an elegant auditorium. They renamed it the Apollo and were successful staging musicals there until the Depression, when it was converted to a cinema. In 1922 the Selwyns partnered with Sam Harris to open two theaters on North Dearborn Avenue in Chicago. Before they could open they had to pay the mobster Timothy D. Murphy $10,000 for protection.

Frederick Hunter Muhlenberg II left the firm in the mid 1920s to go into partnership with his nephew, Frederick Augustus Muhlenberg II, operating as Muhlenberg & Muhlenberg. Muhlenberg Brothers designed both residential and commercial works, and large projects such as office buildings, churches and factories. Among the commissions were a vaudeville theater, a number of public school buildings, and much of the campus of Albright College. G. Russell Steininger, landscape architect, was a principal in the firm by 1929.

The original NorVa Theater opened in 1922NorVa Theater at Cinema Treasures as a 2000-seat motion picture and live entertainment (vaudeville) theater. It continued to thrive as a premier movie theater into the 1970s. The building served as home to the Downtown Athletic Club from 1980 until 1998 when it was renovated for its current use. The building is often noted by its patrons to be charming and aesthetically pleasing due to its rustic and old- style appearance.

When the Boston Symphony moved to Symphony Hall in 1900, the Boston Music Hall closed. It was converted for use as a vaudeville theater in 1900 and operated under a number of different names, including the Music Hall and the Empire Theatre. In 1906, it was renamed the Orpheum Theatre. In 1915, the theater was acquired by the Loew's Theatres chain and reopened again in 1916, rebuilt with a completely new interior, designed by architect Thomas W. Lamb.

Metal tubes were used as resonators, fine-tuned by rotating metal discs at the bottom; lowest note tubes were U-shaped. The marimbas were first used for light music and dance, such as Vaudeville theater and comedy shows. Clair Omar Musser was a chief proponent of marimba in the United States at the time. French composer Darius Milhaud made the ground-breaking introduction of marimbas into Western classical music in his 1947 Concerto for Marimba and Vibraphone.

Sid Grauman's imprint David and his son decided to open a vaudeville theater in San Francisco. Their first venture was on Market Street near Mason called the Unique Theater. Before long they added motion pictures to the vaudeville shows, and another theater called the Lyceum. As the theater manager, though Sid Grauman had seen just about every type of performance, there were some that startled and amazed him, turning down an offer to learn how to swallow swords.

When the Boston Symphony moved to Symphony Hall in 1900, the Boston Music Hall closed. It was converted, for use as a vaudeville theater in 1900 and operated under a number of different names, including the Music Hall and the Empire Theatre. In 1906, it was renamed the Orpheum Theatre. In 1915, the theater was acquired by the Loew's Theatres. Loew's reopened the Orpheum in 1916 with a completely new interior designed by architect Thomas W. Lamb.

Accessed January 27, 2008. The murals of the equally lavish auditorium depicted classical and mythological themes: scenes from The Iliad and Odyssey, Aesop and the 12 Muses. Although the Orpheum was touted at the time of its 5 May 1911 opening as "America's most luxurious theater," after 1916 it no longer was even the grandest vaudeville theater in the neighborhood: Alexander Pantages opened an even larger and more opulent theater several blocks north at 3rd Avenue and University Street.

Boardwalk of Bergen Beach, circa 1905 In the late 1880s, vaudeville theater manager Percy G. Williams partnered with Thomas Adams, the chewing gum magnate, to buy of marshland on Bergen Island. The island was sold to the Germania Real Estate and Improvement Company in 1892. It quickly laid out streets between Avenues T and Z, east of present-day East 70th Street. Williams and Adams had meant to construct housing, but instead decided to emulate the successful Coney Island resort further west.

He got his first break in 1918 at the Arsonia Cafe in Chicago, Illinois, where he performed a song called "Ja-Da", written by the club's pianist, Bob Carleton. Edwards and Carleton made it a hit on the vaudeville circuit. Vaudeville headliner Joe Frisco hired Edwards as part of his act, which was featured at the Palace in New York City—the most prestigious vaudeville theater—and later in the Ziegfeld Follies. Edwards made his first phonograph records in 1919.

Born in Buffalo, New York, on November 7, 1872, Frank Case worked as an usher at a vaudeville theater as a teen. In 1896, he started his hotel career as a night clerk at the Genesee Hotel in Buffalo. In a live appearance on the Royal Gelatine Hour radio show on June 17, 1937, Case told Rudy Valee that he learned his hotelier skills at the Genesee Hotel. There, he had to stay up all night by roaming the hotel on roller skates.

He follows the tracking bracelet to a vaudeville theater, only to find it on the wrist of an insane old man. Convinced the president is dead, Snake radios Hauk but is told that he will be shot down if he comes out empty- handed. Snake meets "Cabbie" who remained in Manhattan after it became a prison and now drives an armored taxi. Cabbie takes Snake to Harold "Brain" Hellman, an adviser to the Duke and a former associate of Snake.

In Dahomey is regarded as a marquee turning point for African-American representation in vaudeville theater. It opened on February 18, 1903, at the New York Theatre, starring George Walker and Bert Williams, two iconic figures of vaudeville entertainment at the time. The musical ran for 53 completed performances, including two tours in the United States and one tour of the United Kingdom.Riis, Thomas L., Just Before Jazz: Black Musical Theater in New York, 1890-1915 (London: Smithsonian Institution Press, 1989), p.

The Tazzelwurm (Varieté) was a theatre in Cologne, North Rhine-Westphalia, Germany. It was the first music hall theatre (in American usage Vaudeville theater) in Cologne after World War II. The building was located on Zülpicher Street and was one of the few remaining larger halls in largely destroyed post-war Cologne. The first carnival-style revue was performed here in November 1945. In the 1946-47 Carnival season local comedy and musical greats such as Grete Fluss, Jupp Schlösser, and Gerhard Jussenhoven appeared.

At the end of the Spanish–American War in 1898, grumpy and overprotective Irish widower Dennis O'Grady (James Barton) has three daughters. The oldest, Katie (Marcia Mae Jones), welcomes her husband James Moore (Sean McClory), whom she has married in secret, home from the army. The youngest two, Patricia (June Haver) and Maureen (Debbie Reynolds), pass a vaudeville theater owned by Tony Pastor (Gordon MacRae). Patricia recognizes the man from earlier that afternoon when he mocked her father, and she scolds him for his actions.

Della Moore, one of Fannie Porter's prostitutes, and outlaw Kid Curry During the earlier years of the state, San Antonio was Texas' largest city. One of the city's most important business leaders was Jack Harris, who established the Vaudeville Theater and Saloon in 1872, in what would later become the Sporting District. The saloon, which was the city's first business to utilize the fledgeling Electric Company in 1882, quickly became the most popular entertainment venue in the city, offering liquor, live theater, and gambling.Evett; Handbook of Texas.

Toy Theater (c.1845-50) by John Redington of London, showing a scene from Isaac Pocock's two-act play "The Miller And His Men". An exhibit in the Edinburgh Museum of Childhood Toy theater, also called paper theater and model theater (also spelt theatre, see spelling differences), is a form of miniature theater dating back to the early 19th century in Europe. Toy theaters were often printed on paperboard sheets and sold as kits at the concession stand of an opera house, playhouse, or vaudeville theater.

In 2004, the BCA entered into a partnership with the Huntington Theatre Company, building the Stanford Calderwood Pavilion, the first new theater venue built in Boston in over 75 years. The Calderwood Pavilion stands on the site of the old National Theater, a vaudeville theater that attracted the likes of Sammy Davis Jr. and Duke Ellington. In early October 2019, the organization’s board of directors announced that CEO Gregory Ruffer resigned following allegations of inappropriate conduct while he worked as a professor at College of Central Florida during the 2009-2010 academic year.

The Orpheum Theater opened in Champaign, Illinois in 1914 on the site of a vaudeville theater built in 1904.History at Cinema Treasures Designed by the Architectural firm Rapp & Rapp, the Orpheum (also known as The New Orpheum) was built to accommodate both live vaudeville performances and the projection of film. After a series of renovations and changes of ownership, the Orpheum screened its final film in 1986. Preserved from demolition in 1991, the Orpheum is now home to a children's museum, the Orpheum Children's Science Museum, and is undergoing restoration.

The Indiana Theatre at night The Founding President of the Indiana Theatre was T.W. Barhydt. Mr. Barhydt was the driving force to build the Indiana Theatre with family roots in Opera, Theatre and Vaudeville. Mr. Barhydt was prominent in Terre Haute business with ties to the Terre Haute House Hotel, Grand Opera House (1897), Varieties Theatre (1907), Hippodrome Theatre (Terre Haute, Indiana) (Scottish Rite Temple 1916), and Indiana Theatre Corporation (Formed 1920). The Hippodrome is the oldest remaining vaudeville theater in America which was built at the cost of $100,000.

The Nifty Theatre was built as both a nickelodeon movie house and as a vaudeville theater, even though the nickelodeon era was largely past in 1919, when palace-style movie theaters were starting to be built. As Waterville was a small town, the Nifty was a relatively modest theater that with its flat floor partially could serve as a dance hall and as a prize-fighting arena. The freestanding building stands a block away from the Downtown Waterville Historic District. Its main facade is stuccoed with pilasters at the corners and a curved parapet.

The origins of Goodrich Quality Theaters can be traced back to 1930, when William Goodrich left his family's rubber manufacturing business in order to purchase the Savoy Theatre in downtown Grand Rapids, Michigan. Previously, the Savoy Theatre had been a vaudeville theater; Goodrich renovated it as a single-screen movie theater and opened it in 1931 with "All Quiet on the Western Front". Business at the theater prospered, largely due to Goodrich's cheap double features. For just 15 cents, patrons could watch the main feature, followed by a B-Movie.

It served the community as a movie and vaudeville theater for almost fifty years, and was a symbol of black economic influence – free of discrimination – and a source of pride and culture within Overtown. After his death in 1919, Walker's wife Henrietta continued to operate the Lyric which was also used as a community auditorium. School children and civic groups performed on its stage and special events such as commencement ceremonies were held there. Visiting luminaries like Mary McLeod Bethune, Ethel Waters, and the Fisk Jubilee Singers lectured and sang at the Lyric.

Close to the Lyric at 35 North Sixth was the Orpheum Theater, which opened in 1906. While the Lyric presented primarily stage plays, the Orpheum was the first major vaudeville theater in Allentown. It presented variety shows that mixed jugglers, song-and-dance teams, acrobats, comedians with other performers. The Lyric Theater in the 1910s During World War I, Allentown was the home of a large Army training camp, Camp Crane, where thousands of recruits were indoctrinated into the military as ambulance drivers before being sent overseas to France.

The theater opened in 1906 as the Majestic Theatre, named for The Majestic Building in which it is housed. The Majestic was a popular vaudeville theater offering approximately 12 to 15 vaudeville acts running from 1:30 pm to 10:30 pm, six days-per-week. By the 1920s the theater had become part of the Orpheum Circuit and presented many famous vaudeville headliners including Al Jolson, Eddie Foy, Jack Benny, W.C. Fields, Harry Houdini, Bert Williams, Lily Langtry, Eddie Cantor and Fanny Brice. In 1932, the theater closed during the Great Depression.

Whallen moved to Louisville in the 1870s and became the manager of a vaudeville theater, The Metropolitan. He opened the Buckingham Theater in 1880, a Burlesque, on Jefferson between Third and Fourth Street. Although he tried a few legitimate theater ventures, his wealth came from more prurient interests, and he never had a respectable reputation in Louisville. He came to own several theatres in other cities, including two in Brooklyn, and produced the lavish show, The South Before the War, one of the most successful shows of its era.

On March 11, 1884, his older brother Ben Thompson was killed in San Antonio, Texas, in what became referred to as the Vaudeville Theater Ambush. For a time, newspapers speculated that Billy Thompson would seek revenge for his brother's death, but he never did. He roamed for a number of years, making his living as a gambler, and is believed to have never held any other employment, passing through Cripple Creek, Colorado, and often spending long periods in Houston and Galveston, Texas. He died of a stomach ailment in Houston, on September 6, 1897.

This alliance now allowed vaudevillians twenty to forty weeks of performing from Chicago to the Pacific Coast. In 1900, the circuit was incorporated in order to better finance and organize its five theaters. The Orpheum theaters now dominated the big-time circuit west of Chicago. In May 1901, Meyerfeld and Beck, along with other big-time Vaudeville theater owners such as Benjamin Franklin Keith and Edward Franklin Albee II who dominated the Eastern Vaudeville Circuit, met to discuss uniting vaudeville theaters nationwide. On May 29th, the bylaws and constitution of the Vaudeville Managers Association (VMA) was signed.

The McClurg Building is a historic building located at 245 Main St. in Racine, Wisconsin. The building was built in 1858 and designed by Alexander McClurg in the Renaissance architecture and Italianate architecture styles. The building originally held offices for the Racine and Mississippi Railroad and has served a variety of other uses since its construction. Many of the businesses and institutions which occupied the building were the first of their kind in Racine, including the city's first public library, municipal court, vaudeville theater, movie theater, and Turkish bath, as well as the United States' first vocational school.

The building began to take its present form in 1910, when modified from a bank building to a vaudeville theater, called the Neumeyers Vaudeville House. The building was extensively modified in 1926, to include a larger auditorium, balcony, and lush decorations; at that time it was renamed "The State." The building is asymmetrical with a cut stone Beaux- Arts style facade and large overhanging marquee. Note: This includes The theater has hosted the Freddy Awards, which honor the best in high school theater programs in the Lehigh Valley, every year since the inaugural show in 2003.

Louis Burt Mayer (; born Lazar Meir, July 12, 1884 – October 29, 1957) was an American film producer and co-founder of Metro-Goldwyn-Mayer studios (MGM) in 1924. Under Mayer's management, MGM became the film industry's most prestigious movie studio, accumulating the largest concentration of leading writers, directors and stars in Hollywood. Mayer was born in the Russian Empire and grew up poor in Saint John, New Brunswick. He quit school at 12 to support his family and later moved to Boston and purchased a small vaudeville theater in Haverhill, Massachusetts, called the "Garlic Box" because it catered to poorer Italian immigrants.

Shinjuku suehirotei is a famous vaudeville theater in Tokyo which hosts rakugo events. Rakugo was invented by Buddhist monks in the ninth and tenth centuries to make their sermons more interesting and its written tradition can be traced back to the story collection Uji Shūi Monogatari (1213–18). Gradually the form turned from humorous narrative into monologue, probably upon the request of the daimyōs (feudal lords), seeking people skilled enough to entertain them with various kinds of storytelling. During the Edo period (1603–1867), thanks to the emergence of the merchant class of the chōnin, the rakugo spread to the lower classes.

The church itself is called the First Baptist Church of Algiers. The church formerly met in the Metropolitan Tabernacle (a former vaudeville theater in Algiers). Two international radio broadcasts (in America, Northern Ireland, and now shortwave) originate from the Ministry: the Voice of Truth (a weekly thirty-minute broadcast of Shelton Sr.'s messages) and the Old Trailblazer (a weekday 15-minute broadcast by Pendarvis). The local church broadcasts its two Sunday morning services (the Bible School of the Air and the Worship Hour) on WVOG in New Orleans and all of its services on the Internet.

As a commercial establishment, the Senator Hotel not only offered lodging to travelers and sometimes to permanent residents, it also included restaurants, meeting rooms, and was available to the general public. When the hotel opened in 1924, its vaudeville theater featured the band, The Syncopating Senators. The Senator Hotel had its own orchestra and featured an bar designed by American architect G. Albert Lansburgh for the hotel's Empire Room. In January 1937, a mural depicting the abdication of Britain's King Edward VIII in December 1936 to marry American divorcée and socialite, Wallis Simpson, was added to the bar.

The State Theatre was built in 1921 as Reade's State Theatre by Thomas W. Lamb and managed by Walter Reade for both movies and live performances. It opened with five vaudeville acts and a single matinee screening of the silent western White Oak, starring William S. Hart. Patrons, including first ticket buyer, nine-year-old Victor Levin, paid 20-30 cents per admission. The theater was placed under the management of Benjamin Franklin Keith and Edward Franklin Albee II of B.F Keith Theatre chain, which then was the largest vaudeville theater chain in the early 1920s.

After McFarland's baseball career, he opened the first vaudeville theater in Houston and then worked for Interstate Amusement in Fort Worth. He came back to Houston and managed three movie theaters in that city for Southern Enterprises, Inc. McFarland was part of a group that nearly bought the minor- league Houston Buffaloes in 1908, but the deal was never finalized. As a theater manager in Houston, McFarland sometimes irritated the Houston Board of Censors; he continued to show Fatty Arbuckle films after the filmmaker became embroiled in controversy, and he showed the film Don't Call It Love despite a controversial kiss.

The Blackbird (Lon Chaney) is a thief who uses a second identity when necessary. He lives above a cheap bar in the Limehouse district, where his alter ego The Bishop, is beloved among all guests. One evening, the police drop by looking for him after a robbery, and he flees to a vaudeville theater, where his ex-wife Limehouse Polly (Doris Lloyd) has an act. Since their divorce they have become bitter towards one another, but Polly is willing to admit that she once married The Blackbird 'because she saw the soul in him that he did not know he got himself'.

The Majestic Theatre is a 600-capacity live music venue in downtown Madison, Wisconsin. Opened in 1906, it is Madison's oldest theater, changing ownership many times and adapting to the many changes in the entertainment business throughout its history. Beginning as a vaudeville theater, it became a movie house by 1912 with occasional live acts, and converted to talking motion pictures by 1930. Today the theater is owned and operated by Matt Gerding and Scott Leslie who acquired the theater in 2007 and made it into a successful music club hosting DJs and live shows several nights a week.

At the same time, a trolley line leading to Cayuga Lake was constructed by the Cayuga Lake Electric Railway Company, who also set about developing an amusement park near the lake. The group of properties became known as Renwick Park, and opened to the public in 1894. Upon opening, the park contained a zoo, a merry-go-round and a renovated dance pavilion for use as Ithaca's first vaudeville theater. However, in 1908, a decrease in the public's use of the railway system led to the dissolution of the Cayuga Lake Electric Railway Company; the company was replaced by the Renwick Park and Traffic Association.

In 1871 she was in the original cast of Wilkie Collins's The Woman in White which opened at the Olympic Theatre on October 9, playing both "Laura Fairlie" and "Anne Caherick". In 1873 she was at the Vaudeville Theater. Dyas's first American appearance was under the management of Augustin Daly in 1872 at the Fifth Avenue Theatre, in New York, in Man and Wife, based on the Wilkie Collins's novel. Daly was a disciplinarian who set firm rules forbidding members of the company to leave the city without permission, even if they were not on the evening's bill, nor were they free to speak to visitors in the Greenroom.

Born in Cass Lake, Minnesota, in 1902, Marshek started his career at Joseph P. Kennedy's Film Booking Offices of America (FBO) in 1927. When Kennedy formed R.K.O. in 1929 by merging F.B.O. with the Keith-Albee-Orpheum vaudeville theater circuit and striking a deal with David Sarnoff of Radio Corporation of America in order to access his sound technology patents, Marshek moved to the new studio. He was a staff editor at R.K.O. - Radio Pictures from 1929 to 1936 and at Paramount Pictures from 1937 to 1967. Marshek was the first editor to cut a three-strip, live-action Technicolor film, the 1934 short La Cucaracha.

The Fox, designed by C. Howard Crane, was an exuberant movie palace that once seated more than 5,000 and was the second-largest cinema in the United States. Since 1982, it has been used as a performance hall. Another venue in Midtown built in the 1920s is the Neo-classical Powell Symphony Hall (1925), formerly a cinema and vaudeville theater, now the home of the St. Louis Symphony. Some notable post-modern commercial skyscrapers were built downtown in the 1970s and 1980s, including the One US Bank Plaza (1976), the AT&T; Center (1986), and One Metropolitan Square (1989), which is the tallest building in St. Louis.

Desperate, Santa seeks employment and wanders the streets. He cannot find a job at all, but has an inspiration. RKO’s King Kong has been released and is a big hit in Tokyo. He decides to capitalize on its success by dressing up as an ape and playing King Kong in a vaudeville theater. He approaches one theater owner to tell him of the idea and the owner is pleased with Santa’s plan, thus giving him the job. Santa’s King Kong show becomes an instant success, with Santa interacting amongst props on the theater stage in his gorilla suit (small buildings, toy airplanes, a doll, etc.).

In 1920, the congregation purchased the former Bijou Theater on Center Street—which had been a vaudeville theater and opera house—for $25,000 (today $), and renovated it for use as a synagogue. The synagogue formally incorporated as United House of Israel in 1922, and the following year paid off its mortgage. In January 1925, the congregation hired its first rabbi, Irving Miller. That year, he and House of Israel's president Harry Abrams brought Clarence Darrow, Rabbi Abba Hillel Silver and prison warden Lewis Edward Lawes to North Adams as speakers; the talks were so popular that they had to be held in the Drury High School auditorium.

Jenkins' interest in vaudeville theater and popular cinema was an early focus of his research career - his Ph.D. dissertation at the University of Wisconsin explored how the comedy performances of American vaudeville influenced comedy in 1930s sound films, such as those of the Marx Brothers, W.C. Fields, and Eddie Cantor. The dissertation became the basis of his 1992 book What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic. A key argument of Jenkins' scholarship here was that vaudeville placed a strong emphasis on virtuoso performance and emotional impact which contrasted sharply with the focus of classical Hollywood cinema on character motivation and storytelling.

The White Rats was a fraternal organization formed by vaudeville performers, led by George Fuller Golden, as a labor union to support the rights of male performers.ACTORS GO ON A STRIKE(2) - Members of the "White Rats" Organization Refuse to Play. Every Syndicate Vaudeville House in the Country Said to Be Affected - Object to Paying Comm... Women and African-American performers were not allowed to join. The White Rats attempted to combat the monopolistic practices of the United Booking Office (UBO) and the Vaudeville Managers Association (VMA), groups formed by vaudeville theater managers to keep performers' wages low and control when and where performers were allowed to work.

Following an appearance at the 1927 International Brotherhood of Magicians convention in Kenton, Ohio, Gwynne took his act to New York in attempt to find work in vaudeville. After a show for booking agents at the Franklin Theater, Gwynne was offered a contract with RKO (Radio- Keith-Orpheum), the largest chain of vaudeville theaters in the U.S., for 50 weeks, beginning in September, 1927. From that point, Gwynne's career took off with performances from coast to coast for the next eight years. In New York he was featured at the Palace Theater (considered the top vaudeville theater in the nation), along with The Roxy, Loew's State, and Radio City Music Hall.

As promised, Billy gets Roxie acquitted, but just as the verdict is announced, some even more sensational crime pulls the press away, and Roxie's fleeting celebrity life is over. Billy leaves, done with the case, admitting that he only did it for the money. Amos tries to get Roxie to come home and forget the ordeal, but she is more concerned with the end of her brief run of fame and admits she isn't pregnant, leaving Amos in the dust. The final scene cuts to a Chicago vaudeville theater, where Roxie and Velma (acquitted off-stage) are performing a new act in which they bittersweetly sing about modern life ("Nowadays").

When she returned to Paris, Bernhardt contrived to make a surprise performance at the annual 14 July patriotic spectacle at the Paris Opera, which was attended by the President of France, and a houseful of dignitaries and celebrities. She recited the Marseillaise, dressed in a white robe with a tricolor banner, and at the end dramatically waved the French flag. The audience gave her a standing ovation, showered her with flowers, and demanded that she recite the song two more times. With her place in the French theater world restored, Bernhardt negotiated a contract to perform at the Vaudeville Theater in Paris for 1500 francs per performance, as well as 25 percent of the net profit.

"Historic 1917-era theater gets a new owner in Allentown, Pa." Oliver "Ollie" Gernert, the treasurer of the Lyric, took note that when the Lyric showed a movie, it was packed with soldiers, but when it presented a stage play, many seats were empty. Gernert believed that a cinema-only theater would be extremely profitable, and if it were owned by someone who worked for the Lyric, there would be no conflict of interest as the Lyric could continue to present stage shows. The Orpheum Theater, located next to the Lyric at Sixth and Linden, was primarily a vaudeville theater. It was decided to construct a new cinema-only theater and return the Lyric to a stage theater only.

A plat showing the Unique's location (center) The Unique Theater was an 830-seat vaudeville theater, built in 1904 on Hennepin Avenue in downtown Minneapolis, Minnesota. It was built in the Renaissance Revival style, and situated between the Hennepin Center for the Arts and the West Hotel; it catered to a family audience, with daily performances priced at ten or twenty cents. (The then-"unknown" Charlie Chaplin performed at the Unique, very early in his career.) When vaudeville declined in the 1920s, however, the theater became a single-screen movie theater, built in the Renaissance Revival style, and then, in the 1930s, was demolished. Following that demolition, the lot it had occupied was repurposed as a parking lot.

Dorothy's brothel was on the second floor of this building in downtown Helena Dorothy's fully preserved personal bathroom, with starburst lights, black tile and a double-wide bathtub Baker was the last in a long line of Helena madams. While Helena had a thriving red light district in the late 1800s, most brothels in Helena's red light district were shut down following World War I. The prostitution business then moved downtown, with a madam named Pearl Maxwell opening a brothel in that area by 1918. The building that came to house Dorothy's, called the St. Louis Block, was built in 1882. It originally was a dry goods store, and over the years had business tenants that included bars, a Vaudeville theater, bowling alley, bootery, and bank.

Tillie Whim (ZaSu Pitts), a timid stage assistant to The Great La Salle (William Gaxton) in a small mentalist act playing a Vaudeville theater, is harassed, bullied, and undermined by the act's co-star, primadonna Lottie (Tamara Geva). When Lottie finally attempts to fire Tillie after a performance, La Salle fires Lottie instead. The remaining troupe are then hired backstage by an audience member (Bruce Cabot) to debunk another mentalist, whom he accuses of exploiting his friend, a grief-stricken woman who has recently lost her husband in a plane crash. Tillie is promoted to Lottie's old role as medium, but unexpectedly deviates from the script when the spirit of the departed tells her that the plane crash was murder.

Jenkins' media studies scholarship has focussed on several specific forms of media - vaudeville theater, popular cinema, television, comics, and video games - as well as an aesthetic and strategic paradigm, transmedia, which is a framework for designing and communicating stories across many different forms of media. In general, Jenkins' interest in media has concentrated on popular culture forms. In 1999, Jenkins founded the Comparative Media Studies master's program at MIT as an interdisciplinary and applied humanities course which aimed "to integrate the study of contemporary media (film, television, digital systems) with a broad historical understanding of older forms of human expression.... and aims as well for a comparative synthesis that is responsive to the distinctive emerging media culture of the 21st century." The same ethos can be found in Jenkins' research across various forms of media.

Heywood was born in Atlanta, Georgia. His father, Eddie Heywood Sr., was also a jazz musician from the 1920s and provided him with training from the age of 12 as an accompanist playing in the pit band in a vaudeville theater in Atlanta, occasionally accompanying singers such as Bessie Smith and Ethel Waters. Heywood moved, first to New Orleans and then to Kansas City, when vaudeville began to be replaced by sound pictures.Wilson, John S. (January 04, 1989) "Eddie Heywood, 73, Jazz Pianist, Arranger and Composer, Is Dead" New York Times Heywood played with several popular jazz musicians such as Wayman Carver in 1932, Clarence Love from 1934 to 1937 and Benny Carter, who heard him in Kansas City playing with Clarence Love, from 1939 to 1940 after moving to New York City in 1938.

Williams was born in Plaquemine, Louisiana, to Dennis (a bassist) and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well- regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African-American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-American owned music publisher in the country.

Samuel showed an early interest in music, learning to read music from his much older brother, Rabbi Israel Goldfarb, and singing in local synagogue boys' choirs, and he went on to study composition, conducting, and voice at Columbia University Teachers College and take private piano and organ lessons while earning a living by playing theater piano in a Yiddish movie and vaudeville theater on Rivington Street and in a nickelodeon on Sutton Street. In 1914, on October 20, he married Bella Horowitz in Brooklyn, and the couple had two children, Myron and Ruth. After graduating with a bachelor's degree from Columbia, Goldfarb stayed in New York for several years working as a choir conductor, accompanist, composer, and arranger. As an accompanist, he worked with local songwriters such as Irving Berlin and George Gershwin, cantors such as Yossele Rosenblatt and the four Kusevitsky brothers, and theatrical stars such as Molly Picon.

In 1870 Sam and Lou Blonger, along with many of the Livingstons, left the Midwest for the western frontier. Following the path of the newly completed Transcontinental Railroad, they briefly ran a hotel and saloon in Red Oak, Iowa, before moving on to Salt Lake City, Utah and the nearby mining towns of Stockton and Dry Canyon. In a pattern that repeated itself at many of their stops, Lou owned and operated saloons with assorted entertainments while Sam developed mining claims in the surrounding mountains, served occasionally as a peace officer and, in his spare time, raced horses. Similar stops followed in Virginia City, Nevada; Cornucopia, Nevada; Silver Reef, Utah; and again in Salt Lake City. Moving to Colorado in 1879, Lou Blonger took a shot at running a vaudeville theater in Georgetown, while Sam made an unsuccessful bid to become the first mayor of nearby Leadville. p. 213.

There are a number of Reportedly haunted locations in Oregon. Reported hauntings in the state are linked to such historic places as the Oregon Trail and early coastal communities, as well as the history of Portland, the state's largest city and metropolitan area, which was considered one of the most dangerous port cities in the world at the beginning of the 20th century. During 2012, USA Today named Portland among the top ten most haunted cities in the United States. Allegedly haunted locales in Portland include the Bagdad Theater, a vaudeville theater built by Universal Studios during 1927; Pittock Mansion, a mansion overlooking the city; the Roseland Theater, a former church and music venue; and the city's Portland Underground (or so-called shanghai tunnels), made up of various passages beneath the streets of northwest Portland that were used to smuggle prostitutes and sailors onto ships in the port, where they were often sold into slavery or forced labor.

The Tri-Cities, as the area was then called, was the smallest community in the United States to support a full symphony orchestra. The first rehearsal for the orchestra was held on March 12, 1916, and its first concert was held on March 29. The orchestra was composed of 60 amateur and professional musicians from the Tri-Cities. The first performance was held before an audience of 1,200 people at the orchestra's first home, the Burtis Opera House, a vaudeville theater in Davenport. The program included: Wagner's Prelude to Die Meistersinger von Nuremberg; the Wagnerian aria Dich Theure Halle sung by contralto Esther Plumb; Franz Schubert's Symphony No. 8 (Unfinished); Camille Saint-Saëns’ Concerto for Piano and Orchestra, featuring pianist Robert MacDonald; and a few shorter pieces, including a string Orchestra elegy, a waltz, and Tchaikovsky's Marche Slav, The orchestra's first pops concert was held on May 6, 1917, at the Davenport Coliseum.

McKenzie has worked and lived in Seattle, New York, Los Angeles, San Francisco, and Chicago, where she has produced and performed for the stage and television. She co-founded the New Age Vaudeville theater company as well as co-producing and directing their biggest cult hits, An Evening With Elmore & Gwendolyn Putts, The Neighbors Next Door and The TV Dinner Hour, both written by Richard O’Donnell and featuring herself, O’Donnell, Megan Cavanagh, Todd Erickson, Bobby McGuire, Peter Neville, Michael Dempsey, Lisa Keefe, Caroline Schless, Tom Purcell (writer for The Colbert Report) and Del Close. Rick Kogan of the Chicago Tribune hailed both productions as "Among the most polished and clever productions of the season, a pair of devilishly inventive shows that won over critics and audiences alike." McKenzie has directed and acted in numerous productions at the Peninsula Players, America's oldest residential summer theater, as well as founding and producing their fall season in the early 1980s.

Vaudeville was common in the late 19th and early 20th century, and is notable for heavily influencing early film, radio, and television productions in the country. (This was born from an earlier American practice of having singers and novelty acts perform between acts in a standard play.) George Burns was a very long-lived American comedian who started out in the vaudeville community, but went on to enjoy a career running until the 1990s. Some vaudeville theaters built between about 1900 and 1920 managed to survive as well, though many went through periods of alternate use, most often as movie theaters until the second half of the century saw many urban populations decline and multiplexes built in the suburbs. Since that time, a number have been restored to original or nearly-original condition and attract new audiences nearly one hundred years later. By the beginning of the 20th century, legitimate 1752 (non-vaudeville) theater had become decidedly more sophisticated in the United States, as it had in Europe.

After Cresswell attempted to persuade Pender to return to Roxbury, Roxbury Park was subsequently leased to an association of roughly 100 businessmen and community leaders, including the incoming mayor Charles Young. The association invested an additional $50,000 for facilities, including a merry-go-round, a roller coaster, a crystal maze, a laughing gallery, an "upside-down house," enhanced lakeside attractions (expanded lake and new boats), a vaudeville theater, and a grandstand that could seat 2000 people. Just before the grand opening on Memorial Day 1905, the park's name was changed to Luna Park. Luna Park's initial year, capped by the 1905 Inter- State Fair (attended by 25,000 people) was successful, as was the second season. The Panic of 1907, a severe recession that started in 1907 and continued into 1908, had a devastating effect on the park's attendance figures in both years (including the cancellation of the 1908 Inter-State Fair), forcing the transfer of Luna Park's lease from its original ownership to a new partnership led by local brewer Ernest Emmerling in 1908.

In 2012, USA Today named Portland among the top ten most haunted cities in the United States. Reportedly haunted locales in Portland include the Bagdad Theater, a vaudeville theater built by Universal Studios in 1927, which is reportedly haunted by a maintenance man who committed suicide in the building; Pittock Mansion, a mansion overlooking the city that is reportedly haunted by its original owners; the Roseland Theater, a former church and music venue that is haunted by a club promoter who was murdered there; and, perhaps most widely reported, the city's Shanghai tunnels, made up of various passages that run beneath the streets of Northwest Portland that were used to smuggle prostitutes and sailors onto ships in the port, where they were often sold into slavery or forced labor. Other locations alleged to be haunted include the Hot Lake Hotel in Union County; the Multnomah County Poor Farm in Troutdale; Rhododendron Village, a stop along the Oregon Trail near Mt. Hood; and the Welches Roadhouse, where a pregnant woman jumped to her death.

The theater of the 18th century also introduced two new genres, now considered minor, which both strongly influenced the French theater in the following century; the "Comedy of Tears" (comédie larmoyante) and the bourgeois drama (drame bourgeois) which told stories full of pathos in a realistic setting, and which concerned the lives of bourgeois families, rather than aristocrats. Some popular examples of these genres were the Le Fils naturel (The Natural Son) by Diderot in 1757; Le Père de famille (The Father of the Family) by Diderot in 1758; Le Philosophe sans le savoir (The Philosopher who did not know he was a Philosopher) by Michel- Jean Sedaine, (1765); La Brouette du vinaigrier (The Vinegar Cart) by Louis- Sébastien Mercier (1775); and La Mère Coupable (The Guilty Mother) by Beaumarchais, (1792). The 18th century also saw the development of new forms of musical theater, such as the vaudeville theater, and the opéra comique, as well as a new genre of literary writing about theater, such as Diderot's Paradoxe sur le comédien; the writings of Voltaire defending theater actors against the condemnation of the church; and Rousseau's condemnation of immorality in the theater.